Chatting With Someone Quotes

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In Ireland, you go to someone's house, and she asks you if you want a cup of tea. You say no, thank you, you're really just fine. She asks if you're sure. You say of course you're sure, really, you don't need a thing. Except they pronounce it ting. You don't need a ting. Well, she says then, I was going to get myself some anyway, so it would be no trouble. Ah, you say, well, if you were going to get yourself some, I wouldn't mind a spot of tea, at that, so long as it's no trouble and I can give you a hand in the kitchen. Then you go through the whole thing all over again until you both end up in the kitchen drinking tea and chatting. In America, someone asks you if you want a cup of tea, you say no, and then you don't get any damned tea. I liked the Irish way better.
C.E. Murphy (Urban Shaman (Walker Papers, #1))
In the West we have a tendency to be profit-oriented, where everything is measured according to the results and we get caught up in being more and more active to generate results. In the East -- especially in India -- I find that people are more content to just be, to just sit around under a banyan tree for half a day chatting to each other. We Westerners would probably call that wasting time. But there is value to it. Being with someone, listening wihtout a clock and without anticipation of results, teaches us about love. The success of love is in the loving -- it is not in the result of loving. These words, taken from the book A Simple Path, are the words of one of the Missionaries of Charity Sisters, not of Mother Teresa.
Mother Teresa
At the end of the day, I just want to sit with someone I love and chat about what matters and even what doesn’t.
Crystal Woods (Write like no one is reading 2)
There’s a temptation in our networked age to think that ideas can be developed by email and iChat. That’s crazy. Creativity comes from spontaneous meetings, from random discussions. You run into someone, you ask what they’re doing, you say ‘wow,’ and soon you’re cooking up all sorts of ideas.
Steve Jobs
How much longer do you think you'll be able to keep doing this?" "Keep doing what?" "Chatting someone up for a week, fucking her, and moving on the the next. How much longer?" "Until my dick stops working.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
But—let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living room—has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steak—and it's gone. And there's the family cat, in the corner, sedately washing it's face." "The cat got the steak," Barney said. "Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
Philip K. Dick (The Three Stigmata of Palmer Eldritch)
Because they’re so attuned to feelings, internalizers are extremely sensitive to the quality of emotional intimacy in their relationships. Their entire personality longs for emotional spontaneity and intimacy, and they can’t be satisfied with less. Therefore, when they’re raised by immature and emotionally phobic parents, they feel painfully lonely. If there’s anything internalizers have in common, it’s their need to share their inner experience. As children, their need for genuine emotional connection is the central fact of their existence. Nothing hurts their spirit more than being around someone who won’t engage with them emotionally. A blank face kills something in them. They read people closely, looking for signs that they’ve made a connection. This isn’t a social urge, like wanting people to chat with; it’s a powerful hunger to connect heart to heart with a like-minded person who can understand them. They find nothing more exhilarating than clicking with someone who gets them. When they can’t make that kind of connection, they feel emotional loneliness. From
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
I always feel myself being thrust back into loneliness when someone tells me it's cold on a hot day. It isn't good to talk so much about the weather — weather is a highly personal matter, and communication on the subject inevitably fails.
Yōko Tawada (Memoirs of a Polar Bear)
She had that thing most people don't have - curiosity. She might not have always got the right answers, but she wanted to ask the questions. It's very hard if you are interested in ideas and all that, ideas and the philosophies of the past, it's very hard to find someone around here to really talk to. That's the tragedy of the thing really I mean, when you think about it. Certainly I can't find anyone around here to talk to anymore. And for a woman it's even harder you see. They can feel very trapped - because of the patriarchy. I do feel everyone needs to have these little chats now and then.
Zadie Smith (NW)
Why can someone get so sick that the only way to get better is to make them more sick? It’s like the world’s longest exorcism. It doesn’t make sense that I can chat with someone live on a tiny screen, that governments spend billions of dollars on war and mayhem, that actors make millions of dollars to just look pretty and skinny, yet no one can fucking fi gure out how to cure cancer without torturing people.
Julie Halpern (The F-It List)
Sure. I'll make small talk. Chit chat. Discuss the ins and outs of a "typical" day. Pass the time lightly. Say tiny things. I'm happy to tread surfaces with a smile, and will. Sometimes. Yet- when I look at you, I know there are layers. Dimensions. Collections of ancient wisdom. Roads. Stories on stories on stories. Core needs. There is humanness. This is where I light up. This is where I thrive. You can't be caged in a pool for long. Not when you're someone who wants oceans.
Victoria Erickson
Crenshaw and I didn’t chat much during those weeks on the road. There was always someone around to interrupt us. But that was okay. I knew he was there and that was enough. Sometimes that’s all you really need from a friend.
Katherine Applegate (Crenshaw)
I really just want someone to come over and brush my hair or let me cry in their lap while they pet my head and tell me I'll be okay." And I cried harder because I felt so ashamed to want that from a friend—from someone who was not a romantic partner or a parent⁠—because I didn't have either right now but I still wanted it. We section off physical comfort and intimacy so heavily. We reserve it for partners only, and platonic friends can only chit-chat and that's it. How can you tell people to be okay with being single while also telling them they can only get the basic human needs of physical touch from not being single?
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
The following day the editor presided over a sudued meeting with his senior staff. Tony Montano sat to one side, a silent observer. "It's time we ran more regular columns. They're cheap, and everyone else is doing them. You know, we hire someone of low to medium intelligence, possibly female, to write about, well, nothing much. You've seen that sort of thing. Goes to a party and can't remember anyone's name. Twelve hundred words." "Sort of naval gazing," Jeremy Ball suggested. "Not quite. Gazing is too intellectual. More like naval chat.
Ian McEwan (Amsterdam)
It is a way now, approximately, of being at home. The forum has become one of the most consistent places of her life, like a familiar cafe that exists someone outside geography and beyond time zones. There are perhaps twenty regular posters on F:F:F:, and some muchlarger and uncounted number of lurkers. And right now there are three people in Chat. But there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people at a distance of about fifteen feet. the hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counmter-purposes, deter her.
William Gibson (Pattern Recognition (Blue Ant, #1))
Was it possible to fall for someone you’d met only once and communicated with only through phone, chat, and text? I had sleepless nights wondering, and every time I thought about it, the answer was yes, yes, yes! And I refused to think of it as infatuation.
Claire Betita de Guzman (Girl Meets World)
J’ai réfléchi, je ne me fais pas d’illusions, je t’aime mais je n’ai pas confiance en toi. Puisque ce que nous vivons n’est pas réel, alors c’est un jeu. Je n’ai plus l’âge de jouer à chat. Ne cherche pas à m’appeler, ni à savoir où je suis, ni comment je vis, je crois que ce n’est plus le problème. J’ai réfléchi, je pense que c’est la meilleure solution, faire comme toi, vivre de mon côté en t’aimant bien mais de loin. Je ne veux pas attendre tes coups de téléphone, je ne veux pas m’empêcher de tomber amoureuse. J’ai réfléchi, je veux bien essayer. C’est à prendre ou à laisser…
Anna Gavalda (Someone I Loved (Je l'aimais))
We've been chatting about our men and wedding stuff. Terah says, "God, sometimes I look at Jon and think 'how the Hell did I manage to get you?' We're so lucky." Mom adds, "They are very handsome." Terah and I scoff. Shaking my head, I say, "Handsome is something. And Nox is handsome most times. But, by God, he is hot. Hotter than Hell, Mom. I never thought I could love someone so much. I can hardly keep my hands off him." Mom chastises on a gasp, "Lily! That's inappropriate! You're a lady and ladies do not speak that way." Terah chuckles, "Screw being a lady. I love my special cuddle time with Jon." Mom covers her ears, but barks out an embarrassed laugh, "I cannot hear this! You girls can clean the rest up while I powder my nose." Terah and I chuckle, watching her leave.
Belle Aurora (Willing Captive)
Although I notice there is never a truly good time to have a nice long chat with one´s mother-in-law, unless you are having an extraordinary life and marriage and your mother-in-law is, say, Maureen Dowd, or Indira Gandhi. Someone of that ilk.
Suzanne Finnamore (Split: A Memoir of Divorce)
A qui écris-tu? -A toi. En fait, je ne t'écris pas vraiment, j'écris ce que j'ai envie de faire avec toi... Il y avait des feuilles partout. Autour d'elle, à ses pieds, sur le lit. J'en ai pris une au hasard: "...Pique-niquer, faire la sieste au bord d'une rivière, manger des pêches, des crevettes, des croissants, du riz gluant, nager, danser, m'acheter des chaussures, de la lingerie, du parfum, lire le journal, lécher les vitrines, prendre le métro, surveiller l'heure, te pousser quand tu prends toute la place, étendre le linge, aller à l'Opéra, faire des barbecues, râler parce que tu as oublié le charbon, me laver les dents en même temps que toi, t'acheter des caleçons, tondre la pelouse, lire le journal par-dessus ton épaule, t'empêcher de manger trop de cacahuètes, visiter les caves de la Loire, et celles de la Hunter Valley, faire l'idiote, jacasser, cueillir des mûres, cuisiner, jardiner, te réveiller encore parce que tu ronfles, aller au zoo, aux puces, à Paris, à Londres, te chanter des chansons, arrêter de fumer, te demander de me couper les ongles, acheter de la vaisselle, des bêtises, des choses qui ne servent à rien, manger des glaces, regarder les gens, te battre aux échecs, écouter du jazz, du reggae, danser le mambo et le cha-cha-cha, m'ennuyer, faire des caprices, bouder, rire, t'entortiller autour de mon petit doigt, chercher une maison avec vue sur les vaches, remplir d'indécents Caddie, repeindre un plafond, coudre des rideaux, rester des heures à table à discuter avec des gens intéressants, te tenir par la barbichette, te couper les cheveux, enlever les mauvaises herbes, laver la voiture, voir la mer, t'appeler encore, te dire des mots crus, apprendre à tricoter, te tricoter une écharpe, défaire cette horreur, recueillir des chats, des chiens, des perroquets, des éléphants, louer des bicyclettes, ne pas s'en servir, rester dans un hamac, boire des margaritas à l'ombre, tricher, apprendre à me servir d'un fer à repasser, jeter le fer à repasser par la fenêtre, chanter sous la pluie, fuire les touristes, m'enivrer, te dire toute la vérité, me souvenir que toute vérité n'est pas bonne à dire, t'écouter, te donner la main, récupérer mon fer à repasser, écouter les paroles des chansons, mettre le réveil, oublier nos valises, m'arrêter de courir, descendre les poubelles, te demander si tu m'aimes toujours, discuter avec la voisine, te raconter mon enfance, faire des mouillettes, des étiquettes pour les pots de confiture..." Et ça continuais comme ça pendant des pages et des pages...
Anna Gavalda (Someone I Loved (Je l'aimais))
Chatting with someone who has no life experience is like consulting a dentist. You know the answers will be painful but you have to ask.
Neil A. Hogan
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.
Édouard Levé (Suicide)
Adronitis n. frustration with how long it takes to get to know someone—spending the first few weeks chatting in their psychological entryway, with each subsequent conversation like entering a different anteroom, each a little closer to the center of the house—wishing instead that you could start there and work your way out, exchanging your deepest secrets first, before easing into casualness, until you’ve built up enough mystery over the years to ask them where they’re from, and what they do for a living.
John Koenig (The Dictionary of Obscure Sorrows)
The fact is, I can’t put together the sort of feelings that I get when I’m having a dirty big wank together with the kind of feelings I get when I’m having a nice friendly chat with someone. It just doesn’t work.
Melvin Burgess (Doing It)
Aloneness – that is what SM feels like to me. Isolated, alone, separated, left out as I silently stand by watching others experience life while the words freeze inside me, afraid to speak up or join in a conversation. Actually feeling the anxiety shaking inside my chest as I try to get up the courage to speak to someone or call or text a friend. SM feels like the child standing alone behind the door watching the other kids in the playground – afraid to ask, 'may I play?' It feels like the teenager standing silently against the wall, listening to classmates laugh and chat, invisible to everyone and wondering what it would be like to have a friend. It feels like the 50-year-old office worker, alone in her cube while others chat and laugh in the aisle, still left out. I live inside a shell, a mask that looks like me, but isn't me. I am in here, but it is really hard to let others see. I'm so grateful for the few dear friends I have now. Most people, though, only see the shell and assume I'm aloof and uncaring because I am quiet. I feel very deeply. I feel others' joy and pain intensely, yet they rarely know. I'm not quiet because I am uncaring. I'm silent because I'm afraid.
Carl Sutton (Selective Mutism In Our Own Words: Experiences in Childhood and Adulthood)
What do you want?" Jake asked. "Nothing. Can't I sit down for a chat with someone I once shared an egg with?" "Trevor, you never chat with me. You mock me, you torment me, and sometimes you even say something profound. But you never chat. So spit it out and put me out of my misery.
Kat Attalla (Homeward Bound)
Even after four thousand years, I could still learn important life lessons. For instance: never go shopping with a satyr. Finding the store took forever, because Grover kept getting sidetracked. He stopped to chat with a yucca. He gave directions to a family of ground squirrels. He smelled smoke and led us on a chase across the desert until he found a burning cigarette someone had dropped onto the road. "This is how fires start," he said, then responsibly disposed of the cigarette butt by eating it. I didn't see anything within a mile radius that could have caught fire. I was reasonably sure rocks and soil were not flammable, but I never argue with people who eat cigarettes.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Writing is my form of communication. I may not call someone on the telephone; I cannot stand to talk on the phone. I may not visit, make play dates, or organize nights out with friends, but I will, if they are willing—write. I will write messages, emails, and chat online—it is the easiest, most honest way for me to communicate with the world.
Jeannie Davide-Rivera (Twirling Naked in the Streets and No One Noticed: Growing Up With Undiagnosed Autism)
While it’s fun to be near someone interesting for occasional chats, being stuck next to a person who will not stop talking for nine hours is my idea of hell.
Scott Berkun (Confessions of a Public Speaker)
What’s with the phrase “Chatty Cathy”? You’d think you wouldn’t want to abbreviate the derogatory term for someone long-winded. Chatty Catherine sounds more appropriate.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
He usually smoked a cigarette and sat down and introduced himself to someone and chatted—in the sweetest, calmest, most amiable way, poised, adult, and wise.
Andrew Holleran (Dancer from the Dance)
Tied to the physical, deaf to the eternal, riveted by my own shortcomings, I was thinking only of what a bad choice I'd made when choosing a partner for a chat. This guy was faking timidity to lure someone over. If I said victim, he was likely to start gnawing my neck. If I said vampire, he would demand proof. I hadn't the fangs enough to back that pretension.
Christine Wicker (Not in Kansas Anymore)
All Yadi’s years in therapy had taught her to probe gently. She was also someone good with computers, who reluctantly agreed to make Flor a graphic she could forward in the family group chat.
Elizabeth Acevedo (Family Lore)
Phones were originally seen as providing services—weather reports, stock market news, fire alarms, musical entertainment, even lullabies to soothe restless babies. Nobody saw them as being used primarily for gossip, social intercourse, or keeping in touch with friends and family. The idea that you would chat by phone to someone you saw regularly anyway would have struck most people as absurd.
Bill Bryson (At Home: A Short History of Private Life)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Sometimes, when I have a nice interaction with someone, I hope I never see them again. Occasionally, I have a nice chat with a cashier, for example. I leave the store thinking, I hope I never see them again. I avoid their register if I do. Sometimes, when I visit extended family, like my mom's cousins, or a great aunt, I think it's a shame they saw me now at my age. I think it might have been better for them to have last seen me as a kid. I think seeing me now might ruin the memory of when I was little. I often stop texting people I'm seeing after having a nice time with them. I wish I could have one nice interaction with everyone and then disappear.
Emily R. Austin (Interesting Facts about Space)
And she does see. She wishes she could have that space too, where she could chat with someone about Jinlong as though he were waiting for her to come home with some bread, or some tiny gossip she’d picked up at the market.
Jesse Q. Sutanto (Vera Wong's Unsolicited Advice for Murderers (Vera Wong, #1))
If publishers are here, I've got a feeling they will agree with whatever I say because the publishing houses are packed full of people who love literature and whose hearts are being broken all the time by what happens, by the reign of the accountants. There is a phenomenon which I call the Educated Barbarian. This is someone who could have been in school or university for many years, could have won prizes by the score, and at the end has read nothing, knows no history, and above all is totally incurious. Quite a large number of my young friends are like this. They're all utterly delightful. We have a wonderful time together. We gossip, we go shopping. We chat about our friends, but at the slightest mention of anything literary their eyes glaze over. Looking back at my misspent youth, I can remember people who were not particularly literary. They were not even very educated, but they would take for granted that they should have read War and Peace. They did not say, "Oh this is so difficult. Oh this is too long and I don't understand the long words." They just read it. That's what people were like then.
Doris Lessing
Oh, pfft. I manage. With any paper one sticks under their nose and plenty of self-possession, one can get through, Especially a woman. Sometimes I take an armload of parcels and bags and drop every single one as I try to find my identity cards, chatting all the while, and they wave me through out of sheer irritation.' Lili exhaled a long steam of smoke. 'To tell the truth, much of this special work we do is quite boring. I think that's why women are good as it. Our lives are already boring. We jump an Uncle Edward's offer because we can't stand the thought of working in a file room anymore, or teaching a class full of runny-nosed children their letters. Then we discover this job is deadly dull as well, but at least there's the enlivening thought that someone might put a Luger to the back of our necks. It's still better than shooting ourselves, which we know we're going to do if we have to type one more letter or pound one more Latin verb into a child's ivory skull.
Kate Quinn (The Alice Network)
Wow...Just, wow...” She shakes her head. “How much longer do you think you’ll be able to keep doing this?” “Keep doing what?” “Chatting someone up for a week, f**king her, and moving on to the next. How much longer?” “Until my dick stops working.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
For someone dead set on remainin’ a bachelor, you sure do know a lot about this kinda stuff.” I laugh, pushing through the renewed burst of fear his words settled on me at the thought of sitting down for a chat with Tate. Clay chuckles. “Blame the Hallmark Channel.” My
Harper Sloan (Kiss My Boots (Coming Home, #2))
I let the divine being leave first and gave him a few minutes to do whatever it was he needed to do to get back to Heaven. It seemed polite, though I’d only made that rule up in my head. When I stepped out of the shack, Quentin was there by the roadside, waiting for me. “Have a nice chat?” I knew his peevish tone was his usual allergic reaction to Erlang Shen, but for some reason I didn’t field it well today. “Yeah, we really connected on an emotional level,” I snapped. “I promised to turn into a stick for him.” That was perhaps the weirdest, most hyper-targeted dig I’d ever leveled at someone, but boy did it work. Quentin looked like I’d broken him in half and left him on the curb for pickup. He was completely silent the entire trip back to civilization. He didn’t call or text me that night either
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
sometimes i call someone up from my past just to make me feel something. to remind myself that someone stepped out of my life because he didn’t find it exciting here anymore and it’s a great thing to do if you ever want to feel something. if you get bored of emotional stability. call someone up from your past and just talk a bit. chat about his new life with new exciting people, let him hang up without asking a question of you and then look at the lonely water glass on your table and remember that you’re hungry and that it’s 3 a.m. and you’re still up alone.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
There’s a temptation in our networked age to think that ideas can be developed by email and iChat,” he said. “That’s crazy. Creativity comes from spontaneous meetings, from random discussions. You run into someone, you ask what they’re doing, you say ‘Wow,’ and soon you’re cooking up all sorts of ideas.
Walter Isaacson (Steve Jobs)
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
Dan Needles (True Confessions from the Ninth Concession)
The sky above the port was the color of television, tuned to a dead channel. "It's not like I'm using," Case heard someone say, as he shouldered his way through the crowd around the door of the Chat. "It's like my body's developed this massive drug defi- ciency." It was a Sprawl voice and a Sprawl joke.
William Gibson
"Someone called him. Someone who seems to have set the whole things up, someone who knew me, my name." I looked at Liam. "Who is it?" He choked on a laugh. "Seriously? I just died. Your boyfriend there killed me. You really expect me to stick around and chat? Love to, but I'm a little traumatized right now. Maybe later."
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
When engaging in simple everyday banter and communications, this rule of thumb can really help suppress a lot of our negative word ‘vomit’ since we often mindlessly chat about the things we don’t like. If we refrain from expressing our negative opinions about things unless they’re directly asked for, we can train ourselves to respond rather than react the second we see or hear something and then feel we must verbalize our views about it. Remember, even if we don’t agree with someone or something, we can still speak about the subject at hand in a positive light to encourage growth rather than guilty motivation. I like to say I express more “inspirations” than “opinions” with each passing day.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
We chatted for some moments, and Janet joined us, and it was not until some minutes later that I became aware of someone hating me. It is one of those odd but unmistakable sensations one experiences Sometimes on buses or at private dinners, and I looked across the table to observe a young cleric whom I had never seen before regarding me with honest hostility.
Margery Allingham (The Case of the Late Pig (Albert Campion Mystery, #8))
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
E.R. Braithwaite (To Sir, With Love)
To connect with someone on Qatar Airways, you can reach their customer service by calling their helpline at +1-(855)-526-0470 or via their official website, where you can use the live chat option or submit an online request+1-(855)-526-0470. Alternatively, you can connect with them on social media platforms like Twitter or Facebook +1-(855)-526-0470 for quicker assistance.
【#Human^Support】How do I connect with someone on Qatar Airways?
Once, while at a party in London, the editor of the literary reviews page of a major newspaper struck up a conversation with me, and we chatted pleasantly until he asked what I did for a living. “I write comics,” I said; and I watched the editor’s interest instantly drain away, as if he suddenly realized he was speaking to someone beneath his nose. Just to be polite, he followed up by inquiring, “Oh, yes? Which comics have you written?” So I mentioned a few titles, which he nodded at perfunctorily; and I concluded, “I also did this thing called Sandman.” At that point he became excited and said, “Hang on, I know who you are. You’re Neil Gaiman!” I admitted that I was. “My God, man, you don’t write comics,” he said. “You write graphic novels!” He meant it as a compliment, I suppose. But all of a sudden I felt like someone who’d been informed that she wasn’t actually a hooker; that in fact she was a lady of the evening. This editor had obviously heard positive things about Sandman; but he was so stuck on the idea that comics are juvenile he couldn’t deal with something good being done as a comic book. He needed to put Sandman in a box to make it respectable.
Hy Bender (The Sandman Companion)
If you were waiting around for a miracle to happen, stop waiting and take action. Leave the house and go for a walk. Smile at someone you pass on the street. Chat with the people behind the counters at the local shops. Invite opportunities for connection. Because miracles were really about humans interacting with humans; at least, many of them were. Some miracles were about humans interacting with members of other species.
Holly Chamberlin (Summer Roommates (A Yorktide, Maine Novel Book 1))
I’m thinking about getting a computer so I can have cybersex,” Grandma said. “Anybody know how that works?” “You go into a chat room,” Valerie said. “And you meet someone. And then you type dirty suggestions to each other.” “That sounds like fun,” Grandma said. “How does the sex part happen?” “You sort of have to do the sex part yourself.” “I knew it was too good to be true,” Grandma said. “There’s always a catch to everything.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
Sherry Turkle describes the way texting and online chatting have threatened true friendship because they allow us to plan and curate the versions of ourselves that we bring to our discussions. When we’re removed from facial expressions, body language, and tone of voice, and when we have time to consider and edit our replies, we don’t face the risk that face-to-face conversation naturally brings. So we don’t risk being known as someone less than perfect.
Justin Whitmel Earley (The Common Rule: Habits of Purpose for an Age of Distraction)
Another way to think about metamessages is that they frame a conversation, much as a picture frame provides a context for the images in the picture. Metamessages let you know how to interpret what someone is saying by identifying the activity that is going on: Is this an argument or a chat? Is it helping, advising, or scolding? At the same time, they let you know what position the speaker is assuming in the activity, and what position you are being assigned.
Deborah Tannen (You Just Don't Understand)
While I was contemplating what to do, Storm’s voice came from behind me. “Sun, could you come and chat with me for a while ?” “Brother Storm, would you like to talk about the God of Light’s benevolence or the God of Light’s devotion ?” Of course I would ! I was actually trying to find someone, anyone, to talk to so that I could pass some time not waving, so that my subsequent waving speed could be increased slightly. However, I never thought that Storm would actually initiate a conversation with me. But Storm initiating a conversation with me is a strange thing ; he always says that talking to me for one minute is about as exhausting as winking one hundred times. We only need to talk for ten minutes for him to have an especially good night’s sleep that night, because he would be way too tired. “We don’t need to look for a topic, its fine to just talk about anything ; I just want to pretend to be talking.” After Storm’s hurried explanation, he saw my doubtful expression and added, “You know, there are hundreds of women on this street right now, and this march will pass by more than ten streets. If I have to wink at every single woman, then at the end of this march, even if I don’t go blind, I will still suffer a horrible fate. So, my teacher taught me the technique of handling this march with only one thousand winks !” “...” Why does this sentence sound so familiar ?
Yu Wo (騎士每日例行任務 (吾命騎士, #2))
There was more to it than that—my mother's face had feminine gentleness. Mine didn't, at least not when compared to hers. If we were to stand side by side in a room full of people, I wouldn't get a single glance. And if someone had stopped to chat me up, she could've stolen him with a single smile. Pretty . . . Yeah. Nice understatement, Dad. On the other hand, if the same people had to pick one of us to kick a bad guy in the kneecap, I'd get the vote, no problem.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
As children, their need for genuine emotional connection is the central fact of their existence. Nothing hurts their spirit more than being around someone who won’t engage with them emotionally. A blank face kills something in them. They read people closely, looking for signs that they’ve made a connection. This isn’t a social urge, like wanting people to chat with; it’s a powerful hunger to connect heart to heart with a like-minded person who can understand them.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
I can go an entire day without any socialisation, without a conversation with anyone. I wonder sometimes if I'm invisible. I feel like the old men and women who used to bother me by engaging in unnecessary chit-chat with the cashiers while I was stuck behind them, in a hurry, wanting to get on to the next place. When you don’t have a next place to go to, time slows down enormously. I feel myself noticing other people more, catching more eyes, or seeking out eye contact. I'm now ripe and ready for a conversation about anything with anyone; it would make my day if somebody would meet my eye, or if there was someone to talk to. But everyone is too busy, and that makes me feel invisible; and invisibility, contrary to what I believed before, lacks any sense of lightness and liberty. Instead it makes me feel heavy. And so I drag myself around, trying to convince myself that I don't feel heavy, invisible, bored and worthless, and that I am free. I do not convince myself well.
Cecelia Ahern (The Year I Met You)
Anxiety isn’t an attack that explodes out of me; it’s not a volcano that lies dormant until it’s triggered by an earth-shattering event. It’s a constant companion. Like a blowfly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can’t see it, can’t capture it, can’t let it out. My anxiety is invisible to others, but often it’s the focal point of my mind. Everything that happens on a day-to-day basis is filtered through a lens colored by anxiety. That nervousness that makes your palms sweat and your heart race before you get up and make a speech in front of an audience? That’s what I feel in a normal conversation at a dinner table. Or just thinking about having a conversation at a dinner table. The fear that other people feel on rare occasions, reserved only for when they jump out of a plane or hear a strange noise in the middle of the night—that’s my normal. That’s what I feel when the phone rings. When someone knocks on my door. When I go outside. When I’m alone. When I’m in line at a store. Everything feels like I’m on a stage, spotlight on me, all eyes on me, watching, judging. Like I’m one second away from total disaster. It’s invisible, it’s irrational, it’s never-ending. I could be standing there, smiling and chatting like everything is totally fine, while secretly wanting to scream and cry and run away. No one would ever know. In my mind, no one can hear me scream. I hide it because I know it’s not understood or acceptable—because I’m not understood or acceptable.
Jen Wilde (Queens of Geek)
Let me see if I understand this," Jaenelle said. [...] "You and Falonar have decided to go your own ways," Jaenelle said with a patience that made Surreal wary. She shrugged. "It was a mutual decision." The bastard. "Uh-huh. So you packed your bags..." "It was his eyrie," Surreal cut in. "I certainly didn't want to live there." And I didn't want to watch him courting Nurian in ways he never thought to court me. "...and left Ebon Rih without telling Lucivar." "Who would have strung Falonar up by the heels"... or by the balls, which might have been interesting to watch... "before having a little chat." "No," Jaenelle said, "he would have waited for Chaosti to show up, and then he would have strung Falonar up by the heels." She paused. "Maybe by the heels." Which just confirmed why Surreal had slipped away from Ebon Rih before Lucivar had time to notice. As the Warlord Prince of Ebon Rih dealing with a Warlord Prince who was his second-in-command, Lucivar would have been nasty and explosive. Chaosti, the Warlord Prince of the Dea al Mon and a kinsman on her mother's side, would have approached Falonar with the protective viciousness that made Warlord Princes such a deadly facet of Blood society. Dealing with the male relatives she'd acquired since coming to Kaeleer was so much fun. "And you entered the Hall through one of the side doors to avoid seeing Daemon, who's working in his study and would have met you before you got out of the great hall." Feeling more wary by the minute, Surreal did her best to look indifferent. "No reason for him to get involved in this." Sweet Darkness, please don't let him think this is any business of his. "Besides, I don't need either of them getting all snarly and protective over something that was a mutual decision." "So instead of mentioning this to either of them, you went to the Keep and told Saetan." Surreal winced. "Well, I figured I should tell someone before leaving Ebon Rih." "Uh-huh. So you told the High Lord of Hell, the patriarch of this family, the man from whom Daemon and Lucivar inherited the temper you were trying to avoid." Jaenelle pushed the quilt aside and swung her legs over the side of the couch to sit up straight. "Did I miss something ?
Anne Bishop (Dreams Made Flesh (The Black Jewels, #5))
We didn't chat much about the bad things that were happening around us--and if we had chosen to, I'm not sure that the conversation would have been very long. It's difficult to put a nightmare into words, and this is exactly what our lives were--nightmares. If someone had asked us to describe our days, we'd have talked about waking up, going to school, eating lunch, going home, church, taking a nap, doing homework, more church, eating dinner - nothing extraordinary whatsoever. The thing about nightmares is that they don't immediately appear to be nightmares--instead, they come, masquerading as benign events, all snipped apart and mashed back together, but when you wake up, you can't forget what your brain has shown you. Instead, you begin to perseverate on the short moments of the dream that aren't sitting well with you, and it's in these short moments that you realize that this dream was no dream, it was a nightmare, and it is not benign at all. It is, in actuality, milliseconds of your real life, stolen from the memories you'd put aside because they are too terrifying to acknowledge, then turned and twisted and manipulated until they are almost completely unrecognizable.
Lenore Zion (Stupid Children)
As one human resources professional said to me, “I wish someone would tell twentysomethings that the office has a completely different culture than what they are used to. You can’t start an e-mail with ‘Hey!’ You’re probably going to have to work at one thing for quite a while before being promoted—or even complimented. People are going to tell you not to tweet about work or put stupid posts on your Gchat status. Not to wear certain clothes. You have to think about how you speak and write. How you act. Twentysomethings who’ve never had jobs don’t know this. Neither do the scanners and baristas who’ve been hanging out at work chatting with their friends.
Meg Jay (The Defining Decade: Why Your Twenties Matter--And How to Make the Most of Them Now)
67. One Day When There Were Several People in the Empress’s Presence One day when there were several people in the empress’s presence, including many senior courtiers and young noblemen, I was leaning against a pillar, chatting with some of the other women. Suddenly Her Majesty threw a note at me. “Should I love you or should I nor?” it said. “What will you do if I cannot give you first place in my heart?” No doubt she was thinking of recent conversations when I had remarked in her hearing, “If I do not come first in people’s affections, I had just soon not be loved at all; in fact I would rather be hated or even maltreated. It is better to be dead than to be loved in second or third place. Yes, I must be first.” Hearing this, someone had said, “There we have the Single Vehicle of the Law!” and everyone had burst out laughing. Now the Empress gave me a brush and some paper. I wrote the following note and handed it to her: “Among the Nine Ranks of lotus seats even the lowliest would satisfy me.” “Well, well,” said the Empress, “you seem to have lost heart completely. That’s bad. I prefer you to go on thinking as you did before.” “My attitude depends on the person in question,” I replied. “That’s really bad,” she said, much to my delight. “You should try to come first in the affections of even the most important people.
Sei Shōnagon (The pillow-book of Sei Shōnagon)
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
If there’s anything internalizers have in common, it’s their need to share their inner experience. As children, their need for genuine emotional connection is the central fact of their existence. Nothing hurts their spirit more than being around someone who won’t engage with them emotionally. A blank face kills something in them. They read people closely, looking for signs that they’ve made a connection. This isn’t a social urge, like wanting people to chat with; it’s a powerful hunger to connect heart to heart with a like-minded person who can understand them. They find nothing more exhilarating than clicking with someone who gets them. When they can’t make that kind of connection, they feel emotional loneliness.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person? Yeah but did I actually turn my straighteners off ?
Sara Barnard (A Quiet Kind of Thunder)
Sorry I’m late, dear. I was snatching babies and children from the jaws of death.” I thought that as a pediatrician I would be taken care of and protected, that if people knew I was a pediatrician they wouldn’t break into my house or mug me, that I wouldn’t have to stop and chat after minor car accidents, that my way would be smoothed. I wanted to be someone no one could take exception to. When I told a professor at Harvard that I wanted to go into primary care, he said that it would be a waste of a Harvard education. He had done primary care. It was easy. With a Harvard education we could cure generations rather than individuals. So it wasn’t enough that I was in medical school. I was supposed to be lining up to cure generations. And I’d thought I was crazy.
Mark Vonnegut (Just Like Someone Without Mental Illness Only More So: A Memoir)
Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)
Karl Wiggins (Dogshit Saved My Life)
earnestly. Drab to Desirable? What am I? A chuffing living room? Sonja reaches from underneath the desk and hands me a starchy white gown. It looks like a hospital nightie, a fact that doesn’t exactly fill me with confidence. I’m not really an expert on beauty salons, having only been to one three times in my life, but I’m pretty sure there is supposed to be champagne. And why is there no soothing music playing in the background? Where’s the friendly lady who will chat to me about her children while doing my nails in pretty pearly pink? ‘I don’t know if I can afford all this,’ I whisper to Dionne, as Sonja types my details into an expensive-looking computer. ‘Oh, no worries. Bull knows someone. It’s on the house.’ ‘Oh.’ A gangster salon! ‘We are ready!’ Sonja says brightly, clapping her hands. ‘Natalie, if you could leave your belongings right here, I vill put them in the safe.’ I hand over my coat and handbag. ‘Now, if
Kirsty Greenwood (Yours Truly)
She and I spend a good twenty minutes talking about sperm (truly a magnificent topic), then dry shampoo, then book recommendations. We talk so much that we get distracted from our work. And it clicks. I’ve been on so many average friend-dates and had so many lacklustre networking chats that I now recognise chemistry when I see it. I take the leap of faith and ask for her number. She invites me to her book club. This time, I don’t have to walk into an unfamiliar flat full of strangers alone – I walk in with her, my new friend, who introduces me to everyone. A small book club, at someone’s house, eating homemade pie: this was where I want to be. It is somehow one of the most outgoing things I have ever done and also somehow feels kinda normal. Everyone here works in the same field, but we aren’t talking about work. We are drinking wine and discussing the book over dinner. Casual. Intimate. This is what Emma had meant. And it all started with a single question: what was the deal with all this sperm from Denmark in the noughties?
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
Drake’s dead,” Astrid said. “Dead people don’t come back. Let’s not be ridiculous.” Howard made a derisive snort. “Okay. That’s as far as I go with you on this, Sammy boy.” He made a hand-washing gesture. Astrid slammed her palm on the table, surprising even herself. “Somebody better tell me what all these back-and-forth looks are about.” “Brittney,” Howard said, spitting the name out like it was poison. “She came back. Sam had her and stuck her with Brianna, and told me not to talk about it.” “Brittney?” Astrid said, confused. Howard said, “Yeah. You know, like dead-girl Brittney? Way dead? Dead a long time and buried a long time and suddenly she’s sitting in my house chatting? That Brittney.” “I’m still not…” “Well, Astrid,” Howard said, “I guess we just found the limits of your big old genius brain. Point is that someone who was very seriously dead is suddenly not so dead anymore.” “But…,” Astrid started. “But Drake…” “As dead as Brittney,” Howard said. “Which might be a slight problem, since Brittney isn’t exactly dead herself.
Michael Grant (Lies (Gone, #3))
Well, I don’t know about you girls,” Patti called out, “but I’m starving. You wanna help me throw everything together before I go check on the chicken?” The twins shared uncertain expressions. “Sure, we’ll help,” I answered for them. “What do you need us to do?” “All right, how about you and Marna make the salad, and Ginger can help me bake this cake.” Their eyes filled with horror. “You mean like chopping things?” Marna whispered. “Yeah. It’s not hard. We’ll do it together.” At my prompting they stood but made no move toward the kitchen with me. “I’m not sure you ought to trust me with a knife,” Marna said. “Or me with baked goods,” Ginger added. I’d never seen her so unsure of herself. If it were just me making the request, she’d tell me to go screw myself, but neither girl seemed to know how to act around Patti. They fidgeted and glanced at the kitchen. Patti came over and took Ginger by the arm. “You’ll both be fine,” Patti insisted. “It’ll be fun!” The seriousness of the twins in the kitchen was comical. They took each step of their jobs with slow, attentive detail, checking and double-checking the measurements while Patti ran out to flip the chicken. Somewhere halfway through, the girls loosened up and we started chatting. Patti put Ginger at ease in a way I’d never seen her. At one point we were all laughing and I realized I’d never seen Ginger laugh in a carefree way, only the mean kind of amusement brought on at someone else’s expense. Usually mine. Ginger caught me looking and straightened, smile disappearing. Patti watched with her keen, wise eyes. She wasn’t missing the significance of any gesture here. When she returned from getting the chicken off the grill, Ginger said, “Oh, that smells divine, Miss Patti.” Who was this complimenting girl? Patti smiled and thanked her. Ginger was so proud of the cake when it was finished that she took several pictures of it with her phone. She even wanted a picture of her and Patti holding the cake together, which nearly made Patti burst with motherly affection. I couldn’t even manage to feel jealous as Patti heaped nurture on Ginger. It was so sweet it made my eyes sting. Marna kept sending fond glances at her sister. “I did that part right there all by myself,” Ginger said to Marna, pointing to the frosting trim. “Brilliant, isn’t it?” “Bang-up job, Gin.” Marna squeezed her sister around the shoulder.
Wendy Higgins (Sweet Peril (Sweet, #2))
Knowledgeable observers report that dating has nearly disappeared from college campuses and among young adults generally. It has been replaced by something called “hanging out.” You young people apparently know what this is, but I will describe it for the benefit of those of us who are middle-aged or older and otherwise uninformed. Hanging out consists of numbers of young men and young women joining together in some group activity. It is very different from dating. For the benefit of some of you who are not middle-aged or older, I also may need to describe what dating is. Unlike hanging out, dating is not a team sport. Dating is pairing off to experience the kind of one-on-one association and temporary commitment that can lead to marriage in some rare and treasured cases. . . . All of this made dating more difficult. And the more elaborate and expensive the date, the fewer the dates. As dates become fewer and more elaborate, this seems to create an expectation that a date implies seriousness or continuing commitment. That expectation discourages dating even more. . . . Simple and more frequent dates allow both men and women to “shop around” in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out. My single brothers and sisters, follow the simple dating pattern and you don’t need to do your looking through Internet chat rooms or dating services—two alternatives that can be very dangerous or at least unnecessary or ineffective. . . . Men, if you have returned from your mission and you are still following the boy-girl patterns you were counseled to follow when you were 15, it is time for you to grow up. Gather your courage and look for someone to pair off with. Start with a variety of dates with a variety of young women, and when that phase yields a good prospect, proceed to courtship. It’s marriage time. That is what the Lord intends for His young adult sons and daughters. Men have the initiative, and you men should get on with it. If you don’t know what a date is, perhaps this definition will help. I heard it from my 18-year-old granddaughter. A “date” must pass the test of three p’s: (1) planned ahead, (2) paid for, and (3) paired off. Young women, resist too much hanging out, and encourage dates that are simple, inexpensive, and frequent. Don’t make it easy for young men to hang out in a setting where you women provide the food. Don’t subsidize freeloaders. An occasional group activity is OK, but when you see men who make hanging out their primary interaction with the opposite sex, I think you should lock the pantry and bolt the front door. If you do this, you should also hang up a sign, “Will open for individual dates,” or something like that. And, young women, please make it easier for these shy males to ask for a simple, inexpensive date. Part of making it easier is to avoid implying that a date is something very serious. If we are to persuade young men to ask for dates more frequently, we must establish a mutual expectation that to go on a date is not to imply a continuing commitment. Finally, young women, if you turn down a date, be kind. Otherwise you may crush a nervous and shy questioner and destroy him as a potential dater, and that could hurt some other sister. My single young friends, we counsel you to channel your associations with the opposite sex into dating patterns that have the potential to mature into marriage, not hanging-out patterns that only have the prospect to mature into team sports like touch football. Marriage is not a group activity—at least, not until the children come along in goodly numbers.
Dallin H. Oaks
Cribbage!” I declared, pulling out the board, a deck of cards, and pen and paper, “Ben and I are going to teach you. Then we can all play.” “What makes you think I don’t know how to play cribbage?” Sage asked. “You do?” Ben sounded surprised. “I happen to be an excellent cribbage player,” Sage said. “Really…because I’m what one might call a cribbage master,” Ben said. “I bet I’ve been playing longer than you,” Sage said, and I cast my eyes his way. Was he trying to tell u something? “I highly doubt that,” Ben said, “but I believe we’ll see the proof when I double-skunk you.” “Clearly you’re both forgetting it’s a three-person game, and I’m ready to destroy you both,” I said. “Deal ‘em,” Ben said. Being a horse person, my mother was absolutely convinced she could achieve world peace if she just got the right parties together on a long enough ride. I didn’t know about that, but apparently cribbage might do the trick. I didn’t know about that, but apparently cribbage might do the trick. The three of us were pretty evenly matched, and Ben was impressed enough to ask sage how he learned to play. Turned out Sage’s parents were historians, he said, so they first taught him the precursor to cribbage, a game called noddy. “Really?” Ben asked, his professional curiosity piqued. “Your parents were historians? Did they teach?” “European history. In Europe,” Sage said. “Small college. They taught me a lot.” Yep, there was the metaphorical gauntlet. I saw the gleam in Ben’s eye as he picked it up. “Interesting,” he said. “So you’d say you know a lot about European history?” “I would say that. In fact, I believe I just did.” Ben grinned, and immediately set out to expose Sage as an intellectual fraud. He’d ask questions to trip Sage up and test his story, things I had no idea were tests until I heard Sage’s reactions. “So which of Shakespeare’s plays do you think was better served by the Globe Theatre: Henry VIII or Troilus and Cressida?” Ben asked, cracking his knuckles. “Troilus and Cressida was never performed at the Globe,” Sage replied. “As for Henry VIII, the original Globe caught fire during the show and burned to the ground, so I’d say that’s the show that really brought down the house…wouldn’t you?” “Nice…very nice.” Ben nodded. “Well done.” It was the cerebral version of bamboo under the fingernails, and while they both tried to seem casual about their conversation, they were soon leaning forward with sweat beading on their brows. It was fascinating…and weird. After several hours of this, Ben had to admit that he’d found a historical peer, and he gleefully involved Sage in all kinds of debates about the minutiae of eras I knew nothing about…except that I had the nagging sense I might have been there for some of them. For his part, Sage seemed to relish talking about the past with someone who could truly appreciate the detailed anecdotes and stories he’d discovered in his “research.” By the time we started our descent to Miami, the two were leaning over my seat to chat and laugh together. On the very full flight from Miami to New York, Ben and Sage took the two seats next to each other and gabbed and giggled like middle-school girls. I sat across from them stuck next to an older woman wearing far too much perfume.
Hilary Duff (Elixir (Elixir, #1))
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Alexandre Dumas
In The After Light “They don’t burn do they? Not like us.” -Cole Stewart “Darling, If it were between you and a hundred of Gray’s finest. I’d pick you everytime.” -Liam Stewart “It raine the day I walked into Thurmond and It rained the day I walked out.” -Ruby Never Fade “Do I… look as pretty as I feel?” -Cole Stewart “If you think you’re going to faint, sit your ass down. I told you this because you’re a big girl and I need your help’ -Cole Stewart “That’s my Gem!” -Cole Stewart “I have all the time in the world for you, Gem” -Cole Stewart “I don’t want to just see someone’s face; I want to know his shadow, too” - Jude “How cute! I have one of those too!” -Vida “ ‘I don’t know about the rest of you, but I’m down to hear about that one-eyed chick’ Vida said. ‘You are actually the worst person I ever met’ Chubs said. ” -Chubs And Vida “You had day of the week underwear growing up, didn’t you?” -Jude “Ass-Clown” -Vida The Darkest Minds “I don’t know, Green; why don;t you hit her up for a chat and tea the next time she tries to capture us?” -Chubs “Oh my God, Green. Just take the damn socks and put the kid out of his misery’ -Chubs “I had pegged him’ -Ruby (Full sentence: I had pegged him for a Zepplin Fan) “Are you kidding me? Yesterday he thought a mailbox was a clown.” -Liam Stewart “Ruby! For the love of… We were talking about Black Betty not your Orange ass!” -Chubs “...Crackers…Yesssss…” -Chubs “Wake up, Team! Time to carpe the hell out of this diem!” -Liam Stewart “I know who It is! Santa!” -Liam Stewart “Did I just get sassed by a twelve-year-old?” -Liam Stewart Extra Quotes From Through The Dark “Home isn’t four walls, It’s the people you’re with” “Of course. My girl? She’s incredible” “Crazy is only crazy when it works
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
If you could be anyone else, who would you want to be?” I ask, because I’ve decided that I admire how David doesn’t self-censor. I should try it too. I think about this all the time. Waking up in the morning, looking in the mirror, and seeing someone wholly different staring back. These days I’d give anything to be the old me, the pre-accident me, who could sit at my old lunch table and chat about nothing. The pre-accident me who aspired to be more like Lauren Drucker, former benevolent ruler and social chair of Mapleview. I really wouldn’t mind being entirely full of shit, so long as I didn’t notice. “There’s this guy Trey who teaches me guitar,” David says. “He kind of pisses me off, actually, but he’s just the type of guy everyone likes. He always knows exactly what to say. Like has annoyingly pitch-perfect radio waves. So I guess him?” “I used to want my metaphorical radio waves to play music that was, like, quirky but also perfectly curated, you know? Something cool. But now I feel like I’ve become traffic on the hour.” “You are so not traffic on the hour,” he says, and to my dismay dabs at his chin with a napkin. “Though I wouldn’t mind even being that. Reliable, informative, albeit repetitive. At least people actually listen to it.” “I think your signal is in Morse code,” I say with a smile. “When I was eight, I taught myself Morse code. The clicks are highly irritating.” I lean over and for no reason I can think of—maybe because I have nothing smart to say, maybe because with David I feel like someone else entirely, I want to be someone else entirely—I take a lick of his ice cream. The vanilla part. He stares at my lips, as shocked as I am. “Sorry,” I say. “I liked your order better.” “The cold medicine is not for me. Just to be clear,” he says. “Wasn’t worried.
Julie Buxbaum (What to Say Next)
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Alexandre Dumas
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person?
Sara Barnard (A Quiet Kind of Thunder)
There is some evidence that peer reports (Suzie’s friends’ ratings) predict people’s behavior better than their self-reports (Suzie’s own ratings). In one study, for example, college students were worse at predicting how nervous and talkative they would be when chatting with a new acquaintance than were peers who had just met them for the first time.21 Other studies have found that people are worse at making specific predictions about how they will behave than they are at predicting how other people will behave. When asked whether they would purchase a flower as part of a campus charity drive in the upcoming weeks, students made overly rosy predictions; 83 percent said they would, whereas in fact only 43 percent actually did. When asked how likely it was that other students would purchase a flower, people were more accurate; they predicted that 56 percent would, which was closer to the 43 percent figure. In another study, people predicted that they would donate an average of $2.44 of their earnings in an experiment to charity, whereas other people would donate only $1.83. Once again they were more accurate in their predictions about other people; the actual figure donated was $1.53. One reason people fail to predict their own behavior very accurately is that they believe that they are “holier than thou” and would be more likely than the average person to perform moral acts of kindness. Another is that people use different kinds of information when predicting their own versus other people’s behavior. When predicting other people’s actions, we rely mostly on our cumulative experience of how the average person would act, including our hunches about the kinds of situational constraints people will face (“Probably many people who intended to buy a flower will never walk past one of the people selling them”). When predicting our own actions, we rely more on our “inside information” about our own personalities (“I am a kind person who wants to help others”). This can be a problem for two reasons: relying only on inside information causes people to overlook situational constraints on their actions, such as the possibility that they, too, will fail to pass by someone selling the flowers; second, as we have seen, people’s inside information is not the full story about their personalities and might not be completely accurate.22
Timothy D. Wilson (Strangers to Ourselves: Discovering the Adaptive Unconscious)
I am going to kill you.” These six words may have triggered more high-stakes predictions than any other sentence ever spoken. They have certainly caused a great deal of fear and anxiety. But why? Perhaps we believe only a deranged and dangerous person would even think of harming us, but that just isn’t so. Plenty of people have thought of harming you: the driver of the car behind you who felt you were going too slowly, the person waiting to use the pay-phone you were chatting on, the person you fired, the person you walked out on—they have all hosted a fleeting violent idea. Though thoughts of harming you may be terrible, they are also inevitable. The thought is not the problem; the expression of the thought is what causes us anxiety, and most of the time that’s the whole idea. Understanding this will help reduce unwarranted fear. That someone would intrude on our peace of mind, that they would speak words so difficult to take back, that they would exploit our fear, that they would care so little about us, that they would raise the stakes so high, that they would stoop so low—all of this alarms us, and by design. Threatening words are dispatched like soldiers under strict orders: Cause anxiety that cannot be ignored. Surprisingly, their deployment isn’t entirely bad news. It’s bad, of course, that someone threatens violence, but the threat means that at least for now, he has considered violence and decided against doing it. The threat means that at least for now (and usually forever), he favors words that alarm over actions that harm. For an instrument of communication used so frequently, the threat is little understood, until you think about it. The parent who threatens punishment, the lawyer who threatens unspecified “further action,” the head of state who threatens war, the ex-husband who threatens murder, the child who threatens to make a scene—all are using words with the exact same intent: to cause uncertainty. Our social world relies on our investing some threats with credibility while discounting others. Our belief that they really will tow the car if we leave it here encourages us to look for a parking space unencumbered by that particular threat. The disbelief that our joking spouse will really kill us if we are late to dinner allows us to stay in the marriage. Threats, you see, are not the issue—context is the issue.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Remind yourself where you come from. I spent the majority of my life running away from Utah, from the life I led there, from the memories I associated with those early years. It felt very someone-else-ago to me. London changed me profoundly. When we were dancing on DWTS together, Jennifer Grey called me one night. She was having trouble with her back and wanted to see a physiotherapist. “Can you come with me?” she asked. She drove us through a residential section of Beverly Hills. We pulled into a house with a shed out back. Oddly, it didn’t look like a doctor’s office. There was a couch and incense burning. An Australian guy with a white beard came in : “Hey, mates.” I looked at Jen and she winked at me. This was no physical therapy. She’d signed us up for some bizarre couples therapy! The guy spoke to us for a while, then he asked Jennifer if she wouldn’t mind leaving us to chat. I thought the whole thing was pretty out there, but I didn’t think I could make a run for it. “So, Derek,” he said. “Tell me about your childhood.” I laid it all out for him--I talked for almost two hours--and he nodded. “You can go pick him up now.” I raised an eyebrow. “Pick who up?” The therapist smiled. “That younger boy, that self you left in Utah. You left him there while you’ve been on a mission moving forward so vigorously. Now you can go get him back.” I sat there, utterly stunned and speechless. It was beyond powerful and enlightening. Had I really left that part of me behind? Had I lost that fun-loving, wide-eyed kid and all his creative exuberance? When I came out of my therapy session, Jennifer was waiting for me. “If I’d told you this was where we were going, you wouldn’t have come,” she said. She was right. She had to blindside me to get me to grapple with this. She’s a very spiritual person, and she saw how I was struggling, how I seemed to be in some kind of emotional rut. Just visualizing myself taking the old Derek by the hand was an incredible exercise. I think we often tuck our younger selves away for safekeeping. In my case, I associated my early years with painful memories. I wanted to keep young Derek at a distance. But what I forgot was all the good I experienced with him as well: the joy, the hope, the excitement, the wonder. I forgot what a great kid Derek was. I gave myself permission to reconnect with that little boy, to see the world through his eyes again. It was the kick in the butt I needed. Jennifer would say, “Told ya so.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
Though she could feel Dom darting glances at her the whole time, she couldn’t face him, couldn’t even look at him. Not just now, when she was still in turmoil about what they’d done. About what he’d said to her at the end. It will also give you a chance to decide what you want. That was the trouble. She didn’t know what she wanted. Well, she did know--she wanted to marry Dom the courteous gentleman. But not Dom the Almighty. She wanted the Dom who mourned for the six children who’d lost their mother needlessly, not the Dom who was sure Nancy was a whore because she’d married his bastard of a brother. But what if both parts were him? What if she couldn’t have one without the other? Why, he hadn’t even said he loved her! Then again, neither had she, so she could hardly fault him for that. Their past was still too raw, and they were both still afraid. Perhaps he’d been waiting for her to say it. She’d certainly been waiting for him. Because then she might really believe he meant to make a life with her again, and not go running off at the first sign of disaster. Like, perhaps, if Nancy proved to be bearing George’s son. “Since it’s such a beautiful morning,” Dom said, “I was thinking that someone might prefer to ride in the phaeton with me. What do you think, Jane? Shall you join me?” He was asking. Deliberately asking, not ordering. And she could feel his expectant gaze on her, indeed, feel everyone’s expectant gazes on her. But her thoughts were too jangled right now, and an enforced ride with him would only jangle them more. Especially since they’d be trapped together for half the day. She wouldn’t be able to escape. Not that she necessarily wanted to escape. Did she? Oh, Lord, she couldn’t handle this at the moment. “Actually, I was looking forward to chatting with your sister in His Grace’s coach. If you don’t mind.” Only then did she meet his gaze. It showed nothing of his thoughts, which made everything worse. She’d begun to recognize that bland expression; he only wore it when he was protecting himself. And if he felt a need to protect himself, then she’d hurt him. She swallowed hard. She hadn’t wanted to hurt him. Perhaps she should ride with him. Clear the air. Perhaps she was being a coward. “Whichever you prefer,” he said curtly. Then he walked briskly down the steps to his waiting phaeton, leapt in, and set it going. And the decision was made for her. Again. No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away. Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
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One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
There’s a W. H. Auden poem called “Musée des Beaux Arts,” written in December 1938, just after Kristallnacht. In it is a description of a painting by Brueghel, in which the old master depicts Icarus falling from the sky while everyone else, involved in other things or simply not wanting to know, “turns away / quite leisurely from the disaster” and goes about daily tasks. I thought about that poem a lot over the next few days of the fair as I chatted about books, kept my appointments, and ate frankfurters off cardboard-thin crackers. The poem begins, “About suffering they were never wrong, / The Old Masters: how well they understood / Its human position; how it takes place / While someone else is eating or opening a window or just walking dully along.
Will Schwalbe (The End of Your Life Book Club)
That night I had the first episode of a nightmare that would recur for many years: Our platoon was walking on patrol, deep in Angola. We walked through a dark, petrified forest-like area that seemed to have been burned and then we found ourselves walking into the middle of a small town with rows of small brightly painted houses like those in Ongiva. The dirt streets had big potholes and rubbish lay strewn everywhere. The little town was alive with activity; the black Angolans stood calmly on their stoeps chatting with each other and jeered at us, unafraid. Kids ran around us, laughing as we walked through in formation. Something was obviously wrong; we should not have been there but we kept formation and walked through the uneven, littered streets. Then a local came up to us, grinning, and casually told us in some language we could more or less understand that we had better watch out because someone had gone to call the government troops and they would be here any minute to kill us. But we kept on with our patrol.
Granger Korff (19 With a Bullet : A South African Paratrooper in Angola)
It’s the little stuff. The goodnight cuddles rather than the spectacular sex. The quick chat over a rushed breakfast rather than the romantic three-course meals in a posh restaurant. The casual contact, the taken-for-granted communication, the fact that if you hear a noise in the night, there’s someone else to send to investigate.
Debbie Johnson (Summer at the Comfort Food Café (Comfort Food Cafe #1))
His eyes followed Laura’s movements down the hall. She had come out of a side room and was greeting the residents as she went. Listening and chatting, while bending down to give her attention to someone in a wheelchair who was reaching up to stroke Laura’s head, calling out,” Missy, missy!” Laura responded, smiling, standing back up and putting her arm around the frail body. Several residents in wheelchairs along the hallway reached out to Laura, Jacob could sense the yearning for attention. At the time of life when all else falls away, and the body fails, and the mind retracts, what is left but the hunger for human touch? Long gone is the appetite of the body, but not forgotten the tender touch and the gentle voice, in the cradle of a mother’s arms. Jacob, too, understood this yearning and more keenly now than ever. Jacob saw the elderly who were alone being revived by Laura as she chatted, acknowledging their needs: each responding like a wilting plant feeling relief from unexpected rain. Watching Laura nurture, through her words and gestures, triggered a deep emotion in him. He wanted to receive her touch, her smile, her comfort to lift him when life seemed to retract and roll downhill. He desired to gather her close, nurture her and raise her up when life’s unexpected turns shook her world. Will we get to that? he wondered?
Sharon J. Harrison
There happens to be a coffee bar in the lobby of the hotel. One afternoon while on a business trip in Las Vegas, I went to buy myself a cup of coffee. The barista working that day was a young man named Noah. Noah was funny and engaging. It was because of Noah that I enjoyed buying that cup of coffee more than I generally enjoy buying a cup of coffee. After standing and chatting for a while, I finally asked him, “Do you like your job?” Without skipping a beat Noah immediately replied, “I love my job!” Now, for someone in my line of business, that’s a significant response. He didn’t say, “I like my job,” he said, “I love my job.” That’s a big difference. “Like” is rational. We like the people we work with. We like the challenge. We like the work. But “love,” love is emotional. Love is something harder to quantify. It’s like asking someone “Do you love your spouse,” and they respond, “I like my spouse a lot.” It’s a very different answer. You get my point, love is a higher standard. So when Noah said, “I love my job,” I perked up. From that one response, I knew Noah felt an emotional connection to the Four Seasons that was bigger than the money he made and the job he performs. Immediately, I asked Noah a follow-up question. “Tell me specifically what the Four Seasons is doing that you would say to me that you love your job.” Again without skipping a beat, Noah replied, “Throughout the day, managers will walk past me and ask me how I’m doing, ask me if there is anything I need, anything they can do to help. Not just my manager … any manager. I also work for [another hotel],” he continued. He went on to explain that at his other job the managers walk past and try to catch people doing things wrong. At the other hotel, Noah lamented, “I keep my head below the radar. I just want to get through the day and get my paycheck. Only at the Four Seasons,” Noah said, “do I feel I can be myself.” Noah gives his best when he’s at the Four Seasons. Which is what every leader wants from their people. So it makes sense why so many leaders, even some of the best-intentioned ones, often ask, “How do I get the most out of my people?” This is a flawed question, however. It’s not a question about how to help our people grow stronger, it’s about extracting more output from them. People are not like wet towels to be wrung out. They are not objects from which we can squeeze every last drop of performance. The answers to such a question might yield more output for a time, but it often comes at a cost of our people and to the culture in the longer term. Such an approach will never generate the feelings of love and commitment that Noah has for the Four Seasons. A better question to ask is, “How do I create an environment in which my people can work to their natural best?
Simon Sinek (The Infinite Game)
Anneke, I don't know what the FUCK just got into you, but if you want to have a job here, I suggest you go home now and think about what you want to say to us tomorrow to make us want to keep you." I look him dead in his beady little eyes and with a deep sense of calm, I unload, pretty as you please with honeyed tones. "You don't have to worry, Murph. I don't want to have a job here. I'm tired of the bullshit kowtowing to entitled crap-buckets like the Mannings. I'm tired of you and Mac never giving me my due or having my back. I'm tired of you feeding all the good stuff to your obsequious cousin Liam and leaving me all the shit. I'm tired of your endless series of talentless legs and boobs and hair extensions that you like wandering around here despite their general incompetence. I'm finished. I'm the best you had and the only one you should have trained to replace you in three years when you want to retire and still draw income. And you've never once done anything to show that you know it. So, since it's clear that you will always take the word of the client over someone who has been a valuable employee for nearly a decade, I am fucking done." I never raise my voice; the smile never leaves my face. I deliver this blow with as much grace as I can muster, throw my bag over my shoulder, grab the small box of my personal effects, and push past him before he can even close his gaping jaw. I head out of my office, feeling flushed and nervous, but also giddy. Liam is standing next to the front desk, chatting up Pinky Tuscadero Barbie. "That's a lot of yelling back there, Annamuk." He leers at me. "That time of the month?" The Barbie giggles. "Hey, Liam? A word to the wise. That fancy truck? Doesn't mean you don't HAVE a tiny little dick. It just means that you want the WHOLE WORLD to know it." And with that, I open the door wide, letting the frigid wind blow through, leaving them both gape-jawed in a tornado of papers.
Stacey Ballis (Recipe for Disaster)
Jenny- We were friends on Facebook and our friendship was short-lived, I confirmed his request… and he unfriended me? The same day- What happened? He deleted me; no, the boy has ever done that to me. I must have him as my boyfriend, he is the first one to ever say no to me. He said her I don't remember sending you a request! Sure… to be truthful I am kind of disappointed in him, I was thinking finally we can at least be friends. Why doesn’t he want me? Why does he like her more? (Facebook chat) He typed - No we can't be friends. I, asked- why not? He typed - Because I don't want to. I typed - That’s mean… What did I ever do to you? He typed - I tried to be nice to you but you took it too far, and I feel a little uncomfortable around you. I'm not trying to be mean. I- was- thinking uncomfortable? Uncomfortable because you don’t like me? Or uncomfortable because you can control yourself around me because you like me that much? I typed - I am sorry I never meant to do anything to you. Yes, I like you, and I know you’re with Karly, I was hoping for someday... Maybe we could go to a movie or something like that? I’m not a bad person… you no! You have to give people a chance. And if you’re judging me, I have changed a lot. Is asking you out so wrong? Why, do I make you so uncomfortable? His typed- I am very happy with Karly, and I see her in my future, so I wish you could respect that. I don't understand why… you think it’s okay for me to give you a chance when I have a girlfriend. I'm not like that, and I think that's very wrong. I typed - My god you are not married to her. You need to stop listening to your friends so much... What are you so scared of? He typed- I was scared to fall in love with someone like you! I said- It will happen! You will fall for me! ~*~ Jenny’s thoughts walking to class- I’m going to get what I want… And none of you b*tches know! I’ll get you! I’ll have to sit in class like this. I hope you don’t mind blood Mr. D I have to change this tampon out… The gym is my only ‘A,’ I wish they were all that easy for me. Karly small good, I wonder what she is wearing? Does anyone have a tampon? Do people still use pads? These… underwear cost me $30! I WISH I WAS A GUY! (So. me being on my period feels like you getting- kicked in the balls for a week, non-stop, like that love a sick feeling or you have to squeeze something out of yah, consent churning inside.)
Marcel Ray Duriez
herself look perfect. Her long dark hair will be pulled into two tidy plaits and she will have tried on almost everything in her wardrobe before putting on her favourite floaty dress. I help Mum by laying the table. I get out the cereal and the milk and make everyone a glass of orange juice. Mum is in a rush as she needs to go to work soon. But Moz, Alice and I have all the time in the world. It’s the school holidays and the sun is shining. I have been up for hours. But unlike my sister, I haven't spent my time making myself look fancy. I'm wearing denim shorts and a faded t-shirt, my most comfy clothes. I've tied back my curly blond hair into a ponytail as best I can, but I know it’s still messy. Oh well. No, I've been up for hours using the computer, chatting to some of my friends on Facebook. I've got Facebook friends from all over the world. Whatever time of day it is there's always someone about for a chat. I can happily spend all day watching videos or playing games with my mates. Moz and Alice don't understand at all. That’s why my Facebook friends are so great. They really get me.
Abigail Hornsea (Books for kids: Summer of Spies)
Nevaeh- I am feeling that I am moving out of this temperance, in this transition, and passing the will of fortune. Yes, I feel that I am on my way to being a lover without the tower's knowledge. There are many in which I could choose, many chances I could undertake which I may lose or win. But- I believe I have the right person in mind. Yes, those are very kind, but- yet I trust one more than the other. I do not know if my decision will be right, but it is someone I am going to go with, and I know that is going to be surprising to most when it happens. Is it a fight or is it the end, are you the right one, or should I go with the other person? That might see me for who I am more than you. The judgment has come; the chariot has arrived; now it is up to you, and the divine master to tell me what I will do next. There has to be a connection inside and join me and you in this journey, on with we ride. That is if you choose not to go the other direction and hide. Chiaz- I feel that the choice is up in the air, it is just part of the signs that are shown. I am flexible in your transitions; I know that you are the type to tell me how it is going to be. I know you are up for the challenge of the tower. Your communication skills assure that you can take on that load and comprehend any false chats that may come across your path. I know that you will have to spend your time searching for something more before you find what you are looking for was in your sight the whole time. Just like I pinpoint you as the right girl, because when giving you my heart-shaped key with the guitar pick attached. It had a meaning behind it… it signifies that I pick you to be with me and that you hold the key, if you wear it around your neck then I will know that you feel the same about me. Say you want me!
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)