China Doll Quotes

The expression made her uncomfortable—the look that suggested she was a china doll, easily shattered.

She looks like a china doll,” observed Grandfather as we departed. “I will break just as easily,” I muttered.

You're leaving, "she said, rising to her feet. "I knew it was coming." "How?" "I'm your mother. You're the breath of my lungs and the beat of my heart. I know you very well.

There is only one perfect child in the world and every mother has him.

Will looked at his sister. “And you don’t care about being a Shadowhunter. How is this: I shall write a letter and give it to you if you promise to deliver it home yourself — and not to return.” Cecily recoiled; she had many memories of shouting matches with Will, of the china dolls she had owned that he had broken by dropping them out an attic window; but there was also kindness in her memories: the brother who had bandaged up a cut knee, or retied her hair ribbons when they came loose. That kindness was absent from the Will who stood before her now. Her mother had used to cry for the first year or two after Will went; she had said, in Welsh, holding Cecily to her, that they — the Shadowhunters — would “take all the love out of him.” A cold, unloving people, she had told Cecily, who had forbidden her marriage to her husband. What could he want with them, her Will, her little one? “I will not go,” Cecily said, staring her brother down. “And if you insist that I must, I will — I will —” The door of the attic slid open and Jem stood silhouetted in the doorway…

Did you know that bone china had real bones in it?” Poppy said, tapping a porcelain cheek. “Her clay was made from human bones. Little-girl bones. That hair threaded through the scalp is the little girl’s hair. And the body of the doll is filled with her leftover ashes.

Dreamers are born to be disappointed.

A very ex-boyfriend once described me as a little china doll. He meant it as a compliment. I didn't take it that way. There are reasons I don't date much.

Put some make-up on me and I look not unlike a china doll. Put me in a puffy pink dress and I look delicate, dainty, petite. Dammit.

You do look like a china doll,” said Dorothy, “one in a fairy story, standing on a shelf, that’s loved hopelessly by a tin soldier or a presumptuous mouse.

I’m Caitlin McDonald,” she said, loosening the thick wool scarf from around her neck and down off her face, motioning her chin toward the big male. “You’ve already met Hector and his gang.” When Major Standback said widow I pictured an older woman. Not this one. She was young, no more than thirty. The cold on the skin of her fine features made her face shine. She had the clean, clear beauty of a china doll.

You cannot refuse to eat just because there's a chance of being choked.

When fortune comes, do not enjoy all of it; when advantage comes, do not take all of it.

I bet you didn’t think I’d come back. But here I am. I come to save you.” Too late, thought Edward as Bryce climbed the pole and worked at the wires that were tied around his wrists. I am nothing but a hollow rabbit. Too late, thought Edward as Bryce pulled the nails out of his ears. I am only a doll made of china. But when the last nail was out and he fell forward into Bryce’s arms, the rabbit felt a rush of relief, and the feeling of relief was followed by one of joy. Perhaps, he thought, it is not too late, after all, for me to be saved.

of thought—months, alone, of thought.

A woman isn't just one thing. The past is in us, constantly changing us. Heartache and failure shift our perspectives as do joy and triumphs. At any moment, on any given day, we can be friends, competitors, or enemies. We can be generous or stingy, loving or petty, helpful or untrustworthy.

The Ripe Fig Now that You live here in my chest, anywhere we sit is a mountaintop. And those other images, which have enchanted people like porcelain dolls from China, which have made men and women weep for centuries, even those have changed now. What used to be pain is a lovely bench where we can rest under the roses. A left hand has become a right. A dark wall, a window. A cushion in a shoe heel, the leader of the community! Now silence. What we say is poison to some and nourishing to others. What we say is a ripe fig, but not every bird that flies eats figs.

The fear of death was a powerful aphrodisiac.

A woman isn't just one thing. The past is in us, constantly changing us. Heartache and failure shift perspectives as do joy and triumphs.

She reminded him of a china doll, tiny and fragile. A rarity to be guarded and treasured. He recognized her worth, even if no one else understood her value.

Pudgy is comfortable,” said Julia. “It must be a nuisance to look like a china doll, the way you do.

I don’t want to be the china doll you glued back together. I don’t want to look whole from a distance, but when you get close enough you can see all the cracks." He runs a gloved hand down my cheeks, "The cracks make us who we are." I shake my head, "We can be better than this.

For centuries, the West has regurgitated representations of colonized women that came to be accepted as more real than the real. Jezebels. Black velvet. Harem girls. China Dolls. Princess Pocahontas. All of these reduced complex human beings to cardboard cutout sexual objects without agency and whose surrendered sexuality was de facto justification for white supremacy.

But teaching a lesson isn’t a part of friendship.

To believe in dreams is to spend half your life asleep.

All this sudden interest in my safety is getting old and stiffling. I feel like a pissed-off china doll.

Deep under the earth, inside its cardboard coffin, shrouded in the layers of white paper, the china doll with the jagged open crevasse in its skull was crying.

You are insufferable sometimes. You're not doing me, or yourself, any favors by pretending not to mind when you get hurt. I would have slapped you harder if I didn't know the truth--if I didn't know that you would just blush and bat your lashes as someone tied a tourniquet around your thigh and prepared to saw your leg off. Do you know why the worst thing Papa has ever done to me is push me to my knees? Because I wail and the scream and beat his chest with my fists whenever he tries to do anything more than bark orders at me from the chaise. You think he wants some mute little china doll to cook his meals and wash his sheets? No. He wants daughters with teeth. The hurting is the point. I can't believe it's taken you twenty-three years to figure out--if you even understand what I'm saying at all. It's no fun stamping through old dirty snow. People want to ruin things that are clean and new... He can't stand the idea of anyone spoiling us but him.

The girl looked like a china doll, she thought. She looked like someone who’d been well-cared-for and coddled all her life. She was probably someone who would grow up to be like Miranda’s assistant Laetitia, like Leon’s assistant Thea, unadventurous and well-groomed.

ONCE, THERE WAS A CHINA RABBIT WHO was loved by a little girl. The rabbit went on an ocean journey and fell overboard and was rescued by a fisherman. He was buried under garbage and unburied by a dog. He traveled for a long time with the hoboes and worked for a short time as a scarecrow. Once, there was a rabbit who loved a little girl and watched her die. The rabbit danced on the streets of Memphis. His head was broken open in a diner and was put together again by a doll mender. And the rabbit swore that he would not make the mistake of loving again. Once there was a rabbit who danced in a garden in springtime with the daughter of the woman who had loved him at the beginning of his journey. The girl swung the rabbit as she danced in circles. Sometimes, they went so fast, the two of them, that it seemed as if they were flying. Sometimes, it seemed as if they both had wings. Once, oh marvelous once, there was a rabbit who found his way home.

She was exquisite. She tasted, smelled, and felt right in every way to him, but as they collapsed into bed, sated and finally ready to sleep, it was the shy girl who had entered his arms. It was she who caressed his cheek while kissing him deeply and softly, her delicate fingers exploring his arms and back, sending shivers through him that always hit his heart. The china doll. It was she who fell asleep upon his chest with her arms wrapped around him. There was a want inside her, and he had felt it in every way. The last thought of his night was simply that he wanted to be the one to know her. To free her.

Marina noticed Sophie, and the worry on my daughter’s face vanished. “My sweet girl. Aren’t you a pretty ballerina?” She touched Sophie’s curls. Sophie held Marina’s hand like it was a fragile china doll. She ran her small brown fingers over the pale-pink nails and the soft knuckles, no doubt a wonder to Sophie, in comparison to Lila’s rough hands.

Danseuse routine and my fame grew. I could walk into a

When fortune comes, do not enjoy all of it; when advantage comes, do not take all of it

The quintessential China Doll is submissive, eager to please, obedient, and permanently pleasant, and lives for no reason other than to make her white lover happy. Nowhere has she been embodied quite so roundly as in the most-performed opera in the United States today, Puccini’s classic Madama Butterfly, based on a one-act play that was in turn based on an 1887 smash-hit semiautobiographical French

Inside there are photos of the Great Wall of China, the Serengeti plains, the holey moon, all the paper wonders of the world and heavens, from when she was a little girl, alone and reading, and she wants nothing more than to turn herself into a paper doll and climb inside.

Buttercups" When we were children our papas were stout And colorless as seaweed or the floats At anchor off New Bedford. We were shut In gardens where our brassy sailor coats Made us like black-eyed susans bending out Into the ocean, Then my teeth were cut: A levelled broom-pole butt Was pushed into my thin And up-turned chin-- There were shod hoofs behind the horseplay. But I played Napoleon in my attic cell Until my shouldered broom Bobbed down the room With horse and neighing shell. Recall the shadows the doll-curtains veined On ancrem Winslow's ponderous plate from blue China, the breaking of time's haggard tide On the huge cobwebbed print of Waterloo, With a cracked smile across the glass. I cried To see the Emperor's sabered eagle slide From the clutching grenadier Staff-officer With the gold leaf cascading down his side-- A red dragoon, his plough-horse rearing, swayed Back on his reins to crop The buttercup Bursting upon the braid

From every enjoyment I was, of course, excluded: my share of the gaiety consisted […] in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed.  When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery […]. I then sat with my doll on my knee, till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib.

A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer’s study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, armchairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the wall; a cabinet with china and other small objects; a small

On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.

ONCE, THERE WAS A CHINA RABBIT WHO was loved by a little girl. The rabbit went on an ocean journey and fell overboard and was rescued by a $sherman. He was buried under garbage and unburied by a dog. He traveled for a long time with the hoboes and worked for a short time as a scarecrow. Once, there was a rabbit who loved a little girl and watched her die. The rabbit danced on the streets of Memphis. His head was broken open in a diner and was put together again by a doll mender. And the rabbit swore that he would not make the mistake of loving again. Once there was a rabbit who danced in a garden inspringtime with the daughter of the woman who had loved him at the beginning of his journey. The girl swung the rabbit as she danced in circles. Sometimes, they went so fast, the two of them, that it seemed as if they were )ying. Sometimes, it seemed as if they both had wings. Once, oh marvelous once, there was a rabbit who found his way home.

Between 1970 and 1971, the feminist movement made significant strides. In 1970, the Equal Rights Amendment was forced out of the House Judiciary Committee, where it had been stuck since 1948; the following year, it passed in the House of Representatives. In response to a sit-in led by Susan Brownmiller, Ladies' Home Journal published a feminist supplement on issues of concern to women. Time featured Sexual Politics author Kate Millett on its cover, and Ms., a feminist monthly, debuted as an insert in New York magazine. Even twelve members of a group with which Barbie had much in common—Transworld Airlines stewardesses—rose up, filing a multimillion-dollar sex discrimination suit against the airline. Surprisingly, Barbie didn't ignore these events as she had the Vietnam War; she responded. Her 1970 "Living" incarnation had jointed ankles, permitting her feet to flatten out. If one views the doll as a stylized fertility icon, Barbie's arched feet are a source of strength; but if one views her as a literal representation of a modern woman—an equally valid interpretation— her arched feet are a hindrance. Historically, men have hobbled women to prevent them from running away. Women of Old China had their feet bound in childhood; Arab women wore sandals on stilts; Palestinian women were secured at the ankles with chains to which bells were attached; Japanese women were wound up in heavy kimonos; and Western women were hampered by long, restrictive skirts and precarious heels. Given this precedent, Barbie's flattened feet were revolutionary. Mattel did not, however, promote them that way. Her feet were just one more "poseable" element of her "poseable" body. It was almost poignant. Barbie was at last able to march with her sisters; but her sisters misunderstood her and pushed her away.

you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control?

He’d been so sure he’d never cheat, contemptuous of friends and colleagues who risked perfectly good marriages because they couldn’t keep their pants zipped. Until that night at the new pub across from the courthouse, when Detective Jesca Ashton had grinned at him from down the bar, hair waving to her waist, China-doll teeth glinting in the dim light. When he was young he’d had a thing for long hair.

A mummified pig’s penis and the ormolu music box from Paris were left on the steps by the pond, and the china bride doll with empty eye sockets on the seat of one of the children’s swings.

Are you having tea, Miss Rose?” “Yes, Mr. Bronson. Miss Crumpet asked me to pour. Would you like a cup, too?” Before Holly could restrain her, the little girl hastened to Bronson with a doll-sized cup and saucer no bigger than his thumbnail. “Here you are, sir.” A tiny concerned frown adorned her brow. “It's only ‘air tea,’ but it's quite delicious if you're good at pretending.” Bronson accepted the cup as if it were a great favor. Carefully he sampled the invisible brew. “A bit more sugar, perhaps,” he said thoughtfully. Holly watched while the two prepared the cup to Bronson's satisfaction. She had not expected Bronson to interact so comfortably with a child. In fact, not even George's brothers, Rose's own uncles, had displayed such ease with her. Children were seldom part of a man's world. Even the most doting father did little more than view his child once or twice a day and inquire after his or her progress. Glancing at Holly briefly, Bronson caught her perplexed expression. “I was coerced into more than a few tea parties by Elizabeth when she was no bigger than Rose,” he said. “Although Lizzie had to make do with shingles for plates and an old tin cup instead of china. I always swore I'd get her a proper toy tea set someday. By the time I could afford one, she was too old to want it any longer.

Chinese is a tonal language. Words spelled the same way mean different things when pronounced with one of the four different tones: the 1st stays level, the 2nd rises, the 3rd sinks and then rises, and the 4th falls. For example, the sentence “ma [1st] ma [4th] ma [3rd] ma [1st]?” means “Did mother curse the horse?” First-year Chinese students either use their heads or their index fingers to try to get the tones right: half the class looks like bobblehead dolls, the other like conductors of a Lilliputian orchestra. “Where?

Damn. Mama says the ugly girls are the lucky ones because they don't have to worry. I was at the nursing home visiting Miss Willoughby and she showed me a picture of herself when she was my age. She was perfect — like an old-fashioned China doll. And she never got married, her whole life through. She was never together with a man. Now, as sweet as she is, her face looks like a road map and her teeth are all pushed-out and yellow. And all I thought was, boy, is her chance over now. If I were as gorgeous as Miss Willoughby was, I'd always be worried that time was running out I wouldn't want to waste being pretty by being good. So I don't want to be all that pretty.

I was a fragile china doll, and Twitch didn’t just watch me fall. He threw me off of the safety of my mantle, knowing I would shatter. And now, the pieces left of me? They were sharp.

Just talk to him! I want to scream at the female. She’s not a china doll; stop trying to control her every move, I chastise the man.  Romances are so funny and yet addicting in that way.

know that I was once someone who loved to dance in the kitchen whilst I baked,” I say, my voice catching. “I was once someone who laughed at stupid jokes until her belly ached and tears poured from her eyes. I was once a girl who liked to walk in the rain, who loved to watch the sun set, who collected china dolls, who found pleasure in the simple things life offered. I was someone who loved tulips and strawberry cheesecake, who would like to go on picnics and drink red wine, and eat smelly cheese, who would sing badly in the shower, who’d wear the clothes she loved, not the ones I was forced to wear. I was once a woman who had passion in her heart and fire in her soul. Now look at me.

Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.

Più a lungo dura la notte, più i sogni si fanno capricciosi.

better

Where people were once dazzled to be online, now their expectations had soared, and they did not bother to hide their contempt for those who sought to curtail their freedom on the Web. Nobody was more despised than a computer science professor in his fifties named Fang Binxing. Fang had played a central role in designing the architecture of censorship, and the state media wrote admiringly of him as the “father of the Great Firewall.” But when Fang opened his own social media account, a user exhorted others, “Quick, throw bricks at Fang Binxing!” Another chimed in, “Enemies of the people will eventually face trial.” Censors removed the insults as fast as possible, but they couldn’t keep up, and the lacerating comments poured in. People called Fang a “eunuch” and a “running dog.” Someone Photoshopped his head onto a voodoo doll with a pin in its forehead. In digital terms, Fang had stepped into the hands of a frenzied mob. Less than three hours after Web users spotted him, the Father of the Great Firewall shut down his account and recoiled from the digital world that he had helped create. A few months later, in May 2011, Fang was lecturing at Wuhan University when a student threw an egg at him, followed by a shoe, hitting the professor in the chest. Teachers tried to detain the shoe thrower, a science student from a nearby college, but other students shielded him and led him to safety. He was instantly famous online. People offered him cash and vacations in Hong Kong and Singapore. A female blogger offered to sleep with him.

He treated her like a china doll that needed to sit on a high shelf and be admired but never handled. Marietta didn’t want to be admired from a distance. She wanted to be touched. Held. Embraced. By him.

Grace put her purse on the floor. “My mother says you must never do that,” Ruby chastised. “Mine too,” I agreed. “Do you want all your money to run out of your purse?

You’re so much smarter than I am, Caleb. So much stronger and so much more persuasive. If I married you, I wouldn’t be myself for very long. I’d soon become the person you want me to be.” He sat back in his chair, his arms folded across his chest. “I wouldn’t change you for the world,” he protested quietly. “Yes, you would,” Lily insisted. “You’d make me into a china doll, overseeing tea parties and embroidering samplers and gazing at you in worshipful adoration. And eventually you’d get tired of me, Caleb, and take a mistress.” He glowered at her, as though insulted. “I would never betray you.” “Oh, no? What about when I’m pregnant, Caleb—all fat, with swollen ankles and a chronic case of the weeps. Can you honestly say you wouldn’t turn to another woman for the comforts you so obviously need?” “I’d find you more attractive than ever,” Caleb answered with annoyed certainty. Lily picked up her spoon, then set it down again. Her hands knotted into fists in her lap. “You weren’t faithful to Sandra. Why should I fare any better?” “Because I love you, for one thing. And I explained before—I didn’t sleep with Sandra.” “I might not feel like sleeping with you, either—if I happened to get pregnant, that is. What would you do then, Caleb?” “Wait,” he answered. Then a slow grin spread across his face. “And do my damnedest to seduce you. In case you haven’t noticed, I’m pretty good at that.” Lily flushed and squirmed a little, remembering. There was no denying his assertion: Caleb could practically tumble her onto her back with a look or a touch. The fact tormented her, for she couldn’t discern whether it was because of some special skill on his part or because she was basically a loose woman like her mother. “I’ve noticed,” she admitted. Caleb gazed at her for a long time, then went back to eating his stew.

China doll?” Wade. He spoke softly, coaxing as if she were a timid animal in need of taming. “Where are you, girl? I’ve come for you.” His voice got stronger then faded as he moved around their cabin. “Where are you, doll?

Dad was the biological vessel who helped put my soul into this body,

shift

The bow still appears stately and upright. The stern lies in a shattered heap, mangled, we believe, by its violent break with the bow, by it's impact with the bottom, and perhaps by damage caused when air-filled pockets in the sinking hulk met deep-ocean pressures that near 6,000 pounds per square inch. Moist poignant was the debris field, where the effects of a floating city of 2,228 men, women, and children had drifted down for hours after Titanic broke apart. There, amidst huge chunks of twisted metal, fragile china cups appeared untouched. Peering through Alvin's small porthole, I saw the hollow eyes of a doll's head staring back, a haunting reminder of loss. Most wrenching for me was the sight of a pair of splayed boots, the body of the owner long ago consumed in the deep.

In my dreams I hear their voices, those young boys who were already cruel when they chased me through the schoolyard yelling, Chink, Chink, Chinabug. It's no wonder that so many of them have grown up to be the kind of men they are. Their voices may have deepened, their hair thinned or turned gray, their bellies softened and grown larger, but their hearts and minds remain as hard as stone, impenetrable. They are still those small-minded boys who tormented me. To them, I'll always be foreign--a porcelain China doll, or a fire-breathing dragon lady, neither of which belongs in their world. I had such high hopes for them. I thought they might know better as grown-ups and realize that there are more ways than one to view the world.

Olive couldn’t help but think of a painted china doll that had cracked ever so slightly, the broken slivers falling inward, so that she could never be repaired. With every movement, those tiny pieces jangled inside her, bitter reminders of her life’s little tragedies.

of the most delicious Cox’s Orange Pippins each autumn leaning precariously on the garden wall, the tree like a corner boy up to no good, her mother used to joke. Harp ran around the back – the front door hadn’t been opened in years at that stage – and let herself in. The kitchen was just the same, the delph from breakfast drying on the rack beside the big, deep Belfast sink, the large black flags on the floor, the table cleared and scrubbed, ready for dinner preparations, the big black enamel range that never went out heating the room, winter and summer, the tea cloths hanging on the line over it. Everything neat and tidy. She scurried out the door of the kitchen into the wide bright hallway, almost skidding on the silk carpet runner as she rounded the ornate bannister to bound up the stairs, taking two at a time. The landing overlooked the hallway and was home to a huge walnut sideboard on which sat all the china dolls Mrs Devereaux had loved. Harp thought they were a bit creepy with their glass eyes, real hair and fancy handmade clothes, and thankfully she’d never felt the

White people love you, don't they? They only like me. They think I'm a dainty little china doll with bound feet, a geisha who's ready to please. But I don't talk enough for them to love me, or at least I don't talk the right way. I can't put on the whole sukiyaki-and-sayonara show they love, the chopsticks in the hair kind of mumbo jumbo, all that Suzie Wong bullshit, like every white man who comes along is William Holden or Marlon Brando, even if he looks like Mickey Rooney.

I like to imagine the war will end soon, and people who've lost their homes will return to Paris, to stroll through Greenspoon's. This one, they'll say, touching the black scar on the piano lid from where an uncle rested his cigarette that day, when he sat down to accompany the girls' singing. And this one, they'll say, knowing a china horse by the chip in its hoof. They'll know a silver teapot by a dent in its spout. A fur coat by a rip in its lining. A wristwatch by a scratch in its glass. A doll by its torn dress. They'll be newly grateful for all the old flaws, for the damage that left these precious things overlooked and unbought and distinctly their own.

What's Not to Love about a broken bowl, now two half-bowls, still ready to hold what they can, even if that’s nothing What’s not to love about weeds and weeds and weeds that crowd the yard, and thrive amazingly on the same nothing What’s not to love about a virus crowding the blood, putting a doll of itself in each cell and sailing it away to find fortune in the heart What’s not to love about the dying heart with its four dark rooms full of grass and broken china, a sheeted piano about to play What’s not to love about a sonata played by a lonely child who would rather do anything else, sleep in a garden or pull up the flowers, who would rather be sick What’s not to love about reading aloud to someone fast asleep, about not stopping, not even when a bowl slides from the bed and crashes like a bell in water

Writer exits stage left. In walks, HER. 'Don't mind me, I'm just getting into character.' " - Lexi Vaughn aka China Doll from The Tale of The Texas Poker Player

Some women fight and others do not. Like so many successful guerrillas in the war between the sexes, Georgia O’Keeffe seems to have been equipped early with an immutable sense of who she was and a fairly clear understanding that she would be required to prove it. On the surface her upbringing was conventional. She was a child on the Wisconsin prairie who played with China dolls and painted watercolors with cloudy skies because sunlight was too hard to paint and, with her brother and sisters, listened every night to her mother read stories of the Wild West, of Texas, of Kit Carson and Billy the Kid. She told adults that she wanted to be an artist and was embarrassed when they asked what kind of artist she wanted to be: she had no idea “what kind.” She had no idea what artists did.

We learned that to lie to a machine, you don't need to be a perfect writer: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.

We learned that to lie to a machine, you don't need to be a perfect liar: rather, you need only believe that everything is a lie. If the world is not real, if everything we see is a simulation or a game, then the fictions we append to it are no different from the ones which come to us through our senses. And it is true: the odds, overwhelmingly, tell us that we exist inside a computer. Any universe that can support technological life probably will, given enough time. Any technological civilisation will develop modelling, and will in a comparatively insignificant span be able to model everything a planet-bound species could expect to encounter. That being the case, the simulation will rapidly reach the point where it contains simulated computers with the ability to simulate likewise everything a planet-bound species could expect to encounter, and so on and so on in an infinite regress limited only by computing power. That might seem like a hard limit, but processing power still doubles every twelve to eighteen months, and doubling is more extraordinary than people understand. There’s a story that the Emperor of China once lost his throne gambling with a peasant, because he agreed if he lost to pay a single grain of rice on the first square of a chess board and double the amount on each square on the next until he had covered the board. His debt for the final square was eighteen and a half million trillion grains. It is almost impossible to imagine the capabilities of a machine that much more powerful than the ones we have today, but I think we can accept it could hold quite a lot of simulations of our world. The odds, therefore, are negligible that we live in the origin universe, and considerable that we are quite a few steps down the layers of reality. Everything you know, everything you have ever seen or experienced, is probably not what it appears to be. The most alarming notion is that someone – or everyone – you know might be an avatar of someone a level up: they might know that you’re a game piece, that you’re invented and they are real. Perhaps that explains your sense of unfulfilled potential: you truly are incomplete, a semi-autonomous reflection of something vast. And yet, if so, what does that say about those vast ones beyond? Are they just replicating a truth they secretly recognise about themselves? Russian dolls, one inside the other, until the smallest doll embraces the outermost and everything begins again? Who really inhabits whom, and who is in control? None of this is as it appears.

She was asleep before he even peeled the covers back and gently lowered her down to the sheets. She might protest that she was no china doll, but in some respects, Ruaidri mused, he would always treat her as one—worthy of the utmost care and protection. His care and protection. How he loved her. Loved her. His eyes filled with sudden, unexpected emotion as he looked down at her, sleeping. They were safe here in Newburyport, with a solid roof over their heads and the end of his mission in sight. A nice little town, this one, and his cousin was right. They already had friends and family here. It was as good if not better a place than any to settle down and begin their lives together.

She sports her standard winter concert dress: a sleeveless black velvet top and a red raw silk skirt. She reminds Ray of a china doll or Snow White with her dark hair, ivory skin, and bright red lipstick. How in the world has a man not swooped her up by now? That's one of life's greatest mysteries.

I was rough. I was confident. I didn’t treat her like a china doll. A precious, fragile thing to be handled with care and pity.

turned the body over, handling it with care as if it were a priceless china doll. “Lividity shows she was killed here.” He pressed fingers to

If it’s a girl,” she continued, “let’s not allow her too much education.” “I agree,” Matsuda answered. “Too much schooling is no good anyway.” “Of course, we’ll have to send her for the compulsory years.” “No, they’re the worst. Let’s hire tutors.” “Far too expensive. I’ll never agree to that,” Fumiko replied. “No, she can just go to the local school. When she graduates from junior high, I’ll keep her at home and treat her like a maid. By this time of the morning, she’ll be up cooking our breakfast. I’ll be lying in bed like this, taking it easy with you.” “That sounds nice.” “So it appeals to you. In that case, I’ll make her cook breakfast when she’s in grammar school.” “Will a first-grader be able to cook?” “She won’t have any choice. And she’d better get the rice just right.” “The poor little thing!” “But it’s best to be strict with girls — better for them.” “True.” “I’m not going to have a girl who thinks too much. Let’s raise her so she’ll never talk back. I don’t mean just so she can restrain herself — I want her incapable of talking back — a girl who has no opinions of her own. A girl who does what she’s told, automatically, like an idiot. Even her face must be an idiot’s face.” “A girl like a doll.” “Yes. When she’s small, I’ll train her to serve other people, like a good little wife — like the girls in ancient China. As soon as she gets out of school, I’ll marry her off.” “I’ll go and visit her. I’ll take her some of that sugar we got as a present, behind your back.” “Will you indeed.” “But you never use it to cook with. There’s too much, anyway.” “How do you know?” “You told me.” “Did I? Well, take it, then.” “I’ll go and see her every Sunday.” “Her husband won’t like that.” “That’s all right. He’ll understand. I’ll find her a kind husband.” “He won’t stay that way. I’ll encourage him to be cruel and mean. You must encourage him, too — to have affairs and drink. If you meet any beautiful women, you mustn’t keep them for yourself. Send them over, lots of them, to him, just like the sugar. She won’t get any sympathy when she comes over to complain. I’ll show her my body. ‘Look!’ I’ll tell her: ‘Look at what your father does to me. I can bear it, and so should you!

I felt the shame of unleashing the Beast only until I was washed in a flood of righteousness. The guilt evaporated, sizzled, then vanished like water on a hot skillet as my body shifted. I always expected pain, and the few times this had happened before, I’d been surprised: nothing but goodness, like I’d had an injection that made me somehow better in my Beastliness. My spine arched and stretched, my legs and arms lengthened, my fingers shortened. My jaw grew long and narrow, my ears pointed. My backpack straps were now comfortable, conformed to my new body. As I stepped out of my cheap black China-doll shoes, I felt elegant, sleek, graceful. The wind ruffled my fur.

One would never guess Daisy was a grown woman of twenty-two at this moment. Small, slim, and dark-haired, she still had the agility and exuberance of a child when other women her age had already become sober young matrons. As she sat with her knees drawn up, she looked like an abandoned china doll in the corner of the settee. It annoyed Bowman to see his daughter holding a book in her lap with a finger stuck between its pages to mark her place. Obviously she could hardly wait for him to finish so she could resume reading.

The problem began with her height, which was too short to command respect, and was compounded by china-doll features, an oversize bust, and the kind of blue-eyed blondness that caused complete strangers to deduct IQ points and to speak to her slowly. Using really small words.

Behind the ugly glasses she's pretty, almost like a china doll. Large eyes, sweet face shaped like a heart, a mouth that wants to curve into a perfect little smile.