Vacant Building Quotes

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Let me guess," said Clary. "On the inside it's an abandoned police station; from the outside, mundanes only see a condemned apartment building, or a vacant lot, or…" "Actually it looks like a Chinese restaurant from the outside," Luke said. "Takeout only, no table service." "A Chinese restaurant?" Clary echoed in disbelief. He shrugged. "Well, we are in Chinatown. This was the Second Precinct building once." "People must think it's weird that there's no phone number to call for orders." Luke grinned. "There is. We just don't answer it much. Sometimes, if they're bored, some of the cubs will deliver someone some mu shu pork." "You're kidding." "Not at all. The tips come in handy.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
If any poet tried to enter my personality like a vacant building...!
Elif Batuman (Either/Or)
I stared out the window for the rest of the journey. Building, tree, car, car, van, wall, vacant lot, van. I stared hard, trying to find a pattern. Thinking if I kept looking hard enough, maybe the pieces of the world would fit back together into something I could understand.
Carol Rifka Brunt (Tell the Wolves I'm Home)
life had been building potential, potential that would now go unrealized. I had planned to do so much, and I had come so close. I was physically debilitated, my imagined future and my personal identity collapsed, and I faced the same existential quandaries my patients faced. The lung cancer diagnosis was confirmed. My carefully planned and hard-won future no longer existed. Death, so familiar to me in my work, was now paying a personal visit. Here we were, finally face-to-face, and yet nothing about it seemed recognizable. Standing at the crossroads where I should have been able to see and follow the footprints of the countless patients I had treated over the years, I saw instead only a blank, a harsh, vacant, gleaming white desert, as if a sandstorm had erased all trace of familiarity.
Paul Kalanithi (When Breath Becomes Air)
The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. The man who robs me of my earnings at the end of each week meets me as a class- leader on Sunday morning, to show me the way of life, and the path of salvation. He who sells my sister, for purposes of prostitution, stands forth as the pious advocate of purity. He who proclaims it a religious duty to read the Bible denies me the right of learning to read the name of the God who made me. He who is the religious advocate of marriage robs whole millions of its sacred influence, and leaves them to the ravages of wholesale pollution. The warm defender of the sacredness of the family relation is the same that scatters whole families,— sundering husbands and wives, parents and children, sisters and brothers,—leaving the hut vacant, and the hearth desolate. We see the thief preaching against theft, and the adulterer against adultery. We have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen! all for the glory of God and the good of souls! The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies and souls of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
Since I was a kid, I’ve learnt to build stone around my heart because that thing will only lead me to doom. It will only push me into a path filled with wires and vacant eyes and…duct tape. So much fucking duct tape.
Rina Kent (Reign of a King (Kingdom Duet, #1))
Building, tree, car, car, van, wall, vacant lot, van. I stared hard, trying to find a pattern. Thinking if I keep looking hard enough, maybe the pieces of the world would fit back together into something I could understand.
Carol Rifka Brunt (Tell the Wolves I'm Home)
DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.
Edgar Allan Poe (The Best Short Stories of Edgar Allan Poe)
What, in fact, do we know about the peak experience? Well, to begin with, we know one thing that puts us several steps ahead of the most penetrating thinkers of the 19th century: that P.E’.s are not a matter of pure good luck or grace. They don’t come and go as they please, leaving ‘this dim, vast vale of tears vacant and desolate’. Like rainbows, peak experiences are governed by definite laws. They are ‘intentional’. And that statement suddenly gains in significance when we remember Thorndike’s discovery that the effect of positive stimuli is far more powerful and far reaching than that of negative stimuli. His first statement of the law of effect was simply that situations that elicit positive reactions tend to produce continuance of positive reactions, while situations that elicit negative or avoidance reactions tend to produce continuance of these. It was later that he came to realise that positive reactions build-up stronger response patterns than negative ones. In other words, positive responses are more intentional than negative ones. Which is another way of saying that if you want a positive reaction (or a peak experience), your best chance of obtaining it is by putting yourself into an active, purposive frame of mind. The opposite of the peak experience—sudden depression, fatigue, even the ‘panic fear’ that swept William James to the edge of insanity—is the outcome of passivity. This cannot be overemphasised. Depression—or neurosis—need not have a positive cause (childhood traumas, etc.). It is the natural outcome of negative passivity. The peak experience is the outcome of an intentional attitude. ‘Feedback’ from my activities depends upon the degree of deliberately calculated purpose I put into them, not upon some occult law connected with the activity itself. . . . A healthy, perfectly adjusted human being would slide smoothly into gear, perform whatever has to be done with perfect economy of energy, then recover lost energy in a state of serene relaxation. Most human beings are not healthy or well adjusted. Their activity is full of strain and nervous tension, and their relaxation hovers on the edge of anxiety. They fail to put enough effort—enough seriousness—into their activity, and they fail to withdraw enough effort from their relaxation. Moods of serenity descend upon them—if at all—by chance; perhaps after some crisis, or in peaceful surroundings with pleasant associations. Their main trouble is that they have no idea of what can be achieved by a certain kind of mental effort. And this is perhaps the place to point out that although mystical contemplation is as old as religion, it is only in the past two centuries that it has played a major role in European culture. It was the group of writers we call the romantics who discovered that a man contemplating a waterfall or a mountain peak can suddenly feel ‘godlike’, as if the soul had expanded. The world is seen from a ‘bird’s eye view’ instead of a worm’s eye view: there is a sense of power, detachment, serenity. The romantics—Blake, Wordsworth, Byron, Goethe, Schiller—were the first to raise the question of whether there are ‘higher ceilings of human nature’. But, lacking the concepts for analysing the problem, they left it unsolved. And the romantics in general accepted that the ‘godlike moments’ cannot be sustained, and certainly cannot be re-created at will. This produced the climate of despair that has continued down to our own time. (The major writers of the 20th century—Proust, Eliot, Joyce, Musil—are direct descendants of the romantics, as Edmund Wilson pointed out in Axel’s Castle.) Thus it can be seen that Maslow’s importance extends far beyond the field of psychology. William James had asserted that ‘mystical’ experiences are not mystical at all, but are a perfectly normal potential of human consciousness; but there is no mention of such experiences in Principles of Psychology (or only in passing).
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
Across the intersection he could see the crumbling blue-green facade of the Palace Amusements building, the grinning ten-foot-high face on its north wall smiling out on empty streets and vacant lots. The arcade entrances were covered with plywood; broken neon tubing hung from the walls. He thought of the hours he had spent there as a kid, playing pinball, firing the real .22s in the shooting gallery, riding the bumper cars. It hurt to look at it now.
Wallace Stroby (The Barbed-Wire Kiss: A Novel (Harry Rane Novels Book 1))
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.
John Steinbeck
For all his courtly title, the monarch (Danaus plexippus, thank you, Madame Goody) is the most down-home of butterflies. That is, before they were virtually extirpated by air pollution and pesticides, monarchs were familiar figures in most American neighborhoods. They fluttered their zigzag course (as if under the orders of some secret navigator whose logic was as fanciful as true) across backyards and vacant lots and swimming holes and fairgrounds and streets of towns and cities: they have been spotted from the observation deck of the Empire State Building by surprised tourists from Indiana who thought they had left such creatures down by the barn. Indeed, wherever there is access to milkweed (Asclepias syriaca: let's not carry this too far, Madame G.) there you will find monarchs, for the larvae of this species is as addicted to milkweed juice as the most strung-out junky to smack. His appetite is awesome in its singularity for he would rather starve than switch.
Tom Robbins (Another Roadside Attraction)
According to Bartholomew, an important goal of St. Louis zoning was to prevent movement into 'finer residential districts . . . by colored people.' He noted that without a previous zoning law, such neighborhoods have become run-down, 'where values have depreciated, homes are either vacant or occupied by color people.' The survey Bartholomew supervised before drafting the zoning ordinance listed the race of each building's occupants. Bartholomew attempted to estimate where African Americans might encroach so the commission could respond with restrictions to control their spread. The St. Louis zoning ordinance was eventually adopted in 1919, two years after the Supreme Court's Buchanan ruling banned racial assignments; with no reference to race, the ordinance pretended to be in compliance. Guided by Bartholomew's survey, it designated land for future industrial development if it was in or adjacent to neighborhoods with substantial African American populations. Once such rules were in force, plan commission meetings were consumed with requests for variances. Race was frequently a factor. For example, on meeting in 1919 debated a proposal to reclassify a single-family property from first-residential to commercial because the area to the south had been 'invaded by negroes.' Bartholomew persuaded the commission members to deny the variance because, he said, keeping the first-residential designation would preserve homes in the area as unaffordable to African Americans and thus stop the encroachment. On other occasions, the commission changed an area's zoning from residential to industrial if African American families had begun to move into it. In 1927, violating its normal policy, the commission authorized a park and playground in an industrial, not residential, area in hopes that this would draw African American families to seek housing nearby. Similar decision making continued through the middle of the twentieth century. In a 1942 meeting, commissioners explained they were zoning an area in a commercial strip as multifamily because it could then 'develop into a favorable dwelling district for Colored people. In 1948, commissioners explained they were designating a U-shaped industrial zone to create a buffer between African Americans inside the U and whites outside. In addition to promoting segregation, zoning decisions contributed to degrading St. Louis's African American neighborhoods into slums. Not only were these neighborhoods zoned to permit industry, even polluting industry, but the plan commission permitted taverns, liquor stores, nightclubs, and houses of prostitution to open in African American neighborhoods but prohibited these as zoning violations in neighborhoods where whites lived. Residences in single-family districts could not legally be subdivided, but those in industrial districts could be, and with African Americans restricted from all but a few neighborhoods, rooming houses sprang up to accommodate the overcrowded population. Later in the twentieth century, when the Federal Housing Administration (FHA) developed the insure amortized mortgage as a way to promote homeownership nationwide, these zoning practices rendered African Americans ineligible for such mortgages because banks and the FHA considered the existence of nearby rooming houses, commercial development, or industry to create risk to the property value of single-family areas. Without such mortgages, the effective cost of African American housing was greater than that of similar housing in white neighborhoods, leaving owners with fewer resources for upkeep. African American homes were then more likely to deteriorate, reinforcing their neighborhoods' slum conditions.
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
Ravitch had no interest in restarting the Second Avenue subway, and the project was a low priority for many of the communities it would serve. During the 1970s, East Harlem lost more than 22 percent of its population, and one-quarter of those who remained were on welfare. In seven Bronx census tracts, more than 97 percent of the buildings were either burned down or abandoned, leaving block after block of rubble. On the Lower East Side, where the number of apartments fell by 7.5 percent, a nonprofit environmental group known as the Green Guerillas took over vacant lots and turned them into community gardens.
Philip Mark Plotch (Last Subway: The Long Wait for the Next Train in New York City)
Respectfully, we are in the very quandary I predicted when the construction of the prison began. We build large schools in hopes they will fill with children. We build grand masjids in hopes they will fill with believers. We built Pol-e-charkhi, a prison large enough to fit thousands of people. Did we really intend for those cells to sit vacant?
Nadia Hashimi (Sparks Like Stars)
This can’t be all. Once there was the profound mystery and essence of humanity, but he and they – the transformers – lost it all so completely and irrevocably in the IS3 transformation that now they can’t even make the imaginative leap to comprehend what they have lost. Yet they feel and they suspect, digesting hundreds of days in the mechanical repetition of work, as if they were really nothing but that which they are able to do, surrendering to energy cycles more rigidly immutable than the astronomical cycles of darkness and light, vacantly absorbing the after-images of artificial entertainment and winding these fictional lives around their minds. Standing for hours in a statue-like stupor, switched off like real robots, not doing anything, not living anything, no longer even bothering to perform the social rituals of the body or to carry out the pathetic charade of sexbot carnality. Their whole life is a robotic life: fix this, do that, build this. Their whole life is a hardware dream, and yet they feel, they really feel that THIS CANNOT BE ALL.
Jacek Dukaj (Starość aksolotla)
the Jewish Agency and they had agreed to allocate from the next immigrant ship twenty-four Moroccans to Kibbutz Makor for work at the dig. “They’ll be pretty rough diamonds,” Eliav warned. “No English. No education.” “If they speak Arabic I can handle them,” Tabari assured the leaders, and two nights later the team went to greet the large ship that plied monotonously back and forth across the Mediterranean hauling Jewish immigrants to Israel. “Before we go aboard,” Eliav summarized, “I’ve got to warn you again that these aren’t the handsome young immigrants that you accept in America, Cullinane. These are the dregs of the world, but in two years we’ll make first-class citizens of them.” Cullinane said he knew, but if he had realized how intellectually unprepared he was for the cargo of this ship, he would have stayed at the tell and allowed Tabari to choose the new hands. For the ship that came to Israel that night brought with it not the kind of people that a nation would consciously select, not the clean nor the healthy nor the educated. From Tunisia came a pitiful family of four, stricken with glaucoma and the effects of malnutrition. From Bulgaria came three old women so broken they were no longer of use to anyone; the communists had allowed them to escape, for they had no money to buy bread nor skills to earn it nor teeth to eat it with. From France came not high school graduates with productive years ahead of them, but two tragic couples, old and abandoned by their children, with only the empty days to look forward to, not hope. And from the shores of Morocco, outcast by towns in which they had lived for countless generations, came frightened, dirty, pathetic Jews, illiterate, often crippled with disease and vacant-eyed. “Jesus Christ!” Cullinane whispered. “Are these the newcomers?” He was decent enough not to worry about himself first—although he was appalled at the prospect of trying to dig with such assistance—but he did worry about Israel. How can a nation build itself strong with such material? he asked himself. It was a shocking experience, one that cut to the heart of his sensibilities: My great-grandfather must have looked like this when he came half-starved from Ireland. He thought of the scrawny Italians that had come to New York and the Chinese to San Francisco, and he began to develop that sense of companionship with Israel that comes very slowly to a Gentile: it was building itself of the same human material that America was developed upon; and suddenly he felt a little weak. Why were these people seeking a new home coming to Israel and not to America? Where had the American dream faltered? And he saw that Israel was right; it was taking people—any people—as America had once done; so that in fifty years the bright new ideas of the world would come probably from Israel and no longer from a tired America.
James A. Michener (The Source)
I am on a train passing through Baltimore, where I grew up. I can see vacant lots, charred remains of burned buildings surrounded by rubbish, billboards advertising churches, and other billboards for DNA testing of children’s paternity. Johns Hopkins Hospital looms out of the squalor. The hospital is on an isolated island situated slightly east of downtown. The downtown area is separated from the hospital complex by a sea of run-down homes, a freeway, and a massive prison complex. Eastern Europe and the Soviet bloc come to mind. Failed industry and failed housing schemes and forced relocation disguised as urban renewal.
David Byrne (Bicycle Diaries)
Oasis at Ground Zero Salvation Army representatives would certainly counsel you and pray with you if you wanted, and at Ground Zero the Salvationists in the shiny red “Chaplain” jackets were sought after for just that reason. Mainly, though, they were there to assist with more basic human needs: to wash out eyes stinging from smoke, and provide Blistex for parched lips and foot inserts for boots walking across hot metal. They operated hydration stations and snack canteens. They offered a place to rest, and freshly cooked chicken courtesy of Tyson’s. The day I arrived, they distributed 1500 phone cards for the workers to use in calling home. Every day they served 7500 meals. They offered an oasis of compassion in a wilderness of rubble. I had studied the maps in newspapers, but no two-dimensional representation could capture the scale of destruction. For about eight square blocks, buildings were deserted, their windows broken, jagged pieces of steel jutting out from floors high above the street. Thousands of offices equipped with faxes, phones, and computers, sat vacant, coated in debris. On September 11, people were sitting there punching keys, making phone calls, grabbing a cup of coffee to start the day, and suddenly it must have seemed like the world was coming to an end. I studied the faces of the workers, uniformly grim. I didn’t see a single smile at Ground Zero. How could you smile in such a place? It had nothing to offer but death and destruction, a monument to the worst that human beings can do to each other. I saw three booths set up in a vacant building across from the WTC site: Police Officers for Christ, Firemen for Christ, and Sanitation Workers for Christ. (That last one is a charity I’d like to support.) Salvation Army chaplains had told me that the police and fire had asked for two prayer services a day, conducted on the site. The Red Cross, a nonsectarian organization, had asked if the Salvationists would mind staffing it. “Are you kidding? That’s what we’re here for!” Finding God in Unexpected Places
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
In the 1950s Detroit was undergoing changes in the city and factories with enormous political consequences. When I arrived in Detroit the city had just begun Urban Renewal (which blacks renamed “Negro Removal”) in the area near downtown where most blacks were concentrated. Hastings Street and John R, the two main thoroughfares that were the hub of the commerce and nightlife of the black community, were still alive with pedestrians. Large sections of the inner city, however, were being bulldozed to build the Ford Freeway crisscrossing the city from east to west, the Lodge Freeway bisecting the city from north to south, and the Fisher and Chrysler Freeways coming from Toledo and proceeding all the way north to the Upper Peninsula. These freeways were built to make it easy to live in the suburbs and work in the city and at the same time to expand the car market. So in 1957 whites began pouring out of the city by the tens of thousands until by the end of the decade one out of every four whites who had lived in the city had left. Their exodus left behind thousands of houses and apartments for sale and rental to blacks who had formerly been confined inside Grand Boulevard, a horseshoe-shaped avenue delimiting the inner city, many of whom had been uprooted by Negro Removal. Blacks who had been living on the East Side, among them Annie Boggs, began buying homes on the West Side and the North End. The black community was not only expanding but losing the cohesiveness it had enjoyed (or endured) when it was jammed together on the Lower East Side. New neighbors no longer served as extended family to the young people growing up in the new black neighborhoods. Small businesses owned by blacks and depending on black customers went bankrupt, eliminating an entrepreneurial middle class that had played a key role in stabilizing the community. By the end of the 1950s one-fourth of the buildings inside the Boulevard stood vacant. At the same time all Americans, regardless of race, creed, or national origin, were being seduced by the consumerism being fostered by large corporations so that they could sell the abundance of goods coming off the American assembly lines. All around us in the black community parents were determined to give their children “the things I didn’t have.
Grace Lee Boggs (Living for Change: An Autobiography)
By 1835, Moore had allowed his property to be subdivided, keeping only one parcel—the former orchard—for the General Seminary. In order to lure only the best people to the neighborhood, Moore attached covenants to the deeds specifying what building materials could be used, what structures would be prohibited—including stables—and how long you could keep your property vacant before building on it. In 1820, Moore’s farm had been valued at $17,000; thirty-five years later he had a personal net worth of over half a million dollars. Presumably all of the newfound wealth was thanks to the grid.
James Nevius (Footprints in New York: Tracing the Lives of Four Centuries of New Yorkers)
A static caravan is a type of caravaning holiday that uses buildings that have been vacant for some time. Generally, they are used by caravanners as an alternative to motorhomes. They offer many advantages over a touring caravan and can be purchased from a variety of locations. If you are looking for a static caravan for sale in the UK, the Internet can prove to be a useful tool to find one. The following list contains the latest sales of static caravans for sale in the Isle of Wight.
Static Caravans For Sale Isle Of Wight
What children, onelies in particular, need are not vacant or empty comments, but actual successes in whatever they are doing – riding a bike, making a new friend, solving a puzzle - to build their confidence. Individual accomplishments provide the strongest armor in the world beyond home.
Cristina Schreil
One of the significant milestones in building the high-tech community occurred in 1953 when Stanford University subdivided some of its vacant land for industrial development to form the Stanford Industrial Park (later renamed Stanford Research Park).
David Abernethy (The Prophet from Silicon Valley: The complete story of Sequential Circuits)
effort to create “technology parks” and “high-tech centers of excellence.” Such architect-designed places often feel so artificial and sterile that they end up as vacant white elephants. According to Paul Graham, a successful American programmer and technology investor, “A government that asks ‘How can we build a Silicon Valley?’ has probably ensured failure by the way they framed the question. You don’t build a Silicon Valley; you let one grow.”28 The reason for this is that the type of people who are attracted to high-tech centers are looking for a particular environment that combines a sense of freedom, authenticity, social interaction and character. If you want to attract geeks, said Graham: “[Y]ou need more than a town with personality. You need a town with the right personality.
Mark Roeder (Unnatural Selection: Why the Geeks Will Inherit the Earth)
(The distribution of playgrounds Moses constructed) was not at all even. The areas of the maps on which the dots were clustered most thickly corresponded in the main to those areas inhabited by families that were well-to-do or at least "comfortable." The areas of the maps on which the dots were sprinkled most thinly corresponded in part to undeveloped outlying areas of the city that did not really need playgrounds, but they corresponded also to some of the city's most congested areas, to the tenement neighborhoods and slums inhabited by families that were poor—to areas that needed playgrounds desperately. Most of Robert Moses' neighborhood playgrounds had, in other words, been built in the neighborhoods that needed playgrounds least. Few of the playgrounds had been built in the neighborhoods that needed playgrounds most. The areas of the maps on which the dots were sprinkled most thinly of all corresponded to those areas of the city inhabited by its 400,000 Negroes. Robert Moses built 255 playgrounds in New York City during the 1930's. He built one playground in Harlem. (...) “After a building program that had tripled the city's supply of playgrounds, there was still almost no place for approximately 200,000 of the city's children—the 200,000 with black skin—to play in their own neighborhoods except the streets or abandoned, crumbling, filthy, looted tenements stinking of urine and vomit; or vacant lots carpeted with rusty tin cans, jagged pieces of metal, dog feces and the leavings, spilling out of rotting paper shopping bags, of human meals. Children with white skin had been given swings and seesaws and sliding ponds. Children with black skin had been left with the old broomsticks that served them as baseball bats. Children with white skin had been given wading pools to splash in in summer. If children with black skin wanted to escape the heat of the slums, they could remove the covers from fire hydrants and wade through their outwash, as they had always waded, in gutters that were sometimes so crammed with broken glass that they glistened in the sun.
Robert A. Caro
Crime Wave suggests a reciprocal synchronicity. It was shot in ’52 and released in ’54. It’s got that transitional look that so informs LAPD ’53. The old L.A.’s getting a modernist makeover. Spaceship cars are on the rise, humpbacked cars are on the wane. Buildings are going low, flat and angular. Isolated structures stand out, juxtaposed against vacant lots. Chinatown looks freshly painted and garishly redone. City streets look significantly wider than they do today. That’s because of a scarcity of parked cars and passing motorists. Crime Wave bids the viewer to watch this—L.A.’s on the rise, and what you’re seeing won’t last much longer.
James Ellroy (LAPD '53)
I fought through the boisterous crowd and saw that the bowl-shaped field was certainly not vacant anymore, its new occupant a rather unsightly scarecrow dressed in a Cokyrian uniform, framed against the tranquil green of summer grass. I gazed down the hill, ignoring the shoving and jostling of the people around me, brimming with pride. This was the work of my cousin. Only he and his friends would have had the nerve to do something like this. Cokyrians were preventing Hytanicans from descending the slope, pushing us back like cattle and trying to make us disband. When one of the soldiers passed close to me, I spat on his boots, jumping back so the blunt end of the sword he thrust at me tickled my temple and nothing more. I grinned at him, then tensed as someone put their hands on my shoulders from behind. “It makes you wonder, doesn’t it?” the person said in a lazily irreverent tone that I knew well. “Whatever befell the poor soldier who lost his uniform to that creature?” Before I could turn around, Steldor tugged me backward through the crowd, out of harm’s way. Releasing me, he strode toward the thoroughfare, forcing me to jog in order to keep pace with him. “How did you manage it?” I breathlessly asked, scrutinizing his handsome profile. He stood several inches taller than me, and it was difficult to look at him, keep up and dodge people all at once. Quite the opposite, the throng parted for him, his height and build such that he could not pass notice, and his recent actions earning him a few hardy pats on the back. “You really shouldn’t be out here, Shaselle,” he responded, sidestepping my actual question. He glanced at me, and despite his next words, there was bemusement in his dark brown eyes. “And you certainly shouldn’t be spitting on Cokyrian boots.” “You laugh in their faces--why shouldn’t I spit on their boots?” I countered, earning a smirk and a shrug. “Perhaps…because home is a better place for you?” Despite the tease in his voice, there was seriousness behind what he said.
Cayla Kluver (Sacrifice (Legacy, #3))
The houses behind the shops had recently been used for social housing, but as time passed and their tenants were moved into the high-rise blocks that dominated the nearby skyline, they had been allowed to begin their long slide into decrepitude. Those that were left vacant were boarded up. Damaged roofs were left unrepaired. Windows were shattered and left open to the rain. Four houses had been gutted by fire, the exposed bricks crusted black with soot and ash and the timbers exposed like cracked and broken bones. Those buildings had been condemned and demolished, tearing holes in the terrace like the teeth yanked from a cancerous mouth. Boards had been erected around the blackened remnants of the extension, and these had been scarified by graffiti and posters for illegal raves.
Mark Dawson (The Cleaner (John Milton, #1))
BY DAVID D. LAITIN AND MARC JAHR | 970 words Detroit, a once great city, has become an urban vacuum. Its population has fallen to around 700,000 from nearly 1.9 million in 1950. The city is estimated to have more than 70,000 abandoned buildings and 90,000 vacant lots. Meanwhile, desperate Syrians, victims of an unfathomable civil war, are fleeing to neighboring countries, with some 1.8 million in Turkey and 600,000 in Jordan. Suppose these two social and humanitarian disasters were conjoined to produce something positive.
Anonymous
v. [trans.] put someone or something into (a space or container) so that it is completely or almost completely full: I filled up the bottle with water;the office was filled with reporters.    [intrans.] (fill with) become full of: Eleanor's eyes filled with tears.  become an overwhelming presence in: a pungent smell of garlic filled the air.  cause (someone) to have an intense experience of an emotion or feeling: his presence filled us with foreboding.  appoint a person to hold (a vacant position): the number of high-tech jobs and the people who can fill them.  hold and perform the expected duties of (a position or role): she fills the role of the “good” child.  occupy or take up (a period of time): the next few days were filled with meetings.  be supplied with the items described in (a prescription or order): she needed to fill a prescription.  block up (a cavity in a tooth) with cement, amalgam, or gold.  [intrans.] (of a sail) curve out tautly as the wind blows into it.  (of a weather system) increase in barometric pressure. Compare with DEEPEN.  [trans.] (of the wind) blow into (a sail), causing it to curve outward.  [POKER] complete (a good hand) by drawing the necessary cards.   n. (one's fill) an amount of something that is as much as one wants or can bear: we have eaten our fill;I've had my fill of surprises for one day.    an amount of something that will occupy all the space in a container.  material, loose or compacted, that fills a space, esp. in building or engineering work: loose polystyrene fill.  the action of filling something, esp. of shading or color in a region of a computer graphics display.  (in popular music) a short interjected phrase on a particular instrument.    fill the bill see BILL1.  fill someone's shoesINFORMAL take over someone's function or duties and fulfill them satisfactorily.    fill in act as a substitute for someone when they are unable to do their job: my producer will have to have someone
Oxford University Press (The New Oxford American Dictionary)
Humans Use Only 10% of Their Brains? Not Quite . . . “The most complex structure in the entire universe doesn’t have just a vacant parking lot waiting for someone to drive in and start building. It’s all used all the time, and in complex ways that we don’t always understand.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Inside, the building was vacant and cold, much like the rest of my crew.
Corey Lamb (I Am Become Apocalypse)
In the center of Climentoro, a town in Huehuetenango, a dozen large white houses rose above the village’s traditional wooden huts like giant monuments. The structures were made of concrete and fashioned with archways, colonnaded porches, and elaborate moldings; some even boasted facades decorated with paintings of American flags. Their owners, who lived in the US, had sent money home to build American-inspired houses for when they returned, but few did. One three-story house with a faux-brick chimney was empty. The family of twelve had migrated a few years ago, leaving the vacant construction behind. Vecinos fantasmas, Feliciano Pérez, a local farmer, called them—ghost neighbors.
Jonathan Blitzer (Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis)
After wasting an hour at one of the tables of a nearly vacant East Inn, too nervous about the upcoming meeting to eat the bowls of stew they had ordered, the brothers finally left. They’d kept their mounts hitched at the inn and walked the distance to the assembly building. From the number of horses already lining the front, it had obviously been a wise choice
Michael Wisehart (Plague of Shadows (The Aldoran Chronicles, #2))
Where can I buy verified Airbnb accounts for a successful rental business in 2525? The world of short-term rentals has exploded over the past few years, and Airbnb stands at the forefront of this booming industry. With millions of listings available worldwide, it’s no wonder that many aspiring entrepreneurs are eager to dive into this lucrative market. ➤Fast Delivery ➤High-Quality Service ➤Full Completed Profiles ➤24/7 Customer Suppor Whatsapp:‪+1 (828) 851-7012‬ ... Telegram:@Seoitshop ...... Email:Seoitshop@gmail.com .... But how do you stand out among countless properties? One effective strategy is acquiring a verified Airbnb account. In 2525, having a strong online presence is crucial for success. Verified accounts not only enhance your credibility but also bolster trust with potential guests. Whether you're just starting or looking to expand an existing rental business, buying a verified Airbnb account could be the key to unlocking new opportunities and maximizing your profits. But where can one find these elusive accounts? This post explores everything you need to know about purchasing verified Airbnb accounts for a successful rental venture in 2525—from understanding their benefits to tips for seamless integration into your business model. Let's navigate through this exciting journey together! The Rise of Airbnb Airbnb has revolutionized the travel industry since its inception in 2008. What began as a simple solution to accommodate travelers has grown into a global phenomenon. Millions of hosts now share their homes, and millions of guests seek unique stays around the world. This platform democratized hospitality, allowing everyday people to earn income by renting out spare rooms or entire properties. It transformed vacant spaces into potential goldmines for homeowners. The rise of Airbnb coincided with shifts in consumer behavior. Travelers today crave authenticity over traditional hotel experiences. They desire local insights and personalized touches that only locals can provide. As technology advanced, so did Airbnb’s appeal. User-friendly apps and secure payment systems made booking effortless for guests while providing hosts with powerful tools to manage their listings efficiently. This synergy between supply and demand fueled unstoppable growth across cities worldwide, making it an essential player in modern tourism. Benefits of Buying Verified Airbnb Accounts Buying verified Airbnb accounts offers several advantages for aspiring hosts. First, you gain immediate credibility in a highly competitive market. A verified account typically comes with positive reviews and established trustworthiness, which can attract potential guests right away. Additionally, time savings are significant. Building an account from scratch requires effort and patience as you gather reviews and establish your presence. Purchasing an existing verified account allows you to bypass this lengthy process.
Where can I buy verified Airbnb accounts for a successful rental business in 2525?
Traditionally, European settler societies throw off the propaganda smokescreen that they didn't really conquer and dispossess other nations—they claim with false modesty that they merely moved into vacant territory! So the early English settlers depicted Amerika as empty—"a howling wilderness," "unsettled," "sparsely populated"—just waiting with a "VACANT" sign on the door for the first lucky civilization to walk in and claim it. Theodore Roosevelt wrote defensively in 1900: "...the settler and pioneer have at bottom had justice on their side; this great continent could not have been kept as nothing but a game preserve for squalid savages." It is telling that this lie is precisely the same lie put forward by the white "Afrikaner" settlers, who claim that South Africa was literally totally uninhabited by any Afrikans when they arrived from Europe. To universal derision, these European settlers claim to be the only rightful, historic inhabitants of South Afrika. Or we can hear similar defenses put forward by European settlers of Israel, who claim that much of the Palestinian land and buildings they occupy are rightfully theirs, since the Arabs allegedly decided to voluntarily abandon it all during the 1948-49 war. Are these kind of tales any less preposterous when put forward by Euro-Amerikan settlers?
J. Sakai (Settlers: The Mythology of the White Proletariat)