Chess Player Quotes

Like a good chess player, Satan is always trying to maneuver you into a position where you can save your castle only by losing your bishop.

But man is a fickle and disreputable creature and perhaps, like a chess-player, is interested in the process of attaining his goal rather than the goal itself.

You may not see every single piece of the puzzle that creates your life -- you may not see every move the grand chess player makes -- but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything in the end, will always turn out for good. It's a nice promise, isn't it? To know there's a reason for it all?

Ralph... would treat the day's decisions as though he were playing chess. The only trouble was that he would never be a very good chess player.

man is a frivolous and incongruous creature, and perhaps, like a chess player, loves the process of the game, not the end of it.

Avoid the crowd. Do your own thinking independently. Be the chess player, not the chess piece.

Reductio ad absurdum, which Euclid loved so much, is one of a mathematician's finest weapons. It is a far finer gambit than any chess play: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.

Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination.

Captivated by its discipline, humanity forgets and goes on forgetting that it is the discipline of chess players, not of angels.

Every time you take a step, even when you don't want to. . . . When it hurts, when it means you rub chins with death, or even if it means dying, that's good. Anything that moves ahead, wins. No chess game was ever won by the player who sat for a lifetime thinking over his next move.

It is the mark of a fine chess player to tip over his own king when he sees that defeat is inevitable, no matter how many moves remain in the game.

The chess-board is the world; the pieces are the phenomena of the universe; the rules of the game are what we call the laws of Nature. The player on the other side is hidden from us. We know that his play is always fair, and patient. But also we know, to our cost, that he never overlooks a mistake, or makes the smallest allowance for ignorance.

The queen was my favorite chess piece. Unlike the women I knew in real life, she was powerful. Her job was to defend her husband at all costs, because while he was weak and practically defenseless—only allowed to move one square at a time—she was the strongest player on the board, hindered by no restrictions at all.

The best chess-player in Christendom may be little more than the best player of chess; but proficiency in whist implies capacity for success in all those more important undertakings where mind struggles with mind.

The game gives us a satisfaction that Life denies us. And for the Chess player, the success which crowns his work, the great dispeller of sorrows, is named 'combination'.

Yamamoto was considered, both in Japan and the United States, as intelligent, capable, aggressive, and dangerous. Motivated by his skill as a poker player and casino gambler, he was continually calculating odds on an endless variety of options. He played bridge and chess better than most good players. Like most powerful leaders he was articulate and persuasive, and once in a position of power he pushed his agenda relentlessly. Whether he would push his odds successfully in the Pacific remained to be seen.

While all artists are not chess players, all chess players are artists.

A good player who loses at chess is genuinely convinced hat he has lost because of a mistake, and he looks for this mistake in the beginning of his game, but forgets that there were also mistakes at ever step in the course of the game, that none of his moves was perfect. The mistake he pays attention to is conspicuous only because his opponent took advantage of it.

The captain was a good chess player, and the games were always interesting. Yossarian had stopped playing chess with him because the games were so interesting they were foolish.

It (proof by contradiction) is a far finer gambit than any chess gambit: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.

In my experience, commitment leads to expectations, and expectations lead to lies, and hurt, and disappointment-stuff I'd rather not experience, or force others to experience.

If chess is about the decisive battle, wei qi is about the protracted campaign. The chess player aims for total victory. The wei qi player seeks relative advantage.

I wanted to become world champion, and in this respect school couldn’t give me anything… It is better to be one of the strongest chess players in the world, than to be one of many thousands with a diploma.

I’m not much of a chess player, but there is an aspect of the game that I find fascinating. After a while, you can almost see lines of force between the pieces. Areas of danger where it is physically impossible to move pieces into. Clouds of possibility, forbidden zones.

In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...

And so without our primordial attachments to others, what would we be? Evidently, we would be the players of a game, one that resembled a giant chess match, with our fellow human beings as the rooks, the knights, and the pawns. For this is the essence of sociopathic behavior, and desire.

Like looking down on a lubricious chess set, isn't it? The king moves in tiny steps, with no direction, like a drunkard trying to avoid the archer's bolt. The others work their strategies and wait for the old man to fall. He has no power, yet all power moves in his orbit and to his mad whim. Do you know there's no fool piece on the chessboard, Kent?" "Methinks the fool is the player, the mind above the moves.

But a man is a frivolous and incongruous creature, and perhaps, like a chess player, loves the process of the game, not the end of it.

Deep practice, however, doesn't obey the same math. Spending more time is effective—but only if you're still in the sweet spot at the edge of your capabilities, attentively building and honing circuits. What's more, there seems to be a universal limit for how much deep practice human beings can do in a day. Ericsson's research shows that most world-class experts—including pianists, chess players, novelists, and athletes—practice between three and five hours a day, no matter what skill they pursue.

The reason I like the game chess is because each move has countless repercussions, but you're in charge of them. And it's your ability to see into the future and the effects of the decisions you've made that males you either a good or not a good chess player. It's not luck.

If AI can help humans become better chess players, it stands to reason that it can help us become better pilots, better doctors, better judges, better teachers.

When top-level chess players look at a board, they see words, not letters. Instead of seeing twenty-five pieces, they may see just five or six groups of pieces. That’s why it’s easy for them to remember where all the pieces are.

All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies. The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.

Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess players do... Perhaps the strongest case of all is this: that only one great English poet went mad, Cowper. And he was definitely driven mad by logic, by the ugly and alien logic of predestination. Poetry was not the disease, but the medicine... He was damned by John Calvin... Poetry is sane because it floats easily in an infinite sea; reason seeks to cross the infinite sea, and so make it finite. The result is mental exhaustion... The poet only asks to get his head into the heavens. It is the logician who seeks to get the heavens into his head. And it is his head that splits... The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason... Materialists and madmen never have doubts... Mysticism keeps men sane. As long as you have the mystery you have health; when you destroy mystery you create morbidity.

During terms, Professor Marsden lives in Cambridge with his wife, chess player extraordinaire and distinguished physician and surgeon Bryony Asquith Marsden. His favorite time of day is half past six in the evening, when he meets Mrs. Marsden’s train at the station, as the latter returns from her day in London. On Sunday afternoons, rain or shine, Professor and Mrs. Marsden take a walk along The Backs, and treasure growing old together.

In Washington Square, one could still feel the characters of Henry James and the presence of the author himself. Entering the perimeters of the white arch, one was greeted by the sounds of bongos and acoustic guitars, protest singers, political arguments, activists leafleting, older chess players challenged by the young. This open atmosphere was something I had not experienced, simple freedom that did not seem to be oppressive to anyone.

Reductio ad absurdum, which Euclid loved so much, is one of a mathematician’s finest weapons. It is a far finer gambit than any chess play: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.

I am torn in two but I will conquer myself. I will dig up the pride. I will take scissors and cut out the beggar. I will take a crowbar and pry out the broken pieces of God in me. Just like a jigsaw puzzle, I will put Him together again with the patience of a chess player. How many pieces? It feels like thousands, God dressed up like a whore in a slime of green algae. God dressed up like an old man staggering out of His shoes. God dressed up like a child, all naked, even without skin, soft as an avocado when you peel it. And others, others, others. But I will conquer them all and build a whole nation of God in me - but united, build a new soul, dress it with skin and then put on my shirt and sing an anthem, a song of myself.

You may not see every single piece of the puzzle that creates your life — you may not see every move the grand chess player makes — but know, He is in complete control of the game board. Sometimes certain pieces are moved or knocked over to make room for new ones. Other times, things happen because of the world we live in. But everything, in the end, will always turn out for good. It’s a nice promise, isn’t it? To know that there’s a reason for it all? A reason for your cancer — maybe by having cancer you’ve saved the lives of three of your best friends. Had you not been sick, would you have met them? Had you not been sick, would you have found the love of your life? Maybe it’s not in the perfection of life that things make sense, but in the chaos.

Chess is all about maintaining coherent strategies. It’s about not giving up when the enemy destroys one plan but to immediately come up with the next. A game isn’t won and lost at the point when the king is finally cornered. The game's sealed when a player gives up having any strategy at all. When his soldiers are all scattered, they have no common cause, and they move one piece at a time, that’s when you’ve lost.

Something as superfluous as "play" is also an essential feature of our consciousness. If you ask children why they like to play, they will say, "Because it's fun." But that invites the next question: What is fun? Actually, when children play, they are often trying to reenact complex human interactions in simplified form. Human society is extremely sophisticated, much too involved for the developing brains of young children, so children run simplified simulations of adult society, playing games such as doctor, cops and robber, and school. Each game is a model that allows children to experiment with a small segment of adult behavior and then run simulations into the future. (Similarly, when adults engage in play, such as a game of poker, the brain constantly creates a model of what cards the various players possess, and then projects that model into the future, using previous data about people's personality, ability to bluff, etc. The key to games like chess, cards, and gambling is the ability to simulate the future. Animals, which live largely in the present, are not as good at games as humans are, especially if they involve planning. Infant mammals do engage in a form of play, but this is more for exercise, testing one another, practicing future battles, and establishing the coming social pecking order rather than simulating the future.)

Whether or not experience inevitably led to expertise, they agreed, depended entirely on the domain in question. Narrow experience made for better chess and poker players and firefighters, but not for better predictors of financial or political trends, or of how employees or patients would perform.

And then also, again, still, what are those boundaries, if they’re not baselines, that contain and direct its infinite expansion inward, that make tennis like chess on the run, beautiful and infinitely dense? The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise… You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again…Mario thinks hard again. He’s trying to think of how to articulate something like: But then is battling and vanquishing the self the same as destroying yourself? Is that like saying life is pro-death? … And then but so what’s the difference between tennis and suicide, life and death, the game and its own end?

I want to be an aggressive player;One who always find joy in every move.

The art of looking at the problem from the other person's point of view, identifying his opportunities and his interests, an art that has traditionally been practiced by diplomats, lawyers, and chess players, is at the center of strategic analysis.

Deep Blue didn't win by being smarter than a human; it won by being millions of times faster than a human. Deep Blue had no intuition. An expert human player looks at a board position and immediately sees what areas of play are most likely to be fruitful or dangerous, whereas a computer has no innate sense of what is important and must explore many more options. Deep Blue also had no sense of the history of the game, and didn't know anything about its opponent. It played chess yet didn't understand chess, in the same way a calculator performs arithmetic bud doesn't understand mathematics.

The proof is by reductio ad absurdum, and reductio ad absurdum, which Euclid loved so much, is one of a mathematician’s finest weapons5. It is a far finer gambit than any chess gambit: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.

the more interesting their conversation, the more cultured they are, the more they will be trapped into thinking that they are effective at what they are doing in real business (something psychologists call the halo effect, the mistake of thinking that skills in, say, skiing translate unfailingly into skills in managing a pottery workshop or a bank department, or that a good chess player would be a good strategist in real life).

But man is a frivolous and incongruous creature, and perhaps, like a chess player, loves the process of the game, not the end of it. And who knows (there is no saying with certainty), perhaps the only goal on earth to which mankind is striving lies in this incessant process of attaining, in other words, in life itself, and not in the thing to be attained, which must always be expressed as a formula, as positive as twice two makes four, and such positiveness is not life, gentlemen, but is the beginning of death. Anyway, man has always been afraid of this mathematical certainty, and I am afraid of it now. Granted that man does nothing but seek that mathematical certainty, he traverses oceans, sacrifices his life in the quest, but to succeed, really to find it, dreads, I assure you. He feels that when he has found it there will be nothing for him to look for. When workmen have finished their work they do at least receive their pay, they go to the tavern, then they are taken to the police-station–and there is occupation for a week. But where can man go? Anyway, one can observe a certain awkwardness about him when he has attained such objects. He loves the process of attaining, but does not quite like to have attained, and that, of course, is very absurd. In fact, man is a comical creature; there seems to be a kind of jest in it all. But yet mathematical certainty is after all, something insufferable. Twice two makes four seems to me simply a piece of insolence. Twice two makes four is a pert coxcomb who stands with arms akimbo barring your path and spitting. I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.

That power of holding on to an image that Ruskin describes so admirably is not the power of the eidetic; it is that faculty of keeping a large number of relationships present in one's mind that distinguishes all mental achievement, be it that of the chess player, the composer, or the great artist.

We are like chess players who are trying to predict the opponent’s future moves, but in this case, we are dealing with life itself. True masters do not play the game on a single chessboard, but on multiple chessboards at the same time. And what’s the difference between grandmasters and masters? Surprises. The moves that cannot be predicted by the opponent. Life can play a simultaneous game with seven billion people at the same time and it can take each and every one of us by surprise. And we still believe we are capable of winning, because we can predict three of four moves ahead. We are insignificant.

You need to realise something if you are ever to succeed at chess,’ she said, as if Nora had nothing bigger to think about. ‘And the thing you need to realise is this: the game is never over until it is over. It isn’t over if there is a single pawn still on the board. If one side is down to a pawn and a king, and the other side has every player, there is still a game. And even if you were a pawn – maybe we all are – then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.' Mrs. Elm

Between Holberger and Veres there exists a kind of technical understanding that outruns the powers of speech. Most Hardy Boys share this specialist’s ESP to some degree. It’s a feeling that some good chess players say they share with worthy opponents, a kind of mind reading—what Holberger calls being “in sync.

The stupid, useless, good-for-nothing king. Can barely move one square, scurries into hiding behind the rook, and he's so, so easy to corner. A fraction of the queen's power, that's what he has. He is nothing, absolutely nothing, without his kingdom.

The Beauty of the Chess Set is of no import to the Player //Lessons in Aesthetics

...That is my biography from the first day of my chess life to the present. JOURNALIST. And your plans. PLAYER. To play!

It is not enough to be a good player... you must also play well

They seemed to shine together at the center of things. They made things theirs. A certain bench in the park, near the chess players, ordinary things, not unusual in any way.

He must be very busy. He’s the number one chess player in the world, after all.

G. K. Chesterton says chess players go crazy, not poets. I think he is right.

Do your own thinking independently. Be the chess player, not the chess piece.      —RALPH CHARELL

Four Russian chessplayer," she said, "is a lot of Russian chess players." "Murderous.

Not randomly, though. Farder Coram was a chess player, and he knew how chess players looked at a game in play. An expert player seemed to see lines of force and influence on the board, and looked along the important lines and ignored the weak ones; and Lyra’s eyes moved the same way, according to some similar magnetic field that she could see and he couldn’t.

I have written about what I call “the gravity of past success” in chess. Each victory pulls the victor down slightly and makes it harder to put in maximum effort to improve further. Meanwhile, the loser knows that he made a mistake, that something went wrong, and he will work hard to improve for next time. The happy winner often assumes he won simply because he is great. Typically, however, the winner is just the player who made the next-to-last mistake. It takes tremendous discipline to overcome this tendency and to learn lessons from a victory.

Some scientist in Europe took a bunch of women and had them play online chess against male opponents in their same rating bracket. When the female players didn’t know the gender of their opponent, they won fifty percent of the games. When the female players were led to believe that their opponent was a woman, they won fifty percent of the games. When they were told that they were playing against men, their performance dropped. But in truth, their opponents were always the same.

Followers of obsolete unthinkable trades, doodling in Etruscan, addicts of drugs not yet synthesized, black marketeers of World War III, excisors of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, officials of unconstituted police states, brokers of exquisite dreams and nostalgias tested on the sensitized cells of junk sickness and bartered for raw materials of the will, drinkers of the Heavy Fluid sealed in translucent amber of dreams.

The ballet dancer may fall, break her leg, and never make the perfect turn, and the chess player may be defeated and never become a champion. But at least in principle, in the world of flow perfection is attainable.

In 2009, Kahneman and Klein took the unusual step of coauthoring a paper in which they laid out their views and sought common ground. And they found it. Whether or not experience inevitably led to expertise, they agreed, depended entirely on the domain in question. Narrow experience made for better chess and poker players and firefighters, but not for better predictors of financial or political trends, or of how employees or patients would perform.

He remembered the PM saying that every Russian is at heart a chess-player, and every American at heart a public-relations man. Well, Bret Rensselaer’s zeal did nothing to disprove that one. The sheer audacity of the scheme plus Bret’s enthusiasm was enough to persuade him that it was worth a try. Bret nodded to acknowledge the compliment.

Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.

Do I really deserve this? Artyom thought. Is my life so much more important than the lives of all these people? No, he was glad to have been rescued. But all these people – randomly scattered, like bags and rags, on the granite of the platform, side by side, on the rails, left forever in the poses that Hunter’s bullets had found them in – they all died so that he could live? Hunter had made this exchange with such ease, just as though he had sacrificed some minor chess figures to safeguard one of the most important pieces . . . He was just a player, and the metro was a chessboard, and all the figures were his, because he was playing the game with himself. But here was the question: Was Artyom such an important piece to the game that all these people had to perish for his preservation?

Life is a Game of Chess Between Me and God; Let the Best Player Win

Benul Jackson is at least three years younger than me, and pulls out of me some of the best chess I’ve ever played. There is an elegance to his moves, a beauty to his attacks, a class to his defense, that have me nearly forgetting that I’m in the most public moment of my life. Dad once told me, There are two types of players: the warriors and the artists. Jackson is the latter.

Remember, accepting the first idea that comes to mind when you are working on an assignment or test problem can prevent you from finding a better solution. Chess players who experience Einstellung truly believe they are scanning the board for a different solution. But careful study of where their eyes are moving shows that they are keeping their focus on the original solution. Not only their eyes, but their mind itself can’t move away enough to see a new approach to the problem.15 According to recent research, blinking is a vital activity that provides another means of reevaluating a situation. Closing our eyes seems to provide a micropause that momentarily deactivates our attention and allows us, for the briefest of moments, to refresh and renew our consciousness and perspective.16

when children reach early adolescence, what motivates them most effectively isn’t licking and grooming–style care but a very different kind of attention. Perhaps what pushes middle-school students to concentrate and practice as maniacally as Spiegel’s chess players do is the unexpected experience of someone taking them seriously, believing in their abilities, and challenging them to improve themselves.

The masses of people are carried along, obedient to their environment; the wills and desires of others stronger than themselves; the effects of inherited tendencies; the suggestions of those about them; and other outward causes; which tend to move them about on the chess-board of life like mere pawns. By rising above these influencing causes, the advanced Hermetists seek a higher plane of mental action, and by dominating their moods, emotions, impulses and feelings, they create for themselves new characters, qualities and powers, by which they overcome their ordinary environment, and thus become practically players instead of mere Pawns. Such people help to play the game of life understandingly, instead of being moved about this way and that way by stronger influences and powers and wills. They use the Principle of Cause and Effect, instead of being used by it. Of course, even the highest are subject to the Principle as it manifests on the higher planes, but on the lower planes of activity, they are Masters instead of Slaves.

Nor does this understanding require a prolonged grounding in the not yet established laws of psychology. Following the moves made by a chess-player is not doing anything remotely resembling problematic psychological diagnosis.

If you are one of those people who can’t hold a lot in mind at once—you lose focus and start daydreaming in lectures, and have to get to someplace quiet to focus so you can use your working memory to its maximum—well, welcome to the clan of the creative. Having a somewhat smaller working memory means you can more easily generalize your learning into new, more creative combinations. Because you’re learning new, more creative combinations. Having a somewhat smaller working memory, which grows from the focusing abilities of the prefrontal cortex, doesn’t lock everything up so tightly, you can more easily get input from other parts of your brain. These other areas, which include the sensory cortex, not only are more in tune with what’s going on in the environment, but also are the source of dreams, not to mention creative ideas. You may have to work harder sometimes (or even much of the time) to understand what’s going on, but once you’ve got something chunked, you can take that chunk and turn it outside in and inside round—putting it through creative paces even you didn’t think you were capable of! Here’s another point to put into your mental chunker: Chess, that bastion of intellectuals, has some elite players with roughly average IQs. These seemingly middling intellects are able to do better than some more intelligent players because they practice more. That’s the key idea. Every chess player, whether average or elite, grows talent by practicing. It is the practice—particularly deliberate practice on the toughest aspects of the material—that can help lift average brains into the realm of those with more “natural” gifts. Just as you can practice lifting weights and get bigger muscles over time, you can also practice certain mental patterns that deepen and enlarge in your mind.

[W]hat matters is not the meaning of man’s life in general. To look for the general meaning of man’s life would be comparable to the question put to a chess player: “What is the best move?” There is no move at all, irrespective of the concrete situation of a special game. The same holds for human existence inasmuch as one can search only for the concrete meaning of personal existence, a meaning which changes from man to man, from day to day, from hour to hour.

The idea that excellence at performing a complex task requires a critical minimum level of practice surfaces again and again in studies of expertise. In fact, researchers have settled on what they believe is the magic number for true expertise: ten thousand hours. “The emerging picture from such studies is that ten thousand hours of practice is required to achieve the level of mastery associated with being a world-class expert—in anything,” writes the neurologist Daniel Levitin. “In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chess players, master criminals, and what have you, this number comes up again and again. Of course, this doesn’t address why some people get more out of their practice sessions than others do. But no one has yet found a case in which true world-class expertise was accomplished in less time. It seems that it takes the brain this long to assimilate all that it needs to know to achieve true mastery.

World-class chess players, in addition to being considered awesomely smart, are generally assumed to have superhuman memories, and with good reason. Champions routinely put on exhibitions in which they play lesser opponents while blindfolded; they hold the entire chessboard in their heads. Some of these exhibitions strike the rest of us as simply beyond belief. The Czech master Richard Reti once played twenty nine blindfolded games simultaneously. (Afterward he left his briefcase at the exhibition site and commented on what a poor memory he had.)

Traditionally, nuclear confrontations resembled a hyperrational chess game. But what will happen when players can use cyberattacks to wrest control of a rival’s pieces, when anonymous third parties will be able to move a pawn without anyone knowing who is making the move—or when AlphaZero graduates from ordinary chess to nuclear chess?

You know it's a matter of a whole lifetime, an infinite multitude of ramifications hidden from us. The most skillful chess-player, the cleverest of them, can only look a few moves ahead... How many moves there are in this, and how much that is unknown to us! In scattering the seed, scattering your "charity," your kind deeds, you are giving away, in one form or another, part of your personality, and taking into yourself part of another; you are in mutual communion with one another... On the other hand, all your thoughts, all the seeds scattered by you, perhaps forgotten by you, will grow up and take form. He who has received them from you will hand them on to another. And how can you tell what part you may have in the future determination of the destinies of humanity?

But to play in an international tournament of the caliber announced, he had to spend much more time at careful, precise study, analysis, and memorization. He stopped answering his phone, because he didn’t want to be interrupted or tempted to socialize—even for a chess party—and at one point, to be alone with the chessboard, he just threw some clothes in a suitcase, didn’t tell anyone where he was going, and checked into the Brooklyn YMCA. During his stay there, he sometimes studied more than sixteen hours per day. Malcolm Gladwell, in his book Outliers, describes how people in all fields reach success. He quotes neurologist Daniel Levitin: “In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chessplayers, criminals and what have you, the number comes up again and again [the magic number for true expertise: ten thousand hours of practice].” Gladwell then refers to Bobby: “To become a chess grandmaster also seems to take about ten years. (Only the legendary Bobby Fischer got to that elite level in less than that amount of time: it took him nine years.) Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.

The games she was playing were serious, workmanlike chess played by the best players in the world, and the amount of mental energy latent in each move was staggering. Yet the results were often monumentally dull and inconclusive. An enormous power of thought might be implicit in a single white pawn move, say, opening up a long-range threat that could become manifest only in half a dozen moves; but Black would foresee the threat and find the move that canceled it out, and the brilliancy would be aborted. It was frustrating and anticlimactic, yet—because Benny forced her to stop and see what was going on—fascinating. They kept it up for six days, leaving the apartment only when necessary and once, on Wednesday night, going to a movie. Benny did not own a TV, or a stereo; his apartment was for eating, sleeping and chess.

The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyse. A chess-player, for example, does the one without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a somewhat peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed resulting in injury or defeat. The possible moves being not only manifold but involute, the chances of such oversights are multiplied; and in nine cases out of ten it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract, let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherché movement, the result of some strong exertion of the intellect. Deprived of ordinary resources, the analyst throws himself into the spirit of his opponent, identifies himself therewith, and not unfrequently sees thus, at a glance, the sole methods (sometime indeed absurdly simple ones) by which he may seduce into error or hurry into miscalculation.

On May 3, 1997, a chess match began between Deep Blue, a chess computer built by IBM, and Garry Kasparov, the world chess champion and possibly the best human player in history. Newsweek billed the match as “The Brain’s Last Stand.” On May 11, with the match tied at 2½–2½, Deep Blue defeated Kasparov in the final game. The media went berserk. The market capitalization of IBM increased by $18 billion overnight. AI had, by all accounts, achieved a massive breakthrough.

I have read that the Builders made toys that could play chess. Toys, as small as the silver bishop in my hand, that could defeat any player, taking no time to select moves that undid even the best minds amongst their makers. The bishop made a satisfying click when tapped to the board. I beat out a little rhythm, wondering if any point remained in playing a game that toys could own. If we couldn't find a better game then perhaps the mechanical minds the Builders left behind would always win.

Harris: Let’s talk about how the AI future might look. It seems to me there are three paths it could take. First, we could remain fundamentally in charge: that is, we could solve the value-alignment problem, or we could successfully contain this god in a box. Second, we could merge with the new technology in some way—this is the cyborg option. Or third, we could be totally usurped by our robot overlords. It strikes me that the second outcome, the cyborg option, is inherently unstable. This is something I’ve talked to Garry Kasparov about. He’s a big fan of the cyborg phenomenon in chess. The day came when the best computer in the world was better than the best human—that is, Garry. But now the best chess player in the world is neither a computer nor a human, but a human/computer team called a cyborg, and Garry seemed to think that that would continue for quite some time. Tegmark: It won’t. Harris: It seems rather obvious that it won’t. And once it doesn’t, that option will be canceled just as emphatically as human dominance in chess has been canceled. And it seems to me that will be true for every such merger. As the machines get better, keeping the ape in the loop will just be adding noise to the system.

If he noticed a female convict with a baby in her arms, he would approach, fondle the baby and snap his fingers at it to make it laugh. These things he did for many years, right up to his death; eventually he was famous all over Russia and all over Siberia, among the criminals, that is. One man who had been in Siberia told me that he himself had witnessed how the most hardened criminals remembered the general, and yet the general, when he visited the gangs of convicts, was rarely able to give more than twenty copecks to each man. It’s true that he wasn’t remembered with much affection, or even very seriously. Some ‘unfortunate wretch’, who had killed twelve people, or put six children to the knife solely for his own amusement (there were such men, it is said), would suddenly, apropos of nothing, perhaps only once in twenty years, sigh and say: ‘Well, and how’s the old general now, is he still alive?’ He would even, perhaps, smile as he said it – and that would be all. How can you know what seed had been cast into his soul for ever by this ‘old general’, whom he had not forgotten in twenty years? How can you know, Bakhmutov, what significance this communication between one personality and another may have in the fate of the personality that is communicated with?… I mean, we’re talking about the whole of a life, and a countless number of ramifications that are hidden from us. The very finest player of chess, the most acute of them, can only calculate a few moves ahead; one French player, who was able to calculate ten moves ahead, was described in the press as a miracle. But how many moves are here, and how much is there that is unknown to us? In sowing your seed, sowing your ‘charity’, your good deeds in whatever form, you give away a part of your personality and absorb part of another; a little more attention, and you are rewarded with knowledge, with the most unexpected discoveries. You will, at last, certainly view your deeds as a science; they will take over the whole of your life and may fill it. On the other hand, all your thoughts, all the seeds you have sown, which perhaps you have already forgotten, will take root and grow; the one who has received from you will give to another. And how can you know what part you will play in the future resolution of the fates of mankind? If this knowledge, and a whole lifetime of this work, exalts you, at last, to the point where you are able to sow a mighty seed, leave a mighty idea to the world as an inheritance, then…

Bodies like this give sexual desire its meaning! It’s for this that penises rise like drawbridges and vaginas become engorged with blood! It’s for this that people throw snot-nosed kids into ravines, cross raging rivers, or ice-pick up the wrong side of frozen waterfalls! It’s for this that politicians undo their flies in election season, porn magazines with their pages stuck together are found stacked in church basements, people chop off body parts and mail them to ex-lovers, risk hair on palms, stolen wallets, planes flying into buildings, and lice that hop like chess figurines on a board whose players are ever changing.

Worry about Fischer led the All-Union Scientific Research Institute of Sports, which studied the psychology of sports, to appoint a Soviet grandmaster and theoretician, Vladimir Alatortsev, to create a secret laboratory (located near the Moscow Central Chess Club). Its mission was to analyze Fischer’s games. Alatortsev and a small group of other masters and psychologists worked tirelessly for ten years attempting to “solve” the mystery of Fischer’s prowess, in addition to analyzing his personality and behavior. They rigorously studied his opening, middle game, and endings—and filtered classified analyses of their findings to the top Soviet players.

The chemists who uphold dualism are far from being agreed among themselves; nevertheless, all of them in maintaining their opinion, rely upon the phenomena of chemical reactions. For a long time the uncertainty of this method has been pointed out: it has been shown repeatedly, that the atoms put into movement during a reaction take at that time a new arrangement, and that it is impossible to deduce the old arrangement from the new one. It is as if, in the middle of a game of chess, after the disarrangement of all the pieces, one of the players should wish, from the inspection of the new place occupied by each piece, to determine that which it originally occupied.

You need to realise something if you are ever to succeed at chess,’ she said, as if Nora had nothing bigger to think about. ‘And the thing you need to realise is this: the game is never over until it is over. It isn’t over if there is a single pawn still on the board. If one side is down to a pawn and a king, and the other side has every player, there is still a game. And even if you were a pawn – maybe we all are – then you should remember that a pawn is the most magical piece of all. It might look small and ordinary but it isn’t. Because a pawn is never just a pawn. A pawn is a queen-in-waiting. All you need to do is find a way to keep moving forward. One square after another. And you can get to the other side and unlock all kinds of power.

Another former chess player shared his own fond memory of Thiel from this era. Around the spring of 1988, the team was driving to Monterey for a tournament, with Thiel behind the wheel of the Rabbit. They took California’s Route 17, a four-lane highway that crosses the Santa Cruz Mountains and is regarded as one of the state’s most dangerous. The team was in no particular hurry, but Thiel drove as if he were a man possessed. He navigated the turns like Michael Andretti, weaving in and out of lanes, nearly rear-ending cars as he slipped past them, and seemed to be flooring the accelerator for large portions of the trip. Somewhat predictably, the lights of a California Highway Patrol cruiser eventually appeared in his rearview. Thiel was pulled over, and the trooper asked if he knew how fast he was going. The young men in the rest of the car, simultaneously relieved to have been stopped and scared of the trooper, looked at each other nervously. “Well,” Thiel responded, in his calmest, most measured baritone. “I’m not sure if the concept of a speed limit makes sense.” The officer said nothing. Thiel continued: “It may be unconstitutional. And it’s definitely an infringement on liberty.” The officer looked at Thiel and the geeks in the beater car and decided the whole thing wasn’t worth his time. He told Thiel to slow down and have a nice day. “I don’t remember any of the games we played,” said the man, now in his fifties, who’d been in the passenger seat. “But I will never forget that drive.

„What do we mean by “understanding” something? We can imagine that this complicated array of moving things which constitutes “the world” is something like a great chess game being played by the gods, and we are observers of the game. We do not know what the rules of the game are; all we are allowed to do is to watch the playing. Of course, if we watch long enough, we may eventually catch on to a few of the rules. The rules of the game are what we mean by fundamental physics. Even if we knew every rule, however, we might not be able to understand why a particular move is made in the game, merely because it is too complicated and our minds are limited. If you play chess you must know that it is easy to learn all the rules, and yet it is often very hard to select the best move or to understand why a player moves as he does. So it is in nature, only much more so.

In 1998, he helped organize the first “advanced chess” tournament, in which each human player, including Kasparov himself, paired with a computer. Years of pattern study were obviated. The machine partner could handle tactics so the human could focus on strategy. It was like Tiger Woods facing off in a golf video game against the best gamers. His years of repetition would be neutralized, and the contest would shift to one of strategy rather than tactical execution. In chess, it changed the pecking order instantly. “Human creativity was even more paramount under these conditions, not less,” according to Kasparov. Kasparov settled for a 3–3 draw with a player he had trounced four games to zero just a month earlier in a traditional match. “My advantage in calculating tactics had been nullified by the machine.” The primary benefit of years of experience with specialized training was outsourced, and in a contest where humans focused on strategy, he suddenly had peers. A few years later, the first “freestyle chess” tournament was held. Teams could be made up of multiple humans and computers. The lifetime-of-specialized-practice advantage that had been diluted in advanced chess was obliterated in freestyle. A duo of amateur players with three normal computers not only destroyed Hydra, the best chess supercomputer, they also crushed teams of grandmasters using computers. Kasparov concluded that the humans on the winning team were the best at “coaching” multiple computers on what to examine, and then synthesizing that information for an overall strategy. Human/Computer combo teams—known as “centaurs”—were playing the highest level of chess ever seen. If Deep Blue’s victory over Kasparov signaled the transfer of chess power from humans to computers, the victory of centaurs over Hydra symbolized something more interesting still: humans empowered to do what they do best without the prerequisite of years of specialized pattern recognition.

Our fundamental impulses are neither good nor bad: they are ethically neutral. Education should aim at making them take forms that are good. The old method, still beloved by Christians, was to thwart instinct; the new method is to train it. Take love of power: it is useless to preach Christian humility, which merely makes the impulse take hypocritical forms. What you have to do is to provide beneficent outlets for it. The original native impulse can be satisfied in a thousand ways—oppression, politics, business, art, science, all satisfy it when successfully practised. A man will choose the outlet for his love of power that corresponds with his skill; according to the type of skill given him in youth, he will choose one occupation or another. The purpose of our public schools is to teach the technique of oppression and no other; consequently they produce men who take up the white man’s burden. But if these men could do science, many of them might prefer it. Of two activities which a man has mastered, he will generally prefer the more difficult: no chess-player will play draughts. In this way, skill may be made to minister to virtue.

Let us begin, then, with the mad-house; from this evil and fantastic inn let us set forth on our intellectual journey. Now, if we are to glance at the philosophy of sanity, the first thing to do in the matter is to blot out one big and common mistake. There is a notion adrift everywhere that imagination, especially mystical imagination, is dangerous to man’s mental balance. Poets are commonly spoken of as psychologically unreliable; and generally there is a vague association between wreathing laurels in your hair and sticking straws in it. Facts and history utterly contradict this view. Most of the very great poets have been not only sane, but extremely business-like; and if Shakespeare ever really held horses, it was because he was much the safest man to hold them. Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination. Artistic paternity is as wholesome as physical paternity. Moreover, it is worthy of remark that when a poet really was morbid it was commonly because he had some weak spot of rationality on his brain. Poe, for instance, really was morbid; not because he was poetical, but because he was specially analytical. Even chess was too poetical for him; he disliked chess because it was full of knights and castles, like a poem. He avowedly preferred the black discs of draughts, because they were more like the mere black dots on a diagram. Perhaps the strongest case of all is this: that only one great English poet went mad, Cowper. And he was definitely driven mad by logic, by the ugly and alien logic of predestination. Poetry was not the disease, but the medicine; poetry partly kept him in health. He could sometimes forget the red and thirsty hell to which his hideous necessitarianism dragged him among the wide waters and the white flat lilies of the Ouse. He was damned by John Calvin; he was almost saved by John Gilpin. Everywhere we see that men do not go mad by dreaming. Critics are much madder than poets. Homer is complete and calm enough; it is his critics who tear him into extravagant tatters. Shakespeare is quite himself; it is only some of his critics who have discovered that he was somebody else. And though St. John the Evangelist saw many strange monsters in his vision, he saw no creature so wild as one of his own commentators. The general fact is simple. Poetry is sane because it floats easily in an infinite sea; reason seeks to cross the infinite sea, and so make it finite. The result is mental exhaustion, like the physical exhaustion of Mr. Holbein. To accept everything is an exercise, to understand everything a strain. The poet only desires exaltation and expansion, a world to stretch himself in. The poet only asks to get his head into the heavens. It is the logician who seeks to get the heavens into his head. And it is his head that splits.

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.