Chorus Quotes

Despite the heat in her face, it felt as if cold needles of ice were running up and down her veins. "What are you doing here?" He drew back slightly, looking disappointed. "That isn't really an answer to my question, you know. I was expecting more of a "Hallelujah Chorus.' I mean, it's not every day your boyfriend comes back from the dead." "I already knew you weren't dead." She spoke through numb lips. "I saw you in the library. With--" "Colonel Mustard?" "Sebastian.

Once, over dinner, Henry was quite startled to learn from me than men had walked on the moon. “No,” he said, putting down his fork. “It’s true,” chorused the rest, who had somehow managed to pick this up along the way. “I don’t believe it.” “I saw it,” said Bunny. “It was on television.” “How did they get there? When did this happen?"

I only steal because my dear old family needs the money to live!" Locke Lamora made this proclamation with his wine glass held high; he and the other Gentleman Bastards were seated at the old witchwood table. . . . The others began to jeer. "Liar!" they chorused "I only steal because this wicked world won't let me work an honest trade!" Calo cried, hoisting his own glass. "LIAR!" "I only steal," said Jean, "because I've temporarily fallen in with bad company." "LIAR!" At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, "I only steal because it's heaps of fucking fun!" "BASTARD!

Jace broke off the kiss and stepped back with an exhale; before Clary could say anything, a chorus of sarcastic applause broke out from the nearby hill. Simon, Isabelle, and Alec waved at them. Jace bowed while Clary stepped back slightly sheepishly, hooking her thumbs into the belt of her jeans Jace sighed. "Shall we join our annoying, voyeuristic friends?" "Unfortunately, that's the only kind of friends we have.

A choir is made up of many voices, including yours and mine. If one by one all go silent then all that will be left are the soloists. Don’t let a loud few determine the nature of the sound. It makes for poor harmony and diminishes the song.

I want to see an elephant hunt down a man for the sole purpose of collecting his teeth, while a chorus of typewriters sings songs that praises the bananas for their wisdom, leadership, and their high levels of potassium.

The chorus of “Jack and Diane” is: Oh yeah, life goes on, long after the thrill of living is gone. Are you kidding me? The thrill of living was high school? Come on, Mr. Cougar Mellencamp. Get a life.

O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer." "The Answer?" said Deep Thought. "The Answer to what?" "Life!" urged Fook. "The Universe!" said Lunkwill. "Everything!" they said in chorus. Deep Thought paused for a moment's reflection. "Tricky," he said finally. "But can you do it?" Again, a significant pause. "Yes," said Deep Thought, "I can do it." "There is an answer?" said Fook with breathless excitement. "Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it." ... Fook glanced impatiently at his watch. “How long?” he said. “Seven and a half million years,” said Deep Thought. Lunkwill and Fook blinked at each other. “Seven and a half million years...!” they cried in chorus. “Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?" [Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started] "We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!" "The Universe...!" said Loonquawl. "And Everything...!" "Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!" There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. "Good Morning," said Deep Thought at last. "Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..." "An Answer for you?" interrupted Deep Thought majestically. "Yes, I have." The two men shivered with expectancy. Their waiting had not been in vain. "There really is one?" breathed Phouchg. "There really is one," confirmed Deep Thought. "To Everything? To the great Question of Life, the Universe and everything?" "Yes." Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. "And you're ready to give it to us?" urged Loonsuawl. "I am." "Now?" "Now," said Deep Thought. They both licked their dry lips. "Though I don't think," added Deep Thought. "that you're going to like it." "Doesn't matter!" said Phouchg. "We must know it! Now!" "Now?" inquired Deep Thought. "Yes! Now..." "All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. "You're really not going to like it," observed Deep Thought. "Tell us!" "All right," said Deep Thought. "The Answer to the Great Question..." "Yes..!" "Of Life, the Universe and Everything..." said Deep Thought. "Yes...!" "Is..." said Deep Thought, and paused. "Yes...!" "Is..." "Yes...!!!...?" "Forty-two," said Deep Thought, with infinite majesty and calm.

I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

What is this Chocho business?' Will muttered to himself. But his friends overheard the comment. 'It's a term of great respect,' they chorused, and he glared at them. 'Oh, shut up,' he said.

Everyone knows that quote because of the Doors." Jace looked at her blankly. "The Doors. They were a band." "If you say so," he said. "I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work." He shrugged. "Maybe the occasional wailing chorus of the damned.

There are always risks in battle. It's a dangerous business. The trick is to take the right ones.' [said Halt]. 'How do you know which are the right ones?' Shigeru asked. Halt glanced at his two younger companions. They grinned and answered in chorus, 'You wait and see if you win.

We are killers,” Matthias said. Bad news. “Not girls. We don’t kill girls.” Good news. “She’s no girl.” Insulting news? “What? Of course she’s a girl.” “Want me to check?” “Shut up, Blake,” the rest of them chorused.

Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.

Tell me I'm a screwed up mess, that I never listen, listen. Tell me you don't want my kiss, that you need your distance, distance. Tell me anything but don't you say he's what you're missing baby. If he's the reason that you're leaving me tonight, spare me what you think and Tell Me a Lie.

I'd rather waltz than just walk through the forest The trees keep the tempo and they sway in time Quartet of crickets chime in for the chorus If I were to pluck on your heartstrings, would you strum on mine?

The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.

You deserve to be the chorus to a person’s favorite song. You deserve to be the dedication in their favorite book.

The heater spits a chorus of steam, his bones no longer brittle and cold. The ice man melted, a new form waiting to emerge once all the crystals get shaken away.

So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme…. There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string. The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America. When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented. Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.

I am Adelina Amouteru, the phantoms whispered to my father, speaking my most frightening thoughts in a chorus of voices, dripping with hatred. My hatred. I belong to no one. On this night, I swear to you that I will rise above everything you’ve ever taught me. I will become a force that this world has never known. I will come into such power that none will dare hurt me again.

So many words get lost. They leave the mouthand lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days you can hear their chorus rushing past.

Why do we write? A chorus erupts. Because we cannot simply live.

Every single empire in its official discourse has said that it is not like all the others, that its circumstances are special, that it has a mission to enlighten, civilize, bring order and democracy, and that it uses force only as a last resort. And, sadder still, there always is a chorus of willing intellectuals to say calming words about benign or altruistic empires, as if one shouldn't trust the evidence of one's eyes watching the destruction and the misery and death brought by the latest mission civilizatrice.

Human reproduction can be a sticky subject—” “Ewww!” groaned a chorus of students

Whether it was a song, a person, or a story, there was a lot you couldn’t know from just an excerpt, a glance, or part of a chorus.

The little boys did as they were told, eager to please their deranged brother. "Ici, garcon," they chorused, pudgy fingers raised. And then from the corner of his mouth, Myles whispered to his twin, "Artemis simple-toon.

I have not had one word from her Frankly I wish I were dead When she left, she wept a great deal; she said to me, "This parting must be endured, Sappho. I go unwillingly." I said, "Go, and be happy but remember (you know well) whom you leave shackled by love "If you forget me, think of our gifts to Aphrodite and all the loveliness that we shared "all the violet tiaras, braided rosebuds, dill and crocus twined around your young neck "myrrh poured on your head and on soft mats girls with all that they most wished for beside them "while no voices chanted choruses without ours, no woodlot bloomed in spring without song...

Verse. Chorus. Verse. I'm sorry. We know how it works. The world is no longer mysterious.

I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.

I want to write a song about the only girl I’ve ever loved. And the chorus will say something like, “I really want to see you tonight, so I hope you leave your blinds open.

Then sail, my fine lady, on the billowing wave - The water below is as dark as the grave, And maybe you'll sink in your little blue boat - It's hope, and hope only, that keeps us afloat

His desperation and misery swept her up like a storm capturing the sea. She turned her mind to even these feelings, because they were his, like his terrified rage in the lift when they had first met, being wrapped in his arms in the cold well, being dazzled by his wonder at the woods and her home and her. Like being a child, awareness of him the morning chorus that woke her and the lullaby that sent her to sleep, his thoughts always her first and last song. I love you, Kami told him, and cut.

Some people come in your life and make you believe that your life is incomplete without them. Then they leave, creating a void in your heart that may fill back with time but will never be complete.

Now it’s high watermark and floodtide in the heart and time to go. The sea-nymphs in the spray will be the chorus now. What’s left to say? Suspect too much sweet-talk but never close your mind. It was a fortunate wind that blew me here. I leave half-ready to believe that a crippled trust might walk and the half-true rhyme is love.

The mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearth-stone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the better angels of our nature. --as quoted in THE RIVER OF WINGED DREAMS

And the most poignant thing was not Lolita's absence from my side, but the absence of her voice from the chorus.

All music is what awakes within us when we are reminded by the instruments; It is not the violins or the clarinets - It is not the beating of the drums - Nor the score of the baritone singing his sweet romanza; not that of the men's chorus, Nor that of the women's chorus - It is nearer and farther than they

Each soul has its own note to sing in the divine chorus and no voice is more important than another. (94)

Say it to them. Or say it to yourself in the mirror. Say it in a letter you'll never send or in a book millions might read someday. I think you deserve to look back on your life without a chorus of resounding voices saying 'I could've, but it's too late now.

This is the sixty-nine," I told him, presenting the magazine in front of him. I put my fingers -- two of them -- on the action, so that he would not overlook it. "Why is it dubbed sixty-nine?" he asked, because he is a person hot on fire with curiosity. "It was invented in 1969. My friend Gregory knows a friend of the nephew of the inventor." "What did people do before 1969?" "Merely blowjobs and masticating box, but never in chorus.

Elli couldn’t help it, she had to. She smiled before saying, “Nothing much, but Shea?” “Yeah?” he asked wearily as she smirked up at him. “I’ll never break your heart. I’ll never make you cry,” she continued to sing the chorus of the well known Backstreet Boys song as Shea turned beet red with embarrassment. “Grace, I swear I’m going to kill you!” Shea yelled.

Darius held Stark back from launching himself at Neferet, and Duantia spoke quickly into the rising tension. 'Neferet, I think we can all agree that there are many unanswered questions about the tragedy that occured on our island today. Stark, we also understand the passion and rage you feel at the loss of your Priestess. it is a hard blow for a Warrior to-' Duantia's wisdom was cut off by the sound of Aretha Franklin belting out the chorus from "Respect," which was coming from the little Coach purse Aphrodite had slung over her shoulder. Oopsie, um, sorry 'bout that.' Aphrodite frantically unzipped her purse and dug for her iPhone.

Then what do you want form me?" "I want to lie beside you and know the weight of your dreams," he said, brushing his lips against my knuckles. "I want to share whole worlds with you and write your name in the stars." He moved closer and a chorus of songbirds twittered silver melodies. "I want to measure eternity with your laughter." Now, he stood inches from me; his rough hands encircled my waist. "Be my queen and I promise you a life where you will never be bored. I promise you more power than a hundred kings. And I promise you that we will always be equals.

My Heart's In The Highlands Farewell to the Highlands, farewell to the North, The birth-place of Valour, the country of Worth; Wherever I wander, wherever I rove, The hills of the Highlands for ever I love. Chorus.-My heart's in the Highlands, my heart is not here, My heart's in the Highlands, a-chasing the deer; Chasing the wild-deer, and following the roe, My heart's in the Highlands, wherever I go. Farewell to the mountains, high-cover'd with snow, Farewell to the straths and green vallies below; Farewell to the forests and wild-hanging woods, Farewell to the torrents and loud-pouring floods. My heart's in the Highlands, &c.

I forgive you, but only because you said 'please.'" Smartass, I thought. Then I groaned at the instant chorus of "Please!" mixed with cries for release from Vlad's prisoners. No wonder he got so sick of the word. "I'm only merciful to one person a day," he threw over his shoulder. "As the saying goes, today isn't your day and tomorrow doesn't look good, either.

The fact that a man who goes his own way ends in ruin means nothing ... He must obey his own law, as if it were a daemon whispering to him of new and wonderful paths ... There are not a few who are called awake by the summons of the voice, whereupon they are at once set apart from the others, feeling themselves confronted with a problem about which the others know nothing. In most cases it is impossible to explain to the others what has happened, for any understanding is walled off by impenetrable prejudices. "You are no different from anybody else," they will chorus or, "there's no such thing," and even if there is such a thing, it is immediately branded as "morbid"...He is at once set apart and isolated, as he has resolved to obey the law that commands him from within. "His own law!" everybody will cry. But he knows better: it is the law...The only meaningful life is a life that strives for the individual realization — absolute and unconditional— of its own particular law ... To the extent that a man is untrue to the law of his being ... he has failed to realize his own life's meaning.

Good afternoon, class," he said. I said a soft good afternoon, but no one else in the class joined me. Dr. Green laughed. "I think my class is missing. Did no one show up today? I'll have to mark everyone as absent. I believe I said good afternoon." The room chorused a low murmuring of 'good afternoon' in reply. "This won't do," Dr. Green said. "I'm here to teach you Japanese. I can't very well teach you English, too.

Every night, I laid awake with your memories flooding through my eyes with the hope to be with you when sleep arrived.

listen: the dark we've only ever imagined now audible, thrumming, marbled with static like gristly meat. a chorus of engines churns. silence taunts: a dare. everything that disappears disappears as if returning somewhere.

If you can forget the person you love, you have not loved enough.

I don't dare touch her. Loss is a knowledge I'm sorry to have. Perhaps the only thing worse than experiencing it, is watching it replay anew in someone else--all the awful stages picking up like a chorus that has to be sung.

Thump “Oh, God” Thump Thump Unbelievable… I woke up faster this time, because I knew what I was hearing I sat up in bed, glaring behind me. The bed was still pulled safely away from the wall, so I felt no movement. But there sure as hell something moving over there. Then I heard ……hissing? I looked down at Clive, whose tail was at full puff. He arched his back and paced back and forth at the foot of the bed. “Hey, mister. It’s cool. We just got a noisy neighbor, that’s all,” I soothed, stretching my hand out to him. That’s when I heard it. “Meow” I cocked my head sideways, listening more intently. I studied Clive, who looked back at me as if to say “T’weren’t me”. “Meow! Oh, God. Me -Yow!” The girl next door was meowing. What in the world was my neighbor packing to make that happen? Clive, at this point, went utterly bonkers and launched himself at the wall. He was literally climbing it, trying to get where the noise was coming from, and adding his own meows to the chorus. “Oooh yes, just like that, Simon…Mmmm….Meow, meow, Meow!” Sweet Lord, there were out-of-control pussies on both sides of this wall tonight.

There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability.

He craved silences and solitude. He simply could not get lost in another person’s life.

TO ALL THE ambulance drivers firewatchers air-raid wardens nurses canteen workers airplane spotters rescue workers mathematicians vicars vergers shopgirls chorus girls librarians debutantes spinsters fishermen retired sailors servants evacuees Shakespearean actors and mystery novelists WHO WON THE WAR.

Grace: Outside, deep in the woods, I heard a long keening wail, and then another, as the wolves began to howl. More voices pitched in, some low and mournful, others high and short, an eerie and beautiful chorus. I knew my wolf's howl; his rich tone sang out above others as if begging me to hear it. My heart ached inside me, torn between wanting them to stop and wishing they would go on for ever. I imagined myself there among them in the golden woods, watching them tilt their heads back and howl underneath a sky of endless stars. I blinked a tear away, feeling foolish and miserable, but I didn't go to sleep until every wolf had fallen silent.

Every night in my dreams, a man appeared from the darkest recesses of my mind, as if he'd been waiting for me to fall asleep. His mouth, full, masculine, would sear my flesh. His tongue, like flames across my skin, would send tiny sparks quaking through my body. Then he would dip south, and the heavens would open and a chorus singing hallelujah would ring out in perfect harmony.

The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.

Sadly, our educational system, as well as many of the methods that profess to treat trauma, tend to bypass this emotional-engagement system and focus instead on recruiting the cognitive capacities of the mind. Despite the well-documented effects of anger, fear, and anxiety on the ability to reason, many programs continue to ignore the need to engage the safety system of the brain before trying to promote new ways of thinking. The last things that should be cut from school schedules are chorus, physical education, recess, and anything else involving movement, play, and joyful engagement.

Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this great everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join? Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus: knows its place, loves it, and is happy; every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.

Halt eyed them balefully. They were all being so obvious about not mentioning his sudden reappearance that it was even worse than if they had commented on it... 'Oh, go on!' he said. 'Somebody say something! I know what you're thinking!' 'It's good to see you up and about, Halt,' Selethen said gravely... Halt glared at the others and they quickly chorused their pleasure at seeing him back to his normal self. But he could see the grins they didn't quite manage to hide. He fixed a glare on Alyss. 'I'm surprised at you Alyss,' he said. 'I expected no better of Will and Evanlyn, of course. Heartless beasts, the pair of them. But you! I thought you had been better trained!'... 'Halt, I'm sorry! It's not funny, you're right... Shut up, Will.' This last was directed at Will as he tried, unsuccessfully, to smother a snigger.

Alice thought to herself, 'Then there's no use in speaking.' The voices didn't join in this time, as she hadn't spoken, but to her great surprise, they all thought in chorus (I hope you understand what thinking in chorus means--for I must confess that I don't), 'Better say nothing at all. Language is worth a thousand pounds a word!

I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.

So proper for a circus girl," Mme. Padva says with with a gleam in her eye. "We shall have to loosen those corset laces if we intend to keep you an intimate dinner company." "I expected the corset unlacing would take place after dinner," Celia says mildly, earning a chorus of laughter. "We shall keep Miss Bowen as intimate company regardless of the state of her corset," Chandresh says. "Make a note of that," he adds, waving a hand at Marco. "Miss Bowen's corset is duly noted, sir," Marco replies, and the laghter bubbles over the table again.

Everyone was pointing upward at the sky, which was turning into a symphony of color. First, orange streaks appeared in the blue, like an oboe joining a flute, turning a solo into a duet. That harmony built into a crescendo of colors as yellow and then pink added their voices to the chorus. The sky darkened, throwing the array of colors into even sharper relief. The word sunset couldn't possibly contain the meaning of the beauty above them, and for the millionth time since they'd landed, Wells found that the words they'd been taught to describe Earth paled in comparison to the real thing.

Music replays the past memories, awaken our forgotten worlds and make our minds travel.

Sprinkled across the black waters below were at least a hundred small boats set out to greet the Leviathan, their navigation lights like shifting stars. Among them loomed a glittering cruise liner, her fog horn bellowing in the night. The low groan grew into a chorus as the other great ships in the harbor joined in. Perched on Volger's desk, Bovril attempted to imitate the horns, but wound up sounding like a badly blown tuba. Alek smiled. "But they're already singing our praises!" "They are Americans," Volger said. "They toot their horns for anything.

Love is not everything and yet everything is meaningless without love.

I turned to Ren, dropping my head low to honor the fallen alpha. The circled wolves did the same. I lifted my muzzle first, my howl singing out the pain of Ren's death, mourning him. One by one my packmates joined the song. Our howls filled the library, spilling into the winter night. The death song grew as the wolves still outside raised their voices to honor the lost young warrior. The chorus of wolf cries, full of heartache, swelled in the night, carrying Ren's memory to the very stars.

Reality has always attracted me like a magnet, tortured and hypnotized me, and I wanted to capture it on paper. So I immediately appropriated this genre of actual human voices and confessions, witness evidences and documents. This is how I hear and see the world—as a chorus of individual voices and a collage of everyday details. In this way all my mental and emotional potential is realized to the full. In this way I can be simultaneously a writer, reporter, sociologist, psychologist and preacher.

Who can stop grief's avalanche once it starts to roll.

The mind can forget what the body, defined by each breath, subject to the heart beating, does not.

I should like to make life beautiful--I mean everybody's life. And then all this immense expense of art, that seems somehow to lie outside life and make it no better for the world, pains one. It spoils my enjoyment of anything when I am made to think that most people are shut out from it." I call that the fanaticism of sympathy," said Will, impetuously. "You might say the same of landscape, of poetry, of all refinement. If you carried it out you ought to be miserable in your own goodness, and turn evil that you might have no advantage over others. The best piety is to enjoy--when you can. You are doing the most then to save the earth's character as an agreeable planet. And enjoyment radiates. It is of no use to try and take care of all the world; that is being taken care of when you feel delight--in art or in anything else. Would you turn all the youth of the world into a tragic chorus, wailing and moralising over misery? I suspect that you have some false belief in the virtues of misery, and want to make your life a martyrdom.

We know the battle ahead will be long, but always remember that no matter what obstacles stand in our way, nothing can stand in the way of the power of millions of voices calling for change. We have been told we cannot do this by a chorus of cynics...they will only grow louder and more dissonant ........... We've been asked to pause for a reality check. We've been warned against offering the people of this nation false hope. But in the unlikely story that is America, there has never been anything false about hope.

She’s smokin’ hearts with a burnin’ flame She’s got a wild side without a name And when she’s riled it’s a cryin’ shame Yeah! Yeah! Yeah! I’ve got it bad Yeah! Yeah! Yeah! I’m going’ mad Cause in your head you’ve got it right Won’t go to bed without a fight You think you’re wise, you think it shows So show me wise without those clothes Isaac raised an eyebrow at me, but I couldn’t even shrug. I was frozen. My heart had stopped. Everything had stopped. She’s playin’ hardball and it’s nothin’ new Short skirts so enjoy the view She’s a coldblooded tease baby through and through Yeah! Yeah! Yeah! I’ve got it bad Yeah! Yeah! Yeah! I’m goin’ mad Cause in your head you’ve got it right Won’t go to bed without a fight You think you’re wise you think it shows So show me wise without those clothes Come on Legs don’t go to waste I could be your only savin’ grace” “Put those morals on the back burner Something tells me you’re a fast fast learner As I listened to the chorus taunt me over and over again until the song came to a climatic end, I somehow remembered to breathe.

The Chorus Line: A Rope-Jumping Rhyme we are the maids the ones you killed the ones you failed we danced in air our bare feet twitched it was not fair with every goddess, queen, and bitch from there to here you scratched your itch we did much less than what you did you judged us bad you had the spear you had the word at your command we scrubbed the blood of our dead paramours from floors, from chairs from stairs, from doors, we knelt in water while you stared at our bare feet it was not fair you licked our fear it gave you pleasure you raised your hand you watched us fall we danced on air the ones you failed the ones you killed

We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—” A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively. “Congratulations,” he said. “I kind of feel like I missed an opportunity.” “W-what?” Alec stammered. Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.” “What?” Alec said again. Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.” “No,” Magnus said. “I am a very jealous warlock.” “We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.” “Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.

I wanted so many times while driving to flip, to skid and flip and fall from the car and have something happen. I wanted to land on my head and lose half of it, or land on my legs and lose one or both. I wanted something to happen so my choices would be fewer, so my map would have a route straight through, in red. I wanted limitations, boundaries, to ease the burden; because the agony, Jack, when we were up there in the dark, was in the silence! All I ever wanted was to know what to do. In these last months I've had no clue, I've been paralyzed by the quiet, and for a moment something spoke to me, and we came here, or came to Africa, and intermittently there were answers, intermittently there was a chorus and they sang to us and pointing, and were watching and approving, but just as often there was silence, and we stood blinking under the sun, or under the black sky, and we had to think of what to do next.

At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world's word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep - just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don't do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life's length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.

Halt," said Horace, "I've been thinking..." Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued. "Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..." "And?" Halt asked, seeing how Horace had left the statement hanging. "Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson." But Halt was already shaking his head. "Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.

A chorus of voices exhorts kids to study science. No one stops to ask whether it is inhumane to force adolescents to spend the bulk of their time studying subjects most of them hate. When skilled workers are put out of a job by technical advances and have to undergo “retraining,” no one asks whether it is humiliating for them to be pushed around in this way. It is simply taken for granted that everyone must bow to technical necessity, and for good reason: If human needs were put before technical necessity there would be economic problems, unemployment, shortages or worse. The concept of “mental health” in our society is defined largely by the extent to which an individual behaves in accord with the needs of the system and does so without showing signs of stress.

How easily a life can become a litany of guilt and regret, a song that keeps echoing with the same chorus, with the inability to forgive ourselves. How easily the life we didn’t live becomes the only life we prize. How easily we are seduced by the fantasy that we are in control, that we were ever in control, that the things we could or should have doneor said have the power, if only we had done or said them, to cure pain, to erase suffering, to vanish loss. How easily we can cling to – worship – the choice we think we could or should have made.

What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.

In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no--true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man. Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated. Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.

Once upon a time, wasn’t singing a part of everyday life as much as talking, physical exercise, and religion? Our distant ancestors, wherever they were in this world, sang while pounding grain, paddling canoes, or walking long journeys. Can we begin to make our lives once more all of a piece? Finding the right songs and singing them over and over is a way to start. And when one person taps out a beat, while another leads into the melody, or when three people discover a harmony they never knew existed, or a crowd joins in on a chorus as though to raise the ceiling a few feet higher, then they also know there is hope for the world.

O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play.

Search for the answers I knew all along; I lost myself, We all fall down; Never the wiser of what I've become Alone I stand, A broken man... All I have is one last chance. I won't turn my back on you. Take my hand, Drag me down. If you fall, Then I will too. And I can't save what's left of you... (Chorus) Sing something new, I have nothing left. I can't face the dark without you. There's nothing left to lose, The fight never ends. I can't face the dark without you. Swallow me under and pull me apart. I understand; There's nothing left. Pain so familiar and close to the heart; No more no less, I won't forget. Come back down, Save yourself. I can't find my way to you. And I can't bear to face the truth... (chorus) I wanted to forgive; I'm trying to forget; Don't leave me here again. I am with you, forever, the end. (chorus) Holding the hand that holds me down. I forgive you, forget you, the end. Holding the hand that holds me down. I forgive you, forget you, the end. (classical finish)

I ONLY steal because my dear old family needs the money to live!” Locke Lamora made this proclamation with his wineglass held high; he and the other Gentlemen Bastards were seated at the old witchwood table in the opulent burrow beneath the House of Perelandro; Calo and Galdo on his right, Jean and Bug on his left. A huge spread of food was set before them, and the celestial chandelier swung overhead with its familiar golden light. The others began to jeer. “Liar!” they chorused in unison. “I only steal because this wicked world won’t let me work an honest trade!” Calo cried, hoisting his own glass. “Liar!” “I only steal because I have to support my poor lazy twin brother, whose indolence broke our mother’s heart!” Galdo elbowed Calo as he made this announcement. “Liar!” “I only steal,” said Jean, “because I’ve temporarily fallen in with bad company.” “Liar!” At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, “I only steal because it’s heaps of fucking fun!” “BASTARD!

Sabine stood up, satisfied that her friends were safe and content. When she moved, Calla lifted her head. Her eyes focused in Sabine's direction. Despite the distance between them, Sabine Could have sworn Calla was looking right at her. The white wolf's ears flicked back and forth. She lifted her muzzle and howled. The sound filled Sabine with a mixture of sweetness and sorrow. The other wolves joined the song, their familiar voices blending in the winter air. Sabine watched them from another minute, then she turned and walked back to Ethan. "Everything okay?" he asked. She handed him the binoculars. "They're happy. So I'm happy." ... She turned, listening to the song carried on the stiff winter breeze. Nev's voice rose about the other wolves' as the chorus of howls wove through the air. Sabine wondered if somehow they knew she was here, and if they might be saying good-bye or if they were asking her to stay.

Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!" "I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room. "Aaaaaah... did you love him, little baby Potter?" Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!" Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor. "Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!

Body Electric" Elvis is my daddy, Marilyn’s my mother, Jesus is my bestest friend. We don’t need nobody 'Cause we got each other, Or at least I pretend. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. Whitman is my daddy, Monaco’s my mother, Diamonds are my bestest friend. Heaven is my baby, suicide’s her father, Opulence is the end. We get down every Friday night, Dancin’ and grindin’ in the pale moonlight. Grand Ole Opry, we're feelin’ alright, Mary prays the rosary for my broken mind. (I said don't worry about it) [Chorus:] I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. My clothes still smell like you, And all the photographs say you’re still young. I pretend I’m not hurt And go about the world like I’m havin’ fun. We get crazy every Friday night, Drop it like it’s hot in the pale moonlight. Grand Ole Opry, feelin' all right Mary's swayin’ softly to her heart's delight. I sing the body electric, I sing the body electric, baby. I sing the body electric, I sing the body electric, Sing that body electric, Sing that body electric. I’m on fire, Sing that body electric. I sing the body electric, baby. I sing the body electric, baby. I sing the body electric, baby.

Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.

Nada que temer, nada que cambiar Por ti me olvide de quien yo era en realidad Contigo me quede, como un diamante sin brillar No quiero ser así, espejo de tu vanidad Prefiero ser de mí Sin nada que temer, nada que cambiar Na na na Yo me siento así Bella y auténtica Na na na No seré por ti Una fuerte mental, no no [Chorus] Dices, que soy imperfecta, Que tu eres mi dueño, Quien no te madura todo el tiempo. Dices que hablo cosas tontas, Que no te merezco, Quien te crees que eres, dime quien. Te pido por favor, Que no me quieras controlar, Entregame tu amor, Sin condiciones nada mas. Permíteme vivir, soñando ésta realidad No ves que soy asi, distinta sin igual Na na na Yo me siento así Bella y auténtica Na na na No seré por ti Una fuerte mental, no no [Chorus] Dices, que soy imperfecta, Que tu eres mi dueño, Quien no te madura todo el tiempo. Dices que hablo cosas tontas, Que no te merezco, Quien te crees que eres, dime quien. [Bridge] Dices que soy una niña, Que me tienen consentida. Dices que soy diferente, Ciertamente, ciertamente. Soy lo que me gusta ser, No me intentes detener. Mírame bien, no estoy hecha de papel. Dices! [Chorus] Dices, que soy imperfecta, Que tu eres mi dueño, Quien no te madura todo el tiempo. Dices que hablo cosas tontas, Que no te merezco, Quien te crees que eres, dime quien. Eue soy imperfecta, Que tu eres mi dueño, Quien no te madura todo el tiempo. Dices que hablo cosas tontas, Que no te merezco, Quien te crees que eres, dime quien.

I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.” Anna laughed. “How many names would you want to collect, then?” Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply. “I would only want one,” said Thomas. Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind. “Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.” “Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.” “It would be a very short novel, before we got hold of the blackguard and killed him,” said James. There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not. “What about you, Cordelia?” said Lucie. “One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.” Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.

Lo!" I said. "I arrived at Camp Half-Blood as Lester Papadopoulos!" "A pathetic mortal!" Calypso chorused. "Most worthless of teens!" I glared at her, but I didn't dare stop my performance again. "I overcame many challenges with my companion, Meg McCaffrey!" "He means his master!" Calypso added. "A twelve-year-old girl! Behold her pathetic slave, Lester, most worthless of teens!" The policeman huffed impatiently. "We know all this. The emperor told us." "Shh," said Nanette. "Be polite." I put my hand over my heart. "We secured the Grove of Dodona, an ancient Oracle, and thwarted the plans of Nero! But, alas, Meg McCaffrey fled from me. Her evil stepfather had poisoned her mind!" "Poison!" Calypso cried. "Like the breath of Lester Papadopoulos, most worthless of teens!" I resisted the urge to push Calypso into the flower bed. Meanwhile, Leo was making his way towards the bulldozer under the guise of an interpretive dance routine, spinning and gasping and pantomiming my words. He looked like a hallucinating ballerina in boxer shorts, but the blemmyae politely got out of his way. "Lo!" I shouted. "From the Oracle of Dodona we received a prophecy - a limerick most terrible!" "Terrible!" Calypso chorused. "Like the skills of Lester, most worthless of teens!" "Vary your adjectives," I grumbled, then continued for my audience: "We travelled west in search of another Oracle, along the way fighting many fearsome foes! The Cyclopes we brought low!

Today Means Amen Dear you, whoever you are, however you got here, this is exactly where you are supposed to be. This moment has waited its whole life for you. This moment is your lover and you are a soldier. Come home, baby, it's over. You don't need to suffer anymore. Dear you, this moment is your surprise party. You are both hiding in the dark and walking through the door. This moment is a hallelujah. This moment is your permission slip to finally open that love letter you've been hiding from yourself, the one you wrote when you were little when you still danced like a sparkler at dusk. Do you remember the moment you realized they were watching? When you became ashamed of how much light you were holding? When you first learned how to unlove yourself? Dear you, the word today means amen in every language. Today, we made it. Today, I'm going to love you. Today, I'm going to love myself. Today, the boxcutter will rust in the garbage. The noose will forget how to hold you, today, today-- Dear you, and I have always meant you, nothing would be the same if you did not exist. You, whose voice is someone's favorite voice, someone's favorite face to wake up to. Nothing would be the same if you did not exist. You, the teacher, the starter's gun, the lantern in the night who offers not a way home, but the courage to travel farther into the dark. You, the lover, who worships the taste of her body, who is the largest tree ring in his heart, who does not let fear ration your love. You, the friend, the sacred chorus of how can I help. You, who have felt more numb than holy, more cracked than mosaic. Who have known the tiles of a bathroom by heart, who have forgotten what makes you worth it. You, the forgiven, the forgiver, who belongs right here in this moment. You, this clump of cells, this happy explosion that happened to start breathing, and by the grace of whatever is up there, you got here. You made it this whole way: through the nights that swallowed you whole, the mornings that arrived in pieces. The scabs, the gravel, the doubt, the hurt, the hurt, the hurt is over. Today, you made it. You made it. You made it here.

All things carefully considered, I believe they come down to this: what scares me is the Church as a social thing. Not solely because of her stains, but by the very fact that it is, among other characteristics, a social thing. Not that I am by temperament very individualistic. I fear for the opposite reason. I have in myself a strongly gregarious spirit. I am by natural disposition extremely easily influenced in excess, and especially by collective things. I know that if in this moment I had before me twenty German youth singing Nazi songs in chorus, part of my soul would immediately become Nazi. It is a very great weakness of mine. . . . I am afraid of the patriotism of the Church that exists in the Catholic culture. I mean ‘patriotism’ in the sense of sentiment analogous to an earthly homeland. I am afraid because I fear contracting its contagion. Not that the Church appears unworthy of inspiring such sentiment, but because I don’t want any sentiment of this kind for myself. The word ‘want’ is not accurate. I know— I sense with certainty— that such sentiment of this type, whatever its object might be, would be disastrous in me. Some saints approved the Crusades and the Inquisition. I cannot help but think they were wrong. I cannot withdraw from the light of conscience. If I think I see more clearly than they do on this point— I who am so far below them— I must allow that on this point they must have been blinded by something very powerful. That something is the Church as a social thing. If this social thing did such evil to them, what evil might it not also do to me, one who is particularly vulnerable to social influences, and who is infinitely feebler than they?

Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?