Chinese Classics Quotes

Countless words count less than the silent balance between yin and yang

Thirty spokes Share one hub. Make the nothing therein appropriate, and you will have the use of the cart.

As soon as we notice that certain types of event "like" to cluster together at certain times, we begin to understand the attitude of the Chinese, whose theories of medicine, philosophy, and even building are based on a "science" of meaningful coincidences. The classical Chinese texts did not ask what causes what, but rather what "likes" to occur with what.

If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures...

To know what is first and what is last will lead near to what is taught in the Great Learning.

The fearful thing about the Chinese literary scene is that everyone keeps introducing new terms without defining them. And everyone interprets these terms as he pleases. To write a good deal about yourself is expressionism. To write largely about others is realism. To write poems on a girl's leg is romanticism. To ban poems on a girl's leg is classicism.

Wherever the mind dwells apart is itself a distant place.

Wishing to regulate their families, they first cultivated their persons. Wishing to cultivate their persons, they first rectified their hearts. Wishing to rectify their hearts, they first sought to be sincere in their thoughts. Wishing to be sincere in their thoughts, they first extended to the utmost their knowledge.

It may occasion surprise that the decree of a temporal power sufficed to give the classics a position that can be compared in other cultures to the place of sacred scriptures inspired by divine revelation.

The outstanding characteristic of Western scholarship is its specialization and cutting up of knowledge into different departments. The over-development of logical thinking and specialization, with its technical phraseology, has brought about the curious fact of modern civilization, that philosophy has been so far relegated to the background, far behind politics and economics, that the average man can pass it by without a twinge of conscience. The feeling of the average man, even of the educated person, is that philosophy is a "subject" which he can best afford to go without. This is certainly a strange anomaly of modern culture, for philosophy, which should lie closest to men's bosom and business, has become most remote from life. It was not so in the classical civilization of the Greeks and Romans, and it was not so in China, where the study of wisdom of life formed the scholars' chief occupation. Either the modern man is not interested in the problems of living, which are the proper subject of philosophy, or we have gone a long way from the original conception of philosophy.

Wishing to regulate their families, they first cultivated their persons. Wishing to cultivate their persons, they first rectified their hearts. Wishing to rectify their hearts, they first sought to be sincere in their thoughts. Wishing to be sincere in their thoughts, they first extended to the utmost their knowledge. Such extension of knowledge lay in the investigation of things.

I grew up thinking the only scriptures on earth were those inspired by the Hebrew prophets of the Old Testament, the words and letters of Jesus and his apostles, and the scriptures of the Restoration. But how could the God I believed was the loving God of all the earth not speak somehow to everyone else? For years I wrestled with this idea. Having now read the Chinese classics, certainly Confucius, but others as well, I believe I have found the scriptural infusion God gave the Chinese nation. Mencius is my favorite, I must admit, and I do not hesitate to call what he bestowed upon the world scripture--some of the most optimistic, holy writing the world has.

(1) Risk-taking behavior, essential for efforts at innovation, is more widespread in some societies than in others. (2) The scientific outlook is a unique feature of post-Renaissance European society that has contributed heavily to its modern technological preeminence. (3) Tolerance of diverse views and of heretics fosters innovation, whereas a strongly traditional outlook (as in China’s emphasis on ancient Chinese classics) stifles it. (4) Religions vary greatly in their relation to technological innovation: some branches of Judaism and Christianity are claimed to be especially compatible with it, while some branches of Islam, Hinduism, and Brahmanism may be especially incompatible with it.

When Cartier-Bresson goes to China, he shows that there are people in China, and that they are Chinese.

Tolerance of diverse views and of heretics fosters innovation, whereas a strongly traditional outlook (as in China’s emphasis on ancient Chinese classics) stifles it.

Nevertheless, every Nazi has Jewish ancestors. Every white supremacist has Middle Eastern ancestors. Every racist has African, Indian, Chinese, Native American, aboriginal Australian ancestors, as well as everyone else, and not just in the sense that humankind is an African species in deep prehistory, but at a minimum from classical times, and probably much more recently. Racial purity is a pure fantasy. For humans, there are no purebloods, only mongrels enriched by the blood of multitudes.

Chinese culture had boys memorize the Dao for centuries. Many cultures commit their sacred, foundational texts to memory.... When you read a hundred words a hundred times they get woven into your soul.... Understanding is not as important. When we struggle with a text, it changes us. Why put things in memory? ... We memorize to contemplate, not to show off.

At a more serious level, the desirability of aligning our actions with the more powerful laws of nature, society, and psychology, in order to lead a productive life, is a central theme in many works, particularly the ancient Chinese classic, Tao te Ching.

four suggested explanations are ideological, rather than economic or organizational: (1) Risk-taking behavior, essential for efforts at innovation, is more widespread in some societies than in others. (2) The scientific outlook is a unique feature of post-Renaissance European society that has contributed heavily to its modern technological preeminence. (3) Tolerance of diverse views and of heretics fosters innovation, whereas a strongly traditional outlook (as in China’s emphasis on ancient Chinese classics) stifles it. (4) Religions vary greatly in their relation to technological innovation: some branches of Judaism and Christianity are claimed to be especially compatible with it, while some branches of Islam, Hinduism, and Brahmanism may be especially incompatible with it.

Since no grand resolution was available, the Gong memorial established a priority among the dangers, in effect based on the principle of defeating the near barbarians with the assistance of the far barbarians. It was a classical Chinese strategy that would be revisited roughly a hundred years later by Mao.

Ancient astrology was rather different from the modern horoscope. Its more learned practitioners enjoyed intellectual respectability, and there was a substantial overlap between astrology and philosophy. People would consult astrologers on anything, from the time and manner in which they were going to die to who was likely to win in the chariot-races that afternoon. The chronology of the origins and development of astrology are impossible to establish, and were debated even in the ancient world. Suffice it to say here that the Western tradition was one of many traditions: Indian, Chinese, Middle Eastern. It was Ptolemy, the Hellenistic geographer and astrologer, who first laid the technical foundations of Western astrology in his Tetrabiblos (‘Four Books’). But the rise in the prominence of astrology was closely tied to the Roman imperial regime. It greatly benefited emperors to have their sovereignty ‘written in the stars’.

Stepping down from the swing, Languidly she smooths her soft slender hands, Her flimsy dress wet with light perspiration A slim flower trembling with heavy dew. Spying a stranger, she walks hastily away in shyness: Her feet in bare socks, Her gold hairpin fallen. Then she stops to lean against a gate, And looking back, Makes as if sniffing a green plum

人之初 - 性本善。 Men at birth - Naturally good 性相近 - 習相遠 Similar nature - different habits

The pure Yang forms the heaven, and the turbid Yin forms the earth. The Qi of the earth ascends and turns into clouds, while the Qi of the heaven turns into rain.

In perennial Absence you see mystery, and in perennial Presence you see appearance. Though the two are one and the same, once they arise, they differ in name.

If you aren’t free of yourself how will you ever become yourself?

Philokalia (which literally means love of the good and beautiful),

棖也慾、焉得剛。

【十九章】子曰、中人以上、可以語上也、中人以下、不可以語上也。 【二十章】樊遲問知。子曰、務民之義、敬鬼神而遠之、可謂知矣。問仁。 曰、仁者先難而後獲、可

Spring returns to my lonely chamber, Once more spring grass is lush and green. Some red plum blossoms are open, Others have yet to bloom. I grind tea bricks into fine jade powder In a pot carved with azure clouds, Still under the spell of the morning's dream, Till all of a sudden I am woken By a jug of spring. Flower shadows press at the double gate, Pale moonlight silvers the translucent curtains. A beautiful evening! Three times in two years We've missed the spring. Come back without further ado And let's enjoy our fill of this spring!

To distort the letters of the alphabet in “the style of” Chinese calligraphy (sometimes referred to as chop suey lettering), because the subject happens to deal with the Orient is to create the typographic equivalent of a corny illustration. To mimic a woodcut style of type to “go with” a woodcut; to use bold type to “harmonize with” heavy machinery, etc., is cliché-thinking. The designer is unaware of the exciting possibilities inherent in the contrast of picture and type matter. Thus, instead of combining a woodcut with a “woodcut style” of type (Neuland), a happier choice would be a more classical design (Caslon, Bodoni, or Helvetica) to achieve the element of surprise and to accentuate by contrast the form and character of both text and picture.

In Classical Chinese, the characters 二心 referred to disloyal or traitorous intentions; literally, they translated as ‘two hearts’. And Robin found himself in the impossible position of loving that which he betrayed, twice.

thirty-seven feet, almost filling the floor space of two workrooms. At last, the senior specialist could confirm that this was undoubtedly the mythical work described in all the classical Chinese texts he had spent much of his career studying.

My aim for this book is for it to be as lean and portable as possible. Since there is limited room here and no desire to leave any valuable source out, anyone who wants a bibliography for this book can email: hello@stillnessisthekey.com For those looking to do more reading on Eastern or Western philosophy, I recommend the following: Meditations, by Marcus Aurelius (Modern Library) Readings in Classical Chinese Philosophy, by Philip J. Ivanhoe and Bryan W. Van Norden (Hackett) Letters of a Stoic by Seneca (Penguin Classics) The Bhagavad Gita (Penguin Classics) The Art of Happiness, by Epicurus (Penguin Classics) The New Testament: A Translation, by David Bentley Hart (Yale University Press) Buddha, by Karen Armstrong (Penguin Lives Biographies)

The Chinese went to their knees trying desperately to get their rifles into action, but the Mongols were on them too fast. Abusing their horses cruelly, they drove them right in among the riflemen, and men were kicked, stamped upon and died beneath frantic hooves.

Tu Fu’s wandering through the thousands of miles of ancestor peaks was always the Tao/Cosmos open to itself- ancestor wandering itself and gazing into itself; thinking itself and feeling itself, lamenting itself, and celebrating itself, writing poems about itself.

When my brother,…, was a young boy learning the Chinese classics, I was in the habit of listening with him and I became unusually proficient at understanding those passages that he found too difficult to grasp and memorize. Father a most learned man, was always regretting the fact: ’Just my luck!’ he would say. ’What a pity she was not born a man!’ But then I gradually realized that people were saying ’It’s bad enough when a man flaunts his Chinese learning; she will come to no good,’ and since I have avoided writing the simplest character.

Undoubtedly, the place to start with Chinese fiction is with Cao Xueqin’s eighteenth-century classic, A Dream of Red Mansions, a sweeping epic about family life and Confucian practices in feudal China, including numerous subplots, a gazillion characters, and a touching love story.

CHAP. XIX. The Duke Ai asked, saying, 'What should be done in order to secure the submission of the people?' Confucius replied, 'Advance the upright and set aside the crooked, then the people will submit. Advance the crooked and set aside the upright, then the people will not submit.

Sun Tzu, the ancient Chinese philosopher, wrote the now classic The Art of War nearly twenty-five hundred years ago. This book has become the classic on how to achieve victory in the battlefield. He said this about the enemy: "If you know the enemy and know yourself, you need not fear the

Last night there was intermittent rain, a gusty wind. Deep sleep did not relieve me of The last effects of wine. I ask the maid rolling up the blinds, But she replies: "The crab-apple is lovely as before." "Don't you know?" "Oh, don't you know?" "The green should be plump and the red lean?

Human beings have likes and dislikes; hence, the people can be ruled. The ruler must investigate likes and dislikes. Likes and dislikes are the root of rewards and penalties. The disposition of the people is to like ranks and emoluments and to dislike punishments and penalties. The ruler sets up the two in order to guide the people’s will and to establish whatever he desires.

Gazing at the Sacred Peak What is this ancestor Exalt Mountain like? Endless greens of north and south meeting Where Changemaker distills divine beauty, Where yin and yang cleave dusk and dawn. Chest heaving breathes out cloud, and eyes Open dusk bird-flight home. One day soon, On the summit, peaks ranging away will be small enough to hold, all in a single glance. Tu Fu

No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age. A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!

Our own thesis was sketched in the Introduction: the classical written Chinese language—the language in which the Analects was composed—is unique, being sharply distinct not only from all non-Sinitic languages but from spoken Chinese as well (ancient and modern), and that the differences between the two Chinese languages are of greater linguistic and philosophical significance than has been generally noticed.

By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.

McIntyre’s tale may have predecessors, but it is unique. I strain for literary comparisons and think: Kipling, the classical Chinese poets, early Patrick O’Brian, Hopkins. I search for a definition of its animating presence: the predator, the Buddhist sage, the hunter. All fall short. I stand before The Snow Leopard’s Tale in awe and with a little envy. It is a gem, an uncanny evocation of the cold ancient dusty highlands of Central Asia, and could only have come from Tom McIntyre. It is his best.

There’s an ancient legend that infuses China’s Yangtze and Yellow Rivers with cosmological dimensions. After flowing east and out to sea, the rivers ascend and rarify, becoming the Star River (Milky Way), crosses the heavens westward and descends into western mountains to form the headwaters of the rivers, a return to earth and the cycle. China’s rivers were an extension of the Milky Way, creating a cosmological cocoon and nestles humans into the ten thousand things, and prefigures the idea that the stars as embryonic origins of chi.

There is one general point that we would make in our interpretation of this classical Chinese language. Above we have argued for a processual understanding of classical Daoist cosmology. If this account is persuasive, it means that the vocabulary that expresses the worldview and the common sense in which the Daodejing is to be located is first and foremost gerundive. Because “things” in the Daodejing are in fact active “processes” and ongoing “events,” nouns that would “objectify” this world are derived from and revert to a verbal sensibility.

Mace’s tank, miraculously, had come through without loss among either crew or riders—the first and last vehicle to do so. Surprise, and their momentum, had served them well. And as they went through the British lines, these men knew the worst: that instead of holding only a small stretch of the road under light fire, a full Chinese division had locked itself over six miles of the route, covering it with small arms, mortars, and forty machine guns. Nor could Mace and party give warning; like those of the British, his radios wouldn’t carry over the pass.

The responsibility of setting an army in motion must devolve on the general alone; if advance and retreat are controlled from the Palace, brilliant results will hardly be achieved. Hence the god-like ruler and the enlightened monarch are content to play a humble part in furthering their country's cause [lit., kneel down to push the chariot wheel]." This means that "in matters lying outside the zenana, the decision of the military commander must be absolute." Chang Yu also quote the saying: "Decrees from the Son of Heaven do not penetrate the walls of a camp."]

In the past, those who were able to regulate All-under-Heaven first had to regulate their own people; those who were able to overcome the enemy had first to overcome their own people. The root of overcoming the people is controlling the people as the metalworker controls metal and the potter clay. When the roots are not firm, the people will be like flying birds and running animals: Who will then be able to regulate them? The root of the people is law. Hence, those who excel at orderly rule block the people with law; then a [good] name and lands can be attained.

The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.

And so, by means both active and passive, he sought to repair the damage to his self-esteem. He tried first of all to find ways to make his nose look shorter. When there was no one around, he would hold up his mirror and, with feverish intensity, examine his reflection from every angle. Sometimes it took more than simply changing the position of his face to comfort him, and he would try one pose after another—resting his cheek on his hand or stroking his chin with his fingertips. Never once, though, was he satisfied that his nose looked any shorter. In fact, he sometimes felt that the harder he tried, the longer it looked. Then, heaving fresh sighs of despair, he would put the mirror away in its box and drag himself back to the scripture stand to resume chanting the Kannon Sutra. The second way he dealt with his problem was to keep a vigilant eye out for other people’s noses. Many public events took place at the Ike-no-o temple—banquets to benefit the priests, lectures on the sutras, and so forth. Row upon row of monks’ cells filled the temple grounds, and each day the monks would heat up bath water for the temple’s many residents and lay visitors, all of whom the Naigu would study closely. He hoped to gain peace from discovering even one face with a nose like his. And so his eyes took in neither blue robes nor white; orange caps, skirts of gray: the priestly garb he knew so well hardly existed for him. The Naigu saw not people but noses. While a great hooked beak might come into his view now and then, never did he discover a nose like his own. And with each failure to find what he was looking for, the Naigu’s resentment would increase. It was entirely due to this feeling that often, while speaking to a person, he would unconsciously grasp the dangling end of his nose and blush like a youngster. And finally, the Naigu would comb the Buddhist scriptures and other classic texts, searching for a character with a nose like his own in the hope that it would provide him some measure of comfort. Nowhere, however, was it written that the nose of either Mokuren or Sharihotsu was long. And Ryūju and Memyoō, of course, were Bodhisattvas with normal human noses. Listening to a Chinese story once, he heard that Liu Bei, the Shu Han emperor, had long ears. “Oh, if only it had been his nose,” he thought, “how much better I would feel!

The phrase “white privilege” is not the only verbal sleight of hand used to make achievement differences vanish. Even racial or ethnic groups that arrived in the United States destitute during the nineteenth century, and were forced to live in a desperate poverty and squalor almost inconceivable today, have had their later rise from such dire conditions verbally erased by calling their eventual achievement of prosperity a “privilege.”19 The histories of Irish, Jewish, Chinese and Japanese immigrants in America are classic examples of this process—and of their achievements being verbally air-brushed out of history by simply calling them “privilege.” Even middle-class blacks today have likewise been characterized by some as “privileged,”20 even though their ancestors arrived as slaves.

But mostly, finally, ultimately, I'm here for the weather. As a result of the weather, ours is a landscape in a minor key, a sketchy panorama where objects, both organic and inorganic, lack well-defined edges and tent to melt together, creating a perpetual blurred effect, as if God, after creating Northwestern Washington, had second thoughts and tried unsuccessfully to erase it. Living here is not unlike living inside a classical Chinese painting before the intense wisps of mineral pigment had dried upon the silk - although, depending on the bite in the wind, they're times when it's more akin to being trapped in a bad Chinese restaurant; a dubious joint where gruff waiters slam chopsticks against the horizon, where service is haphazard, noodles soggy, wallpaper a tad too green, and considerable amounts of tea are spilt; but in each and every fortune cookie there's a line of poetry you can never forget. Invariably, the poems comment on the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk. Many are depressed, a few actually suicidal. But I, I grow happier with each fresh storm, each thickening of the crinkly stratocumulus. "What's so hot about the sun?" I ask. Sunbeams are a lot like tourists: intruding where they don't belong, promoting noise and forced activity, faking a shallow cheerfulness, dumb little cameras slung around their necks. Raindrops, on the other hand, introverted, feral, buddhistically cool, behave as if they were locals. Which, of course, they are.

Originality is a fetish of the people who want to control the art market and the publishing industry. It’s also a fetich of academics, particularly the males and the old farts. What I was really interested in was the sweating workers in the Chinese villages. It was their lives, their anonymity, their way of looking at western classics, and their purely pragmatic attitude. I love being with those artisans and feeling their energy and their lack of self consciousness. They were not precise in any way about their works, or about their life, but they were full of heart. And at the same time they were not clinging to their achievements. They are part of the flow of life. I have come from the same culture, but I feel I cannot make this clear, or make westerners understand. The western language and mentality did not allow me to do it. I feel I could do that in England but not here in America, where I feel I’m second class citizen not because people don’t understand Chinese culture (there are so many of us), but even after they understood it, they still decided to think we are second class citizen.

). In fact, in the absence of some claim to objectivity that “objectifies” and thus makes “objects” of phenomena, the Chinese tradition does not have the separation between time and entities that would allow for either time without entities, or entities without time—there is no possibility of either an empty temporal corridor or an eternal anything (in the sense of being timeless). What encourages us within a Western metaphysical tradition to separate time and space is our inclination, inherited from the Greeks, to see things in the world as fixed in their formal aspect, and thus as bounded and limited. If instead of giving ontological privilege to the formal aspect of phenomena, we were to regard them as having parity in their formal and changing aspects, we might be more like classical China in temporalizing them in light of their ceaseless transformation, and conceive of them more as “events” than as “things.” In this processual worldview, each phenomenon is some unique current or impulse within a temporal flow. In fact, it is the pervasive and collective capacity of the events of the world to transform continuously that is the actual meaning of time. A

INTRODUCTION TO GENDER AND SOCIETY The Second Sex by Simone de Beauvoir A classic analysis of the Western conception of the woman. Feminism Is for Everybody by bell hooks A primer about the power and potential of feminist action. We Should All Be Feminists by Chimamanda Ngozi Adichie Feminism redefined for the twenty-first century. QUEER THEORY AND INTERSECTIONAL FEMINISM Gender Trouble by Judith Butler A classic, and groundbreaking, text about gender and the boundaries of identity. Gender Outlaw by Kate Bornstein A 1990s-era memoir of transition and nonbinary identity. This Bridge Called My Back ed. Cherríe Moraga and Gloria Anzaldúa A collection of essays about the intersections between gender, class, sexuality, and race. Sister Outsider by Audre Lorde A landmark collection of essays and speeches by a lauded black lesbian feminist. The Woman Warrior by Maxine Hong Kingston A memoir of growing up as a Chinese American woman. MODERN HISTORY How We Get Free: Black Feminism and the Combahee River Collective ed. Keeanga-Yamahtta Taylor A history of the Combahee River Collective, a group of radical black feminists operating in the 1960s and 1970s. And the Band Played On by Randy Shilts Investigative reportage about the beginning of the AIDS crisis. A Queer History of the United States by Michael Bronski An LGBT history of the United States, from 1492 to the present. CONTEMPORARY QUESTIONS Blurred Lines: Rethinking Sex, Power, and Consent on Campus by Vanessa Grigoriadis An exploration of the effects of the sexual revolution in American colleges. The End of Men: And the Rise of Women by Hanna Rosin A book about the shifting power dynamics between men and women. Bad Feminist by Roxane Gay Essays about the author’s experiences as a woman and our cultural understanding of womanhood. All the Single Ladies by Rebecca Traister An investigation into the lives of twenty-first-century unmarried women. GENDER AND SEXUALITY IN FICTION Rubyfruit Jungle by Rita Mae Brown A groundbreaking lesbian coming-of-age novel, originally published in 1973. Giovanni’s Room by James Baldwin A classic of morality and desire, set in 1950s Paris, about an American man and his relationship with an Italian bartender. Angels in America by Tony Kushner A Pulitzer Prize–winning play about the Reagan-era AIDS epidemic. Oranges Are Not the Only Fruit by Jeanette Winterson A coming-of-age and coming-out novel about a woman growing up in an evangelical household.

Yet the homogeneity of contemporary humanity is most apparent when it comes to our view of the natural world and of the human body. If you fell sick a thousand years ago, it mattered a great deal where you lived. In Europe, the resident priest would probably tell you that you had made God angry and that in order to regain your health you should donate something to the church, make a pilgrimage to a sacred site, and pray fervently for God’s forgiveness. Alternatively, the village witch might explain that a demon had possessed you and that she could cast it out using song, dance, and the blood of a black cockerel. In the Middle East, doctors brought up on classical traditions might explain that your four bodily humors were out of balance and that you should harmonize them with a proper diet and foul-smelling potions. In India, Ayurvedic experts would offer their own theories concerning the balance between the three bodily elements known as doshas and recommend a treatment of herbs, massages, and yoga postures. Chinese physicians, Siberian shamans, African witch doctors, Amerindian medicine men—every empire, kingdom, and tribe had its own traditions and experts, each espousing different views about the human body and the nature of sickness, and each offering their own cornucopia of rituals, concoctions, and cures. Some of them worked surprisingly well, whereas others were little short of a death sentence. The only thing that united European, Chinese, African, and American medical practices was that everywhere at least a third of all children died before reaching adulthood, and average life expectancy was far below fifty.14 Today, if you happen to be sick, it makes much less difference where you live. In Toronto, Tokyo, Tehran, or Tel Aviv, you will be taken to similar-looking hospitals, where you will meet doctors in white coats who learned the same scientific theories in the same medical colleges. They will follow identical protocols and use identical tests to reach very similar diagnoses. They will then dispense the same medicines produced by the same international drug companies. There are still some minor cultural differences, but Canadian, Japanese, Iranian, and Israeli physicians hold much the same views about the human body and human diseases. After the Islamic State captured Raqqa and Mosul, it did not tear down the local hospitals. Rather, it launched an appeal to Muslim doctors and nurses throughout the world to volunteer their services there.15 Presumably even Islamist doctors and nurses believe that the body is made of cells, that diseases are caused by pathogens, and that antibiotics kill bacteria.

the mystery was far from solved. Nobody understood why heparin—which is made from the mucosal lining of pig intestines, most of which come from China—was suddenly making patients sick. In February 2008, the FDA discovered the likely source of the contamination: a Chinese plant supplying crude heparin to Baxter. In a clerical blunder, the FDA had completely overlooked and failed to inspect the facility, Changzhou SPL, located about 150 miles west of Shanghai. Instead, it inspected and approved a plant with a similar-sounding name. Predictably, once FDA officials finally traveled to Changzhou in February 2008 to make an on-the-ground inspection, they found serious problems. The facility had dirty manufacturing tanks and no reliable method of removing impurities from heparin, and it acquired the crude heparin from workshops that had not been inspected. Chinese regulators were no help at all. A loophole in Chinese regulations allowed certain pharmaceutical plants to register as chemical plants, which made them subject to far less oversight. For U.S. congressional investigator David Nelson, whose committee was now immersed in the heparin crisis as well, the situation laid bare the “classically good reason to be suspect of production coming from any country that doesn’t have competent regulatory authority.” The FDA issued an import alert in March 2008, meaning that Changzhou SPL’s shipments would be stopped at the U.S. border. Though

So this is what a black pepper pork bun really tastes like!" The bun is flaky, and crispy, like a piecrust! The juicy pork filling is seasoned with just enough black pepper to give it a good bite! All the minced green onion mixed in with it makes it even better! The whole thing is overflowing with the mellow and meaty umami goodness of ground pork! "IT'S SOOO GOOD!" "Look! There it is! That's Soma Yukihira's booth!" "Really? Interesting! Wasn't he one of the finalists in this year's Classic?" "Hmm. This meat filling is way too weak as is. Juiciness, richness, umami... it's way short on all of those. The bun itself is probably good enough. Maybe I should up the ratio of rib meat..." "Yo. How're the test recipes going? There are a whole lot of other exclusively Chinese seasonings you can try, y'know. Oyster sauce, Xo spicy seafood sauce and a whole mountain of spices. I did a Dongpo Pork Bowl for the Classic, so I know all too well how deep that particular subject gets." "Oh, right! Now I see it. Chinese "Ma-La" flavor is just another combination of spices! Everything I learned about spices from my curry dish for the Prelims... ... I should be able to use in this too! Thanks, Nikumi!" "H-hey! Don't grab my hand like that!" How about this? Fresh-ground black pepper... ... and some mellow, fragrant sesame oil! When you're making anything Chinese, you can't forget the five-spice powder. I'll also knead in some star anise to enhance the flavor of the pork! Then add sliced green onions and finish by wrapping the mixture in the dough

As a method of warfare with “beyond limits” as its major feature, its principle is to assemble and blend together more means to resolve a problem in a range wider than the problem itself. For example, when national is threatened, the answer is not simply a matter of selecting the means to confront the other nation militarily, but rather a matter of dispelling the crisis through the employment of “supra-national combinations.” We see from history that the nation-state is the highest form of the idea of security. For Chinese people, the nation-state even equates to the great concept of all-under-heaven [tianxia, classical name for China]. Nowadays, the significance of the word “country” in terms of nationality or geography is no more than a large or small link in the human society of the “world village.” Modern countries are affected more and more by regional or world-wide organizations, such as the European Community [sic; now the European Union], ASEAN, OPEC, APEC, the International Monetary Fund, the World Bank, the WTO, and the biggest of them all, the United Nations. Besides these, a large number of multinational organizations and non-state organizations of all shapes and sizes, such as multinational corporations, trade associations, peace and environmental organizations, the Olympic Committee, religious organizations, terrorist organizations, small groups of hackers, etc., dart from left and right into a country’s path. These multinational, non-state, and supra-national organizations together constitute an up and coming worldwide system of power.3

The menu is spectacular. Passed hors d'oeuvres include caramelized shallot tartlets topped with Gorgonzola, cubes of crispy pork belly skewered with fresh fig, espresso cups of chilled corn soup topped with spicy popcorn, mini arepas filled with rare skirt steak and chimichurri and pickle onions, and prawn dumplings with a mango serrano salsa. There is a raw bar set up with three kinds of oysters, and a raclette station where we have a whole wheel of the nutty cheese being melted to order, with baby potatoes, chunks of garlic sausage, spears of fresh fennel, lightly pickled Brussels sprouts, and hunks of sourdough bread to pour it over. When we head up for dinner, we will start with a classic Dover sole amandine with a featherlight spinach flan, followed by a choice of seared veal chops or duck breast, both served with creamy polenta, roasted mushrooms, and lacinato kale. Next is a light salad of butter lettuce with a sharp lemon Dijon vinaigrette, then a cheese course with each table receiving a platter of five cheeses with dried fruits and nuts and three kinds of bread, followed by the panna cottas. Then the cake, and coffee and sweets. And at midnight, chorizo tamales served with scrambled eggs, waffle sticks with chicken fingers and spicy maple butter, candied bacon strips, sausage biscuit sandwiches, and vanilla Greek yogurt parfaits with granola and berries on the "breakfast" buffet, plus cheeseburger sliders, mini Chicago hot dogs, little Chinese take-out containers of pork fried rice and spicy sesame noodles, a macaroni-and-cheese bar, and little stuffed pizzas on the "snack food" buffet. There will also be tiny four-ounce milk bottles filled with either vanilla malted milk shakes, root beer floats made with hard root beer, Bloody Marys, or mimosas.

BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.

You wonder what had happened, when a feller like that, in a place like that, talked of a childhood that might have as easily belonged to a millionaire, a lawyer, a schoolteacher, you. You had to think he was defective somehow, or had fucked up not once, not twice, but again and again, a peculiar resolve to his life. That was the thing, that resolve. We didn’t credit it. You looked at him and your brain said he was on the losing end of one of the two bargains that America made with you. There was the romantic one, that of the rambler, the man out seeking his destiny, living by his wits, all that horseshit. Then there was the classical American dare, that you could risk all, take an internal grudge and make of it a billion dollars and get a monumental tomb in the bargain. But the truth was neither. America was a grindstone. She used those notions as twin abrasives to wear you down into a dutiful drudge walking the straight and narrow. But there was something in the hearts of the some men, some of whom became Fritz, that wouldn’t accept that. These men in crummy bars, some of them, most of them, they were main-chance fellers. You could take ten of these wrecks and offer them a salesman’s job, a dozen white shirts and ties, forty Gs a year and perks, a neat house on a quiet street, a yard, a car, a dog, a wife, an expense account, a Chinese laundryman, membership in a church, grandkids who’d bounce on their knees, and you’d be lucky if one or two took you up on it. And those two would be the most defeated, the most broken and worn down. Take the same ten and offer them eight dollars a day to be litter bearers on a great adventure, a hike after a lost civilization, a one in hundred shot at survival, a one in thousand shot at a fabulous fortune of jewels and gold, and if you provided rum along the way, nine of the ten would sign up. I guarantee it. I guarantee too that the one or two who took the salesman’s job—within a year or two or three, he’d be fucking up again and again, no matter how many chances you gave him. He’s a main-chance feller, and even if he didn’t have the brains or the luck to make it work, he still couldn’t abide the line others toed, even if he couldn’t think of anything else to do with his life but the miserable American two step—toe the line, fuck up, toe the line, fuck up....

Archaic societies have lasted so long because they know nothing of the desire to innovate, to grovel before ever-new simulacra. If you change images with each generation, you cannot anticipate historical longevity. Classical Greece and modern Europe typify civilisations stricken by a precocious death, following a greed for metamorphosis and an excessive consumption of gods, and of the surrogates for gods. Ancient China and Egypt wallowed for millennia in a magnificent sclerosis. As did African societies, before contact with the West. They too are threatened, because they have adopted another rhythm. Having lost the monopoly on stagnation, they grow increasingly frantic and will inevitably topple like their models, like those feverish civilisations incapable of lasting more than a dozen centuries. In the future, the peoples who accede to hegemony will enjoy it even less: history in slow motion has inexorably been replaced by history out of breath. Who can help regretting the pharaohs and their Chinese colleagues? Institutions, societies, civilisations differ in duration and significance, yet all are subject to one and the same law, which decrees that the invincible impulse, the factor of their rise, must sag and settle after a certain time, this decadence corresponding to a slackening of that energiser which is . . . delirium. Compared with periods of expansion, of dementia really, those of decline seem sane and are so, are too much so—which makes them almost as deadly as the others. A nation that has fulfilled itself, that has expended its talents and exploited the last resources of its genius, expiates such success by producing nothing thereafter. It has done its duty, it aspires to vegetate, but to its cost it will not have the latitude to do so. When the Romans—or what remained of them—sought repose, the Barbarians got under way, en masse. We read in a history of the invasions that the German tribes serving in the Empire’s army and administration assumed Latin names until the middle of the fifth century. After which, Germanic names became a requirement. Exhausted, in retreat on every front, the masters were no longer feared, no longer respected. What was the use of bearing their names? “A fatal somnolence reigned everywhere,” observed Salvian, bittersweet censor of the ancient deliquescence in its final stages.

Daoist Ordination – Receiving a valid “Lu” 收录 Register Since returning to the US, and living in Los Angeles, many (ie, truly many) people have come to visit my office and library, asking about Daoist "Lu" 录registers, and whether or not they can be purchased from self declared “Daoist Masters” in the United States. The Daoist Lu register and ordination ritual can only be transmitted in Chinese, after 10+ years of study with a master, learning how to chant Zhengyi or Quanzhen music and liturgy, including the Daoist drum, flute, stringed instruments, and mudra, mantra, and visualization of spirits, where they are stored in the body, how they are summoned forth, for which one must be able to use Tang dynasty pronunciation of classical Chinese texts, ie “Tang wen” 唐文, to be effective and truly transmitted. Daoist meditation and ritual 金录醮，黄录斋 must all be a part of one's daily practice before going to Mt Longhu Shan and passing the test, which qualifies a person for one of the 9 grades of ordination (九品) the lowest of which is 9, highest is 1; grades 6 and above are never taught at Longhu Shan, only recognized in a "test", and awarded an appropriate grade ie rank, or title. Orthodox Longhu Shan Daoists may only pass on this knowledge to one offspring, and one chosen disciple, once in a lifetime, after which they must "pass on" (die) or be "wafted to heaven." Longmen Quanzhen Daoists, on the other hand, allow their knowledge to be transmitted and practiced, in classical Chinese, after living in a monastery and daily practice as a monk or nun. “Dao for $$$” low ranking Daoists at Longhu Shan accept money from foreign (mostly USA) commercial groups, and award illegitimate "licenses" for a large fee. Many (ie truly many) who have suffered from the huge price, and wrongful giving of "documents" have asked me this question, and shown me the documents they received. In all such cases, it is best to observe the warning of Confucius, "respect demonic spirits but keep a distance" 敬鬼神而遠之. One can study from holy nuns at Qingcheng shan, and Wudangshan, but it is best to keep safely away from “for profit” people who ask fees for going to Longhu Shan and receiving poorly translated English documents. It is a rule of Daoism, Laozi Ch 67, to respect all, with compassion, and never put oneself above others. The reason why so many Daoist and Buddhist masters do not come to the US is because of this commercial ie “for profit” instead of spiritual use, made from Daoist practices which must never be sold, or money taken for teaching / practicing, in which case true spiritual systems become ineffective. The ordination manual itself states the strict rule that the highly secret talisman, drawn with the tongue on the hard palate of the true Daoist, must never be drawn out in visible writing, or shown to anyone. Many of the phony Longhu Shan documents shown to me break this rule, and are therefore ineffective as well as law breaking. Respectfully submitted, 敬上 3-28-2015

In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.

The time would come when every leader in the world would read the writings of the Chinese Communists—for it was barely possible that the war they waged was not so anachronistic as Americans believed. Quite possibly, it was the pattern of all future land wars.

McIntyre’s tale may have predecessors, but it is unique. I strain for literary comparisons and think: Kipling, the classical Chinese poets, early Patrick O’Brian, Hopkins. I search for a definition of its animating presence: the predator, the Buddhist sage, the hunter. All fall short. I stand before The Snow Leopard’s Tale in awe and with a little envy. It is a gem, an uncanny evocation of the cold ancient dusty highlands of Central Asia, and could only have come from Tom McIntyre. It is his best.” — Stephen J. Bodio

McIntyre’s tale may have predecessors, but it is unique. I strain for literary comparisons and think: Kipling, the classical Chinese poets, early Patrick O’Brian, Hopkins. I search for a definition of its animating presence: the predator, the Buddhist sage, the hunter. All fall short. I stand before The Snow Leopard’s Tale in awe and with a little envy. It is a gem, an uncanny evocation of the cold ancient dusty highlands of Central Asia, and could only have come from Tom McIntyre. It is his best.

Looking back on my life, I’d say I am grateful to my two sons for having brought me up. It could not have been easy—for them or for their father. For me it was a “Poetry Workshop,” a way of doing poetry by another means (in no sense a continuation of Iowa)—as well as the sort of upbringing I never got from my mother. As luck would have it, I had a poet, a classical poet, for a mother. She didn’t write free verse; she wrote poetry until the last years of her life in the classical Chinese style. So a lot of work was done for me—when you imbibe Tang and Sung poets with a mother who chanted verses on the balcony in the moonlight.

With the meal there was karaoke. As the Chinese waiters brought the food, everyone at the restaurant sang “shanson,” the gravelly, syrupy gangster ballads that have become some of Russia’s favorite pop music. Shanson reflect the gangsters’ journeys to the center of Russian culture. These used to be underground, prison songs, full of gangster slang, tales of Siberian labor camps and missing your mother. Now every taxi driver and grocery plays them. “Vladimirsky Tsentral” is a wedding classic. Tipsy brides across the country in cream-puff wedding dresses and high, thin heels slow-dance with their drunker grooms: “The thaw is thinning underneath the bars of my cell / but the Spring of my life has passed so fast.” At the Chinese restaurant Miami Stas sang along too, but he seemed too meek, too obliging to be a gangster.

At the same time as acquiring knowledge, the Islamic civilization was able to disperse it, because it had procured the art of paper-making from the Chinese. The manufacture of paper gave rise to the profession of warraqin, or 'those who handle paper,' human photocopying machines who copied manuscripts and supplied the burgeoning publishing industry. At its peak, tens of thousands of books were published every year, and in just one suburb of Baghdad there were over a hundred bookshops. As well as such classics as Tales from the Thousand and One Nights, these bookshops also sold textbooks on every imaginable subject, and helped to support the most literate and learned society in the world.

I’ve always found it strange that so many of them meet their Maker in unusual circumstances. Matthew Arnold, for example, died while leaping over a hedge . . .’ ‘I suppose he did,’ Sidney replied. ‘And didn’t the Chinese poet Li Po drown while trying to kiss the reflection of the moon in water?’ ‘Pushkin and Lermontov were both killed in duels . . .’ Sidney began to recall his classical education, ‘Aeschylus was felled by a falling tortoise.’ ‘Euripides was mauled by a pack of wild dogs . . .’ ‘Neither of them strictly poets, of course . . .’ Sidney cautioned. ‘Although if the criteria was broadened to writers in general then we could have a field day,’ Leonard Graham continued. ‘Edgar Allan Poe was found in another person’s clothes.’ ‘And Sherwood Anderson swallowed a toothpick. But we are getting distracted, my good friend.

Indeed, when reading classics, what is immediately makes sense to us may be of little worth, and what seems to be confusing and even contradictory at first sight may have been the most interesting part of the classics ('I study it because it is absurd,' to revise an expression attributed to the theologian Tertullian). We should give them the most attention and care, utilizing the methods from the traditional Chinese commentary tradition, or, more generally , the philosophical hermeneutics, and combining rigorous analysis with a lively imagination, in order to discover the hidden and deeper meanings of the classics.

Early Confucian (and Chinese) classics can be read philosophically, if philosophy is understood as I suggested above. This understanding of philosophy then implies certain methods of reading these texts. It requires us to clarify and enrich the argumentation in these texts by making up the missing steps, and to tease out the hidden systems in these texts, always with their contemporary relevance in mind and with a sensibility to their original contexts simultaneously. To apply these methods to traditional texts, the first thing we need to do is to discover the apparent discrepancies and even contradiction within an argument and among different arguments in the same text or by the same author. After actively making these discoveries, however, we should not do what an analytically minded thinker of classical Chinese texts tends to do, such as claiming that the author failed to see the contradictions, he didn't know logic, and so on. Rather, we should apply the principle of respect and charity to the reading of these texts, for since ancient Greece or pre-Qin China, there haven't been many great thinkers in human history (which is why we call them 'great thinkers'). If we can easily find apparent confusion and contradictions in their works, as reasonable guess is not that they didn't think clearly but that we didn't; that is, we failed to appreciate the depth of these most profound thinkers in human history due to our own limited intellectual capacity or being confined to our own context. In this sense, to respect 'authority' (great thinkers and their texts) is to think critically and to criticize and transcend the authority of today (our own prejudices and close-mindedness). Therefore, after discovering the discrepancies, we should try to see if we can make up the missing steps, or reconstruct hidden coherence between apparently contradictory arguments.

The Taoist Zhuangzi classic offers a fascinating story on this topic. A scholar named Zigong, while traveling, notices an old man working in a garden digging trenches, repeatedly going over to a well and returning with a jug full of water. “There's a machine,” Zigong tells the farmer, “which could irrigate a hundred plots like yours in a day. Would you, good sir, like to try one?” The farmer shows some initial interest, and Zigong explains to him how it works. Suddenly, the farmer's face flushes, and he retorts: “I've heard that where there are machines, there are bound to be machine worries; where there are machine worries, there are bound to be machine hearts. With a machine heart in your breast, you've lost what was pure and simple; and the loss of the pure and simple leads to restlessness of the spirit. Where there is restlessness of the spirit, the Tao no longer dwells. It's not that I don't know about your machine—I would be ashamed to use it!” This colorful story highlights a deep-rooted mistrust of technology, driven not necessarily by a reactionary fear of change but by a worldview that values, above all else, harmonization with the Tao in all one's activities.30 This ingrained distrust of technology permeated the mind-set of traditional Chinese peasantry throughout its history.

The way this question was phrased by the leading thinkers of the time was like this: ‘Where is the Way?’ The question of the Way (in Chinese ‘Dao’) is the single most important question that shaped Chinese religious civilization. It is important to appreciate how different this question is from the questions that have shaped Western civilization, namely the questions generated in classical Greek philosophy and Semitic religion. The questions that arose in Greek philosophy, such as ‘What is truth?’ or ‘What is goodness?’ suggest that wisdom consists in understanding fundamental abstract categories or first principles, which can then be applied to specific situations. From these abstract categories emerged the great Western disciplines of logic, metaphysics, law and science. The questions that arose in Semitic religions, such as ‘How may I obey the will of the creator?’ led to a religious life centred on the relationship between one god and a community of believers founded upon commandments and ethical precepts. When approaching Daoism, it is important to understand that Daoism is shaped neither by the categories of logical philosophy nor by the categories of belief in a monotheistic god who created the world out of nothing.

Amid spring mountains, alone, I set out to find you. Axe strokes crack-crack, and quit. Quiet mystery Deepens. I follow a stream up into last snow and ice And beyond, dusk light aslant, to Stone Gate forests. Deer roam all morning here, for you harm nothing. Wanting nothing, you know chi gold and silver all Night. Facing you on a whim in such dark, the way Home lost- I feel it drifting, this whole empty boat. Tu Fu

Facing Snow Thin slice of ascending light, radiant arc Tipped aside bellied dark- the first moon Appears, and barely risen beyond ancient Frontier passes, edges into clouds. Silver, Changeless, the Star River spreads across Mountains empty in their own cold. Lucent Frost dusts the courtyard, chrysanthemum Blossoms clotted there with solemn dark. Tu Fu

8th Moon, 17th Night: Facing the Moon The autumn moon is still round tonight. In this river village, isolate old wanderer Hoisting blinds, I return to its brilliance, And propped on a cane, follow it further: Radiance rousing hidden dragons, bright Scatters of birds aflutter. Thatched study Incandescent, I trust to this orange grove Ablaze: clear dew aching with fresh light. Tu Fu

Dawn Landscape The last watch has sounded in the Amble-Awe. Radiant color spreads above Solar-Terrace Mountain, then cold sun clears high peaks. Mist and cloud linger across layered ridges, And earth split-open hides river sails deep. Leaves clatter at heaven’s clarity. I listen, And face deer at my bramble gate-so close Here, we touch our own kind in each other. Tu Fu

Returning Late Past midnight, eluding tigers on the road, I return Home in mountain darkness. Family asleep inside. I watch the Northern Dipper drift low to the river, And Venus lofting huge into empty space, radiant. Holding a candle in the courtyard, I call for more Light. A gibbon in the gorge, startled, shrieks once. Old and tired, my hair white, I dance and sing out: Rickety cane, no sleep… Catch me if you can! Tu Fu

Exalt Mountain was one of China’s five sacred peaks, and in its popular sense, Exalt-Mountain Ancestor refers to the mountain as a deity. But given the cosmological ways Tu Fu describes Exalt Mountain, it’s clear he sees something quite different. That mountain cosmology begins here in this poem with Changemaker, which also sounds like a kind of deity. But it is in fact Tao, that generative existence-tissue that is the maker of change. In gazing at the mountain, Tu Fu is gazing at a dramatic manifestation of the wild Taoist Cosmos; he sees Exalt Mountain as a center-point where space stretches endlessly away north and south, where the divine beauty of all existence is condensed into a single dramatic sight by Changemaker Tao. But changemaker, the Tao, is not separate from the mountains. Instead the mountain is an intensification or distillation of Tao.

Standing Alone Empty skies. And beyond, one hawk. Between river banks, two white gulls Laze, wind-drifted. Fit for an easy kill, To and fro, they follow contentment. Grasses all frost-singed. Spiderwebs Still hung. Heaven’s loom of origins Tangling our human ways too, I stand Facing sorrow’s ten thousand sources. Tu Fu

They arrived at Cathay, an old-fashioned Chinese restaurant with the retro classics like chow mein and egg foo young, cracked vinyl booths, and a grumpy old woman at the front counter who watched you eat as if fearing you’d pocket the utensils. The

For Kerouac, the embodiment of American Zen was Gary Snyder, the Pulitzer Prize-winning Buddhist poet and essayist, who he fictionalized as Japhy Ryder in The Dharma Bums. Snyder was a practicing Buddhist and a translator of classic Chinese texts before Kerouac met him. He was the Zen guru of the Beats at the same time that Alan Watts popularized Buddhism for middle-class Americans in best-selling books and magazine articles of the late 1950s. Snyder had studied with Watts for a while but thought him 'square.' 'He was cool in relation to the people around him,' Snyder once said, referring to 'middle class, needy' Americans, but he was 'never actually cool.' Then Snyder added with a wink, '[and] you know what I mean, as the Big Bopper says,' invoking the rock-and-roll classic 'Chantilly Lace' for those hip and in-the-know.

Half contemptuously, American military men spoke of “elusive” Lin Piao, and of the “poet” Mao Tse-tung. Mao Tse-tung, Premier of China, had already revealed to the world how his Communist armies operated—how they flowed from place to place, fighting when fighting was profitable, biding their time when it was not. What Mao Tse-tung had written was instructive, and intensely practical for a war in Asia—but because the Chinese wrote in poetic language, not in the military terminology popular in the West, no ambitious second-year ROTC cadet would have dared quote him seriously.

Blues pioneer and Mississippi native Charley Patton recorded his classic “Pea Vine Blues” in 1929 for Paramount Records. The song, played with the driving pulse of a moving train, referred to the Delta’s main rail line, the Peavine, which carried sharecroppers away from plantations to Northern cities. The lyrics were a message, clear to all Delta residents who heard Patton’s call: “I think I heard the Peavine when it blowed. . . . I’m goin’ up country, Mama, in a few more days.

The cultural and political conflicts in the contemporary world have much to do with the clash of the senses of dignity in different cultures. When the Jihad suicides attacked the western civilians, they might have acted out of the belief that this was the way to vindicate their own dignity, while their attacks obviously devastated the dignity and basic rights of the victims. It seems paramount that, in order to guarantee the world peace, justice, and prosperity, the governance of a harmonious “global village” requires a global constitutional order based on the moral discourse of human dignity. Such discourse may not produce a universally agreed understanding of human dignity, but it will help to improve consensus and reduce tensions among nations of different cultures.

The U.N. air interdiction against North Korea went on, destroying what little was left of its economy, making life utterly miserable for its people, but affecting the dug-in Chinese and North Korean armies, supplied from privileged sanctuary across the Yalu, hardly at all.

In Nevada, at Frenchman’s Flat, a bright flash and ugly mushroom cloud had signified a gigantic change in the tactical battlefield—a change that had not come about at Hiroshima, despite statements to the contrary. In its early years the atomic device had remained a strategic weapon, suitable for delivery against cities and industries, suitable to obliterate civilians, men, women, and children by the millions, but of no practical use on a limited battlefield—until it was fired from a field gun. Until this time, 1953, the armies of the world, including that of the United States, had hardly taken the advent of fissionable material into account. The 280mm gun, an interim weapon that would remain in use only a few years, changed all that, forever. With an atomic cannon that could deliver tactical fires in the low-kiloton range, with great selectivity, ground warfare stood on the brink of its greatest change since the advent of firepower. The atomic cannon could blow any existing fortification, even one twenty thousand yards in depth, out of existence neatly and selectively, along with the battalions that manned it. Any concentration of manpower, also, was its meat. It spelled the doom of Communist massed armies, which opposed superior firepower with numbers, and which had in 1953 no tactical nuclear weapons of their own. The 280mm gun was shipped to the Far East. Then, in great secrecy, atomic warheads—it could fire either nuclear or conventional rounds—followed, not to Korea, but to storage close by. And with even greater secrecy, word of this shipment was allowed to fall into Communist hands. At the same time, into Communist hands wafted a pervasive rumor, one they could neither completely verify nor scotch: that the United States would not accept a stalemate beyond the end of summer. The psychological pressures on Chinese Intelligence became enormous. Neither an evaluative nor a collective agency, even when it feels it is being taken, dares ignore evidence.

The Book of Five Rings and The Book of Family Traditions on the Art of War are both written in Japanese, rather than the literary Chinese customary in elite bureaucratic, religious, and intellectual circles in Japan at the time.

Keep up self-definition and you’ll never be apparent.

Just do what you do, and then leave: such is the Way of heaven.

A gaily dressed damsel steps forth from her bower, Bewailing the fate that forbids her to roam; In the courtyard she counts up the buds on each flower, While a dragon-fly flutters and sits on her comb.

She shook her head at Victor. Like he was signing a version of ASL she didn't understand. But then she asked, "What kind of work do you do? What would I tell my classmates who have a lot of questions about you after today, by the way?" "Import/export," he signed. Then he spelled both words when she clearly didn't understand the signs. She raised her eyebrows at him. "Import/export. Is that the classic Chinese mafia cover story?" "No," he signed back, giving her a stern look. Then he let himself grin a little to admit, It is all mafias cover story. Not only Chinese. Don't be racist."

endeavor’s nobility is ability, action’s nobility is timing. When you never strive you never go wrong.