Johnny Sins Quotes

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Grace comes to us in the suffering of sin. There is a sermon in the damage we have done to ourselves and to others. Pain becomes the doorway to salvation, and our tears are a bridge for the awful grace of God.
Richard Beck (Trains, Jesus, and Murder: The Gospel according to Johnny Cash)
We need “Orphan-focused Sundays,” but we also need far more—we need orphan-focused churches. Choosing to stand by and do nothing where we see injustice, suffering, and evil is wrong. It is sin. We must take active steps to care for orphans. To do anything less is blatant disobedience.
Johnny Carr (Orphan Justice: How to Care for Orphans Beyond Adopting)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
aquel cuerpo—. Eh, Johnnycake. Johnny no abrió los ojos, pero emitió una débil pregunta. —¿Soda? —Sí, soy yo —dijo Sodapop—. No hables. Te pondrás bien. —Eran un montón —empezó Johnny, tragando, sin hacer caso de la orden de Soda—. Un Mustang azul lleno de ellos... Me acojoné... —intentó soltar un taco, pero de pronto se echó a llorar, luchando por controlarse, y llorando más porque no lo logró. Johnny se había llevado más de una con la fusta de su viejo, pero nunca soltó ni un quejido. Eso ponía peor las cosas, pues le costaba trabajo aliviarse. Soda no hizo más que sujetarle y apartarle el pelo de los ojos. —No te preocupes, Johnny. Se han ido. No te preocupes. Finalmente, entre sollozos, Johnny pudo contarnos cómo había sido. Estaba en el solar con el balón para practicar un poco, cuando un Mustang azul aparcó al lado. Venían cuatro socs. Le cogieron; uno de ellos llevaba la mano llena de anillos; eso fue lo que le hizo tantos cortes. No fue sólo cosa del palizón que le habían dado. Además, le habían aterrorizado. Le habían amenazado con toda clase de cosas. Johnny era muy excitable, una secuela nerviosa de las muchas veces que le habían pegado, de tanto oír pelearse a sus padres todo el tiempo. Vivir en esas condiciones habría vuelto amargo y rebelde a cualquier otro; a Johnny le estaba matando. Nunca había sido un cobarde. Era un buen tío a la hora de pelear contra otra pandilla. Estaba muy unido a la nuestra, y mantenía la boca bien cerrada cuando se trataba de la bofia. Pero después de la noche de la paliza, Johnny se amedrentaba más que nunca. Yo llegué a creer que jamás lo superaría. Nunca más anduvo por ahí solo. Johnny, que era el que mejor cumplía la ley de todos nosotros, llevaba ahora una faca de seis pulgadas en el bolsillo. Y estaba dispuesto a usarla si volvían a asaltarle. Le habían
S.E. Hinton (Rebeldes (Spanish Edition))
Redrum by Stewart Stafford A Winter's tale of horrors profound, The haunted hotel's dark tapestry, Supreme isolation's moonscape snowbound, A father gripped by homicidal history. He sought to write, heal, absolve sins, Overlooked the hotel’s Redrum plans, Vomiting up daymares of phantom twins, His mind possessed by unseen hands. Room Two Three Seven, malevolent, Forbidden to enter its dark hole, Where ageless ladies bathed decadent, Luring caretakers to an adulterer's role. His wife and son sensed the danger, A bloody elevator with nowhere to run, A father's warpath with axe and anger, He became the monster, the devil's son. It might horrify 42 ways from Sunday, Only his shining son grasped the fact, May as well be across the galaxy, As in a labyrinth with that maniac. He failed to kill, he froze, met his fate, The hotel consumed his spirit as its own, Purgatorial torture in damnation's bait, He smiled in the photo, eternally alone. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
BLIKKENSLAGEREN I tettstedet Fjällbacka på den svenske vestkysten finner en blind pianostemmer en død, naken kvinne i et piano. Patrik Hedströms overordnede ved Tanumshede politistasjon mener det dreier seg om et uhell, men Hedström aner ugler i mosen og etterforsker saken på fritiden, sammen med sin kone, forfatteren Erica Falck. De to løser saken ved å stille de spørsmålene som resten av politiet ikke tenkte på å stille, fordi de er inkompetente. Det virker stadig som om Erica er i fare, men heldigvis er hun egentlig ikke det. Blikkenslageren er Camilla Läckbergs niende kriminalroman. Den er solgt til 117 land, er sendt som TV-serie og skal også filmatiseres i Hollywood, med Cameron Diaz og Johnny Depp i hovedrollene. Tildelt Folkets litteraturpris «Dette er bedre enn litteratur.» TERJE STEMLAND, Aftenposten
Knut Nærum (Ø)
Things were going so well that Rubin began suggesting a few songs for Cash, notably “Thirteen,” a tale of bad luck and hard times written for Cash by heavy-metal rocker Glenn Danzig, and “Down There by the Train,” a story of sin and salvation by Tom Waits.
Robert Hilburn (Johnny Cash: The Life)
In an earthier style, the African American preacher Johnny Ray Youngblood, whose lapses and deficiencies were well known to his congregation, declares: “This thing [the Word of God] is a two-edged sword. It whips back and cuts the hell out of me and then comes forward and cuts y’all. And the truth of God’s Word is not predicated on my lifestyle. It is predicated on God’s word itself. He sends sinful men to preach to sinful men. I’m just another beggar, tellin’ other beggars where to find bread.
Fleming Rutledge (The Crucifixion: Understanding the Death of Jesus Christ)
Moses warned the Israelites that they would be in greater danger when they entered the Promised Land than they were in the wilderness. What a warning for us today, especially those of us who live in places like the United States! We are in greater spiritual danger when we’re in abundance, safety, and peace than when we’re in need, peril, or distress. Most of us barely realize it, and this is why our faith is so weak. The worst sins
Johnnie Moore (The Martyr's Oath: Living for the Jesus They're Willing to Die For)
Se imponía un mínimo de excitación alcohólica y el viejo Pílades, sin eliminar las garrafas de vino blanco para los tranviarios y los clientes más aristocráticos, había reemplazado la casera y el cinzano por claretes DOC, para los intelectuales democráticos, y Johnny Walker para los revolucionarios. Podría escribir la historia política de aquellos años registrando las etapas y modalidades por las que poco a poco se pasó del etiqueta roja al Ballantine’s de doce años y finalmente al malta.
Umberto Eco (El péndulo de Foucault)
Christians shrunk our image of both Jesus and Christ, and our “Savior” became a mere Johnny-come-lately “answer” to the problem of sin, a problem that we had largely created ourselves.
Richard Rohr (The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For and Believe)
Once the mightiest demons of hell ran rampant across the lands “and nothing could resist their evil plans. “The vile fiends coerced any living thing, “defiling every facet of good this earth could bring. “From animals to mankind, all fell short “of what God had designed for each of their sorts. “After Adam’s fall, we all were corrupted by sin, you see. “And that’s why Jesus had to die to make us free. “But to see man’s rebellion these demons did not applaud, “because humans are made in the image of God.
Johnny Earl Jones (Avundar: The Christian Fantasy Adventure Saga)
A like reaction was expressed by a Georgian: “I felt quite small in that fight the other day when the musket balls and cannon balls was flying around me as thick as hail and by best friends falling on both sides dead and mortally wounded Oh Dear it is impossible for me to express my feelings when the fight was over   I saw what was done the tears came then free oh that I never could behold such a sight again to think of it among civilized people killing one another like beasts one would think that the supreme ruler would put a stop to it but wee sinned as a nation and must suffer in the fleash as well as spiritually those things wee cant account for.”18
Bell Irvin Wiley (The Life of Johnny Reb: The Common Soldier of the Confederacy)
Now, since Christ rescues us from both the guilt and the power of sin, one aspect of his work is the work of sanctification, whereby he renews us into the image of God and conforms us to his own likeness. So Christian proclamation properly includes the shaping of a Christian moral vision, and preaching Christ crucified does not exclude, but intentionally includes, such a vision. But it is never appropriate, in my estimation, for one word of moral counsel ever to proceed from a Christian pulpit that is not clearly, in its context, redemptive. That is, even when the faithful exposition of particular texts requires some explanation of aspects of our behavior, it is always to be done in a manner that the hearer perceives such commended behavior to be itself a matter of being rescued from the power of sin through the grace of Christ.
T. David Gordon (Why Johnny Can't Preach: The Media Have Shaped the Messengers)
He also dresses like a Johnny Depp GQ ad, which sets my lady parts aquiver.
J.T. Geissinger (Sin With Me (Bad Habit, #3))
Steel Arm Johnny, Mary Meathouse, Gold Tooth Gussie, Bird Leg Nora, Titanic, Coke-Eyed Laura, Scratch, Bull Frog Sonny, Snaggle Mouf Mary, Stack O. Dollars, Charlie Bow Wow, Good Lord the Lifter, and many more.
Gary Krist (Empire of Sin: A Story of Sex, Jazz, Murder, and the Battle for Modern New Orleans)