Chinatown New York Quotes

We've searched our database for all the quotes and captions related to Chinatown New York. Here they are! All 12 of them:

As filthy as any night was, a New York City morning is always clean. The eyes get washed. Flowers in white deli buckets are replenished. The population bathes, in marble mausoleums of Upper East Side showers, or in Greenwich Village tubs, or in the sink of a Chinatown one-bedroom crammed with fifteen people. Some bar opens and the first song on the jukebox is Johnny Thunders, while bums pick up cigarette butts to see what’s left to smoke. The smell of espresso and hot croissants. The weather vane squeaks in the sun. Pigeons are reborn out of the mouths of blue windows.
Jardine Libaire (White Fur)
Fo Black lives on Canal Street, which used to be a real canal. He didn't speak very good English, because he hadn't left Chinatown since he came from Taiwan, because there was no reason for him to. The whole time I talked to him I imagined water on the other side of the window, like we were in an aquarium. He offered me a cup of tea, but I didn't feel like it, but I drank it anyway, to be polite. I asked him did he really love New York or was he just wearing the shirt. He smiles, like he was nervous. I could tell he didn't understand, which made me feel guilty for speaking English, for some reason. I pointed at his shirt. "Do? You? Really? Love? New? York?" He said, "New York?" I said, "Your. Shirt." He looked at his shirt. I pointed at the N and said "New," and the Y and said "York." He looked confused, or embarrassed, or surprised, or maybe even made. I couldn't tell what he was feeling, because I couldn't speak the language of his feelings. "I not know was New York. In Chinese, ny mean 'you.' Thought was 'I love you.'" It was then that I noticed the "I♥NY" poster on the wall, and the "I♥NY" flag over the door, and the "I♥NY" dishtowels, and the "I♥NY" lunchbox on the kitchen table. I asked him, "Well, then why do you love everybody so much?
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
After a week's worth of failed fairy tales—stories that made my eyelids flutter open and not shut—my father tried telling me stories that belonged only to him. Thomas told me of an island off the coast of a different world. On this island, there stood a city whose buildings were made of glass. He told me that at the heart of this city was a forest with trees, ponds and a lake, swans and horses, and even a small castle. He told me that the streets of the city were filled with bright yellow cars that you hopped in and out of at will and that would take you wherever you wanted to go. In this city, there were sidewalks overflowing with people from the whole world over who wanted so much to be there. He told me of its neighborhoods, with names like Greenwich Village and Harlem and Chinatown. At the nucleus of these stories was my father, and spinning around him was the city of New York. Long before I would see them in photographs or in real life, my father had given me the white crown lights of the Chrysler Building and the shining needle of the Empire State.
Monique Truong (Bitter in the Mouth)
The myth is tenderly parodied in a 1928 silent film, The Cameraman, which has an inept dreamy Buster Keaton vainly struggling with his dilapidated apparatus, knocking out windows and doors whenever he picks up his tripod, never managing to take one decent picture, yet finally getting some great footage (a photojournalist scoop of a tong war in New York’s Chinatown)—by inadvertence. It is the hero’s pet monkey who loads the camera with film and operates it part of the time.
Susan Sontag (On Photography)
He had grown used to the eyes upon him as he and his uncle traveled from their bedroom community in Brooklyn to Chinatown. When one woman dropped her purse at his feet and Shim handed it back to her with “Your handbag, m’lady,” and a flourish, she’d nearly jumped out of her seat in surprise. He mentioned none of this to Chun, because after nearly a month in Hong Kong in her steady presence, the sharp edges of being treated with suspicion were blunted by a film of nostalgia. New York was home; this trip had made him realize that.
Ava Chin (Mott Street: A Chinese American Family's Story of Exclusion and Homecoming)
When I lived in New York and went to Chinatown, I learned that these flavors and their meanings were actually a foundation of ancient Chinese medicine. Salty translated to fear and the frantic energy that tries to compensate for or hide it. Sweet was the first flavor we recognized from our mother's milk, and to which we turned when we were worried and unsure or depressed. Sour usually meant anger and frustration. Bitter signified matters of the heart, from simply feeling unloved to the almost overwhelming loss of a great love. Most spices, along with coffee and chocolate, had some bitterness in their flavor profile. Even sugar, when it cooked too long, turned bitter. But to me, spice was for grief, because it lingered longest.
Judith M. Fertig (The Cake Therapist)
This is one of the main reasons I wished to come to America. I wished to see with my own heart if it would be different and it is not. Even here in New York, and I understand it is true of every major city in this vast and beautiful land, there is a Chinatown and a Latin quarter and an Italian section and a Negro neighborhood and blockbusters and riots and all of that as your own fearful civil war continues even one hundred years after it is supposedly over. And look again at the plight of the only real Americans, the American Indians. No, my dear, one cannot really ever know how it is to be anything unless one is indeed that thing.
Pearl S. Buck (The Eternal Wonder)
But in the negotiations to fund the renovation of East River Park, which borders the East River in Manhattan from Chinatown up through the East Village, the construction of a new bathroom was somehow included. This called for a celebration, which meant a ribbon cutting to open the new facility. But why cut a ribbon when we could mark the occasion appropriately? Hence, the fated roll of toilet paper was ceremoniously cut, celebrated, and well publicized, which left enough of an impression on Steven Rubenstein, a PR guru in New York to moguls like George Steinbrenner and Rupert Murdoch, that when Chuck Schumer was looking for a new communications director, he recommended me. Chuck had just won a Senate seat two years earlier, upsetting longtime incumbent Al D’Amato. Chuck was (and is) a career politician and an extremely good one. After graduating from Harvard College and Harvard Law School, he disappointed his Jewish mother by running for a seat in the New York State Assembly rather than taking a job at a prestigious law firm. (I could relate.) His approach to the campaign was both genius and slightly crazy—he knocked on the doors of virtually every single voter in the district. And for a seat that couldn’t matter less to 99 percent of voters, voting for the earnest young man who took the time to come see them was a reasonable choice.
Bradley Tusk (The Fixer: My Adventures Saving Startups from Death by Politics)
The abandoned Second Avenue tunnels in East Harlem and Chinatown, hidden from the public, did not provide New Yorkers with any benefits. If the Transit Authority had an opportunity to build another subway expansion, it should do so incrementally, so that each segment, once completed, could provide useful services.
Philip Mark Plotch (Last Subway: The Long Wait for the Next Train in New York City)
But what about the argument that clusters of Black people in the South, or Asian Americans in New York’s Chinatown, or White people in the Texas suburbs seem to behave in ways that follow coherent, definable cultural practices? Antiracism means separating the idea of a culture from the idea of behavior. Culture defines a group tradition that a particular racial group might share but that is not shared among all individuals in that racial group or among all racial groups. Behavior defines the inherent human traits and potential that everyone shares. Humans are intelligent and lazy, even as that intelligence and laziness might appear differently across the racialized cultural groups.
Ibram X. Kendi (How to Be an Antiracist (One World Essentials))
The budget “Chinatown buses” that shuttle between New York and Boston and New York and Washington originally started out as routes for Chinese restaurant workers, before college students and the Lonely Planet crowd caught on. The buses exploded in popularity in the late 1990s, and the competition sparked violence between rival bus companies.
Jennifer 8. Lee (The Fortune Cookie Chronicles: Adventures in the World of Chinese Food)
In New York Chinatown—the largest Chinese enclave in the country, in which sixty-five percent of the inhabitants reportedly have limited or no English—the median income is nine thousand dollars a year. In San Francisco Chinatown, the country’s second largest Chinese community, annual earnings are slightly higher, at eleven thousand dollars a year. In addition to poor wages, these immigrants lack affordable health care and housing. Nationwide, one-fifth of all Chinese American housing is overcrowded. In San Francisco Chinatown, the population density is 228 per acre, the second highest in the nation after some parts of Manhattan. Over half of the housing is considered “old, deteriorated, and substandard.” Today, single men can still be found sharing eight-by-eight-foot rooms and sleeping in bunk beds stacked from floor to ceiling. Bathrooms and kitchens are shared by several families. Immigrants—children and adults—can expect to hear racial epithets, have food thrown at them, get beaten up, and be made fun of. And, just as in the old days, these immigrants are usually too afraid or too bewildered to complain.
Lisa See (On Gold Mountain: The One-Hundred-Year Odyssey of My Chinese-American Family)