Children's Blizzard Quotes

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I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people's dream died there. It was a beautiful dream...
Black Elk
Growing up spoiled a lot of things. It spoiled the nice game they had when there was nothing to eat in the house. When money gave out and food ran low, Katie and the children pretended they were explorers discovering the North Pole and had been trapped by a blizzard in a cave with just a little food. They had to make it last till help came. Mama divided up what food there was in the cupboard and called it rations and when the children were still hungry after a meal, she'd say, 'Courage, my men, help will come soon.' When some money came in and Mama bought a lot of groceries, she bought a little cake as celebration, and she'd stick a penny flag in it and say, 'We made it, men. We got to the North Pole.' One day after one of the 'rescues' Francie asked Mama: 'When explorers get hungry and suffer like that, it's for a reason . Something big comes out of it. They discover the North Pole. But what big things comes out of us being hungry like that?' Katie looked tired all of a sudden. She said something Francie didn't understand at the time. She said, 'You found the catch in it.
Betty Smith (A Tree Grows in Brooklyn)
Snow harder! Snow more! Snow blizzards galore! I can’t get enough Of the fluffy white stuff! Snow! Snow! Snow! Snow a ton! Snow a heap! Snow ten feet deep! I wouldn’t cry If it snowed til July. Snow! Snow! Snow!
Paul F. Kortepeter (The Holly Pond Hill Christmas Treasury)
I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people’s dream died there. It was a beautiful dream . . . the nation’s hoop is broken and scattered.
Black Elk (Black Elk Speaks)
it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks. That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories.
Margaret Atwood (Cat’s Eye)
I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children. "Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words." I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.
Jennifer Donnelly (A Northern Light)
It was the age of confidence. Arrogance was epidemic.
David Laskin (The Children's Blizzard)
But hell is this life we lead now, not later.
Melanie Benjamin (The Children's Blizzard)
People get tired of constant bad news, they shut it out after a while, become immune to it.
Melanie Benjamin (The Children's Blizzard)
For the first time, she understood that conversations didn't always bring about resolution. That people - all people - carried around inside them notions and thoughts and sadness that could not be alleviated simply by talking about them.
Melanie Benjamin (The Children's Blizzard)
The Great Plains were immense enough to inspire the grandest, most foolish of dreams - but they were also vast enough that no one could ever explore every corner.
Melanie Benjamin (The Children's Blizzard)
The two prepared to head out into the storm that was not letting up, thank God; maybe this thing was going to turn out to be a tragedy, after all!
Melanie Benjamin (The Children's Blizzard)
There would be more storms ahead, John knew. But somehow they’d all made it through the blizzard. Whatever was coming, they would face it. Maybe that’s what it meant to be a pioneer.
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
Some children sit in their warm cosy beds with snacks and hot cocoas watching Hollywood movies with age rating while others shivering in the freezing blizzards drinking from icy broken pipes and ripping pieces of jewellery off bloody bombed up limbs.
Et Imperatrix Noctem
Oh, don’t blame your wife! You’re a man, you could have come. But she was right, you should have thought of your family in the first place. I should have, too. I won’t be so silly—so selfish—again. I don’t need you to rescue me anymore, Gunner, and I don’t think I ever really did.
Melanie Benjamin (The Children's Blizzard)
hot and dry early that year, and by the Fourth of July the grass was parched and brown and stubby. The young Teddy Roosevelt, traveling through the north part of Dakota Territory on the way to his ranches near Medora, told a newspaper reporter in mid-July that “Between the drouth, the
David Laskin (The Children's Blizzard)
Gro Rollag was no beauty, but she was a strong capable young woman with a long face, prominent cheekbones, high forehead, and a kindly intelligent look in her rather narrow eyes. According to family lore, she was not the most conscientious housekeeper because she preferred reading to housework. A love of books and reading ran in the family. Of all the possessions they were forced to sell or leave behind in Norway, what the Rollags remembered with deepest regret was the library they inherited from an eighteenth-century ancestor - lovely old books sold to pay for their passage to America.
David Laskin (The Children's Blizzard)
Because to him, she was just a silly girl to whom he could do whatever he wanted. Because to him, she was a plaything. There was nothing noble in his devotion. It was vanity—she was a mirror, reassuring him that he was a man who could make a young girl lose her head. A reminder that as a man, he could take whatever he wanted.
Melanie Benjamin (The Children's Blizzard)
The blizzard, created when an enormous trough of cold air rushing in from the Arctic had met up with an equally enormous influx of warm, wet air from the gulf, gobbled up everything in its path. The collision generated a force of energy no one could remember seeing in their lifetimes, but that all would talk about with wonder until the day they died.
Melanie Benjamin (The Children's Blizzard)
But as soon as he felt the first blast of ice slap his unprotected face, Gavin thought, once more, of that girl. How many ways could he come up with to describe what happened when young, hopeful—yearning—women were frozen to death out on the prairie? Gavin looked up at the sky, hoping, to his own surprise, to see a break in the clouds, a glimpse of a fading sun. But no such break occurred.
Melanie Benjamin (The Children's Blizzard)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In An Instant)
For countless centuries, magic gripped the ordinary world in a vise of terror. Fairies used to steal children away and leave sickly changelings in their stead. House cats would rob their masters. a forest was just as likely to eat you as shelter you. When you offended a beggar crone, she did not sue you in a court of law - instead, she cursed you and your children and your children's children. People ate fairy fruit and went mad with hunger. Djinni granted wishes designed to trap you in your own desires. When there was an earthquake or blizzard or hurricane, you could be be sure it was due to some king or queen feeling sad - the amount of destruction caused by lovesick royalty is incalculable!
Jonathan Auxier (Sophie Quire and the Last Storyguard (Peter Nimble, #2))
Wasn’t it Pieter Stuyvesant who said that first boatload of Jews could stay in New Amsterdam only as long as they took care of their own and asked for nothing? So take care of ourselves we did. They always told us how lucky we were to grow up in the Orphaned Hebrews Home, schooling us in its illustrious history. Didn’t we weather the blizzard of 1888, kept warm by our own stockpile of coal, fed from the ovens of our own bakery? And while children all over the city succumbed to cholera at the turn of the century, didn’t we emerge unscathed, the city’s water filtered before it reached our lips? After the Great War, people fell to influenza by the tens of thousands, but in the Home not a single child died. No matter how impressive, though, our Home was a kind of ghetto, the scrape of metal as the gates swung shut the same sound in Manhattan as in Venice. I
Kim van Alkemade (Orphan Number Eight)
A small smudge over there—the bird cruised down to see, hopeful, hungry. But he was disappointed; the smudge did not move. For it was an arm, sticking out of the snow, attached to a body buried beneath. Another odd blot of lifelessness, another, another—the bird took it all in from his aerial vantage point. A yellow hat atop a grey head, eyes frozen shut. A hand, poking out of a drift; a child’s hand, so small, so white, a deathly white, paler than the snow. A wagon wheel, a pale blue dress fluttering out of its spokes, and inside that dress, a lifeless female body. Clothing fluttered, moving, tricking the hawk time and again into thinking it had found its breakfast. Clothing blown off bodies that were now naked to the elements, like the one over there, only a few heartbreaking steps away from a barn. And more small hands, feet, faces upturned, eyes shut tight. That deathly pallor, blue grey against the dazzling white snow. The hawk turned northward, hoping for better hunting grounds. But he was doomed to be disappointed on this cold, sunny morning.
Melanie Benjamin (The Children's Blizzard)
But the hawk knew the landscape; there were vast areas of it he avoided due to a scarcity of prey. Land that was overhunted—that land was the Great Sioux Reservation, bordered by the rugged Black Hills on the west, the Missouri River on the east. There, even scrawny squirrels and half-dead rabbits were precious. The smudges there were tepees, made out of fading buffalo hide, clustered together in groups, the groups too close to those from other tribes, but forced, due to the government, to live together. Misery hung over this landscape like a cloud, even on the sunniest day. So he kept to the south, swooping closer to the ground, and finally the peaceful-seeming landscape gave up some secrets. A fence post here, a clump of bushes there, an upturned wagon, haystacks. As his eyes adjusted, however, other secrets were discovered. What seemed like a line of small haystacks were, upon closer inspection as the hawk zeroed in, cows. Unmoving cows, statues; some on their sides, others standing, all frozen where they were. The hawk turned, uninterested, to investigate more dark shapes emerging from the blinding white; horses, their legs collapsed under them, eyes closed forever.
Melanie Benjamin (The Children's Blizzard)
I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eves still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people's dream died there. It was a beautiful dream.
Raymond J. Demallie (The Sixth Grandfather: Black Elk's Teachings Given to John G. Neihardt)
She
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
Because at least one hundred of the people who died were schoolchildren.
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
When family beliefs lead you to judge someone or something as bad, another conflict appears: Your conclusions and reality get out of sync. The Smith family judged physicians harshly, so it would be difficult for any of them to adopt a similar lifestyle—even if they had the means to do so and would be happier that way. This is parallel to my condemnation of myself when my home didn’t meet my family’s standards. Until I healed my self-judgment, it was hard for me to let my house be dirty without an emotional consequence. And as any mother knows, cleaning a home with children in it is like shoveling snow in a blizzard. I would have been an emotional mess if I hadn’t dealt with this faulty core belief, and my anxiety could have caused undue stress for my children.
Rebecca Linder Hintze (Healing Your Family History: 5 Steps to Break Free of Destructive Patterns)
The ambitious and restless, the poor and desperate, the gullible, the land hungry, the exile from oppression, the start-over dreamer, the Go West! hothead, the get-rich-quick drifter--all were spellbound by the mystique of Dakota in the 1880s.
David Laskin (The Children's Blizzard)
That’s when he heard an awful roar up the mountain above him, like a thousand trains thundering down the track with a thousand tornadoes right behind them.
Gertrude Chandler Warner (The Mystery on Blizzard Mountain (The Boxcar Children Mysteries Book 86))
And George knew just what it was, too. It was an avalanche. He jumped just like his horse had done—for it had known something was wrong, the way animals do. Anyway, George jumped and tried to run, but it was too late.
Gertrude Chandler Warner (The Mystery on Blizzard Mountain (The Boxcar Children Mysteries Book 86))
La cachucha, is that for us, maestro? Will it be danced across the tottering floorboards of the cavaliers' wing, between cramped walls, blackened with smoke and greasy with grime, under its low ceiling? Curse you, the way you play! La cachucha, is that for us, for us cavaliers? Outside the snowstorm howls. Do you mean to teach the snowflakes to dance in rhythm, are you playing for the light-footed children of the blizzard? Female bodies, which tremble under the pulse beat of hot blood, small sooty hands, which have thrown aside the cooking pot to grasp the castanets, naked feet under tucked-up skirts, yard coated with flakes of marble, crouching gypsies with bagpipe and tambourine, Moorish arcades, moonlight and black eyes, do you have those, maestro? If not, let the fiddle rest! Cavaliers are drying their wet clothes by the fire. Should they swirl around in their tall boots with iron-shod heels and thumb-thick soles? They have waded through the ell-deep snow the whole day to reach the bear's winter lair. Do you think they should dance in their wet, steaming homespun clothes, with the shaggy bruin as a partner? Evening sky, glittering with stars, red roses in dark female hair, tormenting sweetness in the evening air, untaught grave in the movements, love rising out of the earth, raining from the sky, hovering in the air, do you have this, maestro? If not, why force us to long for such things? Cruelest of men, are you sounding the attack for a tethered warhorse? Rutger von Orneclou is lying in his bed, imprisoned by gout pains. Spare him the torment of sweet memories, maestro! He too has worn a sombrero and a gaudy hairnet, he too has owned a velvet jacket and a sash with a dagger tucked in it. Spare old Orneclou, maestro!
Selma Lagerlöf (Gösta Berling's Saga)
was so scared I wet my pants!
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
Miss Ruell was still covered with snow. She was untying a rope that was knotted around her waist. John realized she must have tied the other end to something in the schoolhouse.
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
To my amazement, staff discussions on the unit rarely mentioned the horrific real-life experiences of the children and the impact of those traumas on their feelings, thinking, and self-regulation. Instead, their medical records were filled with diagnostic labels: “conduct disorder” or “oppositional defiant disorder” for the angry and rebellious kids; or “bipolar disorder.” ADHD was a “comorbid” diagnosis for almost all. Was the underlying trauma being obscured by this blizzard of diagnoses?
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Children froze to death only yards from their homes, women committed suicide, cattle … blew over in the gale force winds and died where they fell.” As the snow melted, dead cattle were seen drifting down the swollen Little Missouri River. The next year, another blizzard killed nearly 100 people. Others suffered from frostbite.
Blaire Briody (The New Wild West: Black Gold, Fracking, and Life in a North Dakota Boomtown)
Slowing down enough so that someone could have caught him. And the horse wondered why his owner had not; why the exhausted cries of his name had stopped at some point, so many painful steps back.
Melanie Benjamin (The Children's Blizzard)
On and on they went.
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
But in America’s small towns, life hadn’t changed much in a hundred years. There were few roads. Most people were farmers. Kids worked alongside their parents, and went to one-room schools. Toilets were outside, pits dug in the ground.
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
It turned out that not all of those poems were so boring.
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
The Children’s Blizzard. Because at least one hundred of the people who died were schoolchildren
Lauren Tarshis (I Survived the Children’s Blizzard, 1888 (I Survived #16))
Or should one condemn an economic system that gave some families mansions on Summit Avenue and left others so poor that they would risk their children and their own lives for the sake of a single cow? They called it “The School Children’s Blizzard” because so many of the victims were so young—but in a way the entire pioneer period was a kind of children’s disaster. Children were the unpaid workforce of the prairie, the hands that did the work no one else had time for or stomach for.
David Laskin (The Children's Blizzard)
As the blizzard roared outside we prepared for the night. “The sandwiches on the kitchen table wouldn’t be our only food. The sandwiches we would have that night would just be the beginning of a feast. After supper we threw some blankets and a quilt down in front of the stove in the living room. “Can’t trust the two of you for a minute,” she said, laughing. “Come to bed when you’re ready.” With that she went into what should have been the dining room, which now had a big Victorian style bed in it. There must have been bedrooms upstairs, but everything we needed was on the main floor. Damn, I thought, how did this ever happen? Rita called out. “Come to bed now, children. I’m freezing!
Hank Bracker
The Minnesota State Weather observer at Pine River Dam recorded a minimum temperature of 46 below on December 29; observers at Pokegama Falls and Leech Lake Dam were unable to take temperature readings that day because the mercury inside their government-issued thermometers froze solid. It's hard to find vocabulary for weather this cold. The senses first become sharp and then dulled. Objects etch themselves with hyperclarity on the dense air, but it's hard to keep your eyes open to look at them steadily. When you first step outside from a heated space, the blast from 46-below-zero air clears the mind like a ringing slap. After a breath or two, ice builds up on the hairs of your nasal passages and the clear film bathing your eyeballs thickens. If the wind is calm and your body, head, and hands are covered, you feel preternaturally alert and focused. At first. A dozen paces from the door, your throat begins to feel raw, your lips dry and crack, tears sting the corners of your eyes. The cold becomes at once a knife and, paradoxically, a flame, cutting and scorching exposed skin.
David Laskin (The Children's Blizzard)