Chess Queen Quotes

A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time.

It's an entire world of just 64 squares. I feel safe in it. I can control it; I can dominate it. And it's predictable. So, if I get hurt, I only have myself to blame.

Now that number was gone, covered up by the jet-black image of a chess piece. Neil's knowledge of chess was hazy at best, but he knew for sure that wasn't a king. "You did it," Neil said, too stunned to manage anything else. "Let Riko be King," Kevin said, with the exaggerated enunciation of the thoroughly sloshed. "Most coveted, most protected. He'll sacrifice every piece he has to protect his throne. Whatever. Me?" Kevin gestured again, meaning to indicate himself but too drunk to get his hand higher than his waist. "I'm going to be the deadliest piece on the board." "Queen," Andrew said somewhere behind Neil.

You can only win the game when you understand that it is a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him lose them all.

Even a pawn can take down a queen.

When they killed him, Mother wouldn't hold her peace, so they slit her throat. I was stupid then, being only nine, and I fought to save them both. But the thorns held me tight. I've learned to appreciate thorns since. The thorns taught me the game. They let me understand what all those grim and serious men who've fought the Hundred War have yet to learn. You can only win the game when you understand that it IS a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him loose them all.

It's like chess, you know. The Queen saves the King.

I don't like being your chess piece." "Everyone is someone else's pawn, Mare. whether we know it or not.

Those who don’t play chess think the king is the strongest piece because the game ends when he dies, but they don’t stop to think that if the queen dies first, the king doesn’t have a chance to survive.

Chess isn't always competitive. Chess can also be beautiful.

The queen was my favorite chess piece. Unlike the women I knew in real life, she was powerful. Her job was to defend her husband at all costs, because while he was weak and practically defenseless—only allowed to move one square at a time—she was the strongest player on the board, hindered by no restrictions at all.

Most of the gods throw dice but Fate plays chess, and you don't find out until too late that he's been using two queens all along. Fate wins.

The beautiful wooden board on a stand in my father’s study. The gleaming ivory pieces. The stern king. The haughty queen. The noble knight. The pious bishop. And the game itself, the way each piece contributed its individual power to the whole. It was simple. It was complex. It was savage; it was elegant. It was a dance; it was a war. It was finite and eternal. It was life.

Her mind was luminous, and her soul sang to her in the sweet moves of chess.

Listening to the two of them, she had felt something unpleasant and familiar: the sense that chess was a thing between men, and she was an outsider. She hated the feeling.

He raises an eyebrow. “You play chess.” “How do you know that?” “Those who don’t play think that the king is the most important piece because the game is over when he dies. They don’t know that the king is useless without his queen.

Morpheus’s gaze flashes to mine, then back to the chess piece wrapped in his magic. “Stop crying,” his quirky voice scolds. “Queens don’t cry. I taught you better than that.” I bite my quivering lip, and tiny Alice strokes the caterpillar’s face. “But you’re crying . . .” Morpheus lowers a wing and shades his cheek along with the transparent glimmer of his jeweled markings. “Well”—his shrill voice cracks slightly—“contrary to my preferences for lace and velvet, I’m not the queen. So I can cry all I like.

After a moment a simple thought came to her: I’m not playing Benny Watts; I’m playing chess.

You remember what I told you about chess pieces? That I didn’t know what piece you were?” “Yes.” He turned his neck to put his eyes on hers. “You’re the queen on the board, Amara. You’re my most powerful piece, but my most vulnerable. They get you, they get me, and the game is over. So, I’ll do whatever I need to make sure they never get you.

There had been a few times over the past year when she felt like this, with her mind not only dizzied but nearly terrified by the endlessness of chess.

Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him lose them all.

Being a part of the Mafia was like being in a chess game where you had no idea if you were the queen or a pawn, until it was too late, until you lost the entire game or until you won.

Mami wanted me to be a lady: sit up straight, cross my ankles, let men protect me. Papi wanted me to be a leader. To think quick & strike hard, to speak rarely, but when I did, to always be heard. Me? Playing chess taught me a queen is both: deadly & graceful, poised & ruthless. Quiet & cunning. A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time. But what happens when those principles only apply in a game? & in the real world, I am not treated as a lady or a queen, as a defender or opponent but as a girl so many want to strike off the board.

The king was a strong piece, of course. The most important chess piece and the most vulnerable to attack. But the queen...the queen was the most powerful chess piece. More powerful than the king. And the queen could move any way she wanted...

Have you ever played chess, Kitty?” I eyed her. What did a board game have to do with this? “Not really.” “You and I should play sometime. I think you would like it,” she said. “It’s a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces—the pawns—are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play, I protect my pawns.” “Why?” I said, not entirely sure where this conversation was going. “If they’re weak, then what’s the point?” “They may be weak when the game begins, but their potential is remarkable. Most of the time, they’ll be taken by the other side and held captive until the end of the game. But if you’re careful—if you keep your eyes open and pay attention to what your opponent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?” I shook my head, and she smiled. “Your pawn becomes a queen.” She touched my cheek, her fingers cold as ice. “Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game. Never forget that, all right? Never forget the potential one solitary pawn has to change the entire game.

Those who don’t play chess think the king is the strongest piece, because the game ends when he dies, but they don’t stop to think that if the queen dies first, the king doesn’t have a chance to survive.

Beer bottles, whiskey bottles, brown glass, green. They fell to the lawn and I'd feel serene. Adam was king to my stilted queen.

So,” Libby said sagely, “chess.” “Chess,” I repeated. “The move—it’s called the Queen’s Gambit. Whoever’s playing white puts that second pawn in a position to be sacrificed, which is why it’s considered a gambit.” “Why would you sacrifice a piece?” Libby asked. I thought about billionaire Tobias Hawthorne, about Toby, about Jameson, Grayson, Xander, and Nash. “To take control of the board,” I said.

Sometimes a Pawn is enough to change the whole game and those who ignore the importance of it, are liable to lose their Queen.

This is what they mean by 'ghost town', she thought. It truly feels like a place frozen in time

Relationships are chess for women," he said. "They can see the whole board, plan way ahead. They're the queens, after all. We're the kings, limited to one square in any direction, on defense for the whole fucking game.

You must not have played chess in a while. The king is the weakest piece in the game.” He gave Justin a level look. “The queen’s the strongest.

Don't fight over dead Kings and Queens. The Kings never fought for you.

Do they have a chess club ? I want to join." "Oh," the girl said. "I don't think they have anything like that. You can try out for junior cheerleader.

I haven’t started playing, and you aren’t a mere chess piece. You are the queen.

Celebrating the Queen! Chess tells you that the king can't do anything alone 8 March International Women's Day शतरंज बताती है राजा अकेला कुछ नहीं कर सकता है

symphaths treated everything like a chess match—right down to the moment they captured your king, turned your queen into a whore, and burned down your castles.

Feronia played at politics the way she played chess--shrewdly, always thinking about her next move. In this game, Feronia was queen, and Byrony a pawn. Normally, there was no comparing their strengths. But if a pawn was clever and evaded the ire of stronger pieces, if it moved strategically, if it refused to yield, there were ways it might advance. Ways it might become a queen.

I think it was a game to both of you, a real life chess game. Every move you made he countered. In order to get his king, you sacrificed your queen, a bold move. One I believe will work. But at what cost?

You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chess board. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’ Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own!

The rules of chess were very simple: while it was true that the king was the most important piece in the game, he was also the weakest. The queen was the most powerful, and you best not forget that if you wanted to get ahead in life.

The stupid, useless, good-for-nothing king. Can barely move one square, scurries into hiding behind the rook, and he's so, so easy to corner. A fraction of the queen's power, that's what he has. He is nothing, absolutely nothing, without his kingdom.

You need to realise something if you are ever to succeed at chess,’ she said, as if Nora had nothing bigger to think about. ‘And the thing you need to realise is this: the game is never over until it is over. It isn’t over if there is a single pawn still on the board. If one side is down to a pawn and a king, and the other side has every player, there is still a game. And even if you were a pawn – maybe we all are – then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.' Mrs. Elm

Chess teaches that actions have consequences and the wise man—or woman—will always look to the endgame...

I'm a tin princess. Like chess: I come all the way across the board and turned into a queen, Still only tin, though.

Someone had said that when computers really learned to play chess and played against one another, White would always win because of the first move. Like tick-tack-toe.

A Girl Mozart Startles the World of Chess.

Sometimes we play Chess in the game of Life..Never sacrifice your QUEEN or KING...

Mentally most of us are in between where we would like to be and where we are.

Hurry up, Mina. There's a dead body here for you!

when you love something with all your heart, it brings many other things.

My favourite chess saying is very simple: You can play without a plan, but you’ll probably lose.’ - Rutherford Gravesdown

We are merely a pawn in a chess game played by the nations of the world. Should we not be a bigger, more important piece in the game? Are we not all capable of playing the part of the king or queen?

Life is short, precious, and should not be wasted. Everyone has a chance at it. We’re equals after all. There are no pawns, no kings, and no queens. We’re all humans and we all have the same value.

If I were asked to answer, in one sentence, the question 'What was Wittgenstein's biggest contribution to philosophy', I should answer 'His asking of the question "Can one play chess without the Queen?

daughter of the servants.” “Gee, you must have been lonely, Judge, having nobody to play with.” “I played with Sam Westing—chess. Hour after hour I sat staring down at that chessboard. He lectured me, he insulted me, and he won every game.” The judge thought of their last game: She had been so excited about taking his queen, only to have the master checkmate her in the next move. Sam Westing had deliberately sacrificed his queen and she had fallen for it. “Stupid child, you can’t have a brain in that frizzy head to make a move like that.” Those were the last words he ever said to her. The judge continued: “I was sent to boarding school when I was twelve. My parents visited me at school when they could, but I never set foot in the Westing house again, not until two weeks ago.” “Your folks must have really worked hard,” Sandy said. “An education like that costs a fortune.” “Sam Westing paid for my education. He saw that I was accepted into the best schools, probably arranged for my first job, perhaps more, I don’t know.” “That’s the first decent thing I’ve heard about the old man.” “Hardly decent, Mr. McSouthers. It was to Sam Westing’s advantage to have a judge in his debt. Needless to say, I have excused myself from every case remotely connected with

She plays chess from the passions and I play it from logic and she usually wins. Once, I took her queen and she hit me.” Though, he recalled, not sufficiently brutally to require that he tie her wrists together with his belt, force her to kneel and beat her until she toppled over sideways. She raised a strangely joyous face to him; the pallor of her skin and the almost miraculous lustre of her eyes startled and even awed him.

Beth was in high school now, and there was a chess club, but she did not belong. The boys in it were nonplused to have a Master walking the hallways, and they would stare at her in a kind of embarrassed awe when she passed.

On traditional economic theory: We do not play chess as if we were a grandmaster, invest as if we were Warren Buffett, or cook like an Iron Chef. It is more likely we cook like Warren Buffett, who loves to eat at Dairy Queen.

Sometimes being with Benny was like being with no one at all. For hours at a time he would be completely impersonal. Something in her responded to that, and she became impersonal and cool herself, communicating nothing but chess.

How gorgeous this chess set is.' Each piece was a delicate marble fantasy of medieval warfare. The paint had long ago worn off, except for faint touches of red, in the fury of the king's eyes, on the queen's lower lip, in the bishop's robe.

What I wanted to tell you about Philidor was that Diderot wrote him a letter. You know Diderot?" "The French Revolution?" "Yeah. Philidor was doing blindfold exhibitions and burning out his brain, or whatever it was they thought you did in the eighteenth century. Diderot wrote him: 'It is foolish to run the risk of going mad for vanity's sake.' I think of that sometimes when I'm analyzing my ass over a chessboard.

A deep laugh stirred in his chest, and his thumb brushed over the backs of her fingers before he withdrew his hand. She felt the rasp of a callus on his thumb, the sensation not unlike the tingling scrape of a cat’s tongue. Bemused by her own response to him, Annabelle looked down at the chess piece in her hand. “That is the queen—the most powerful piece on the board. She can move in any direction, and go as far as she wishes.” There was nothing overtly suggestive in his manner of speaking …but when he spoke softly, as he was doing at that moment, there was a husky depth in his voice that made her toes curl inside her slippers. “More powerful than the king?” she asked. “Yes. The king can only move one square at a time. But the king is the most important piece.” “Why is he more important than the queen if he’s not the most powerful?” “Because once he is captured, the game is over.

This isn't chess," he said oddly. "In my world, the King always protects his Queen.

The Empire State Building is a lady. She’s like the queen in chess, the most powerful piece. She’s like America.

Chess certainly isn't all there is”, Mrs. Wheatley continued. “It's what I know”, replied Beth.

Don't you get bored sometimes?”, she asked. “What else is there?”, Benny replied.

Four Russian chessplayer," she said, "is a lot of Russian chess players." "Murderous.

...why did you stick with me?” “That’s easy, Alice,” he said. His amber eyes melted into hers. “It’s the first rule of chess: always protect your queen.

Life isn't always like Chess. But sometimes it is. In a really difficult game, queen leaves board at the end. The difference is, you call it sacrifice in Chess.

The queen is the most powerful piece,' he hissed. 'Don't let the powns bring you down.' I wanted to ask him if he was my king. Because I knew how to play chess very well.

Oh. Really? Smith? The most common, boring name in the world? - Evaline, to Pix

Playing chess taught me a queen is both: deadly & graceful, poised & ruthless. Quite & cunning. A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time.

You and I should play sometime. I think you would like it,' she said." It's a game of strategy, mostly. The strong pieces are in the back row, while the weak pieces - the pawns - are all in the front, ready to take the brunt of the attack. Because of their limited movement and vulnerability, most people underestimate them and only use them to protect the more powerful pieces. But when I play I protect my pawns.'... 'They may be weak when the game begins, but their potential is remarkable. Most of the time, they'll be taken by the other side and held captive until the end of the game. But if you're careful - if you keep your eyes open and pay attention to what your oppenent is doing, if you protect your pawns and they reach the other side of the board, do you know what happens then?' I shook my head, and she smiled. "Your pawn becomes a queen."... 'Because they kept moving forward and triumphed against impossible odds, they become the most powerful piece in the game.

Playing chess taught me a queen is both deadly & graceful, poised &ruthless Quiet & cunning. A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time But what happens when tose principles only apply in a game? & in the real world i am not treated as a lady or a queen, as a defender or opponent but as a girl so many want to strike off the board.

She would have to bring her rook up to protect. He would take the knight with his queen, and if she took the bishop, the queen would pick off the roof in the corner with a check, and the whole thing would fall apart.

Phiona Mutesi is the ultimate underdog. To be African is to be an underdog in the world. To be Ugandan is to be an underdog in Africa. To be from Katwe is to be an underdog in Uganda. To be a girl is to be an underdog in Katwe. When

biting her lip sometimes in excitement over a dazzling move or a subtlety of position, and at other times wearied by a sense of the hopeless depth of chess, of its endlessness, move after move, threat after threat, complication after complication.

How can we tell whether the rules which we "guess" at are really right if we cannot analyze the game very well? There are, roughly speaking, three ways. First, there may be situations where nature has arranged, or we arrange nature, to be simple and to have so few parts that we can predict exactly what will happen, and thus we can check how our rules work. (In one corner of the board there may be only a few chess pieces at work, and that we can figure out exactly.) A second good way to check rules is in terms of less specific rules derived from them. For example, the rule on the move of a bishop on a chessboard is that it moves only on the diagonal. One can deduce, no matter how many moves may be made, that a certain bishop will always be on a red square. So, without being able to follow the details, we can always check our idea about the bishop's motion by finding out whether it is always on a red square. Of course it will be, for a long time, until all of a sudden we find that it is on a black square (what happened of course, is that in the meantime it was captured, another pawn crossed for queening, and it turned into a bishop on a black square). That is the way it is in physics. For a long time we will have a rule that works excellently in an over-all way, even when we cannot follow the details, and then some time we may discover a new rule. From the point of view of basic physics, the most interesting phenomena are of course in the new places, the places where the rules do not work—not the places where they do work! That is the way in which we discover new rules. The third way to tell whether our ideas are right is relatively crude but prob-ably the most powerful of them all. That is, by rough approximation. While we may not be able to tell why Alekhine moves this particular piece, perhaps we can roughly understand that he is gathering his pieces around the king to protect it, more or less, since that is the sensible thing to do in the circumstances. In the same way, we can often understand nature, more or less, without being able to see what every little piece is doing, in terms of our understanding of the game.

It's a great huge game of chess that's being played -- all over the world -- if this is the world at all, you know. Oh, what fun it is! How I wish I was one of them! I wouldn't mind being a Pawn, if only I might join -- though of course I should like to be a Queen, best.

You can only win the game when you understand that it IS a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him loose them all.

This concept, that all progress is relative, has come to be known in biology by the name of the Red Queen, after a chess piece that Alice meets in Through the Looking-Glass, who perpetually runs without getting very far because the landscape moves with her. It is an increasingly influential idea in evolutionary theory, and one that will recur throughout the book. The faster you run, the more the world moves with you and the less you make progress. Life is a chess tournament in which if you win a game, you start the next game with the handicap of a missing pawn.

The queen is the most powerful piece,' he hissed. 'Don't let the pawns bring you down.' I wanted to ask him if he was my king. Because I knew how to play chess very well. But the answer was crystal clear to me. Roman 'Bane' Protsenko was my knight. The piece of the chess that needed to be moved sooner than the pawns, the bishops, and the queens. The piece that could have saved me.

I do not know how old I was when I learned to play chess. I could not have been older than eight, because I still have a chessboard on whose side my father inscribed, with a soldering iron, “Saša Hemon 1972.” I loved the board more than chess—it was one of the first things I owned. Its materiality was enchanting to me: the smell of burnt wood that lingered long after my father had branded it; the rattle of the thickly varnished pieces inside, the smacking sound they made when I put them down, the board’s hollow wooden echo. I can even recall the taste—the queen’s tip was pleasantly suckable; the pawns’ round heads, not unlike nipples, were sweet. The board is still at our place in Sarajevo, and, even if I haven’t played a game on it in decades, it is still my most cherished possession, providing incontrovertible evidence that there once lived a boy who used to be me.

She had heard of the genetic code that could shape an eye or hand from passing proteins. Deoxyribonucleic acid. It contained the entire set of instructions for constructing a respiratory system and a digestive one, as well as the grip of an infant’s hand. Chess was like that. The geometry of a position could be read and reread and not exhausted of possibility. You saw deeply into this layer of it, but there was another layer beyond that, and another.

What if she had already done it to herself? What if she had shaved away from the surface of her brain whatever synaptic interlacings had formed her gift? She remembered reading somewhere that some pop artist once bought an original drawing by Michelangelo—and had taken a piece of art gum and erased it, leaving blank paper. The waste had shocked her. Now she felt a similar shock as she imagined the surface of her own brain with the talent for chess wiped away.

She had heard of the genetic code that could shape an eye or hand from passing proteins. Deoxyribonucleic acid. It contained the entire set of instructions for constructing a respiratory system and a digestive one, as well as the grip of an infant's hand. Chess was like that. The geometry of a position could be read and reread and not exhausted of possibility. You saw deeply into the layer of it, but there was another layer beyond that, and another, and another.

In history and in evolution, progress is always a futile, Sisyphean struggle to stay in the same relative place by getting ever better at things. Cars move through the congested streets of London no faster than horse-drawn carriages did a century ago. Computers have no effect on productivity because people learn to complicate and repeat tasks that have been made easier.13 This concept, that all progress is relative, has come to be known in biology by the name of the Red Queen, after a chess piece that Alice meets in Through the Looking-Glass, who perpetually runs without getting very far because the landscape moves with her. It is an increasingly influential idea in evolutionary theory, and one that will recur throughout the book. The faster you run, the more the world moves with you and the less you make progress. Life is a chess tournament in which if you win a game, you start the next game with the handicap of a missing pawn.

The prohibition on promoting a pawn to a queen while the original queen was still on the board was an attempt to preserve the uniqueness of the king’s wife, his only permissible conjugal mate according to Christian doctrine. The Arabic game did not have to face that problem because a Muslim ruler could theoretically have as many viziers as he wanted. The idea of multiple queens on the chessboard proved so anxiety-making for Europeans that it remained a subject of contention for centuries to come.

I declare it’s marked out just like a large chess-board!” Alice said at last. “There ought to be some men moving about somewhere—and so there are!” she added in a tone of delight, and her heart began to beat quick with excitement as she went on. “It’s a great huge game of chess that’s being played—all over the world—if this is the world at all, you know. Oh, what fun it is! How I wish I was one of them! I wouldn’t mind being a Pawn, if only I might join—though of course I should like to be a Queen, best.

She found a small picture made entirely of feathers and was trying to decide whether it depicted a monkey climbing up the back of a man—or possibly a person climbing a flight of stairs or perhaps a cow next to a tree, when she saw a chess piece, sitting by itself on a small pedestal. It was the white queen, carved from ivory. She stood with a regal frown, her body shadowed by the enormous crown that bloomed on her head. The crown was a hollow sphere, exquisitely carved with open work, and when Jemma peered inside she saw inside another sphere, also open, and inside that, yet another.

Mami wanted me to be a lady: sit up straight, cross my ankles, let men protect me. Papi wanted me to be a leader. To think quick & strike hard, to speak rarely, but when I did, to always be heard. Me? Playing chess taught me a queen is both: deadly & graceful, poised & ruthless. Quiet & cunning. A queen offers her hand to be kissed, & can form it into a fist while smiling the whole damn time. But what happens when those principles only apply in a game? & in the real world, I am not treated as a lady or a queen, as a defender or opponent but as a girl so many want to strike off the board.

As Petrus Alfonsi, the converted physician authored a book called the Disciplina Clericalis, which was essentially a collection of Arabic tales translated into Latin. These tales introduced a mode of Oriental storytelling and wisdom literature into Christendom that would become extremely popular. In the section called “The Mule and the Fox,” concerning the true nature of nobility, Alfonsi listed seven accomplishments expected of a knight. “The skills that one must be acquainted with are as follows: Riding, swimming, archery, boxing, hawking, chess, and verse writing.”6 So, by the beginning of the twelfth century, chess had become a mandatory skill for Spain’s elite warriors.

You need to realise something if you are ever to succeed at chess,’ she said, as if Nora had nothing bigger to think about. ‘And the thing you need to realise is this: the game is never over until it is over. It isn’t over if there is a single pawn still on the board. If one side is down to a pawn and a king, and the other side has every player, there is still a game. And even if you were a pawn – maybe we all are – then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.

The games she was playing were serious, workmanlike chess played by the best players in the world, and the amount of mental energy latent in each move was staggering. Yet the results were often monumentally dull and inconclusive. An enormous power of thought might be implicit in a single white pawn move, say, opening up a long-range threat that could become manifest only in half a dozen moves; but Black would foresee the threat and find the move that canceled it out, and the brilliancy would be aborted. It was frustrating and anticlimactic, yet—because Benny forced her to stop and see what was going on—fascinating. They kept it up for six days, leaving the apartment only when necessary and once, on Wednesday night, going to a movie. Benny did not own a TV, or a stereo; his apartment was for eating, sleeping and chess.

Chess I In their solemn corner, the players move The slow pieces. The board detains them Until the dawn in its severe world In which two colors hate each other. Within the forms irradiate magic Strictness: Homeric rook, swift Knight, armed queen, hintermost king, Oblique bishop and aggressor pawns. Once the players have finally left, Once time has devoured them, Surely the ritual will not have ended. In the orient this very war flared up Whose amphitheater today is the earth entire. Like the other, this game is infinite. II Weakling king, slanting bishop, relentless Queen, direct rook and cunning pawn Seek and wage their armed battle Across the black and white of the field. They know not that the players' notorious Hand governs their destiny, They know not that a rigor adamantine Subjects their will and rules their day. The player also is a prisoner (The saying is Omar's) of another board Of black nights and of white days. God moves the player, and he, the piece. Which god behind God begets the plot Of dust and time and dream and agonies?

Every Tuesday, Miss Graham sent Beth down after Arithmetic to do the erasers. It was considered a privilege, and Beth was the best student in the class, even though she was the youngest. She did not like the basement. It smelled musty, and she was afraid of Mr. Shaibel. But she wanted to know more about the game he played on that board by himself. One day she went over and stood near him, waiting for him to move a piece. The one he was touching was the one with a horse’s head on a little pedestal. After a second he looked up at her with a frown of irritation. “What do you want, child?” he said. Normally she fled from any human encounter, especially with grownups, but this time she did not back away. “What’s that game called?” she asked. He stared at her. “You should be upstairs with the others.” She looked at him levelly; something about this man and the steadiness with which he played his mysterious game helped her to hold tightly to what she wanted. “I don’t want to be with the others,” she said. “I want to know what game you’re playing.” He looked at her more closely. Then he shrugged. “It’s called chess.

When Time Stop Reading Compassion in the Heart of My Beloved I sat in a dark sling, witnessing darkness that slowly revealed: There is no clock capable of calculating this moment of solitude. When a dream kiss is repeated again with open lips and a tongue that is passionate about looking for love. Desires that cannot be held. A long, quiet sleep. Nobody knows where the time has passed. At the present - mid of summer: teak leaves are falling and still like before: Behind the gleam of the gloomy night's eyes there are twinkling of the stars. Behind the fold of silk handkerchief there was your's wrist beat. An instant emotion expressed how much time is never really present among us. We both stand in each corner; but teak leaves still haven't fallen again at that time. It is not yet the time for the season to change. No need for hours now to know each other. But well if I say to you, my love, that we can only have what we remember: seconds that last forever and minutes that slowly rise before then fall asleep in our minds. Like the poor King and Queen of a chess game. Time that never gets along to find out the most beautiful way to unite them. When the rule of the masses becomes increasingly unreasonable; And the teak trees calmly spread their crowns. Purple flowers and brownish leaves. Fallen, to the surface of the fish pond. Forgetting the time that still doesn't stop vibrating.

Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it. The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books. Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked. Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.

What if she had already done it to herself? What if she had shaved away from the surface of her brain whatever synaptic interlacings had formed her gift? She remembered reading somewhere that some pop artist once bought an original drawing by Michelangelo—and had taken a piece of art gum and erased it, leaving blank paper. The waste had shocked her. Now she felt a similar shock as she imagined the surface of her own brain with the talent for chess wiped away. At home she tried a Russian game book, but she couldn’t concentrate. She started going through her game with Foster, setting the board up in the kitchen, but the moves of it were too painful. That damned Stonewall, and the hastily pushed pawn. A patzer’s move. Bad chess. Hungover chess. The telephone rang, but she didn’t answer. She sat at the board and wished for a moment, painfully, that she had someone to call. Harry Beltik would be back in Louisville. And she didn’t want to tell him about the game with Foster. He would find out soon enough. She could call Benny. But Benny had been icy after Paris, and she did not want to talk to him. There was no one else. She got up wearily and opened the cabinet next to the refrigerator, took down a bottle of white wine and poured herself a glassful. A voice inside her cried out at the outrage, but she ignored it. She drank half of it in one long swallow and stood waiting until she could feel it. Then she finished the glass and poured another. A person could live without chess. Most people did. When she awoke on the sofa the next morning, still wearing the Paris clothes she had worn when losing the game to Foster, she was frightened in a new way. She could sense her brain being physically blurred by alcohol, its positional grasp gone clumsy, its penetration clouded. But after breakfast she showered and changed and then poured herself a glass of wine. It was almost mechanical; she had learned to cut off thought as she did it. The main thing was to eat some toast first, so the wine wouldn’t burn her stomach. She kept drinking for days, but the memory of the game she had lost and the fear of what she was doing to the sharp edge of her gift would not go away, except when she was so drunk that she could not even think. There was a piece in the Sunday paper about her, with one of the pictures taken that morning at the high school, and a headline reading CHESS CHAMP DROPS FROM TOURNEY. She threw the paper away without reading the article. Then one morning after a night of dark and confusing dreams she awoke with an unaccustomed clarity: if she did not stop drinking immediately she would ruin what she had. She had allowed herself to sink into this frightening murk. She had to find a foothold somewhere to push herself free of it. She would have to get help.