Chosen Sister Quotes

We've searched our database for all the quotes and captions related to Chosen Sister. Here they are! All 100 of them:

I knew that, although my life had been shaped by events out of my control, it was I who had chosen to react to them in the way I had
Lucinda Riley (The Seven Sisters (The Seven Sisters, #1))
I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She was so like a sister that I forgot we'd chosen each other as friends.
Julie Metz (Perfection: A Memoir of Betrayal and Renewal)
In a certain light and from a carefully chosen angle, Magrat was not unattractive.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
You’ve become a fire within me.” He pressed her palm to the center of his chest. “Right here. Bringing light to places I never knew were in shadow.” His breath shuddered out of him. “I can’t go back to the darkness, Fiona.” Suza Kates, Chosen Blood
Suza Kates (Chosen Blood (The Sisters' Grimoire #2))
Each of us thinks that our own mistake is the worst, because we have made it. We all live with guilt for our actions, Maia. Especially if we have chosen to keep them inside us for as long as you have. I’m sitting here feeling only sadness for you, not disapproval. And I really think that anyone else who heard your story would feel the same. It’s only you who blames yourself.
Lucinda Riley (The Seven Sisters (The Seven Sisters, #1))
Spending time with people who have dementia has made me a more patient parent, friend, daughter, sister, wife. It has made me notice and be endlessly thankful for things like the horizon of Lake Michigan, gray storm clouds, three or four well-chosen notes on a cello, and breathing. Anne Davis Basting in Forget Memory p.160
Anne Davis Basting (Forget Memory: Creating Better Lives for People with Dementia)
I'm proud of the path I've chosen. And I think I speak for my brother and sister when I say that rejecting our father's extremism both saved our lives and made our lives worth living. To answer the agent's question, here is what happened to the children of El-Sayyid Nosair: We are not his children anymore.
Zak Ebrahim, Jeff Giles (Teroristov syn)
Recognize that you have been chosen to be alive, right now, at this exact moment in time and know that none of that is random. There is something about you, your past or your future that is required at this exact moment in history. We need to know who you are and what you have been through.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
Joy and peace are manifestations of the presence of God, and your brother and sister are His perfect expression. You now understand that there is no need to alter perfection.
James Blanchard Cisneros (You Have Chosen to Remember: A Journey of Self-Awareness, Peace of Mind and Joy)
They were the only three people I'd chosen on my own to love, and they were gone. But still, that morning in Mobay when I saw Russ for the last time, I saw clearly for the first time that loving Sister Rose and I-Man and even Bruce had left me with riches that I could draw on for the rest of my life, I was totally grateful to them.
Russell Banks (Rule of the Bone)
I'm sorry, I had a meeting" I stand behind his chair. "Liar," under my breath. "You weren't at a meeting," take a breath, gain speed, bursting, "You were with Angie in the office. I saw you. I saw you. You clamp us down, you think no one knows. You hurt my brother! My sister! You hurt my friend! Small trusting prey, huh? You had to squash some weak person already in pain, thinking she loved you. You could have chosen to hurt me! But I'm not worth enough, I never am and you picked poor Angie, you were going to RAPE her, I SAW YOU TRY TO RAPE ANGIE, you fucking MONSTER!
Thalia Chaltas (Because I Am Furniture)
Elle slammed the reindeer cookie cutter down and viciously yanked the extra dough from around it. Her mother, brother, and sisters all stopped to stare at her. “Whoa. Put the reindeer down gently and step away from Santa,
Kathleen Brooks (Chosen for Power (Women of Power, #1))
Love is greedy," Rhyia said, drawing her bow. She spotted a bird high in the trees and chosen it to be her quarry. Her words bothered me, although I suppose my love for Locke was greedy too. But love was also transofrming.
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
Sleep deeply, the sleep of our people, chosen one of my sister,that you will heal completely and wake refreshed and in full strength.
Christine Feehan (Dark Challenge (Dark, #5))
He, Jeff, and Troy Lee carried Super Soakers loaded with Grandma Lee's Vampire Cat Remedy, other Animals had garden sprayers slung on their backs, except for Gustavo, who thought that making him carry a garden sprayer was racial stereotyping. Gustavo had a flame thrower. He wouldn't say where he got it. "Second Amendment, cabrones." (The guy who sold Gustavo his green card had included two amendments from the Bill of Rights and Gustavo had chosen Two and Four, the right to bear arms and freedom from unreasonable search and seizure. [His sister Estrella had had seizures as a child. No bueno.] For five bucks extra he threw in the Third Amendment, which Gustavo bought because he was already sharing a three-bedroom house in Richmond with nineteen cousins and they didn't have any room to quarter soldiers.)
Christopher Moore (Bite Me (A Love Story, #3))
Prim. I need only to think of Prim and all my resolve disintegrates. It’s my job to protect her. I pull the blanket up over my head, and my breathing is so rapid I use up all the oxygen and begin to choke for air. I can’t let the Capitol hurt Prim. And then it hits me. They already have. They have killed her father in those wretched mines. They have sat by as she almost starved to death. They have chosen her as a tribute, then made her watch her sister fight to the death in the Games. She has been hurt far worse than I had at the age of twelve.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
He'd chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed and a girl from down the lane who smiled at him...he'd go home then in his fine uniform and put silver in his mother's hands and ask the smiling girl to marry him. Or maybe he'd lose a leg and go home sorrowful and bitter to find her married to a man who could farm; or maybe he'd take to drink to forget that he'd killed men...“They all had stories. They had mothers or fathers, sisters or lovers. They weren't alone in the world, mattering to no one but themselves. It seemed utterly wrong to treat them like pennies in a purse. I felt the soldiers understood perfectly well that we were making sums out of them...this many safe to spend, this number too high, as if each one wasn't a whole man.
Naomi Novik (Uprooted)
I don't give a shit,' he said, smiling slightly. 'I don't care if I'm called Prince or Starborn or the Chosen One or any of that.' He grabbed her hand. 'The only thing I want to be called right now is your brother.' He added softly. 'If you'll have me.' She winked, even as her heart tightened unbearably. 'I'll think about it.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
And then it hits me. They already have. They have kiled her father in those wretched mines. They have sat by as she almost starved to death. They have chosen her as a tribute, then made her watch her sister fight to the death in the Games. She has been hurt far worse than I had at the age of twelve. And even that pales in comparison with Rue's life.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
You do NOT fear your OWN ability to COMMIT. Just think about your unwavering dedication to your career, your notion of sisterhood and friendship. You are tireless. That is why we all lean on you. Because you are totally committed to the lot of us. You do not have a "fear of commitment" that's just an easy way out of all of this. What you have dearest one, is a deep seated and totally understandable fear of OTHER people's commitment to YOU. I totally wholeheartedly agree, you've never been in love. Until Zac, you've chosen chaps whom you've simply liked but who have loved you. so when it's over, it hasn't hurt you. Why have you done this, over all these years? I'll tell you why, because what YOU actually fear is being left by someone YOU love. Your fear of COMMITMENT centres solely on another's commitment to YOU'It makes
Freya North (Pip (McCabe Sisters, #3))
At last week's Sunday service, Reverend Pike read a parade from the Gospels in which Jesus and His disciples, having arrived in a village, are invited by a woman into her home. Having made them all comfortable, this woman Martha, retreats into her kitchen to fix them something to eat. And all the while she's cooking and generally seeing to everyone's needs by filling empty glasses and getting second helpings, her sister, Mary is sitting at Jesus's feet. Eventually, Martha has had enough and she lets her feelings be known. "Lord," she says, "can't you see that my idler of a sister has left me to do all the work? Why don't you tell her to lend me a hand?" Or something to that effect. And Jesus, He replies, "Martha, you are troubled by too many things when only one thing is needful. And it is Mary who has chosen the better way." Well, I'm sorry. But if you ever needed proof that the Bible was written by a man, there you have it.
Amor Towles (The Lincoln Highway)
To those you care for, a nurse is a person of many faces: You are a warrior against death and suffering, a technician of the highest degree; you are a mother, a sister, a best friend, a psychiatrist; you are a teacher, a magician, a sounding board, a secretary, a fortuneteller, a politician, but most of all, you are a loving human being who has chosen to give that love in one of the best ways you can.
Echo Heron (INTENSIVE CARE)
Lord, she says, can’t you see that my idler of a sister has left me to do all the work? Why don’t you tell her to lend me a hand? Or something to that effect. And Jesus, He replies: Martha, you are troubled by too many things when only one thing is needful. And it is Mary who has chosen the better way. Well, I’m sorry. But if ever you needed proof that the Bible was written by a man, there you have it. I
Amor Towles (The Lincoln Highway)
Dimension—she missed that most. Darting up into sunlight and down to the cool deeps, playing tag with her sisters among coral reefs and palaces, twisting around and diagonal, breeching like a dolphin. The world she had chosen was flatter, its movements less expressive. But
Maya Chhabra (Walking on Knives)
My Father, the Age I Am Now Time, which diminishes all things, increases understanding for the aging. —PLUTARCH My mother was the star: Smart and funny and warm, A patient listener and an easy laugher. My father was . . . an accountant: Not one to look up to, Ask advice from, Confide in. A man of few words. We faulted him—my mother, my sister, and I, For being this dutiful, uninspiring guy Who never missed a day of work, Or wondered what our dreams were. Just . . . an accountant. Decades later, My mother dead, my sister dead, My father, the age I am now, Planning ahead in his so-accountant way, Sent me, for my records, Copies of his will, his insurance policies, And assorted other documents, including The paid receipt for his cemetery plot, The paid receipt for his tombstone, And the words that he had chosen for his stone. And for the first time, shame on me, I saw my father: Our family’s prime provider, only provider. A barely-out-of-boyhood married man Working without a safety net through the Depression years That marked him forever, Terrified that maybe he wouldn’t make it, Terrified he would fall and drag us down with him, His only goal, his life-consuming goal, To put bread on our table, a roof over our head. With no time for anyone’s secrets, With no time for anyone’s dreams, He quietly earned the words that made me weep, The words that were carved, the following year, On his tombstone: HE TOOK CARE OF HIS FAMILY.
Judith Viorst (Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades))
Flustered by the budding understanding of why her sister might have chosen to love this supposed monster, Irsa fumbled for her satchel.
Renée Ahdieh (The Rose and the Dagger (The Wrath & the Dawn, #2))
Coffee. It was decisive. Without their women, their chosen drink would always be what it had been.
Christine Feehan (Bound Together (Sea Haven/Sisters of the Heart, #6))
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
Brittainy C. Cherry (The Wreckage of Us)
Away from her sister, Celia talked quite easily, and Sir James said to himself that the second Miss Brooke was certainly very agreeable as well as pretty, though not, as some people pretended, more clever and sensible than the elder sister. He felt that he had chosen the one who was in all respects the superior; and a man naturally likes to look forward to having the best. He would be the very Mawworm of bachelors who pretended not to expect it.
George Eliot (Middlemarch)
My friends in Cambridge had become a kind of family, and I felt a sense of belonging with them that, for many years, had been absent on Buck's Peak. Sometimes I felt damned for those feelings. No natural sister should love a stranger more than a brother, I thought, and what sort of daughter prefers a teacher to her own father? But although I wished it were otherwise, I did not want to go home. I preferred the family I had chosen to the one I had been given, so the happier I became in Cambridge, the more my happiness was made fetid by my feeling that I had betrayed Buck's Peak. That feeling became a physical part of me, something I could taste on my tongue or smell on my own breath.
Tara Westover (Educated)
Leafpaw, you and your sister aren’t kits anymore. And you have chosen a very different path from hers, to be a medicine cat. You will always be friends, but you can’t do everything together, and the sooner you both accept that, the better.
Erin Hunter (Midnight (Warriors: The New Prophecy, #1))
But Little Grandmother did not keep in touch with her namesake, my mother, Margaret Morris. News about Will Morris's younger daughter reached the "white" side through Mamie. They knew where she was, what she was doing, and who she was doing it with. Most important, they knew she had chosen to stay negro. It is still a matter of speculation as to why my mother's father or one of her much older brothers or her sister did not keep in touch with her and her younger brother. Over the years, Aunt Mamie and my mother's various guardians supplied different explanations. The times were hard. They were bad for mulattoes and worse for "real" Negroes. There was little money around. Her father drank, drifted and could not keep jobs. Her teenage siblings could barely keep jobs ...... She was too dark, revealing both the Negro and swarthy Italian strains of her ancestry. Her color would give them away in their new white settings. All of these reasons were plausible. None of them sufficed. None could take away the pain, the anger, the isolation, the questions.
Shirlee Taylor Haizlip (Sweeter the Juice: A Family Memoir in Black and White)
Would you like to dance?" I knew I had frosting on my nose. Alex leaned over and wuped it off with his thumb. "Well?" I could only nod. I had a full mouth, too. I stood up, swallowed, and accepted the napkin he was holding. "You're here." "I'm here," he agreed, like it hadn't been a ridiculous thing to say. "I am crashing your sister's wedding. Hope she won't mind." "She won't mind." He was wearing a tux. A real tux, complete with bow tie and silk lapels. I stroked one. "I'm guessing this isn't a rental." He squirmed a little. "No, it's mine. Nice dress." I looked down at the snug purple monstrosity my sister had chosen. At least it had a mandarin collar and some sleeves. "It's a cheongsam," she'd announced proudly. "It's Eggplant Ho Lee Mess" was Frankie's take. My pear-shaped cousin Vanessa got strapless. Now she looked like an eggplant. "You look beautiful," Alex said, but the corner of his mouth was twitching. "Well,you look like...like..." I sighed. "Okay, you look really really good." Then, again, "You're here." "I'm here." "Why?" "I missed you," he said simply. "It's only been four days." "A very,very long four days. But your e-mail helped." He reached for my hand. "Now,are we dancing or not?" We did, and it wasn't as complicated as I'd thought it might be. I stood on my toes, he bent down a little, and we fit together pretty well. The song ended way too soon. "So," Alex said. "So." "We can stay here if you want to...or if you have to. But I have another suggestion. Let's go watch the sun rise." It sounded like a good idea to me. Except... "It's ten o'clock. And it's freezing out there." "Trust me," he said. "okay.
Melissa Jensen (The Fine Art of Truth or Dare)
We are vulnerable even when we are not. We are vulnerable even when we have not chosen to be. The existence of Black women is always under assault. Our hair is an insult and our bodies are violated. Our Black brothers, sons, fathers, daughters, mothers, sisters, grandmothers, aunties are all vulnerable. We can disappear, be assaulted, be murdered under the color of law without recourse. Despite our credentials and accolades, we can be the first to be laid off. We know this and we are reminded of this. We are always vulnerable—living without certainty and at risk.
Tarana Burke (You Are Your Best Thing: Vulnerability, Shame Resilience, and the Black Experience (An Anthology))
The A.D. says, “To quote the Bard, ‘We happy, chosen few are a band of brothers and sisters, and will be kicking arse on St. Whatever-The-Bloody Day it was’.” “It’s St. Crispin’s Day, you heathen.” Mary regards him blandly. “That’s not even close to the original quote. Your Shakespeare is terrible.” He smiles impishly. “Why, thank you.
Heather Lyons (The Forgotten Mountain (The Collectors' Society, #3))
Still lying on the ground, half tingly, half stunned, I held my left hand in front of my face and lightly spread my fingers, examining what Marlboro Man had given me that morning. I couldn’t have chosen a more beautiful ring, or a ring that was a more fitting symbol of my relationship with Marlboro Man. It was unadorned, uncontrived, consisting only of a delicate gold band and a lovely diamond that stood up high--almost proudly--on its supportive prongs. It was a ring chosen by a man who, from day one, had always let me know exactly how he felt. The ring was a perfect extension of that: strong, straightforward, solid, direct. I liked seeing it on my finger. I felt good knowing it was there. My stomach, though, was in knots. I was engaged. Engaged. I was ill-prepared for how weird it felt. Why hadn’t I ever heard of this strange sensation before? Why hadn’t anyone told me? I felt simultaneously grown up, excited, shocked, scared, matronly, weird, and happy--a strange combination for a weekday morning. I was engaged--holy moly. My other hand picked up the receiver of the phone, and without thinking, I dialed my little sister. “Hi,” I said when Betsy picked up the phone. It hadn’t been ten minutes since we’d hung up from our last conversation. “Hey,” she replied. “Uh, I just wanted to tell you”--my heart began to race--“that I’m, like…engaged.” What seemed like hours of silence passed. “Bullcrap,” Betsy finally exclaimed. Then she repeated: “Bullcrap.” “Not bullcrap,” I answered. “He just asked me to marry him. I’m engaged, Bets!” “What?” Betsy shrieked. “Oh my God…” Her voice began to crack. Seconds later, she was crying. A lump formed in my throat, too. I immediately understood where her tears were coming from. I felt it all, too. It was bittersweet. Things would change. Tears welled up in my eyes. My nose began to sting. “Don’t cry, you butthead.” I laughed through my tears. She laughed it off, too, sobbing harder, totally unable to suppress the tears. “Can I be your maid of honor?” This was too much for me. “I can’t talk anymore,” I managed to squeak through my lips. I hung up on Betsy and lay there, blubbering on my floor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As a child dragged out of bed at 2 a.m. by my Carl Sagan–worshiping father, I would pick a section of sky and watch it closely, waiting for the meteors to move through it. Waiting for the meteors to come to me. I would frustrate myself, angry when my sisters gasped and squealed as they saw stars fall while my chosen sky remained static. One has to open oneself up, take in the whole canvas without choosing, without discriminating. Relinquish focus and choose expansion. That is the song of the call to prayer. It moves you upward and outward, works you out of three dimensions and into four. Widen your scope, it sings. Unfix yourself. Allow yourself to move endlessly. Why choose a fragment when you can have the whole night sky?
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
No natural sister should love a stranger more than a brother, I thought, and what sort of daughter prefers a teacher to her own father? But although I wished it were otherwise, I did not want to go home. I preferred the family I had chosen to the one I had been given, so the happier I became in Cambridge, the more my happiness was made fetid by my feeling that I had betrayed Buck’s Peak.
Tara Westover (Educated)
But Martha was distracted with much serving, and she approached Him and said, “Lord, do You not care that my sister has left me to serve alone? Therefore tell her to help me.” And Jesus answered and said to her, “Martha, Martha, you are worried and troubled about many things. But one thing is needed, and Mary has chosen that good part, which will not be taken away from her.” (verses 38–42)
Judah Smith (Life Is _____.: God's Illogical Love Will Change Your Existence)
The gamin Gavroche puts in a strong plea for mercy, and his sister Eponine, if Hugo had chosen to take more trouble with her, might have been a great, and is actually the most interesting, character. But Cosette—the cosseted Cosette—Hugo did not know our word or he would have seen the danger—is merely a pretty and rather selfish little doll, and her precious lover Marius is almost ineffable.
George Saintsbury
Without warning, Rhamp opened his lids just as V was settling him down in the crib-thing next to his sister. V recoiled. Okay, wow, those eyes were really fucking intense, very direct, and slightly hostile—like the kid knew this happy little transfer was waaaaaaaaaaaaay above Vishous’s pay grade and not something that should have been sanctioned by any kind of self-respecting parental unit. “Chill, my man,” V murmured as he checked on what Pops was doing over at the other bassinet—and then V followed suit, pulling up the blanket just like Qhuinn was. “S’all good. You good, true?” Qhuinn looked over. “He’s a fighter, all right. You can already tell.” V sat back on his heels, crossed his arms, and continued to look down at the little bag of vampire. And what do you know. That infant sonofabitch glared right back at him. Vishous started to smile
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
When they killed my family, they may as well have killed me, Hayden. I was fourteen when I killed my first man. I wasn't even of age. All I could think about was what he had done to my mother, my father, my sister and my brother. That was all I could see. Luke found out who they were and we took care of them. I spent the next sixteen years doint the same thing. I don't think I was alive. I died that night. "I never worried going into battles. I never cared what would happen if I jumped into an ambush. How could I die if I was already dead?" I reached back and pulled his head down so that it was against mine. His arms tightened around me. "But then one day, I looked down a hill and saw this most beautiful woman. I looked into those unbelievable eyes and my heart jumped. When you kissed me by the lake it started to beat again. You're the one who brought me back to life, Hayden, and now that I'm alive again, I'm terrified.
Mireille Chester (Journey (The Chosen One Trilogy, #2))
First Sword, I am chosen to speak for all. We have seen the sun rise. It may be that we shall not see it set. Thus, we have us this one day, to find the measure of our worth. It is, perhaps, less time than many might possess; but so too is it more than many others are privileged to know. One day, to see who and what we are. One day, to find meaning in our existence. ‘First Sword, we welcome the opportunity you have given us. Today, we shall be your kin. Today, we shall be your sisters and brothers.
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Books had always been a comfort to her. More than comfort. There were times when reading came close to an addiction. When things had been tough at home, Harriet’s solution had been to remove herself from life and disappear. She’d chosen to be invisible. Sometimes physically, by hiding under the table, but sometimes psychologically by diving into a literary world unlike her own. As a child she’d liked to sink into the pages and lose herself for hours at a time. When she was reading, she didn’t just leave her own life behind, she stepped into someone else’s. There were times when she’d read for hours without noticing the passage of time or the onset of darkness. When it grew too dark to read, she simply switched on her flashlight and read under the covers so that she didn’t disturb her sister, who was sleeping in the next bed. At school, she carried her book around. When things were difficult, the weight of her bag would comfort her. It helped just to know the book was there, waiting for her. At various points in the day she’d feel the edges bump against her thigh, reminding her of its existence. It was like having a friend close by, telling her I’m still here and we can spend time together later. Even now, more than a decade on from that difficult time of her life, she found herself instinctively reaching for a book when she was stressed. Comfort was different things to different people. To some it was a bar of chocolate or a glass of wine, a run in the park or coffee with a friend. To Harriet, it was a book.
Sarah Morgan (Moonlight Over Manhattan (From Manhattan with Love, #6))
Let's make America great. We have not been Great, white people. We have chosen to live in our bubbles. White people have chosen to be angry in silence, at our dinner tables, in conversations with people we know and trust. Our black brothers and sisters, our fellow Americans, need allies. They scream and are not heard. They protest for their basic human rights and they are called thugs. Our black brothers and sisters have been losing this fight alone. We have watched the innocent die. We have mourned them with silence.
Daniel Abbott (Wounds)
My life has not been in the service of some kind of resistance or in accordance with any great ideology. I don’t wish to be twisted into a lesson for some young girl one day, either as an example to emulate or one to avoid at all costs. I don’t need to write yet another rallying cry against the oppressiveness of convention, or a bitter treatise on how I should have chosen a more orthodox existence. I don’t wish to be idealized or scorned. Sometimes I just want to shed a tear in peace, without it being a statement about anything at all.
Jenny Zhang (March Sisters: On Life, Death, and Little Women)
The soldiers were already laying pikes along the wall by torch-light, with the points bristling upwards; they had draped cloaks over the poles to make small tents to sleep under. A few of them were sitting around small campfires, soaking dried meat in boiling water, stirring kasha into the broth to cook up. They cleared hastily out of our way without our even having to say a word, afraid. Sarkan seemed not to notice, but I couldn’t help feeling sorry and strange and wrong. One of the soldiers was a boy my own age, industriously sharpening pike-heads one by one with a stone, skillfully: six strokes for each one and done as quick as the two men putting them along the wall could come back for them. He must have put himself to it, to learn how to do it so well. He didn’t look sullen or unhappy. He’d chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed, and a girl from down the lane who smiled at him over the fence as she drove her father’s herd out into the meadows every morning. So he’d given his mother his signing-money and gone to make his fortune. He worked hard; he meant to be a corporal soon, and after that a sergeant: he’d go home then in his fine uniform, and put silver in his mother’s hands, and ask the smiling girl to marry him. Or maybe he’d lose a leg, and go home sorrowful and bitter to find her married to a man who could farm; or maybe he’d take to drink to forget that he’d killed men in trying to make himself rich. That was a story, too; they all had stories. They had mothers or fathers, sisters or lovers. They weren’t alone in the world, mattering to no one but themselves.
Naomi Novik (Uprooted)
The altruistic gene doesn’t help just any randomly chosen individual. In a sense, it helps copies of itself in a different individual. Generally speaking, full siblings share 50 percent of their genes, so if I can help more than two of my sisters, even at the expense of sacrificing myself, then, on average, such behavior will be favored by natural selection. Hence the famous quip by the evolutionary biologist J. B. S. Haldane. When asked whether he would give his life to save a drowning brother, he replied: “No, but I would to save two brothers or eight cousins.
Peter Turchin (Ultrasociety: How 10,000 Years of War Made Humans the Greatest Cooperators on Earth)
When it comes to our unity in Christ, we constantly have choices to make. How will we respond to our brothers and sisters in Christ we wouldn’t have chosen if we had been given the choice — in light of our spiritual unity or in light of our earthly differences? The choice is ours. We can always find a way to get along. We can always find a way to pick a fight. But the choice we make will always have huge ramifications, not only for us but also for all the people we hope to influence and reach for Jesus. They’re not too likely to listen when we’re beating each other up
Larry Osborne (Accidental Pharisees: Avoiding Pride, Exclusivity, and the Other Dangers of Overzealous Faith)
38Now as they went on their way, Jesus [4] entered a village. And a woman named  bMartha  cwelcomed him into her house. 39And she had a sister called  bMary, who  dsat at the Lord’s feet and listened to his teaching. 40But Martha was distracted with much serving. And she went up to him and said, “Lord, do you not care that my sister has left me to serve alone? Tell her then to help me.” 41But the Lord answered her, “Martha, Martha, you are  eanxious and troubled about many things, 42but one thing is necessary. [5] Mary has chosen  fthe good portion, which will not be taken away from her.
Anonymous (The Holy Bible: English Standard Version)
Only toys from the human realm be chosen, and only the most beloved of the lot. Those accustomed to being filled with hopes and dreams and all the affections their children pour into them. For that is the essence of a soul. Hopes and dreams and love. When the most cherished toys are abandoned in junkyards and trash heaps, they become deprived of those things that once filled and warmed them. They become lonely and greedy and crave the essence of the life they once had. So we send our pixie slaves through the portals to carry the toys down for us, and my sister fills them with what they want most—souls. Like thirsty sponges, they hold on to them with every portion of their strength and will.
A.G. Howard (Splintered (Splintered, #1))
Joseph also administered the new, secret rite of the Second Anointing for chosen couples upstairs at the store. He sealed polygamous marriages in the second-floor office, never revealing them to the Saints at large. Smith and Brigham Young kept coded records of these events, sometimes using pseudonyms. In his diary, Smith occasionally called himself “Baurak Ale.” To record his marriages, Young might write “saw E. Partridge,” a code which meant “[s]ealed [a]nd [w]ed Emily Partridge,” or “ME L. Beaman,” which would mean “married for eternity Louisa Beaman.” One of Joseph’s plural wives, Willard Richards’s sister Rhoda, lived in the store, which was also the site of Brigham Young’s soon-to-be-famous, botched seduction of British teenager Martha Brotherton.
Alex Beam (American Crucifixion: The Murder of Joseph Smith and the Fate of the Mormon Church)
The nun looked all around the auditorium and she said this in a strong, clear voice. 'Close your eyes and imagine this scene. You're washed up on a deserted island with a cat. This is a solitary island in the middle of nowhere. It's almost impossible that someone would rescue you within ten days. When your food and water run out, you may very well die. Well, what would you do? Since the cat is suffering as you are, should you divide your meager food with it?' The sister was silent again and looked at all our faces. 'No. That would be a mistake,' she continued. 'I want you to understand that dividing your food with the cat would be wrong. The reason being that you are precious beings, chosen by God, and the cat is not. That's why you should eat all the food yourself.' The nun had this terribly serious look on her face.
Haruki Murakami (Sputnik Sweetheart)
One of her hands was at her hip, touching her belt, as though she might draw the weapon sheathed there. The idea was hilarious, He certainly hadn't buckled on a sword in preparation for coming here. He wasn't even sure he could stay standing long enough to swing, and he had only beaten her when he was sober because she let him. Jude looked up at him, and in her eyes, he recognised a hate big enough and wide enough and deep enough to match his own. A hate you could drown in like a vat of wine. Too late to hide it, she lowered her head in the pretense of defence. Impossible, Cardan thought. What had she to be angry about, she who had been given everything he was denied? Perhaps he had imagined it. Perhaps he wanted to see his reflection on someone else's face and had perversely chosen hers. With a whoop, he rode in her direction, just to watch her and her sister run. Just to show her that if she did hate him, her hatred was as impotent as his own.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.
S. Jae-Jones (Shadowsong (Wintersong, #2))
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Winning will make you famous. Losing means certain death. The nation of Panem, formed from a post-apocalyptic North America, is a country that consists of a wealthy Capitol region surrounded by 12 poorer districts. Early in its history, a rebellion led by a 13th district against the Capitol resulted in its destruction and the creation of an annual televised event known as the Hunger Games. In punishment, and as a reminder of the power and grace of the Capitol, each district must yield one boy and one girl between the ages of 12 and 18 through a lottery system to participate in the games. The 'tributes' are chosen during the annual Reaping and are forced to fight to the death, leaving only one survivor to claim victory. When 16-year-old Katniss's young sister, Prim, is selected as District 12's female representative, Katniss volunteers to take her place. She and her male counterpart Peeta, are pitted against bigger, stronger representatives, some of whom have trained for this their whole lives. , she sees it as a death sentence. But Katniss has been close to death before. For her, survival is second nature.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
In the arc of an unremarkable life, a life whose triumphs are small and personal, whose trials are ordinary enough, as tempered in their pain as in their resolution of pain, the claim of exclusivity in love requires both a certain kind of courage and a good dose of delusion. Irish Mary, Eva's sister, would have been happy enough to accept my father's ring, I suppose, had Eva not chosen to stay in Ireland and marry Tom. My mother's first fiancé would have married her gladly if he hadn't been kept too long overseas by the Navy, if my father hadn't beaten him home, on points, a full year before. It might have been Cody or John in the car with your father, that day on Long Island. I might have been gone. Those of us who claim exclusivity in love do so with a liar's courage: there are a hundred opportunities, thousands over the years, for a sense of falsehood to seep in, for all that we imagine as inevitable to become arbitrary, for our history together to reveal itself as only a matter of chance and happenstance, nothing irrepeatable, or irreplaceable, the circumstantial mingling of just one of the so many million with just one more.
Alice McDermott (Charming Billy)
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
The store he’d chosen was Target. Which could be my second home, so I led him right to kids’ clothes. He stood on the edge of the little girls’ department with his mouth slightly agape. “This is a lot of clothes.” I laughed and looped my arm through his. “C’mon, it’s not that bad.” “How do you choose anything? It just goes on forever.” “What did your sister say? Be specific.” I released his arm and ran my fingers over a cute floral dress. “Size two. No exact matches. Summer clothes. Nothing slutty. Shorts. Dresses. No pants.” I turned and stared at him. “Wait, she said nothing slutty?” He chuckled. “I just threw that in to see if you were really paying attention. You kind of had that glazed-over storegasm look.” My lips parted. “Did you just say ‘storegasm’?” With a sheepish grin he looked down, then glanced back up. “My sister calls it that. I swear it’s not my word. Like when she walks into her favorite store or finds a sale, she says it’s better than…” He looked away. “I think I’m just going to shut up now.” “Huh.” I looked through the rack again. “I kind of like it. Storegasm.” Cade didn’t move as I repeated the word, testing it out for myself. “But don’t worry. I was listening. Trust me, you’d know if I was having a storegasm.” I glanced at him, then walked over to the next rack. When he didn’t follow, I looked over my shoulder at him. “You coming?” One eyebrow shot up. I bit back a smile and turned away. He cleared his throat and followed.
Renita Pizzitola (Just a Little Flirt (Crush, #2))
The turning-point [in Klosters, Switzerland in 1988] [Diana’s sister] Jane’s wonderfully solid. If you ring up with a drama, she says: ‘Golly, gosh, Duch, how horrible, how sad and how awful’ and gets angry. But my sister Sarah swears: ‘Poor Duch, such a shitty thing to happen.’ My father says: ‘Just remember we always love you.’ But that summer [1988] when I made so many cock-ups I sat myself down in the autumn, when I was in Scotland, and I remember saying to myself: ‘Right, Diana, it’s no good, you’ve got to change it right round, this publicity, you’ve got to grow up and be responsible. You’ve got to understand that you can’t do what other 26- and 27-year olds are doing. You’ve been chosen to do a position so you must adapt to the position and stop fighting it.’ I remember my conversation so well, sitting by water. I always sit by water when contemplating. Stephen Twigg [a therapist] who comes to see me said once: ‘Whatever anybody else thinks of you is none of your business.’ That sat with me. Then once someone said to me, when I said I’ve got to go up to Balmoral, and they said: ‘Well, you’ve got to put up with them but they’ve also got to put up with you.’ This myth about me hating Balmoral--I love Scotland but just the atmosphere drains me to nothing. I go up ‘strong Diana.’ I come away depleted of everything because they just suck me dry, because I tune in to all their moods and, boy, are there some undercurrents there! Instead of having a holiday, it’ the most stressful time of the year. I love being out all day. I love the stalking. I’m much happier now. I’m not blissful but much more content than I’ve ever been. I’ve really gone down deep, scraped the bottom a couple times and come up again and it’s very nice meeting people now and talking about tai-chi and people say: ‘Tai-chi--what do you know about tai-chi?’ and I said: ‘An energy flow,’ and all this and they look at me and they say: ‘She’s the girl who’s supposed to like shopping and clothes the whole time. She’s not supposed to know about spiritual things.
Andrew Morton (Diana: Her True Story in Her Own Words)
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears. Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister. Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line. “I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He ought to be more clever in his murder attempt. Done properly, he could make a wealthy widow of you, and then you’d both have your happy ending.” Harry knew instantly that he shouldn’t have said it—the comment was the kind of cold-blooded sarcasm he had always resorted to when he felt the need to defend himself. He regretted it even before he saw Merripen out of the periphery of his vision. The Rom was giving him a warning shake of his head and drawing a finger across his throat. Poppy was red faced, her brows drawn in a scowl. “What a dreadful thing to say!” Harry cleared his throat. “I’m sorry,” he said brusquely. “I was joking. It was in poor—” He ducked as something came flying at him. “What the devil—” She had thrown something at him, a cushion. “I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?” “I’ll handle this,” Merripen told Win before she could reply. Standing, he slung a great arm across Harry’s shoulders and walked him to the side of the terrace. Poppy’s furious form could be seen in the distance. She was walking down the drive to the caretaker’s house, her skirts and shoes kicking up tiny dust storms. Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. “Take my advice, gadjo . . . never argue with a woman when she’s in this state. Tell her you were wrong and you’re sorry as hell. And promise never to do it again.” “I’m still not exactly certain what I did,” Harry said. “That doesn’t matter. Apologize anyway.” Merripen paused and added in whisper, “And whenever your wife is angry . . . for God’s sake, don’t try logic.” “I heard that,” Win said from the chaise.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
What can he tell them? He, who knows nothing. Ibn al Mohammed has not planned atrocities nor committed them. He has never been in the presence of terrorists. Yet Satan’s agents suspect him. He is dark-complected. His hair and beard are black. His name is Muslim. Body tall and slender, hands large, their fingers long and tapered. Dark eyes sunken in a narrow face. Irises like obsidian. He prays on hands and knees, forehead touching the floor. Thoughtlessly aligned, his cage obliges him to face a white plastic wall to bow toward Mecca. No matter; Ibn al Mohammed requires no sight of ocean or sky to know his place in the universe. He knows himself as one chosen, beloved of God. A man whose devotion will allow him to be saved. Standing at the bars, he stares at the plastic wall. Modesty panel, they call it. The detainee wills nothing, attempts nothing, merely stares at blankness as his mind opens toward such signs as might appear. Something, nothing. However little, however great, whatever God vouchsafes is sufficient. The least sign is enough. A crease in the plastic. A shadow cast against its insensate skin, then fleeing, gone. A raindrop: trickling through the roof, one small drop might touch the wall, leave a transparent streak, a tear without sorrow to confirm his understanding of what is and must be. Recognition. Acceptance. By such a sign he will know he is not forsaken. That God notices and prepares a place. He will not serve in the harvest. He will eat the food, drink the water, ride the bus. He will not pick the berries so prized by his captors. Droids will cajole and threaten; perhaps they will beat him. If so, they incriminate themselves. He relishes their degradation together with God’s tasking, this new test of will and faith. To suffer in silence, as meek as a lamb. Ibn al Mohammed will remove himself from himself. Self fading into background, his presence will diminish. His body will persist; corporeally, he must endure. But his self will become absent. Mind and its thought, heart and all emotion will disperse smoke-like into nothingness and in its vanishing forestall injury, indignity, all pain. Does God approve? Does God see? A mere token will assure Ibn al Mohammed for a lifetime. Standing at the bars, he watches. Minutes pass. How long must he wait? God speaks at His leisure to those with patience to attend. What does it mean, to have enough patience to attend to God? It is a discipline to expect nothing because you deserve nothing and merit only death. Ibn al Mohammed has waited all his life. What has he seen? His father taken away. His mother and sisters scrounging in a desert. He himself is confined in-cage. Squats on a stool, shits in a pail. Rain rattles across sheet tin, pock-pock-pock-pock. Food is delivered on a tray. A damp bed beneath his body, a white wall before his eyes. What does Ibn al Mohammed see? He sees nothing. [pp. 203-204]
John Lauricella i 2094 i
Unconditional Love - Love Without Condition I love you as you are, as you seek to find your own special way to relate to the world. I honour your choices to learn in the way you feel is right for you. I know it is important that you are the person you want to be and not someone that I or others think you "should" be. I realise that I cannot know what is best for you, although perhaps sometimes I think I do. I have not been where you have been, viewing life from the angle you have. I do not know what you have chosen to learn, how you have chosen to learn it, with whom or in what time period. I have not walked life looking through your eyes, so how can I know what you need. I allow you to be in the world without a thought or word of judgement from me about the deeds you undertake. I see no error in the things you say and do. In this place where I am, I see that there are many ways to perceive and experience the different facets of our world. I allow without reservation the choices you make in each moment. I make no judgement of this, for if I would deny your right to your evolution, then I would deny that right for myself and all others. To those who would choose a way I cannot walk, whilst I may not choose to add my power and my energy to this way, I will never deny you the gift of love that God has bestowed within me, for all creation. As I love you, so I shall be loved. As I sow, so shall I reap. I allow you the Universal right of Free Will to walk your own path, creating steps or to sit awhile if that is what is right for you. I will make no judgement that these steps are large or small, nor light or heavy or that they lead up or down, for this is just my viewpoint. I may see you do nothing and judge it to be unworthy and yet it may be that you bring great healing as you stand blessed by the Light of God. I cannot always see the higher picture of Divine Order. For it is the inalienable right of all life to choose their own evolution and with great Love I acknowledge your right to determine your future. In humility I bow to the realisation that the way I see as best for me does not have to mean it is also right for you. I know that you are led as I am, following the inner excitement to know your own path. I know that the many races, religions, customs, nationalities and beliefs within our world bring us great richness and allow us the benefit and teachings of such diverseness. I know we each learn in our own unique way in order to bring that Love and Wisdom back to the whole. I know that if there were only one way to do something, there would need only be one person. I will not only love you if you behave in a way I think you should, or believe in those things I believe in. I understand you are truly my brother and my sister, though you may have been born in a different place and believe in another God than I. The love I feel is for all of God's world. I know that every living thing is a part of God and I feel a Love deep within for every person, animal, tree and flower, every bird, river and ocean and for all the creatures in all the world. I live my life in loving service, being the best me I can, becoming wiser in the perfection of Divine Truth, becoming happier in the joy of ... Unconditional Love
Sandy Stevenson
Skylar. Skylar. Skylar. You still awake? She chanted like an annoying little sister. I groaned.
Jennifer Whitfield (Chosen)
When will read. The bible about the. Creation. Of man. ,bible. Tell. Us that man was created. By the image of God. But. It doesn't. Tel. Us wheather. God. Is black.wHite. Indian. Or what ever. So. When. I. See thewhite man ,I. See the. Image. Of God ,I. See. Black man I see the image of. God ,I see. Indian. I see. the image. Of God that is. why we are the Images of God,we are. His children we have. to be together. As. One. As. Far we are one body created. By God ,born by woman, father by man living by grace. We are. One. Let. One love lead among us.Let understand. The meaing. Of. Love. God. Loves that is why he created us by his own. Image. Let us. Show. Godly love among. Ourselves. Let stop misuse the meaning of love. As far as are human created. By one God we are One. Let stop use sex as evidence to prove our love among our self. We are Gods people. We are chosen genaration. Sex is what God use to bles marriage life. That is why after the creation of Adam and Eve he said. To then be fruitfully and multiple. Gods love for mankind is greatest ,that is why he sent his only son to die for us. So my beloved brothers and sisters. Let one lead among us. We are One. We are Gods children. One Love to you al
BUKASON
By the time I was leaving, Mother became visibly more upset. I promised her that as soon as my life would get organized, normalized, she would come to me, be my guest for as long as she wished or perhaps, for good. This thought appealed to her and gave her reassurance that it was not forever, that we'll see each other soon. Brothers and sisters, uncles and aunts came to see me off at the boat and I was on my way to a new life, chosen freely and anticipated as a fateful new chapter in a - so far - no run of the mill existence. I said "goodbye, I'll write to you all about my wedding." Off I went on a wintry two-week crossing: one week on the Atlantic and another on the Mediterranean.
Pearl Fichman (Before Memories Fade)
And as they came out, they found a man of Cyrene, Simon by name: him they compelled to bear his cross. —Matthew 27:32 (KJV) WEDNESDAY OF HOLY WEEK: GOD IS IN THE DETAILS Which cliché do you abide by: The devil is in the details or God is in the details? No matter; something extraordinary is in the details. Take for instance that single line about Simon of Cyrene. Maybe the Romans forced Simon to help; maybe he would’ve offered this small gift anyway. In either case, Jesus accepted. A cynic might note that Jesus didn’t have much choice, but that misses the point: Jesus had lots of choices. He could have wiggled out of the whole mess with Pilate. He could have chosen a quicker execution. He could have skipped the whole proceeding. He did not. Our youngest daughter, Grace, has talked about becoming a hospice worker when she grows up. She’s seen two grandparents die in hospices. She has seen the kind of people who work there: kind people. Maybe it’s a job; maybe economic circumstances compelled them to work there—does it matter? Fact is, they’re there, in someone’s time of need, to assist others on their journey, to make their passing less difficult. Are we compelled to help others or do we offer? I’m guessing that the person whose burden is suddenly lightened by our presence doesn’t really care what brought us to that moment. Those are just details…and I think God is, most assuredly, in the details. Lord, You said that what we do for the least of our brothers and sisters we do for You. Help us to see You in everything we do in our everyday lives, even in the tiniest details. —Mark Collins Digging Deeper: Ps 147:4–5; Lk 12:6–7
Guideposts (Daily Guideposts 2014)
You have always embodied the worst of my father,” Lillian said. “The coldness, the ambition, the self-centeredness. Except you’re worse because you’re able to disguise it far more adeptly than he does. You’re what my father would have been if he’d been blessed with good looks and a little sophistication. I think that in winning you Daisy must somehow feel she has finally succeeded with Father.” Her brows came together as she continued. “My sister has always compelled to love unlovable creatures…the strays, the misfits. Once she loves someone, no matter how many times they betray or disappoint her, she will take them back with open arms. But you won’t appreciate that any more than Father does. You’ll take what you want, and give her very little in return. And when you inevitably hurt her, I will be the first in a line of people waiting to slaughter you. By the time I finish with you, there won’t be enough left for the others to pick over.” “So much for impartiality,” Matthew said. He respected her brutal honesty even though he was smarting from it. “May I respond with the same frankness you’ve just shown me?” “I hope you will.” “My lady, you don’t know me well enough to assess how much like your father I may or may not be. It’s no crime to be ambitious, particularly when you’ve started with nothing. And I’m not cold, I’m from Boston. Which means I’m not prone to displaying my emotions for all and sundry to see. As far as being self-centered, you have no way of knowing how much I’ve done, if anything, for other people. But I’ll be damned if I recite a list of my past good deeds in hopes of winning your approval.” He leveled a cool stare at her. “Regardless of your opinions, the marriage is going to happen, because both Daisy and I want it. So I have no reason to lie to you. I could say I don’t give a damn about Daisy, and I would still get what I want. But the fact is, I’m in love with her. I have been for a long time.” “You’ve been secretly in love with my sister for years?” Lillian asked with blistering skepticism. “How convenient.” “I didn’t define it as ‘in love.’ All I knew was that I had a persistent, all-consuming…preference for her.” “Preference?” Lillian looked momentarily outraged, and then she surprised him by laughing. “My God, you really are from Boston.” “Believe it or not,” Matthew muttered, “I wouldn’t have chosen to feel this way about Daisy. It would have been far more convenient to find someone else. The devil knows I should be given some credit for being willing to take on the Bowmans as in-laws.” “Touché.” Lillian continued to smile, leaning her chin on her hand as she stared at him.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
After agreeing to meet in an hour’s time, I returned to my quarters, then sent for Sahdienne. Too exhilarated to wait for her, I entered my bedroom and threw wide my wardrobe, hunting for a gown to suit the occasion. I hesitated before coming to a decision, my hand clutched around the fabric of the garment I was considering. It was my most beautiful gown--the one Steldor had given me for my sister’s seventeenth birthday party. In cream-and-gold fabric that matched my gold-and-pearl tiara, it was striking, with bell sleeves and a daringly cut neckline. It was the obvious choice--just as Steldor had been to be King. Sahdienne arrived at that moment, pulling me from my muddled memories. She had always loved the particular gown I’d chosen and had been enamored with my husband’s extraordinary taste. Now she eagerly assisted with my preparations, draping the beautiful gold-and-pearl necklace Steldor had given me to wear with the dress around my neck and styling my hair into an elegant roll at the back before fixing my tiara in place. With a quick curtsey, she departed and I walked into the parlor where my mother was waiting for me. I had not been informed of her arrival and immediately began to apologize. “I’m sorry to have kept you waiting, but…” I hesitated, for she was studying me with the strangest light in her blue eyes, and I wondered if I were overdressed. “Should I--? I mean, I can change into something else.” “No,” she said, approaching me to smooth my dark hair. “You’re perfect, dear. You’ve grown into such a beautiful woman.” I blushed, slightly embarrassed, but she candidly continued. “Since you and Steldor parted ways, I’ve often wondered if you’re lonely. No person has a whole heart until they find their match.
Cayla Kluver (Sacrifice (Legacy, #3))
Speaking of busy, what make you of this?” I held out the letter. Oria took it and frowned slightly as she read. When she reached the end, she said, “It seems straightforward enough, except…Merindar. Isn’t she some relation to the old king?” “Sister,” I said. “The Marquise of Merindar.” “Isn’t she a princess?” “While they ruled, the Merindars only gave the title ‘prince’ or ‘princess’ to their chosen heir. She carried the family title, which predates their years on the throne.” Oria nodded, pursing her lips. “So what does this mean?” “That’s what I’m trying to figure out. I did help bring about the downfall of her brother. I think a nasty letter threatening vengeance, awful as it would be to get, would be more understandable than this.” Oria smiled. “Seems honest enough. She wants to meet you.” “But why? And why now? And what’s this about ‘guidance’?” Oria looked back at the letter, her dark brows slightly furrowed, then whistled softly. “I missed that, first time through. What do you think she’s hinting at, that she thinks the new king ought not to be king?” “That is the second thing I’ve been wondering about,” I said. “If she’d make a good ruler, then she ought to be supported…” “Well, would she?” “I don’t know anything about her.” Oria handed the letter back, and she gave me a crooked grin. “Do you want to support her bid for the crown, or do you just want to see the Marquis of Shevraeth defeated?” “That’s the third thing on my mind,” I said. “I have to admit that part of me--the part that still rankles at my defeat last year--wants him to be a bad king. But that’s not being fair to the country. If he’s good, then he should be king. This concerns all the people of Remalna, their safety and well-being, and not just the feelings of one sour countess.” “Who can you ask, then?” “I don’t know. The people who would know her best are all at Court, and I wouldn’t trust any of them as far as I could throw this castle.
Sherwood Smith (Court Duel (Crown & Court, #2))
Had Jane felt that way this whole time? Back when it had all happened, Sylvie remembered feeling really angry at her: Sylvie had chosen Brown partly so she could be at college with her sister. Then Jane had gotten pregnant and ruined everything.
Luanne Rice (Dance with Me (Rice, Luanne))
Sitting closest to the captain was a man who was clearly Alpha Dog of the group. He was about thirty-five and wore what looked like a very expensive suit, and Matthews had inclined his head toward the man in a way that went beyond deferential and nearly approached reverence. The man looked up at me as I entered, scanned me as if he was memorizing a row of numbers, and then turned impatiently back to Matthews. Sitting next to this charming individual was a woman so startlingly beautiful that for a half moment I forgot I was walking, and I paused in midstep, my right foot dangling in the air, as I gaped at her like a twelve-year-old boy. I simply stared, and I could not have said why. The woman’s hair was the color of old gold, and her features were pleasant and regular, true enough. And her eyes were a startling violet, a color so unlikely and yet so compelling that I felt an urgent need to move near and study her eyes at close range. But there was something beyond the mere arrangement of her features, something unseen and only felt, that made her seem far more attractive than she actually was—a Bright Passenger? Whatever it was, it grabbed my attention and held me helpless. The woman watched me goggle at her with distant amusement, raising an eyebrow and giving me a small smile that said, Of course, but so what? And then she turned back to face the captain, leaving me free to finish my interrupted step and stumble toward the table once more. In a morning of surprises, my reaction to mere Female Pulchritude was a rather large one. I could not remember ever behaving in such an absurdly human way: Dexter does not Drool, not at mere womanly beauty. My tastes are somewhat more refined, generally involving a carefully chosen playmate and a roll of duct tape. But something about this woman had absolutely frozen me, and I could not stop myself from continuing to stare as I lurched into a chair next to my sister. Debs greeted me with a sharp elbow to the ribs and a whisper: “You’re drooling,” she hissed. I wasn’t, of course, but I straightened myself anyway and summoned the shards of my shattered dignity, looking around me with an attempt at regaining my usual composure. There was one last person at the table whom I had not registered yet. He had put a vacant seat between himself and the Irresistible Siren, and he leaned away from her as if afraid he might catch something from her, his head propped up on one elbow, which was planted casually on the table. He wore aviator sunglasses, which did not disguise the fact that he was a ruggedly handsome man of about forty-five, with a perfectly trimmed mustache and a spectacular haircut. It wasn’t possible to be sure with the sunglasses clamped to his face, but it certainly seemed like he hadn’t even glanced at me as I’d come clown-footing into the room and into my chair. Somehow I managed to conceal my crushing disappointment at his negligence, and I turned my steely gaze to the head of the table, where Captain Matthews was once again clearing his throat.
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
generations. Thank you, above all, for helping humankind make peace its most urgent and noble aspiration. I am moved, deeply moved by your words, Chairman Aarvik. And it is with a profound sense of humility that I accept the honor—the highest there is—that you have chosen to bestow upon me. I know your choice transcends my person. Do I have the right to represent the multitudes who have perished? Do I have the right to accept this great honor on their behalf? I do not. No one may speak for the dead, no one may interpret their mutilated dreams and visions. And yet, I sense their presence. I always do—and at this moment more than ever. The presence of my parents, that of my little sister. The presence of my teachers, my friends, my companions … This honor belongs to all the survivors and their children and, through us, to the Jewish people
Elie Wiesel (Night)
Mate of my kin?’ Is that what you call Olivia?” He nodded, relieved that she hadn’t seen through his obvious falsehood. “It’s analogous to your term ‘sister-in-law.’ It is what we call the brides our brothers have chosen.” Sophia frowned. “You might as well just call her plain old Liv like I do because she’s never going to be your sister-in-law—not really.” “You
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Sophia, I’m afraid you’re going to have to face the fact that your sister may not be as strong as you think. There’s no way she can resist Baird indefinitely.” She crossed her arms over her full breasts, a look of stubborn refusal in her lovely eyes. “You Kindred think you’re so hot. He’s an okay looking guy but no man is irresistible.” “He’s not but his mating scent is—at least to your sister.” Sylvan didn’t know why he was telling her this—it would only make her angrier, he was sure. But he wanted to soften the blow for her, help her accept the inevitable—that no matter how much she loved her sister, she was destined to lose Olivia to another who loved and needed her more. “His mating scent? What are you talking about?” Sophia’s green eyes narrowed and she leaned forward. “When the Kindred claim a mate, our body chemistry changes in order to attract them. We start releasing some very strong pheromones that are tailored specifically to their DNA. Those pheromones act as an irresistible enticement to our prospective mates.” Sylvan shrugged. “Very few women in any of the trade worlds we have visited have been able to overcome their influence and resist the temptation to bond with the warrior who has chosen them.” “My
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
My God!” Sophia sat back, her eyes wide with horror. “It’s a drug! He’s drugging her and she doesn’t even know it.” Here we go. “It’s common knowledge that we’re genetic traders—the fact that we have more than one means to attract a mate of an entirely different species should come as no surprise,” he pointed out. “You…you cold blooded bastard.” Sophia shook her head. “Poor Liv—she has no idea what he’s doing to her.” “It wouldn’t matter even if she did,” Sylvan explained patiently, ignoring her insults. “The mating scent is too strong to fight, even with advanced warning. Stronger species than yours have tried and they have all failed. With very few exceptions.” He closed his eyes briefly thinking of Feenah, of her pure white hair and pale crystal eyes. I’m sorry, Sylvan… “It’s not right. You’re not fighting fair.” Sophia’s words pushed back the painful memory and Sylvan opened his eyes again to see the look of despair and anger on her lovely face. She looked almost on the brink of tears. Wonderful—she was even more upset and irrational than he had thought she would be. He supposed he ought to feel irritated. Instead, the illogical urge to hold and comfort her came over him so strongly that he had to sit back and cross his arms over his chest to keep from reaching for her. “I believe you humans have a saying that covers this—‘All’s fair in love and war.’ Is that right?” he said softly. “Yes, but that doesn’t mean—” Sylvan leaned forward again and took her soft, small hands between his own larger ones. “You must understand, Sophia—Baird isn’t trying to trick your sister into anything. He’s simply using every power at his disposal to keep her. Because he needs her—he loves her. She is the only woman in the entire universe for him and the bond that will form between them will be one of undying love and devotion.” “Maybe for him.” She looked down as though mesmerized by the sight of her own small hands being engulfed in his much larger ones. “But not for Liv. He’s going to trick her into having bonding sex with him —whatever that is—and then she’ll spend the rest of her life hating him once she finds out how he did it.” She looked up at Sylvan. “You don’t know her like I do—she hates being lied to. Her last boyfriend cheated on her and then lied about it and she dumped him and never looked back. If she knew what Baird was doing to her…” “It’s not as though it’s a conscious choice on his part,” Sylvan tried to explain. “It’s the way our bodies react chemically to our chosen mates. We can’t turn it off, even if we try. Sometimes it comes even when it’s not wanted. We have a saying for it—‘The blood knows what the mind does not wish to see.’” Lifting a hand, he cupped her cheek and brushed away the single tear that had escaped her wide green eyes with his thumb. “It cannot be helped.” Sophia
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
If we now take one of the two standard groups of a Punaluan family, namely that of a series of natural and remote sisters (i. e., first, second and more remote descendants of natural sisters), their children and their natural or remote brothers on the mother's side (who according to our supposition are not their husbands), we have exactly that circle of persons who later appear as members of a gens, in the original form of this institution. They all have a common ancestress, by virtue of the descent that makes the different female generations sisters. But the husbands of these sisters cannot be chosen among their brothers any more, can no longer come from the same ancestress, and do not, therefore, belong to the consanguineous group of relatives, the gens of a later time. The children of these same sisters, however, do belong to this group, because descent from the female line alone is conclusive, alone is positive. As soon as the proscription of sexual intercourse between all relatives on the mother's side, even the most remote of them, is an accomplished fact, the above named group has become a gens, i. e., constitutes a definite circle of consanguineous relatives of female lineage who are not permitted to marry one another. Henceforth this circle is more and more fortified by other mutual institutions of a social or religious character and thus distinguished from other gentes of the same tribe. Of this more anon. Finding,
Friedrich Engels (The Origin of the Family, Private Property and the State)
We have chosen each other and the edge of each others battles the war is the same if we lose someday women's blood will congeal upon a dead planet if we win there is no telling we seek beyond history for a new and more possible meeting.
Audre Lorde (Sister Outsider: Essays and Speeches)
No doubt could be read on Clinton’s face that afternoon. He introduced RBG as a hero to the women’s movement and a legal star. Above all, Clinton said, he’d chosen her for being a moderate, neither liberal nor conservative, someone whose “moral imagination has cooled the fires of her colleagues’ discord. “Ruth Bader Ginsburg cannot be called a liberal or a conservative; she has proved herself too thoughtful for such labels,” the president said. “Having experienced discrimination,” he added, “she devoted the next twenty years of her career to fighting it and making this country a better place for our wives, our mothers, our sisters, and our daughters.” RBG would have added, “And our husbands, our fathers, our brothers, and our sons.
Irin Carmon (Notorious RBG: The Life and Times of Ruth Bader Ginsburg)
Let’s say your life depended on it. You have to choose or you’ll die.” “Which one would you choose?” Caitlin said. “I asked you first.” “Okay,” Caitlin said. “I guess I’d take Von.” Good, Vix thought. Because she had already chosen Bru for herself.
Judy Blume (Summer Sisters)
just returned from one odyssey, one voice raged within her, the one she called the Princess because it was her selfish, petulant side. Must I set out on another? Have I not been subjected to enough? Then a second voice, the one she called the Scholar, replied, You knew what you were letting yourself in for when you chose this profession. A warrior knows little peace. The Princess countered, But did I really choose this profession, or did it choose me? According to the legend, the Chosen are born blessed. If that is true, then I never really had a choice at all, did I? I was never consulted before this burden was dumped on me. I never asked for any of this. Oh, cease this infernal whining, a third voice, the Instructress, intruded. Stop chasing your tail and accept it like a lady. Whether you are blessed or cursed matters not. The simple fact is that you alone possess the means to face this problem. Stand tall and proud and cope with it. All of this philosophizing will accomplish nothing. You know as well as I that if you do not seek Anlon out he will probably come looking for you. Do you want that man, unhinged by his own gift and possibly with an army at his back, to come calling on you here, in the midst of everything and everyone you love? Perhaps, a fourth voice, the one Aleena called the Little Girl because it represented the childlike optimism in her, he will not go to all the trouble of hunting me out. Perhaps he will be content to take his anger out on opponents in the arena.
Guy Estes (Triad (Sisters of the Storm #1))
I recall the day my sister and I turned five and were allowed an extra hour ’twixt bath and bed. Mrs. Twigg would set her hourglass running there in the nursery; we could do whate’er we wished with the time, but when the sand had run ’twas off to bed and no lingering. I’faith, what a treasure that hour seemed: time for any of a hundred pleasures! We fetched out the cards, to play some game or other—but what silly game was worth such a wondrous hour? I vowed I’d build a castle out of blocks, and Anna set to drawing three soldiers upon a paper—but neither of us could pursue his sport for long, for thinking the other had chosen more wisely, so that anon we made exchange and were no more pleased. We cast about more desperately among our toys and games—whereof any one had sufficed for an hour’s diversion earlier in the day—but none would do, and still the glass ran on! Any hour save this most prime and measured we had been pleased enough to do no more than talk, or watch the world at work outside our nursery window, but when I cried ‘Heavy, heavy hangs over thy head,’ to commence a guessing game, Anna fell straightway to weeping, and I soon joined her. Yet e’en our tears did naught to ease our desperation; indeed, they but heightened it the more, for all the while we wept, our hour was slipping by. Now bedtime, mind, we’d ne’er before looked on as evil, but that sand was like our lifeblood draining from some wound; we sat and wept, and watched it flow, and the upshot of’t was, we both fell ill and took to heaving, and Mrs. Twigg fetched us off to bed with our last quarter hour still in the glass.
John Barth (The Sot-Weed Factor)
Mr. Grattingly, while we might tarry in the conservatory in plain sight of the open door, the location you’ve chosen—ooph!” “The location I’ve chosen is perfect,” Grattingly said as he mashed his body against Louisa’s. He’d shoved her back against a tree, off the path, into the shadows. “Mr. Grattingly! How dare—” Wet lips landed on Louisa’s jaw, and the scent of wine-soured breath filled her head. “Of course, I dare. You all but begged me to drag you in here. With your tits nigh falling from your bodice, how do you expect a man to act?” He thrust his hand into the neckline of Louisa’s gown and closed his fingers around her breast. Louisa was too stunned for a moment to think, then something more powerful than fear came roaring forward. “You slimy, presuming, stinking, drunken, witless varlet!” She shoved against him hard, but he wasn’t budging, and those thick, wet lips were puckering up abominably. Louisa heard her brother Devlin’s voice in her head, instructing her to use her knee, when Grattingly abruptly shifted off her and landed on his bottom in the dirt. “Excuse me.” Sir Joseph stood not two feet away, casually unbuttoning his evening coat. His expression was as composed as his tone of voice, though even when he dropped his coat around Louisa’s shoulders, he kept his gaze on Grattingly. “I do hope I’m not interrupting.” “You’re not.” Louisa clutched his jacket to her shoulders, finding as much comfort in its cedary scent as she did in the body heat it carried. “Mr. Grattingly was just leaving.” “Who the hell are you,” Grattingly spat as he scrambled to his feet, “to come around and disturb a lady at her pleasures?” Somewhere down the path, a door swung closed. Louisa registered the sound distantly, the way she’d notice when rain had started outside though she was in the middle of a good book. Though this was not a good book. Instinctively Louisa knew she was, without warning or volition, in the middle of something not good at all. “I was not at my pleasures, you oaf.” She’d meant to fire the words off with a load of scathing indignation, but to Louisa’s horror, her voice shook. Her knees were turning unreliable on her, as well, so she sank onto the hard bench. “What’s going on here?” Lionel Honiton stood on the path, three or four other people gathered behind him. “Nothing,” Sir Joseph said. “The lady has developed a megrim and will be departing shortly.” “A megrim!” Grattingly was on his feet, though to Louisa it seemed as if he weaved a bit. “That bitch was about to get something a hell of a lot more—” Sir Joseph, like every other guest, was wearing evening gloves. They should not have made such a loud, distinct sound when thwacked across Grattingly’s jowls. Lionel stepped forth. “Let’s not be hasty. Grattingly, apologize. We can all see you’re a trifle foxed. Nobody takes offense at what’s said when a man’s in his cups, right?” “I’m not drunk, you ass. You—” “That’s not an apology.” Sir Joseph pulled on his gloves. “My seconds will be calling on yours. If some one of the assembled multitude would stop gawping long enough to fetch the lady’s sisters to her, I would appreciate it.” He said nothing more, just treated each member of the small crowd to a gimlet stare, until Lionel ushered them away. Nobody had a word for Grattingly, who stomped off in dirty breeches, muttering Louisa knew not what. Sir
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Abruptly, the sea of people parted . . . and then there they were. Bella, with Nalla in her arms, Z standing beside his girls. Beth broke down all over again as the female came forward. God, it was impossible not to remember how Nalla had started this, putting into motion the need that had become undeniable. Bella was tearing up, too, as she stopped. “We just want to say yay!” At that moment, Nalla reached out to Beth, a gummy smile on her face, pure joy radiating out. No turning that down, nope, not at all. Beth took the little girl out of her mother’s arms and positioned her on her chest, capturing one of the pinwheeling hands and giving kisses, kisses, kisses. “You ready to be a big . . .” Beth glanced at Z and then her husband. “. . . a big sister?” Yes, Beth thought. Because that’s what the Brotherhood and their families were. Close as siblings, tighter than blood because they were chosen. “Yes, she is,” Bella said as she wiped under her eyes and looked back at Z. “She is so ready.” “My brother.” Z shoved out his palm, his scarred face in a half smile, his yellow eyes warm. “Congratulations.” Instead of shaking anything, Wrath shoved that ultrasound picture into his Brother’s face. “Do you see him? See my son? He’s big, right, Beth?” She kissed Nalla’s supersoft hair. “Yes.” “Big and healthy, right?” Beth laughed some more. “Big and healthy. Absolutely perfect.” “Perfect!” Wrath bellowed. “And this is a doctor saying it—I mean, she went to medical school.” Even Z started laughing at that point. Beth gave Nalla back to her parents. “And Dr. Sam told me she’s delivered over fifteen thousand babies over the course of her career—” “See!” Wrath yelled. “She knows these things. My son is perfect! Where’s the champagne? Fritz! Get the fucking champagne!
J.R. Ward (The King (Black Dagger Brotherhood, #12))
I haven’t seen Molly in years . . . not since Montlake. Last night I ended up painting a mural of David and Goliath, like something from a Sunday School story, instead of painting the picture I’d been commissioned to paint. Now I’m behind. And I blame you.” “Me?” I was only half listening as I backed out of the parking lot and began to drive. I didn’t know where I was going. “Yeah. You. The David in my mural looks suspiciously like you. So your dead sister is obviously trying to tell me something. That, or she doesn’t like your chosen profession.” “David kicked Goliath’s ass, remember? Nothing to worry about.” I was conducting the conversation from a very mechanical, detached side of my brain, and I observed myself talking to Moses even as my thoughts were bouncing in a million different directions. “I don’t think Goliath’s ass was involved,” Moses growled. “If I remember right, it was his head. Goliath took a blow between the eyes.” “Yeah . . . right. That must be it. I got cracked between the eyes with a bottle of beer last night.” Was it just last night? “Guy laid my head open. I have a few stitches. I’m impressed, Mo. So now you’re a psychic too?” “You okay?” There it was again. The demand to tell him everything. “Yeah. All stitched up. Doesn’t even hurt.” I wasn’t lying. It didn’t hurt. But I was skirting the truth. I wasn’t okay. Not at all. “Well, that’s not surprising. You have the hardest head of anyone I know
Amy Harmon (The Song of David (The Law of Moses, #2))
Not that Amanda cared a whit about making the “proper” marriage. Personally, she wasn’t interested in marriage at all. At least not now. Jonas and Victoria Broadmoor desired proper marriages for all of their children, but they had conceded to the choices made by both of their sons. Grayson and William had each married a young lady of lower social standing. The Broadmoor social status had, of course, assured that their wives would be accepted into all of the proper circles. Neither Jefferson nor George, Amanda’s two other brothers, had chosen a wife. They were no more interested in marriage than was their sister. Yet when the time came for Amanda to choose a husband, her parents would expect a wise choice. For when a daughter married beneath herself socially, remaining a member of the higher class wasn’t guaranteed.
Tracie Peterson (A Daughter's Inheritance (The Broadmoor Legacy, #1))
YARMOUTH is not a happy place for a picnic. A picnic should be held among green things. Green turf is absolutely an essential. There should be trees, broken ground, small paths, thickets, and hidden recesses. There should, if possible, be rocks, old timber, moss, and brambles. There should certainly be hills and dales, – on a small scale; and above all, there should be running water. There should be no expanse. Jones should not be able to see all Greene’s movements, nor should Augusta always have her eye upon her sister Jane. But the spot chosen for Mr Cheesacre’s picnic at Yarmouth had none of the virtues above described. It was on the seashore. Nothing was visible from the site but sand and sea. There were no trees there and nothing green: – neither was there any running water. But there was a long, dry, flat strand; there was an old boat half turned over, under which it was proposed to dine; and in addition to this, benches, boards, and some amount of canvas for shelter were provided by the liberality of Mr Cheesacre. Therefore it was called Mr Cheesacre’s picnic.
Anthony Trollope (Can You Forgive Her?)
chosen to complement the curtains and feel quite unjustifiably proud that that a sister of mine
Harry Bingham (The Dead House (Fiona Griffiths, #5))
Well,” said O’ Devir. “Tha’ ’twas easy.” “It won’t always be. Better start planning now how you’re going to handle her.” “I’d never presume to try and figure that out, Lord Andrew.” “Andrew. Just Andrew. If you’re going to wed her, we might as well dispense with formalities.” “What makes ye think I’m goin’ to wed her?” “Refuse, and I won’t let you leave this cabin alive.” “Ehm, right.” The other man, lips twitching, took a swallow of whiskey, then sat reflecting upon the contents of his glass. “And what about this eldest brother of yers? Will he give consent? I’m told I’d better keep my entrails in good condition as they’ll end up being his chosen instrument of my strangulation.” Andrew guffawed, choking and nearly spilling his drink. “I had a feeling she was only blaggardin’.” “No, she was not. Though Lucien will see to your dispatch in a much less messy way than strangling you with your own entrails.” “Pistols or swords?” “Both, probably.” O’ Devir sighed. “I suppose I’ll have to put up a fight for the sake of pride and appearances.” “I wouldn’t bother, as it will only prolong the inevitable outcome. My brother is one of the most dangerous men in England.” The Irishman lifted his glass and smiled. “Ah, but we are not in England, are we?” Andrew returned the salute. “Indeed, sir, we are not.” He had deliberately goaded, perhaps even insulted the man, trying to gauge the depth of his self-restraint. He was both satisfied and relieved that O’ Devir had not risen to the bait. His sister would be safe with a husband who could control his temper. He would certainly need that ability, married to one such as her. “Of course, I should kill you anyhow,” Andrew murmured, contemplating his own drink. “You abducted my little sister. You’ve probably had your way with her, and most certainly, have ruined her. Her life will never be the same.” “No, it will not.” “Have you had your way with her?” “I’m an officer in the Continental Navy, not a pirate.” Andrew eyed him levelly. “So you haven’t.” “The only reason I’m even goin’ to answer that question is because ye’re the lass’s brother and deserve one. But no, I haven’t.” He ran a hand through his hair, as black and wild a mane as Andrew had ever seen, and sighed. “Got too much respect for her, I do.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
Yet there were, in fact, nearly two hundred women and children still on board the Titanic. More than half of them were waiting in the third-class public rooms and corridors or on the decks near the stern. At 1:30 a.m. the gates on the stairs up from third class had been opened for women but many had chosen to remain with their men. Father Thomas Byles circulated among the third-class passengers, hearing confessions and reciting the rosary with them. At 2:00 a.m. the gates were opened for third-class men as well as women, and many more steerage passengers soon crowded the boat deck. As he began loading Collapsible D on the port side, Lightoller was forced to pull his revolver to clear a crowd of what he called “dagoes” out of the boat. He then formed a cordon of crewmen to prevent a rush on the boat. As small knots of steerage women were escorted across the deck toward the last boat, there were still a few women from first class on board as well. Archibald Gracie was shocked to see Caroline Brown and Edith Evans standing by the starboard railing. He had escorted Evans and the three Lamson sisters to the staircase landing below the boat deck over an hour ago and had then gone in search of his other “unprotected” ward, Helen Candee, but discovered that she had already gone up on deck. Caroline Brown began to explain to Gracie how they had become separated from the others, but he and Jim Smith simply hustled them both toward the ring of men surrounding Collapsible D. Once they were let through, Edith Evans said to Caroline Brown, “You go first. You are married and have children.” Brown was then lifted into the lifeboat, but when Evans went to follow, she was unable to clamber over the railing in her tapered skirt. “Never mind,” she called out to Brown, “I will go on a later boat,” and turned and hurried away down the deck. Evans had earlier told Archibald Gracie that she had been told by a fortune-teller to beware of water and that she now knew she would be drowned. Gracie had dismissed this as superstition but Edith Evans would become one of only four women from first class to perish.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
But such distancing will still involve deliberate performance of the works of mercy that define the Catholic faith: feeding the hungry, caring for the poor, visiting the sick, striving for justice—finding Jesus “in the least of these.”2 Such chosen forms of faith may involve, for many, unauthorized expressions of prayer and worship—egalitarian, authentic, ecumenical—having nothing to do with diocesan borders, parish boundaries, or the sacrament of Holy Orders. That may be especially true in so-called intentional communities that lift up the leadership of women. These already exist, everywhere. In this connection, I think of my old partner Sister Gloria and what I belatedly learned from her. No matter who presides at whatever form the altar takes, such adaptations of Eucharistic observance return to the theological essence of the sacrament. Christ is experienced not through the officiant, but through the faith of the whole community. “For where two or three are gathered in my name,” Jesus said, “there am I in the midst of them.”3
James Carroll (The Truth at the Heart of the Lie: How the Catholic Church Lost Its Soul)
He knew from experience the people in the sleepy little coastal town were not easily impressed. No amount of money, fame, or title earned one deference. Everyone was treated the same, from the poorest to the richest, and there seemed to be no prejudice against religion or any other preferences. It was why he had chosen the town. A man could be anybody here and no one cared.
Christine Feehan (Magic in the Wind (Drake Sisters, #1))
stepped from the pavement into the tiny lobby and turned immediately left to climb the stairs to the first floor. There was one reasonably sized bedroom, a living room about the same size with a kitchen area in one corner, and a small shower room. It was newly redecorated, the kitchen well equipped, despite the lack of space, and it was light and airy. There was just enough room for her books. It wasn’t perfect for guests though, and Daniel couldn’t stay long. Lauren had made it very clear this was a temporary arrangement. She was happy to help, but she’d chosen not to have flatmates, so he knew it wouldn’t be long-term. During his time there, she expected him to find something to do, somewhere to go, and then she’d maybe let him stay until he could move. As long as she knew he would be going. Lauren had always been like this. Fiercely independent, fiercely territorial. As a child she’d put large notices on her bedroom door: Keep Out Or Else! And later, Enter At Your Peril, All Who Approach. Even their mum wasn’t allowed in. Lauren cleaned the room herself, changed her own bed and kept the door shut. Once, Daniel had ventured in while his sister was at her music lesson. He only wanted to see what was in there, what was so important that nobody was allowed in.
Susanna Beard (The Perfect Witness)
At last week’s Sunday service, Reverend Pike read a parable from the Gospels in which Jesus and His disciples, having arrived in a village, are invited by a woman into her home. Having made them all comfortable, this woman, Martha, retreats into her kitchen to fix them something to eat. And all the while she’s cooking and generally seeing to everyone’s needs by filling empty glasses and getting second helpings, her sister, Mary, is sitting at Jesus’s feet. Eventually, Martha has had enough and she lets her feelings be known. Lord, she says, can’t you see that my idler of a sister has left me to do all the work? Why don’t you tell her to lend me a hand? Or something to that effect. And Jesus, He replies: Martha, you are troubled by too many things when only one thing is needful. And it is Mary who has chosen the better way. Well, I’m sorry. But if ever you needed proof that the Bible was written by a man, there you have it.
Amor Towles (The Lincoln Highway)
That's not how relationships should be," he finished, thrown a little off balance. She'd said those words with such flat, empty hopelessness, as if this was a lesson she'd learned the hard way. As if it was a simple fact that love would ask too much for her, and so she couldn't or wouldn't try. He wasn't sure if the look in her eyes was weariness or an echo of something sharper, harsher. Either way, he didn't like it. "I know," she told him slowly, as if explaining something to a child. "I don't do things right, and I don't think I want to. It all seems awfully dull and inconvenient. That's why I've chosen to abstain.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
Let me make a wish for all of us,' she explained, gathering the three charms. A small gift- for the friends who had become like sisters. A chosen family. Like the one Feyre had found for herself. Nesta squeezed the charms in her palm, closing her eyes, and said: 'I wish for us to have the courage to go out into the world when we are ready, but to always be able to find our way back to each other. No matter what.' Gwyn and Emerie cheered at that. And when Nesta opened her eyes, palm unfurling, she could have sworn the coins glowed faintly.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))