Chelsea Green Quotes

He looked at her with his green don't-lie-to-me-woman eyes and Scarlet dropped her guilty gaze to the mahogany desktop, searching around until she found a paperweight shaped like a pyramid to stare at.

He then eyed Tristan and took a step back, stumbling over his cloak. “You must be the earl’s twin brother. But your eyes…how are they so green?” “They were brown until your heathen of a cousin shot me through the heart,” Tristan said crossly.

Tristan followed so close behind her she could feel his hot breath on the back of her neck. Again. “Ten foot rule,” called Nate. “Bite me!” Tristan hollered back, more hot breath caressing her skin with his words. A wonderful shiver ran through her body. Damn him and his beautiful mouth and hot breath and his leather-smelling shirt. She assumed he was headed to his own room in the basement, but when she walked into the guest bedroom, he followed her inside. She turned around to tell him to leave her alone, but his bright green eyes derailed her words. He was so pretty… No! No. He was not pretty. He was in danger of dying. Focus on the danger, Scarlet. She glared at him. “What are you doing?” “I’m sleeping with you.” Was he insane? She lifted a brow. “I thought you were mad at me.” “I’m concerned. Not mad.” “Huh. Well either way you’re not sleeping with me.” “Yes, I am.” He was insane. “No,” Scarlet repeated. “You’re not. You could die, Tristan. We can’t touch and we certainly can’t…sleep together.” She felt her face flush. A look of amusement crossed his face. “I meant sleep, Scar.” “Oh. Well.” She cleared her throat. “I don’t want to wake up next to a corpse, so, like…scram.

The leaves were starting to blush from green to orange and red and yellow.

I won,” said Chelsea’s dad, and went to give Chelsea a high-five, but missed, as they were standing too close. “My fault,” he said. “That was my fault.” “Oh,” Chelsea said. And he stepped back a little and tried again, but Chelsea, distracted now by something—maybe the plant in the far corner, standing and waiting like a person in a dream; or maybe the green shoe or some other thing that was out there and longing, to be looked at, and taken—wasn’t ready, and their hands, his then hers, passed through the air in a kind of wave, a little goodbye.

Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.

That’s when the news started to get fun. Kellyanne Conway, stoned, is a good time. It’s up there with Eddie Murphy’s Raw. Same for Sarah Suckabee Sanders. One day, Sarah Suckabee Sanders came out for her press briefing with emerald-green eye shadow shrouding one eye, and zero eye shadow on the other eye. I’d find myself laughing when Chris Matthews would interrupt his guests while spitting all over them, and I started to see the news for what it was: a twenty-four-hour spin cycle filled with conjecture and speculation about whatever idiotic or racist comment Trump had tweeted that day. I realized that I had allowed this

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !

Some looked anxious, others scared. And some looked angry, baring their teeth in indignant snarls. ‘You coming?’ Jamie called back up, stepping sideways down the slope in a flood of pebbles. Roper bit his lip, his fingers twitching at his sides as he decided. With an annoyed grunt he followed her, the stone dust caking his black Chelsea boots and turning them grey. ‘Times like this I wished we were carrying,’ he muttered as he got near. Jamie wasn’t sure if it was to her or not. Sure, sometimes it would pay to carry a gun. But she didn’t think that going in there armed was going to yield any positive results. If they didn’t like the police before, increasing the likelihood that they were going to have a pistol shoved in their face wasn’t going to do anything for the relationship. ‘Don’t worry,’ Jamie said back as they levelled out onto the bottom of the line, crushing syringes under their feet. ‘If anything goes wrong I’ll protect you.’ He wasn’t amused and strode forward quickly, keen to get in and out as quickly as he could. Jamie didn’t share his blanket dislike for the homeless, but as they drew closer, she realised just how many people were packed into the little oasis under the bridge, and that among those half-hidden faces, peering out from darkened doorways and from under shadowing hoods, there might have been someone who wasn’t afraid to kill.  Someone who might have done it already. And someone who wouldn’t think twice about doing it again. They could be stepping into the front room of a murderer that didn’t feel like getting caught today and would do whatever it took to make sure they didn’t. But as far as she could see, they didn’t really have any other choice.

doubled over and an old bobble-hat was hanging down between his knees.  Jamie took another look to see if he was okay, and spotted an empty vodka bottle between his heels against the curb.  She sighed and dragged her eyes back to the man and woman sitting by the fence. They looked up at Roper and Jamie and stopped talking.  As they drew closer the pair got up and walked away quickly without another word, keen to avoid any questions that might have been directed at them. Jamie and Roper didn’t bother calling out, and neither were prepared to chase them down.  They were both in their forties, and neither of them were Grace.  Roper paused at the fence and put his foot on it, craning his neck to see under the bridge beyond.  Long green tendrils looped their way down the bank, the jagged bramble leaves twisting gently in the autumn air.  The sky overhead had turned turbulent and grey, bruised raw by the incoming winter.  Jamie shivered and stepped past Roper, who didn’t seem inclined to make his way onto the loose bank in his old slick-bottom Chelsea boots. Jamie didn’t have that trepidation. She looked back as she stepped over the stained blanket, her deeply-teased heel crunching in the loose stone.  Roper was grimacing, staring down at the bridge and the tents under it.  Jamie could see by the look on his face that he was hoping she’d not ask him to follow. Sounds of conversation were echoing up and a thin blanket of smoke was clinging to the girders above. Someone was warming themselves. Some faces had already appeared in the openings to the little makeshift huts and shelters, peering out at the two newcomers — at the two outsiders.

My nose filled with the pointy brown scent of cattle shit and the patient green smell of cattle breath, the acrid vinegar smell of cattle piss and the rich, coppery smell of cattle blood—great shining oceans of cattle blood, draining into sluices arranged in the kill floor. I saw giant pellucid piles of cattle nerves and caul fat, and I watched the peculiar way that the quieted eyes of cows lolled as their throats were professionally sliced. I witnessed the snick of the blade and the mercurial quiver of death running quick through a one-ton animal. I saw hides slick and shiny with gore, and I saw lines of men bent over tables of meat, intent as rabbis over scrolls, taking apart the cows with lawful precision. I saw chickens, too, so many flappy birds, and sheep, bleating like human children, their long-lashed eyes innocent and bright—until they were neither.

It was a flowering that stemmed from a rocky origin: her first panic attack. Shortly after her Boston arrest, Emma waited at the Pleasant Street Station on the MBTA Green Line and felt the earth shudder a seismic tremor under her feet. A Titan’s hand gripped her rib cage. Her breakfast swirled and flipped in her tiny guts. Stars blinked in her eyes; invisible seashells clapped her ears, submerging her in a white roar. Emma fell to her knees, ripping her fishnets and her dignity.

Soon after joining the agency, Marks set out to lessen the danger. His first step was to get rid of the codes that the agency had been using to communicate with its people in the field. They had come from MI6, which, for the first two years of SOE’s existence, had controlled its wireless circuits and provided its sets and coding. Marks was dismayed by the simplicity of the codes, which were based on classic English poems by Shakespeare and others that were “so familiar that an educated German was quite capable of recognizing them and guessing the cipher.” To replace them, he wrote poems of his own, ranging from ribald verses to tender love poems. He gave one of the latter, entitled “The Life That I Have,” to a twenty-one-year-old agent named Violette Szabo, who, after being parachuted into France in 1942, was eventually captured, tortured, and killed by the Gestapo. It read: The life that I have Is all that I have And the life that I have Is yours. The love that I have Of the life that I have Is yours and yours and yours. A sleep I shall have A rest I shall have Yet death will be but a pause For the peace of my years In the long green grass Will be yours and yours and yours. Since then, the poem has developed a life of its own. It has been used in a movie about Szabo’s life, found in poetry anthologies, reprinted on a 9/11 victims’ website, and recited by Chelsea Clinton and Marc Mezvinsky at their wedding in 2010. “Every code,” Marks would later say, “has a human face.

The crescent kick is one of the most difficult kicks to master in Tae Kwon Do, but when executed properly, it is one of the most dangerous.  Detective Sergeant Jamie Johansson had been practising it for nearly six years, and despite being only five-foot-six, she could comfortably slam her heel into the ear of someone that was over six feet. And now she had it down to a science. She knew she couldn’t do enough damage with a punch to put someone down if she had to, but a well-executed crescent kick would do the job. Especially from her lightweight trail boots. Her partner made fun of her for wearing them — said that detectives shouldn’t be wearing hiking boots, especially not in the city, but they were tough and she was as fast in them as she was in her trainers. Which she thought made them a lot more suited to tracking down scumbags than Roper’s black leather Chelsea boots.  He disagreed. She didn’t really care.  Smoking thirty a day meant that he wasn’t going to be doing much running anyway. ‘Come on,’ Cake said, jerking the pad. ‘Again. Like you mean it.’ She flicked her head, throwing sweat onto the matt, wound up, lifted her leg, snapped her knee back, and then lashed out. Her shin smashed into the training pad with a dull thwap and she sank into her knees, panting.  Cake clapped them together and grinned with wide, crooked teeth. ‘Good job,’ he said. ‘You’re really getting some power into those, now. But make sure to ice that foot, yeah?’ She caught her breath quickly and stood up, nodding, strands of ash-blonde hair sticking to her forehead, the thick plait running between her lithe shoulders coming loose. ‘Sure,’ she said, measuring her trainer. Cake was six-two and twice her weight. He was Windrush, in his fifties, and ran a mixed martial arts gym just near Duckett’s Green. He was a retired boxer turned trainer that scored his nickname after winning a fight in the late nineties on his birthday. When the commentator asked what he was going to do to celebrate, he said that he was going to eat a birthday cake. Everyone thought that was funny, and it stuck. He had a pretty bad concussion at the time, which probably contributed to the answer. But there was no getting away from it now.  He pulled the pads off his forearms and rubbed his eyes. ‘Coffee?’ he asked, looking over at the clock on the wall. It was just before seven.  He yawned and stretched, cracking his spine. The gym wouldn’t open until midday to the public, but he lived upstairs in a tiny studio, and he and Jamie had an arrangement. It kept him fit and active, and she could train one-on-one. Just how she liked it. She paid her dues of course, slid him extra on top of the monthly for his time. But he said that

Jamie got back to her apartment in nineteen minutes and forty-nine seconds.  It wasn’t a personal best for a five-kilometre run, but it was still fast.  She showered and dressed, pulled on her boots, and was out the door in seventeen minutes flat. Which probably was close to a personal best.  She was wearing jeans she picked up from a supermarket. She liked them because they had a three percent lycra content woven into the denim, which stretched a little and meant that she could more easily crouch, walk, and kick someone in the side of the head if the situation called for it. It hadn’t yet, but she had a long career ahead of herself, she hoped.  She jumped into her car — a small and economical hybrid hatchback which squeezed around the city easily — and headed north towards the Lea.  It took nearly forty minutes to get there in rush hour traffic, and by the time she pulled up, Roper was leaning against the bonnet of his ten-year-old Volvo saloon, smoking a cigarette. He was tall with thinning, short hair, and a face that looked like he was always squinting into a stiff wind.  His long black coat was pinned to his right leg in the breeze and his shirt looked like it’d been pulled out of the laundry hamper rather than a clean drawer. He was perpetually single, and it showed. There was no one to hold him accountable when he decided it was okay to skip a morning shower for an extra ten minutes sleeping off his hangover. What she hated most about him, beyond the cigarette stink and the pissed-at-life attitude, was that she always had to look twice to make sure he wasn’t her father.  Her mother had dragged her away from him in Sweden, and now, she’d been thrown together with a guy who seemingly had inherited all his bad habits. Her mum said it was because all detectives were like it if they did the job long enough. They saw too much and didn’t talk about it enough. Which led inevitably to drink, and drugs, and other women. She’d spoken from experience of course. And Jamie knew she hadn’t exaggerated.  Though moving them both to Britain seemed like a bit of a dramatic reaction. But then again, her father had given her mother gonorrhoea and couldn’t say which woman he’d gotten it from. So Jamie figured it was reasonable.  He would have turned sixty-one this year. Roper pushed off the Volvo and ground out his cigarette under the heel of his battered Chelsea boot. Jamie looked at it, stopping short of his odour-radius. ‘You gonna just leave that there?’ He looked between his feet, rolling onto the outsides of them as he inspected the flattened butt. ‘It’ll wash away in the rain.’ ‘Into the ocean, yeah, where some poor fish is going to eat it,’ Jamie growled, coming to a stop in front of him.

I love […] how the willow drips green to its own reflection unashamedly in love with itself and the way we never know if we’re loving as deeply as we might— — Chelsea B. DesAutels, from “Willow,” The Boiler (Winter XXXV, 2022)

the Idiot Fruit tree. Also known as the Ribbonwood, the Green

Laurie Siler. The singer. The Rockstar. He looked older than his 21 years. I’d always thought he was good looking, in music videos and interviews. But he was so much more beautiful in person. He had a strong jaw beneath a wide mouth, kind green eyes, floppy brown hair, slicked back but still brushing his shoulders. He wore a white t-shirt and black skinny jeans over tan Chelsea boots. I looked back to his eyes and they were staring straight at me. I was struck. Breathless. He smirked. The cocky sonofabitch.

Aside from including several of Irving’s recipes in her book, they shared a number of overlapping themes: foremost among them was the idea that they were recording recipes rooted in a way of life that was on the verge of disappearing. In Honey from a Weed, Patience likened the endeavor to that of a musicologist who records old songs. It was an apt analogy: Just a few years before she and Irving took their trip to Lecce in 1958, American ethnomusicologist Alan Lomax and the Italian anthropologist Diego Carpitella had traveled through the south of Italy, including Puglia, recording folk songs. They started out in Martano, not far from Santa Maria di Leuca, and traveled north, documenting the songs of agricultural workers, shepherds, and peasants. In the text accompanying the recordings Lomax wrote, “It was a mythic time. None of us suspected that that world—made of music, songs, poverty, joy, desperation, custom, violence, injustice, love, dialect, and poetry, formed over the course of millennia—would be swept away in a couple of years . . . by the voodoo of ‘progress.’” Federman, Adam. Fasting and Feasting . Chelsea Green Publishing. Kindle Edition.

Did you all see Amelia Green out in Denver got promoted from assistant head coach to associate head coach? First woman in the NHL to hold that position.

Listening to Eunice's lullabies wafting through the nursery window, Harriet placed her palms on top of the earth. She allowed the sweetness of the moment to seep down through her hands into the soil. A tear escaped and splashed into the dirt. The buds responded immediately. She watched one, bent and brown, begin to unfold into a vibrant purple freesia, opening layer by beautiful layer, then turn to face Harriet. Harriet used her touch to sprout butter-yellow dahlias and sweet pink fuchsias, forget-me-nots the color of dusk and honeysuckle that dripped with nectar. Before long, Eunice's flower garden was a wild array of colors and scents, as if summer had skipped right over winter and spring. Bees roused from their nests, swarming hungrily from blossom to blossom, and Harriet spotted more than one eager blue tit exploring the newly bloomed gooseberry bush.

Harriet understood now that she'd always had more control over the garden than she'd ever known. Perhaps control wasn't the right word. It was an understanding--- some strange understanding both she and the plants had together. Either way, she knew now that she could ask this garden, any garden, to respond to her touch, to her thoughts, her emotions, and it would respond. She let her hands fall to the bare earth and closed her eyes. She began to push happiness from her heart, down her arms, and out through her hands. The feeling was so intense, so filled with love that tears brimmed along her eyelashes. Eunice breathed steadily beside her, while the insects nearby hummed busily, and the smell of freesias filled her head. Eunice gasped, and Harriet opened her eyes to see a green thread of life prodding up through the dirt, exploring the air above, doubling in size with each passing moment. She watched her cousin examine the bud as it unfurled into a tiny cream primrose with a sunshine-yellow center.

Below her, bluebells swayed back and forth in the cool autumn breeze. They would last only another week or so, she knew. And then, the garden would change. The hawthorn would flaunt more red berries while the roses would crinkle and wither, allowing the sour orange hips to bloom freely in their place. Beneath her bedroom window, she would begin to smell the sweet aroma of winter honeysuckle, and at the front of the house, delicate white snowdrops and Christmas roses would soon bloom. The plum tree would lose its fruit, and its leaves would turn and drop, and its branches would extend in all directions like gnarled limbs. And, of course, there would be thorns. So many thorns. The ivy, on the other hand, would not change one bit. It would not stop growing. It would not cease moving about as it pleased. It would glow that earthly green all year long. The ivy held everything together--- the house, the garden, even Harriet at times--- no matter what the season.

The garden itself was enjoying the painted-on brightness of the day. The flowers were in full bloom--- the dramatic pink of the Duchess of Sutherland roses and the flesh-colored Madame Audots met Harriet's eye as she stepped out of the house. Flanking those stood the La Reines with their silvery undertones and the cabbage roses to the right. The cabbage roses, though they did not have a grand name, were Harriet's favorite. More layers inside one flower than she could even count. She inhaled the sweet smell of the Duchesses and watched as every last bloom turned to face her as she padded barefoot from the door onto the stone walkway, bordered by lush green moss. Satisfied that Harriet was content, the flowers resumed their nourishing tilt toward the sky. The stones were cool beneath her feet.

She'd become accustomed to letting the garden grow uncontrolled since her father left. And that had suited both Harriet and the garden. They'd both been free to move about as they liked, to behave how it felt natural to behave. Harriet's decision not to prune was why the vines climbed so high along the house this summer, why the roses covered the garden walls and the blackberry brambles spread out as they did, decorating the bricks between the house and the railroad tracks with as many brilliant green leaves as menacing thorns. It was why the plum tree's fruit lay about the place all summer and its flowers bloomed brilliantly in the spring. It was why the bluebells stood in their own self-proliferating patches beneath the trees and rosebushes and wherever they pleased. Why her evergreen hedges were not neatly trimmed and why the hawthorn tree at the front towered over the gate. Her garden was filled with so much fierce beauty, she knew it would not take kindly to being clipped to the quick.