Cher Best Quotes

We've searched our database for all the quotes and captions related to Cher Best. Here they are! All 18 of them:

I have to admit it humbly, mon cher compatriote, I was always bursting with vanity. I, I, I is the refrain of my whole life, which could be heard in everything I said. I could never talk without boasting, especially if I did so with that shattering discretion that was my specialty. It is quite true that I always lived free and powerful. I simply felt released in the regard to all the for the excellent reason that I recognized no equals. I always considered myself more intelligent than everyone else, as I’ve told you, but also more sensitive and more skillful, a crack shot, an incomparable driver, a better lover. Even in the fields in which it was easy for me to verify my inferiority–like tennis, for instance, in which I was but a passable partner–it was hard for me not to think that, with a little time and practice, I would surpass the best players. I admitted only superiorities in me and this explained my good will and serenity. When I was concerned with others, I was so out of pure condescension, in utter freedom, and all the credit went to me: my self-esteem would go up a degree.
Albert Camus (The Fall)
French existentialist Albert Camus said it best: “Ah, mon cher, for anyone who is alone, without God and without a master, the weight of days is dreadful.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
I realized I had no friends. Besides, even if I had had, I shouldn't be any better off. If I had been able to commit suicide and then see their reaction, why, then the game would have been worth the candle. But the earth is dark, cher ami, the coffin thick, and the shroud opaque, The eyes of the soul - to be sure - if there is a soul and it has eyes! But you see, we're not sure, we can't be sure. Otherwise, there would be a solution; at least one could get oneself taken seriously. Men are never convinced of your reasons, of your sincerity, of the seriousness of your sufferings, except by your death. So long as you are alive, your case is doubtful; you have a right only to their skepticism. So if there were the least certainty that one could enjoy the show, it would be worth proving to them what they are unwilling to believe and thus amazing them. But you kill yourself and what does it matter whether or not they believe you? You are not there to see their amazement and their contrition (fleeting at best), to witness, according to every man's dream, your own funeral. In order to cease being a doubtful case, one has to cease being, that is all. Besides, isn't it better thus? We would suffer too much from their indifference.
Albert Camus (The Fall)
The psychoanalyst Otto Rank declared modern love a religious problem. As we grow increasingly secular and move away from the towns where we were born, we can no longer use religion or community to confirm our meaning in the world, so we seize a love partner instead, someone to distract us from the fact of our animal existence. French existentialist Albert Camus said it best: “Ah, mon cher, for anyone who is alone, without God and without a master, the weight of days is dreadful.
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
Sugar, remember—” “One of your best ideas, cher.” Secret rules, she thought, her eyes on his profile as he watched the sky rain color, secret play. When he met her eyes, his own reflecting the sky, she said, “Full throttle.” The smile faded from his lips, raw emotion in his voice as he repeated the vow. “Full throttle.
Nalini Singh (Archangel's Shadows (Guild Hunter, #7))
A grownup is a child with layers on” — WOODY HARRELSON
Cher Hampton (Healing Your Inner Child First: Becoming the Best Version of Yourself by Letting Go of the Past, Overcoming Trauma, and Feeling Worthy (Childhood Trauma Recovery Books Book 1))
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free. Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
David Simon
My motto: "Expect the worst and hope for the best.
M.A. Cassata (The Cher Scrapbook)
We got a lot to talk about, Cher. We’ll get that shit outta the way... But I don’t want you dreading it, because, honest as fuck, we’re gonna get through it and we’re gonna get past it. I won’t make you promises again that I can’t keep. Swear that, babe. So when I promise right now that I know where my head is at with you and I want us both to give this the best shot we can give it, you can believe that.
Kristen Ashley (Hold On (The 'Burg, #6))
are all exceptional cases. We all want to appeal against something! Each of us insists on being innocent at all cost, even if he has to accuse the whole human race and heaven itself. You won’t delight a man by complimenting him on the efforts by which he has become intelligent or generous. On the other hand, he will beam if you admire his natural generosity. Inversely, if you tell a criminal that his crime is not due to his nature or his character but to unfortunate circumstances, he will be extravagantly grateful to you. During the counsel’s speech, this is the moment he will choose to weep. Yet there is no credit in being honest or intelligent by birth. Just as one is surely no more responsible for being a criminal by nature than for being a criminal by circumstance. But those rascals want grace, that is irresponsibility, and they shamelessly allege the justifications of nature or the excuses of circumstances, even if they are contradictory. The essential thing is that they should be innocent, that their virtues, by grace of birth, should not be questioned and that their misdeeds, born of a momentary misfortune, should never be more than provisional. As I told you, it’s a matter of dodging judgment. Since it is hard to dodge it, tricky to get one’s nature simultaneously admired and excused, they all strive to be rich. Why? Did you ever ask yourself? For power, of course. But especially because wealth shields from immediate judgment, takes you out of the subway crowd to enclose you in a chromium-plated automobile, isolates you in huge protected lawns, Pullmans, first-class cabins. Wealth, cher ami, is not quite acquittal, but reprieve, and that’s always worth taking. Above all, don’t believe your friends when they ask you to be sincere with them. They merely hope you will encourage them in the good opinion they have of themselves by providing them with the additional assurance they will find in your promise of sincerity. How could sincerity be a condition of friendship? A liking for truth at any cost is a passion that spares nothing and that nothing resists. It’s a vice, at times a comfort, or a selfishness. Therefore, if you are in that situation, don’t hesitate: promise to tell the truth and then lie as best you can. You will satisfy their hidden desire and doubly prove your affection.
Albert Camus (The Fall)
Former spider boys came from all walks of life—they ranged from homeless street kids and school dropouts to decent kids, but the best ones were those who had gone anywhere and everywhere to search out and capture their fighting spiders; they even ventured into dangerous bushes infested with black mambas. These boys were risk-takers and crowd-pullers, always on the move, always looking for worthy opponents with which to fight their spiders.
Ming Cher (Big Mole)
Expect the worst and hope for the best.
M.A. Cassata (Essential Cher)
Those Yanks coming to help are going to need things,” he said. “Their General Pershing asked for two thousand homers, to be used as messengers in the army. England has offered to send five hundred directly. And not just five hundred but the five hundred best. Many of you are among the best, true and tested. So there’s no way around it. You’re off to help our boys.
Kathleen Rooney (Cher Ami and Major Whittlesey)
Don’t take any risks over there,” he said. “Do your best, do your duty, and we’ll see you when it’s over.” I kissed them all, a quick beak-to-cheek, and John reached in, speaking low as ever. “You’re a fine, odd creature, Cher Ami,” he said. “That’s why I’ve always loved you.” He brought me close to his mouth, and his soft, soothing voice dropped to a whisper, as if to confide something he didn’t want even the other birds to hear. “Save my son,” he said. My heart beat hard against his clasping hand. I’d be a liar if I said that I wasn’t excited.
Kathleen Rooney (Cher Ami and Major Whittlesey)
My father goaded me over my disinterest, not quite calling me a coward yet wondering, “What are you afraid of, son?” He didn’t expect me to be a hunter but wanted me to hold a weapon in my hands without flinching. Silent of mouth, I would reply in my mind, This device is made to kill at worst, to maim at best. But I made myself say, “Nothing, Father. I’m not afraid.” So I learned to shoot.
Kathleen Rooney (Cher Ami and Major Whittlesey)
He and his mama run swamp tours back in the bayou.” Roo flicked ashes into the trampled weeds. “Tourists really like that kind of thing, don’t ask me why. He works construction jobs, too. Mows lawns, cuts trees, takes fishermen out in his boat. Stuff like that.” “Quite a résumé.” “And not bad to look at either.” Roo arched an eyebrow. “Or haven’t you noticed?” “I don’t even know him.” “You don’t have to know him to notice.” Miranda hedged. “Well…sure. I guess he’s kind of cute.” “Cute? Kind of? I’d say that’s the understatement of the century.” “Does he have a girlfriend or something?” As Roo flicked her an inquisitive glance, she added quickly, “He keeps calling me Cher.” Clearly amused, Roo shook her head. “It’s not a name, it’s a…” She thought a minute. “It’s like a nickname…like what you call somebody when you like them. Like ‘hey, love’ or ‘hey, honey’ or ‘hey, darlin’. It’s sort of a Cajun thing.” Miranda felt like a total fool. No wonder Etienne had gotten that look on his face when she’d corrected him about her name. “His dad’s side is Cajun,” Roo explained. “That’s where Etienne gets that great accent.” Miranda’s curiosity was now bordering on fascination. She knew very little about Cajuns--only the few facts Aunt Teeta had given her. Something about the original Acadians being expelled from Novia Scotia in the eighteenth century, and how they’d finally ended up settling all over south Louisiana. And how they’d come to be so well known for their hardy French pioneer stock, tight family bonds, strong faith, and the best food this side of heaven. “Before?” Roo went on. “When he walked by? He was talking to you in French. Well…Cajun French, actually.” “He was?” Miranda wanted to let it go, but the temptation was just too great. “What’d he say?” “He said, ‘Let’s get to know each other.’” A hot flush crept up Miranda’s cheeks. It was the last thing she’d expected to hear, and she was totally flustered. Maybe Roo was making it up, just poking fun at her--after all, she didn’t quite know what to make of Roo. “Oh,” was the only response Miranda could think of.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
While he went in search of candles, Miranda made another pot of coffee. Refilling his cup, she suddenly had the feeling of being watched, and when she turned around, Etienne was in the doorway, observing her every move. “I wish you wouldn’t look at me like that.” Miranda frowned. “Like what?” “Like…you can see things I don’t want you to see.” “Too late.” “Stop.” She did her best to sound stern. “Now I know how Gage feels.” “Except for the dimples.” “Right. Except for those.” “Not to worry, cher. You got a whole lotta other redeeming qualities.” Picking up a napkin, Miranda tossed it at him. “Drink your coffee.” “Yes, ma’am.” But she could still feel him watching. And when she passed his chair, he caught her and pulled her close. She stood silently, facing him. She set the coffeepot on the table. Gently she ran her fingers through his thick, dark hair…along the angles of his face. She heard his slight intake of breath, felt the sudden tensing of his muscles. His hands encircled her waist. She gazed down at him, and bent slowly to kiss him…
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
I wish you wouldn’t look at me like that.” Miranda frowned. “Like what?” “Like…you can see things I don’t want you to see.” “Too late.” “Stop.” She did her best to sound stern. “Now I know how Gage feels.” “Except for the dimples.” “Right. Except for those.” “Not to worry, cher. You got a whole lotta other redeeming qualities.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))