Cherry Sayings Quotes

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The Buddhists say there are 149 ways to God. I'm not looking for God, only for myself, and that is far more complicated. God has had a great deal written about Him; nothing has been written about me. God is bigger, like my mother, easier to find, even in the dark. I could be anywhere, and since I can't describe myself I can't ask for help.
Jeanette Winterson (Sexing the Cherry)
the buddhists say there are 149 ways to god. i'm not looking for god, only for myself, and that is far more complicated.
Jeanette Winterson (Sexing the Cherry)
Big enough that I should tie a bow around it and attach a little card that says ‘To: Macy. You’re welcome. Love, Seth.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
By this point Viviane Lavender had loved Jack Griffith for twelve years, which was far more than half of her life. If she thought of her love as a commodity and were to, say, eat it, it would fill 4,745 cherry pies. If she were to preserve it, she would need 23,725 glass jars and labels and a basement spanning the length of Pinnacle Lane. If she were to drink it, she'd drown.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Being a teenager is a curse and a gift. It's the age where fairytales cease to exist and Santa isn't real but parts of our hearts want to say 'What if...
Brittainy C. Cherry (Loving Mr. Daniels)
Everyone deserved a person who could look into their eyes and say, “You’re enough. You’re perfect, scars and all.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Now that I know you're okay, what bothers me most is your irresponsibility. I have no idea what's gotten into you." I do, she wanted to say. He's around six-two, heavily tattooed and fucks like a god.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
It is a true saying, that what you fear you find.
Jeanette Winterson (Sexing the Cherry)
Islands are metaphors of the heart, no matter what poet says otherwise.
Jeanette Winterson (Sexing the Cherry)
On more than one occasion I have been ready to abandon my whole life for love. To alter everything that makes sense to me and to move into a different world where the only known will be the beloved. Such a sacrifice must be the result of love... or is it that the life itself was already worn out? I had finished with that life, perhaps, and could not admit it, being stubborn or afraid, or perhaps did not known it, habit being a great binder. I think it is often so that those most in need of change choose to fall in love and then throw up their hands and blame it all on fate. But it is not fate, at least, not if fate is something outside of us; it is a choice made in secret after nights of longing. ... I may be cynical when I say that very rarely is the beloved more than a shaping spirit for the lover's dreams... To be a muse may be enough. The pain is when the dreams change, as they do, as they must. Suddenly the enchanted city fades and you are left alone again in the windy desert. As for your beloved, she didn't understand you. The truth is, you never understood yourself.
Jeanette Winterson (Sexing the Cherry)
He stared at me. "She liked you, boy." The intensity of his voice and eyes made me blink. "Yes," I said. "She did it for you, you know." "What?" "Gave up her self, for a while there. She loved you that much. What an incredibly lucky kid you were." I could not look at him. "I know." He shook his head with a wistful sadness. "No, you don't. You can't know yet. Maybe someday..." I knew he was tempted to say more. Probably to tell me how stupid I was, how cowardly, that I blew the best chance I would ever have. But his smile returned, and his eyes were tender again, and nothing harsher than cherry smoke came out of his mouth.
Jerry Spinelli (Stargirl (Stargirl, #1))
...There are also those who inadvertently grant power to another man's words by continuously trying to spite him. If a man gets to the point where he can simply say, 'The sky is blue,' and people indignantly rush up trying to refute him saying, 'No, the sky is light blue,' then, whether they realize it or not, he has become an authority figure even to such adversaries.
Criss Jami
I don’t know what to say,” he breathed into her hair, squeezing the air from her. “Fuck. Just wait for me.” That was all he needed to say. “I will.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
People say the magic has gone out of the moon now that someone’s stood on it. I don’t think so. It would take more than a man’s foot to steal the moon.
Jeanette Winterson (Sexing the Cherry)
You’ve been fucked before, huh?” he asked, angling her so that his piercing slid over her G-spot when he entered. “By the time I’m done, you’ll have reassessed your definition
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
Going to see plays isn't what you people should do. Try looking at yourselves a little more often and see what gray lives you all lead. How much of what you say is unnecessary.
Anton Chekhov (The Cherry Orchard)
I thought I made you up. I thought that I was living in a world of darkness and I imagined you into existence. That somehow my mind crafted you, placing you on that train months ago. But then I realized I could never dream of something so beautiful. “You’re the reason people believe in tomorrow. You’re the voice that scares the shadows away. You’re the love that makes me breathe. So for the next few seconds, I’m going to be selfish. I’m going to say things that I don’t want you to listen to.” My hands ran up and down her back as I pulled her closer, feeling her nerves rocking throughout her. I kissed the edge of her ear. “Don’t go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don’t. Go.
Brittainy C. Cherry (Loving Mr. Daniels)
The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tenses for past, present and future. The division does not exist. What does this say about time? Matter, that thing the most solid and the well-known, which you are holding in your hands and which makes up your body, is now known to be mostly empty space. Empty space and points of light. What does this say about the reality of the world?
Jeanette Winterson (Sexing the Cherry)
Gorgeous,” he murmured. She chuckled. “Think you’l say that in five months or so? When I waddle like a duck and you have to tie my shoes for me?” “I’l say it then and forever.
Cherrie Lynn (Unleashed (Ross Siblings, #1))
The secret is to listen to what she doesn't say, see what she doesn't do, and hold her when she doesn't cry
Brittainy C. Cherry (The Space in Between (The Space in Between, #1))
Where you trying to go, huh? Come on me, Macy. Come on me, or I’ll take you outside and make you scream right there on the front lawn for the whole fuckin’ neighborhood to hear.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
You want me?” he breathed. “You want my mouth on your pussy, sucking it until you scream, or my cock back inside it? Tell me how you need it, and I’ll give it to you.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
You're the reason people believe in tomorrow. You're the voice that scares the shadows away. You're the love that makes me breathe. So for the next few seconds, I'm going to be selfish. I'm going to say things that I don't want you to listen to. Don't go. Stay with me forever. Please, Ashlyn. Let me be your everything. Make me your golden. Don't. Go.
Brittainy C. Cherry (Loving Mr. Daniels)
Ghost leaned across the table toward Candace and Brian. “Candace,” he said, and for a moment Macy thought he might actually say something sincere. No such luck. “I really advse against leaving him alone with me again. Two hours away from you and he was coming on to me.” Everyone else at the table broke up in laughter. It only egged him on. “I mean, I know he wants me. He’s made it clear. And I’m growing weak, I tell you. I missed him. If he does it again, I’m gonna give it to him.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
That’s the first time you even said those words. You can’t say you love me and then break my heart. So say what you really need to say. Say it and I’m gone.
Brittainy C. Cherry (Loving Mr. Daniels)
Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere. I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light. The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite." But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while? That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
Elizabeth Gilbert (Eat, Pray, Love)
Art was everything right and wrong in the world. It understood what words couldn’t say.
Brittainy C. Cherry (Art & Soul)
No, you goof. I meant are you decently attired such that we might go into public without getting arrested
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
I don’t know what to tell you, I don’t know what to say. I only know that caring for you brings on more pain. ~ Romeo’s quest
Brittainy C. Cherry (Loving Mr. Daniels)
I've had a lot of terrible things happen in my life. And what I've come to realize is if you don't say what you need to say when you have a chance...you'll regret it. Even if you're mad, say it. Scream it into the world while you still have a chance to. Because once life passes you by, it's gone. And so are the words left unspoken.
Brittainy C. Cherry (Loving Mr. Daniels)
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says. No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit. I think you're right, Joe,' I say, but softly enough not to disturb his concentration.
W.P. Kinsella (Shoeless Joe)
She was the wish of his life. He didn’t know how else to say it. He didn’t even know that he could really explain, just that every time he saw her he felt his bones might break under the weight of his wanting. His longing for her.
C.J. Carlyon (The Cherry House)
I may be cynical when I say that very rarely is the beloved more than a shaping spirit for the lover's dreams.
Jeanette Winterson (Sexing the Cherry)
Just remember that people who are known for their looks are rarely known for anything else.
C.J. Carlyon (The Cherry House)
Similarly, an unmatched set of bound books can be considered unattractive, but Bishop Kōyū impressed me deeply by saying that only a boring man will always want things to match; real quality lies in irregularity - another excellent remark.
Yoshida Kenkō (A Cup of Sake Beneath the Cherry Trees)
Well then..." I clear my throat once. "You are a fantastic actor," I say, breathless, and emotionally drugged up on Mr. Sexdorable.
Brittainy C. Cherry (Our Totally, Ridiculous, Made-up Christmas Relationship)
[And there was the matter of Dick Turpin. It looked like the same car, except that forever afterwards it seemed able to do 250 miles on a gallon of petrol, ran so quietly that you practically had to put your mouth over the exhaust pipe to see if the engine was firing , and issued its voice-synthesized warnings in a series of exquisite and perfectly-phrased haikus, each one original and apt... Late frost burns the bloom Would a fool not let the belt Restrain the body? ...it would say. And, The cherry blossom Tumbles from the highest tree One needs more petrol]
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
It’s easier to say that women like my mother are crazy. Then you don’t have to listen to them. And so maybe in a way she became crazy. Maybe she could communicate only by screaming.
Sarai Walker (The Cherry Robbers)
And Meredith says that reminds her of a Camus novel, the one about the plague, and she tells the story of it, the tale holding you in thrall, and she ends her version with a line you’ll write down in your notebook, the place where the atheist doctor hollers at a priest: All your certainties aren’t worth one strand of a woman’s hair.
Mary Karr (Cherry)
Your mother rolls her eyes at the cat lapping grapefruit juice, says, "Everything that comes into this house is crazy - whether we choose them for that or they get that way, I don't know.
Mary Karr (Cherry)
Had a note from Mr Cherry asking me when I can resume my paper round. I sent a note back to say that due to my mother's desertion I am still in a mental state. This is true. I wore odd socks yesterday without knowing it. One was red and one was green. I must pull myself together. I could end up in a lunatic asylum.
Sue Townsend (The Secret Diary of Adrian Mole, Aged 13 3/4 (Adrian Mole, #1))
Some people say hockey is like religion, but that's wrong. Hockey is like faith. Religion is something between you and other people; it's full of interpretations and theories and opinions. But faith...that's just between you and God. It's what you feel in your chest when the referee glides out to the center circle between two players, when you hear the sticks strike each other and see the black disk fall between them. Then it's just between you and hockey. Because cherry trees always smell of cherry trees, whereas money smells of nothing
Fredrik Backman (Beartown (Beartown, #1))
Life, after all, was a secret with the self. The more one gave out, the less there remained for the center--that center which she coveted for herself and recognized instantly in others. Fruits had it, the very heart of, say, a cherry, where the true worth and flavor lay. Some of course were flawed or hollow in there. Many, in fact.
Edna O'Brien (The Country Girls Trilogy 'the Country Girls', ' the Lonely Girl', 'Girls in Their Married Bliss)
They say when you're about to die, your entire life flashes before your eyes. Well, now I know that when you're about to kill someone, the same thing happens. Except that instead of your entire life, it's just the moments you had spent with that person, and as every moment flashes by, it now contains a chainsaw.
Cherry Cheva (She's So Money)
I’ve wanted you from the moment I saw you, Cherry. You say what you mean and don’t filter it…
Kristen Callihan (The Game Plan (Game On, #3))
My mother has often been labelled as strange but that’s because she says things that people can’t possibly believe. Mostly she’s right.
Jeanette Winterson (Sexing the Cherry)
You say that, but have you played Cherry Blossom Fairy Five, April May? Have you?
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
I’d learned quickly that motherhood meant saying no to yourself so you could later say yes to your child.
Brittainy C. Cherry (The Mixtape)
There is a wicked and pervading arrogance loose on the earth, like a rabid beast, an overdog. Does it run, does it slouch, does its name have a number? The beast preaches contempt, for that's what arrogance says: that nothing is real but itself, and the bone and blood of another's being are insubstantial as breath.
Kelly Cherry (The Exiled Heart: A Meditative Autobiography)
He shakes his head miserably. “If only I’d gotten here sooner….” “You got here in plenty of time,” I say with a snort. “We’re okay.” “But the truck!” he says as he turns back to us. “It was so cherry.
T.J. Klune (Into This River I Drown)
Evan …” she murmured, wrapping her soft arms around his neck. Their position had her lips near his ear. She’d lost her headband somewhere. He could smell the strawberry of her shampoo, feel the tickle of her sluggish breath stirring his hair. “Evan.” “Kelsey. Move over here, lie down.” She pulled back slightly, her bleary eyes trying to focus on his. The weight of her head still seemed too much for her neck to support and her hair flowed over his arm. “Evan, I always liked you.” “I always liked you, too, honey.” The way she kept saying his name in that intoxicated purr, savoring the v between her teeth and her bottom lip, was unnerving. Unnerving, hell. It had his dick twitching in his pants. “Come on, girl, you need to sleep it off.” “I mean I like liked you.” […] Her hands caught his face, surprising him. He should have moved away from her long ago, before she could get her hands on him. As it was, he felt like a fly caught in the sticky gossamer of a spider’s den. “Always wanted to fuck you, y’know that? Even when I was a virgin.” He drew in a breath, exhaled it shakily. So much for prudish. Note to self: Kelsey now gets unbelievably horny when drunk.
Cherrie Lynn (Unleashed (Ross Siblings, #1))
That’s what you wanted me for,” he all but growled. His dick was going to cuss him for a bastard if he didn’t get inside her. But he’d just have to take it. This was about leaving her wanting more. “Wasn’t it? To get you dirty. That’s why you know you’re going to let me do it. After I leave and you cool down, you’ll tell yourself you won’t. But one day, you’ll beg me for it, because you know there’s more, and you know I can give it to you.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats. "What's that for?" Valentine asks, when Lindsay finally lets him go. "Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
Tie Dye Tom, my closes friend next to Cherry, say next to her crying like a little baby. 'I feel like a mama bird,' he said through choking sobs that made me laugh out loud.
Fisher Amelie (Callum & Harper (Sleepless, #1))
Say it!” she hollered, moving over to me. She shoved me hard against the chest. “Say it! Say you don’t want to be with me!
Brittainy C. Cherry (Loving Mr. Daniels)
Do you like her?” Please say no. Please say no. He scowls at me and I shiver beneath his glimmering black eye. “Cherry.” “Yes?” “Shut the fuck up.
Nikki St. Crowe (The Dark One (Vicious Lost Boys, #2))
Such a softness fell over her as she looked my way. "Ian?" "Yeah?" "Drunk Hazel likes you a lot." I snickered. "Let's work on getting sober Hazel to like me too." "That's easy enough." She yawned in my face, not bothering to cover her mouth. "Just say hi to me sometimes, and it helps if you take off your shirt too.
Brittainy C. Cherry (The Wreckage of Us)
It’s not going to be easy. It might be very hard, and weird, and out of the norm, but I promise you, if you give me a chance, if you give us a few moments, I’ll make it worth all of your time. Say okay?
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
I get so pissed off whenever someone looks at you wrong. Or says the wrong thing to you. Or posts pictures all over your locker. Or if they smile at you. Or call you beautiful. Or…anything!” He released a breath and took a deep inhale. “Anything they do to hurt you or make you smile makes me want to attack.” He exhaled. “And that doesn’t really make for great ethics.
Brittainy C. Cherry (Loving Mr. Daniels)
Day 72 I remember oranges and you don’t mind me leaving the queue momentarily to find some. When you say, Of course, you reach for my arm in sympathy and recognition. This may be the thing that breaks me today, that stops me in my tracks before driving me forward, turning a corner, making something work, letting everything happen. When I return, you’re touching my yoghurts, reading the ingredients, as though you are making them yours, protecting them in my absence and amusing yourself with the cherry-ness of them. On days like this, I want to take my strangers home with me.
Gemma Seltzer (Speak to Strangers)
I just don’t want to die without a few scars, I say. It’s nothing anymore to have a beautiful stock body. You see those cars that are completely stock cherry, right out of a dealer’s showroom in 1955, I always think, what a waste.
Chuck Palahniuk (Fight Club)
Everyone deserved at least one friend they could trust with their secrets and fears. With their guilt, with their happiness. Everyone deserved a person who could look into their eyes and say, “You’re enough. You’re perfect, scars and all.” I thought Tristan deserved that more than most, though.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Perhaps the flowers appreciate the full significance of it. They are not cowards, like men. Some flowers glory in death--certainly the Japanese cherry blossoms do, as they freely surrender themselves to the winds. Anyone who has stood before the fragrant avalanche at Yoshino or Arashiyama must have realized this. For a moment they hover like bejewelled clouds and dance above the crystal streams; then, as they sail away on the laughing waters, they seem to say: "Farewell, O Spring! We are on to eternity.
Kakuzō Okakura (The Book of Tea)
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
Gillian Flynn (Sharp Objects)
This book is for the mothers who've had to say goodbye too soon. I see you, I hear you, and I honor your hearts with wings. You are the strongest individuals alive, and I'm blown away by your strength, your ability to love, and your ability to not quit on life.
Brittainy C. Cherry (Disgrace)
But the boys' bicycle pack also sent a stab of envy through me. If I couldn't yet capture John Cleary with my feminine wiles, then surely I deserved to enjoy the physical abandon he got, liberties I instinctively knew were vanishing. (I know, I know. Psychoanalytic theory would label this pecker envy and seek to smack me on the nose with it. To that I'd say, o please. Of actual johnsons I had little awareness. What I coveted was privilege.)
Mary Karr (Cherry)
I’m not that bad.” Macy lifted her head and searched Candace’s face. “Am I?” “I’m not one to give an objective opinion. I’ve known you my whole life, I’m used to you.” “Great. In other words, ‘You’re a raging bitch only a best friend could love’. I had no idea I had so little self-awareness.” “Get over it. I’d have to say you’re more a snob than a raging bitch. Oh, and maybe a control freak though you’re better about that now than you used to be. But I love you anyway. So could he.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
You go to class and discuss famous poems. The poems are full of swans, gorse, blackberries, leopards, elderflowers, mountains, orchards, moonlight, wolves, nightingales, cherry blossoms, bog oak, lily-pads, honeybees. Even the brand-new ones are jam-packed with nature. It’s like the poets are not living in the same world as you. You put up your hand and say isn’t it weird that poets just keep going around noticing nature and not ever noticing that nature is shrinking? To read these poems you would think the world was as full of nature as it ever was even though in the last forty years so many animals and habitats have been wiped out. How come they don’t notice that? How come they don’t notice everything that’s been annihilated? If they’re so into noticing things? I look around and all I see is the world being ruined. If poems were true they’d just be about walking through a giant graveyard or a garbage dump. The only place you find nature is in poems, it’s total bullshit. Even the sensitive people are fucking liars, you say. No, you don’t, you sit there in silence like always.
Paul Murray (The Bee Sting)
More than the fuchsia fennels breaking out of the crabapple tree, more than the neighbor's almost obscene display of cherry limbs shoving their cotton candy-colored blossoms to the slate sky of Spring rains, it's the greening of the trees that really gets to me. When all the shock of white and taffy, the world's baubles and trinkets, leave the pavement strewn with the confetti of aftermath, the leaves come. Patient, plodding, a green skin growing over whatever winter did to us, a return to the strange idea of continuous living despite the mess of us, the hurt, the empty. Fine then, I'll take it, the trees seem to say, a new slick leaf unfurling like a fist to an open palm, I'll take it all.
Ada Limon (The Carrying)
We can of course argue over what the Bible says about homosexuality, but one thing is utterly clear: Jesus teaches us to love people, not to hate them, not to make them feel hated, and not to stand by while that is happening. From the perspective of the New Testament there simply is no room for doubt on this. We know exactly where Jesus stands in this regard. He stands on the side of the least, the condemned, the vulnerable.
Derek Flood (Disarming Scripture: Cherry-Picking Liberals, Violence-Loving Conservatives, and Why We All Need to Learn to Read the Bible Like Jesus Did)
There's a saying in Japan, and it has to do with cherry-blossom viewing: hana yori dango (Dumplings over flowers). It basically means that someone should value needs over wants, substance over appearance. As in, make sure you have food and shelter before you burn money on something extravagant. And, you know, choose genuine friends who will be there for you over pretty, shallow ones. Don't get carried away by beauty if it leaves you empty.
Amanda Sun (Ink (Paper Gods, #1))
Let's go down to the basement." I didn't move. "How do I know you're not some kind of serial killer with a perverted sex dungeon down there?" He grinned at me. "Well...I'm not a serial killer." "So says you." I trudged down the carpeted staircase after him. "But Ted Bundy was apparently very popular in his day, and just so you know, I've got my keys in between my fingers right now, which means that if you try anything, I can totally punch you and stab you at the same time.
Cherry Cheva (She's So Money)
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?" "No," said Arrietty, "I'd say it was my father." "Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?" "Not on his best trousers. He does on his borrowing ones." 'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?" "No," said Arrietty. "None. We're all different." "I mean as small as you?" Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?" "There are more my size than yours," he retorted. "Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff." "Don't you eat soup?" asked the boy. "Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-" "What do you mean," asked the boy, " 'to keep us'?
Mary Norton (The Borrowers (The Borrowers, #1))
Do I have a code name? II'm pretty sure I get a code name. I'd like to choose it." His fingers fall from my elbow. A pity. "Yes," he says. "As a matter of fact, you do have a code name." "I knew it!" My twirl is the glee-filled kind. "What is it? Sidewinder or Lightning or maybe Pegasus?" "We were calling you Butterfly." Huh. "That's nice, I guess." A little soft, but okay. "Then, the tabloids gave you the moniker. The Lost Butterfly, so we had to change it." I perk up. "I suggested it," he baits. "What did you suggest?" I look up at Akio with stars in my eyes. The possibilities are endless---Sunshine, Moonflower, Cherry Blossom. My thoughts are a runaway train. Maybe he likes me. Maybe he's not as mean as he seems. Maybe I've terribly misjudged him and this is just a rocky start to a friendship that turns to love that will last the ages. Our affair will inspire folksy campfire ballads. It's the first time I see Akio smile. It's part evil, part satisfied, as if he's just won a bet with himself. "Radish.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
What did you do?" said Charles. "You know that night all our shoes went into the hall," said Nirupam. "Well, we had a feast that night. Dan Smith made me get up the floorboards and get the food out. He says I have no right to be so large and so weak," Nirupam said resentfully, "and I was hating him for it, when I took the boards up and found a pair of running shoes, with spikes, hidden there with the food. I turned those shoes into a chocolate cake. I knew Dan was so greedy that he would eat it all himself. And he did eat it. He didn't let anyone else have any. You may have noticed that he wasn't quite himself the next day." So much had happened to Charles that particular day, that he could not remember Dan seeming anything at all. He didn't have the heart to explain all the trouble Nirupam had caused him. "Those were my spikes," he said sadly. He wobbled along on the mop rather awed at the thought of iron spikes passing through Dan's stomach. "He must have a digestion like an ostrich!" "The spikes were turned into cherries," said Nirupam. "The soles were the cream. The shoes as a whole became what is called a Black Forest gateau.
Diana Wynne Jones (Witch Week (Chrestomanci, #3))
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
They all warned me about Tristan, begging me to stay away. ‘He’s an asshole, he’s wild, and he’s broken, Liz,’ they would say. ‘He’s nothing but the ugly scars of his yesterdays,’ they swore. But what they didn’t see, what they chose to ignore was the fact that I was also a little wild, a bit crazy, and completely shattered too. I was damaged goods at best. But when I was with him, at least I remembered to breathe.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
You used to say you would never forget me. That made me feel like the cherry blossom, here today and gone tomorrow; it is not the kind of thing one says to a person with whom one proposes to spend the rest of one's life, after all. And, after all that, for three hundred and fifty-two in each leap year, I never think about you, sometimes. I cast an image into the past, like a fishing line, and up it comes with a gold mask on the hook, a mask with real tears at the ends of its eyes, but tears that are no longer anybody's tears. Time has drifted over your face.
Angela Carter (Burning Your Boats: The Collected Short Stories)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they woke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish-–something they heard, something they had picked up in the garden. They had all their little treasures. . . And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and he believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries––perhaps that was it. He had always his work to fall back on.
Virginia Woolf (To the Lighthouse)
There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu. Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart. The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered, Hey Clod! What now? and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.
David James Duncan (The River Why)
Dear Friend, I hope it is alright that I address you in such a manner. I figured if you are a friend of Ashlyn, then you are a friend of mine. I wish we had a chance to meet under better circumstances, but the whole dying thing really puts a damper on my ability to make a great first impression. So what I want to say is thank you. Thank you for befriending a girl who is probably very broken but at the same time so amazingly perfect. Thank you for befriending a girl who is probably a little different and quotes too many books. Thank you for befriending a girl who doesn’t talk about her feelings a lot, but trust me, she feels everything. Thank you for being there for her. So now, I promise you that I’ll be there for you, too. I don’t know how. And I probably shouldn’t make those kinds of promises…yet just know that when you see the winds whistling through the flowers, that’s me thanking you and hugging you during your darkest days. Thank you, friend. You’re doing great. ~ Gabrielle
Brittainy C. Cherry (Loving Mr. Daniels)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
But what did it matter what momins of the community said when they picked apart the behavior of her son? What was a believer meant to be like when all their rituals and practices were stripped away? Amar was kind. If one of his sisters came home carrying heavy textbooks, he rose to help them before they even asked. He was generous. He had very little of his own money but still he would bring home the coffee drinks Huda or Hadia liked, or a bag of cherries for Layla come cherry season, or a candle with a floral scent. Layla gossiped sometimes, everyone did, but she had never heard her son speak ill of anyone. Once when she spoke of someone from their community, he said to her, “You don’t know that, Mumma, don’t say that if you don’t fully know it.” Her heart had swelled. How her son was good in a way that she wasn’t, in a way that could instruct her. Layla had begun to think lately that there was no real way to quantify the goodness of a person—that religion gave templates and guidelines but there were ways it missed the mark entirely. And everything a momin should be in his heart, Amar was.
Fatima Farheen Mirza (A Place for Us)
These moral conclusions are easy to make. The real problem is that many of us have been systematically taught in church to shut off our brains and conscience when we read the Bible. In fact, it is commonly taught that we are utterly incapable of making sound moral judgments on our own. Our hearts are “deceitful above all things, and desperately wicked” (Jer 17:9, KJV). We are therefore admonished to “lean not on thine own understanding” (Prov 3:5, KJV), because “God’s ways are higher than our ways” (Isa 55:9).41 These verses are all marshaled to appeal to the narrative of unquestioning obedience, and are used to get us to not question moral atrocity in the Bible and instead defend it. The Bible says so; that settles it. End of discussion, end of thought, end of conscience.
Derek Flood (Disarming Scripture: Cherry-Picking Liberals, Violence-Loving Conservatives, and Why We All Need to Learn to Read the Bible Like Jesus Did)
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
Brittainy C. Cherry (The Wreckage of Us)
Should we only be interested to view the cherry blossoms at their peak, or the moon when it is full? To yearn for the moon when it is raining, or to be closed up in ones room, failing to notice the passing of Spring, is far more moving. Treetops just before they break into blossom, or gardens strewn with fallen flowers are just as worthy of notice. There is much to see in them. Is it any less wonderful to say, in the preface to a poem, that it was written on viewing the cherry blossoms just after they had peaked, or that something had prevented one from seeing them altogether, than to say "on seeing the cherry blossoms"? Of course not. Flowers fall and the moon sets, these are the cyclic things of the world, but still there are brutish people who say that there is nothing left worth seeing, and fail to appreciate.
Yoshida Kenkō (徒然草)
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
Neurologically speaking, though, there are reasons we develop a confused sense of priorities when we’re in front of our computer screens. For one thing, email comes at unpredictable intervals, which, as B. F. Skinner famously showed with rats seeking pellets, is the most seductive and habit-forming reward pattern to the mammalian brain. (Think about it: would slot machines be half as thrilling if you knew when, and how often, you were going to get three cherries?) Jessie would later say as much to me when I asked her why she was “obsessed”—her word—with her email: “It’s like fishing. You just never know what you’re going to get.” More to the point, our nervous systems can become dysregulated when we sit in front of a screen. This, at least, is the theory of Linda Stone, formerly a researcher and senior executive at Microsoft Corporation. She notes that we often hold our breath or breathe shallowly when we’re working at our computers. She calls this phenomenon “email apnea” or “screen apnea.” “The result,” writes Stone in an email, “is a stress response. We become more agitated and impulsive than we’d ordinarily be.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
Giveaway T-shirts stretched over monstrous beer bellies. Puffy NFL jackets and porky jowls. Granted, I'm in a bowling alley,but the differences between Americans and Parisians are shocking.I'm ashamed to see my country the way the French must see us. Couldn't these people have at least brushed their hair before leaving their houses? "I need a licorice rope," Cherrie announces. She marches toward the snack stand,and all I can think is these people are your future. The thought makes me a little happier. When she comes back,I inform her that just one bite of her Red Dye #40-infused snack could kill my brother. "God, morbid," she says. Which makes me think of St. Clair again.Because when I told him the same thing three months ago,instead of accusing me of morbidity,he asked with genuine curiosity, "Why?" Which is the polite thing to do when someone offers you such an interesting piece of conversation.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
That was interesting.Who was that?" Matt looks unhappy. "What?" I ask him. "You'll talk to that guy,but you won't talk to us anymore?" "Sorry," I mumble, and climb out of his car. "He's just a friend.Thanks for the ride." Matt gets out,too. Cherrie starts to follow,but he throws her a sharp look. "So what does that mean?" he calls out. "We aren't friends anymore? You're bailing on us?" I trudge toward the house. "I'm tired, Matt.I'm going to bed." He follows anyway.I dig out my house key,but he grabs my wrist to stop me from opening the door. "Listen,I know you don't want to talk about it,but I just have this one thing to say before you go in there and cry yourself to sleep-" "Matt,please-" "Toph isn't a nice guy.He's never been a nice guy. I don't know what you ever saw in him.He talks back to everyone, he's completely unreliable, he wears those stupid fake clothes-" "Why are you telling me this?" I'm crying again.I pull my wrist from his grasp. "I know you didn't like me as much as I liked you. I know you would have rather been with him,and I dealth with that a long time ago.I'm over it." The shame is overwhelming. Even though I knew Matt was aware that I liked Toph,it's awful to hear him say it aloud. "But I'm still your friend." He's exasperated. "And I'm sick of seeing you waste your energy on that jerk. You've spent all this time afraid to talk about what was going on between you two,but if you'd bothered to just ask him, you would have discovered that he wasn't worth it. But you didn't.You never asked him, did you?" The weight of hurt is unbearable. "Please leave," I whisper. "Please just leave." "Anna." His voice levels, and he waits for me to look at him. "It was still wrong of him and Bridge not to tell you. Okay? You deserve better than that. And I sincerely hope whomever you were just talking to"-Matt gestures toward the phone in my purse-"is better than that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
Today, and let us celebrate this fact, We can eat the light of our beloved, warmed by compassion or cooled by intellectual feeling. And if we are surprised, and some of us disappointed, that the light is now only green - well, such was the vital probability awaiting us. We have, after all, an increase in the energy available for further evolution; we can use the energy of our position relative to the probabilities in the future to reach the future we desire. The full use of this energy is just beginning to be explored, and we have the opportunity open to few generations to create our best opportunities. We must not slacken in our desire now if we desire a future. The pressure of probabilities on the present increases the momentum of evolution, and as the voluble helix turns, and turns us away from our improbable satiation, we can see that the shadow cast on the present from the future is not black but rainbowed, brilliant with lemon yellow, plum-purple, and cherry-red. I have no patience with those who say that their desire for light is satisfied. Or that they are bored. I have myself a still unsatisfied appetite for green: eucalyptus, celadon, tourmaline, and apple. ("Desire")
William S. Wilson (Why I Don't Write Like Franz Kafka)
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
She stepped in closer and studied my face. “What’s that?” “What’s what?” “That weird goofy grin you’re giving me— holy face full of sex! You slept with him!” “What? No, I—” “Don’t try to outsmart the sexoholic, Liz. You totally boned him!” Like a little girl who’d just gotten her first kiss, I squirmed. “I totally boned him!” “Sweet Jesus! Yes!” She stood up on the front porch and started chanting. “YES! YES! YES!!! The drought is over!” Tristan turned our way and raised an eyebrow. “Everything okay, ladies?” I pulled Faye back down to sit and giggled. “Everything’s fine.” “Including that sweet ass of his,” Faye muttered with a smirk. “So, how was it?” “Well, let’s just say I gave his thing a nickname.” Tears formed in her eyes and her hands flew over her heart. “My little girl is growing up. Okay, what’s the name?” “The Incredible Hulk.” She cringed. “I’m sorry, what?” “The Incr—” “No, no. I heard you the first time. You mean that green monster thing? Liz, are you fucking a guy with a green penis? Because if you are, you need a tetanus shot.” She eyed me up and down, cringing. “And higher standards.
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
[Asked by an audience member at a public Q&A session] Considering that atheism cannot possibly have any sense of 'absolute morality', would it not then be an irrational leap of faith – which atheists themselves so harshly condemn – for an atheist to decide between right and wrong? [Dawkins] Absolute morality...the absolute morality that a religious person might profess would include, what, stoning people for adultery? Death for apostasy? [...] These are all things which are religiously-based absolute moralities. I don't think I want an absolute morality; I think I want a morality that is thought out, reasoned, argued, discussed, and based on – you could almost say intelligent design. [...] If you actually look at the moralities that are accepted among modern people – among 21st century people – we don't believe in slavery anymore; we believe in equality of women; we believe in being gentle; we believe in being kind to animals...these are all things which are entirely recent. They have very little basis in Biblical or Koranic scripture. They are things that have developed over historical time; through a consensus of reasoning, sober discussion, argument, legal theory, political and moral philosophy. These do not come from religion. To the extent that you can find the 'good bits' in religious scriptures, you have to cherry-pick. You search your way through the Bible or the Koran, and you find the occasional verse that is an acceptable profession of morality – and you say, look at that! That's religion!...and you leave out all the horrible bits. And you say, 'Oh, we don't believe that anymore, we've grown out of that.' Well, of course we've grown out of it. We've grown out of it because of secular moral philosophy and rational discussion.
Richard Dawkins
You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy.
Sasha Sokolov (A School for Fools)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE STILL DANCES, EVEN IN THE RAIN.
Gabrielle Renee