“
Love all, trust a few,
Do wrong to none: be able for thine enemy
Rather in power than use; and keep thy friend
Under thy own life's key: be check'd for silence,
But never tax'd for speech.
”
”
William Shakespeare (All's Well That Ends Well)
“
He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy...
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
True love comes quietly, without banners or flashing lights. If you hear bells, get your ears checked.
”
”
Erich Segal
“
If there's a single lesson that life teaches us, it's that wishing doesn't make it so.
”
”
Lev Grossman (The Magicians (The Magicians, #1))
“
And on the subject of burning books: I want to congratulate librarians, not famous for their physical strength or their powerful political connections or their great wealth, who, all over this country, have staunchly resisted anti-democratic bullies who have tried to remove certain books from their shelves, and have refused to reveal to thought police the names of persons who have checked out those titles.
So the America I loved still exists, if not in the White House or the Supreme Court or the Senate or the House of Representatives or the media. The America I love still exists at the front desks of our public libraries.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.
”
”
David Foster Wallace
“
For instance, this new idea that You-Know-Who can kill with a single glance from his eyes. That’s a basilisk, listeners. One simple test: Check whether the thing that’s glaring at you has got legs. If it has, it’s safe to look into its eyes, although if it really is You-Know-Who, that’s still likely to be the last thing you ever do.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Daemon: I checked out your blog.
Katy: Stalking me again, I see. Do I need to get a restraining order?
Daemon: In your dreams, Kitten. Oh wait, I'm already starring in those, aren't I?
Katy: Nightmares, Daemon. Nightmares.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
The day my internet was hooked up was better than having a hot guy check out my butt and ask for my phone number.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.
”
”
John Ruskin (The Stones of Venice)
“
Max: "Fang! This is a huge break! Of course we should go check it out!"
Fang: "But we're grounded."
Max and Fang: (stare at each other for a second and burst out laughing)
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
Contradictions do not exist. Whenever you think that you are facing a contradiction, check your premises. You will find that one of them is wrong.
”
”
Ayn Rand
“
Malfoy glanced around. Harry knew he was checking for signs of teachers. Then he looked back at Harry and said in a low voice, "You're dead, Potter."
Harry raised his eyebrows. "Funny," he said, "you'd think I'd have stopped walking around...
”
”
J.K. Rowling
“
Even the trip throught the Portal had not disarranged Magnus's hair spikes. He tugged on one proudly. "Check it out", he said to Isabelle.
"Magic?"
"Hair gel. $3.99 at Ricky's.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Prince Kai! Check my fan, I think I'm overheating.
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
“
That’s what comes of hungering for something; you forget to check if it’s rotten before you gobble it down
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
You've been checking me out, haven't you? In between your flaming insults? I feel like man candy.
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
Try to imagine a life without timekeeping. You probably can’t. You know the month, the year, the day of the week. There is a clock on your wall or the dashboard of your car. You have a schedule, a calendar, a time for dinner or a movie. Yet all around you, timekeeping is ignored. Birds are not late. A dog does not check its watch. Deer do not fret over passing birthdays. an alone measures time. Man alone chimes the hour. And, because of this, man alone suffers a paralyzing fear that no other creature endures. A fear of time running out.
”
”
Mitch Albom (The Time Keeper)
“
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Me: “This is obviously a clog. How about I take it apart and check the internal tubing?” NASA: (after five hours of deliberation) “No. You’ll fuck it up and die.” So I took it apart.
”
”
Andy Weir (The Martian)
“
Because that’s the thing about depression. When I feel it deeply, I don’t want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lungs. I want to nurture it, grow it, cultivate it. It’s mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Some guy said to me: Don't you think you're too old to sing rock n' roll?
I said: You'd better check with Mick Jagger.
”
”
Cher
“
The first time Calypso came to check on [Leo], it was to complain about the noise.
“Smoke and fire,” she said. “Clanging on metal all day long. You’re scaring away the birds!”
“Oh, no, not the birds!
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
What's that?" he snarled, staring at the envelope Harry was still clutching in his hand. "If it's another form for me to sign, you've got another -"
"It's not," said Harry cheerfully. "It's a letter from my godfather."
"Godfather?" sputtered Uncle Vernon. "You haven't got a godfather!"
"Yes, I have," said Harry brightly. "He was my mum and dad's best friend. He's a convicted murderer, but he's broken out of wizard prison and he's on the run. He likes to keep in touch with me, though...keep up with my news...check if I'm happy....
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
For a long time,’ Nico said, ‘I had a crush on you. I just wanted you to know.’ Percy looked at Nico. Then at Annabeth, as if to check that he’d heard correctly. Then back at Nico.
‘You –’
‘Yeah,’ Nico said. ‘You’re a great person. But I’m over that. I’m happy for you guys.’
‘You … so you mean –’
‘Right.’
Annabeth’s grey eyes started to sparkle. She gave Nico a sideways smile.
‘Wait,’ Percy said. ‘So you mean –’
‘Right,’ Nico said again. ‘But it’s cool. We’re cool. I mean, I see now … you’re cute, but you’re not my type.’
‘I’m not your type … Wait. So –’
‘See you around, Percy,’ Nico said.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
How can this be your car? (Nick)
Well, I wrote a really big check that didn’t bounce to the dealer and then the most amazing thing happened…the salesman gave me the keys and let me take it home. It was like magic. (Acheron)
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
If I love you, I will carry for you all your pain, I will assume for you all your debts (in every definition of the word), I will protect you from your own insecurity, I will protect upon you all sorts of good qualities that you have never actually cultivated in yourself and I will buy Christmas presents for your entire family. I will give you the sun and the rain, and if they are not available, I will give you a sun check and a rain check. I will give you all this and more, until I get so exhausted and depleted that the only way I can recover my energy is by becoming infatuated with someone else.
”
”
Elizabeth Gilbert
“
History is important. If you don't know history it is as if you were born yesterday. And if you were born yesterday, anybody up there in a position of power can tell you anything, and you have no way of checking up on it.
”
”
Howard Zinn
“
And Zach was taking his jacket off and draping it around my shoulders, which (according to Liz, who double checked with Macey) is the single-sexiest thing a guy can do.
”
”
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
“
Saruman believes it is only great power that can hold evil in check, but that is not what I have found. It is the small everyday deeds of ordinary folk that keep the darkness at bay. Small acts of kindness and love. Why Bilbo Baggins? Perhaps because I am afraid, and he gives me courage.
”
”
Peter Jackson
“
Another thing I don't want on my tombstone," Shane said.
You have others?" Claire asked.
He held up one finger. "I thought it wasn't loaded," Shane said. Second finger. "Hand me a match so I can check the gas tank." Third finger. "Killed over ice cream. Basically, any death that requires me to be stupid first.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Nerd herd, focus. You're here to help the fledglings. Dour One and Dour Two aren't important," said Aphrodite.
"Dr. Seuss reference. I like it," Stark said, giving me a check-me-out-I've-always-read-books hottie grin.
Aphrodite frowned at him.
"I said focus, not flirt.
”
”
P.C. Cast (Tempted (House of Night, #6))
“
Our purpose on this earth is not one single event, an accomplishment we can check off a list. There is no test. No passing or failing. There's only us, each moment shaping who we are, into what we will become.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
But sometimes my mouth starts saying words without checking with my brain first.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
Check out that one at the end. He's taken the form of a footstool. Weird...but somehow I like his style."
"That is a footstool.
”
”
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
“
I feel like I’m broken—like I don’t fit together anymore. Like there’s no more room for me in the world or something. Like I’ve overstayed my welcome here on Earth, and everyone’s trying to give me hints about that constantly. Like I should just check out.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
There was a pause, then his lips stretched into a smile. "You're right."
Hell froze over. Pigs were flying. "Come again?"
"You're right. I should have checked in at some point. I'm sorry."
The world was flat. I didn't know what to say. According to Daemon, he was right about 99 percent of the time. Wow.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented.
”
”
Stephen King
“
Who, last time I'd checked, was still on our official archenemy list. (Yes, we have to keep a list. It's kind of sad.)
”
”
James Patterson (Angel (Maximum Ride, #7))
“
I was suffering the easily foreseeable consequences. Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never dared to admit you wanted-an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with a hungry obsession of any junkie. When the drug is witheld, you promptly turn sick, crazy, and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but now refuses to pony up the good stuff anymore-- despite the fact that you know he has it hidden somewhere, goddamn it, because he used to give it to you for free). Next stage finds you skinny and shaking in a corner, certain only that you would sell your soul or rob your neighbors just to have 'that thing' even one more time. Meanwhile, the object of your adoration has now become repulsed by you. He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is,you can hardly blame him. I mean, check yourself out. You're a pathetic mess,unrecognizable even to your own eyes. So that's it. You have now reached infatuation's final destination-- the complete and merciless devaluation of self." - pg 20-21
”
”
Elizabeth Gilbert
“
Daemon followed me home after school. Literally. He tailed me in his new Infiniti SUV. My old Camry, with its leaky exhaust and loud muffler, was no match for the speed he wanted to go. I’d brake-checked him several times. He’d blown his horn. It made me feel all warm and fuzzy inside.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Check out the magic crap.” He shot me a look. “Oh, is that what we’re supposed to be doing? Because I’ve just been drawing hearts and our initials in the dirt.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Love is the most amazing feeling in the world. Let me double check. Yep, love is a feeling.
”
”
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
“
Leo took out a pen and autographed the arm of one of the nymphs. “Narcissus is a loser! He’s so weak, he can’t bench-press a Kleenex. He’s so lame, when you look up lame on Wikipedia, it’s got a picture of Narcissus—only the picture’s so ugly, no one ever checks it out.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
The two most beautiful words in the English language are 'check enclosed.
”
”
Dorothy Parker
“
Good. Proud. I am scary space monster. You are leaky space blob.” He points to the breeder tanks. “Check tanks!
”
”
Andy Weir (Project Hail Mary)
“
I love how you still think if you tell me to do something, I'll just check my brain at the door and do it.
”
”
C.J. Redwine (Defiance (Defiance, #1))
“
THE SERUM WEARS off five hours later, when the sun is just beginning to set. Tobias shut me in my room for the rest of the day, checking on me every hour. This time when he comes in, I am sitting on the bed, glaring at the wall. “Thank God,” he says, pressing his forehead to the door. “I was beginning to think it would never wear off and I would have to leave you here to … smell flowers, or whatever you wanted to do while you were on that stuff.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Vee said," I'm trying to read the title he's holding…hang on…How to Be a Stalker."
"He is not checking out a book with that title." But I wasn't so sure.
"It's either that or How to Radiate Sexy Without Trying.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
I'm checking my pockets for spare words and sentences but I'm finding none, not an adverb, not a preposition or even a dangling participle because there doesn't exist a single response to such an outlandish request.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Shane looked down at the staked vamp at his feet. 'Claire?'
'Yes?'
'You staked a vampire with a number two pencil.'
'I didn’t actually check the number.'
'Have I told you lately how freaking awesome you are?'
She tried to smile, but her heart was fluttering in her chest now, and not in a good way. 'Compliments later. We really need to get out of here and get to the car. Any ideas?'
'Find another pencil and I’ll pin this one down, too,' Michael said.
'You know how weird that sounds, right?' Shane said. 'Right, never mind. Number two pencil, coming up. Why do I feel like we’re taking a test?
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
”
”
Stephen Fry
“
I've always tried to make a home for myself, but I have not felt at home in myself. I've worked hard at being the hero of my own life. But every time I checked the register of displaced persons, I was still on it. I didn't know how to belong. Longing? Yes. Belonging? No.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
You see somethin' ya want, baby?"
"Maybe. I'm checking things out. Seeing if I'm interested," I shot back with my own evil grin.
"I see something I want," he drawled as he came toward me.
"You do?"
"Hell yeah, I do," he murmured. "I love chocolate." What? My excitement turned to confusion. His arm reached out beside me and took the piece of chocolate cake I'd brought him.
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
Artemis must be present at the solstice," Zoe said. "She has been the most vocal on the council, arguing for taking action against Kronos's minions. If she is not there, the gods will decide nothing. We will lose another year of war preparations."
Are you sugesting the gods have trouble acting together, young lady?" Dionysis asked.
Yes, Lord Dionysis."
Mr.D nodded. "Just checking. Your right, of course. Carry on.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
My dear Reaper," Vlad said, still laughing. 'Did you just check out our-'
'No!' I interrupted at once, almost lunging toward the staircase. 'I'm tired and still dazed from the Remanats and ... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that.' -oh Jesus I was only making this worse- 'because I am cold already, and I need to get hot. I mean, warmer. Oh just shut up!' " -Pg 280
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
Decebel turned and growled, "One of these days your mouth is going to write a check that your cute little ass can't cash." Decebel thought this would render her speechless but he should have known better.
"Oh, don't worry fur ball, I plan to be writing that check out in your name.
”
”
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
“
Whoa. I’ve never heard him sing, not even in the shower, ever. I frown. He has a lovely voice—of course. Hmm . . . has he heard me sing?
He wouldn’t be asking you to marry him if he had! My subconscious has her arms crossed and is wearing Burberry check . . . jeez.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Roland glares at Connor and Connor glares back. Then he says what he always says at moments like this.
"Nice socks."
Although Roland doesn't look down right away, it derails him just enough for him to back off. He doesn't check to see if his socks match until he thinks Connor isn't looking. And the moment he does, Connor snickers. Small victories are better than none.
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
They pulled apart when Keefe shouted, "YOU GUYS HAVE TO SEE THIS!"
They ran to the main room and found Keefe standing under the skylight, holding up Mr. Snuggles like it was a baby lion about to be made king. The sparkly red dragon twinkled almost as much as Keefe's eyes as he said, "I went in to check on our boy and found him cuddling with THIS!"
"Isn't that the same dragon Fitz brought to your house that one time?" Dex asked Sophie.
"WHAT?" Keefe shouted. "YOU KNEW AND YOU DIDN'T TELL ME?!"
"Mr. Snuggles wasn't my secret to share," Sophie said.
"IT'S NAME IS MR. SNUGGLES?! That is... I can't even..." Keefe ran back to Fitz's room shouting, "ARE YOU MISSING YOUR SNUGGLE BUDDY?!"
"Fitz is going to die of embarrassment, you know that, right?" Biana asked.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Do you still distrust me?”
“No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
”
”
Max Nowaz (The Arbitrator)
“
All I ask is this: Do something. Try something. Speaking out, showing up, writing a letter, a check, a strongly worded e-mail. Pick a cause – there are few unworthy ones. And nudge yourself past the brink of tacit support to action. Once a month, once a year, or just once...Even just learning enough about a subject so you can speak against an opponent eloquently makes you an unusual personage. Start with that. Any one of you would have cried out, would have intervened, had you been in that crowd in Bashiqa. Well thanks to digital technology, you’re all in it now.
”
”
Joss Whedon
“
Peeta's awake already, sitting on the side of the bed, looking bewildered as the trio of doctors reassure him, flash lights in his eyes, checks his pules. I'm disappointed that mine was not the first face he saw when he woke up, but he sees it now. His features registrer disbelief and something more intense that I can't quite place. Desire? Desperation? Surely both, for he sweeps the doctors aside, leaps to his feets and moves towards me. I run to meet him, my arms extended to embrace him. His hands are reaching for mine too, to caress my face, I think.
My lips are forming his name when his fingers lock around my throat.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Yes, we are [friends] and I do like to pass the day with you in serious and inconsequential chatter. I wouldn't mind washing up beside you, dusting beside you, reading the back half of the paper while you read the front. We are friends and I would miss you, do miss you and think of you very often. I don't want to lose this happy space where I have found someone who is smart and easy and doesn't bother to check their diary when we arrange to meet.
”
”
Jeanette Winterson
“
The life of every man is a diary in which he means to write one story, and writes another; and his humblest hour is when he compares the volume as it is with what he vowed to make it.
”
”
J.M. Barrie (The Little Minister)
“
Our lips met hungrily, and his clever artistic hands wrapped around my hips. A sudden buzz from my regular cell phone startled me from the kissing.
"Don't," said Adrian, his eyes ablaze and breathing ragged.
"What if there's a crisis at school?" I asked. "What if Angeline 'accidentally' stole one of the campus buses and drove it into the library?"
"Why would she do that?"
"Are you saying she wouldn't?"
He sighed. "Go check it.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
And now, sis. Transportation for the Hunters, you say? Good timing. I was just about ready to roll."
These demigods will also need a ride," Artemis said, pointing to us. "Some of Chiron's campers."
No problem!" Apollo checked us out. "Let's see... Thalia, right? I've heard all about you.".
Thalia blushed. "Hi, Lord Apollo."
Zues's girl. yes? Makes you my half sister. Used to be a tree didn't you? Glad your back. I hate it when pretty girls get turned into trees. Man, I remeber one time-
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Oh, Jeeves,' I said; 'about that check suit.'
Yes, sir?'
Is it really a frost?'
A trifle too bizarre, sir, in my opinion.'
But lots of fellows have asked me who my tailor is.'
Doubtless in order to avoid him, sir.'
He's supposed to be one of the best men in London.'
I am saying nothing against his moral character, sir.
”
”
P.G. Wodehouse
“
Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.
”
”
David Nicholls (One Day)
“
Rules for Living by Olivia Joules
1. Never panic. Stop, breathe, think.
2. No one is thinking about you. They're thinking about themselves, just like you.
3. Never change haircut or color before an important event.
4. Nothing is either as bad or good as it seems.
5. Do as you would be done by, e.g. thou shalt not kill.
6. It is better to buy one expensive thing that you really like than several cheap ones that you only quite like.
7. Hardly anything matters: if you get upset, ask yourself, "Does it really matter?"
8. The key to success lies in how you pick yourself up from failure.
9. Be honest and kind.
10. Only buy clothes that make you feel like doing a small dance.
11. Trust your instincts, not your overactive imagination.
12. When overwhelmed by disaster, check if it's really a disaster by doing the following: (a) think, "Oh, fuck it," (b) look on the bright side, and if that doesn't work, look on the funny side. If neither of the above works then maybe it is a disaster so turn to items 1 and 4.
13. Don't expect the world to be safe or life to be fair.
”
”
Helen Fielding (Olivia Joules and the Overactive Imagination)
“
When I was a child, all problems had ended with a single word from my father. A smile from him was sunshine, his scowl a bolt of thunder. He was smart, and generous, and honorable without fail. He could exile a trespasser, check my math homework, and fix the leaky bathroom sink, all before dinner. For the longest time, I thought he was invincible. Above the petty problems that plagued normal people.
And now he was gone.
”
”
Rachel Vincent (Alpha (Shifters, #6))
“
Hopefully as you get older, you start to learn how to live with your demon. It’s hard at first. Some people give their demon so much room that there is no space in their head or bed for love. They feed their demon and it gets really strong and then it makes them stay in abusive relationships or starve their beautiful bodies. But sometimes, you get a little older and get a little bored of the demon. Through good therapy and friends and self-love you can practice treating the demon like a hacky, annoying cousin. Maybe a day even comes when you are getting dressed for a fancy event and it whispers, “You aren’t pretty,” and you go, “I know, I know, now let me find my earrings.” Sometimes you say, “Demon, I promise you I will let you remind me of my ugliness, but right now I am having hot sex so I will check in later.
”
”
Amy Poehler (Yes Please)
“
The so-called paradox of freedom is the argument that freedom in the sense of absence of any constraining control must lead to very great restraint, since it makes the bully free to enslave the meek. The idea is, in a slightly different form, and with very different tendency, clearly expressed in Plato.
Less well known is the paradox of tolerance: Unlimited tolerance must lead to the disappearance of tolerance. If we extend unlimited tolerance even to those who are intolerant, if we are not prepared to defend a tolerant society against the onslaught of the intolerant, then the tolerant will be destroyed, and tolerance with them. — In this formulation, I do not imply, for instance, that we should always suppress the utterance of intolerant philosophies; as long as we can counter them by rational argument and keep them in check by public opinion, suppression would certainly be unwise. But we should claim the right to suppress them if necessary even by force; for it may easily turn out that they are not prepared to meet us on the level of rational argument, but begin by denouncing all argument; they may forbid their followers to listen to rational argument, because it is deceptive, and teach them to answer arguments by the use of their fists or pistols. We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant. We should claim that any movement preaching intolerance places itself outside the law, and we should consider incitement to intolerance and persecution as criminal, in the same way as we should consider incitement to murder, or to kidnapping, or to the revival of the slave trade, as criminal.
”
”
Karl Popper (The Open Society and Its Enemies)
“
The truth is that all men having power ought to be mistrusted.
”
”
James Madison
“
The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of Conservatives is to prevent mistakes from being corrected. Even when the revolutionist might himself repent of his revolution, the traditionalist is already defending it as part of his tradition. Thus we have two great types -- the advanced person who rushes us into ruin, and the retrospective person who admires the ruins. He admires them especially by moonlight, not to say moonshine. Each new blunder of the progressive or prig becomes instantly a legend of immemorial antiquity for the snob. This is called the balance, or mutual check, in our Constitution.
”
”
G.K. Chesterton
“
So, let me get this straight-- You want me to stop being a lesbian and being attracted to women because it is a 'sin'? Last time I checked, when you lie you are sinning. Sure, I could tell you I am no longer a lesbian or that I am no longer attracted to women and am straight, or I could even tell you the moon is made of cheese. I could tell you many things, but the moon will still not be made of cheese, and I will still not be attracted to men. I could tell you a lie in order to placate you, but isn’t the truth supposed to set me free? I choose truth over lies any day of the week.
”
”
Kent Marrero
“
Do you know what the worst thing about being a parent is? That you're always judged by your worst moments. You can do a million things right, but if you do one single thing wrong you're forever that parent who was checking his phone in the park when your child was hit in the head by a swing. We don't take our eyes off them for days at a time, but then you read just one text message and it's as if all your best moments never happened. No one goes to see a psychologist to talk about all the times they weren't hit in the head by a swing as a child. Parents are defined by their mistakes.
”
”
Fredrik Backman (Anxious People)
“
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. [...] Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. Thus X will never compose the immortal music that would clash with the second-rate symphonies he has accustomed us to. Y will never commit murder. Under no circumstances can Z ever betray us. We have it all arranged in our minds, and the less often we see a particular person, the more satisfying it is to check how obediently he conforms to our notion of him every time we hear of him. Any deviation in the fates we have ordained would strike us as not only anomalous but unethical. We could prefer not to have known at all our neighbor, the retired hot-dog stand operator, if it turns out he has just produced the greatest book of poetry his age has seen.
”
”
Vladimir Nabokov (Lolita)
“
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
Humans weren’t dumb enough to not be aware that the system they lived in was broken. They just had no idea that it was intentionally created to be broken for a reason—control. Humans constantly tried to fix their broken system by approaching each compartmentalized section separately, not knowing that each section was weaved together in a matrix that kept the others stable, a highly efficient checks and balances system. A human could take initiative and argue about an issue their whole life, barking in people’s faces till their face turned blue, thinking they were making a difference in the world. None of the issues could be fixed by tackling each one separately, because it was only a matter of time before the great design’s checks and balances would revert the solved issue back to its intended broken state, erasing the person’s lifelong hard work overnight.
”
”
Jasun Ether (The Beasts of Success)
“
I nodded. “I’m sorry I let you down.”
“No, no, dear,” she said, turning forward. “I see potential in you. I worked in a factory when I was your age. I was dirty and hungry, and sometimes I was angry. But I had an undying crush on the prince of Illéa, and when I got the chance to make him my own, I learned to check those feelings. There’s a lot to be done from here, but it might not happen the way you want it to. You need to learn to accept that, okay?”
“Yes, Mom,” I joked.
She looked back at me, her face like stone.
“I mean, ma’am. Ma’am.”
Her eyes started glistening, and she blinked a few times, turning forward again. “If it ends as I suspect it will, Mom will be just fine.
”
”
Kiera Cass (The One (The Selection, #3))
“
If you knew your potential to feel good, you would ask no one to be different so that you can feel good. You would free yourself of all of that cumbersome impossibility of needing to control the world, or control your mate, or control your child. You are the only one who creates your reality. For no one else can think for you, no one else can do it. It is only you, every bit of it you.
”
”
Esther Hicks
“
In thinking of America, I sometimes find myself admiring her bright blue sky — her grand old woods — her fertile fields — her beautiful rivers — her mighty lakes, and star-crowned mountains. But my rapture is soon checked, my joy is soon turned to mourning. When I remember that all is cursed with the infernal actions of slaveholding, robbery and wrong, — when I remember that with the waters of her noblest rivers, the tears of my brethren are borne to the ocean, disregarded and forgotten, and that her most fertile fields drink daily of the warm blood of my outraged sisters, I am filled with unutterable loathing.
”
”
Frederick Douglass (Frederick Douglass: Selected Speeches and Writings)
“
To be GOVERNED is to be watched, inspected, spied upon, directed, law-driven, numbered, regulated, enrolled, indoctrinated, preached at, controlled, checked, estimated, valued, censured, commanded, by creatures who have neither the right nor the wisdom nor the virtue to do so. To be GOVERNED is to be at every operation, at every transaction noted, registered, counted, taxed, stamped, measured, numbered, assessed, licensed, authorized, admonished, prevented, forbidden, reformed, corrected, punished. It is, under pretext of public utility, and in the name of the general interest, to be placed under contribution, drilled, fleeced, exploited, monopolized, extorted from, squeezed, hoaxed, robbed; then, at the slightest resistance, the first word of complaint, to be repressed, fined, vilified, harassed, hunted down, abused, clubbed, disarmed, bound, choked, imprisoned, judged, condemned, shot, deported, sacrificed, sold, betrayed; and to crown all, mocked, ridiculed, derided, outraged, dishonored. That is government; that is its justice; that is its morality.
”
”
Pierre-Joseph Proudhon (The General Idea of the Revolution in the Nineteenth Century)
“
Every last minute of my life has been preordained and I'm sick and tired of it.
How this feels is I'm just another task in God's daily planner: the Italian Renaissance penciled in for right after the Dark Ages.
...
The Information Age is scheduled immediately after the Industrial Revolution. Then the Postmodern Era, then the Four Horsemen of the Apocalypse. Famine. Check. Pestilence. Check. War. Check. Death. Check. And between the big events, the earthquakes and the tidal waves, God's got me squeezed in for a cameo appearance. Then maybe in thirty years, or maybe next year, God's daily planner has me finished.
”
”
Chuck Palahniuk (Survivor)
“
Bending his head, Kai pressed his lips to her knuckles. The plating had no nerve endings, and yet the touch sent a tingle of electricity along her arm.
“Cinder?”
“Mm?”
He lifted his gaze. “Just to be clear, you’re not using your mind powers on me right now, are you?”
She blinked. “Of course not.”
“Just checking.”
Then he slid his arms around her waist and kissed her.
Cinder gasped, pressing her palms against his chest. Kai pulled her closer.
Seconds later, her brain began registering all the new chemicals flooding her system. INCREASED LEVELS OF DOPAMINE AND ENDORPHINS, REDUCED AMOUNTS OF CORTISOL, ERRATIC PULSE, RISING BLOOD PRESSURE …
Leaning into him, Cinder sent the messages away. Her hands tentatively made their way to his shoulders, before stringing around his neck.
”
”
Marissa Meyer
“
In the name of the best within you, do not sacrifice this world to those who are at its worst. In the name of the values that keep you alive, do not let your vision of people be distorted by the ugly, the cowardly, the mindless in those who have never achieved integrity. Do not lose your knowledge that our proper estate is an upright posture,
an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it's yours.
”
”
Ayn Rand
“
…. ‘George said he needed a break. And there was something about Jonathan taking over …’ ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’ ‘Women! What women? Jonathan’s not like that …’ ‘Not like that huh! He’s flesh and blood like the rest of us.’ ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …
”
”
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
“
Nix to Declan:
Begin transcript—
Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck.
This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me!
Now, down to business—
Squirrel!
Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute!
Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. …
Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie?
That’s right. The Enemy of Old can be very useful to you. So use him already.
P.S. Your middle name’s about to be spelled r-e-g-r-e-t.
And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. …
[Muffled] Who’s mummy’s wittle echolocator? That’s right—you are!
—End transcript
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
”
”
Billy Collins (Picnic, Lightning)
“
Another night then,' Mom said. 'Maybe on the weekend we can have a barbecue and invite your sister.'
'Or,' I said turning to Rafe, 'if you want to skip the whole awkward meet-the-family social event you could just submit your life story including your view on politics religion and every social issue imaginable along with anything else you think they might need to conduct a thorough background check.'
Mom sighed. 'I really don't know why we even bother trying to be subtle around you.'
'Neither do I. It's not like he isn't going to realize he's being vetted as daughter-dating material.'
Rafe grinned. 'So we are dating.'
'No. You have to pass the parental exam first. It'll take you awhile to compile the data. They'd like it in triplicate.' I turned to my parents. 'We have Kenjii. We have my cell phone. Since we aren't yet officially dating I'm sure you'll agree that's all the protection we need.'
Dad choked on his coffee.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.
Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”
“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”
“I’m not afraid of London,” Cecily said defiantly.
Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*
She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”
Will blinked at her words.
You are my brother, and I want to go with you.
It was the sort of thing he was used to hearing Jem say.
Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.
“Do you even care where I’m going?” he said. “What if I were going to hell?”
“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”
“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”
“Wouldn’t you stop them?”
“I suppose it would depend on whether they cut me a part of the profit.”
She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”
“How do you know the drugs are for Jem?” Will said.
“I’m not an idiot, Will.”
“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”
“So what am I?” Cecily said.
Will exhaled, too desperate to check himself. “You are my weakness.”
“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”
“Oh,” said Will, “and what do you want?”
“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.
“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”
“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”
Will fought the urge to shake her.
“Are you ready?”
She nodded, and he raised his hand to knock on the door.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Close your eyes, Maxon."
"What?"
"Close your eyes.
Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—"
"Stop it!"
"Sorry."
"Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?"
"Maxon, I..."
"Tell me the truth."
"Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate."
"A boy? How old?"
"Nine."
"Have you ever been like that? Starving?...How bad?"
"Maxon, it will only upset you more."
"Probably, but I'm only starting to realize how much I don't know about my own country. Please."
"We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon."
"Good God. When you said that you were only here for the food, you weren't kidding, were you?"
"Really, Maxon, we've been doing pretty well lately. I—"
"I'll see you at dinner.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Moreover, I have boundary issues with men. Or maybe that’s not fair to say. To have issues with boundaries, one must have boundaries in the first place, right? But I disappear into
the person I love. I am the permeable membrane. If I love you, you can have everything. You can have my time, my devotion, my ass, my money, my family, my dog, my dog’s money, my
dog’s time—everything. If I love you, I will carry for you all your pain, I will assume for you all your debts (in every definition of the word), I will protect you from your own insecurity, I will project upon you all sorts of good qualities that you have never actually cultivated in yourself and I will buy Christmas presents for your entire family. I will give you the sun and the rain, and if they are not available, I will give you a sun check and a rain check. I will give you all this and more, until I get so exhausted and depleted that the only way I can recover my energy is by becoming infatuated with someone else.
I do not relay these facts about myself with pride, but this is how it’s always been.
Some time after I’d left my husband, I was at a party and a guy I barely knew said to me, “You know, you seem like a completely different person, now that you’re with this new boyfriend. You used to look like your husband, but now you look like David. You even dress like
him and talk like him. You know how some people look like their dogs? I think maybe you always look like your men.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her.
Gggrrrr rawf arrrgggrrrrarrrr," I said.
Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me.
I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better.
Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them."
Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?"
Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off."
The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon."
I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?"
Lea narrowed her eyes. Then she said, "You're bluffing."
One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me."
The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?"
He didn't," Mouse said. "I won him.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
The point is, the brain talks to itself, and by talking to itself changes its perceptions. To make a new version of the not-entirely-false model, imagine the first interpreter as a foreign correspondent, reporting from the world. The world in this case means everything out- or inside our bodies, including serotonin levels in the brain. The second interpreter is a news analyst, who writes op-ed pieces. They read each other's work. One needs data, the other needs an overview; they influence each other. They get dialogues going.
INTERPRETER ONE: Pain in the left foot, back of heel.
INTERPRETER TWO: I believe that's because the shoe is too tight.
INTERPRETER ONE: Checked that. Took off the shoe. Foot still hurts.
INTERPRETER TWO: Did you look at it?
INTERPRETER ONE: Looking. It's red.
INTERPRETER TWO: No blood?
INTERPRETER ONE: Nope.
INTERPRETER TWO: Forget about it.
INTERPRETER ONE: Okay.
Mental illness seems to be a communication problem between interpreters one and two.
An exemplary piece of confusion.
INTERPRETER ONE: There's a tiger in the corner.
INTERPRETER TWO: No, that's not a tiger- that's a bureau.
INTERPRETER ONE: It's a tiger, it's a tiger!
INTERPRETER TWO: Don't be ridiculous. Let's go look at it.
Then all the dendrites and neurons and serotonin levels and interpreters collect themselves and trot over to the corner.
If you are not crazy, the second interpreter's assertion, that this is a bureau, will be acceptable to the first interpreter. If you are crazy, the first interpreter's viewpoint, the tiger theory, will prevail.
The trouble here is that the first interpreter actually sees a tiger. The messages sent between neurons are incorrect somehow. The chemicals triggered are the wrong chemicals, or the impulses are going to the wrong connections. Apparently, this happens often, but the second interpreter jumps in to straighten things out.
”
”
Susanna Kaysen (Girl, Interrupted)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
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Bob Dylan (Chronicles, Volume One)
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How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent.
In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes.
You do not read a book for the book's sake, but for your own.
You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind.
You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life.
You may read because you did go to college.
You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too.
You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people.
Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise.
Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight.
Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it.
Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
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Earl Nightingale