β
The world doesn't make sense until you force it to.
β
β
Frank Miller
β
Holy Hawt Chemisty, Batman!
β
β
Jennifer L. Armentrout (Obsidian (Lux, #1))
β
All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day.
β
β
Alan Moore (Batman: The Killing Joke)
β
What about Myrnin?'
Eve swallowed, almost choked, and Michael patted her kindly on the back. She beamed at him. 'Myrnin? Oh yeah. He did a Batman and took off into the night. What is with that guy, Claire? If he was a superhero, he'd be Bipolar Man.
β
β
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
β
I wasn't dating anyone. I was fornicating with Batman.
β
β
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
β
If I have to have a past, then I prefer it to be multiple choice.
β
β
Alan Moore (Batman: The Killing Joke)
β
You don't get heaven or hell. Do you know the only reward you get for being Batman? You get to be Batman.
β
β
Neil Gaiman (Batman: Whatever Happened to the Caped Crusader?)
β
Enough madness? Enough? And how do you measure madness? - The Joker
β
β
Grant Morrison (Batman: Arkham Asylum)
β
I am so sick of you pulling this Batman shit on me!
β
β
Courtney Allison Moulton (Angelfire (Angelfire, #1))
β
So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit.
β
β
Alan Moore (Batman: The Killing Joke)
β
Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.
β
β
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
β
If you need to stop an asteroid, you call Superman. If you need to solve a mystery, you call Batman. But if you need to end a war, you call Wonder Woman.
β
β
Gail Simone
β
I want you back here now. I want you next to me now. I cannot believe that my family, your brother, all our friends, and an entire police force can't keep tabs on one twenty-six year old graphic designer who thinks he's fuckin' Batman.
--Detective Sam Kage in A Matter Of Time (vol 2 or part 4)
β
β
Mary Calmes
β
I wrote about the person I love most, my older brother, Noah. We don't live together so I wrote what I imagine he does when we're not together."
"And what is that?" prodded the stout man.
"He's a superhero who saves people in danger, because he saved me and my brother from dying in a fire a couple of years ago. Noah is better than Batman." The crowd chuckled.
"I love you, too, lil'bro.
β
β
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
β
Dan: 'Ah, well, I hope this didn't have anything to do with me.'
Ellen: 'No, not unless you played Cat Woman in Batman.
β
β
Ellen DeGeneres
β
I'm the goddamn Batman.
β
β
Frank Miller (All-Star Batman and Robin, the Boy Wonder)
β
It's just another of Robin's sayings. Like, 'Holy strawberries, Batman, we're in a jam! Or, Holy Kleenex, Batman, it was right under our nose and we blew it!
β
β
Karen Marie Moning (Iced (Fever, #6))
β
How had I ever thought he was cute? He so needed to be locked up in an insane asylum somewhere. Too bad Batman wasn't here to come and drag his ass off to Arkham.
β
β
Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
β
Madness is the emergency exit. You can just step outside, and close the door on all those dreadful things that happened. You can lock them awayβ¦forever."
The Joker
β
β
Alan Moore (Batman: The Killing Joke)
β
Batman doesnβt want a baby in order to feel heβs βdone everythingβ. Heβs just saved Gotham again! If this means that Batman must be a feminist role model above, say, Nicola Horlick, then so be it.
β
β
Caitlin Moran (How to Be a Woman)
β
Sometimes itβs only madness that makes us what we are.
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
Yeah. Floyd is his batman."
His what?"
Batman, like in the British army, each officer had a batman, a personal servant."
You spend too much time reading, Spenser. You know more stuff that don't make you money than anybody I know.
β
β
Robert B. Parker (Mortal Stakes (Spenser, #3))
β
Batman doesn't have to put up with this shit--why should we?
β
β
Caitlin Moran (How to Be a Woman)
β
Hades was the personification of dark and dangerous--a living, breathing Batman.
β
β
P.C. Cast (Goddess of Spring (Goddess Summoning, #2))
β
Ladies. Gentlemen. You have eaten well. You've eaten Gotham's wealth. Its spirit. Your feast is nearly over. From this moment on...none of you are safe.
β
β
Frank Miller (Batman: Year One)
β
Spiderman. Batman. Superman. Ironman. Spiderman. Batman. Superman. Ironman.
β
β
K. Bromberg (Fueled (Driven, #2))
β
Green Lantern: "What are your powers anyway? You can't fly."
Batman: "No."
Green Lantern: "Super-strength?"
Batman: "No."
Green Lantern: "Hold on a second... You're not just some guy in a bat costume, are you? Are you freaking kidding me?!
β
β
Geoff Johns (Justice League, Volume 1: Origin)
β
How can two people hate so much without knowing each other?
β
β
Alan Moore (Batman: The Killing Joke)
β
I run blindly through the madhouse ... And I cannot even pray ... For I have no God.
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
Are you wearing that?' he [Daniel] said. I looked down. I was wearing my batman onesie.
'Yes,' I said, 'Problem?'
'So many,' he said, turning around. 'So many problems.
β
β
Alice Oseman (Radio Silence)
β
It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
β
β
Alan Moore (Batman: The Killing Joke)
β
Sunday school stories are just another type of superhero comic. Counting on Jesus to save the day is no more real than sending up the Batman signal.
β
β
Barbara Kingsolver (Demon Copperhead)
β
The end of the story of Batman is he's dead. Because, in the end, the Batman dies. What else am I going to do? Retire and play golf? It doesn't work that way. It can't. I fight until I drop. And one day, I will drop.
β
β
Neil Gaiman (Batman: Whatever Happened to the Caped Crusader?)
β
I offered them Utopia, but they fought for the right to live in Hell.
β
β
Mark Millar (Superman: Red Son)
β
What? I bring joy to the world. I am filled with mirth and sunlight. Also, I am Batman.
β
β
Warren Ellis
β
Holy bad boy Batman!
β
β
A. Meredith Walters (Bad Rep (Bad Rep, #1))
β
Bruce Wayne/Batman: A hero can be anyone, even a man doing something as simple and reassuring as putting a coat on a young boy's shoulders to let him know that the world hadn't ended.
β
β
Christopher Nolan
β
IF YOU HURT INSIDE, GET CERTIFIED, AND IF LIFE SHOULD TREAT YOU BAD...
DON'T GET EE-EE-EVEN, GET MAD!
β
β
Alan Moore (Batman: The Killing Joke)
β
A glorious place, a glorious age, I tell you! A very Neon renaissance - And the myths that actually touched you at that time - not Hercules, Orpheus, Ulysses and Aeneas - but Superman, Captain Marvel, and Batman.
β
β
Tom Wolfe
β
A gun is a liar's weapon
β
β
Frank Miller
β
You can never escape me. Bullets don't harm me. Nothing harms me. But I know pain. I KNOW pain. Sometimes I share it. With someone like you.
β
β
Frank Miller (Batman: Year One)
β
MEMORY'S SO
TREACHEROUS.
ONE MOMENT YOU'RE LOST IN A
CARNIVAL
OF
DELIGHTS,
WITH POIGNANT CHILDHOOD
AROMAS
, THE FLASHING NEON OF
PUBERTY,
ALL THAT SENTIMENTAL
CANDY-FLOSS
...
THE
NEXT
, IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO...
...SOMEWHERE
DARK
AND
COLD,
FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE
FORGOTTEN.
MEMORIES
CAN BE
VILE, REPULSIVE
LITTLE
BRUTES.
LIKE
CHILDREN,
I SUPPOSE.
HAHA.
BUT CAN WE LIVE
WITHOUT
THEM?
MEMORIES
ARE WHAT OUR
REASON
IS BASED UPON. IF WE CAN'T
FACE
THEM, WE DENY REASON ITSELF!
ALGHOUGH, WHY
NOT?
WE AREN'T
CONTRACTUALLY TIED DOWN
TO
RATIONALITY!
THERE
IS
NO
SANITY CLAUSE!
SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS
UNBEARABLE,
REMEMBER THERE'S ALWAYS
MADNESS.
MADNESS
IS THE
EMERGENCY EXIT...
YOU CAN JUST STEP
OUTSIDE,
AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM
AWAY...
FOREVER.
β
β
Alan Moore (Batman: The Killing Joke)
β
Tell the truth, Giovanni Vecchio." A mischievous look came to her eye. "You have a butler, a cool car, and I've only ever seen you at night..."
He froze, tension suddenly evident in the set of his shoulders. Beatrice leaned closer and whispered, "You're Batman, aren't you?
β
β
Elizabeth Hunter (A Hidden Fire (Elemental Mysteries, #1))
β
Iβd suggest we go get milk shakes or something to celebrate, but this is kind of a scary neighborhood.β
βShadowhunters donβt worry about scary neighborhoods,β said Dru.
βHave you learned nothing from the way Batmanβs parents died?β said Kit, feigning shock.
Ty smiled. And for the first time since Livvy had died, Dru laughed.
β
β
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
β
This should be agony. I should be a mass of aching muscle - broken, spent, unable to move. And, were I an older man, I surely would ... ... but I'm a man of thirty - of twenty again. The rain on my chest is a baptism - I'm born again ...
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
Sometimes... sometimes I think the Asylum is a head. We're inside a huge head that dreams us all into being. Perhaps it's your head, Batman. Arkham is a looking glass... and we are you.
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
Laugh and the world laughs with you!
β
β
Grant Morrison
β
I'm Batman, so I could be your hero anyway!
β
β
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
β
Actually I'd always thought he sat in the library with a slim volume of metaphysical poetry until the commissioner called him on the bat phone and summoned him into action. Holy paranormal activity, Nightingale - to the Jag mobile.
β
β
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
β
Afraid? Batman's not afraid of anything. It's me. I'm afraid. I'm afraid that The Joker may be right about me. Sometimesβ¦I question the rationality of my actions. And Iβm afraid that when I walk through those asylum gates... when I walk into Arkham and the doors close behind me... itβll be just like coming home.
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
Deep down, Clark's essentially a good person... and deep down, I'm not
β
β
Jeph Loeb (Batman: Hush, Vol. 1)
β
An angry man in cinema is Batman. An angry male musician is a member of Metallica. An angry male writer is Chekhov. An angry male politician is passionate, a revolutionary. He is a Donald Trump or a Bernie Sanders. The anger of men is a powerful enough tide to swing an election. But the anger of women? That has no place in government, so it has to flood the streets.
β
β
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
β
Please don't worry. It's a psychological complaint, common amongst ex-librarians. You see, she thinks she's a coffee table edition...
β
β
Alan Moore (Batman: The Killing Joke)
β
Well, when the fear of death seizes youβwhen the dark thoughts comeβyou stare the darkness right back, and you tell it, βI will not listen to you, for I am infinite Batmans.
β
β
Brandon Sanderson (Skin Deep (Legion, #2))
β
...My point is, I went crazy. When I saw what a black, awful joke the world was. I went crazy as a coot! I admit it! Why can't you?
β
β
Alan Moore (Batman: The Killing Joke)
β
There are two types of people on planet Earth, Batman and Iron Man. Batman has a secret identity, right? So Bruce Wayne has to walk around every second of every day knowing that if somebody finds out his secret, his family is dead, his friends are dead, everyone he loves gets tortured to death by costumed supervillains. And he has to live with the weight of that secret every day. But not Tony Stark, he's open about who he is. He tells the world he's Iron Man, he doesn't give a shit. He doesn't have that shadow hanging over him, he doesn't have to spend energy building up those walls of lies around himself. You're one or the other - either you're one of those people who has to hide your real self because it would ruin you if it came out, because of your secret fetishes or addictions or crimes, or you're not one of those people. And the two groups aren't even living in the same universe.
β
β
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
β
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
β
β
Christoper Nolan
β
Batman: a force of chaos in my world of perfect order. The dark side of the Soviet dream. Rumored to be a thousand murdered dissidents, they said he was a ghost. A walking dead man. A symbol of rebellion that would never fade as long as the system survived.
Anarchy in black.
β
β
Mark Millar (Superman: Red Son)
β
Of course we're Criminals
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
It's salt. Why don't you sprinkle some on me, honey? Aren't I just good enough to eat?
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
True love is finding someone whose demons play well with yours" - The Joker
β
β
The Joker Batman Arkham City
β
Then I reminded myself that all intelligent children suffer bad dreams.
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
You don't get it boy... this isn't a mudhole... its an operating table. (KRAKKKKK) And I'm the surgeon.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
I suspect that beneath your offensively and vulgarly effeminate façade there may be a soul of sorts. Have you read widely in Boethius?"
"Who? Oh, heavens no. I never even read newspapers."
"Then you must begin a reading program immediately so that you may understand the crises of our age," Ignatius said solemnly. "Begin with the late Romans, including Boethius, of course. Then you should dip rather extensively into early Medieval. You may skip the Renaissance and the Enlightenment. That is mostly dangerous propaganda. Now that I think of it, you had better skip the Romantics and the Victorians, too. For the contemporary period, you should study some selected comic books."
"You're fantastic."
"I recommend Batman especially, for he tends to transcend the abysmal society in which he's found himself. His morality is rather rigid, also. I rather respect Batman.
β
β
John Kennedy Toole (A Confederacy of Dunces)
β
But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved ones is just poison in your veins. And one day you catch yourself wishing the person you loved had never existed, so you'd be spared your pain.
β
β
Christopher Nolan
β
I took the stool next to him, raising an eyebrow at the coffee and cruller on the counter. "Thought you weren't into internal pollution," I said. Lately Ranger'd been on a health food thing.
"Props," Ranger told me. "Didn't want to look out of place."
I didn't want to burst his fantasy bubble, but the only time Ranger wouldn't look out of place would be standing in a lineup between Rambo and Batman.
β
β
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
β
You're beginning to get the idea, Clark. We could have changed the worldβ¦nowβ¦look at usβ¦I've become a political liabilityβ¦andβ¦youβ¦you're a joke. I want you to remember, Clarkβ¦in all the years to comeβ¦in your most private momentsβ¦I want you to rememberβ¦my handβ¦at your throatβ¦I wantβ¦you to rememberβ¦the one man who beat you.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
Why do we Fall?
So we can learn to pick ourselves back up.
β
β
Christopher Nolan
β
Alfred: Hmf. I suppose you'll take up flying next, like that fellow in Metropolis.
β
β
Frank Miller (Batman: Year One)
β
The American conscience died with the Kennedys.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
The moon is so beautiful. It's a big silver dollar, flipped by God. And it landed scarred side up, see? So He made the world.
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
All men have limits. They learn what they are and they learn not to exceed them. I ignore mine.
β
β
Chuck Dixon
β
I'm not Barbara Gordon. I have to keep remembering that. Tonight, I'm not Barbara. Tonight, I'm not the Police Commissioner's daughter.
Tonight, I'm the one who pored over the details of the confidential police and reports when her dad wasn't looking.
I'm the one who recognized the vintage costumes you wear.
Tonight?
Tonight, I'm Batgirl.
β
β
Gail Simone
β
We live in the shadow of crime with the unspoken understanding that we are victims.. of fear, of violence, of social impotence. A man has risen to show us that the power is, ans always has been, in our hands. We are under siege. He's showing us that we can resist.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
The fear that lies at the heart. Only this can keep you from what is yours. Conquer the fear in your heart and you may have anything that you desire.
β
β
Chuck Dixon (Batman: Vengeance of Bane #1)
β
See, there were these two guys in a lunatic asylum... and one night, one night they decide they don't like living in an asylum any more. They decide they're going to escape! So, like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moon light... stretching away to freedom. Now, the first guy, he jumps right across with no problem. But his friend, his friend didn't dare make the leap. Y'see... Y'see, he's afraid of falling. So then, the first guy has an idea... He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk along the beam and join me!' B-but the second guy just shakes his head. He suh-says... He says 'Wh-what do you think I am? Crazy? You'd turn it off when I was half way across!
β
β
Alan Moore (Batman: The Killing Joke)
β
We must not remind them that giants walk the Earth.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
I promise loyalty. I promise secrecy. And I promise courage.
β
β
Chuck Dixon (Batgirl: Year One)
β
Einstein was wrong! I'M the speed of light CRACKING through shivery rainbows and GOD the sky whirls and withers like a melting RAINBOW!
β
β
Grant Morrison (Batman: Arkham Asylum - A Serious House on Serious Earth)
β
Remember? Ohh, I wouldn't do that! Remembering's dangerous. I find the past such a worrying, anxious place.
"The past tense", I supposed you'd call it. Ha ha ha.
β
β
Alan Moore (Batman: The Killing Joke)
β
I smack myself in the forehead. βHoly priceless collection of Etruscan snoods, theyβre not moving!β I exclaim. Thereβs a choking noise over my head somewhere. βEtruscan snoods?β I glow quietly inside. Some accomplishments mean more than others. I am officially the Shit. Now and forever. βDude, watch your question marks. I just pried one out of you.β βI have no idea what youβre talking about.β βAdmit it, you lost your eternal fecking composure.β βYou have an obsession with a delusion about how I end my sentences. What the fuck are Etruscan snoods?β βDunno. Itβs just another of Robinβs sayings. Like, βHoly strawberries, Batman, weβre in a jam!β β βStrawberries.β βOr, βHoly Kleenex, Batman, it was right under our nose and we blew it!β
β
β
Karen Marie Moning (Iced (Fever, #6))
β
He's clearly a man with a mission, but it's not one of vengeance. Bruce is not after personal revenge ... He's much bigger than that; he's much more noble than that. He wants the world to be a better place, where a young Bruce Wayne would not be a victim ... In a way, he's out to make himself unnecessary. Batman is a hero who wishes he didn't have to exist.
β
β
Frank Miller (Batman: Year One)
β
Ryodan says softly, βHoly strawberries, Dani, weβre in a jam.β
I look at him like heβs sprouted two heads. Holy strawberries? In a jam? Even Barrons looks stumped.
He continues, βBut donβt worry. Holy priceless collection of Etruscan snoodsβyou really butchered that one, by the wayβIβve got it in the bag. How about this one: holy borrowing bibliophile, letβs book.
β
β
Karen Marie Moning (Burned (Fever, #7))
β
It's not who you are underneath, it's what you do that defines you.
β
β
Batman Begins
β
Beware The Court of Owls, that watches all the time, ruling Gotham from a shadowed perch, behind granite and lime. They watch you at your hearth, they watch you in your bed, speak not a whispered word of them, or they'll send the Talon for your head.
β
β
Scott Snyder (Batman, Volume 1: The Court of Owls)
β
The rain on my chest is a baptism - I'm born again.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
Alfred, I need ice and that vitamin K goop. To the nursery. Stat."
"I loathe you, Master Griffin," came a British accent over the intercom.
"Thanks, Alfred," Griffin answered and came back to the bed.
"Is your butler's name really Alfred?"
"No. It's Jamison, I think. Can't remember. I changed it to Alfred years ago. My first crush on a dude was Batman...
β
β
Tiffany Reisz (The Angel (The Original Sinners, #2))
β
We ordinary people might lack your great speed or your X-Ray vision, Superman, but never underestimate the power of the human mind. We carry the most dangerous weapon on Earth inside these thick skulls of ours.
β
β
Mark Millar (Superman: Red Son)
β
You sold us out, Clark. You gave them the power that should have been ours. Just like your parents taught you. My parents taught me a different lesson... lying on this street... shaking in deep shock... dying for no reason at all. They showed me that the world only makes sense when you force it to.
β
β
Frank Miller (Batman: The Dark Knight Returns)
β
It's quite possible we may actually be looking at some kind of super-sanity here. A brilliant new modification of human perception, more suited to urban life at the end of the twentieth century...He creates himself each day. He sees himself as the lord of misrule and the world as a theatre of the absurd.
β
β
Grant Morrison (Batman: Arkham Asylum)
β
Stain Boy
Of all the super heroes,
the strangest one by far,
doesn't have a special power,
or drive a fancy car.
next to Superman and batman, I guess he must seem tame.
But to me he is quite special,
and Stain Boy is his name.
He can't fly around tall buildings,
or outrun a speeding train,
the only talent he seems to have
is to leave a nasty stain.
Sometimes I know it bothers him,
that he can't run or swim or fly,
and because of this one ability,
his dry cleaning bill is sky-high.
β
β
Tim Burton
β
If Clark wanted to, he could use his superspeed and squish me into the cement. But I know how he thinks. Even more than the Kryptonite, he's got one big weakness. Deep down, Clark's essentially a good person... and deep down, I'm not.
β
β
Jeph Loeb (Batman: Hush, Vol. 2)
β
I've proved my point. I've demonstrated there's no difference between me and everyone else! All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day. You had a bad day once, am I right? I know I am. I can tell. You had a bad day and everything changed. Why else would you dress up as a flying rat? You had a bad day, and it drove you as crazy as everybody else... Only you won't admit it! You have to keep pretending that life makes sense, that there's some point to all this struggling! God you make me want to puke. I mean, what is it with you? What made you what you are? Girlfriend killed by the mob, maybe? Brother carved up by some mugger? Something like that, I bet. Something like that... Something like that happened to me, you know. I... I'm not exactly sure what it was. Sometimes I remember it one way, sometimes another... If I'm going to have a past, I prefer it to be multiple choice! Ha ha ha! But my point is... My point is, I went crazy. When I saw what a black, awful joke the world was, I went crazy as a coot! I admit it! Why can't you? I mean, you're not unintelligent! You must see the reality of the situation. Do you know how many times we've come close to world war three over a flock of geese on a computer screen? Do you know what triggered the last world war? An argument over how many telegraph poles Germany owed its war debt creditors! Telegraph poles! Ha ha ha ha HA! It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
β
β
Alan Moore (Batman: The Killing Joke)
β
Remembering's dangerous. I find the past such a worrying, anxious place. "The Past Tense," I suppose you'd call it. Memory's so treacherous. One moment you're lost in a carnival of delights, with poignant childhood aromas, the flashing neon of puberty, all that sentimental candy-floss... the next, it leads you somewhere you don't want to go. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten. Memories can be vile, repulsive little brutes. Like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality! There is no sanity clause! So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit⦠you can just step outside, and close the door on all those dreadful things that happened. You can lock them away⦠forever.
β
β
Alan Moore (Batman: The Killing Joke)
β
The only solution for female anger is for her to stop being angry. And yet, when Jesus flipped tables in the temple, his rage was lauded. King David railing to the heavens to rain fire on his enemies is lauded as a man after Godβs own heart. An angry man in cinema is Batman. An angry male musician is a member of Metallica. An angry male writer is Chekhov. An angry male politician is passionate, a revolutionary. He is a Donald Trump or a Bernie Sanders. The anger of men is a powerful enough tide to swing an election. But the anger of women? That has no place in government, so it has to flood the streets.
β
β
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
β
I don't consider myself as a bad person, on the whole I consider myself a good person, I'm good to my parents. I treat my girl right⦠take her out and buy her stuff. And I go to church every Sunday, But I've decided that just once I wanna do a really bad thing. I mean a really seriously bad thing. 'cause, ya know, like, we're put on this earth with free will. We can choose to do this or that. We can choose to be good or bad. But sometimes I think most people are good and not bad only because they're scared they might go to jail or hell or someplace. Some guy once said: "Anything done out of fear has no moral value" Well, I think that's right. I figure the only way you can be truly good is if you've tried been good, and you've tried being bad, and being good feels better.
β
β
Alan Moore (Batman: The Killing Joke)
β
Memories can be vile. Repulsive little brutes, like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality. There is no sanity clause. So when you find yourself locked down in an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember: There's always madness. You can just step outside and close the door, and all those dreadful things that happened, you can lock them away. Madness... is an emergency exit.
β
β
Alan Moore (Batman: The Killing Joke)
β
Where's my sister?"
"She's setting up the island we found tonight."
Galen shakes his head. "You slithering eel. You might have told me what you were up to."
Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well."
"You think your surprise attack went over better?"
Toraf shrugs. "I'm satisfied."
"I could have killed you today."
"Yeah."
"Don't ever do that again."
"Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers.
"Shut up."
"I'm just saying."
Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna."
"I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna."
"Fifty-nine times."
"Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?"
Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble."
"Shocker. What'd you do?"
"The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark.
Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects."
"She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change."
"In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't."
"You don't think she's one of us?"
Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman."
Galen laughs. "How do you know about Batman?"
"I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him."
"Batman isn't real. He's just a human acting like that so other humans will watch him."
"Looked real to me."
"They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is."
"Humans are creepier than I thought. Why pretend to be something you're not?"
Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you."
Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now."
"Seriously. I don't want to know."
Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-"
"Emma wouldn't be waiting for me. I wouldn't have left."
"Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to."
"What?"
"Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate."
"And she listened to you?"
Toraf nods. "Turns out, you're the only one she disobeys.
β
β
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
β
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in
which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what
being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's
quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies
designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs,
those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
β
β
Salman Rushdie (Fury)