“
Well, at least I’m not a stubborn, button-pushing, Prius-driving, chip-on-your-shoulder-holding, ‘stay-at-home-mom’-is-the-eighth-dirty-word-thinking feminazi!
”
”
Julie James (Practice Makes Perfect)
“
The movies make the brooding guy the hero – the guy with problems the guy who carries a gun, the gun with unresolved anger, the guy with a chip on his shoulder, the guy who’s a vampire – and they tell you that you can have the mythical happy ending with that same brooding guy.
But in reality, the brooding guy is cranky. He doesn’t reply to emails. He doesn’t call. He’s only half there when you’re talking to him, and he doesn’t chase you when you run. You feel insecure all the time. You get needy and sad and you hate yourself got being needy.
If you don’t know why he’s brooding, you’re shut out.
And if you do know why he’s brooding, you’re still shut out. (Because he’s busy brooding.)
”
”
E. Lockhart (Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver (Ruby Oliver, #4))
“
Quint holds up his hand. “Dirk, you have no reason to be angry at me. You clearly have some sort of chip on your shoulder, and—” “Wait, he does?” I look at Dirk. “Is it a chocolate chip?” Quint
”
”
Max Brallier (The Last Kids on Earth)
“
You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
Wearing your feelings on your sleeve will end up being a chip on your shoulder.
”
”
John Paul Warren
“
As a minority, no sooner do you learn to polish and cherish one chip on your shoulder, it’s taken off you and swapped out for another. The jewellery of your struggles is forever on loan, like the Koh-i-Noor. You are intermittently handed this Necklace of labels to hang around your neck,
”
”
Nikesh Shukla (The Good Immigrant)
“
So who told you that you had a chip on your shoulder?"
"Never mind." I shoved a piece of lasagna int my mouth so I couldn't answer.
"It was a cute guy, wasn't it?" Kelly said. "Those types pf statements only bother you if cute guys say them."
I didn't answer, and I didn't look at them.
"Must have been a really cute guy." Aleeta said.
Kelly leaned forward. "Who was it, and do you like him?"
I took another bite of lasagna.
"She likes him." Aleeta said with a smile.
"Ryan Geno?" Kelly asked. "Arnold Carrillo?"
"Colton Taft." Aleeta said as though sure she was right.
Kelly nodded. "Which means we're really talking about Bryant, aren't we?"
Aleeta leaned closer to the table and lowered her voice. "Charlotte likes Bryant?"
"No," I said quickly.
"No," Kelly repeated, "She doesn't like him, which is why Colton thinks she has a chip on her shoulder." She turned to me then, wearing a triumphant smile. "I'm right, aren't I?"
I shuffled pieces of lasagna around my plate. "I should stop hanging out with smart people.
”
”
Janette Rallison (It's a Mall World After All)
“
Do not grow a chip on your shoulder, Carolina,” he said. “Do not let what anyone says about you determine how you feel about yourself.” I looked at him. “If I say your hair is purple, does that mean it’s purple?” he asked. “No, it’s brown.” “Does it mean you have to prove to me it’s brown?” I shook my head. “No, you can see it is.” “You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
I didn’t even have to try,” I said as we headed toward the locker rooms. “Oh, you made that clear. And you were mean.”
“Why should I be nice to him? He called me a seven-year-old.”
“People are going to call you a lot of things in your life,” he said.
“People always call people like us all kinds of things.”
“Because we aren’t members here?” I asked as I put my things down. My father stopped in place. “Because we are winners. Do not grow a chip on your shoulder, Carolina,” he said. “Do not let what anyone says about you determine how you feel about yourself.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
You know, I'm really trying to cut down on this stuff. But..." Peabody ripped into the pack of cookies. "Thing is, weird, McNab doesn't think I'm chubby. And when a guy sees you naked, he knows where the extra layers are."
"Peabody, do you have some delusion that I want to hear how McNab sees you naked?"
She crunched into a cookie. "I'm just saying. Anyway, you know we have sex, so you've probably reached the conclusion we're naked when we're having it. You being an ace detective and all."
"Peabody, in the chain of command, you may, on rare occasions and due to my astonishing good nature, respond to sarcasm with sarcasm. You are not permitted to lead with it. Give me a damn cookie."
"They're coconut crunchies. You hate coconut."
"Then why did you buy coconut?"
"To piss you off." Grinning now, Peabody pulled another pack of cookies from her bag. "Then I bought chocolate chip, just for you."
"Well, hand them over then."
"Okay, so ..." Peabody ripped open the second pack, offered Eve a cookie. "Anyway, McNab's got a little, bitty butt, and hardly any shoulders. Still -- "
"Stop. Stop right there. If I get an image of a naked McNab in my head, you're going back to traffic detail."
Peabody munched, hummed, waited.
"Damn it! There he is."
Hooting with laughter, Peabody polished off the last cookie. "Sorry. Dallas, I'm sorry. I couldn't help it. Kinda cute, isn't he?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
You're not looking for a ghost with a chip on his shoulder," he says. "Your looking for fingernail scratches on the walls of a gas chamber.
”
”
Natalie D. Richards (We All Fall Down)
“
I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
The Scottish clan system was an extraordinary thing. No man was any man's servant, but part of a family. Which is why your average Highlander does not walk through life with a chip on his shoulder. He is proud. He knows he is as good as you are, and probably a good deal better.
”
”
Rosamunde Pilcher (September)
“
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs.
Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger.
I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack.
“You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him.
“You’re okay,” he says again.
I like that, how he’s so sure. Not Are you okay? No question about it.
You’re okay.
He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.”
I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?”
“Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.”
I take the one Declan offered and nibble a bit from the side. It is awesome.
I peer up at him sideways. “How did you know?”
He hesitates, but he doesn’t ask me what I mean. “I know the signs.”
“I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.”
I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once.
This is okay. I’m okay. Declan was right.
“Take it out on the punching bag,” calls Rev. “That’s what I do.”
My eyes go wide. “Really?”
“Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.”
Rev returns with three sodas. “We’re doing something meaningful right now.”
“We are?” I say.
He meets my eyes. “Every moment is meaningful.”
The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt.
Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.”
“No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?”
Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
The testosterone-fueled chip on my shoulder came from a high school career spent futilely awaiting a timely puberty while standing a good foot taller than everyone on earth, all the boys at my high school included. None of them ever asked me out, but I could make them laugh and kick their asses at basketball, so rather than fail at seducing them, I simply became one of them.
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
And these are his daughters, Hallie and Luna. Guys, this is my cousin Winnie and her friend Ellie.” “Oh, we already know Winnie,” Hallie informed him. “You do?” Chip grinned down at her in surprise. “Yes, she lives next door,” said Luna excitedly, bouncing up and down. “We saw her bum today!” Record scratch. Horrible silence. Chip looked confused. “Her what?” “Her bum.” Luna patted her own backside while I held my breath and tried to make myself disappear. “We saw it when we were in her bedroom today.” “Luna!” Hallie elbowed her sister. “Daddy told us in the car not to tell that story tonight. You’re gonna get us in trouble and then we can’t go swimming tomorrow.” “I forgot.” Luna rubbed her shoulder and looked up at Dex. “Sorry, Daddy.” Dex struggled for words and came up with, “Fucking hell, Luna.
”
”
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
“
“Esa chica esta bien caliente.” Hector laughed as Rider shook his head. Ainsley stiffened across from me. She was pretty fluent in Spanish and even though Hector was Puerto Rican, I had a feeling she was getting the general gist of whatever he was saying and she was not happy about it. “Me gustaria a llevarla a mi casa y comermela.”
Ainsley cocked her head to the side as she brushed her long, blond hair over her shoulder. “Gracias! Pero no hay ni una parte de mi que tu te vas a comer.”
Hector’s eyes widened.
Rider threw his head back and burst into laughter. “Oh, shit. Priceless.”
“What?” Ainsley blinked big eyes at the stunned Hector. “You think some white chick can’t possibly understand another language so you’re going to sit in front of me and talk about me like I’m not here?” Her smile was brittle and fake. “Bitch, please.”
“Man...” Hector sat back, slowly shaking his head as he stared at her. “You’re...brutal.”
“Damn straight,” she replied, her eyes like chips of blue ice. Whatever yumminess she’d seen in Hector was completely out the window now. “And you’re a mal criado.”
Hector’s eyes narrowed.
“I really like your friend, Mouse.” Still chuckling, Rider winked at me. “She basically called him a classless ass, and I agree.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled.
If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know.
Her father would choose the water for Kestrel if he knew.
Yet she couldn’t. In the end, it wasn’t cunning that kept her from jumping, or determination. It was a glassy fear.
She didn’t want to die. Arin was right. She played a game until its end.
Suddenly, Kestrel heard his voice. She opened her eyes. He was shouting. He was shouting her name. He was barreling past people, driving a path between the mainmast and the railing alongside the launch. Kestrel saw the horror in him mirror what she had felt when facing the water.
Kestrel gathered the strength in her legs and jumped onto the deck.
Her feet hit the planks, the force of movement toppling her. But she had learned from fighting Rax how to protect her hands. She tucked them to her, pressed the hard knots of her bonds against her chest, fell shoulder first, and rolled.
Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.”
His hands cradled her face.
“Don’t touch me,” she said.
Arin’s hands fell. “Gods,” he said hoarsely.
“Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.”
Arin shook his head. “It’s harder to live.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Being with you
here, in this room
is like groping through a mirror
whose glass has melted
to the consistency
of gelatin
You refuse to be
(and I)
an exact reflection, yet
will not walk from the glass,
be separate.
Anyway, it is right
that they have put
so many mirrors here
(chipped, hung crooked)
in this room with its high transom
and empty wardrobe; even
the back of the door
has one.
There are people in the next room
arguing, opening and closing drawers
(the walls are thin)
You look past me, listening
to them, perhaps, or
watching
your own reflection somewhere
behind my head,
over my shoulder
You shift, and the bed
sags under us, losing its focus
There is someone in the next room
There is always
(your face
remote, listening)
someone in the next room.
”
”
Margaret Atwood (Circle Game)
“
Imagine if you signed up for a drawing class and from day one, the teacher hung over your shoulder and harangued your every move. Imagine if she told you you can't draw and will never be able to, told you to just forget the whole thing. Imagine if she constantly chipped away at your confidence, your personality, your self-worth, turning a simple drawing exercise into a judgment on you as a person. You'd drop the class and ask for your money back, right? Your inner critic can be just that sort of nightmarish voice in your head. And the fact is, that voice is wrong. Every drawing you do has some value. It teaches you new and valuable things. And it is vital to realize that the moment when you finish a drawing is not the time to judge it, not the time to learn the full value of the lesson.
”
”
Danny Gregory (Art Before Breakfast: A Zillion Ways to be More Creative No Matter How Busy You Are)
“
Letter 4
As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus.
When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands.
He led me down to the river, where we sat together and shared the river’s silence. Then he spoke:
„Allow me to tell you my story. It may help you understand your own.
At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms.
I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters.
Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible.
When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs.
The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke.
But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.
”
”
Gregory Colbert (Ashes and Snow: A Novel in Letters)
“
As a screenwriter - if you are completely honest with yourself - you can’t help but admit that your greatest threat is the audience, where audience is not understood as a demographic category but as a character outside the script to whom the story is addressed. A good part of the drama necessary for uncovering the story resides in the conflict between the storyteller and his/her audience. Audience plays the part of antagonist to the writer’s role as protagonist. The writer drives the action, which is forever complicated, frustrated and undermined by the audience’s needs and sensibilities. Audience wants you to prove it. Audience has a chip on its shoulder, and doesn’t give a damn. Audience has been there and done that in the guise of your mother, your father, your ex-, your worst enemy. Audience laughs at your stupidity and dares you to change its view of you and the story world that you would have it care about. Audience is defiant. It has your number. The only way you can defeat it is by carrying a bigger stick - your only defence is an inspired offence, namely the story.
”
”
Billy Marshall Stoneking
“
Our time together is drawing short, my reader. Possibly you will view these
pages of mine as a fragile treasure box, to be opened with the utmost care.
Possibly you will tear them apart, or burn them: that often happens to words.
Perhaps you’ll be a student of history, in which case I hope you’ll make
something useful of me: a warts-and-all portrait, a definitive account of my life
and times, suitably footnoted; though if you don’t accuse me of bad faith I will
be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to
astonish.
I picture you as a young woman, bright, ambitious. You’ll be looking to make
a niche for yourself in whatever dim, echoing caverns of academia may still exist
by your time. I situate you at your desk, your hair tucked back behind your ears,
your nail polish chipped—for nail polish will have returned, it always does.
You’re frowning slightly, a habit that will increase as you age. I hover behind
you, peering over your shoulder: your muse, your unseen inspiration, urging you
on.
You’ll labour over this manuscript of mine, reading and rereading, picking nits
as you go, developing the fascinated but also bored hatred biographers so often
come to feel for their subjects. How can I have behaved so badly, so cruelly, so
stupidly? you will ask. You yourself would never have done such things! But
you yourself will never have had to.
”
”
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
“
And he felt it.
Rogal Dorn had been feeling it for days, weeks, building up, up, up, rising over him like a black fog, dragging at his limbs, clogging his mind, making him question every decision he made, every order he gave.
He hadn’t had any respite at all, of any kind, for three months. Three months! His sharpness was going now, his reactions were slower. A billion functionaries depending on him for everything, reaching out to him, suffocating him with their endless demands, pleas for help, for guidance. A billion eyes, on him, all the time.
And he’d fought, too. He’d fought. He’d fought primarchs, brothers he’d once thought of as equals or betters. He’d seen the hatred in Perturabo’s eyes, the mania in Fulgrim’s, stabbing at him, poisoning him. Every duel, every brief foray into combat, had chipped a bit more off, had weakened the foundations a little further. Fulgrim had been the worst. His brother’s old form, so pleasing to the eye, had gone, replaced by bodily corruption so deep he scarcely had the words for it. That degradation repulsed him almost more than anything else. It showed just how far you could fall, if you lost your footing in reality completely.
You couldn’t show that repulsion. You couldn’t betray the doubt, or give away the fatigue. You couldn’t give away so much as a flicker of weakness, or the game was up, so Dorn’s face remained just as it always had been – static, flinty, curt. He kept his shoulders back, spine straight. He hid the fevers that raged behind his eyes, the bone-deep weariness that throbbed through every muscle, all for show, all to give those who looked up to him something to cling on to, to believe in. The Emperor, his father, was gone, silent, locked in His own unimaginable agonies, and so everything else had crashed onto his shoulders. The weight of the entire species, all their frailties and imperfections, wrapped tight around his mouth and throat and nostrils, choking him, drowning him, making him want to cry out loud, to cower away from it, something he would never do, could never do, and so he remained where he was, caught between the infinite weight of Horus’ malice and the infinite demands of the Emperor’s will, and it would break him, he knew, break him open like the walls themselves, which were about to break now too, despite all he had done, but had it been enough, yes it had, no it could not have been, they would break, they must not break…
He clenched his fist, curling the fingers up tight. His mind was racing again. He was on the edge, slipping into a fugue state, the paralysis he dreaded. It came from within. It came from without. Something – something – was making the entire structure around him panic, weaken, fail in resolve. He was not immune. He was the pinnacle – when the base was corrupted, he, too, eventually, would shatter.
”
”
Chris Wraight (Warhawk (The Siege of Terra #6))
“
Probably, we should all hate you,” he was saying to Cade. “Illinois played against Northwestern that year for our homecoming, and you totally slaughtered us—” He broke off at the sound of a knock on the interior door to the suite.
A woman in her early twenties, dressed in a skirt and a black T-shirt with “Sterling Restaurants” in red letters, walked into the suite pushing a three-tiered dessert cart.
“Sweet Jesus, it’s here,” Charlie whispered reverently.
Brooke fought back a smile. The dessert cart was something Sterling Restaurants had introduced a year ago, as a perk for all of the skyboxes and luxury suites at the sports arenas they collaborated with. Needless to say, it had been a huge success. Four kinds of cake (chocolate with toffee glaze, carrot cake, traditional cheesecake, and a pineapple-raspberry tart), three types of cookies (chocolate chip, M&M, and oatmeal raisin), blond brownies, dark chocolate brownies, lemon squares, peach cobbler, four kinds of dessert liquors, taffy apples, and, on the third tier, a make-your-own sundae bar with all the fixings.
“Wow. That is some spread,” Vaughn said, wide-eyed.
Simultaneously, the men sprang forward, bulldozed their way through the suite door, and attacked the cart like a pack of starving Survivor contestants.
All except for one.
Cade stayed right there, on the terrace. He leaned back against the railing, stretching out his tall, broad-shouldered frame. “Whew. I thought they’d never leave
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
When was the last time you made something that someone wasn’t paying you for, and looking over your shoulder to make sure you got it right?” When I ask creatives this question, the answer that comes back all too often is, “I can’t remember.” It’s so easy for creativity to become a means to a very practical end—earning a paycheck and pleasing your client or manager. But that type of work only uses a small spectrum of your abilities. To truly excel, you must also continue to create for the most important audience of all: yourself. In her book The Artist’s Way, Julia Cameron discusses a now well-known practice that she calls “morning pages.” She suggests writing three pages of free-flowing thought first thing in the morning as a way to explore latent ideas, break through the voice of the censor in your head, and get your creative juices flowing. While there is nothing immediately practical or efficient about the exercise, Cameron argues that it’s been the key to unlocking brilliant insights for the many people who have adopted it as a ritual. I’ve seen similar benefits of this kind of “Unnecessary Creation” in the lives of creative professionals across the board. From gardening to painting with watercolors to chipping away at the next great American novel on your weekends, something about engaging in the creative act on our own terms seems to unleash latent passions and insights. I believe Unnecessary Creation is essential for anyone who works with his or her mind.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
They had a very pleasant evening out together in Shrewsbury – she was lovely to him, they chatted to mutual acquaintances, laughed, drank quite a bit of wine. They settled into a relaxed mood together – Jason wondering why it couldn’t always be that way; and, in fact, she had closed down again by the time they were walking back to his flat, with a bag of chips shared between them.
Something sparked the subject of family once more. He joked about one day being invited to meet her parents.
‘There you go again!’ she snapped. ‘It’s not as if you’re a serious boyfriend, or anything.’
He stopped dead, other revellers had to swerve around them. ‘Why do you say that? I know I’m serious about this. I just don’t get you at all.’ Her expression told him that she was not willing to discuss it. He threw the remnants of the chips into a plastic bin. ‘Adelaide, we’re so good together. We are, aren’t we? Admit it.’
‘All right, I admit it. I do want you, Jason. Just not in the way you want.’
‘I know I don’t pressure you. God, I put up with so much crap from you. Just spell it out to me. What is your problem?’
By some miracle of logistics, two police officers happened to be passing along the pedestrianised road. Adelaide used their presence as a way of ending the discussion, ‘Jason, you’re making a scene. I’m going home alone.’
‘Adelaide!’
‘Let’s leave it for now, Jason.’
‘Adelaide!’
She skipped away into groups of passers-by. Infuriated beyond belief by her once more, Jason punched the plastic bin, causing a huge dent. The policemen looked over their shoulders briefly, but then continued on.
”
”
HB Morris
“
Is Joanna Gaines here? We have a warrant here for her arrest,” the officer said.
It was the tickets. I knew it. And I panicked. I picked up my son and I hid in the closet. I literally didn’t know what to do. I’d never even had a speeding ticket, and all of a sudden I’m thinking, I’m about to go to prison, and my child won’t be able to eat. What is this kid gonna do?
I heard Chip say, “She’s not here.”
Thankfully, Drake didn’t make a peep, and the officer believed him. He said, “Well, just let her know we’re looking for her,” and they left.
Jo’s the most conservative girl in the world. She had never even been late for school. I mean, this girl was straitlaced. So now we realize there’s a citywide warrant out for her arrest, and we’re like, “Oh, crap.” In her defense, Jo had wanted to pay those tickets off all along, and I was the one saying, “No way. I’m not paying these tickets.” So we decided to try to make it right. We called the judge, and the court clerk told us, “Okay, you have an appointment at three in the afternoon to discuss the tickets. See you then.” We wanted to ask the judge if he could remove a few of them for us. “The fines for our dogs “running at large” on our front porch just seemed a bit excessive.
We arrived at the courthouse, and Chip was carrying Drake in his car seat. I couldn’t carry it because I was still recovering from Drake’s delivery. We got inside and spoke to a clerk. They looked at the circumstances and decided to switch all the tickets into Chip’s name.
Those dogs were basically mine, and it didn’t make sense to have the tickets in her name. But as soon as they did that, this police officer walked over and said, “Hey, do you mind emptying out all of your pockets?”
I got up and cooperated. “Absolutely. Yep,” I said. I figured it was just procedure before we went in to see the judge.
Then he said, “Yeah, you mind taking off your belt?”
I thought, That’s a little weird.
Then he said, “Do you mind turning around and putting your hands behind your back?”
They weren’t going to let us talk to the judge at all. The whole thing was just a sting to get us to come down there and be arrested. They arrested Chip on the spot. And I’m sitting there saying, “I can’t carry this baby in his car seat. What am I supposed to do?”
I started bawling. “You can’t take him!” I cried. But they did. They took him right outside and put him in the back of a police car.
Now I feel like the biggest loser in the world. I’m in the back of a police car as my crying wife comes out holding our week-old baby.
I’m walking out, limping, and waving to him as they drive away.
And I can’t even wave because my hands are cuffed behind my back. So here I am awkwardly trying to make a waving motion with my shoulder and squinching my face just to try to make Jo feel better.
It was just the most comical thing, honestly. A total joke. To take a man to jail because his dogs liked to walk around a neighborhood, half of which he owns? But it sure wasn’t funny at the time. I was flooded with hormones and just could not stop crying. They told me they were taking my husband to the county jail.
Luckily we had a buddy who was an attorney, so I called him. I was clueless. “I’ve never dated a guy that’s been in trouble, and now I’ve got a husband that’s in jail.
”
”
Joanna Gaines (The Magnolia Story)
“
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.”
“But who will arbitrate?” Daisy protested.
“Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.”
“Yes we have,” Daisy argued, and turned to Swift. “What is the score?”
“I don’t know.”
As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment.
Amusement glittered in Swift’s eyes. “I think you won,” he said.
“Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.”
“I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.”
“Which means that in all likelihood you preserved your early lead.”
“But you chipped away at it after the third round—”
“Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.”
“There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace.
Swift began to pick up the wooden bowls.
“Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.”
Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight.
Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.”
Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.”
“Then it seems I misinterpreted your apparent passion for bowls.”
Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.”
“The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—”
“I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will.
“If you say so,” Westcliff said, sounding unconvinced.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Give me your tired,
your poor,
your huddled masses
with constellations hearts.
And I’ll give you
the Border Patrol
yearning and ready,
equipped with
rounds of black holes
for the automatic chips
on their shoulders.
”
”
Sean Johnson
“
You should focus on what you can change, not what you cannot change. What’s done is done. If somebody offended you, mistreated you, or disappointed you, the hurts can’t be undone. You can get bitter--pack it in a bag and carry it around and let it weigh you down--or you can forgive those who hurt you and go on.
If you lost your temper yesterday, you can beat yourself up--put the guilt and condemnation in a bag--or you can ask for forgiveness, receive God’s mercy, and do better today.
If you didn’t get a promotion you wanted, you can get sour and go around with a chip on your shoulder, or you can shake it off, knowing that God has something better in store.
No matter what happens, big or small, if you make the choice to let it go and move forward, you won’t let the past poison your future.
A woman I know went through a divorce years ago. We prayed several times in our services, asking God to bring a good man into her life. One day she met a fine Godly man, who was very successful. She was so happy, but she made the mistake of carrying all her negative baggage from her divorce into the new relationship. She was constantly talking about what she had been through and how she was so mistreated.
She had a victim mentality. The man told me later that she was so focused on her past and so caught up in what she had been through that he just couldn’t deal with it. He moved on. That’s what happens when we hold on to the hurts and pains of the past. It will poison you wherever you go. You can’t drag around all the personal baggage from yesterday and expect to have good relationships. You’ve got to let it go.
Quit looking at the little rearview mirror and start looking out the great big windshield in front of you. You may have had some bad breaks, but that didn’t stop God’s plan for your life. He still has amazing things in your future.
When one door closes, stay in faith and God will open another door. If a dream dies, don’t sit around in self-pity talking about what you lost, move forward and dream another dream. Your life is not over because you lost a loved one, went through a divorce, lost a job, or didn’t get the house you wanted. You would not be alive unless God had another victory in front of you.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
Would you say the chip on your shoulder is massive or epic?” he asked. There was no hint of amusement in his tone, and he was staring at me with more ice than I’d believed he could muster. It didn’t feel like we were sniping at each other anymore. “It might be semantics to you but I’m trying to get a feel for what I’m dealing with here.
”
”
Kate Canterbary (Preservation (The Walshes, #7))
“
Dan has what amounts to my entire life in the palm of his hand. He’ll see our chats. He’ll see the texts I sent to Beth about him and my plan. And what did I think was going to happen? Did I really think I could pull off some only-works-in-movies shit?
“Do you think it could be possible that Dan didn’t mean to hit me with that basketball?” The question flies out of my mouth, and I don’t remember thinking about asking it.
She scowls, looking me up and down. “Are you okay? I mean, I can tell you’re not. Was he that big of a jerk last night?”
I shake my head and pick at my nail polish. It’s not chipping yet, but it’s inevitable, so why not just go ahead and get it over with? “No, I’m fine. He was fine. I just… I don’t know.”
She puts a worried hand on my shoulder. “What happened, Z? Tell me.”
I let my forehead hit the surface of my desk. It hurts. “He has my phone.”
A bit of time passes where she doesn’t say anything. I just wait for the moment of realization to explode from her.
“Holy shit! Don’t tell me your chat is on there!”
There it is.
I nod my head, which probably just looks like I’m rubbing it up and down on my desk.
“Please tell me it’s password protected or something.”
I shake my head, again seemingly nuzzling my desk.
“Zelda, do you have your homework?” Mr. Drew asks from above me.
I pull out my five hundred words on the importance of James Dean in cinema from my backpack without even looking and hand it to him. Mr. Drew has a big thing for James Dean.
“Are you…okay, Zelda?” he asks a bit uncomfortably.
Good old Mr. Drew. Concerned about his students but very much not well versed in actually dealing with them.
I raise a hand and wave him off. “I’m good. As you were, Drew.”
“Right. Okay then.” He moves on.
Beth rubs my back. “It’s going to be all good in the hood, babe. Don’t worry. Dan won’t be interested in your phone. How did he get it, by the way?”
I turn my head just enough to let her see my face fully. I’m not sure if she sees a woman at the end of her rope or a girl who has no idea what to do next, but she pulls her hand back like she just touched a disguised snake. I’m so not in the mood to describe the sequence of events that led up to the worst moment of my life, and she knows it.
”
”
Leah Rae Miller (Romancing the Nerd (Nerd, #2))
“
Really, anyone can have a good attitude when everything is going well. We can all celebrate and be grateful when we’re on the mountaintop, but where are the people who give God praise even as the bottom falls out? Where are the people who rise up each morning and prepare for victory and increase in spite of all the news reports predicting doom and gloom? Where are the people who say, “God, I still praise You even though the medical report wasn’t good” or “God, I still thank You even though it didn’t turn out my way”?
I believe you are one of those people. I believe you are of great faith. Your roots go down deep. You could be complaining. You could be discouraged. You could have a chip on your shoulder, but instead you just keep giving God praise. You’ve got that smile on your face. You’re doing the right thing even though the wrong thing is happening.
That’s why I can tell you with confidence that you are coming into greater victories. Enlarge your vision. Take the limits off God. You have not seen your best days. God has victories in your future that will amaze you. He will show up and show out in unusual ways. You may be in a tough time right now, but remember this: The enemy always fights you the hardest when he knows God has something great in store for you.
You are closest to your victory when it is the darkest. That is the enemy’s final stand. Don’t be discouraged. Don’t start complaining. Just keep offering up that sacrifice of praise.
”
”
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
“
Age isn’t quite an accurate measurement for adulthood. It’s what you experience that makes you older, not the barcode in your passport,” he says. “A few weeks ago you cared whether you were mad or not, whether you were doing the right thing or not. Hell in heavens, a few weeks ago you still cared about your past and held it like a chip on your shoulder, not knowing that the past has passed. It doesn’t matter. We all messed up in the past, or there would’ve been no point in the future.” I
”
”
Cameron Jace (Looking Glass (Insanity, #9))
“
I caught his mouth with mine and shifted my hands to start unhooking his shirt buttons.
I could feel him grinning as he kissed me harder, driving me back against the bookshelf and shoving his knee between my thighs.
I pushed his shirt off of his broad shoulders and looked at the perfection of his muscular torso for a moment, running my hands down his chest.
He drove me back against the shelf more firmly, kissing me again. I devoured the taste of him, his hands sliding over my breasts through the thin material of my dress and making my nipples harden in response.
I placed my palms on his chest and pushed him back, propelling him around so that he was pressed against the shelf instead of me and a dark laugh left him.
“Do you wanna be in charge, sweetheart?”
“Well, I am more powerful than you,” I teased.
His eyes lit with the challenge in my tone as I took a few steps back and pulled on the knot at the back of my neck. My dress fell from my body like a spill of oil and pooled at my feet, leaving me in nothing but my black panties.
“Holy shit, Tory.” He gazed at me hungrily and I stepped back again biting on my bottom lip as I looked at him.
“Take your pants off,” I commanded.
Caleb’s smile deepened and he held my eye as he kicked his shoes off and unhooked his belt. I twisted my fingers through my hair as I watched him, my pulse rising as he revealed more of his muscular body to me.
When he was down to his navy boxers, he advanced on me again.
I smiled, backing up as he stalked towards me until the backs on my thighs met with the games table.
He was upon me in a heartbeat, his hands gripping my thighs as he lifted me up and sat me on the table. His mouth pressed to my throat, stubble grazing across my skin in the most delicious way.
His kisses moved lower, passing over my collar bone before making it to the swell of my breast. His mouth landed on my nipple, his tongue flicking against it and making me moan in pleasure. His hand found my other breast while he spread his other palm across my lower back to hold me in place.
I locked my ankles around him, pulling him closer so that I could feel the full length of his arousal grinding against me through the lacy fabric of my panties.
His mouth found mine again and I pushed my fingers into his golden curls as my breasts skimmed against the firm lines of his muscular chest.
My muscles were tightening, my heart pounding and my body aching for more of him.
I grazed my fingertips down his chest, feeling every ridge of his abdomen before reaching the waistband of his boxers.
I pushed my hand beneath the soft material and wrapped my fingers around the hard length of him.
Caleb groaned against my lips as I began to move my hand up and down, a tingle running along my spine as I felt just how much my touch affected him.
His hands made it to the sides of my panties and he peeled them down as his heavy breathing broke our kiss. I lifted my ass to let him remove them and he stepped back, forcing my hand off of him as he tossed my underwear aside.
I watched as he pushed his boxers off revealing every inch of him and my mouth dried up with desire.
He shot forward with his Vampire speed, scooping me up and moving me backwards as he lay me beneath him on the games table. Poker chips and cards scattered all around us and a surprised laugh left my lips.
He grinned as he kissed me again, hard enough to bruise my lips but still not enough to tame my desire.
My hands explored the curve of his shoulders and I arched my back off of the table so that my nipples skimmed his flesh.
Caleb shifted, moving between my legs, our kiss breaking for the briefest moment as he looked into my eyes and pushed himself inside me.
A moan of pleasure escaped me as he filled me and I tipped my head back, my eyes falling closed as I absorbed the feeling of his body merging with mine.
“Fuck,” Caleb breathed as he started to move, slowly at first but building in speed as I urged him on.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Age isn’t quite an accurate measurement for adulthood. It’s what you experience that makes you older, not the barcode in your passport,” he says. “A few weeks ago you cared whether you were mad or not, whether you were doing the right thing or not. Hell in heavens, a few weeks ago you still cared about your past and held it like a chip on your shoulder, not knowing that the past has passed. It doesn’t matter. We all messed up in the past, or there would’ve been no point in the future.
”
”
Cameron Jace (Looking Glass (Insanity, #9))
“
don’t even know why you have such a chip on your shoulder when it comes to your family. You only got your column in the first place because of your parents’ friend. On your own, you are nothing.
”
”
Kyla Zhao (The Fraud Squad: The most dazzling and glamorous debut of 2023!)
“
It says we humans decide in advance how we’re going to experience life, that we choose beforehand what we want to see. The problem is, we all look at the world with a giant chip on our shoulder. All we need to do to change the course of our crummy lives is to get over our ongoing grudge against the world, to actively see and expect a different reality. As it is now, we devote all our time and attention (our consciousness, if you will) to things we do not want.
”
”
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
“
Scare them out of Oakland. Scare the Oakland they made their own out of them. You could do it too. You’re one of these big, lumbering Indians. Six feet, two thirty, chip on your shoulder so heavy it makes you lean, makes everyone look at it, your weight, what you carry.
”
”
Tommy Orange (There There)
“
Catherine lived in a two-story Craftsman. It wasn’t much from the outside. No landscaping, a crumbling porch, paint chipping off the rails and trim. The windows couldn’t have done much to regulate the temperature. They had to be at least thirty years old, and only half had screens. This surprised me. Catherine was fastidious in all ways, but her house was a bit of a wreck. The neighborhood was all right. At least she wasn’t in imminent danger of being shot or mugged when she stepped outside. There were no cars in her driveway, so I wasn’t certain she was home. I reached for the doorbell but hesitated. Probably better to knock, just in case Josephine was sleeping. As I’d been told more than once, babies did a lot of that. It took a while. So long, I was about to give up when the door finally swung open. “Elliot?” Catherine stood in the open doorway, waiting for me to say something. The problem was, I’d been rendered speechless. The Catherine I knew was buttoned up to her neck, hair tied back, conservative, and almost modest in her style. The woman in front of me was barely dressed. Her shorts stopped at the top of thick, creamy, tattooed thighs. Her tank top didn’t cover any more of her. Her breasts nearly spilled out of the low neckline, belly button peeking out from the gap above her shorts. Her bare arms were covered in colorful tattoos from wrist to shoulder. Her hair, which was always tamed into submission, spilled around her shoulders and neck in a violent riot. It wasn’t curls like I’d always suspected, but wild, licking, wavy flames that shot out in all directions. I met her eyes, which were wide with alarm, and finally found my voice. “This isn’t what you look like.
”
”
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
“
JON: To tell you the honest-to-God truth, if we had had everybody patting us on the back for the last twenty years I’d have gotten fat and old and lazy; it would had been a lot easier than keeping the chip on your shoulder and going, “Gotta fight, gotta fight.” But that’s sort of motivational. I find it to be the reason you wake up in the morning.
”
”
Jon Bon Jovi (Bon Jovi: When We Were Beautiful)
“
Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.”
“But who will arbitrate?” Daisy protested.
“Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.”
“Yes we have,” Daisy argued, and turned to Swift. “What is the score?”
“I don’t know.”
As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment.
Amusement glittered in Swift’s eyes. “I think you won,” he said.
“Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.”
“I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.”
“Which means that in all likelihood you preserved your early lead.”
“But you chipped away at it after the third round—”
“Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ’til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.”
“There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace.
Swift began to pick up the wooden bowls.
“Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.”
Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight.
Westcliff did not miss Matthew’s fascinated gaze.
“You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.”
Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.”
“Then it seems I misinterpreted your apparent passion for bowls.”
Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.”
“The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—”
“I have no idea what you’re talking about,” Matthew interrupted, turning pale.
He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will.
“If you say so,” Westcliff said, sounding unconvinced.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
A throat cleared. “Earth to Arik. Come in, boss.”
With brows drawn, Arik glared at his beta. “What?”
“I was asking what had your boxers in a knot.”
“You know I go commando.”
“Usually, but something obviously has your panties in a twist. Spill.”
Oh, he spilled all right. Arik yanked off the hat and flung it against the wall and then swiveled his chair to get it over with.
Indrawn breath. A snicker. A full-on guffaw.
Arik swirled again and tossed deadly visual daggers at his second. “I fail to see the humor in my butchered mane.”
“Dude. Have you seen it? It is bad. What did you do to piss Dominic off? Seduce one of his daughters?”
“Actually one of his granddaughters did this to me!”
He couldn’t help the incredulous note. The effrontery of the act still got to him.
A thump and a shake of the wall as Hayder hit it, his shoulders shaking with laughter. “A girl did that to you?” His beta convulsed with mirth, not at all daunted by Arik’s glower and tapping fingers.
“This is not amusing.”
“Oh, come on, dude. Of all the people to have a hair mishap, you are the worst.”
“I look like an idiot.”
“Only because you didn’t let her finish hacking the rest off.”
His fingers froze as he took his gaze off the screen for a moment to address the travesty. “Cut off my mane?” Was his beta delusional?
“Well, yeah. You know, to even it out so it doesn’t show.”
A growl rumbled forth, more beast than man, his lion not at all on board with any more trimming.
“Okay, if you’re not keen on that, then what about a hair weave? Maybe we could get you a platinum one, or pink for contrast since you’re being such a prissy princess about it.”
That did it.
A lion could take only so much.
Arik dove over his desk and tackled his beta. Over they went with a thump and a tangle of limbs.
As he was slamming Hayder’s head off the floor, snarling, “Take it back!” to his beta’s chortled, “We’ll get your nails done while they’re weaving,” Leo strode in.
A giant of a man, he didn’t even have to strain as he grabbed them each by a shoulder and yanked them apart.
But he didn’t stop there.
He slammed their heads together before shoving them down.
Arik and Hayder sat on the carpeted floor, nursing robin’s eggs, united in their glare for the pride’s omega, also known as the peacemaker.
Of course, Leo’s version of peace wasn’t always gentle, which was why he was perfect for the pride.
The behemoth with the mellow outlook on life took a seat in a chair, which groaned ominously.
“You do know that the staff two floors down can hear the pair of you acting like ill-behaved cubs.”
“He started it!” Arik stabbed a finger at his beta.
He had no problem assigning blame. Delegation was something an alpha did well.
Hayder didn’t even deny his guilt. “I did. But can you blame me? He was pissing and moaning about this precious mane. All I did was offer a solution, and he took offense.”
“I assume we’re talking about the missing chunk of hair on our esteemed leader’s head?” Leo shook his neatly trimmed dark crown. “I keep telling you that vanity is your weakness.”
“And chocolate chip ice cream is yours. We all have our vices,” Arik grumbled as he heaved himself off the floor and into his leather-padded seat— with built-in heating pad and massager because a man in his position did enjoy his luxuries.
“My vice is beautiful women,” Hayder announced with a grin, adopting a lounging pose on the floor.
Felines were king when it came to acting as if embarrassing positions weren’t accidental at all.
“Don’t talk to me about women right now. I’m still angry at the one who did this.”
“I think I’m missing a key point,” Leo stated.
It didn’t take long to bring Leo up to speed. To his credit, the pride omega didn’t laugh— long.
”
”
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
“
I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.”
“No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.”
“I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.”
“Put down the broom.”
“Leave me alone,” Win cried. “Go dust something!”
“Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold.
Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something.
Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free.
Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—”
“Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room.
Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?”
“I have no idea.”
The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.”
It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor.
“What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.”
“If you’d like Poppy to help—” Amelia began.
“Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance
We have come to be danced
not the jiffy booby, shake your booty for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance
We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing scabs & scars open dance
the rub the rhythm raw against our souls dance
WE have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws & tongues dance
the shed dead cells and slip into
the luminous skin of love dance
We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance
We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
We have come to be danced
WE HAVE COME
”
”
Jewel Mathieson
“
As I said in the chipping chapter, I don’t want the grip end of the club moving very far. If you get the idea that you need to make a faster swing with your arms doing most of the work, the first thing that’s going to happen is that the pulling action of the left arm will send your left shoulder up, tilt your spine back, away from the target, move the bottom of your swing way behind the ball, and there it is—a fat shot, or a skull from hitting it on the upswing. Think of it as a bigger pivot and you’ll start to feel the chain reaction
”
”
Stan Utley (The Art of the Short Game: Tour-Tested Secrets for Getting Up and Down)
“
Lily propped her elbows on his chest and glared down at Cade's strong, angular features. In this light he looked neither Indian nor Spanish. He was just Cade, a man with a chip on his shoulder a mile wide. Impulsively, she leaned over and bit his shoulder. It was solid and hard to grip, but she managed to sink her teeth in enough to register. He hollered and jerked her back. Glaring, he asked, "What was that for?" "I thought maybe I could chew my way through that chip," she said sweetly. "Did you think you'd married a fool white woman who would be content to have a man in her bed and a child in her stomach? I'd better give this ring back if that's the case." Cade grunted and returned her to his side again. "I'm not stupid. You play the part of docile wife and daughter very well, but you're more like a wild mustang that stands still until the moment someone puts a saddle on its back. I don't mean to saddle you, but I'll put a bit in your mouth if you bite me again." Cade could feel the soft heaves of Lily's laughter, and he untensed long enough to grin. He hadn't known he was taking on an undisciplined brat, and he rather suspected she hadn't known it either. The years of childhood that had been stolen from her were emerging. He just didn't know why he had been the one to set them free. She
”
”
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
“
You will lie on your back? No harm, eh? I will watch.”
“Must you?”
“Hein?”
Hein? Loretta had no inkling what that meant. “Must you watch? It makes me nervous. I can’t run away.”
“Nuhr-vus?”
“Nervous.” She shrugged one shoulder and then tried to pry his leathery fingers from around her ankle. “Nervous…uneasy.” She gave her leg a shake. His hand moved with her foot, his grip unbreakable. “Would you let go? It’s indecent, you touching me like this.”
“In-dee-sent?”
“Indecent. Shameful. Would you please let go? It is my foot, you know.”
“And you are my woman.”
She threw her head back and sighed. He had a grip like an iron vise and outweighed her by a good ninety pounds, every ounce muscle. His woman. For a moment she had lost sight of that and let him lull her into a false sense of security.
He pulled on her leg and slid her toward him until she lay on her back. Then he released her ankle to loom over her, planting a hand on each side of her. Loretta stared up at his dark face, her heart pounding, her mouth dry.
After struggling with him so many times, she knew how easily he could pin her beneath his weight, how quickly he could capture her hands and render her helpless. The gleam of lust in his eyes terrified her. What was to stop him from taking her? If she screamed, no one would intervene.
Where were his mother and her spoon when she needed them?
“You will sleep.” The low timbre of his voice vibrated through her. “I will watch.”
With that, he left her and sat on his pallet. She heard a rapping sound and glanced over to find that he was chipping flint with a bone punch. On closer inspection she saw two flint arrowheads lying next to him--arrowheads that he would one day use to kill white people, no doubt. She huddled on her side and stared at him. Even from across the lodge he intimidated her. Yet she was completely dependent upon him. She would never relax enough to sleep with him sitting there.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Well… if you were my woman… I’d do all I could to make sure you were well rested and taken care of. Little things like being with you on your tour when I can to give you a shoulder to sleep on when you travel from place to place,” I took another step towards her, she didn’t step back. “Have lemon water waiting for you when you needed it. And salty chips when you were doing those
”
”
B. Love (But You Deserve Better)
“
That’s not a chip on my shoulder. That’s your foot on my neck.
”
”
Malcolm X (Autobiography of Malcolm X)
“
My father stopped in place. “Because we are winners. Do not grow a chip on your shoulder, Carolina,” he said. “Do not let what anyone says about you determine how you feel about yourself.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
You got suggestions for me, Cutter?”
“The first might be taking the chip from your shoulder and the stick from your ass, then we can build a campfire with them and have a couple of beers.”
“Add yours and we could have a hell of a blaze.
”
”
Nora Roberts (The Villa)
“
Plato and Aristotle here give us advice that most people ignore. Most people think that winning the argument is what matters, not learning the truth. He who regards conversation as a battle can win only by being an antagonist, only by disagreeing successfully, whether he is right or wrong. The reader who approaches a book in this spirit reads it only to find something he can disagree with. For the disputatious and the contentious, a bone can always be found to pick a quarrel over. It makes no difference whether the bone is really a chip on your own shoulder. In a conversation that a reader has with a book in the privacy of his own study, there is nothing to prevent the reader from seeming to win the argument. He can dominate the situation. The author is not there to defend himself. If all he wants is the empty satisfaction of seeming to show the author up, the reader can get it readily. He scarcely has to read the book through to get it. Glancing at the first few pages will suffice. But if he realizes that the only profit in conversation, with living or dead teachers, is what one can learn from them, if he realizes that you win only by gaining knowledge, not by knocking the other fellow down, he may see the futility of mere contentiousness. We are not saying that a reader should not ultimately disagree and try to show where the author is wrong. We are saying only that he should be as prepared to agree as to disagree. Whichever he does should be motivated by one consideration alone—the facts, the truth about the case. More than honesty is required here. It goes without saying that a reader should admit a point when he sees it. But he also should not feel whipped by having to agree with an author, instead of dissenting. If he feels that way, he is inveterately disputatious. In the light of this second maxim, his problem is seen to be emotional rather than intellectual. On
”
”
Mortimer J. Adler (How to Read a Book: the classic guide to intelligent reading)
“
There was only dust and the brown hen busily cracking open the death mask.
The spell works. It worked for a thousand years. My descendants are strong and they have endured. I will not allow you to break it.
“You are dead,” said the dust-wife coldly. “Your time to control your family is done.” The demon hen cackled as chips flew from the broken mask. “They cannot live in your shadow any longer.”
The king gathered himself. It felt as if the tomb were breathing in. The painted warriors lifted their swords and the archers let fly their arrows, aiming at the dust-wife. They were trapped in the wall and it should not have been possible for them to reach her, and yet for a moment it seemed as if she would be drawn into the wall, as if the arrows must reach her.
Moonlight flashed as she held up her staff and the painted arrows fell apart into scattered pigment across the floor.
I will not bend! hisses the dead king, rising from his throne.
“Then you will break,” said the dust-wife, and slammed her staff against the painted wall.
It sounded like a thunderclap in that small room. The moonlight went out. Something metallic hit the floor. For a second time, Marra stood in complete and utter darkness. She heard Bonedog’s ghostly whimper and then Fenris fumbling with his tinderbox. “Candle…” he muttered next to her. “Candle, candle. Where is—Aha!”
Light flared. The dust-wife was lying half-sprawled across the sarcophagus, her hair wild around her shoulders. She pushed herself up, looking annoyed. The brown hen stood on the death mask, which had split in two, looking serene as only a chicken can look. As Marra watched, the hen lifted her tail, voided her bowels on the king’s broken face, and then strolled to the dust-wife’s shoulder with a satisfied cluck.
”
”
T. Kingfisher (Nettle & Bone)
“
You don’t see me carrying a chip on my shoulder when my mum compares our relationship statuses. And hold up, she was the one who called me out, so surely if anyone should be angry it’s me.
”
”
Lizzie Damilola Blackburn (Yinka, Where is Your Huzband?)
“
When I drew back, Coen’s stone-chip eyes locked onto mine like a predator to his prey, and I could feel the faint vibration of his growl as it passed from his chest to mine. Instinct took over and I leaned closer to
snuggle my face into that spot between his shoulder and neck.
His body shuddered beneath mine, the hands on my back tightening. “You have to surrender, Rocks. I can’t stop until you do.”
There was pleading in his voice, and as I pulled back, I opened my
mouth and closed it just as quickly, before shaking my head. I put my hand on my throat to tell him that I couldn’t surrender, even if I wanted to.
Can’t speak.
More than one growl sounded from around me then, and I knew
that the other brothers had heard my thought. Coen swung us around so that he could glare up at the glass box, and then his voice slipped out into the air around us. “Close your eyes.”
Our stare held for an eternity, and I was relieved to see that he was as unhappy about what was happening as I was. I gave him a quick head nod, and closed my eyes, mostly trusting that I would make it through this. My feet gently hit the sand as Coen took my face into both of his hands, the tingling pain started quickly, and increased to the point where I wanted to cry out, but thankfully, with a quick snap of energy, darkness took me.
”
”
Jane Washington (Trickery (Curse of the Gods, #1))
“
Refrain (by Jan Warren)
Pick up your clothes, make your bed, is that a basket of ironing stuffed into your closet? How can you find anything in there? Clean it out, you´re not going to the park until it's done and I want you to take your sister with you, don't give me that look, just wait until your father comes home; I've never seen such a lazy kid, how did I ever get lucky enough to have you to deal with, you've got a chip on your shoulder; no, you can´t spend the night, because I said so, straighten that bedspread; wake up, you´ll be late for school, come right home after, I need you to go to the store and don't take forever, dinner has to be sometime tonight; set the table, make the salad, clean out the wastepaper basket, feed the dogs, sweep the floor, don't let the flies in, close that door, do you think money grows on trees, don't give me that look, just wait till your father gets home; who was that on the phone, why is he calling here? don´t talk to strangers, who was that walking with you, you better not have them hanging around, because I said so, you're too young, he's a boy, that's different, because I said so, that skirt is too short, take off that makeup, you look like a hussy in those fishnet stockings, where did you get that, you'll have to take it back, don't give me that look, just wait till your father gets home; the store called me today--you've taken practically nude pictures, you better stop or I'll tell your father, you're getting too big for your britches young lady, nice girls don't do things like that, keep going and you'll see what happens... don't give me that look...
”
”
Hettie Jones (Aliens at the Border: the Writing Workshop, Bedford Hills Correctional Facility)
“
Refrain (by Jan Warren)
Pick up your clothes, make your bed, is that a basket of ironing stuffed into your closet? How can you find anything in there? Clean it out, you're not going to the park until it's done and I want you to take your sister with you, don't give me that look, just wait until your father comes home; I've never seen such a lazy kid, how did I ever get lucky enough to have you to deal with, you've got a chip on your shoulder; no, you can't spend the night, because I said so, straighten that bedspread; wake up, you'll be late for school, come right home after, I need you to go to the store and don't take forever, dinner has to be sometime tonight; set the table, make the salad, clean out the wastepaper basket, feed the dogs, sweep the floor, don't let the flies in, close that door, do you think money grows on trees, don't give me that look, just wait till your father gets home; who was that on the phone, why is he calling here? don't talk to strangers, who was that walking with you, you better not have them hanging around, because I said so, you're too young, he's a boy, that's different, because I said so, that skirt is too short, take off that makeup, you look like a hussy in those fishnet stockings, where did you get that, you'll have to take it back, don't give me that look, just wait till your father gets home; the store called me today--you've taken practically nude pictures, you better stop or I'll tell your father, you're getting too big for your britches young lady, nice girls don't do things like that, keep going and you'll see what happens...don't give me that look...
”
”
Hettie Jones (Aliens at the Border: the Writing Workshop, Bedford Hills Correctional Facility)
“
I glared at him. “If either of you were going to be eaten,” I told him, “It would have been you first. Although I reckon that you’d taste really bitter with that attitude problem of yours and I’d need extra tomato sauce for that big chip on your shoulder.
”
”
Diary Wimpy (Minecraft: Diary of a Minecraft Cave Spider)
“
Continue to build your resolve to continue in the fight even if the whole world is against you. Remember, people buy YOU far before they buy what you are offering. Give people the benefit of the doubt. They can see if someone is desperate or carrying a chip on their shoulder. Let it be the last salesperson and – not you. They can measure whether they want to buy you and from you without you.
”
”
Chris J. Gregas
“
Oppositional, defiant children . . . Change from content to angry in seconds. Fight the inevitable, such as going to bed, going to school, or coming to the table at mealtimes, even when they know that eventually they’ll be forced to comply. Insist on having their own way when playing with friends. Argue as vociferously about performing the little tasks as the big ones, as long as it’s something they don’t want to do. May lie or cheat to escape responsibility for their actions. Like to “get back at” people instead of forgetting about minor slights. Are easily irritated. May seem hostile toward particular people for no obvious reason. Ignore commands. Deliberately disobey their parents and sometimes other adults. Break rules indiscriminately. Verbally refuse to follow instructions. Badger, annoy, or taunt people, sometimes apparently for fun. Interrupt others’ play. Seem to have a chip on their shoulder. Can’t control their temper as well as other children of their age. Often break or destroy things out of anger. May indulge in self-destructive behavior such as holding their breath or banging their head. Show little respect or regard for their parents, especially Mom.
”
”
Russell A. Barkley (Your Defiant Child: 8 Steps to Better Behavior)
“
I am completely uneducated. Not going to university did give me an incredible driving force because it leaves you with a slight chip on your shoulder. It makes me feel I am going to read absolutely everything so I can prove I am not stupid.
”
”
Keira Knightley
“
You have to forget the former things; do not dwell on the past. Don’t let the hurts, the bad breaks, the times you were taken advantage of sour the rest of your life, cause you to live with a chip on your shoulder. God knows how to vindicate you. He knows how to pay you back.
”
”
Joel Osteen
“
Lancre operated on the feudal system, which was to say, everyone feuded all the time and handed on the fight to their descendants. The chips on some shoulders had been passed down for generations. Some had antique value. A bloody good grudge, Lancre reckoned, was like a fine old wine. You looked after it carefully and left it to your children.
”
”
Terry Pratchett (Carpe Jugulum (Discworld, #23))
“
We always look good. (“ No!” chimed in Lise. “Perfect!”) We don’t get fat. (“No chocolate or chips,” mourned Isabella. “Or chocolate chips either.” She giggled at her own joke.) We don’t associate with losers. (“We don’t talk to losers, we don’t look at losers, we don’t flirt with losers, we don’t go out with losers,” said Tiger Lily.) There are no secrets. (This is where Saffron spoke up, opening her big blue eyes wide. “We can’t risk our reputations. We don’t want to get surprised if we hear about something you’ve done that might make us look bad. What you do is our business now that you’re in our group. Soooo,” and she shrugged her shoulders, “we need you to be completely honest.”) There are consequences for breaking the rules. (Here no one said anything. Isabella looked scared, Lise looked down, Saffron looked superior and Tiger Lily just looked at me full in the face, narrowing her eyes.) At
”
”
Cecily Anne Paterson (Love and Muddy Puddles (Coco and Charlie Franks, #1))