Chimney Pot Quotes

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LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Charles Dickens (Bleak House)
Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snowflakes—gone into mourning, one might imagine, for the death of the sun.
Charles Dickens (Bleak House)
The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps.
T.S. Eliot
In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of moldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlors stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulfur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease. The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces.The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter
Patrick Süskind
Gulls, aeroplaning above the chimney pots, were calling that he must talk to Laura about his plans. He needed no telling, for once in tune to their outlandish cries.
Alan Sillitoe (The German Numbers Woman)
From the tangle of chimney-pots scarcely a wisp of smoke came,
H.P. Lovecraft (Complete Collection of H.P. Lovecraft - 150 eBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations))
just as when we see a pig in a litter larger than the other pigs, we know that by an unalterable law of the Inscrutable it will some day be larger than an elephant,—just as we know, when we see weeds and dandelions growing more and more thickly in a garden, that they must, in spite of all our efforts, grow taller than the chimney-pots and swallow the house from sight, so we know and reverently acknowledge, that when any power in human politics has shown for any period of time any considerable activity, it will go on until it reaches to the sky.
G.K. Chesterton (The Napoleon of Notting Hill)
... Implacable November weather. As much mud in the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas, in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Charles Dickens (Bleak House)
When he went out it was freezing, and a pale winter sun was rising over Paris. No thought of escape had as yet crossed Monsieur Monde's mind. 'Morning, Joseph.' 'Morning, monsieur.' As a matter of fact, it started like an attack of flu. In the car he felt a shiver. He was very susceptible to head colds. Some winters they would hang on for weeks, and his pockets would be stuffed with wet handkerchiefs, which mortified him. Moreover, that morning he ached all over, perhaps from having slept in an awkward position, or was it a touch of indigestion due to last night's supper? 'I'm getting flu,' he thought. Then, just as they were crossing the Grands Boulevards, instead of automatically checking the time on the electric clock as he usually did, he raised his eyes and noticed the pink chimney pots outlined against a pale blue sky where a tiny white cloud was floating. It reminded him of the sea. The harmony of blue and pink suddenly brought a breath of Mediterranean air to his mind, and he envied people who, at that time of year, lived in the South and wore white flannels.
Georges Simenon (Monsieur Monde Vanishes)
We are far from liking London well enough till we like its defects: the dense darkness of much of its winter, the soot on the chimney-pots and everywhere else, the early lamplight, the brown blur of the houses, the splashing of hansoms in Oxford Street or the Strand on December afternoons. There is still something that recalls to me the enchantment of children—the anticipation of Christmas, the delight of a holiday walk—in the way the shop-fronts shine into the fog. It makes each of them seem a little world of light and warmth, and I can still waste time in looking at them with dirty Bloomsbury on one side and dirtier Soho on the other.
Henry James (English Hours)
Andras went through the Sortie doors and walked out into a city that no longer contained his brother. He walked on benumbed feet in the new black Oxfords his brother had brought him from Hungary. He didn’t care who passed him on the street or where he was going. If he had stepped off the curb into the air instead of down into the gutter, if he had climbed the void above the cars and between the buildings until he was looking down at the rooftops with their red-clay chimney pots, their irregular curving grid, and if he had then kept climbing until he was wading through the slough of low-lying clouds in the winter sky, he would have felt no shock or joy, no wonder or surprise, just the same leaden dampness in his limbs.
Julie Orringer (The Invisible Bridge)
Death is the Santa Claus of the adult world. Except Santa Claus in reverse. The guy who takes all the presents away. Big bag over the shoulder, climbing up the chimney carrying everything in a person's life, and taking off, eight-reindeered, from the roof. Sleigh loaded down with memories and wineglassesand pots and pans and sweaters and grilled cheese sandwiches and Kleenexes and text messages and ugly houseplants and calico cat fur and half-used lipstick and laundry that never got done and letters you went to the trouble of handwriting but never sent and birth certificates and broken necklaces and disposable socks with scuffs on the bottom from hospital visits.
Maria Dahvana Headley (Magonia (Magonia, #1))
I admire wit, but I have no real liking for it. It has been too often employed against me.
Charles Stephen Brooks (Chimney-Pot Papers)
A deistical prater, fit to sit in the chimney-corner of a pot-house, and make blasphemous comments on the one greasy newspaper fingered by beer-swilling tinkers.
George Eliot
A tiny flat it is, high up among the chimney pots, two rooms and a tiny kitchen and a bathroom all my very own. I have tried to make it bright with distempered walls, and gaily colored chintz, but the smuts of London wage a continual war upon cleanliness and brightness, and I have neither the time nor the money to fight them with success. Mrs. Cope, my “daily woman,” comes in and does battle while I am at my work, but although she uses an incredible quantity of cleaning material—the sinews of her war—the result is indecisive, to say the least of
D.E. Stevenson (The Young Clementina)
Men lived among mighty mountains and eternal forests for ages before they realized that they were poetical; it may reasonably be inferred that some of our descendants may see the chimney-pots as rich a purple as the mountain-peaks, and find the lamp-posts as old and natural as the trees.
G.K. Chesterton (The Defendant)
She was feeling reckless; nothing that she did mattered. She walked to the window and twitched the curtain apart. There were the stars pricked in little holes in the blue-black sky. There was a row of chimney-pots against the sky. Then the stars. Inscrutable, eternal, indifferent—those were the words; the right words. But I don’t feel it, she said, looking at the stars. So why pretend to? What they’re really like, she thought, screwing up her eyes to look at them, is little bits of frosty steel. And the moon—there it was—is a polished dish-cover. But she felt nothing, even when she had reduced moon and stars to that.
Virginia Woolf (Complete Works of Virginia Woolf)
It was all still there, an immense quilt of bold, fantastical human will: the faded tawny golds and grays of the descending rooftops and scorched chimney pots, the cold steel-blue river with its fabled Left and Right Banks, the towers and steeples and crooked cobblestone streets, bisected by wide, brutish boulevards. As seductive as a mirage, but every slab of stone, every silent or uproarious inch of it, real. She had not returned triumphant as a brilliant painter or a self-made woman whose only worry about money was how to spend it ... but she had come back to Paris anyway. It was hard to imagine being unhappy here.
Christine Sneed (Paris, He Said)
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
Claire North (The First Fifteen Lives of Harry August)
But you are not listening, sapperment! great big she-fool that you are—sheep’s-head! Dummkopf! Donnerwetter! you are looking at the chimney-pots when Svengali talks! Look a little lower down between the houses, on the other side of the river! There is a little ugly grey building there, and inside are eight slanting slabs of brass, all of a row, like beds in a school dormitory, and one fine day you shall lie asleep on one of those slabs—you, Drilpy, who would not listen to Svengali, and therefore lost him! … And over the middle of you will be a little leather apron, and over your head a little brass tap, and all day long and all night the cold water shall trickle, trickle, trickle all the way down your beautiful white body to your beautiful white feet till they turn green, and your poor, damp, draggled, muddy rags will hang above you from the ceiling for your friends to know you by; drip, drip, drip! But you will have no friends…. ‘And people of all sorts, strangers, will stare at you through the big plate-glass window—Englanders,
George du Maurier (Trilby)
Over To Candleford Chapter XXVIII: Growing Pains "This accumulated depression of months slid from her at last in a moment. She had run out into the fields one day in a pet and was standing on a small stone bridge looking down on brown running water flecked with cream-coloured foam. It was a dull November day with grey sky and mist. The little brook was scarcely more than a trench to drain the fields; but overhanging it were thorn bushes with a lacework of leafless twigs; ivy had sent trails down the steep banks to dip in the stream, and from every thorn on the leafless twigs and from every point of the ivy leaves water hung in bright drops, like beads. A flock of starlings had whirred up from the bushes at her approach and the clip, clop of a cart-horse's hoofs could be heard on the nearest road, but these were the only sounds. Of the hamlet, only a few hundred yards away, she could hear no sound, or see as much as a chimney-pot, walled in as she was by the mist. Laura looked and looked again. The small scene, so commonplace and yet so lovely, delighted her." It was so near the homes men and yet so far removed from their thoughts. The fresh green moss, the glistening ivy, and the reddish twigs with their sparkling drops seemed to have been made for her alone and the hurrying, foam-flecked water seemed to have some message for her. She felt suddenly uplifted. The things which had troubled her troubled her no more. She did not reason. She had already done plenty of reasoning. Too much, perhaps. She simply stood there and let it all sink in until she felt that her own small affairs did not matter. Whatever happened to her, this, and thousands of other such small, lovely sights would remain and people would come suddenly upon them and look and be glad. A wave of pure happiness pervaded her being, and, although it soon receded, it carried away with it her burden of care. Her first reaction was to laugh aloud at herself. What a fool she had been to make so much of so little.
Flora Thompson (Over to Candleford)
How could you begin to explain London? A city once the color of tobacco and carrots, now chalky stone and angled steel, but vivid chimney pots can still be glimpsed between slivers of rain-specked glass. Nine billion pounds' worth of Christmas bonuses have just been spent in the city's square mile.
Christopher Fowler (The Victoria Vanishes (Bryant & May, #6))
Beautiful in the frost and mist-covered hills above the Dnieper, the life of the City hummed and steamed like a many-layered honeycomb. All day long smoke spiralled in ribbons up to the sky from innumerable chimney-pots. A haze floated over the streets, the packed snow creaked underfoot, houses towered to five, six and even seven storeys. By day their windows were black, while at night they shone in rows against the deep, dark blue sky . . .
Anna Reid (Borderland: A Journey Through the History of Ukraine)
Chapter Eight Jack shifted his gaze between the packet and Fabien’s pale face, then slowly got to his feet. Go to the police, that was what they should do. Let them deal with it. But what kind of trouble would that land Fabien in? “I’ll sort it.” Jack made his way up to the chimney, stuffed the packet into the black bin liner he found up there, and wedged it between the pots. That would buy them some time to think about how to help Fabien. He returned to the others. Fabien was still looking green and shaky, but was on his feet and putting on his hat. “I’ll help you get down to the street,” said Beth. “It’s okay. I’ll go back through the attic. Grandad will be wondering where I am.” The boy hobbled up the incline, back the way he’d come, and they heard him stagger down the other side. Jack banged his fist against the chimney wall, sending loose cement dust showering onto the tiles. “I wish he’d told me what was going on. I could have helped. I wondered why he wanted me to teach him shadow jumping.” “He’s scared,” said Beth. “Don’t be too hard on him. Kai’s got him where he wants him. It’s Kai you should be angry with, not Fabien.” “Who’s Kai working for?” Jack let out a worried breath. “I mean, he might be a thug, but he’s not got a lot of brains, has he?” Beth pressed her lips together in thought. “You’re right. He can’t be doing this alone.” Jack’s encounter with Kai from a few months ago was inked on his memory like a tattoo. He touched his ribs as if the bruising was still there, but of course the physical injuries were gone. Not so for Fabien, Jack thought, remembering the livid mark blooming on the
J.M. Forster (Twilight Robbery (Shadow Jumper #2))
I have turned into a pumpkin I am poor The ball is over and I did not dance My heart stops beating I am sad Nothing can ever be so beautiful again Nothing can This is my usual corner I’m at home Here are the pots and spoons and darkness I did not dance and now I am alone My death drops down the chimney My heart stops
Thomas M. Disch
I went along on this ride, as did Adolph, and we returned to the Feudenheim district of Mannheim, which was where our apartment stood. The roads were extremely cratered from the frequent bombings and the driver had to carefully circumvent these deep chasms. As we drove along we were fully aware that we could also become an inviting target, but eventually we arrived at the house safely. Surprisingly, the house was still relatively undamaged and my flat was locked up and further secured with a padlock, which I had used. It was apparent from the drawn blinds that everyone had moved out. Luckily I still had the keys and could open the door. Letting ourselves in, we looked around. It was really surprising that everything was still in place and that looters hadn’t ransacked everything, as was usually the case. Pointing out the items of furniture I would need, Herr Meyer quickly organized the boys, in a military fashion, and had them carry my things down the three flights of stairs. Even the truck driver helped carry my things, and to my delight the move went smoothly. When the truck was finally loaded, the weight became apparent. Weighted down with an old coal stove and its chimney sections, kitchen cupboard, a radio, double bed and mattress, a sofa and my wardrobe as well as pots and pans, it was down onto its axles.
Hank Bracker
Rønneberg was suddenly lifted up and back, as if a giant had grabbed the back of his jacket. Then he was flying, head over heels off the roof, tossed away by a gust of wind. He landed in a snowbank. When he staggered to his feet, the cabin had vanished. All was white, swirling white, around him. Heading into the wind that had knocked him away, he eventually found the cabin. Climbing onto the roof a second time, he managed to fix the chimney pot, only to be hit by another gust of wind that sent him flying into the snow.
Neal Bascomb (The Winter Fortress: The Epic Mission to Sabotage Hitler's Atomic Bomb)
I have this dream where words, millions of them, are on wings around me. Some are grey and brown. There are some that are easy to grab and I've soon got a fistful of those. But some of them glow in shiny, shiny colours and they pirouette at my out- stretched fingertips. I drop the easy ones like litter at my feet. I climb a chair to get at the glittery stuff. Then a ladder. When I've climbed I see the gold one - a long, long word that's just lovely in the mouth. I'm soon teetering on a chimney pot but it goes as I snatch at it. It flies on purpose a millimetre from my nail tips as I swat about. Precariously on tiptoes now. Eyes shut, jumping to grab. My fingers are crammed with words in silver colours, copper colours, reds like autumn leaves. But I still bat uselessly towards the gold word, which flaps higher and higher until I loose my footing on the chimney and fall, fall into the stark white of the empty page.
Maria Wallingford
Some of the ceilings and walls were so cracked and broken that they had to be replastered. Openings were cut through walls and doors were being put where no doors had been before. Old broken chimney pots were being taken down and new ones were being taken up and fixed in their
Robert Tressell (The Ragged Trousered Philanthropists)
Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
With the exception of the Marquis, all the men were in sombre and solemn morning-dress, with hats like black chimney-pots; the little Doctor especially, with the addition of his black spectacles, looked like an undertaker in a farce. Syme could not help feeling a comic contrast between this funereal church parade of apparel and the rich and glistening meadow, growing wild flowers everywhere. But, indeed, this comic contrast between the yellow blossoms and the black hats was but a symbol of the tragic contrast between the yellow blossoms and the black business.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
Edinburgh is a beautiful town no doubt, but in winter weather there is a waght of misery and wretchedness all about. Princes Street is very pretty & flashy & shoppy, but the grand old High Street is a most depressing place. The tall houses have an air of depressed nobility much more revolting than mere poverty, like a cast off chimney pot hat on an Irish scaffy.
James Cadenhead (James Cadenhead RSA RSW, 1858 - 1927: his letters home as a young man)
Lacking a pot, Pepys “shit in the chimney” twice one night, whereas the Yorkshire laborer Abram Ingham used his “clogg” [shoe] to “make water in.” If all else failed, an Italian adage instructed, “You may piss a bed, and say you sweated.”38
A. Roger Ekirch (At Day's Close: Night in Times Past)
From the apron hooks to the chimney pots, the house is every bit as dark and somnolent as it ought to be. It’s almost noon.
Sara Baume (Spill Simmer Falter Wither)
dunes. As they approached the shack there was smoke rising from the chimney and when they entered the lean-to kitchen, there was a fire on the open hearth. Swart Hendrick looked up from it. ‘The Jew has taken the table and the chairs,’ he said. ‘But I hid the pots and the
Wilbur Smith (Power of the Sword: The Courtney Series 5)
I don’t even have a sister, ignoramus,” Alternate Virgil would say. Then he’d grab the Bull’s shirt collar in his skinny little hand, the one with the fingers of a gifted pianist, and shove him against the nearest tree. “Take it back,” he’d say. But the Bull wouldn’t be able to talk because his collar would be too tight, so Virgil would lift him up with one hand and throw him across the neighborhood. The Bull would fly over thirty rooftops before landing on top of someone’s chimney, which would be burning hot even though it was summer and no one was using their fireplace. And he’d get stuck there and start cooking like a lump of pot roast.
Erin Entrada Kelly (Hello, Universe)