Back Against The Ropes Quotes

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But I need you.” “Need me?” “Yes. Don’t you see? If I’m spending all my time with you, then Queen Levana can’t rope me in to any conversations or…” He shuddered. “Dancing.” Cinder reeled back, her gaze losing focus. Queen Levana. Of course this was about Queen Levana. What had Peony told her, ages ago? Rumors of a marriage alliance? “Not that I have anything against dancing. I can dance. If you want to dance.” She squinted at him. “What?” “Or not, if you don’t want to. Or if you don’t know how. Which is nothing to be ashamed of.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
My default answer to everything is no. As soon as I hear the inflection of inquiry in your voice, the word no forms in my mind, sometimes accompanies by a reason, often not. Can I open the mail? No. Can I wear your necklace? No. When is dinner? No. What you probably wouldn't believe is how much I want to say yes. Yes, you can take two dozen books home from the library. Yes, you can eat the whole roll of SweeTarts. Yes, you can camp out on the deck. But the books will get lost, and SweeTarts will eventually make your tongue bleed, and if you sleep on the deck, the neighborhood racoons will nibble on you. I often wish I could come back to life as your uncle, so I could give you more. But, when you're the mom, your whole life is holding the rope against those wily secret agents who never, ever stop trying to get you to drop your end.
Kelly Corrigan (Lift)
You took something that belonged to me.” He let go of my arm and pushed to his feet. My mouth fell open and a loud gasp escaped as he took two impossible steps forward. Pinning me against the wall with his hard body, he lifted a hand to my throat and glided it up until his thumb stroked over my bottom lip. Using my chin, he turned my head and dragged his nose up my neck, stopping at my ear. After sucking in a deep breath, he released it on a gravelly demand. “And I want her back.
Aly Martinez (Fighting Shadows (On the Ropes, #2))
Deep Throat stamped his foot. “A conspiracy like this . . . a conspiracy investigation . . . the rope has to tighten slowly around everyone’s neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and Liddys. They feel hopelessly finished—they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, then everybody feels more secure. Lawyers work this way. I’m sure smart reporters must, too. You’ve put the investigation back months. It puts everyone on the defensive—editors, FBI agents, everybody has to go into a crouch after this.” Woodward swallowed hard. He deserved the lecture.
Carl Bernstein (All the President's Men)
Deep Throat stamped his foot. 'A conspiracy like this...a conspiracy investigation...the rope has to tighten slowly around everyone's neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and the Liddys. They feel hopelessly finished - they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, the everyone feels more secure. Lawyers work this way. I'm sure smart reporters must, too. You've put the investigation back months. It puts everyone on the defensive - editors, FBI agents, everybody has to go into a crouch after this.' Woodward swallowed hard. He deserved the lecture. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
I brace my hands against the bark of the nearest tree as I feel my mind falling. It plummets to a dark and empty place, devoid of hope. There is no ladder or rope to climb back out. There is not end in sight. No light to guide my way.
Tricia Levenseller (Blade of Secrets (Bladesmith, #1))
I would like to know who thinks this heart is worth one million dollars. Or maybe, I already do. A low murmur builds, rolling from the back of the room, gaining momentum as the crowd parts. I hold my breath, and
Sarah Castille (Against the Ropes (Redemption, #1))
And then there was one last body that stood out from the rest. It had signs of of bruising on all four ankles and all along its side. Brownie had said that all the dogs that didn't die from being hanged were drowned, except one. As that dog lay on the ground fighting for air, Quanis Phillips grabbed its front legs and Michael Vick grabbed its hind legs. They swung the dog over their head like a jump rope then slammed it to the ground. The first impact didn't kill it. So [they] slammed it again. The two men kept at it, alternating back and forth, pounding the creature against the ground, until at last, the little red dog was dead.
Jim Gorant (Author) (The Lost Dogs: Michael Vick's Dogs and Their Tale of Rescue and Redemption)
You really think you can buy some rope without drawing attention?” Lopen lounged back against the wall. “My cousin’s never failed me.” “How many cousins do you have, anyway?” Earless Jaks asked. “A man can never have enough cousins,” Lopen said.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.” “Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder. “Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?” As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?” “Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes. “You might have broken your neck. Why can’t you leave these things to the proper authorities?” “I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!” “How was I supposed to do that when you never left the house alone?” “But you could have come at any time. I was waiting for you!” Er Lang was incensed. “Is this the thanks I get?” If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him. I meant to break away at once, but he caught me, his hand behind my head. “Are you going to complain about this?” he demanded. Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look. “Open your mouth then.” “Why?” “I’m going to put my tongue in.” That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
Yangsze Choo (The Ghost Bride)
His eyes are cold and restless His wounds have almost healed And she'd give half of Texas Just to change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well it ain't no woman flesh and blood It's that damned old rodeo Well it's bulls and blood It's dust and mud It's the roar of a Sunday crowd It's the white in his knuckles The gold in the buckle He'll win the next go 'round It's boots and chaps It's cowboy hats It's spurs and latigo It's the ropes and the reins And the joy and the pain And they call the thing rodeo She does her best to hold him When his love comes to call But his need for it controls him And her back's against the wall And it's So long girl I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his rodeo
Garth Brooks
Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!
Joris-Karl Huysmans (Downstream and Other Works)
He walked back to St George's-in-the-East, which in his mind he had now reduced to a number of surfaces against which the murderer might have leaned in sorrow, desperation or even, perhaps, joy. For this reason it was worth examining the blackened stones in detail, although he realised that the marks upon them had been deposited by many generations of men and women. It was now a matter of received knowledge in the police force that no human being could rest or move in any area without leaving some trace of his or her identity; but if the walls of the Wapping church were to be analysed by emission spectroscopy, how many partial or residual spectra might be detected? And he had an image of a mob screaming to be set free as he guided his steps towards the tower which rose above the houses cluttered around Red Maiden Lane, Crab Court and Rope Walk.
Peter Ackroyd (Hawksmoor)
While Molly stood off to the side laughing, both dogs bounding around her, Priss snuggled up against Matt and got twirled right off her feet. She put her head back and laughed aloud. Her hands clung to Matt’s shoulders. Her pelvis flattened against his. Long ropes of hair wrapped in silver foil stuck out around her head. She wore a cape and she had cotton wrapped in and around her toes. For a woman set on murdering her father, she looked mighty happy. Liger was the only one to notice Trace’s entrance. The big cat jumped down from the windowsill and started his way. Chris and Dare crowded in behind Trace. And still Trace stood there in the open doorway, frozen with some anomalous, churning emotion. Yeah, Matt was more than able to handle Priss. The son-of-a-bitch had just picked her up off her feet. Again. And again, Priss held on to him. Near his ear, Chris said, “Yeah, uh, this might be a good time to remind you that Matt is gay.” “Somehow,” Trace told him, “that’s not mattering to me much right now.” Dare said, “You never know when to quit, do you, Chris?” As Matt twirled her around, Priss laughed without reserve, and Trace wanted her so damn bad that he couldn’t see straight.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
A.C. Gaughen (Lion Heart (Scarlet, #3))
inched his way down. Soon he too was swinging at the bottom of the rope, clumsily, twisting and banging against the wall. He let go and Talis heard a heavy thud as he smacked onto the ground. Talis and Rikar didn’t have any trouble getting down to the ledge. Nikulo had his back pressed hard against the wall, as if afraid of falling off the ledge.  The storm settled
John Forrester (Fire Mage (Blacklight Chronicles, #1))
I’m guessing you don’t have to share a bathroom at your house,” I say with the casual tone of someone who isn’t waving her half-naked bottom in the air in front of a hunky, semi-stranger and soon-to-be- boss. I push myself to my feet and edge my way back to the dresser, this time keeping my back to the wall. He snorts a laugh. “No. Nor do I have a back door in my bedroom or a collection of random people walking around my house.
Sarah Castille (Against the Ropes (Redemption, #1))
Rowan was hauling her away, shouting her name, but she couldn’t reach him, couldn’t stop that pull toward the other creature. Teeth pierced the spot between her neck and shoulder, and she jerked, latching on to the pain as if it were a rope yanking her out of that sea of stupor, up, up, until— Rowan crushed her against him with one arm, sword out, her blood dripping down his chin as he backed away from the creature that lingered by the tree.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I imagined her taller. My mother stands in front of me. She leans more of her slight weight on her right leg. A hide pack rests against her back. The long skirt she wears touches almost to the ground; its fringe brushes the blades of green grass. A plentiful, red, calico blouse adorns the top of her body. It flounces out around her waist and makes her appear smaller, child- like. Her black, shiny braid of hair ropes around her shoulder. One small streak of silver hides in its weave. Her eyes meet mine. I don’t move, and neither does she. She has the blackest eyes I’ve ever seen. Crow black.
Jenny Knipfer (Harvest Moon (By the Light of the Moon #4))
Against Fate Hey, Fate! When you fail a man, you spend all your time digging a well to trap him. Then you untie the well's wheel rope so that it can roll. And you keep the poor mortal struggling up, only to fall back. You show him a bushel of means and say "This is it. Worry about it, and dream." Meanwhile you spin the wheel of fortune and fill the house of the wicked with jewels, while you force the just and scrupulous to sweep up the pieces. And the man who should not even tend pigs rides a horse as a cavalier. And without a shovel, you scoop ruin onto the house of the honorable and the just. Fate, if I speak evil of you, you'll claim the man is jealous and confused But why do you look crossly at the learned and make the ignorant the landlord? Hey, why toss the bread of the wise so far down the valley? And why should I believe in your justice When you don't serve it to anyone important? Not that you keep either oath or bargain, treacherous one. Whomever you love today and who is raised to a golden throne, tomorrow may be sitting in ashes. How can such a fraudulent judge make a just decision? Fate, friend of the deceitful and devious, you are harsh to the honest. What more can I say except that someday I expect you to mix up sky and earth and sea.
Frik
A snap and roar of fury echoed across the lands, scattering the birds. When I climbed out of the tree and walked into the little clearing, I merely crossed my arms and looked up at the High Lord, dangling by his legs from the snare I’d laid. Even upside down, he smiled lazily at me as I approached. “Cruel human.” “That’s what you get for stalking someone.” He chuckled, and I came close enough to dare stroke a finger along the silken golden hair dangling just above my face, admiring the many colors within it—the hues of yellow and brown and wheat. My heart thundered, and I knew he could probably hear it. But he leaned his head toward me, a silent invitation, and I ran my fingers through his hair—gently, carefully. He purred, the sound rumbling through my fingers, arms, legs, and core. I wondered how that sound would feel if he were fully pressed up against me, skin-to-skin. I stepped back. He curled upward in a smooth, powerful motion and swiped with a single claw at the creeping vine I’d used for rope. I took a breath to shout, but he flipped as he fell, landing smoothly on his feet. It would be impossible for me to ever forget what he was, and what he was capable of. He took a step closer to me, the laughter still dancing on his face. “Feeling better today?” I
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went. When they came up again she saw a white figure diving off the ship’s side. Edmund was close beside her now, treading water, and had caught the arms of the howling Eustace. Then someone else, whose face was vaguely familiar, slipped an arm under her from the other side. There was a lot of shouting going on from the ship, heads crowding together above the bulwarks, ropes being thrown. Edmund and the stranger were fastening ropes round her. After that followed what seemed a very long delay during which her face got blue and her teeth began chattering. In reality the delay was not very long; they were waiting till the moment when she could be got on board the ship without being dashed against its side. Even with all their best endeavors she had a bruised knee when she finally stood, dripping and shivering, on the deck. After her Edmund was heaved up, and then the miserable Eustace. Last of all came the stranger--a golden-headed boy some years older than herself. “Ca--Ca--Caspian!” gasped Lucy as soon as she had breath enough. For Caspian it was; Caspian, the boy king of Narnia whom they had helped to set on the throne during their last visit. Immediately Edmund recognized him too. All three shook hands and clapped one another on the back with great delight.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Best workout ever." Darius sat next to her and rested his back against the soft mat. She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt. For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content. His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse." Mei laughed. "You still got pommeling on your mind?" "Oh yeah." He signed and tilted his chin to the ciling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for.
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
Though she had spoken only rarely and had had no real friends, everybody possessed his own vivid memories of Cecilia. Some of us had held her for five minutes as a baby while Mrs. Lisbon ran back into the house to gether purse. Some of us had played in the sandbox with her, fighting over a shovel, or had exposed ourselves to her behind the mulberry tree that grew like deformed flesh through the chain link fence. We had stood in line with her for smallpox vaccinations, had held polio sugar cubes under our tongues with her, had taught her to jump rope, to light snakes, had stopped her from picking her scabs on numerous occasions, and had cautioned her against touching her mouth to the drinking fountain at Three Mile Park. A few of us had fallen in love with her, but had kept it to ourselves, knowing that she was the weird sister.
Jeffrey Eugenides (The Virgin Suicides)
One more question.” Henry waited until Faith put her finger down before continuing. “Do you ever remember your father wearing a baseball hat?” Like a kid flipping through the pages of a scrapbook, she ran through images of her father in her mind. No baseball cap. But it didn’t matter. Faith just wanted to stop seeing the man the world believed killed her sister. Yet the tighter she closed her eyes, the faster the images came. Her father at her horse show, sitting in the stands at Kim’s soccer game, his smiling face as he pushed her on the swing . . . Faith pressed her palms against the sides of her head and started screaming. The office door flew open. Dr. Rodgers, Titus, and two men in navy-blue suits rushed into the room. Like a boxer against the ropes, the images rained down on Faith like blows, but she was helpless to stop them. Each one sent her head reeling until she felt like she was falling—tumbling into oblivion, welcoming the darkness and an end to the pain. She felt Titus’s strong arms around her, carrying her back to her room.
Christopher Greyson (The Girl Who Lived)
Cardan is waiting for me when I get off the field. I am struck suddenly be his height, by the arrogant sneer he wears like a crown. He would seem like a prince even dressed in rags. Cardan grabs my face, fingers splayed against my neck. His breath is against my cheek. His other hand grabs my hair, winding it in to a rope. 'Do you know what mortal means? It means born to die. It means deserving of death. That's what you are, what defines you- dying. And yet here you stand, determined to oppose me even as you rot away from the inside out, you corrupt, corrosive mortal creature. Tell me how that is. Do you really think you can win against me? Against a prince of Faerie?' I swallow hard. 'No,' I say. His black eyes simmer with rage. 'So you're not completely lacking in some small amount of animal cunning. Good. Now, beg my forgiveness.' I take a step back and tug, trying to wrench free of his grasp. He holds on to my braid, staring down in to my face with hungry eyes and a small, awful smile. Then he opens his hand, letting me stagger free. Individual strands of hair flutter through the air.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
But the portal was closing, getting smaller and smaller, and— A glowing, black figure filled it. Then another. Aidas and Apollion. Their power grabbed the edges of the portal and held it a little wider. Held it open a moment longer. And with what little strength he had left, Hunt threw a desperate, raging, blazing-hot rope of lightning toward Apollion. The only being on Midgard who could handle his power. Apollion caught it, in that humanoid form once more, and pulled. Aidas flared with black light, pushing back against the sealing portal, against Urd’s wishes. Hunt was close enough to see the princes’ strained faces, Apollion’s teeth flashing as he dragged Hunt by his lightning, inch by inch, closer and closer. Aidas was sweating, panting as he fought to keep the portal open— And then Ruhn was there. Starlight flaring. Pushing back against the impossible. Lidia was beside him, crackling with fire. Tharion. Holstrom. Flynn and Dec. A fire sprite, her small body bright with flame. Isaiah and Naomi. So many hands, so many powers, from almost every House. The friends they’d made were what mattered in the end. Not the enemies. Through love, all is possible. It was love that was holding the portal open.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Release him or else.” Remy groaned as he couldn’t help imagining the jests he’d have to put up with. What male allowed himself to get saved by his woman? “What are you doing, Ysabel? I have this under control.” “Really, because from here it looks like you’re all tied up.” She strode into view with a cool smile, wearing an outfit that would look even better on the floor. “Bah, as if something like rope could hold me.” He yanked his arms apart and showed her his freed hands, a moment before a sharp point pressed against the back of his neck. “Move and he dies!” Francisco yelled. Cocking a hip, and crossing her arms, a smirk crossed his witch’s lips. “I don’t think so. That demon belongs to me, and I’d prefer him in one piece. So move the dagger away before I hurt you. Or don’t. But know this, if you even so much as scratch him, I’ll make sure your return to Hell is even more painful.” “I knew you cared,” Remy exclaimed. “Apparently, the insanity in your family is contagious,” she replied dryly. “Besides, you already forced me into admitting I loved you. As such, I realized I couldn’t exactly let Francisco kill you. That should be my pleasure alone.” “You say the sweetest things,” Remy teased.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
He kissed her again, pulling her up against him and running his hands up and down her back. As he deepened the kiss, he became aware of clapping, cheers and catcalls. No doubt Chase had gone into the restaurant and rounded up the whole Fool’s Gold crowd to come watch the show. Zane figured they might as well get their money’s worth. He pulled back slightly and took her hand in his as he lowered himself to one knee. He took off his hat and said, “Phoebe, will you marry me?” Her eyes widened, then filled with tears. “Yes, I will.” Contentment filled him, blending with the love already in his heart. He pulled the small box from his jacket pocket. While Maya had been busy running to the meeting, Zane had spent some time on Rodeo Drive. The Tiffany’s store had a nice collection of engagement rings. He’d chosen a perfect round diamond set on a platinum band that looked like braided rope. He slipped the ring on her finger, and she gasped. “It’s so beautiful.” “I’m glad you like it. Now keep it away from the raccoons.” “I’ll never take it off. Ever.” She stared at him. “I really love you, Zane.” He didn’t doubt her for a second and knew that he never would. He and Phoebe would be together for the rest of their lives. It was going to be a hell of a ride, and he couldn’t wait to see what happened next.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The date rape drug he’d intended to give me has knocked him out so hard he’s barely even flinched, despite being dragged to the top of a twelve-storey building, stripped naked and bound to a post. His head lolls towards his chest. I stand back to admire him, taking in his slumped frame as he wilts against the pressure of his rope bindings. He looks Christ-like, vulnerable. His skin is grey in the murky moonlight. His body is incredible. Hardly surprising, since he seems to spend half his life at the gym. His stomach is taut, rippled with abs. His pecs are straight from a swimwear ad, his broad shoulders and ripped arms are built like a boxer’s. His biceps are strong, lined with veins that will soon cease to pump blood. He has the kind of arms that could pin you down so tightly you wouldn’t be able to move a muscle. His hands are large – the least attractive part of him: dry, thick, stubby. They’re the type of hands that could grip your wrists and stifle screams. Hands that could have killed me tonight. Hands that would have hurt me. Hands that would have held me in place while he raped me. I let my eyes wander down to his cock, which would probably have been pounding away inside me around now if things had gone his way. I could tell pretty early into our date that he was a predator. Perhaps it takes one to know one, but I could see it in his dark eyes and sly glances, the hungry way he took in my body, the type of questions he asked, his eagerness to buy me drinks. He probably didn’t think I had it in me to notice. Of course he didn’t. He just saw my shiny, sweeping hair, my lashes, my clothes, my smile. He saw what everybody else sees: my mask.
Zoe Rosi (Pretty Evil)
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
Sue Monk Kidd (The Invention of Wings)
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
I know he makes mistakes, but basically he’s a good kid,” she told him. “Trust him, and trust yourself.” She looked so earnest, he thought, as aroused as he was amused. “You’re the one who shouldn’t be trusting me,” he told her, right before he kissed her. As he lowered his mouth to hers, he wrapped his arms around her and drew her close. She leaned into him, her slender body warm and supple in his embrace. Her lips clung, then parted. When he swept inside, she was hot, sweet and more than willing to take him on. The second his tongue touched hers, she moaned. Her fingers dug into his shoulders, and he felt a shudder ripple through her body. He went from hard to ready to explode in two seconds. The way they were next to each other on a log didn’t allow him to explore her the way he wanted, so he broke the kiss and pulled her to her feet. Phoebe went willingly, if a little unsteadily. When they were both standing, he pressed his mouth to her jaw before sliding to her neck. She moaned and leaned back her head. Their lower bodies brushed against each other. When her belly came in contact with his erection, it was his turn to groan. He slid one hand from her waist up to her breast and cupped the feminine curve. Even through the layers of her shirt and bra, he could feel her tight nipple. One sweep of his thumb against it had her gasping. She touched his head and guided his mouth back to hers. This time when he entered her, she closed her lips around his tongue and sucked. He dropped his free hand to the small of her back, holding her in place so he could rub against her. The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on. It was paradise. It was pure torture. He swore. She broke the kiss and smiled at him. “So you find me annoying, but you still want me,” she whispered. “I don’t find you annoying.” He pushed against her crotch. “I don’t find you annoying, either.
Susan Mallery (Kiss Me (Fool's Gold, #17))
against the velvet rope force fields that kept everyone without an invitation at bay. As I walked toward the entrance, the crowd bombarded me with a mix of insults, autograph requests, death threats, and tearful declarations of undying love. I had my body shield activated, but surprisingly, no one took a shot at me. I flashed the cyborg doorman my invitation, then mounted the long crystal staircase leading up into the club. Entering the Distracted Globe was more than a little disorienting. The inside of the giant sphere was completely hollow, and its curved interior surface served as the club’s bar and lounge area. The moment you passed through the entrance, the laws of gravity changed. No matter where you walked, your avatar’s feet always adhered to the interior of the sphere, so you could walk in a straight line, up to the “top” of the club, then back down the other side, ending up right back where you started. The huge open space in the center of the sphere served as the club’s zero-gravity “dance floor.” You reached it simply by jumping off the ground, like Superman taking flight, and then swimming through the air, into the spherical zero-g “groove zone.” As I stepped through the entrance, I glanced up—or in the direction that was currently “up” to me at the moment—and took a long look around. The place was packed. Hundreds of avatars milled around like ants crawling around the inside of a giant balloon. Others were already out on the dance floor—spinning, flying, twisting, and tumbling in time with the music, which thumped out of floating spherical speakers that drifted throughout the club. In the middle of all the dancers, a large clear bubble was suspended in space, at the absolute center of the club. This was the “booth” where the DJ stood, surrounded by turntables, mixers, decks, and dials. At the center of all that gear was the opening DJ, R2-D2, hard at work, using his various robotic arms to work the turntables. I recognized the tune he was playing: the ’88 remix of New Order’s “Blue Monday,” with a lot of Star Wars droid sound samples mixed in. As I made my way to the nearest bar, the avatars I passed all stopped to stare and point in
Ernest Cline (Ready Player One)
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see. “Boo!” A handful of bryozoa rushed up at me from the lake. I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me. I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from. Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top. I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally. Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges. “Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line. But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm. Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.
Angie Frazier (Everlasting (Everlasting, #1))
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
V.E. Schwab (A Conjuring of Light (Shades of Magic, #3))
As the months rolled on, John and Sarah began to understand themselves less as teachers and more as parents, living into the names Baba and Kama Kiwawa. It was clear the boys needed something Keu couldn’t provide, consistent support and affection. Sarah started giving out hugs and bandages, and John role-modeled manhood by providing food, shelter, and an education. But unlike many parents, John and Sarah didn’t dole out punishments. They left that to the council. On his first visit, Keu had appointed six boys with hair sprouting on their chins as the elders of Kiwawa. He spent a week with them on a hill near Kiwawa where he instructed them in the ways of a traditional elder council, showing them how to resolve problems that might arise according to the Pokot traditions. And each night after the guard heard John’s snores rumbling out of the camper, the council built a fire and legislated the day’s problems according to the nomadic values they had learned, sometimes choosing to defer ruling on more complicated matters until Keu returned. Stolen writing stick? The elders huddled together in the shadow of the illuminated acacia tree. The oldest returned and pointed at the offender: “Water-fetching duty for a week.” “Oee,” the boys would shout, the Pokot version of Amen. “Refusing to share meat?” “Three rope whippings.” “Oee.” “Crying because you miss your mother?” “Spend more time with Kama,” the oldest boy would say with compassion. “Oee.” “We were modeling the Pokot elders by becoming the keepers of justice and fairness. You see, Pokot elders can never settle a matter based on anger or some personal retribution. That is so unacceptable,” Michael explained. “A punishment is meant to reform the person as quickly as possible so the criminal can be brought back into the group. This is because every single person has a job to do, whether it is to fetch water, herd cows, or stand guard against Karamoja. And if you are gone, then someone else has to work harder in your absence. Nomads do not have prisons like the modern world, which changes our whole entire judicial system. In America you can lock somebody up in prison for two years for just a small crime like stealing a cow. And while in prison they are taken out of the community and are expected to think about what they have done. And then after those two years of isolation, a group of psychologists and lawyers and I don’t know who else will examine that person and see if they have changed their stealing ways. If not, then they lock them back up,” he said, turning an invisible key. “In America there is the potential to give up on somebody, to leave them outside of the community. But there are no prisons in the desert, and without prisons the elders are left with two choices: reform you or kill you. And as I said, if they kill you, they are not only losing a good worker, but also a brother and a son. And the desert has already taken so many of our sons.
Nathan Roberts (Poor Millionaires: The Village Boy Who Walked to the Western World and the American Boy Who Followed Him Home)
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!” Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.” “I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.” “Milord, please—” He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!” Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts. “Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—” “Stay the hell out of my way!” “Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—” Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain. Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly. “Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.” “What have you done with her?” “Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?” “You met with her at Butterfly Court this morning.” “I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat. “Tell me where she is, or I’ll snap your neck like a wishbone!” Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!” Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice. “Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.” Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
(p.112-114) This past, the Negro's past, of rope, fire torture, castration, infanticide, rape; death and humiliation; fear by day and night, fear as deep as the marrow of the bone; doubt that he was worthy of life, since everyone around him denied it; sorrow for this women, for his kinfolk, for his children, who needed his protection, and whom he could not protect; rage, hatred, and murder, hatred for white men so deep that it often turned against him and his own, and made all love, all trust, all joy impossible - this past, this endless struggle to achieve and reveal and confirm a human identity, human authority, yet contains, for all its horror, something very beautiful. I do not mean to be sentimental about suffering - enough is certainly as good as a feast - but people who cannot suffer can never grow up, can never discover who they are. That man who is forced each day to snatch manhood, his identity, out of the fire of human cruelty that rages to destroy it knows, if he survives his effort, and even if he does not survive it, something about himself and human life that no school on earth - and indeed, no church - can teach. He achieves his own authority, and that is unshakable. This is because, in order to save his life, he is forced to look beneath appearances, to take nothing for granted, to hear the meaning behind the words. If one is continually surviving the worst that life can bring, one eventually ceases to be controlled by a fear of what life can bring; whatever it brings must be borne. And at this level of experience one's bitterness begins to be palatable, and hatred becomes too heavy a sack to carry. The apprehension of life here so briefly and inadequately sketched has been the experience of generations of Negroes, and it helps to explain how they have endured and how they have been able to produce children of kindergarten age who can walk through mobs to get to school. It demands great force and great cunning continually to assault the mighty and indifferent fortress of white supremacy, as Negroes in this country have done so long. It demands great spiritual resilience not to hate the hater whose foot is on your neck, and even greater miracle of perception and charity not to teach your child to hate. The Negro boys and girls who are facing mobs today come out of a long line of improbable aristocrats - the only genuine aristocrats this country has produced. I say "this country" because their frame of reference was totally American. They were hewing out of the mountain of white supremacy the stone of their individuality. I have great respect for that unsung army of black men and women who trudged down back lanes and entered back doors, saying "Yes, sir" and "No, Ma'am" in order to acquire a new roof for the schoolhouse, new books, a new chemistry lab, more beds for the dormitories, more dormitories. They did not like saying "Yes, sir" and "No Ma'am", but the country was in no hurry to educate Negroes, these black men and women knew that the job had to be done, and they put their pride in their pockets in order to do it. It is very hard to believe that they were in anyway inferior to the white men and women who opened those back doors. It is very hard to believe that those men and women, raising their children, eating their greens, crying their curses, weeping their tears, singing their songs, making their love, as the sun rose, as the sun set, were in any way inferior to the white men and women who crept over to share these splendors after the sun went down. ... I am proud of these people not because of their color but because of their intelligence and their spiritual force and their beauty. The country should be proud of them, too, but, alas, not many people in this country even know of their existence.
James Baldwin
I admit, it was lost on me, because all I was aware of was Finn. His hard body leaning back against the truck, his short hair tousled by a breeze, his palms shoved down into his pockets, his forearms roped with lean muscle.
Bella Love (Spin)
Is Mr. Huntley safe?” Bethany’s composed voice sounded through the connection. “He is. Are you?” “I’m fine. Jeff and I went for a drive around the block. I had to tell him to stay to the left twice.” Liev laughed in spite of himself. “Did you keep him close?” Bethany’s question sent tight ropes of tension through Liev’s chest. “I did.” “Why didn’t you answer the phone when I first rang?” Because I was tongue-fucking our boss against a door. The confession played through Liev’s mind like a wicked taunt. “I was dealing with the situation.” “I want details later.” He snorted at Bethany’s calm demand. “Tough. You’re not going to get them.” Bethany chuckled. “Yes, I will,” she said, and then hung up. Suppressing a growl, Liev shoved his phone back into his pocket. Chris’s P.A. was an enigma. A frustrating, feisty enigma who seemed to have an agenda regarding their boss that Liev couldn’t decipher but somehow seemed to be a part of. Which made her his new favourite woman in the world. Or his least.
Lexxie Couper (Guarded Desires (Heart of Fame, #3))
Walter White’s more remarkable achievement in print was the book Rope and Faggot, which distilled his firsthand accounts of more than forty lynchings. Passing for white, he witnessed the murderous rage, carnival atmosphere, and unfathomable barbarism of the mob. With few discernible Negro characteristics, Walter White stood in the crowds and reported back on the very worst mob violence of the early twentieth century. Some of the details are so gruesome, they read like slasher fiction, doubly horrifying against the new prosperity of the Industrial Revolution and happy images of flappers dancing the Charleston.
Nicholas Johnson (Negroes and the Gun: The Black Tradition of Arms)
Best workout ever." Darius sat next to her and rested his back against the soft mat. She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt. For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content. His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse." Mei laughed. "You still got pommeling on your mind?" "Oh yeah." He signed and tilted his chin to the ceiling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for.
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
She pushed him back onto the leafy ground, sprawling on his chest without breaking their kiss. His hands were in her hair, holding her mouth against his. Breathing wasn’t necessary. All she needed was him. If only she could freeze time so they never had to be apart again. Piper’s hands tightened on the ropes attached to the spines on Tenryu’s shoulders. She was crouched tight to his back, tension making her whole body ache as she tried to ignore the dizzying vertigo of the drop behind her.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
....Oh, what???.... Can you repeat... okay... I will say I'm against every your though (What can yo do about that?) (Oh, oh you poor little kid, oh, oh you poor little man you can't do anything here is the story)...Once upon a time there was two women and one man,... they weren't let to go outside... they both were married to the same man... it was said to them "If They go outside they won't come back", but the truth was who goes outside he will be slaughtered, every finger one by one will be cutted, then little pushing inside a knife in the body, a lot of blood goes outside in the same time the other woman also get punished if the one get's. She is punished to drink the other woman blood, when this process is going again and again the man removes the clothes and he start jerk off on their faces..., (Yeah I know you will try to kill him, but you can't), you are bound with metal and rope handcuffs your legs and your arms. On your head you have a mask, if you move it detectes and it explodes when it explodes your face goes ugly from ugly you goes disable you are dead because this mask kills the brain... The other woman is next to a trap which detectes if she goes out of one zone, it goes like this if there is so much pressure it won't happen this, but if there isn't it goes very bad... The man is above few meters and he jerkoff on their faces and he does what he wants... and so on and so on... YOu can't change it, once you are the killer (Very bad for you, ...man), once you are the victim wow that's very bad I few awful if I was a victim somebody will jerk off on my face and I'm not a gay....! If this happen remind me to kill my self, I can't live with the thought that I'm a gay...
Deyth Banger
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
Ironically enough, when we returned to the zoo, the Dr. Dolittle cameo almost came true. We had to transfer a big female crocodile named Toolakea to another enclosure. Steve geared up for the move as he always did. “Don’t think about catching Toolakea,” he instructed his crew, me included, before we ever got near to the enclosure. “If you’re concentrating on catching her, she’ll know it. We’ll never get a top-jaw rope on. Crocs know when they’re being hunted.” For millions of years, wild animals have evolved to use every sense to tune into the world around them. Steve understood that their survival depended on it. So as I approached the enclosure, I thought of mowing the lawn, or doing the croc show, or picking hibiscus flowers to feed the lizards. Anything but catching Toolakea. It went like clockwork. Steve top-jaw-roped Toolakea, and we all jumped her. He decided that since she was only a little more than nine feet long, we would be able to just lift her over the fence and carry her to her other enclosure. Steve never built his enclosures with gates. He knew that sooner or later, someone could make a mistake and not latch a gate properly. We had to be masters at fence jumping. He picked up Toolakea around her shoulders with her neck held firmly against his upper arm. This would protect his face if she started struggling. The rest of us backed him up and helped to lift Toolakea over the fence. All of a sudden she exploded, twisting and writhing in everyone’s arms. “Down, down, down,” Steve shouted. That was our signal to pin the crocodile again before picking her up. Not everyone reacted quickly enough. As Steve moved to the ground, the people on the tail were still standing up. That afforded Toolakea the opportunity to twist her head around and grab hold of Steve’s thigh. The big female croc sank her teeth deep into his flesh. I never realized it until later. Steve didn’t flinch. He settled the crocodile on the ground, keeping her eyes covered to quiet her down. We lifted her again. This time she cleared the fence easily. I noticed the blood trickling down Steve’s leg. We got to the other enclosure before I asked what had happened, and he showed me. There were a dozen tears in the fabric of his khaki shorts. A half dozen of Toolakea’s teeth had gotten through to his flesh, putting a number of puncture holes in his upper thigh. As usual, Steve didn’t bother with the wound. He cleaned it out and carried on, but even after his leg had healed, he couldn’t feel the temperature accurately on his leg. Once, about a month after the incident, I got a drink out of the fridge and rested it on his thigh. “I can feel something there,” he said. “Hot or cold?” I quizzed. “I don’t know,” he said. The croc-torn khaki shorts he wore that day made an amazing souvenir for a lucky sponsor of the zoo. People who donated a certain amount of money to our conservation efforts received a bonus in return: one of Steve’s uniforms and a photograph of him in it. Steve was very proud to include his khakis with teeth holes in them as the gift for a generous supporter.
Terri Irwin (Steve & Me)
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck. “Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt. “I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent. Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it. “Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.” She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey. “On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence. “How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.” She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched. Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction. “Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Cayla Kluver (Sacrifice (Legacy, #3))
Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine. Rava’s lip curled into a sneer and she walked behind him, motioning to the Cokyrians holding the ropes to pull them tight, spreading his arms wide. With a swift and practiced motion, she raised the whip and brought it down hard upon his broad back, drawing blood with her first stroke, and gasps reverberated almost as loudly as had the cheers. “Is it worth it?” she demanded. “Yes,” he managed to answer, gritting his teeth against the pain. She struck him twice more, and though I could hardly bear it, I forced myself to watch, the muscles of my back spasming as each stroke landed. “Is it worth it?” “Yes!” Once more she struck, and again, until the ragged flesh and sinew of Steldor’s back was coated with blood--blood that flowed so heavily it ran down his sides. Women in the crowd now wept openly, while men cursed and shouted. I took in a shaky breath, knowing only one lash remained. Steldor would survive, and so would I. So would we all. Rava brought the whip down on Steldor for the sixth time, and his head hung forward. Was he still conscious? Or were the ropes around his wrists the only things keeping him from collapsing? Evidently wondering the same, Rava approached him and reached down, grasping a handful of his nearly black hair to pull his head up. His eyes were open, but barely focused. “Tell me, boy. Is it worth it?” she said in a near whisper. He smiled, revealing teeth smeared with blood from biting his tongue to hold back screams. “Yes.” Rage marred Rava’s face at her inability to break him, and she brutally shoved his head down. Backing up, she uncoiled the whip that was supposed to have retired, and flayed him again, more viciously than before. Steldor cried out this time, the sound tearing at my heart, and when the soldiers dropped the ropes, he crumpled forward. Knowing he had to be in tremendous pain, I was thankful for the respite the darkness would provide. Silence now reigned around us--no voices, no movements, hardly any breathing. It felt like the world had temporarily been turned to stone. Rava handed the whip to another soldier and stalked back toward the Bastion without a glance or word for anyone. She was cruel and heartless and arrogant, and hatred for her boiled within me as I watched the Cokyrians remove the ropes from Steldor’s wrists. They hauled him up by his arms and dragged him inside, leaving a crimson trail on the white walk. The rest of us followed, and I glanced at Cannan, who had managed more stoicism during the proceeding than had I. He had been witness to greater brutality during both wars with Cokyri, but I knew he would have willingly taken his son’s punishment in his stead. After seeing him in the cave, holding and protecting Steldor when we’d all feared the King’s death, I knew that beneath his strength and bravery, he ached.
Cayla Kluver (Sacrifice (Legacy, #3))
My hands read a Braille map hewn from bone, starting with my hollow breasts threaded with blue-vein rivers thick with ice. I count my ribs like rosary beads, muttering incantations, fingers curling under the bony cage. They can almost touch what’s hiding inside. My skin slopes down over the empty belly, then around the inside sharp curve of my hip bones, bowls carved out of stone and painted with fading pink razor scars. I twist in the glass. My vertebrae are wet marbles piled one on top of the other. My winged shoulder blades look ready to sprout feathers. I pick up the knife. The tendons on the back of my hand tense, ropes holding down a tent while the wind blows. Thin scars etch the inside of my wrist, widening to the ribbons in the crook of my elbow where I cut too deep in ninth grade. I win, I won.   I’m lost.     The music from my bedroom shrieks so loud against the mirror it’s making my ears ring. I stare at the ghost-girl on the other side, her corset bones waiting to be laced even tighter so she can fold in on herself over and over until she disappears past zero.
Laurie Halse Anderson (Wintergirls)
All Brewton belonged to them. Crump wanted to stay around and cash in on that fact but Santo talked him into driving him and Mary Tate and Craig back to Birmingham. Willy, Ruben and Pi did stay. The last Craig saw of them they each had a gin and tonic in hand and were chatting to interested little groups of Brewtonites. This was at Seymour Hanes's barbecue after the rodeo, in honor of Santo-Crump. 'Stay hungry,' Santo told Willy as they were leaving. Willy was unhurt except for a bruised tail and a few glamorous abrasions on his face, but he looked like a different man. The clown had told Santo at the rodeo that Willy had wedged his hand under the rope with the left-hand glove. 'I love you,' he told Santo. 'Hang in there,' Santo said and poked at his belly. 'Peace,' said Pi. Ruben smiled. They took ten slabs of barbecue ribs in a sack and ate them in the car. When Mary Tate finished hers she leaned against Craig, tucked her legs under her and put her left hand up high on his leg. Her face was flushed and beautiful. 'I loved you today, Swamp. You had fun, didn't you?' Craig's head was already beginning to buzz. His thoughts were going soft and he wanted to sleep. She kissed him slowly and quietly and he saw a thought distract her, saw it ripple over her eyes. 'How come that boy said he loved you, baby?' she asked Santo. 'Huh? Oh. He didn't mean me exactly,' Santo said and went back to talking rodeo with Shorty Crump.
Charles Gaines (Stay Hungry)
Backward reversal is used to increase the distance from the opponent. Such defense can be used against every blow. Just take a quick step back to avoid the opponent's blow. Defense by descent to the side involves a wide movement, leading the boxer from the field of punching the opponent's blows. This defense is used not so much to protect against any single blow as to avoid the opponent's next attack. This type of defense is especially valuable in the fight against the boxer, striving for a half-distance fight and trying to push the opponent to the ropes or drive him to the corner of the ring.
Michael Wenz (BOXING: COMBAT SPORT: RULES, TECHNIQUES, POSITIONS, DISTANCE, MOVEMENT. BECOME A SPORT LEGEND. (TRAINING))
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
You’re looking a little too amused, there, Pete,” she says. She fills her mouth with pool water and spits it from between her teeth at my foot. Damn, that’s hot. But, again, I’m a guy. We tend to get a little orally fixated. She could spit a goober and I’d still probably find it sexy. “What are you going to do about it?” I ask, sitting forward with my elbows on my knees. She looks startled for a second. Then I realize she’s plotting. I can almost smell the gears in her mind burning, they’re working that hard. Gonzo rolls up next to me. They must have warned everyone about Gonzo’s tracheostomy tube because no one tries to get him wet and he’s careful about the edge of the pool. Next thing I know, he’s beside me, and he doesn’t take the same care with me that he took with Reagan. A blast of water hits me in the face. I put my hands up to block him, but dammit, he’s having so much fun with it that I don’t want to stop him. Instead, I let him squirt until the gun’s empty. Then I blow water from my lips and open my eyes. She’s grinning like hell, and Gonzo’s almost as happy as she is. “You so deserved that,” she says. I stand up and point to her. “I’m coming for you, Reagan,” I warn. She squeals and backs away. She looks a little panicky, but then I realize she’s having fun and she’s panicking because I’m going to dunk her rather than because I’m going to touch her. This shit is like foreplay. The really good kind. I go in the shallow end and stalk her all the way to the rope that sections off the middle of the pool. I want to touch her so badly I can taste it. “Come here, little girl,” I taunt. “Let me show you what happens when you mess with a real man.” She laughs and ducks under the rope. She comes up smiling, though. I go under and reach for her, and she almost slides right by me, but I grab her at the last second. I slowly and gently pull her against me. We’re so close together that I can feel her heart beating against my chest. She stares into my eyes, and then her gaze drops to my lips and moves back up. “Pete,” she warns. She kicks her feet to stay afloat. “Reagan,” I mock. “It wasn’t my fault,” she says, but she’s a little breathless. “It was Gonzo. He planned the whole thing.” “Liar,” I whisper. Her face flushes. I tread water with one hand and hold her against me with the other. This feels so good that I don’t want to let go.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
More than two dozen kids lined a low railing around the gazebo. They were all tied to it by a rope leash that gave them no more than a few feet of movement. Neck to rail, like tethered horses. Each of the kids was weighed down by a concrete block that encased their hands. Their eyes were hollow, their cheeks caved in. Astrid used a word that Sam had never imagined coming from her. “Nice language,” Drake said with a smirk. “And in front of the Pe-tard, too.” A cafeteria tray had been placed in front of each of the prisoners. It must have been a very recent delivery because some were still licking their trays, hunched over, faces down, tongues out, licking like dogs. “It’s the circle of freaks,” Drake said proudly, waving a hand like a showman. In a crusty old wheelbarrow to one side, three kids were using a short-handled shovel to mix cement. It made a heavy sloshing sound. They dumped a shovelful of gravel into the mix and stirred it like lumpy gravy. “Oh, no,” Lana said, backing away, but one of the Coates kids smashed her behind the knee with his baseball bat, and she crumpled. “Gotta do something with unhelpful freaks,” Drake said. “Can’t have you people running around loose.” He must have seen Sam start to react because he stuck his gun against Astrid’s head. “Your call, Sam. You so much as flinch and we’ll get to see what a genius brain really looks like.” “Hey, I got no powers, man,” Quinn said. “This is sick, Drake. Like you’re sick,” Astrid said. “I can’t even reason with you because you’re just too damaged, too hopelessly messed up.” “Shut up.
Michael Grant
She traced the dragon’s body on his biceps where it transitioned into rope. “I just thought it would be more difficult. After all this time, the heartache, the waiting, the despairing and giving up, the pure pissed-offness of dealing with near misses…" She blew out a breath. “And there it is. With you, easy as breathing. ‘I’m in love with you.’ You said it and meant it. It changes the universe, but the way throwing a stone in a pond does. All those ripples. It's…amazing.” She frowned and cocked her head. “There should at least be dramatic music.” "I can retract it if you want. Brood for a while, play commitment paranoia games, alienate you so we break up, sort of, and then I chase you down before you make some monumental decision, like moving back to New York, or signing up for a three year stint in the merchant marines. Then we can have a big makeup scene.“ She pursed her lips. "Complete with dramatic music.” "Absolutely. If I could afford it, I’d hire John Williams to come up with the score.“ "You’d do all that for me?” "Hell, no.” He snorted, puffing a short, playful breath against her. “I’d tie you up and keep you in my basement until you contracted Stockholm syndrome and couldn’t breathe without me.“ She tipped her head back, sobering. "Sometimes, it feels like I can’t. Crazy, right?” He put his mouth on hers and took her air in the best kind of way, all while giving it back to her. at her, boyishly appealing, but then sobered. "We’re normal, extraordinary people,” he said. “It took us a while, but we always knew what it would look like when it happened. The simplicity of it is what makes it extraordinary. A tadpole gets legs and walks on land, and evolution begins. All in a simple blink, the whole world changes.
Joey W. Hill (Worth the Wait (Nature of Desire, #9))
What do you want?” Baltsaros reached again for Tom’s ankle but just held it in his hand. “Tell me.” “To kick yer bloody teeth in,” replied Tom, but he made no move to pull his leg away when Baltsaros slipped the rope around his ankle and bound it securely to the partially carved post. “Really?” Baltsaros stroked his hand all the way up the back of Tom’s thigh and then delivered a hard smack to his ass. “I don’t think so.” Tom’s breathing stilled for half a heartbeat, and Baltsaros smiled. He smacked him again, harder this time, and left his palm against the warming skin. “That,” whispered Tom raggedly against the coverlet. “Hm?” “I… I want that,” replied Tom. Oh, what did it cost him to admit to these things? “You want me to spank you?” Nothing at first but then a stiff nod from Tom. “Will you let me tie your other leg?” Another nod and an audible sigh when Baltsaros pulled the rope tight and knotted it off. He slipped off the mattress and stood back to admire his work.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her. “Habbe…” Her voice trailed off. She wanted desperately to distract him, but instead it was she who couldn’t seem to concentrate. “Your name, wha--what was it? Habbe what? What does it mean?” “Habbe Esa, Road to the Wolf, Hunter of the Wolf. My brother the wolf showed his face in my name dream.” “Y-your name dream?” She wriggled away and shoved the heel of her hand against his chin so she could sit up. “Wh-what’s a name dream?” His eyes gleamed down at her as he drew back his head. “A dream a man seeks when he becomes a warrior. In the dream, he learns his name. A woman has no need. She is named by others.” He dipped his head and captured her thumb between his teeth. Mesmerized, Loretta felt his tongue flick across her knuckles. Dear God, she was going to faint. And while she was unconscious, he would--he would…She felt herself tip sideways. His arm caught her from falling. He released her thumb. “Blue Eyes?” Loretta licked her bottom lip, trying desperately to right herself, to stay conscious. She couldn’t pass out--she just couldn’t. His face blurred. And his voice seemed distant. “Hah-ich-ka ein, where are you, Blue Eyes?” Loretta blinked, but it did no good. Was this how it felt to die? All floaty and distant from everything? Hah-ich-ka ein, where are you, Blue Eyes? She tried to answer. Couldn’t.
Catherine Anderson (Comanche Moon (Comanche, #1))
The word ‘canvas’ comes from ‘cannabis.’ Anyway, here’s why marijuana became illegal.” Skye leaned forward as though telling us a secret. “It competed with wood, paper, and the newly invented nylon. It threatened the wrong people, like Randolph Hearst and the du Pont family. They lobbied against it, and cannabis was made effectively illegal in 1937 when it was taxed up the wazoo. The government changed its mind during World War II because the Japanese controlled the production of manila rope, made from hemp, and we needed to produce our own, but they turned the tax back on after the war.
Al Macy (Sufficient Evidence (Goodlove and Shek, #2))
As he tumbled from the ship, he managed, through remarkable presence of mind, to seize hold of a rope. It was one of the topsail halyards that, good news for John, was trailing in the rolling seawater. Used to raise the upper sail, the trailing rope now provided the only chance of escaping catastrophe. It should have been carefully tied to a cleat, but it was not secured. And due to that piece of untidy seamanship, John Howland survived. In the desperate lunge that ended with him grabbing the twisted, slippery rope, he saved himself from drowning. He clung on even though he found himself, in Bradford’s words again, “sundry fathoms under water.” Back on the Mayflower there was a hurrying of men to the side of the pitching vessel. Many hands took up the shipward end of the rope and hauled him back towards safety. As the exhausted and drenched man was pulled from the waves and up against the rough timbers of the rolling Mayflower, someone grabbed a boat hook and, by catching it in his coat, helped pull him back on board.6 It had been a close call. Had the trailing rope not been there, had Howland failed to catch it, he would have been swept away by the white-crested waves and lost. As it was, he lived. It was an almost unbelievable event; an astonishing cheating of death. All of the godly who witnessed it or who heard of it would have felt convinced that it was possible only by the providential hand of God. Jonah-like, John Howland had been both thrown into the stormy deep and also rescued from it (though without the intervention of a great fish) by the will of God. His, clearly, was a life marked out for future importance in the story of the colony about to be founded. Heads would have nodded as word of the event spread among the godly passengers on the ship. Here, clearly, was a man in the hand of God. A man blessed and marked out by the action of the Almighty. The crew, though, probably winked and swore as they considered the naivete of a landsman taking the air in such a storm. For them it was just the latest evidence that these passengers were doomed to disaster; they lacked the edge and awareness needed to survive what lay ahead of them. And those less godly among the passengers might also have been less willing than some of those around them to assume the certainty of providence acting in the events. Which of these would be proved right—faithful Saints, profane seamen, uncertain Strangers—only time would tell. But one thing was certain: the name of John Howland was on everyone’s lips. And he himself was being written into history.
Martyn Whittock (Mayflower Lives: Pilgrims in a New World and the Early American Experience)
My eyes throbbed. Red blotches filled my line of vision. The pressure started. It compressed my chest, making it harder to breathe. I tried to move away, but it was useless. The blanket bound me like I was tied with rope. My head pounded with panic, threatening to explode and shatter pieces of me against the sheet. “The labor pains are beginning. Come, help her as she moves into this transition.” The pressure was everywhere. No part of my body was free. They pushed down. Harder and harder. A primal scream violently exploded from me. It did nothing. They kept pushing. They wouldn’t stop. “Renounce your old life! Renounce your old life!” Their chants filled my ears. “Prove your worthiness to the Lord!” I kicked and flailed wildly, desperately trying to break free. My body writhed back and forth. There wasn’t enough air. Every cell in my body screamed for oxygen. “Find the light. Move toward the light.” Abner’s voice cut into my fear. I wasn’t strong enough. I felt myself departing, my brain detaching from my body, floating. Black seeped into the edge of my vision. All their sounds melded into a big blur in my head, ran together. They were right next to me, so close, but I couldn’t hear them. I couldn’t feel them anymore either. My body was light. I was floating above the black, watching myself as I struggled. Abner was there, too, standing next to me as he watched himself pushing on my body.
Lucinda Berry (When She Returned)
I crept through the trees and brush for no more than an hour before I felt a presence behind me- coming ever closer, sending the animals running for cover. I smiled to myself, and twenty minutes later, I settled in the crook of a towering elm and waited. Brush rustled- hardly more than a breeze's passing, but I knew what to expect, knew the signs. A snap and a roar of fury echoed across the lands, scattering the birds. When I climbed out of the tree and walked in to the little clearing, I merely crossed my arms and looked up at the High Lord, dangling by his legs from the snare I'd laid. Even upside down, he smiled lazily at me as I approached. 'Cruel human.' He chuckled, and I came close enough to dare stroke a finger along the silken golden hair dangling just above my face, admiring the many colours within it- the hues of yellow and brown and wheat. My heart thundered, and I knew he could probably hear it. But he leaned his head toward me, a silent invitation, and I ran my fingers through his hair- gently, carefully. He purred, the sound rumbling through my fingers, arms, legs, and core. I wondered how that sound would feel if he were fully pressed up against me, skin-to-skin. I stepped back. He curled upward in a smooth, powerful motion and swiped with a single claw at the creeping vine I'd use for rope. I took a breath to shout, but he flipped as he fell, landing smoothly on his feet. It would be impossible for me to ever forget what he was, and what he was capable of. He took a step closer to me, the laughter still dancing on his face.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Anjali is Guyanese, and her braid looks like a thick rope that lays heavy against her back, curly baby hairs tamed by coconut oil. Michaela is Haitian and likes to mimic her parents’ French accents on the school bus (Take zee twash out! she says, as we clutch our sides in laughter), and Naz’s family is from the Ivory Coast—I mean, we’re practically cousins, she says to Michaela. Our teachers snap at Sophie to STOP TALKING NOW, but call her Mae’s name. Sophie, who is Filipino, clamps a hand over her big-ass mouth, which is never closed—she loves to gossip and flirt with the boys we call “Spanish”—while Mae, who is Chinese and polite to teachers, at least to their faces, jolts from the bookshelf where she’s stealthily shuffling novels from their alphabetical spots, in order to disrupt our English class two periods later.
Daphne Palasi Andreades (Brown Girls)
I believe in God,” says my nan, in a way that makes the idea of an omnipotent, unifying frequency of energy manifesting matter from pure consciousness sound like a chore. An unnecessary chore at that, like cleaning under the fridge. I tell her, plucky little seven-year-old that I was, that I don’t. This pisses her off. Her faith in God is not robust enough to withstand the casual blasphemy of an agnostic tot. “Who do you think made the world, then?” I remember her demanding as fiercely as Jeremy Paxman would later insist I provide an instant global infrastructure for a post-revolutionary utopia. “Builders,” I said, thinking on my feet. This flummoxed her and put her in a bad mood for the rest of the walk. If she’d hit back with “What about construction at a planetary or galactic level?” she’d’ve had me on the ropes. At that age I wouldn’t’ve been able to riposte with “an advanced species of extraterrestrials who we have been mistakenly ascribing divine attributes to due to our own technological limitations” or “a spontaneous cosmic combustion that contained at its genesis the code for all subsequent astronomical, chemical, and biological evolution.” I probably would’ve just cried. Anyway, I’m supposed to be explaining the power of forgiveness, not gloating about a conflict in the early eighties in which I fared well against an old lady. Since getting clean from drugs and alcohol I have been taught that I played a part in the manufacture of all the negative beliefs and experiences from my past and I certainly play a part in their maintenance. I now look at my nan in another way. As a human being just like me, trying to cope with her own flaws and challenges. Fearful of what would become of her sick daughter, confused by the grandchild born of a match that she was averse to. Alone and approaching the end of her life, with regret and lacking a functioning system of guidance and comfort. Trying her best. Taking on the responsibility of an unusual little boy with glib, atheistic tendencies, she still behaved dutifully. Perhaps this very conversation sparked in me the spirit of metaphysical inquiry that has led to the faith in God I now have.
Russell Brand (Revolution)
The horses, reluctant and excited from the first, become furious and wild. At the next shoal-personal nastiness being past consideration-we dismount, at knee-deep, to give them a moment's rest, shifting the mule's saddle to the trembling long-legged mare, and turning Mr. Brown loose, to follow as he could. After a breathing-spell we resume our splashed seats and the line of wade. Experience has taught us something, and we are more shrewd in choice of footing, the slopes around large trees being attractively high ground, until, by a stumble on a covered root, a knee is nearly crushed against a cypress trunk. Gullies now commence, cut by the rapid course of waters flowing off before north winds, in which it is good luck to escape instant drowning. Then quag again; the pony bogs; the mare, quivering and unmanageable, jumps sidelong among loose corduroy; and here are two riders standing waist-deep in mud and water between two frantic, plunging-horses, fortunately not beneath them. Nack soon extricates himself, and joins the mule, looking on terrified from behind. Fanny, delirious, believes all her legs broken and strewn about her, and falls, with a whining snort, upon her side. With incessant struggles she makes herself a mud bath, in which, with blood-shot eyes, she furiously rotates, striking, now and then, some stump, against which she rises only to fall upon the other side, or upon her back, until her powers are exhausted, and her head sinks beneath the surface. Mingled with our uppermost sympathy are thoughts of the soaked note-books, and other contents of the saddle-bags, and of the.hundred dollars that drown with her. What of dense soil there was beneath her is now stirred to porridge, and it is a dangerous exploit to approach. But, with joint hands, we length succeed in grappling her bridle, and then in hauling her nostrils above water. She revives only for a new tumult of dizzy pawing, before which we hastily retreat. At a second pause her lariat is secured, and the saddle cut adrift. For a half-hour the alternate resuscitation continues, until we are able to drag the head of the poor beast, half strangled by the rope, as well as the mud and water, toward firmer ground, where she recovers slowly her senses and her footing. Any further attempts at crossing the somewhat "wet" Neches bottoms are, of course, abandoned, and even the return to the ferry is a serious sort of joke. However, we congratulate ourselves that we are leaving, not entering the State.
Frederick Law Olmsted (A Journey through Texas: Or a Saddle-Trip on the Southwestern Frontier)
Suddenly his mind played a trick on him. He imagined her, not on the deck beside him, but in a ballroom, in a beautiful ball gown. His heart turned over hard, then thundered. Good God, she would be so beautiful . . . For a moment, speech failed him. She would have a dozen suitors, he realized, still stunned. “Amanda,” he heard himself say, his gaze holding hers “when you come out, I must insist on the first dance.” “You want the first dance?” she gasped. He tore his gaze away, shaken by the possessive desire that had arisen. “I do. In fact, I will make certain to be in London for your first ball—if you promise me that dance.” She turned away, incredulous, but the rope between them went taut. “Of course,” she said breathlessly. Then she faced him, still surprised. “But why?” “Are you not my protégée?” he asked, trying to sound casual. But he knew that she would be too beautiful to resist in a ball gown, whirling about the floor in a gentleman’s arms. It flashed through his mind that he might not be that pleased when she was introduced into society, because no gentleman would be immune to her beauty. And suddenly he wanted that first dance very badly—suddenly he ached for it. He glanced at her through his lashes. “Is it not my right to dance with you before all others?” he asked softly, unable to help himself. He could not control himself. They were standing near the helm in gale winds, the deck rocking heavily beneath their feet, and he was thinking of this woman, her beauty, her allure and his passion, not the storm. He knew he would feel as intensely passionate dancing with her as he would if he allowed himself to take her to his bed. She began to smile. “I am clumsy,” she warned. He laughed, relieved by her absurd comment. “Impossible. You are light on your feet—we locked swords, remember? I know you will excel at dancing, just as you will excel at all of your current studies.” She suddenly lowered her dark lashes. “Very well. I will allow you the first dance—if you allow me to ride the storm here with you.” “Absolutely not!” he shouted, aghast. “I do not need you going overboard, either!” She pulled on the rope binding them, then gave him a sideling, seductive look. “I can hardly fall overboard now.” He shook his head, furious with her for daring to use that dance against him, and glanced at the high, white foam of the seas. The horizon ahead was now pitch-black, a sight he did not care for. He turned back to her. “I will not barter for that dance,” he warned. He was going to have it, no matter what she now intended.
Brenda Joyce (A Lady At Last (deWarenne Dynasty, #7))
When a quick fix eases the symptoms of a problem, as that acupuncture session did for my back, our appetite for pulling the andon rope tends to fade. After a tidal wave of bad debt threatened to torpedo the world economy in 2008, governments around the world swiftly put together bailouts totaling over $5 trillion. That was the necessary quick fix. Once the threat of global meltdown receded, however, so too did the will to follow up with a deeper fix. Everywhere politicians failed to push through the sort of root-and-branch reform that would guard against Financial Armageddon 2: The Sequel.
Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed)
As they moved on he was offered some STP, a powerful hallucinogenic which had become infamous after five thousand high-dosage tablets had been given away weeks earlier at the Summer Solstice Celebration in Golden Gate Park. The delayed onset of its effects meant a number of users had taken extra hits and ended up in hospital.302 Harrison declined the STP, but his response was seen as a snub. ‘I could see all the spotty youths,’ he recalled, ‘but I was seeing them from a twisted angle. It was like the manifestation of a scene from an Hieronymus Bosch painting, getting bigger and bigger, fish with heads, faces like vacuum cleaners coming out of shop doorways… They were handing me things – like a big Indian pipe with feathers on it, and books and incense – and trying to give me drugs. I remember saying to one guy: “No thanks, I don’t want it.” And then I heard his whining voice saying, “Hey, man – you put me down.” It was terrible. We walked quicker and quicker through the park and in the end we jumped in the limo, said, “Let’s get out of here,” and drove back to the airport.’303 The crowd began to grow hostile as they returned to the limousine, and those outside began rocking the vehicle as their faces pressed against the windows. The narrow escape increased Harrison’s resolve to move away from LSD. ‘That was the turning point for me – that’s when I went right off the whole drug cult and stopped taking the dreaded lysergic acid. I had some in a little bottle – it was liquid. I put it under a microscope, and it looked like bits of old rope. I thought that I couldn’t put that into my brain any more.
Joe Goodden (Riding So High: The Beatles and Drugs)
I asked Saf. “How do you do that?” Saf smirked. “He has you on punishment, he thinks you are hurting and wasting your time morosing over him while he lives his life” “He is exacting punishment and he is enjoying it!” “He probably not thinking of you any at all” “His hope is to come back and see you same place he left you!” “And ready to take him back and take you out of your suffering!” Saf chuckled. “Waste his time!” Saf half shouted. I leaned in conspiratorially. “Me no understand!” Saf always spoke in colloguish manner. “Change the ending, the outcome!” “Let when he checks in back, he has lost the compass!” “You can’t be found!” “That’s how you get back control!” “Right now he has all the control in the world!” “And you have none!” “You start to get back your control!” “Remember when i told you about that rope!” “The one people tug every now and then to see if you still at the end of it!” “We move pass that now…!” “You come tie the rope to a stump of a tree!” “Or on a stick or staple it to the ground!” “And you gone run…!” “You gone play the same game he is playing…!” “Play it his way but still play against him” Saf sucked her teeth. “Precognitive!” She pressed her index finger against her forehead. “Same story as the Tortoise and the Hare” Yakima II Crystal Evans Copyright ©️ 2023
Crystal Evans (Yakima II)
I thought the horses would run over me, that any moment their feet would crush my back and head. Something struck me, and I fell and landed on my face; dust filled my eyes. I heard the sound of a man landing from his horse and some shuffling. Then I was in the air. I had been lifted by the man, whose hand was gripping my ribs, the other hand my legs. ... He had put me on his saddle and he tied me onto it. I felt a rope against my back, digging into my skin. He was tying me to the horse. ... Two days later I was thrown onto the ground and told that that was where I would be sleeping. I awoke to the smell of something burning. It smelled like flesh on fire... the Arab was putting a burning metal rod to my head. He was branding me. In my ear he branded the number 8, turned on its side. Moses turned to show me. It was a very rough marking, the symbol raised and purple, scarred into the flesh behind his ear. —Now you will always know who owns you, this man said to me. The pain was so intense that I passed out. I woke when I was being lifted. I was thrown on the saddle again and he tied me down again, this time tighter than before. We rode for two more days. ... It was some kind of military camp. Hundreds “of boys like me were there, all under twelve, Dinka and Nuer boys. I was put in a huge barn with all of these boys, and we were locked inside. There was no food. The barn was full of rats; everyone was being bitten by them. ... Every time there was a battle, the boys would be brought out from the barn and made to give blood. ... I was put on a horse again and we rode for many days. We stopped at a house, a very well-built house. It was the house of an important man, Captain Adil Muhammad Hassan. I learned that I was being given as a gift. Hassan was very thankful and the two of them went inside to eat. I was still tied to the horse outside. They were gone inside all evening and I stayed on the horse. ... The man had two wives, and three children, all the children very young. I thought that the kids would be decent to me, but they were crueler than their parents. The kids were taught to beat me and spit on me. “The kids especially liked to whip me. The oldest boy, when he was left alone with me, would whip me without pause. ... I squatted in the yard like a frog, and he brought his children out and told them to jump on me. They sat on my back and pretended that I was a donkey, and they laughed, and Hassan laughed. They called me a stupid donkey. And the kids fed me garbage. They said I had to eat it, so I ate it—anything they gave me. Animal fat, tea bags, rotten vegetables. ... “There was another Sudanese there, a girl named Akol. She worked in the kitchen, mostly, but she was pregnant with Hassan’s baby so his wife hated her. The wife would find Akol crying for her mother and she would scream at her, threatening to slit her throat with a knife. She called her bitch and slave and animal.
Dave Eggers (What Is the What)
the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all."   "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective
R.O. Lane (Johnny Hayes)
I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
The hunters exchanged looks, then slowly stood. They began to move away from the table, having left no money to pay for their drinks, which was a sure clue trouble was coming. The one in the group closest to Mike whirled suddenly, landing a blow right to Mike’s face. It sent him skittering backward, his hand to his lip, ending up against the bar. He said, “Oh, you’re going to hate yourself.” He wound up and hit back, left-handed, sending his assailant flying into his boys, knocking two of them off balance. It started. Preacher and Jack were around the bar before Mike even delivered his first blow. Preacher knocked two heads together, Jack landed a blow to one gut, another jaw. Mike grabbed up his attacker, decked him again and then sent him into another guy, downing them both. Someone came at Jack with a ready fist, which Jack caught easily, twisted his assailant’s arm around his back and shoved him into his boys. In less than two minutes, six partially inebriated young hunters were on the bar floor, spread over some broken glasses and amidst toppled chairs and two tables. All of them were moaning. Besides that first blow to Mike’s face, they hadn’t even managed contact. The heartiest of the bunch got back on his feet and Preacher grabbed him by the front of his jacket, lifted him off the floor and said, “You really wanna be this stupid?” He instantly put up his hands and Preacher dropped him. “Okay, okay, we’re out of here,” he said. “It’s too late for that, guys,” Mike said. He yelled, “Paige!” She stuck her head into the bar. “Rope!” “Aw, come on, man,” someone said. “Just get ’em the hell out of here,” Jack said, disgusted. “Can’t,” Mike returned. Then to the hunters, “Hell, I tried to warn you. You don’t want to mess with the women. You don’t want to fight. Not around here. Jesus,” he said in disgust. “Shit for brains.” Mike explained to Jack that not only were these boys too drunk to drive down the mountain, they might get down the road and claim they’d been jumped. Since they had all the bruises and the home team had only sore knuckles, it just wouldn’t be smart to take that kind of chance. Better to let the police handle things now. Fifteen minutes later each one of them was tied to a porch rail out front, and a half hour after that three sheriff’s deputies were standing around the front of the bar, assessing the damage. “Merciful God,” Deputy Henry Depardeau said. “Every time I turn around, somebody’s getting beat up or shot around here!” “Yeah,
Robyn Carr (Whispering Rock (Virgin River, #3))
We were eighteen thousand vertical feet above sea level, in the mouth of Everest’s killer jaws. I noticed my hand was shaking as I fumbled with the ropes through thick mittens. It was pure fatigue. An hour later, it felt like we were still no closer to base camp, and it was starting to get late. I glanced nervously around the icefall. We should be meeting back up with Nima somewhere around here, as arranged. I scanned around but couldn’t see him. I dug my crampons into the snow, leaned back against the face to get my breath back, and waited for Mick behind me. He was still ten yards away, stepping carefully across the broken blocks of ice. We had been in this crevasse-ridden frozen death trap for more than nine hours, and we were both moving very laboriously. Watching him, I knew that if the mighty Mick was moving this slowly then we were indeed on a big mountain. I stood up and took a few more careful steps, testing the ice with each movement. I reached the end of one length of rope, unclipped, breathed hard, and grabbed the next rope. I held it loosely in my hand, looked around, took another deep breath, then clipped my karabiner into the line. Then all of a sudden, I felt the ground beneath me twitch. I looked down and saw a crack in the ice shoot between my feet, with a quiet, slicing sound. I didn’t dare move. The world seemed to stand still. The ice cracked once more behind me, then with no warning, it just dropped away beneath me, and I was falling. Falling down this lethal black scar in the glacier that had no visible bottom. Suddenly I smashed against the gray wall of the crevasse. The force threw me to the other side, crushing my shoulder and arm against the ice. Then I jerked to a halt as the thin rope that I had just clipped into held me. I am spinning round and round in free air. The tips of my crampons catch the edge of the crevasse wall. I can hear my screams echoing in the darkness below. Shards of ice keep raining down on me, and one larger bit smashes into my skull, jerking my head backward. I lose consciousness for a few precious seconds. I blink back into life to see the last of the ice falling away beneath me into the darkness. My body gently swings around on the end of the rope, and all is suddenly eerily silent. Adrenaline is coursing through my body, and I find myself shaking in waves of convulsions. I scream up at Mick, and the sound echoes around the walls. I looked up to the ray of light above, then down to the abyss below. I clutch frantically for the wall, but it is glassy smooth. I swing my ice axe at it wildly, but it doesn’t hold, and my crampons just screech across the ice. In desperation I cling to the rope above me and look up. I am twenty-three years old and about to die. Again.
Bear Grylls (Mud, Sweat and Tears)
Jon could see the first mate move eagerly up against the captain, wanting more. However, Baltsaros kept his eyes on Jon and just smiled. A moment later, Tom let out a pathetic little sound. “Fuck, Da. Please. Please, Da. Fuck me,” gasped Tom. Jon’s heart leaped with the first mate’s shameless words. Baltsaros slapped Tom’s ass before sliding his length back into him a few times. Jon saw that Tom’s cock swung heavy and hard between his legs, but he knew that the first mate wouldn’t touch it unless the captain gave him leave. “Tell me what you want, Tom,” purred Baltsaros with another wicked smile. He pulled himself out to slide his length up along the furrow of the first mate’s ass again. Tom’s lids lifted slowly and his forehead creased. With his eyes on Jon, he began to speak as Baltsaros waited. “I want ye to fuck me, Da. I wanna feel yer thick cock fuckin’ me deep,” Tom gasped. “I want ye to drive yer cock into my ass, Da. Please, Da. I want yer cock… please, Da.” The words made Jon’s groin ache, and his ass throbbed over the phallus lodged inside him. However, when Jon squirmed slightly in discomfort, he noticed that while the wooden cock was held inside him by one rope, the rope around his ankle pulled it out a little. He experimented by moving his hips forward and was rewarded with a shallow plunge. He gasped at the feeling. “More, Tom,” he whispered. “Say more…
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
My husband is dead," she said tightly. A small muscle twitched high in his lean cheek. "I'll make you believe me." He reached for her swiftly, both hands wrapping around the back of her skull, gently gripping as he brought his mouth to hers. Ignoring her cry of alarm, he kissed her as she had never been kissed before. Her hands came up to his muscle-roped wrists, trying in vain to pry herself free. The sensation of his mouth, incendiary, delicious, stunned her. He used his teeth and lips and tongue, seducing her in a blaze of sensuality. She floundered for purchase until he let go of her head and gathered her against the hard surface of his body. She was held tight and secure in his embrace, thoroughly possessed... utterly desired. Her nostrils were filled with the scent of him: earth and air and the mild, pleasant bite of sandalwood. His lips slid downward, finding the sensitive place on the side of her neck. He took a deep, luxurious breath and fanned it over her skin, and pressed his face close until she felt the sweep of his lashes against her cheek. She had never been held like this, touched and tasted as if she were some exotic spice to be savored.
Lisa Kleypas (Stranger in My Arms)
she knew, a good mother—not as good as she would have liked—but she had tried. What did he want from her? She screamed again and tried bending her back against the pole. When she did, she felt the briefest give to the ropes around her wrists. She also felt her sticky blood pooling around the rope. “Confess your crimes,” he repeated. “I don’t know what you’re talking about!” she moaned. “You will remember,” he said. He’d said that before, too. And
Blake Pierce (Before He Kills (Mackenzie White, #1))
You really think you can buy some rope without drawing attention?” Lopen lounged back against the wall. “My cousin’s never failed me.” “How many cousins do you have, anyway?” Earless Jaks asked. “A man can never have enough cousins,” Lopen said.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
The boy was gripping a lantern in his right hand. Perhaps he had taken it from the butler’s office. He might have looked awkward, but he moved like a cat. Cristian didn’t even sense him approach. The boy raised the lantern high above his head. Cristian fumbled with the lock on the door, his shaking left hand trying to work the mechanism while his right arm held the dagger to Flora’s throat. The boy took a step. Then another. He was almost within reach. The door swung open. Cristian started to turn. “Now!” Cass screamed. The boy slammed the lantern hard against Cristian’s skull, and Cass heard the same crunching sound she’d heard when she’d hit him with the fireplace poker. He slumped to the ground, unconscious. The dagger fell to the floor with a clatter. Flora landed on her hands and knees, shaking and sobbing. Luca thundered down the servants’ stairs, skidding to a stop as he witnessed the chaos. Bortolo and Narissa were right behind him. “Cass, what happened?” Luca asked. The servants were weeping. The boy who had knocked out Cristian looked a bit dazed himself. The lantern hung limply from his right hand. “He saved us.” Cass gestured at the boy. Luca only then recognized the crumpled form on the floor. “Cristian,” he said. Turning to Narissa, he added, “Send for the Town Guard immediately.” Narissa hurried toward the front of the house. Cristian groaned, his eyelids fluttering. Flora stumbled back from him, one hand clutching her throat. Luca placed the sole of his boot on Cristian’s neck. “Someone get some rope,” he barked. Turning to the sandy-haired boy, he asked, “Who are you?” “Matteo Querini.” The boy set the lantern on the kitchen counter and frowned at Cristian. “Where I come from, a man does not hold a blade to a lady’s throat.” He turned to Cass. “Signorina Caravello, I presume? I’m here to assume control of the estate. Sorry. I was a bit delayed in my arrival.” “On the contrary.” Cass dipped into a shallow curtsy. “I’d say you arrived just in time.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
The gondola jolted backward as Falco pulled the rope tight. Cass looked up, surprised to find herself back at the villa already. Falco hopped out of the boat and turned to her with an expectant look. “What are you doing?” she asked. “I thought you had someplace to be.” She couldn’t keep the hurt from leaching into her voice. “I’m going to walk you to your door, of course.” “I can walk myself, thank you.” Cass clambered over the side of the gondola, her chopines clutched in her left hand. Her cloak snagged on the boat. One of the tall wooden overshoes slipped out of her fingers and landed in the shallow water. “Mannaggia,” she muttered, reaching down to retrieve the soggy shoe. She pushed past Falco as she headed across the lawn. Falco caught up with her easily. “Cassandra, be reasonable. There’s a murderer running around.” She didn’t answer. She headed around to the back of the villa, doing her best to ignore him as he loped beside her in the manicured grass. He couldn’t just freeze her out for the whole boat ride and then pretend everything was fine. Cass tucked her hands into the pockets of her cloak. Her fingers closed around a scrap of fabric--her handkerchief. She remembered Mada’s words. If he keeps it for a little while, then he’s yours. Did she want Falco to like her? Cass wasn’t sure. “A presto,” Falco said, with a short bow. “Until very soon.” “All right.” Cass bit back the tears that were suddenly pushing at the back of her throat and eyes. If she turned around, even for a second, she knew that she would cry. But why? What had happened? She didn’t know. She let the handkerchief slip from her pocket as she pushed quickly into the house, shutting the door behind her without looking back. Leaning against the wall of the kitchen, Cass forced herself to breathe. A single tear worked its way down her cheek, and she brushed it roughly from her face. She turned and peered through the thick glass window. Falco was still there. He had picked up her handkerchief. It looked small in his hands. He paused for a moment, glanced in the direction of the back door, and then tucked the cloth square into his pocket. Overwhelmed by the evening’s events and her swirling emotions, Cass let her body slide slowly to the floor. This time she couldn’t stop the tears from falling.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Tell me what you feel," he demanded. "Right now, in this moment." Her arms flexed as she pulled against the rope around her wrists, stopping just shy of loosening the restraint. She licked her lips, and her gaze fell to travel hotly over his bared chest and abdomen. And then lower to where his painful erection jutted fiercely from the shadow of his groin. His entire body tensed when her attention seemed to lock on that part of his body. "I am on fire from the inside out," she whispered in a husky tone. "I feel desperate and frantic. As though I am fighting for my life." She brought her gaze back to his face. "And only you have the power to save me." She arched her body, lifting her breasts and rolling her hips. "Please, my lord. Kiss me," she sighed in a quiet demand. Kiss her? He wanted to consume her. In that breathless moment, her gaze seemed to contain all the mysteries of life and death. Mysteries he wanted desperately to explore... until he acknowledged with an intense stab of regret that a woman like Lily would not reveal the depths of her heart unless she could expect reciprocation in kind. Avenell would never know the beautiful secrets she kept. But he could know this. The sigh she breathed as he lowered his head toward hers. The silken texture and lush softness of her lips beneath his. The sweetness of her tongue, the sharp edge of her teeth. The way he so quickly and easily lost himself in the languid exploration of her mouth. She arched more deeply toward him. The peaks of her breasts pressed into his chest. He tensed at the rise in sensations but did not pull away. The kiss took priority over all else. Her tongue played fiercely against his, and her teeth scraped along his lower lip, demanding more of him. Her body melted as her moans and sweet whimpers fanned the fire burning hot inside him. She strained beneath him, arching deeper, pressing harder toward him. It was the deepest pleasure.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
You are the richest chocolate, the most decadent dessert, the smoothest coffee, and the most intoxicating wine.” He kisses his way down my throat and circles each of my nipples with his tongue. My body melts and I arch my back, offering more.
Sarah Castille (Against the Ropes (Redemption, #1))