“
You cannot pick and choose what parts of her to love.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
If someone is not treating you with love and respect, it is a gift if they walk away from you. If that person doesn't walk away, you will surely endure many years of suffering with him or her. Walking away may hurt for a while, but your heart will eventually heal. Then you can choose what you really want. You will find that you don't need to trust others as much as you need to trust yourself to make the right choices.
”
”
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
“
Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.
”
”
bell hooks
“
A woman's strength should not be in her role, whatever she chooses to be, but in the power to choose that role.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
If you have but one friend, make sure you choose her well.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.
I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.
I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.
I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.
I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.
I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.
I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.
I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.
I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.
I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.
I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
He must feel that you choose to be with him, not that you need to be with him.
”
”
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
“
A child is not a Christian child, not a Muslim child, but a child of Christian parents or a child of Muslim parents. This latter nomenclature, by the way, would be an excellent piece of consciousness-raising for the children themselves. A child who is told she is a 'child of Muslim parents' will immediately realize that religion is something for her to choose -or reject- when she becomes old enough to do so.
”
”
Richard Dawkins (The God Delusion)
“
despite knowing
they won’t be here for long
they still choose to live
their brightest lives
- sunflowers
”
”
Rupi Kaur (The Sun and Her Flowers)
“
Any woman who chooses to behave like a full human being should be warned that the armies of the status quo will treat her as something of a dirty joke . . . She will need her sisterhood.
”
”
Gloria Steinem
“
Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
She was not becoming anything different from what she always was and always had the capacity to be. You just finally saw everything. And once you saw that other part of her… You cannot pick and choose what parts of her to love. Just as you cannot pick which parts of me you accept.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Live by your own rules Move to your rhythm, instead of dancing to the beat of someone else’s drum Decide how you want to be treated Choose what you will or will not tolerate Leave if you don’t get what you want.
”
”
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
“
She had to choose what, of the things she inherited from the people who came before her, she wanted to bring forward. And what, of the past, she wanted to leave behind.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
I love you,” he repeated, shaking her again. “I have for years. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
“You’re a damned idiot,” she breathed grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face. “Because I’d pick you.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
I love you," he repeated, shaking her again. "I have for years. And he hurt you and made me watch because he's always know how I felt, too. But if I asked you to pick, you'd choose Arobynn, and I. Can't. Take. It.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
No, I know,” Levi said. “But it’s not you. You don’t push through every moment. You pay attention. You take everything in. I like that about you—I like that better.”
Cath closed her eyes and felt tears catch on her cheeks.
“I like your glasses,” he said. “I like your Simon Snow T-shirts. I like that you don’t smile at everyone, because then, when you smile at me.… Cather.” He kissed her mouth. “Look at me.”
She did.
“I choose you over everyone.
”
”
Rainbow Rowell (Fangirl)
“
I always want to know the things one shouldn't do."
"So as to do them?" asked her aunt.
"So as to choose," said Isabel
”
”
Henry James (The Portrait of a Lady)
“
A hero does not choose her trials. She steps into the darkness, then she faces what comes next.
”
”
Brandon Sanderson (Starsight (Skyward, #2))
“
And as much as I'm telling her to stay here, I still want her to choose to come with me. To say fuck sanity and healing and closure. To say that I am the only thing she needs to be well and whole and alive. But we both know that's not true.
”
”
Katja Millay (The Sea of Tranquility)
“
Arin pulled her onto his lap. He held her shaking form, tucked his face into the crook of her cold neck as she sobbed against him. He murmured that he loved her more than he could say. He promised that he would always choose her first.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
When a girl is beautiful, she gets to pick - she never has to wait for someone to choose her.
”
”
Adriana Trigiani
“
Choosing a path meant having to miss out on others. She had a whole life to live, and she was always thinking that, in the future, she might regret the choices she made now. “I’m afraid of committing myself,” she thought to herself. She wanted to follow all possible paths and so ended up following none. Even in that most important area of her life, love, she had failed to commit herself. After her first romantic disappointment, she had never again given herself entirely. She feared pan, loss, and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes not to see the bad things in life.
”
”
Paulo Coelho (Brida)
“
No woman can call herself free who does not own and control her body. No woman can call herself free until she can choose consciously whether she will or will not be a mother.
”
”
Margaret Sanger
“
I will hate the man you choose because he is not me, and love him if he makes you smile. No woman deserves the sure knowledge of widow’s black as her brideprice, you least of all.
”
”
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
“
If there was anything I'd learned, it's that the man never chooses the woman. All he can do is give her an opportunity to choose him.
”
”
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
“
People talk about books being an escape, but here on the tube, this one feels more like a lifeline...The motion of the train makes her head rattle, but her eyes lock on the words the way a figure skater might choose a focal point as she spins, and just like that, she's grounded again.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
The rule seemed to be that a great woman must either die unwed ... or find a still greater man to marry her. ... The great man, on the other hand, could marry where he liked, not being restricted to great women; indeed, it was often found sweet and commendable in him to choose a woman of no sort of greatness at all.
”
”
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
“
A human being may not choose her circumstances, but she does choose her actions
”
”
Fredrik Backman (Britt-Marie Was Here)
“
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches.
May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty.
When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer.
Guide her, protect her
When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age.
Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels.
What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit.
May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers.
Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait.
O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed.
And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it.
And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back.
“My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
”
”
Tina Fey (Bossypants)
“
She wants fire, and Dorne sent her mud.
You could make a poultice out of mud to cool a fever. You could plant seeds in mud and grow a crop to feed your children. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Are you armed?" Oliver asked her.
She glanced down at her backpack and instantly, instinctively held back. "No."
"Lie to me again and I'll put you out on the street and do this myself."
Claire swallowed. "Uh, yeah."
"With what?"
"Silver-coated stakes, wooden stakes, a crossbow, about ten bolts . . . oh, and a squirt gun with some silver-nitrate solution."
He smiled grimly at the dark windshield. "What, no grenade launchers?"
"Would they work?"
"I choose not to comment.
”
”
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
“
She’s kept her love for him as alive as the summer they first met. In order to do this, she’s turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you’re limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.
My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world.
”
”
Nicole Krauss (The History of Love)
“
Hale, this life . . .' she started slowly, still practically speechless. 'This . . . what we do--what my family does--it looks a lot more glamorous when you choose it.'
'So choose it.' He handed her another envelope. Smaller this time. Thinner.
'What's this?' she asked.
'That, darling, is my full confession. Dates. Times.' Hale leaned against the antique table. 'I thought the crane rental receipt was a particularly nice touch.' Kat looked at him, speechless. 'It's your ticket back into Colgan. If you want it.'
'Hale, I . . .'
But Hale was still moving, shrinking the distance between them. He seemed impossibly close as he whispered. 'And I didn't choose it, Kat. I chose you.
”
”
Ally Carter (Heist Society (Heist Society, #1))
“
She knew it was up to her to say what had to be said. To do what had to be done. When there is only you, you do not get to choose which jobs you want, you do not get to decide you are incapable of anything. There is no room for distaste or weakness. You must do it all. All of the ugliness, the sadness, the things most people can't stand to even think about, all must live inside of you. You must be capable of everything.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
A woman’s past need not predict her future. She can dance to new music if she chooses. Her own music. To hear the tune, she must only stop talking. To herself, I mean. We’re always trying to persuade ourselves of things.
”
”
Lisa Wingate (Before We Were Yours)
“
I am not going to live, and I can choose to be as much for her as I can be, to burn as brightly for her as I wish, and for a shorter time, than to burden her with someone only half-alive for a longer time. It is my choice, William, and you cannot make it for me.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past.
They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood.
I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither.
Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse.
A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Tiger Lily went back into the house, from which she kept watch of the ocean. She held her arms around her stomach and stayed awake. She didn't want him to catch her sleeping.
Peter did not come that night, or the next day, and she stayed awake. She did not believe he could have really gone, because for her, to leave the person you loved was impossible.
For three days, she kept on studying the horizon, even speaking to it, as if a ship that had already disappeared could hear her. "Choose me."
And Peter did choose. But he chose something else.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love?
”
”
David Foster Wallace (Infinite Jest)
“
Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where all is correct. But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion." Nothing follows a regular course. Her argument was that the crossing of the shadow of that sword may bring a more interesting existence to a woman, but you can bet it will be more perilous.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Seven times I have despised my soul:
The first time when I saw her being meek that she might attain height.
The second time when I saw her limping before the crippled.
The third time when she was given to choose between the hard and the easy, and she chose the easy.
The fourth time when she committed a wrong, and comforted herself that others also commit wrong.
The fifth time when she forbode for weakness, and attributed her patience to strength.
The sixth time when she despised the ugliness of a face, and knew not that it was one of her own masks.
And the seventh time when she sang a song of praise, and deemed it a virtue.
”
”
Kahlil Gibran (Sand and Foam)
“
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
”
”
Charles Frazier (Cold Mountain)
“
I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar (...)
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Please don't go."
He let out an uneven breath. "You'll be fine without me. You always have been."
Maybe once, but not now. "How can I convince you to stay?"
"You can't."
She threw down the torch. "Do you want me to beg, is that it?"
"No-never."
"Then tell me-"
"What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.”
“But why? Why can’t you let it go?”
He grabbed her shoulders and shook her. “Because I love you!”
Her mouth fell open.
“I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.”
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
“You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
”
”
Jennifer Donnelly (A Northern Light)
“
I choose to believe that I owe my very
life to you--ay--smile, and think it an exaggeration if you will.
I believe it, because it adds a value to that life to think--oh,
Miss Hale!' continued he, lowering his voice to such a tender
intensity of passion that she shivered and trembled before him,
'to think circumstance so wrought, that whenever I exult in
existence henceforward, I may say to myself, "All this gladness
in life, all honest pride in doing my work in the world, all this
keen sense of being, I owe to her!" And it doubles the gladness,
it makes the pride glow, it sharpens the sense of existence till
I hardly know if it is pain or pleasure, to think that I owe it
to one--nay, you must, you shall hear'--said he, stepping
forwards with stern determination--'to one whom I love, as I do
not believe man ever loved woman before.' He held her hand tight
in his. He panted as he listened for what should come.
”
”
Elizabeth Gaskell (North and South)
“
I choose to be known as scythe Anastasia
after the youngest member of the family Romanov
she was the product of a corrupt system, and because of that, was denied her very life—as I almost was
had she lived who knows what she might have done. perhaps she could have changed the world and redeemed her family name. choose to be scythe Anastasia. I vow to become the change that night have been
”
”
Neal Shusterman (Scythe (Arc of a Scythe, #1))
“
The genius of the current caste system, and what most distinguishes it from its predecessors, is that it appears voluntary. People choose to commit crimes, and that's why they are locked up or locked out, we are told. This feature makes the politics of responsibility particularly tempting, as it appears the system can be avoided with good behavior. But herein lies the trap. All people make mistakes. All of us are sinners. All of us are criminals. All of us violate the law at some point in our lives. In fact, if the worst thing you have ever done is speed ten miles over the speed limit on the freeway, you have put yourself and others at more risk of harm than someone smoking marijuana in the privacy of his or her living room. Yet there are people in the United States serving life sentences for first-time drug offenses, something virtually unheard of anywhere else in the world.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
It was as if June had given her a box—as if every parent gives their children a box—full of the things they carried. June had given her children this box packed to the brim with her own experiences, her own treasures and heartbreaks. Her own guilts and pleasures, triumphs and losses, values and biases, duties and sorrows. And Nina had been carrying around this box her whole life, feeling the full weight of it. But it was not, Nina saw just then, her job to carry the full box. Her job was to sort through the box. To decide what to keep, and to put the rest down. She had to choose what, of the things she inherited from the people who came before her, she wanted to bring forward. And what, of the past, she wanted to leave behind.
”
”
Taylor Jenkins Reid (Malibu Rising)
“
Alec isn’t happy,” said Magnus, as if she hadn’t spoken.
“Of course he isn’t,” Isabelle snapped. “Jace—”
“Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said:
“I thought you were friends.”
“It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.”
Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —”
“I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—”
“Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said.
“How dare you make this worse than it is —”
“Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.”
“There is nothing weak about Alec,” said Isabelle.
“No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.”
“Of course he loves me. I’m his sister.”
“Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Before I moved here, I never got the whole love-triangle thing. You know, in movies or romance novels or whatnot, where there’s one chick that all the guys are drooling over, even though you can’t see anything particularly special about her. But oh, no, they both must have her. And she’s like, oh dear, however will I choose? William is so sensitive, he understands me, he swept me off my feet, oh misery, blubber, blubber, but how can I go on living without Rafe and his devil-may-care ways and his dark and only-a-little-abusive love? Upchuck.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
She wasn’t afraid of difficulties; what frightened her was being forced to choose one particular path.
Choosing a path meant having to miss out on others. She had a whole life to live and she was always thinking that, in future, she might regret the choices she made now.
‘I’m afraid of committing myself,’ she thought to herself. She wanted to follow all possible paths and so ended up following none.
Even in that most important area of her life, love, she had failed to commit herself. After her first romantic dissappointment, she had never again given herself entirely. She feared pain, loss and separation. These things were inevitable on the path to love, and the only way of avoiding them was by deciding not to take that path at all. In order not to suffer, you had to renounce love. It was like putting out your own eyes in order not to see the bad things in life.
”
”
Paulo Coelho (Brida)
“
The playboy is not necessarily a man who has many girlfriends, or a man who has many women, or a man who has slept with many women. That is old. But there is a new breed of the playboy and he is the man who remains single in attempts to make every woman feel as if he belongs to her, he remains a virgin in order to make every woman feel like she will be the first one, and in the end he may choose a very unattractive woman to adorn his side, so that in all circumstances, he will shine as the more beautiful one. This is the new breed of playboy. And it is a very evil one.
”
”
C. JoyBell C.
“
First, it’s okay to be sad. It’s okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly”—her eyes glossed over—“and you and your brothers take care of each other, and your father. Even when you grow up and move away, it’s important to come home. Okay?”
My head bobbed up and down, desperate to please her.
“One of these days you’re going to fall in love, son. Don’t settle for just anyone. Choose the girl that doesn’t come easy, the one you have to fight for, and then never stop fighting. Never”—she took a deep breath—“stop fighting for what you want. And never”—her eyebrows pulled in—“forget that Mommy loves you. Even if you can’t see me.” A tear fell down her cheek. “I will always, always love you.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
All religions lead to the same God, and all deserve the same respect. Anyone who chooses a religion is also choosing a collective way for worshipping and sharing the mysteries. Nevertheless, that person is the only one responsible for his or her actions along the way and has no right to shift responsibility for any personal decisions on to that religion.
”
”
Paulo Coelho (Like the Flowing River)
“
This hand says you spend the rest of your life with me," he said, holding out his left hand, "and this one says I spend the rest of my life with you. Choose."
She bit her lip, tears welling in her eyes. She took both of his hands in hers and he shuddered. "I will die protecting you," he says.
There was a look of dismay on her face. "Just like a man of this kingdom, Finnikin. Talking of death, yours or mine, is not a good way to begin a-"
Isaboe gave a small gasp when he leaned forward, his lips an inch away from hers. "I will die for you," he whispered.
She cupped his face in her hands. "But promise me you'll live first. Because nothing we are about to do is going to be easy and I need you by my side.
”
”
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
“
When I had nothing more to lose, I was given everything. When I ceased to be who I am, I found myself. When I experienced humiliation and yet kept on walking, I understood that I was free to choose my destiny. Perhaps there's something wrong with me, I don't know, perhaps my marriage was a dream I couldn't understand while it lasted. All I know is that even though I can live without her, I would still like to see her again, to say what I never said when we were together: I love you more than I love myself. If I could say that, then I could go on living, at peace with myself, because that love has redeemed me.
”
”
Paulo Coelho (The Zahir)
“
So now you must choose... Are you a child who has not yet become world-weary? Or are you a philosopher who will vow never to become so? To children, the world and everything in it is new, something that gives rise to astonishment. It is not like that for adults. Most adults accept the world as a matter of course. This is precisely where philosophers are a notable exception. A philosopher never gets quite used to the world. To him or her, the world continues to seem a bit unreasonable - bewildering, even enigmatic. Philosophers and small children thus have an important faculty in common. The only thing we require to be good philosophers is the faculty of wonder…
”
”
Jostein Gaarder (Sophie’s World)
“
The law of attraction is synonymous to the law of sacrifice, in which you get in return what you are decisively choose to give up. The universe in all her infinity beauty generously opens up gates that you had no idea existed when you close others, but she requires you to walk through the gates solely on your own will and strength, with the other doors that you have left behind often times being forever locked and eternally inaccessible.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
The fact that Ridge has been honest in his conversations with me is not something he did wrong. The fact that he has feelings for me also isn’t wrong, when you know exactly how much he’s fought those feelings. People can’t control matters of the heart, Warren.
They can only control their actions, which is exactly what Ridge did. He lost control once for ten seconds, but after that, every single time temptation reared its ugly head, he walked in the other direction. The only thing Ridge has done wrong is fail to delete his messages, because by doing so, he failed to protect Maggie. He failed to protect her from the harsh truth that people don’t get to choose who they fall in love with. They only get to choose who they stay in love with.” I look up at the ceiling and blink back tears. “He was choosing to stay in love with her, Warren. Why can’t she see that? This will kill him so much more than it’s killing her.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
Nearly every guy I've dated believed they should already be famous, believed that greatness was their destiny and they were already behind schedule. An early moment of intimacy often involved a confession of this sort: a childhood vision, teacher's prophecy, a genius IQ. At first, with my boyfriend in college, I believed it, too. Later, I thought I was just choosing delusional men. Now I understand it's how boys are raised to think, how they are lured into adulthood. I've met ambitious women, driven women, but no woman has ever told me that greatness was her destiny.
”
”
Lily King (Writers & Lovers)
“
Of course not. No one is chosen. Not ever. Not in the real world. You chose to climb out of your window and ride on a leopard. You chose to get a witch’s Spoon back, and to make friends with a wyvern. You chose to trade your shadow for a child’s life. You chose not to let the Marquess hurt your friend--you chose to smash her cages! You chose to face your own Death, not to balk at a great sea to cross and no ship to cross it in. And twice now you have chosen not to go home when you might have, if only you abandoned your friends. You are not the chosen one, September. Fairyland did not choose you--you chose yourself. You could have had a lovely holiday in Fairyland and never met the Marquess, never worried yourself with local politics, had a romp with a few brownies and gone home with enough memories for a lifetime’s worth of novels. But you didn’t. You chose. You chose it all. Just like you chose your path on the beach: to lose your heart is not a path for the faint and fainting.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Your body is yours to protect and to enjoy.” She raises both eyebrows at me meaningfully. “Whoever you should choose to partake in that enjoyment, that is your choice, and choose wisely. Every man that ever got to touch me was afforded an honor. A privilege.” Stormy waves her hand over me. “All this? It’s a privilege to worship at this temple, do you understand my meaning? Not just any young fool can approach the throne. Remember my words, Lara Jean. You decide who, how far, and how often, if ever.”
“I had no idea you were such a feminist,” I say.
“Feminist?” Stormy makes a disgusted sound in her throat. “I’m no feminist. Really, Lara Jean!”
“Stormy, don’t get worked up about it. All it means is that you believe men and women are equal, and should have equal rights.”
“I don’t think any man is my equal. Women are far superior, and don’t you forget it. Don’t forget any of the things I just told you.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
[Eating disorders] are a wonderful tool for helping you reject others before they can reject you. Example: You're at a party. The popular girls are there. You know you can never be as cool as they are, but when one of the pops a potato chip into her mouth or chooses real Coke over Diet, for that moment you are better
”
”
Stacy Pershall
“
Such a fuss ofer a few mundanes." Mrs Dark chuckled and moved to stand beside her sister, so that Will, with his blazing sword, was between Tessa and both ladies. "We have no quarrel with you, Shadowhunter, unless you choose to pick one. You have invaded our territory and broken the Covenant Law in doing so. We could report you to the Clave-"
"While the Clave disapproves of trespassers, oddly, they take an even darker view of beheading and skinning people. They're peculiar that way," Will said
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
We know from myths and fairy tales that there are many different kinds of powers in the world. One child is given a light saber, another a wizard's education. The trick is not to amass all the different kinds of available power, but to use well the kind you've been granted. Introverts are offered keys to private gardens full of riches. To possess such a key is to tumble like Alice down her rabbit hole. She didn't choose to go to Wonderland -- but she made of it an adventure that was fresh and fantastic and very much her own.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
So many misconceptions surround the notion of heroism. Far too many categorize a hero as a champion on the battlefield, a commander of legions, a master of rare talent or ability. Granted, there have been heroes who fit those descriptions. But many men of great evil as well. Heed me. A hero sacrifices for the greater good. A hero is true to his or her conscience. In short, heroism means doing the right thing regardless of the consequences. Although any person could fit that description, very few do. Choose this day to be one of them."
(Beyonders - A World Without Heroes)
”
”
Brandon Mull
“
When, as happened recently in France, an attempt is made to coerce women out of the burqa rather than creating a situation in which a woman can choose what she wishes to do, it’s not about liberating her, but about unclothing her. It becomes an act of humiliation and cultural imperialism. It’s not about the burqa. It’s about the coercion. Coercing a woman out of a burqa is as bad as coercing her into one. Viewing gender in this way, shorn of social, political and economic context, makes it an issue of identity, a battle of props and costumes. It is what allowed the US government to use western feminist groups as moral cover when it invaded Afghanistan in 2001. Afghan women were (and are) in terrible trouble under the Taliban. But dropping daisy-cutters on them was not going to solve their problems.
”
”
Arundhati Roy
“
Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin."
"Your Majesty.... I - I don't know - "
Rose felt her knees shaking. Did he not love her after all?
"Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me."
Galen laughed shakily. "Thanks, Pansy."
"Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something."
"Poppy!" Daisy looked scandalized. "It's not Rose's place to - "
Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used.
"Yes," he said.
"If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!"
"Father," Rose protested, "that won't be necessary!"
"I choose Rose," Galen blurted out at the same time.
"There. Done. Easy." King Gregor clapped his hands.
”
”
Jessica Day George (Princess of the Midnight Ball (The Princesses of Westfalin Trilogy, #1))
“
It is a fundamental truth that the responsibilities of motherhood cannot be successfully delegated. No, not to day-care centers, not to schools, not to nurseries, not to babysitters. We become enamored with men’s theories such as the idea of preschool training outside the home for young children. Not only does this put added pressure on the budget, but it places young children in an environment away from mother’s influence. Too often the pressure for popularity, on children and teens, places an economic burden on the income of the father, so mother feels she must go to work to satisfy her children’s needs. That decision can be most shortsighted. It is mother’s influence during the crucial formative years that forms a child’s basic character. Home is the place where a child learns faith, feels love, and thereby learns from mother’s loving example to choose righteousness. How vital are mother’s influence and teaching in the home—and how apparent when neglected!
”
”
Ezra Taft Benson
“
But why? Why can't you let it go?"
He grabbed her shoulders and shook her. "Because I love you!"
Her mouth fell open.
"I love you," he repeated, shaking her again. "I have for years. And he hurt you and made me watch because he's always known how I felt, too. But if I asked you to pick, you'd choose Arobynn, and I. Can't. Take. It."
The only sounds were their breathing, an uneven beat against the rushing of the sewer river.
"You're a damned idiot," she breathed, grabbing the front of his tunic. "You're a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you."
And then she kissed him.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
But what of you?” Gabriel said, and they
were very close now, almost touching. “It is
your choice to make now, to stay or return.”
“I will stay,” Cecily said. “I choose the
war.”
Gabriel let out the breath he hadn’t realized
he was holding. “You will give up your
home?”
“A drafty old house in Yorkshire?” Cecily
said. “This is London.”
“And give up what is familiar?”
“Familiar is dull.”
“And give up seeing your parents? It is
against the Law …”
She smiled, the glimmer of a smile.
“Everyone breaks the Law.”
“Cecy,” he said, and closed the distance
between them, though it was not much, and
then he was kissing her—his hands awkward
around her shoulders at first, slipping on the
stiff taffeta of her gown before his fingers
slid behind her head, tangling in her soft,
warm hair. She stiffened in surprise before
softening against him, the seam of her lips
parting as he tasted the sweetness of her
mouth. When she drew away at last, he felt
light-headed. “Cecy?” he said again, his
voice hoarse.
“Five,” she said. Her lips and cheeks were
flushed, but her gaze was steady.
“Five?” he echoed blankly.
907/1090
“My rating,” she said, and smiled at him.
“Your skill and technique may, perhaps, require
work, but the native talent is certainly
there. What you require is practice.”
“And you are willing to be my tutor?”
“I should be very insulted if you chose another,”
she said, and leaned up to kiss him
again.
”
”
Cassandra Clare
“
Grace has to be the loveliest word in the English language. It embodies almost every attractive quality we hope to find in others. Grace is a gift of the humble to the humiliated. Grace acknowledges the ugliness of sin by choosing to see beyond it. Grace accepts a person as someone worthy of kindness despite whatever grime or hard-shell casing keeps him or her separated from the rest of the world. Grace is a gift of tender mercy when it makes the least sense.
”
”
Charles R. Swindoll
“
Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose."
"You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them."
I nodded and kept writing.
"But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not.
”
”
Sarah Dessen (Lock and Key)
“
The people at the center of these stories of power couples mostly choose to see their own motives as selfless. In Elizabeth Edwards’ autobiography Resilience, she wrote of her marriage to John, U.S. senator from North Carolina, ‘We were lovers, life companions, crusaders, side by side, for a vision of what the country could be.’ When she found out he was cheating on her, the crusading together became ‘the glue’ that kept them together. ‘I grabbed hold of it. I needed to,’ Edwards wrote. ‘Although I no longer knew what I could trust between the two of us, I knew I could trust in our work together.’ She wanted ‘an intact family fighting for causes more important than any one of us.
”
”
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Eight Political Wives)
“
You’re too good for me.”
He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?”
She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.”
“Wow,” Carmine said. “I’d like to meet that motherfucker.
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
We’ve been secretly datin’ since last week.” He gives me a smile and a look that says I’m his one-and-only. That smile might deceive Madison, but I know he’s full of it.
“Isn’t that right, K.?”
He squeezes me tighter. “Uh-huh,” I squeak out.
Madison shakes her head fast, as if she can’t believe what she’s hearing. “Nobody in their right mind chooses Kiara Westford over me.”
She’s right. We’re busted.
“Wanna bet?” My eyes go wide when Carlos bends his head down to me. “Kiss me, cariño.
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Love doesn't keep a score of wrongs. Love doesn't bring up past failures. None of us is perfect. In marriage we do not always do the right thing. We have sometimes done and said hurtful things to our spouses. We cannot erase the past. We can only confess it and agree that it was wrong. We can ask for forgiveness and try to act differently in the future. Having confessed my failure and asked forgiveness, I can do nothing more to mitigate the hurt it may have caused my spouse. When I have been wronged by my spouse and she has painfully confessed it and requested forgiveness, I have the option of justice or forgiveness. If I choose justice and seek to pay her back or make her pay for her wrongdoing, I am making myself the judge and her the felon. Intimacy becomes impossible. If, however, I choose to forgive, intimacy can be restored. Forgiveness is the way of love.
”
”
Gary Chapman (The Five Love Languages: How to Express Heartfelt Commitment to Your Mate)
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-"
"Stop it," Ash said in a faint voice. "That isn't fair."
Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them.
"Ash is right, this is totally unfair," Jared told her. "If you insist on this-"
"Oh, I do," Kami assured him.
"Then I insist on hooking up with Rusty instead of Ash. It's the least you can do."
"Ugh," Ash protested. "You guys, stop."
"She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty."
Ash gave this some thought. "Okay, I'll have Rusty too."
The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised.
"Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
”
”
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
“
Simon's band never actually produced any music. Mostly they sat around in Simon's living room, fighting about potential names and band logos. She sometimes wondered if any of them could actually play an instrument. 'What's on the table?'
'We're choosing between Sea Vegetable Conspiracy and Rock Solid Panda.'
Clary shook her head. 'Those are both terrible.'
'Eric suggested Lawn Chair Crisis.'
'Maybe Eric should stick to gaming.'
'But then we'd have to find a new drummer.'
'Oh, is that what Eric does?...
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Look, Aerin, preparation is only half the challenge of winning a debate.”
“And the other half?”
He had her now. “You have to choose the right side.”
“Your side, you mean.” She bristled.
“No, the losing side.”
“What?”
“Always choose the weaker side.”
“Why would I do that?” Doubt edged her voice, but now she was sitting erect, her feet flat on the floor.
“Because then you have further to go to prove your case.” He eased the feet of his chair down. “In a debate, there are two sides. If both make a good argument, then the less popular side wins because that side had further to go to prove its point. Simple logistics.”
“If you don’t care which side wins.” She frowned.
“It’s a debate. It doesn’t matter which side wins.”
“You mean it doesn’t matter to you.” The tone in her voice unsettled him. Or maybe it was the fact that that her criticism disturbed him at all.
“It’s a class,” he said. “The point is to flesh out the different sides of an argument.”
“And you don’t care if the truth gets lost in the shuffle. Don’t you believe in anything?!
”
”
Anne Osterlund (Academy 7)
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. I—"
"I'll see you at dinner.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
And yet, despite repeated assurances that women aren't particularly sexual creatures, in cultures around the world men have gone to extraordinary lengths to control female libido: female genital mutilation, head-to-toe chadors, medieval witch burnings, chastity belts, suffocating corsets, muttered insults about "insatiable" whores, pathologizing, paternalistic medical diagnoses of nymphomania or hysteria, the debilitating scorn heaped on any female who chooses to be generous with her sexuality...all parts of a worldwide campaign to keep the supposedly low-key female libido under control. Why the electrified high-security razor-wire fence to contain a kitty-cat?
”
”
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
“
What is so unnerving about the candidacy of Sarah Palin is the degree to which she represents—and her supporters celebrate—the joyful marriage of confidence and ignorance . . . Ask yourself: how has "elitism" become a bad word in American politics? There is simply no other walk of life in which extraordinary talent and rigorous training are denigrated. We want elite pilots to fly our planes, elite troops to undertake our most critical missions, elite athletes to represent us in competition and elite scientists to devote the most productive years of their lives to curing our diseases. And yet, when it comes time to vest people with even greater responsibilities, we consider it a virtue to shun any and all standards of excellence. When it comes to choosing the people whose thoughts and actions will decide the fates of millions, then we suddenly want someone just like us, someone fit to have a beer with, someone down-to-earth—in fact, almost anyone, provided that he or she doesn't seem too intelligent or well educated.
”
”
Sam Harris
“
Everything that made Daisy burn, made me burn. Everything I loved about the world, Daisy loved about the world. Everything I struggled with, Daisy struggled with. We were two halves. We were the same. In that way you're only the same with a few other people. In that way that you don't even feel like you have to say your own thoughts because you know the other person is already thinking them. How could I be around Daisy Jones and not be mesmerized by her? Not fall in love with her?
I couldn't.
I just couldn't.
But Camila meant more. That's just the deepest truth. My family meant more to me. Camila meant more to me. Maybe, for a little while there, Camila wasn't the person I was the most drawn to.
Or...
...
...
Maybe Camila wasn't the person I was the most in love with. At that time, I don't know. You can't...maybe she wasn't. But she was always the person I loved the most. She was always the person I would choose.
It is Camila, for me. Always.
Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive. My family was my water. I picked water. I'll pick water every time. And I wanted Daisy to find her water. Because I couldn't be it (288-289).
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
what love looks like
what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you
that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
”
”
Rupi Kaur (The Sun and Her Flowers)
“
MY MOTHER GETS DRESSED
It is impossible for my mother to do even
the simplest things for herself anymore
so we do it together,
get her dressed.
I choose the clothes without
zippers or buckles or straps,
clothes that are simple
but elegant, and easy to get into.
Otherwise, it's just like every other day.
After bathing, getting dressed.
The stockings go on first.
This time, it's the new ones,
the special ones with opaque black triangles
that she's never worn before,
bought just two weeks ago
at her favorite department store.
We start with the heavy, careful stuff of the right toes
into the stocking tip
then a smooth yank past the knob of her ankle
and over her cool, smooth calf
then the other toe
cool ankle, smooth calf
up the legs
and the pantyhose is coaxed to her waist.
You're doing great, Mom,
I tell her
as we ease her body
against mine, rest her whole weight against me
to slide her black dress
with the black empire collar
over her head
struggle her fingers through the dark tunnel of the sleeve.
I reach from the outside
deep into the dark for her hand,
grasp where I can't see for her touch.
You've got to help me a little here, Mom
I tell her
then her fingertips touch mine
and we work her fingers through the sleeve's mouth
together, then we rest, her weight against me
before threading the other fingers, wrist, forearm, elbow, bicep
and now over the head.
I gentle the black dress over her breasts,
thighs, bring her makeup to her,
put some color on her skin.
Green for her eyes.
Coral for her lips.
I get her black hat.
She's ready for her company.
I tell the two women in simple, elegant suits
waiting outside the bedroom, come in.
They tell me, She's beautiful.
Yes, she is, I tell them.
I leave as they carefully
zip her into
the black body bag.
Three days later,
I dream a large, green
suitcase arrives.
When I unzip it,
my mother is inside.
Her dress matches
her eyeshadow, which matches
the suitcase
perfectly. She's wearing
coral lipstick.
"I'm here," she says, smiling delightedly, waving
and I wake up.
Four days later, she comes home
in a plastic black box
that is heavier than it looks.
In the middle of a meadow,
I learn a naked
more than naked.
I learn a new way to hug
as I tighten my fist
around her body,
my hand filled with her ashes
and the small stones of bones.
I squeeze her tight
then open my hand
and release her
into the smallest, hottest sun,
a dandelion screaming yellow at the sky.
”
”
Daphne Gottlieb (Final Girl)
“
What were you thinking when we were holding hands diagonally?" I ask. Jeff says, "I was thinking, 'It's going to be so hard for her when she chooses not to get on that lifeboat and stay with me.'"
I decide I can't start this marriage with a lie.
"Really?" I say. "'Cause I was thinking that it was going to be so hard for you when I got on the lifeboat and you had to stay behind." He is appalled. I plead my case. "Remember when we saw Titanic how mad I was at Kate Winslet when she climbed out of the lifeboat and back into the ship? I think she encumbered Leonardo DiCaprio. If she had gone on the lifeboat, then he could have had that piece of wood she was floating on and they both would have survived. I would never do that to you."
I wait for his response, hoping that in the twenty-first century romantic love can be defined as not lying about your plans to get on the lifeboat and remembering to get your partner some pills. He just laughs. With that settled, we begin our married life.
”
”
Tina Fey (Bossypants)
“
You are a Lightwood," Cecily said. "You stayed because you were loyal to your family name. It is not cowardice."
"Wasn't it? Is loyalty still a commendable quality when it is misdirected?"
Cecily opened her mouth, then closed it again. Gabriel was looking for her, his eyes shining in the moonlight. He seemed genuinely desperate to hear her answer. She wondered if he had anyone else to talk to. She could see how it might be terrifying to take one's moral qualms to Gideon; he seemed so staunch, as if he never questioned himself in his life and would not understand those who did.
"I think," she said, choosing her words with care, "that any good impulse can be twisted into something evil. Look at the Magister. He does what he does because he hates the Shadowhunters, out of loyalty to his parents, who cared for him, and who were killed. It is not beyond the realm of understanding. And yet nothing excuses the result. I think when we make choices-for each choice is individual of the choices we have made before-we must examine not only our reasons for making them but what result they will have, and whether good people will be hurt by our decisions.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.'
'You said the other day life was long,' I shot back. 'Which is it?'
' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.'
'Nothing can be two opposite things at once,' I said. 'It's impossible.'
'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.'
'Uh-huh,' Monica said, looking at her sister.
'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.'
Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said.
'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked.
'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.'
But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life.
'It's the same thing,' I told her.
'What is?'
'Being afraid and being alive.'
'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
”
”
Sarah Dessen (The Truth About Forever)
“
Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belong to a man - a woman who was ‘one-in-herself’. The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chasity, but sexual independence. And all great culture heroes of the past…, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus - they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramaic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chasity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched. When Joan of Arc, with her witch coven associations, was called La Pucelle - ‘the Maiden,’ ‘the Virgin’ - the word retained some of its original pagan sense of a strong and independent woman. The Moon Goddess was worshipped in orgiastic rites, being the divinity of matriarchal women free to take as many lovers as they choose. Women could ‘surrender’ themselves to the Goddess by making love to a stranger in her temple.
”
”
Monica Sjöö (The Great Cosmic Mother: Rediscovering the Religion of the Earth)
“
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me.
What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows.
This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
”
”
David Foster Wallace (Brief Interviews with Hideous Men)
“
Let me tell you the truth about the world to which you so desperately want to return. It is a place of pain and suffering and grief. When you left it, cities were being attacked. Women and children were being blasted to pieces or burned alive by bombs dropped from planes flown by men with wives and children of their own. People were being dragged from their homes and shot in the street. Your world is tearing itself apart, and the most amusing thing of all is that it was little better before the war started. War merely gives people an excuse to indulge themselves further, to murder with impunity. There were wars before it, and there will be wars after it, and in between people will fight one another and hurt one another and maim one another and betray one another, because that is what they have always done.
And even if you avoid warfare and violent death, little boy, what else do you think life has in store for you? You have already seen what it is capable of doing. It took your mother from you, drained her of health and beauty, and then cast her aside like the withered, rotten husk of a fruit. It will take others from you too, mark me. Those whom you care about--lovers, children--will fall by the wayside, and your love will not be enough to save them. Your health will fail you. You will become old and sick. Your limbs will ache, your eyesight will fade, and your skin will grow lined and aged. There will be pains deep within that no doctor will be able to cure. Diseases will find a warm, moist place inside you and there they will breed, spreading through your system, corrupting it cell by cell until you pray for the doctors to let you die, to put you out of your misery, but they will not. Instead you will linger on, with no one to hold your hand or soothe your brow, as Death comes and beckons you into his darkness. The life you left behind you is no life at all. Here, you can be king, and I will allow you to age with dignity and without pain, and when the time comes for you to die, I will send you gently to sleep and you will awaken in the paradise of your choosing, for each man dreams his own heaven.
”
”
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))