Cheek Pinch Quotes

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Tactics win battles. Strategy wins wars," I say. "Oooo. I am Reaper. God of wolves. King of strategy." Mustang pinches my cheek. "You are just too adorable.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Old women have a thing for me. And I don't mean a pinch-my-cheek, pat-my-head kind of thing. I mean a grab-my-ass, rub-my-junk, why-don't-you-push-my-wheelchair-into-the-broom-closet-so-we-can-get-nasty kind of thing. It's f*cking disturbing.
Emma Chase (Tangled (Tangled, #1))
Lebedeva’s eyes shone. “Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.
Catherynne M. Valente (Deathless)
Before I leave the bathroom, I pinch my cheeks hard to bring blood to the surface of my skin. It’s stupid, but I don’t want to look weak and exhausted in front of everyone. When I walk back into Tobias’s room, Uriah is sprawled across the bed facedown; Christina is holding the blue sculpture above Tobias’s desk, examining it; and Lynn is poised above Uriah with a pillow, a wicked grin creeping across her face. Lynn smacks Uriah hard in the back of the head, Christina says, “Hey Tris!” and Uriah cries, “Ow! How on earth do you make a pillow hurt, Lynn?” “My exceptional strength,” she says. “Did you get smacked, Tris? One of your cheeks is bright red.” I must not have pinched the other one hard enough. “No, it’s just … my morning glow.
Veronica Roth (Insurgent (Divergent, #2))
I don't remember my dreams,' I tell the boy with grey eyes. He pinches my cheek. 'I'll dream for the both of us.' 'Promise?' 'Promise, Elsa
Rina Kent (Twisted Kingdom (Royal Elite, #3))
You're all I've got, Luce. I'll do anything not to lose you," he said, his scar pinching into his cheek. "Just tell me what I'm doing wrong and I'll fix it.
Nicole Williams (Clash (Crash, #2))
Linh peeked her head over his shoulder. “This is fun! I never get to see Tam blush!” She pinched her brothers cheeks, and Tam rolled his eyes and stalked into the Healing Center, with Linh giggling right behind him.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
You know I can never stay away from you.” She reached up with both hands and pinched his cheeks, hard. “You’re just so darn cute,” she said, pursing up her lips. “I’m studly baby, get it right.
R.L. Mathewson (Sudden Response (EMS, #1))
What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
Many obese people spend a significant amount of their energy on suppressing the urge to tell some of the people who are staring at them that they do not eat as much and as frequently as they seem to.
Mokokoma Mokhonoana
She was extending a hand that I didn't know how to take, so I broke its fingers with my silence, she said, "You don't want to talk to me, do you?" I took my daybook out of my knapsack and found the next blank page, the second to last. "I don't speak," I wrote. "I'm sorry." She looked at the piece of paper, then at me, then back at the piece of paper, she covered her eyes with her hands and cried, tears seeped between her fingers, she cried and cried and cried, there weren't any napkins nearby, so I ripped the page from the book - "I don't speak. I'm sorry" - and used it to dry her cheeks, my explanation and apology ran down her face like mascara, she took my pen from me and wrote on the next blank page of my daybook, the final one: Please marry me I flipped back and pointed at: "Ha ha ha!" She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "Thank you, but I'm about to burst." She flipped forward and pointed at: "Please marry me." I flipped back and pointed at: "I'm not sure, but it's late." She flipped forward and pointed at: "Please marry me", and this time put her finger on "Please", as if to hold down the page and end the conversation, or as if she were trying to push through the word, and into what she was trying to say. I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, I thought about my small victories and everything I'd seen destroyed. I'd swum through mink coats on my parents' bed while they hosted downstairs, I'd lost the only person with whom I could have spent my only life, I'd left behind a thousand tonnes of marble from which I could have released sculptures, I could have released myself from the marble of myself, I'd experienced joy, but not nearly enough, could there be enough? The end of suffering does not justify the suffering, and so there is no end to suffering, what a mess I am, I thought, what a fool, how foolish and narrow, how worthless, how pinched and pathetic, how helpless in the universe. None of my pets knows their own name. What kind of person am I? I flipped back, one page at a time: Help
Jonathan Safran Foer
We were sisters. We felt each other’s pain. We caused each other’s pain. We knew the smell of each other’s morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other’s clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury.
Krystal Sutherland (House of Hollow)
She discovers that it is possible to cry all day and all night. That there are many different ways to cry: the sudden outpouring of tears, the deep, racking sobs, the soundless and endless leaking of water from the eyes. That sore skin around the eyes may be treated with oil infused with a tincture of eyebright and chamomile. That it is possible to comfort your daughters with assurances about places in Heaven and eternal joy and how they may all be reunited after death and how he will be waiting for them, while not believing any of it. That people don’t always know what to say to a woman whose child has died. That some will cross the street to avoid her merely because of this. That people not considered to be good friends will come, without warning, to the fore, will leave bread and cakes on your sill, will say a kind and apt word to you after church, will ruffle Judith’s hair and pinch her wan cheek.
Maggie O'Farrell (Hamnet)
I caught a glimpse of my face in the mirror as we glided p. I looked as eroded as the groaning lift. What had happened to the fresh-faced belle from Boston, Mass.? The woman who stared back at me was at the dreaded age between forty-five and fifty, that no-man's land of sag, oncoming wrinkle, and stealthy approach of menopause. "I hate this elevator, too," I said grimly. Zoe grinned and pinched my cheek. "Mom, even Gwyneth Paltrow would look like hell in that mirror." I had to smile. That was such a Zoe-like remark.
Tatiana de Rosnay (Sarah's Key)
Are you being a good boy for your mum?” Conor’s grandma pinched Conor’s cheeks so hard he swore she was going to draw blood. “He’s been very good, Ma,” Conor’s mother said, winking at him from behind his grandma, her favorite blue scarf tied around her head. “So there’s no need to inflict quite so much pain.
Patrick Ness (A Monster Calls)
As our lawyer friend had noticed, men kiss other men. They squeeze shoulders, slap backs, pummel kidneys, pinch cheeks. When a Provençal man is truly pleased to see you, there is a real possibility of coming away from his clutches with superficial bruising.
Peter Mayle (A Year in Provence (Provence, #1))
Question," says Christina, leaning forward. "The leaders who were watching your fear landscape...they were laughing at something." "Oh?" I bite my lip hard. "I'm glad my terror amuses them." "Any idea which obstacle it was?" she asks. "No." "You're lying," she says. "You always bite the inside of your cheek when you lie. It's your tell." I stop biting the inside of my cheek. "Will's is pinching his lips together, if it makes you feel better," she adds. Will covers his mouth immediately. "Okay,fine.I was afraid of...intimacy," I say. "Intimacy," repeats Chrstina. "Like...sex?" I tense up.And force myself to nod.Even if it was just Christina, and no one else was around,I would still want to strangle her right now. I go over a few ways to inflict maximum injury with minimum force in my head. I try to throw flames from my eyes. Will laughs. "What was that like?" she says. "I mean,did someone just...try to do it with you? Who was it?" "Oh,you know. Faceless...unidentifiable male," I say. "How were your moths?" "You promised you would never tell!" cries Christina,smacking my arm. "Moths," repeats Will. "You're afraid of moths?" "Not just a cloud of moths," she says, "like...a swarm of them. Everywhere. All those wings and legs and..." She shudders and shakes her head. "Terrifying," Will says with mock seriousness. "That's my girl. Tough as cotton balls." "Oh,shut up.
Veronica Roth (Divergent (Divergent, #1))
Many a time Russ reached up and pinched my cheek and said, “You should’ve been Italian.” He’s the one named me “The Irishman.” Before that they used to call me “Cheech,” which is short for Frank in Italian — Francesco. After
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Which makes one wonder if he had to take his Facebook picture carefully in low lighting." She glared at me. "moving on." Liz:Davis Goggins "Awww," Chloe and I both said. I reached out to pinch liz's cheek. She and Davis hadn't been dating long, but it was so sweet she'd thought about him that way back in seventh grade. Almost as if they were destined to be together. "I'm not sure anymore," Liz grumbled. "Ask me again after he pays for my Poser ticket.
Jennifer Echols (The Ex Games)
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.” Galen despises that motto. “I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.” Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.” “Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.” “I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.” “We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?” But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs. He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world. “Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
We were sisters. We felt each other's pain. We caused each other's pain. We knew the smell of each other's morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other's clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury. My sisters. My blood. My skin. What a gruesome bond we shared.
Krystal Sutherland (House of Hollow)
The parlor was where you were tongue-tied, the parlor was where you itched and couldn’t scratch, the parlor was dictatorial commands, boring conversation, relatives pinching cheeks, aches, sneezes that couldn’t be sneezed, coughs that couldn’t be coughed, and above all, yawns that must not be yawned.
Stephen King (The Stand)
Do you think I am a foo, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you ever think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you ever wonder why I gave you so many pots, so many creams, so much perfume? ... Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.
Catherynne M. Valente (Deathless)
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth
Brooke leans in and pinches my cheeks. “Oh my god, that is so cuuuuute! Seriously, I could eat you up. Look at how jealous you are! I love it!
Ruby Dixon (Barbarian's Tease (Ice Planet Barbarians, #15))
You wanted to either pinch his cheeks or beg him for a hard fuck on a soft surface.
Tia Williams (Seven Days in June)
The Game 1960 The next noon, hands on her cheeks, Kya approached the stump slowly, almost in prayer. But no feather on the stump. Her lips pinched. “A’ course. I gotta leave something for him.
Delia Owens (Where the Crawdads Sing)
A brick could be used to liven up urinal chatter. Also, instead of just repeating “Yeah” while the guy peeing next to you is talking, try a more positive affirmation, like pinching his butt cheek. 

Jarod Kintz (Brick)
I’m terrified. Even more terrified than this morning, when I thought he was going to roll over in bed, pinch me on the cheek, and say, “Fun times, Harp. Thanks for the memories.” Wink. “Catch ya later.
A.G. Riddle (Departure)
I appeared before him now, he had no such honeyed terms as “love” and “darling” on his lips: the best words at my service were “provoking puppet,” “malicious elf,” “sprite,” “changeling,” &c.  For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear.  It was all right: at present I decidedly preferred these fierce favours to anything more tender. 
Charlotte Brontë (Jane Eyre)
Or she would look at him with a sullen expression, once again he would see before him a face worthy of figuring in Botticelli's Life of Moses, he would place her in it, he would give her neck the necessary inclination; and when he had well and truly painted her in distemper, in the fifteenth century, on the wall of the Sistine Chapel, the idea that she had nevertheless remained here, by the piano, in the present moment, ready to be kissed and possessed, the idea of her materiality and her life would intoxicate him with such force that, his eyes distracted, his jaw tensed as though to devour her, he would swoop down upon that Botticelli virgin and begin pinching her cheeks.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
My cheeks are hot when he stalks right up to me, eyes narrowed. Pinched between his bloody fingers is a piece of scrap metal laced with seilgflùr from the blunderbuss—a shot that would have killed any other faery. “Really?” he says. “You were traipsing around in a low-visibility field while enemy fae are afoot,” I say defensively, hoping he can’t tell I’m blushing. “What is wrong with you?” Aithinne snickers and Kiaran casts her a sharp glance. “It’s not funny.” His sister tries to hold back a laugh, but doesn’t quite succeed. “I’m sorry,” she says. “But you just . . . I’ve never seen you look like such a complete mess.” Kiaran studies her with a narrowed gaze. “And both of you look like you’ve gone three rounds with a roving band of feral cats. I’d say we’re even.” “Even? Oh, please.” Aithinne ticks off each finger. “Thus far the Falconer and I escaped through a forest of spiked trees, fought off the mara, fled from Lonnrach’s soldiers, and defeated two mortair. You were shot by accident with some weapon composed of a wooden stick with a barrel on the end—” “A blunderbuss,” I correct helpfully. Kiaran gives me a pointed look that says, Whose side are you on? “—so I’d say I win this round.” She finishes with the sort of arrogant grin that makes it very clear that this must be an ongoing competition. Sibling rivalry, it seems, is not just for humans. If Kiaran’s glare is any indication, he’s contemplating about fifty different ways of killing his own sister. “Just remember,” I whisper to him, “murder is frowned upon in most societies.” “Not mine,” Kiaran says shortly. “She’s lucky I love her.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
When people in the West hear Iraq, they instantly think of Saddam Hussein and the Gulf War. But when I think about my home country, I remember the honey-drenched baklava my aunts gave me, the pinches on my cheeks, affectionate tickles under my chin, and coos of laughter
Abu Bakr al Rabeeah (Homes: A Refugee Story)
I refuse to leave you here.' Emerie's pained face told Nesta enough: she understood. Saw the logic. Nesta said to Gwyn. 'It is the only way.' Gwyn screamed. 'IT IS NOT THE ONLY WAY!' And then she was sobbing. 'I will not abandon you to them. They will kill you.' 'You need to go,' Nesta said, even as her hands began shaking. 'Now.' 'No,' Gwyn wept. 'No, I won't. I'll face it with you.' Something deep in Nesta's chest cracked. Cracked open completely, and what lay within bloomed, full and bright and pure. She wrapped her arms around Gwyn. Let her friend sob into her chest. 'I'll face it with you,' Gwyn whispered, over and over again. 'Promise me we'll face it together.' Nesta couldn't stop her tears. The chill wind froze them on her cheeks. 'I promise,' she breathed, stroking Gwyn's matted hair. 'I promise.' Gwyn sobbed, and Nesta let herself sob with her, squeezing her tightly. Letting her stroking hand come to rest on Gwyn's neck. A pinch in the right spot, exactly on the pressure point Cassina had shown her, and it was done. Gwyn went down. Unconscious.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
All you need is a pinch of Grace,” I whisper, sprinkling it on the pie. “And a dash of Hope,” she follows, tossing more on top. “To make life sweeter.” I turn and press a kiss to her cheek. “And help love grow,” she whispers, kissin’ my cheek back, her tears mixin’ with my own.
K.C. Lynn (Sweet Love (The Sweet, #1))
It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush. Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.
Amy Ewing
Letitia gets extremely pissed off when we're late with reports. It's you she coddles, as you're the baby." Kyle scowls at his elder brother. "She doesn't coddle." "She does. She pinches your cheeks," Megan says with her mouth full of pastry. "That's abuse," Kyle counters. "I've told her to stop.
Liz de Jager (Banished (The Blackhart Legacy, #1))
It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.  Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anything Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.” 
Amy Ewing
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name." "You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her. "Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face." "It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you." "She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?" "It wasn't easy but it was fun." He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first." "Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested." "Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
You’re a grumpy gills this morning,” she chirps, tucking into the fruit salad she paid about fifteen bucks for in the airport shop. “Early. Tired,” I grunt. “Poor baby,” she says sarcastically, giggling and pinching my cheek. “Want to sleep on my boobs on the plane?” “I obviously wanna sleep on your boobs,
Hannah Grace (Icebreaker (Maple Hills, #1))
My older relatives grabbed me and latched onto me, and I felt like they wanted something from me. Their love felt like a demand. Then I let go and they pinched my cheeks and kissed them, and it only made me feel drained, like I had all the love and they only wanted to refill their tanks by taking some of mine.
Catherine Ryan Hyde (Ask Him Why)
Lend finished texting someone and slipped his phone into his back pocket, then stood up. I’d never paid much attention to guys’ jeans before (not for lack of desire, but rather lack of opportunity in the Center), but in the past few months I’d come to realize that most guys’ jeans are really, truly horrendous. Too baggy, too tight, too low, etc. It’s like guys don’t realize that they can look great in a good pair of jeans. Shockingly enough girls, too, enjoy a well-framed butt. Another area Lend was perfect in. His jeans choice, I mean. Well, his butt, too. I smiled and stared at his face, watching his two profiles—the glamour one, which fit snugly over his real one. He looked down and caught me staring. “Evie?” “You, my dear boyfriend, are kind of beautiful, you know that?” “That’s what all the old ladies tell me before pinching my cheek.” “Which cheek?” I reached out and goosed him. He jumped and swatted my hand away, laughing.
Kiersten White (Endlessly (Paranormalcy, #3))
Heard you had to give a tour today,” Will says as if he’s reading my mind. “Smart of Pioneer to send you to do it—not that I’m glad he did, but I’m sure it made it hard for that guy to see anything around here besides you.” “You’re crazy.” My cheeks flush. “No, just honest,” he says, and kisses my blush-heated cheeks. “By the way, nice bed-head.” “Shut up.” I pinch him in the stomach and he grunts. “No, really, I like it. It kind of goes with the little bit of toothpaste you’ve got right there.” He wipes a finger against the corner of my mouth. “Thanks for the heads-up, Marie,” I whisper, and pretend to glare at her. She giggles. “What’re friends for?
Amy Christine Parker (Gated (Gated, #1))
Scooting closer to me, he asks, “Want me to stay over tonight? I can come back after my mom goes to bed. I can distract you if you get sad.” “Nice try,” I tell him, pinching his cheek. “Did Josh ever spend the night? With your sister, I mean.” I ponder this. “Not that I know of. I mean, I really doubt it. We’re talking about my sister and Josh, after all.” “That’s them,” Peter says, dipping his head low and rubbing his cheek against mine. He loves how soft my cheeks are; he’s always saying that. “We’re nothing like them.” “You’re the one who brought them up,” I start to say, but then he is kissing me, and I can’t even finish a thought, much less a sentence.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.” Why is that so funny? I can’t stop laughing. But then I see the way he is looking at me, with such tenderness, and I stop. I don’t feel like laughing anymore. I feel like crying. Look at the way he made my dad’s bachelor party so special. Look at all the ways he loves me so well. I have to love him back just as much.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
We were sisters. We felt each other’s pain. We caused each other’s pain. We knew the smell of each other’s morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other’s clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury. My sisters. My blood. My skin. What a gruesome bond we shared.
Krystal Sutherland (House of Hollow)
When she returns a few minutes later, the bachelor party is in tow. She gives me a warning look. Don’t act drunk, she mouths. I give her a thumbs-up. Then I jump up and throw my arms around Peter. “Peter!” I shout above the music. He looks so cute in his button-down and tie. So cute I could cry. I bury my face in his neck like a squirrel. “I’ve missed you so, so very much.” Peter peers at me. “Are you drunk?” “No, I only had like two sips. Two drinks.” “Trina let you drink?” “No.” I giggle. “I stole sips.” “We’d better get you out of here before your dad sees you,” Peter says, eyes darting around. My dad is looking through a songbook with Margot, who is giving me a look that says, Get it together. “What he doesn’t know won’t hurt a living soul.” “Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Relax, it only hurts a little,” she murmured in Edwin’s ear as she stroked his head and shoulders from behind. “What you feel later more than makes up for it.”“But will I…will I have to drink blood after I am…initiated?” “Don’t worry, Edwin. I promise it will be many years before either you or Ophelia will need to seek your sustenance in such a manner.” Hamlet kissed his cheek. “Are you ready?” Edwin nodded. Closing his eyes, he turned his head slightly to give Hamlet easier access. He felt a momentary pinch and then… Ecstasy! Overwhelming warmth flooded his veins as colors exploded in his mind and a feeling of euphoria lifted him from the bed to the skies. He was flying free from the confines of his body. He soared above the clouds…heading into the stars. “Wonderful, isn’t it?” Ophelia giggled and clapped her hands. “I wish I could experience it more often, but Hamlet says it’s even better once you’re on the receiving end.” He opened his eyes slowly. Still light-headed, Edwin observed the gaze of mutual pleasure in Hamlet’s dark eyes. His sensual lips glistened with tint of red. Instead of horror or aversion, Edwin felt complete peace and contentment. “Thank you.” Without hesitation Edwin pulled Hamlet's lips to his and kissed him.
Cindy A. Matthews (Blood Bond (The Kindred Vampire, #2))
Do we have any plans for this evening?” he whispered in her ear. She nodded; the motion caused her hair to tickle his cheek. “A ball,” she said. “At Lady Mottram’s.” Anthony couldn’t resist the soft silkiness of her hair, and he threaded two fingers through it, letting it slide across his hand and wrap around his wrist. “Do you know what I think?” he murmured. He heard her smile as she asked, “What?” “I think I’ve never cared that much for Lady Mottram. And do you know what else I think?” Now he heard her trying not to giggle. “What?” “I think we should go upstairs.” “You do?” she asked, clearly feigning ignorance. “Oh, indeed. This very minute, as a matter of fact.” She wiggled her bottom, the minx, ascertaining for herself just how quickly he needed to go upstairs. “I see,” she murmured gravely. He pinched her hip lightly. “I rather thought you felt” “Well, that, too,” she admitted. “It was quite enlightening.” “I’m sure it was,” he muttered. Then, with a very wicked smile, he nudged her chin until they were nose to nose. “Do you know what else I think?” he said huskily. Her eyes widened. “I’m sure I can’t imagine.” “I think,” he said, one of his hands creeping under her dress and slithering up her leg, “that if we don’t go upstairs this instant, I might be content to remain right here.” “Here?” she squeaked. His hand found the edge of her stockings. “Here,” he affirmed. “Now?” His fingers tickled her soft thatch of hair, then sank into the very core of her womanhood. She was soft and wet and felt like heaven. “Oh, most definitely now,” he said. “Here?” He nibbled on her lips. “Didn’t I already answer that question?” And if she had any further questions, she didn’t voice them for the next hour. Or maybe it was just that he was trying his damnedest to rob her of speech. And if a man could judge from the little squeals and mewls that slipped from her mouth, he was doing a ripping good job. -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
They had such a good meet-cute,” I croak. “What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.” “I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.” “Is that in color or black-and-white?” “Black-and-white.” Peter groans and falls back against the couch cushions. “It’s too bad we don’t have a meet-cute,” I muse. “You jumped me in the hallway at school. I think that’s pretty cute.” “But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.” “I remember meeting you for the first time.” “Nuh-uh. Liar!” “Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.” “Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie. Peter opens his mouth, then snaps it shut. “I’m not telling.” “See! You just can’t think of anything.” “No, you don’t deserve to know, because you don’t believe me.” I roll my eyes. “So full of it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Have you noticed,” he said conversationally, “that your right breast is a bit larger than the left?” Susanna was sure her cheeks must be glowing in the dark, her blush came so fast and fierce. “They’re my breasts. Of course I’ve noticed.” And I’ve only been self-conscious about it all my adult life, thank you very much. “It’s like they have two different personalities. One’s generous and nurturing.” He lifted the other. “And the other . . . it’s saucy, isn’t it? It wants a tweak.” He gave her left nipple a pinch.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
There,” he said with a smirk. “Now I don’t have a swim suit either.” Andi bit her bottom lip and felt the heat begin to flood her cheeks. The sharp pinch on her arm snapped her out of her trance and she quickly swatted at the bug. “Okay, okay. Turn around and don’t peak.” The light from the moon made it easy for her to see his questioning glare. “What?” “Turn around?” Zane asked, trying to hold back a smile. “Need I remind you that I’ve seen you naked before, Miss Ford.”—Zane and Andi in, Zane: The McKades of Texas
Kimberly Lewis
Danny was unfazed at the size of the large-stomached man, with hairy arms waving about like a pizza chef, all violent gestures and shouting. His crude, pinch-faced wife spat salivated swear words at him. She was in her thirties and behaving like a grounded teenager, screaming at him to leave her property. "One hundred thousand pesetas please." Danny took a bony, female fist to his cheek, jarring him. He shook it off. "Two hundred thousand now." She jabbed at him again, as her fist poked towards his nose, he head-butted it. She recoiled in pain gasping and nursing her hand. The husband, a chubby, but solid Valencian, went ape-shit and lobbed a hairy, dimpled fist at him, causing Danny to shift on his feet. He pulled his head out of the way with the skill of a middleweight. The man drew his fist from three o'clock and blasted scarred knuckles towards his face again. Danny’s reaction was lightning; he caught the fist and held firm, flipped down the hood, his face showing something new. The man recoiled, recognising grim determination and knew this man would never give up.
Mark Shearman (Zorro's Last Stand)
LOVE, FORGIVE ME After Rachel McKibbens My sister told me a soul mate is not the person who makes you the happiest, but the one who makes you feel the most. Who conducts your heart to bang the loudest. Who can drag you giggling with forgiveness from the cellar they locked you in. It has always been you. You are the first person I was afraid to sleep next to, not because of the fear you would leave in the night but because I didn’t want to wake up gracelessly. In the morning, I crawled over your lumbering chest to wash my face and pinch my cheeks and lay myself out like a still-life beside you. Your new girlfriend is pretty like the cover of a cookbook. I have said her name into the empty belly of my apartment. Forgive me. When I feel myself falling out of love with you, I turn the record of your laughter over, reposition the needle. I have imagined our children. Forgive me. I made up the best parts of you. Forgive me. When you told me to look for you on my wedding day, to pause on the altar for the sound of your voice before sinking myself into the pond of another love, forgive me. I mistook it for a promise.
Sierra DeMulder (New Shoes On A Dead Horse)
A Dauntless soldier with an arm in a sling approaches us, gun held ready, barrel fixed on Tobias. “Identify yourselves,” she says. She is young, but not young enough to know Tobias. The others gather behind her. Some of them eye us with suspicion, the rest with curiosity, but far stranger than both is the light I see in some of their eyes. Recognition. They might know Tobias, but how could they possibly recognize me? “Four,” he says. He nods toward me. “And this is Tris. Both Dauntless.” The Dauntless soldier’s eyes widen, but she does not lower her gun. “Some help here?” she asks. Some of the Dauntless step forward, but they do it cautiously, like we’re dangerous. “Is there a problem?” Tobias says. “Are you armed?” “Of course I’m armed. I’m Dauntless, aren’t I?” “Stand with your hands behind your head.” She says it wildly, like she expects us to refuse. I glance at Tobias. Why is everyone acting like we’re about to attack them? “We walked through the front door,” I say slowly. “You think we would have done that if we were here to hurt you?” Tobias doesn’t look back at me. He just touches his fingertips to the back of his head. After a moment, I do the same. Dauntless soldiers crowd around us. One of them pats down Tobias’s legs while the other takes the gun tucked under his waistband. Another one, a round-faced boy with pink cheeks, looks at me apologetically. “I have a knife in my back pocket,” I say. “Put your hands on me, and I will make you regret it.” He mumbles some kind of apology. His fingers pinch the knife handle, careful not to touch me. “What’s going on?” asks Tobias. The first soldier exchanges looks with some of the others. “I’m sorry,” she says. “But we were instructed to arrest you upon your arrival.
Veronica Roth (Insurgent (Divergent, #2))
There is no overtime, and I had to use the potion in the bathroom.” Valen’s cheeks begin to turn pink. Tisha hums. She already knows the story, but she’s not going to give up the details. I round on Valen. “Did you get caught spanking the monkey?” Dane snickers. “Valen squeezed his lemon at the airport?” “I did not squeeze my lemon or spank a monkey.” He huffs and crosses his arms. “If you must know, I had an incident with a breakfast croissant.” I pinch my eyebrows together. “You used your potion on someone who heard you take a crap?” His eyes narrow. “It was a bad croissant.
Rory Miles (Shadow Slayer (To Kill a Nightmare, #1))
I wanna ask if you really said you’d pepper spray her, but I already know the answer.” Pressing my lips together, I shrugged. He reached up toward me and brushed the backs of his fingers over my cheek, still smiling wide, and pinched my chin. “You’re fucking nuts.” All I did was shrug again. “You know that, but you’re still here, aren’t you?” His smile melted into a smaller one, and the deep breath he let out made it seem like it had weighed a thousand pounds. Then his fingers brushed over my cheek again, and Dallas moved to tuck a strand of her behind my ear. His voice was soft. “I’m still here, Peach.
Mariana Zapata (Wait for It)
She had to think about the future, her mother said. Marriage. She was sixteen now. It was time. The word made her sick to her stomach. She watched the other girls her age, braiding flowers into their hair, pinching their cheeks, smiling shyly or picking up their skirts and dancing, showing off their knees for the boys. Competing over who would live with whom in which dark hovel, who would spend their lives plowing which burned out field, making which grey stew in which sad hearth, having her hair torn out by which man, dying of which plague or beating or wretched childbirth...and she thought she'd rather die. She'd rather be dead.
Kimberly Cutter
No. Clearly the title of the most drool inspiring hunk of handsome goes to Max Rigel even if he is a blackhearted fiend. But Darius isn’t a bad second,” Geraldine said, a faint blush lining her cheeks. Sofia started laughing and Darcy covered her mouth to hide her grin. Diego looked like he’d like to be absolutely anywhere else.  “What?” Caleb asked, his brows pinching with irritation as I snorted a laugh. “You’re ranking me third?” “No! Of course not!” Geraldine said loudly, seeming horrified. “Seth Capella would be third.” I fell back into my chair, clutching my stomach as my laughter grew out of control and Caleb tried his hardest not to look as disgusted as he clearly was.
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Ember looked up when he walked in, and when he saw her face, he felt like he’d been gut shot. Heavy bruising discolored the right side up to her eye, and she seemed to be in pain. Her mouth was pinched and her eyes squinted. When she realized he wasn’t one of the wait staff, she immediately turned away. “No customers allowed back here,” she called. She moved down the cook line and motioned to a Hispanic man she was working with to take her place at the grill. Zeke prowled down the parallel aisle until he was right behind her. “L-look at me.” She shook her head stubbornly. “You can’t be back here, Zeke.” “Look at me, please.” After a long pause, she turned her body toward him, but kept her face turned away. Bending his knees enough to peer into her eyes, he waited until she looked at him. Fury rolled through him as he realized he could see finger marks within the bruise. “Who d-did this to you?” She shook her head and refused to answer. Tears glinted in her eyes. “It’s no big deal, okay? Accidents happen. I was just in the wrong place at the right time. It happens when you own a bar.” Her eyes slid away and he thought there was something she wasn’t telling him, but he had a feeling if he called her on it she’d clam up completely. He reached out to touch a length of her dark hair that had escaped from her braid. Her eyes flickered and a single tear rolled down her cheek. He groaned. “D-d-don’t cry. I didn’t come in here to…up-upset you. Just had to check on you.” *****
J.M. Madden (Embattled Minds (Lost and Found, #2))
Maybe if he hadn't paused to take an audible breath, we wouldn't have heard it. But as it was, the creak from the floor outside my half-open door came in loud and clear. Alex shot up like he'd been poked with a sharp stick. I crossed the room in a single breath and jerked open the door. Nonna, halwayf past my room and clearly heading for the stairs, looked like something out of a cartoon. Her shoulders were hunched, she had one foot lifted off the floor, and she was cringing. "Oh,Fiorella. I am sorry!" In an alernate universe, another Ella was frantically reassuring her shrieking grandmother that nothing had happened, she had not endangered her immortal soul, and it would be a very good thing, please, if Poppa's revolver went back into its dusty case. In this one,Nonna had a gun forefinger to her own temple. She popped her thumb and rolled her eyes. Not knowing what else to do, I stepped aside. "Um...Nonna, this is Alex Bainbridge. Alex, this is my grandmother..." He was already across the room, hand extended. "Buongiorno, Signora Marino. Piacere di conosceria." She responded with a delighted cackle and a torrent of Italian. I caught "welcome" and "sausage." Of course, I might have been wrong about both. Alex listened attentively, then gave her a crooked smile. "Scusi, signora. I don't speak Italian. Well, much,anyway. I just practiced a couple phrases for...um...practice." "Ah"-Nonna reached up to pinch Alex's cheek, not to hard-"it doesn't matter. You have me at buongiorno. Now, come,come.
Melissa Jensen (The Fine Art of Truth or Dare)
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
Claire Kohda (Woman, Eating)
Laila grinned widely. “My hero.” She kissed him on the cheek, and Enrique beamed. He wasn’t quite like the heroes he’d dreamed of becoming. He hadn’t saved a country from oppression or rescued anyone on his white horse … but he still felt rather impressive. He turned to Zofia, about to congratulate her, when she crossed her arms over her chest. “I’m not going to kiss you like Laila did.” Black ash streaked Zofia’s arms and the tops of her cheekbones. It made her eyes look like blue fire, her hair a wisp of candlelight. The farthest thing from his mind was her mouth on his, but when she said it, he couldn’t help but look at her lips. They were red as candy. Abruptly, Enrique pinched the bridge of his nose. He must have hit his head because the strangest thoughts kept darting through it.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
Hey, that's weird," Chloe says. "You both have the same color eyes as Emma. I've never seen that before. I always thought it was because she's freakishly pasty. Ow! That's gonna leave a mark, Emma," she says, rubbing her freshly pinched biceps. "Good, I hope it does," I snap. I want to ask them about their eyes-the color seems prettier set against the olive tone of Galen's skin-but Chloe has bludgeoned my chances of recovering from embarrassment. I'll have to be satisfied that my dad-and Google-were wrong all this time; my eye color just can't be that rare. Sure, my dad practiced medicine until the day he died two years ago. And sure, Google never let me down before. But who am I to argue with living, breathing proof that this eye color actually does exist? Nobody, that's who. Which is convenient, since I don't want to talk anymore. Don't want to force Galen into any more awkward conversations. Don't want to give Chloe any more opportunities to deepen the heat of my burning cheeks. I just want this moment of my life to be over. I push past Chloe and snatch up the surfboard. To her good credit, she presses herself against the rail as I pass her again. I stop in front of Galen and his sister. "It was nice to meet you both. Sorry I ran into you. Let's go, Chloe." Galen looks like he wants to say something, but I turn away. He's been a good sport, but I'm not interested in discussing swimmer safety-or being introduced to any more of his hostile relatives. Nothing he can say will change the fact that DNA from my cheek is smeared on his chest. Trying not to actually march, I thrust past them and make my way down the stairs leading to the pristine white sand. I hear Chloe closing the distance behind me, giggling. And I decide on sunflowers for her funeral.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Before I leave the bathroom, I pinch my cheeks hard to bring blood to the surface of my skin. It’s stupid, but I don’t want to look weak and exhausted in front of everyone. When I walk back into Tobias’s room, Uriah is sprawled across the bed facedown; Christina is holding the blue sculpture above Tobias’s desk, examining it; and Lynn is poised above Uriah with a pillow, a wicked grin creeping across her face. Lynn smacks Uriah hard in the back of the head, Christina says, “Hey Tris!” and Uriah cries, “Ow! How on earth do you make a pillow hurt, Lynn?” “My exceptional strength,” she says. “Did you get smacked, Tris? One of your cheeks is bright red.” I must not have pinched the other one hard enough. “No, it’s just…my morning glow.” I try the joke out on my tongue like it’s a new language. Christina laughs, maybe a little harder than my comment warrants, but I appreciate the effort. Uriah bounces on the bed a few times when he moves to the edge. “So, the thing we’re all not talking about,” he says. He gestures to me. “You almost died, a sadistic pansycake saved you, and now we’re all waging some serious war with the factionless as allies.” “Pansycake?” says Christina. “Dauntless slang.” Lynn smirks. “Supposed to be a huge insult, only no one uses it anymore.” “Because it’s so offensive,” says Uriah, noddng. “No. Because it’s so stupid no Dauntless with any sense would speak it, let alone think it. Pansycake. What are you, twelve?” “And a half,” he says. I get the feeling their banter is for my benefit, so that I don’t have to say anything; I can just laugh. And I do, enough to warm the stone that has formed in my stomach. “There’s food downstairs,” says Christina. “Tobias made scrambled eggs, which, as it turns out, is a disgusting food.” “Hey,” I say. “I like scrambled eggs.” “Must be a Stiff breakfast, then.” She grabs my arm. “C’mon.
Veronica Roth (Insurgent (Divergent, #2))
Fiske tried to unbuckle his armor vest, wincing at it with his arm half lifted over the fire. “Here.” I reached for him. He turned, giving me his side, and I took his wrist and set his forearm up onto my shoulder to hold it up. I pulled at the clasps gently, prying the side of the armor vest open and ducking down to lift up his tunic at the side, over his ribs. He pulled in tight breaths as it came into view - a wide spread of dark blood beneath the skin. I lifted my hand to feel the bones with my fingertips and his head tilted back, his eyes pinching closed. I’d spent a month nursing an injury just like this in Aurvanger. “They’re broken.” He laughed, surprising me. “I know.” I straightened, looking up at him. I hadn’t really seen him smile before. The side of his face pulled, revealing a dimple at the corner of his mouth, and I looked away, feeling my cheeks flush. I set his arm back down, unclasping the other side of the vest and helping him work it off with my eyes on the ground.
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
For a brief moment she considered the unfairness of it all. How short was the time for fun, for pretty clothes, for dancing, for coquetting! Only a few, too few years! Then you married and wore dull-colored dresses and had babies that ruined your waist line and sat in corners at dances with other sober matrons and only emerged to dance with your husband or with old gentlemen who stepped on your feet. If you didn't do these things, the other matrons talked about you and then your reputation was ruined and your family disgraced. It seemed such a terrible waste to spend all your little girlhood learning how to be attractive and how to catch men and then only use the knowledge for a year or two. When she considered her training at the hands of Ellen and Mammy, se knew it had been thorough and good because it had always reaped results. There were set rules to be followed, and if you followed them success crowned your efforts. With old ladies you were sweet and guileless and appeared as simple minded as possible, for old ladies were sharp and they watched girls as jealously as cats, ready to pounce on any indiscretion of tongue or eye. With old gentlemen, a girl was pert and saucy and almost, but not quite, flirtatious, so that the old fools' vanities would be tickled. It made them feel devilish and young and they pinched your cheek and declared you were a minx. And, of course, you always blushed on such occasions, otherwise they would pinch you with more pleasure than was proper and then tell their sons that you were fast. With young girls and young married women, you slopped over with sugar and kissed them every time you met them, even if it was ten times a day. And you put your arms about their waists and suffered them to do the same to you, no matter how much you disliked it. You admired their frocks or their babies indiscriminately and teased about beaux and complimented husbands and giggled modestly and denied you had any charms at all compared with theirs. And, above all, you never said what you really thought about anything, any more than they said what they really thought. Other women's husbands you let severely alone, even if they were your own discarded beaux, and no matter how temptingly attractive they were. If you were too nice to young husbands, their wives said you were fast and you got a bad reputation and never caught any beaux of your own. But with young bachelors-ah, that was a different matter! You could laugh softly at them and when they came flying to see why you laughed, you could refuse to tell them and laugh harder and keep them around indefinitely trying to find out. You could promise, with your eyes, any number of exciting things that would make a man maneuver to get you alone. And, having gotten you alone, you could be very, very hurt or very, very angry when he tried to kiss you. You could make him apologize for being a cur and forgive him so sweetly that he would hang around trying to kiss you a second time. Sometimes, but not often, you did let them kiss you. (Ellen and Mammy had not taught her that but she learned it was effective). Then you cried and declared you didn't know what had come over you and that he couldn't ever respect you again. Then he had to dry your eyes and usually he proposed, to show just how much he did respect you. And there were-Oh, there were so many things to do to bachelors and she knew them all, the nuance of the sidelong glance, the half-smile behind the fan, the swaying of hips so that skirts swung like a bell, the tears, the laughter, the flattery, the sweet sympathy. Oh, all the tricks that never failed to work-except with Ashley.
Margaret Mitchell (Gone with the Wind)
Thai prostitution was a haven for the men and a nuisance for the women. The streets of Phuket were outlined with bars ready to nourish thirsty sailors with euphoric intoxication to smother their pinched nerves from their personal lives deteriorating in their six-month absence. Thailand truly lived up to its port reputation. Hundreds of bikini-clad prostitutes littered the strip. Slim and petite, their narrow hips and flat chests appeared to be the appropriate age for the pink plaid schoolgirl skirts, dress shirts, ties, and pigtails intended to entice pedophilic eroticism. They wore heavy coats of pastel liquid shadow that clashed against their yellow tinted tans. They awkwardly wiggled to a nauseating blend of techno and Reggaeton as cotton-haired granddaddies lustfully gawked at them. Any Caucasian male cannot trek a block without the treatment of a pop culture heartthrob with a trail of Thai teens at his heels. “Wan hunnet baaht!” they taunt in a nasal screech. “Wan hunnet baht and I suck yo cock!” The oriental beauties cup their fists and hold them to their mouths as they wiggle their tongues against their cheeks to provide a clear visual for their performance skills. It’s easy to dismiss the humanity in Thai prostitutes. Their splotchy, heavily accented English allows the language barrier to muffle signs of intellect. They’re overtly sexual in their crotch bearing ensembles, loud and vulgar invitations, and provocative dancing that makes even corner butcher shops feel like Vegas strip clubs. Swarms of them linger in front of bars holding cardboard signs scribbled with magic marker that offer a blow job with the first beer purchased. Their eyes burn into passing tourists, with acute radar for creamy, sun-flushed complexions and potbellies - signals of the deep pockets of white male privilege.
Maggie Georgiana Young (Just Another Number)
Once I reached the door, I paused with my hand near the sensor, listening. At first, all I heard were heavy breaths that turned into sobs. Then Akos screamed, and there was a loud crash, followed by another one. He screamed again, and I pressed my ear to the door to listen, my lower lip trapped between my teeth. I bit down so hard I tasted blood when Akos’s screams turned to sobs. I touched the sensor, opening the door. He was sitting on the floor in the bathroom. There were pieces of shattered mirror all around him. He had ripped the shower curtain from the ceiling and the towel rack from the wall. He didn’t look up at me when I came in, or even when I walked carefully across the fragments of glass to reach him. I knelt among the shards, and reached over his shoulder to turn the shower on. I waited until the water warmed up, then tugged him by his arm toward the spray. I stood in the shower with him, fully clothed. His breaths came in sharp bursts against my cheek. I put my hand on the back of his neck and pulled his face toward the water. He closed his eyes and let it hit his cheeks. His trembling fingers sought mine, and he clutched my hand against his chest, against his armor. We stood together for a long time, until his tears subsided. Then I turned the water off, and led him into the kitchen, scattering mirror pieces with my toes as I walked. He was staring into middle distance. I wasn’t sure that he knew where he was, or what was happening to him. I undid the straps of his armor and guided it over his head; I pinched the hem of his shirt and peeled the wet fabric away from his body; I unbuttoned his pants and let them drop to the floor in a soaking-wet heap. I had daydreamed about seeing him this way, and even about one day undressing him, taking away some of the layers that separated us, but this was not a daydream. He was in pain. I wanted to help him.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
I'm glad you brought it up. I wasn't sure how to approach you about it, but this makes it easier for both of us, don't you think? And if you keep cooperating, I'm sure I can get you leniency." I gulp. "Leniency?" "Yes, Emma. Of course you realize I could arrest you right now. You understand that, right?" Ohmysweetgoodness, he came all this way to press assault charges against me! Is he going to sue me, sue my family? I'm eighteen now. I could legally be sued. The heat on my cheeks is part kill-me-now embarrassment and part where's-a-knife-when-you-need-one rage. "But it was an accident!" I hiss. "An accident? You've got to be kidding me." He pinches the bridge of his nose. "No, I am not kidding. Why would I ram into you on purpose? I don't even know you! And anyways, how do I know you didn't run into me, huh?" The idea is preposterous, but it leaves room for reasonable doubt. I can see by his expression he didn't think of that. "What?" He is struggling to follow, but what did I expect? He can't even find his class in a school with only three halls. That he found me clear across the country seems more miraculous than a push-up bra. "I said, you'll have to prove that I ran into you on purpose. That I meant to cause you harm. And besides, I checked with you at the time-" "Emma." "-and you said you didn't have injuries-" "Emma." "-but the only witness I have on my side is dead-" "EM-MA." "Did you hear me, Galen?" I turn around and yell at the remaining spectators in the hall as the bell rings. "CHLOE IS DEAD!" Sprinting is not a good idea for me in the first place. Sprinting with tears blurring my vision, even worse. But sprinting with tears blurring my vision and while wearing flip-flops is a lack of respect for human life, starting with my own. So then, I am not surprised when the door to the cafeteria opens into my face. I am a little surprised when everything goes black.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
Melissa Jensen (The Fine Art of Truth or Dare)
She keeps her fingers on Faye’s face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She’s smiling a wonderful smile. Way past twenty. She takes Faye’s hands.“‘Then tell them to look closely at men’s faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man’s face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men’s faces never stop moving–they’re like antennae. But all the faces do is move through different configurations of blankness.’ Faye looks for Julie’s eyes in the mirror. Julie says, ‘Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can’t grab onto.’ Julie turns her makeup chair and looks up at Faye. ‘That’s when I love you, if I love you,’ she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye’s own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.’ 'You asked me once how poems informed me,’ she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?’–lifting Faye’s face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That whole ocean was obvious. We were looking at something obvious, the whole time.’ She pinches a nipple, too softly for Faye even to feel. 'Oceans are only oceans when they move,’ Julie whispers. 'Waves are what keep oceans from just being very big puddles. Oceans are just their waves. And every wave in the ocean is finally going to meet what it moves toward, and break. The whole thing we looked at, the whole time you asked, was obvious. It was obvious and a poem because it was us. See things like that, Faye. Your own face, moving into expression. A wave, breaking on a rock, giving up its shape in a gesture that expresses that shape. See?’ It wasn’t at the beach that Faye had asked about the future. It was in Los Angeles. And what about the anomalous wave that came out of nowhere and broke on itself? Julie is looking at Faye. 'See?’ Faye’s eyes are open. They get wide. 'You don’t like my face at rest?
David Foster Wallace (Girl with Curious Hair)
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?” “Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done. “The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.” In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.” Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow. Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it. “There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.” “Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.” “She’s incredibly beautiful,” Alex said. A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
Judith McNaught (Almost Heaven (Sequels, #3))
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
beer, chatting amiably. They hid their thighs with waist blankets and caped themselves in shoulder blankets that reached the ground. Dindi slithered by them. Unfortunately, the first person Dindi locked eyes with was Great Aunt Sullana. Though the whole plaza separated them, Great Aunt Sullana tore across the market like a tornado on the Purple Plains. She would demand to examine Dindi’s basket, and finding nothing in it except a kitten, pinch her cheek until Dindi stuttered some explanation. The natural
Tara Maya (Initiate (The Unfinished Song, #1))
One last time, Akon thought of all his fear, of the sick feeling in his stomach and the burning that was becoming a pain in his throat. He pinched himself on the arm, hard, very hard, and felt the warning signal telling him to stop. Goodbye, Akon thought; and the tears began falling down his cheek, as though that one silent word had, for the very last time, broken his heart. And he lived happily ever after.
Eliezer Yudkowsky (Three Worlds Collide)
They said there was a curse on us and maybe there is. Maybe we were born under bad stars or maybe for us there’s always a bad moon on the rise. But if it’s true, if sorrow and loss follow us around like mean stray dogs, then that means somewhere, some fighting angel decided we were strong enough to take it. So shine up your dancing shoes and pinch your cheeks and lift your chin. Because if we’re on the road to hell, we’re going to dance the whole damn way and give them something to talk about when we’re gone.
Deanna Raybourn (A Spear of Summer Grass)
I don’t know when I can come back,” he said. “The second you get tired of living in a smelly old surplus tent, I want you to come across town to my house.” Mollie nodded and stepped closer. How safe she felt standing within the circle of his arms and laying her head against his chest, where she could hear the strong beating of his heart. “I heard it the first time you offered,” she said with a smile in her voice. “And the fifth, and the tenth.” He pinched her cheek. “Such a clever lass. I knew there was a reason I liked you.” Why didn’t she just leave with him? When she glanced over at the church, she saw Sophie reading the daily newssheet to Frank while Dr. Buchanan played a game of dice with the lumber merchant. “I’m not sure I can explain it,” Mollie said, “but I feel bonded to these people. I can’t leave to go live in the lap of luxury while they are all stranded here.” “You can sleep in my root cellar if it would make you feel better.
Elizabeth Camden (Into the Whirlwind)
Heat shot to his dick. He kissed her neck and pulled her off before opening her door. And then, just because he couldn’t stop himself, he pinched the cheek of her ass before shoving her inside.
Catherine Bybee (Fiancé by Friday (The Weekday Brides, #3))
Vera bustled toward Connell, sliding another doughnut out of her apron pocket. “I’ve got an extra for you too.” Connell reached for the doughnut, but Vera pulled it back and held it out of reach. She pointed to her ruddy cheek. “You know what you owe me first.” To Lily’s surprise, Connell grinned, leaned toward the older woman, and planted a kiss in the spot she’d touched. Vera handed him the doughnut and then gave the round flesh in his cheek a pinch. “You’re a good boy, Connell.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Mel was tugging at her T-shirt as Jack was handing her the baby. She held the baby’s cheek against her warm breast, running her fingers over his perfect head. The baby stopped crying and appeared to be looking around. Mel glanced up at Jack and gave him a little smile. “Come on, little guy,” she cooed, serene, totally focused on her son. “Do your job here. Stanch the bleeding, bring out the placenta.” She pinched her nipple to fit the baby’s mouth, trying to entice him with it. Jack felt a river of emotion run through him. He didn’t know if he was about to burst into song or faint. He dropped to his knees to be closer and watched Mel tickle the baby’s mouth and cheek with her nipple and then the baby turned his head instinctively and clamped on, took hold, suckled. And Mel said, “Oh, my! You’re very good at this.” Then she looked at Jack, who knelt by the bed, dazed. She smiled weakly and said, “Thank you, darling.” He leaned closer to her, his face next to his son’s head. “My God, Melinda,” he said in a breath. “What the hell did we just do?” *
Robyn Carr (Shelter Mountain (Virgin River, #2))
I like Andrew well enough, I suppose, but not for Aunt Cait, so it’s best we leave lest I’m tempted to sink a spur into his ankle.” “Ooooo, I like the way you think.” Alli gave her a hug before tweaking Jamie’s neck. “Is that how you keep this one in line?” Jamie’s dark brows peaked high. “Hey, I run the MacKenna household, not the little missus, right, Cowgirl?” In a flash of his arm, he dipped Cassie back for a kiss. She broke free with a giggle and pinched his cheek. “Depends—with or without my lasso?” she quipped, sauntering over to give both Meg and Alli a hug. She shot Jamie a lazy smile over her shoulder on the way to the door. “I can still hog-tie steers—or Jamie MacKenna—in under fifteen seconds flat, so don’t you forget that either, Pretty Boy.” “How
Julie Lessman (Surprised by Love (The Heart of San Francisco, #3))
Rolling my eyes, I took Dylan’s hand and followed Harlow inside. Jace sat in the front of the TV. I knew he was grumpy based on the way he didn’t look at me. When I flopped next to him on the couch, he did smile. “You smell like a strip club,” he said, narrowing his eyes at me. “How would you know?” “I’m not telling you my secrets.” Shaking my head, I sighed loudly. “Why do you make me do this to you? It’s like you want to suffer.” Jace knew what was coming, but his escape came too late. I pinned him on the couch and tickled him. Despite his efforts to seem unfazed, he couldn’t withstand armpit tickling. While I tormented my laughing brother, Dad and Mom walked out from the kitchen. “He missed you,” Mom said as I finally let Jace up. Catching his breath, my brother leaned next to me on the couch. “I miss beating you at videogames.” “I miss you beating me too,” I said, kissing his head. Harlow flopped on the couch next to us and I smiled at the familiar comfort of my family. Dylan watched us with a slight grin. When he caught Tad and Toni’s gazes, his smile grew. Suspicious now, I glanced at Harlow who was busy gluing herself to me. “Are they up to something?” I whispered. “Am I going to be embarrassed?” “I don’t know. If you feel embarrassed, I’ll punch Dylan in the crotch and distract everyone.” Rolling my eyes at her threat, I studied Dylan who grinned at me. “What?” I asked, nervous now. “She’s on to you,” Dad said. “Better ask now before she gets squirrely.” “Squirrely,” Jace snorted. “She gets batty too.” Harlow laughed. “Winnie can do so many animal impressions.” Ignoring them, I stood up and walked to a still smiling Dylan. “What?” “What happened to patience?” Without thinking, I reached to pinch my hand. Dylan took both hands then knelt on one knee. “Don’t,” Harlow blurted, grabbing for me. Everyone frowned at her. A moment passed where she stared at me in horror. Suddenly, she shrugged. “I meant don’t stop. Go ahead, Dylan.” The mood in the room shifted back to anticipation. Our gaze focused on Dylan who smiled up at me. “I know it’s been a few weeks. I don’t care. I love you and you love me, right?” “I love you so much.” “I’m not stupid. I know we’ll have problems. We run into issues. When we do, we’ll work them out. We’ll figure them out because we belong together. You believe that, don’t you?” “Yes,” I whispered, staring into his beautiful dark eyes. “Winona Todds, you are perfection and I refuse to live without you. Will you marry me?” My legs turning to jelly, I knelt down too. “Yes,” I whispered, afraid he was about to change his mind. Maybe it was a trick. All these awful things rushed through my mind. I wasn’t good enough for Dylan. He was going to leave me one day. I didn’t deserve to be happy when I was so weak. “You love me,” he whispered, pressing his forehead against mine. “You want me to be happy.” “Yes,” I said, tears rolling down my cheeks. “You’re what I need to survive.” “I’m not really strong yet.” “I love you now. I don’t want to wait. Do you want to wait for me?” Shaking my head, I looked at my smiling parents then back at Dylan. “We’re in love and planning to live together. We need to make our relationship official, so your daddy won’t kick my ass.” Even laughing, I asked, “You want this?” “I can give up everything else in my life, but never you. Married or not, you belong with me.” I exhaled uneasily then smiled. “Yes, I will marry you.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
Choochiness is yet another British term that has no precise meaning, but, like pornography, you know it when you see it. The way I have things stacked up, choochiness is a particularly British amalgam of cuddlywuddliness, cutesypiedness, and butter-wouldn’t-melt-in-my-mouthedness that embraces everything from shops named The Ketch to Hugh Grant’s stammer. It is a grating and often maddening behavioral pattern that makes others want to reach out and pinch the choochster’s cheeks while secretly longing to stuff a hand grenade right down his throat. “Paul McCartney is choochy; John Lennon is not,” says my brother-in-law, Max, who fled England for France in 1976, largely to escape from rampant choochiness. “Paul McCartney: choochy. John Lennon: not choochy. That’s the difference.” THERE
Joe Queenan (Queenan Country: A Reluctant Anglophile's Pilgrimage to the Mother Country)
Turn it in two minutes,” Alana said to Bobby, and then she came back to me. “Well, piglet,” she said to me, and she reached over and pinched my cheek; not as a doting grandmother might, but more like a shrewd shopper checking the cutlets. I tried to pull away, but it wasn’t quite as easy as it sounds, with a very large man pushing a shotgun into my back.
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth (Insurgent (Divergent, #2))
Pickwick was bought by a man who had an earring and by a man with a luxuriant moustache and by a man who catalogued butterflies and by a man who had bought shark’s fins at the wharf to make soup and by a man with a beard who carried a radical newspaper who attended agitated assemblies and by a man in a scruffy coat, who wrote short pieces for magazines and by a man wheeling a barrow of exotic shrubs he would sell at his nursery. One of these had a brother who was a respectable alderman; the cousin of another was a priest; another played whist with a banker; the buyer of radical literature had a friend in the Whigs; the nurseryman knew a doctor and several lawyers; the man with the moustache had a friend in the senior ranks of the cavalry; the scruffy man knew several editors. There was also a little middle-aged hawker called Knox, recognizable on the city streets by his plaid jacket, though his pinched cheeks, pointed chin and combed red side whiskers ere never conducive to anonymity.
Stephen Jarvis (Death and Mr. Pickwick)
No. I know…” said Noam giggling, “…maybe it’s so that your aunt Bella won’t pinch your cheeks every time she sees you.
Yonit Werber (Daddy Swallowed a Hedgehog)
What's up with you? What type of spy acts like that?" Ye Xiu had already started to scold him. Blue River's cheeks were streaked with tears. This was such a weird conversation. He didn't know how to reply. "You've already been caught, so why did you want to stay in my guild?" Ye Xiu continued. "I was bored, so I stayed." Blue River replied. "Bored, hm? Then I'll give you stuff to do!" "What stuff?" Blue River asked. "Help me manage my guild." Ye Xiu said. Blue River instantly froze. He pinched himself to confirm that he wasn't dreaming. He then opened up his chat log and looked careful again to confirm that he hadn't seen wrongly. He froze again. He couldn't understand were such a weird though came from. "Hello? Hello?
Butterfly Blue (The King's Avatar)
The hefty gang adored Big Nana: She was expressive and affectionate and bold, blustery and showy around them, applauding their girths and glutinous ways at the table. She pinched their cheeks and butts, other fleshy body parts, squeezed them to the edge of respiratory failure, kidded them about the pudgy Sicilian girls, and gave them hell for not fattening me up. They were well aware of what she did to Scarface.
Joey Tormino (Big Nana and Joey: A Comic and Inspirational High School Tale)
by searching for an outstanding feature, you’re accomplishing the second important step—you’re forcing yourself to look at, be interested in, concentrate on, that face! What you select could be anything: hair or hairline; forehead (narrow, wide, or high); eyebrows (straight, arched, bushy); eyes (narrow, wide-spaced, close-set); nose (large, small, pug, ski); nostrils (flaring, pinched); high cheekbones; cheeks (full or sunken); lips (straight, arched, full, thin); chin (cleft, receding, jutting); lines, pimples, warts, dimples—anything.
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
by searching for an outstanding feature, you’re accomplishing the second important step—you’re forcing yourself to look at, be interested in, concentrate on, that face! What you select could be anything: hair or hairline; forehead (narrow, wide, or high); eyebrows (straight, arched, bushy); eyes (narrow, wide-spaced, close-set); nose (large, small, pug, ski); nostrils (flaring, pinched); high cheekbones; cheeks (full or sunken); lips (straight, arched, full, thin); chin (cleft, receding, jutting); lines, pimples, warts, dimples—anything. First impressions are usually lasting impressions, and what is outstanding on someone’s face now will, most likely, seem outstanding when you see that face again. That’s important; but more important is the fact that you’ve really looked at that face. You’re etching that face into your memory by just trying to apply the system.
Harry Lorayne (The Memory Book: The Classic Guide to Improving Your Memory at Work, at School, and at Play)
His main ingredient is sea bream... At least the head of one!" Aah, now I see. He's making Fish-Head Curry! FISH-HEAD CURRY Originating in Singapore and Malaysia... ... it uses the whole head of a white-meat fish so that even delicately flavorful parts, like the eyes and cheeks, can be enjoyed! "Next, he's put some baking powder into a bowl... ... along with baking soda... yogurt... It's naan! He's making naan bread!" "So he intends to serve his curry with naan instead of rice? That's fairly... ordinary." "I'd expected something a little more unique from Professor Shiomi's prized apprentice." "Isn't it a display of confidence on his part? Not relying on some wacky, unusual dish to generate surprise?" "No... That naan. If he's doing what I think he's doing...!" "Shhh. That's right, Jun. This... ... is just the beginning of my dish! " "Hayama has left the naan to rise... returning to his curry! He's adding a pinch of lemongrass for fragrance, and-" "Whoa! It's a dash of freshness to the otherwise mild and soft coconut milk..." "Just the refreshing scent is enough to make my mouth water!
Yūto Tsukuda (食戟のソーマ 6 [Shokugeki no Souma 6] (Food Wars: Shokugeki no Soma, #6))
And it’s like it is all around me all the time, and it sucks away all the light and absorbs all the sound so everything is less bright . . . less fun . . .” She sighs, lowers her face, then lifts it again to return her gaze to the water. “Less, I don’t know, less everything.” Chloe’s eyes leak, tears rolling down her cheeks as she pinches her nose tight, trying to hold them in. “When I think about her,” Mo says, “like now, I try to be happy because I know that’s what she would want and that she is someplace really good, but it’s all the other times, when I’m not thinking about her, that it’s hard, because those are the moments I miss her the most, when I feel so alone it’s like I’m floating in this great big sea or drifting in outer space, like gravity has deserted me or like I’m going to run out of air.” Chloe sniffles, and Mo’s eyes snap to her. “Sorry, Clover,” she says quickly, suddenly realizing Chloe is crying. Chloe shakes her head. “No, it’s okay.” She blots her eyes and takes a deep breath. “I miss her too. All the time.” “I mean, I get it,” Mo says as her own eyes fill. “People die. And I get that I’m still here and that life goes on, and that eventually the hole will get smaller. At least that’s what everyone keeps saying.” “Don’t you wish everyone would just shut up?” Chloe says. Mo nods, looks up, almost smiles, looks back at the ocean. “Exactly. Because it’s not that I don’t get what they’re saying. I do. But right now, the hole, it’s really, really big, and it’s really, really lonely, and I really, really miss her.” For a moment they stand quiet, both of them looking out at the ocean and holding back their emotions, and as I watch them, both so sad, I
Suzanne Redfearn (In an Instant)
What you gonna do when Mr. Fulton Whitney hears about this debilment?” “It isn’t devilment,” Emma protested, bending close to the little mirror beside the door and pinching her cheeks to make them pink. “It’s a picnic and nothing more—the whole thing is perfectly innocent.” Daisy chortled, her great bulk quivering with amusement. “I declare that’s what Eve said to Adam. ‘The whole thing is perfectly innocent.’” Before
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Sky pulls her arm back, right as I turn back to walk to the couch, and suddenly the controller flies out of her hand and smacks directly into my nose. “Ugh!” I grunt out. Sky puts her hand over her mouth and gasps. But then she runs toward me when she sees the blood dripping down my face. I walk into the kitchen because I don’t want to get blood on the carpet. “Oh thit,” I swear, when I see that the kids didn’t follow us. She sits me down in a chair and puts a towel under my nose. “That hurts wike a mudder fudder.” I sound like I’m all stopped up with a cold, but the blood is still dripping, so I pinch my nose closed. “I’m so sorry,” she says as she drops down in front of me. She rests her forearms on my thighs. I can smell the pizza she just ate on her breath, and I really, really want to kiss her, but I have blood all over my face and hands. “I’m so sorry,” she says again. “I didn’t know it would fly out of my hand like that.” “You hab ta wap it awound your wist,” I say. “I have to wrap it around my wrist?” she repeats. “To keep it fwom fwying.” “Crap,” she says again. “I am so sorry.” She already said that. She gets up and goes to get a wet towel. She cleans my hands and wipes gently beneath my nose. My nose hurts like a son of a bitch. I jerk my head back, but she just follows, probing and prodding. “I think the bleeding has stopped,” she says. But I let her continue to fuss over me, just because I like it. “Do you want some ice?” she asks. Yeah, but I need it for my dick and not for my nose. “Pwease,” I say. Her face is only inches from mine. But then she goes to the fridge. She comes back with a small bag of ice. She’d probably get offended if I shoved it in my pants, so I lay it against my nose, instead. I brace my chin with one hand and hold the ice with the other. “I really didn’t mean to hit you,” she says. She looks so worried that I have to let her off the hook. Hell, I lived with four brothers. I have had more nosebleeds than I could ever begin to count. “I’ll wiv,” I say. She leans close and kisses my cheek. I want to turn my head and press my lips to hers, but I don’t. “You in lub wif me yet?” I ask. She laughs and turns her head away, closing her eyes. Her giggle is so damn cute. She winces. “I gwess dats a no,” I say. I lift my shirt and wipe the edge of my nose, since she took my wet towel. When I do, her eyes go to my frog prince, and she leans forward and presses her lips to him. She looks up at me, her blue eyes wide, as she holds her lips there for a second. Then she makes a loud smacking noise and pops back up, grinning. “There. All better?” Fuck no. We’re just getting started. Seth sticks his head into the room. He smirks at me and shakes his head. “Dude,” he says. He laughs. “That’s the saddest thing I’ve ever seen.” I throw down the ice. “Dat’s it. I’m going to kick your ath at bow’ing, Seth. You are going down.” I follow him into the other room, take a controller, and try to pretend like she didn’t just rock my world.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))