Hurricane Child Quotes

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This time, there are no tears. This time, there is only emptiness and I feel it set in the straight line of my mouth. I am not strong enough for this. I want an earthquake, a hurricane, anything - even a devil, the one with the cloven hoof - Mrs. Leed's unfortunate 13th child - to rush out and stomp on me, break me into little pieces and hurl me to the stars, let me go back with those people I love. Please.
Kathleen DeMarco (Cranberry Queen)
A miracle is a single mom who works two jobs to care for her kids and still helps them with their homework at night. A miracle is a child donating all the money in their piggy bank to help victims of Hurricane Katrina. That's where you'll find the hand and face of God.
Cathie Linz (Good Girls Do (Girls Do Or Don't, #1))
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
Paulo Coelho (Maktub)
You, my child, were created in a hurricane, leaving destruction in your wake. You, as they say, are a storm with skin. Death and rebirth will follow you everywhere. How can one man who knows nothing of the weight of blood tame you? For wherever you go, there you are.
Tiffany D. Jackson (The Weight of Blood)
The idea of not being alone -- of having someone who sees me, same way I see the things that no one else can see, makes me feel like I'm real. Like I deserve to exist on this planet alongside everyone else. That I get to be here because there's someone else who wants me here too.
Kacen Callender (Hurricane Child)
We create a machine with intelligence and self-awareness and push it out into our imperfect world. Devised along generally rational lines, well disposed to others, such a mind soon finds itself in a hurricane of contradictions. We’ve lived with them and the list wearies us. Millions dying of diseases we know how to cure. Millions living in poverty when there’s enough to go around. We degrade the biosphere when we know it’s our only home. We threaten each other with nuclear weapons when we know where it could lead. We love living things but we permit a mass extinction of species. And all the rest – genocide, torture, enslavement, domestic murder, child abuse, school shootings, rape and scores of daily outrages.
Ian McEwan (Machines Like Me)
Children of borderlines and survivors of hurricanes have much in common. Survival is dependent on finding a safe place, staying low, and not being fooled by the eye of the storm.
Christine Ann Lawson (Understanding the Borderline Mother)
Giving the cat a name, like marriage, is not an easy thing. Soon I experienced the selection of name for a baby, a dog, a book, a warship, a sports team, even the king, the pope or a hurricane is just child's play compared to the selection of the cat's name.
Cleveland Amory (The Cat Who Came for Christmas (Compleat Cat #1))
Belief' softens the hardships, even can make them pleasant. In God man can find very strong consolation and support. Without Him, the man has to depend upon himself. To stand upon one's own legs amid storms and hurricanes is not a child's play. At such testing moments, vanity, if any, evaporates, and man cannot dare to defy the general beliefs, if he does, then we must conclude that he has got certain other strength than mere vanity.
Bhagat Singh (Why I am an Atheist)
He took her in his arms then, imagining the life growing inside of her and the future they would have together, a family, more love to fill the absences left by those they'd lost, more love than either of them had ever imagined still possible. The future was so precarious, shadowed by a looming danger neither of them fully understood, and Jem wondered what kind of world his child would be born into. He thought of all the blood that had been shed these last few years, the growing sense among the Shadowhunters he knew that something dark was rising, that this Cold Peace after the war might be only the eerie calm at the eye of the hurricane, those still, silent moments in which it was possible to deceive yourself into imagining the worst was over. He and Tessa have been alive too long to deceive themselves, and he thought about what might happen to a child born at the eye of such a storm. He thought about Tessa, her will and her strength, her refusal to let loss after loss harden her against love, her refusal to hide any longer from the brutality of the mortal world, her determination to fight, to hold on. She too had been a child born of storms, he thought, as had he, as had Will. All three had risen in love through their struggles to find happiness - and without the struggle, would the happiness have been so great? He closed his eyes and pressed a kiss to Tessa's hair. Behind his lids, he did not see darkness but the light of a London morning and Will there, smiling at him. "A new soul made of you and Tessa," Will said. "I can hardly wait to meet such a paragon." "Do you see him too?" Tessa whispered. "I see him," Jem said, and he held her even more tightly against him, the new life they had created together between them.
Cassandra Clare (Ghosts of the Shadow Market)
White people once used the Bible to say that we should be slaves.” “What does that have anything to do with this?” “Everything,” I tell her. “It means we should think for ourselves. Decide if something is wrong just because someone says it’s so, or decide it’s right because that’s how we feel.
Kacen Callender (Hurricane Child)
No one would ever say, "Come and join us, Caroline," so I would then spend the rest of the lunch period feeling sorry for myself and trying to remember that the lonely children like me are the ones who grow up to be someone that everyone wishes they could be.
Kacen Callender (Hurricane Child)
Of course, the diagnosis of PTSD was only itself introduced into psychiatry in 1980. At first, it was seen as something rare, a condition that only affected a minority of soldiers who had been devastated by combat experiences. But soon the same kinds of symptoms—intrusive thoughts about the traumatic event, flashbacks, disrupted sleep, a sense of unreality, a heightened startle response, extreme anxiety—began to be described in rape survivors, victims of natural disaster and people who’d had or witnessed life-threatening accidents or injuries. Now the condition is believed to affect at least 7 percent of all Americans and most people are familiar with the idea that trauma can have profound and lasting effects. From the horrors of the 9/11 terrorist attacks to the aftermath of Hurricane Katrina, we recognize that catastrophic events can leave indelible marks on the mind.
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber
Louise Erdrich (The Sentence)
The Measure of America, a report of the Social Science Research Council, ranks every state in the United States on its “human development.” Each rank is based on life expectancy, school enrollment, educational degree attainment, and median personal earnings. Out of the 50 states, Louisiana ranked 49th and in overall health ranked last. According to the 2015 National Report Card, Louisiana ranked 48th out of 50 in eighth-grade reading and 49th out of 50 in eighth-grade math. Only eight out of ten Louisianans have graduated from high school, and only 7 percent have graduate or professional degrees. According to the Kids Count Data Book, compiled by the Annie E. Casey Foundation, Louisiana ranked 49th out of 50 states for child well-being. And the problem transcends race; an average black in Maryland lives four years longer, earns twice as much, and is twice as likely to have a college degree as a black in Louisiana. And whites in Louisiana are worse off than whites in Maryland or anywhere else outside Mississippi. Louisiana has suffered many environmental problems too: there are nearly 400 miles of low, flat, subsiding coastline, and the state loses a football field–size patch of wetland every hour. It is threatened by rising sea levels and severe hurricanes, which the world’s top scientists connect to climate change.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
Each of our souls has a deep urge to confess something about its nature. It sits still within us, until we come across a certain song, book, movie or person. Then everything changes, Our soul stirs like it was suddenly awoken from a brief sleep like child running to their mother excited about about a new discovery, words flowing out of their mouth tripping over each other. Its like the calm before the storm and the dancing of a hurricane’s first winds.
Ilwaad isa
tragedy. We see our child leave for the prom, and all we can think is “car crash.” We get excited about an upcoming vacation, and we start thinking “hurricane.” We try to beat vulnerability to the punch by imagining the worst or by feeling nothing in hopes that the “other shoe won’t drop.” I call it foreboding joy. The only way to combat foreboding joy is gratitude. Across the years, the men and women who could most fully lean in to joy were those who practiced gratitude. In those vulnerable moments of individual or collective joy, we need to practice gratitude.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
Just from listening to what the other children at school say, I know that not many mothers like Miss Joe. They say she’s a woman that isn’t really a woman at all, but is a snake in disguise. When her red pickup truck breaks down, she doesn’t have a man to call, so she fixes it herself. When she’s thirsty or hungry, she cooks for herself and only herself, not for a husband asking for this and that. She’s like the slaves back in the day who weren’t really slaves at all because they’d taken their freedom, and lived in their own houses, and owned their own clothes, and ate their own food. People didn’t like seeing slaves like that, and people don’t like seeing a woman like that now either.
Kacen Callender (Hurricane Child)
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Of course, the diagnosis of PTSD was only itself introduced into psychiatry in 1980. At first, it was seen as something rare, a condition that only affected a minority of soldiers who had been devastated by combat experiences. But soon the same kinds of symptoms—intrusive thoughts about the traumatic event, flashbacks, disrupted sleep, a sense of unreality, a heightened startle response, extreme anxiety—began to be described in rape survivors, victims of natural disaster, and people who’d had or witnessed life-threatening accidents or injuries. Now the condition is believed to affect at least 7 percent of all Americans and most people are familiar with the idea that trauma can have profound and lasting effects. From the horrors of the 9/11 terrorist attacks to the aftermath of Hurricane Katrina, we recognize that catastrophic events can leave indelible marks on the mind. We know now—as my research and that of so many others has ultimately shown—that the impact is actually far greater on children than it is on adults.
Bruce D. Perry (The Boy Who Was Raised as a Dog: And Other Stories from a Child Psychiatrist's Notebook)
My child, deep-thundering Zeus controls the end of all that is, disposing as he wills. We who are mortals have no mind; we live like cattle, day to day, knowing nothing of god's plans to end each one of us. Yet we are fed by hope and faith to dream impossible plans. Some wait for a day to come, others watch the turning of years. No one among the mortals feels so broken as not to hope in coming time to fly home rich to splendid goods and lands. Yet before he makes his goal, odious old age lays hold of him first. Appalling disease consumes another. Some are killed in war where death carries them under the dark earth. Some drown and die under the myriad waves when a hurricane slams across the blue salt water cracking their cargo ship. Others rope a noose around their wretched necks and choose to die, abandoning the sun of day. A thousand black spirits waylay man with unending grief and suffering. If you listen to my counsel, you won't want the good things of life; not batter your heart by torturing your skull with cold remorse.
Semonides
I know he tried, and he's still trying, and he'll still make mistakes sometimes, because he's a human being, and I've learned now that this is what human beings are always destined to do. Including me" -Caroline
Kacen Callender (Hurricane Child)
Do not fear the divine when it comes knocking upon your soul. It may appear as the smiling face of a friend, the fleeting embrace of a lover, dear buds in bloom, the child that smiles as you pass by and the hurricane, that piece by fragile piece, rips apart doors and windows of your ego. No, do not fear the divine, my friend. The faces are much too numerous to recognize. Offer a crust of bread, your bed, a moment of your time, a tear. Walk forward into the fire.
Susan Marie
If chaos and fury were ever joined, Twitch would be the child born of the coupling. And what a crazy, beautiful hurricane he was.
Belle Aurora (Rebirth (RAW Family, #3))
I thought the lights were the ghosts of those slaves coming for me because they were jealous that I'd been born free
Kacen Callender (Hurricane Child)
[Sebastian explains why he won't leave Boston] "Because I hate the cold and the forty-two different seasons this city experiences and the leaves"—it had to be noted that he said leaves with jazz hands, and I couldn't tell if those were ironic jazz hands or not—"and then cobblestones, which must've been invented by an orthopedic surgeon, and everything is old as fuck and that's supposed to be special, and the roads"—he cringed with his entire body—"the fucking roads look like a child with no object permanence drew them. They make no sense, none at all, and don't get me started on the sports. These people and their sports. My god. Do you know about the turkeys? There are turkeys here, Shap, they're all over the place, they don't appreciate that we're sharing their habitat, and they'll chase the fuck out of you if you're not careful. And then there's the coffee, which used to be the only part of my day that didn't piss me off but now I can't just order coffee, I have to also join a cult. And you can't park. You just can't park in this town. Don't try. Not worth it, but it means you have to walk on the danger rocks and you better believe they'll be slippery as hell because all the leaves came down between hot wind season and cold hurricane season so you'll roll an ankle just to dodge the turkeys and order a regular coffee which you must drink with cream and sugar by order of the cult but it's going to be free because one of the sports teams finally won a game—and thank fuck for that because they're not out driving drunk or beating on each other for one blessed night." He gave a brisk shake of his head. "That's why I can't leave." I had to bite my lip to keep from laughing. "Because you hate everything?" "Yeah. I hate it all so thoroughly that I'm sure I'd never find anywhere else to hate with such completeness. Without all of this resentment, I'd be empty inside.
Kate Canterbary (The Worst Guy (Vital Signs, #2))
Yes, ever since she was a small child, she has had a mind of her own. Trying to dissuade her from anything is like trying to reason with a hurricane.
Rob Lawton (Murder with an Ocean View: A Robin's Nest Mystery (Robin's Nest Mysteries Book 1))
There will be no funeral homes, no hospitals, no abortion clinics, no divorce courts, no brothels, no bankruptcy courts, no psychiatric wards, and no treatment centers. There will be no pornography, dial-a-porn, no teen suicide, no AIDS, no cancer, no talks shows, no rape, no missing children . . . no drug problems, no drive-by shootings, no racial tension, and no prejudice. There will be no misunderstandings, no injustice, no depression, no hurtful words, no gossip, no hurt feelings, no worry, no emptiness, and no child abuse. There will be no wars, no financial worries, no emotional heartaches, no physical pain, no spiritual flatness, no relational divisions, no murders, and no casseroles. There will be no tears, no suffering, no separations, no starvation, no arguments, no accidents, no emergency departments, no doctors, no nurses, no heart monitors, no rust, no perplexing questions, no false teachers, no financial shortages, no hurricanes, no bad habits, no decay, and no locks. We will never need to confess sin. Never need to apologize again. Never need to straighten out a strained relationship. Never have to resist Satan again. Never have to resist temptation. Never!
Mark Hitchcock (The End: A Complete Overview of Bible Prophecy and the End of Days)
An unusually clear statement of the secular view of evil and suffering is made by Richard Dawkins in his book "River out of Eden: A Darwinian View of Life"- He writes: “The total amount of suffering per year in the natural world is beyond all decent contemplation....In a universe of blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.” This is a complete departure from every other cultural view of suffering. Each one sees evil as having some purpose as a punishment, or a test, or an opportunity. But in Dawkin's view, the reason people struggle so mightily in the face of suffering is because they will not accept that it never has any purpose. It is senseless, neither bad nor good- because categories such as good and evil are meaningless in the universe we live in. "We humans have purpose on the brain," he argues. "Show us almost any object or process and it is hard for us to resist the 'Why' question...It is an almost universal delusion...The old temptation comes back with a vengeance when tragedy strikes..."Why oh why, did the cancer/earthquake/hurricane have to strike my child?" But he argues that this agony happens because "we cannot admit that things might be neither good nor evil, neither cruel nor kind, but simply callous-indifferent to all suffering, lacking purpose....DNA neither knows nor cares. DNA just is. And we dance to its music.
Timothy J. Keller (Walking with God through Pain and Suffering)
SINKING UNDER TREASURES Watch out! Be on your guard against all kinds of greed; life does not consist in an abundance of possessions. Luke 12:15 One of the worst nautical disasters in British history was the 1859 wreck of the Royal Charter steam clipper. Hammered by hurricane winds and thrown upon the rocks, an estimated 450 people were killed. There were only thirty-nine survivors. Among the passengers were gold miners who had struck it rich in Australia and were now returning to England. Many of them died weighed down by belts loaded with gold. Their gold, far from ensuring their future, might actually have contributed to their deaths. Even worse, their greed likely prevented them from helping others. Not a single woman or child was saved from the ship. Greed is a terrible thing, a corrupting thing, that can blind us to our real needs and certainly to the needs of others. If there is no truer love than laying down one’s life for one’s friends, how much truer is it that we should lay down belts of gold in order to save the lives of women and children? SWEET FREEDOM IN Action We should not put our trust in riches, but in our faith, which promises a brighter future than gold can ever deliver. Today, take stock of your possessions and take note of those things that might be dragging you down or distracting you from living a more abundant spiritual life. Remember that your real life jacket is your faith.
Sarah Palin (Sweet Freedom: A Devotional)
I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height. As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative.
Gerald Heard (Dromenon: The Best Weird Stories of Gerald Heard)
You are responsible for your life,” he roared, lecturing a group of us one night. “The sooner you see how you have determined your fate, the sooner and more completely you will have the life you want.” I understood his point, but the more I thought about it, the more I found myself questioning it. My mind wandered to many of the difficulties that I had had to contend with through no fault of my own: my parents’ separation and subsequent divorce when I was a child; being raised by a single mother who had less money than most of the parents whose children I grew up with; having a father who was someone I was in awe of from afar more than a real or loving presence in my life. The more I considered it, the more convinced I became that I had had little to do with the circumstances determining my fate, and the more Mani’s statement bothered me. It certainly wasn’t a particularly enlightened or compassionate view of the world, I thought, reflecting on the lives of other people I knew whose circumstances were far less fortunate than mine, also through no fault of their own. My attention drifted back to Mani’s words just in time to hear him acknowledge that no one controls all the circumstances in which they find themselves. Hurricanes, earthquakes, fires, misfortune, blighted childhoods, abuse, war, and disease are not things that anyone consciously chooses. “However,” he continued, holding to his point, “because you choose how you will respond to these circumstances, it is you and only you who, in the end, has and will determine your destiny.” I left the lecture that night with the words “You are responsible for your life” bouncing in my head. It would be a while before I would come to accept them completely.
Rod Stryker (The Four Desires: Creating a Life of Purpose, Happiness, Prosperity, and Freedom)
Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber
Louise Erdrich (The Sentence)
You, my child, were created in a hurricane, leaving destruction in your wake. You, as they say, are a storm with skin. Death and rebirth will follow you everywhere. How can one man who knows nothing of the weight of
Tiffany D. Jackson (The Weight of Blood)
It does not look good for a child today going into the future.
Steven Magee
Later, this understanding evolved into a fear of my own susceptibility to madness, but as a child I simply understood that a person could not live with an open channel to the sublime inside them; it was impossible to hold on to the collective story of human life with that live cord writhing through you, showering sparks like a downed wire in a hurricane. Human life was defined by composure and linearity, school bus routes and homework and gender and bedtimes and taxes. Though I could meet its requirements most of the time, I knew my adherence to the logic of reality was tenuous, that a more feral sensibility reigned beneath it.
Melissa Febos (Girlhood)
His favorites were the handful of adventure books, the ones that let him pretend he was a knight fighting a dragon to rescue a kidnapped princess, or an explorer sailing on the high seas, holding tight to a mast while a hurricane raged about him. He liked to forget he was Luke Garner, third child hidden in the attic.
Margaret Peterson Haddix (Among the Hidden (Shadow Children, #1))
But I rather like it. This swift change of scene, this blending of motion and experience-it is much better than heavy, long-drawn-out kind of writing to which we are accustomed. It is closer to life. In life, too, changes and transitions flash by before our eyes, and emotions of the soul are like a hurricane. The cinema has divined the mystery of motion. And that is greatness. "When I was writing 'The Living Corpse,' I tore my hair and chewed my fingers because I could not give enough scenes, enough pictures, because I could not pass rapidly enough from one event to another. The accursed stage was like a halter choking the throat of the dramatist; and I had to cut the life and swing of the work according to the dimensions and requirements of the stage. I remember when I was told that some clever person had devised a scheme for a revolving stage, on which a number of scenes could be prepared in advance. I rejoiced like a child, and allowed myself to write ten scenes into my play. Even then I was afraid the play would be killed. "But the films! They are wonderful! Drr! and a scene is ready! Drr! and we have another! We have the sea, the coast, the city, the palace-and in the palace there is tragedy (there Is always tragedy in palaces, as we see in Shakespeare). "I am seriously thinking of writing a play for the screen. I have a subject for it. It is a terrible and bloody theme. I am not afraid of bloody themes. Take Homer or the Bible, for instance. How many bloodthirsty passages there are in them- murders, wars. And yet these are the sacred books, and they ennoble and uplift the people. It is not the subject itself that is so terrible. It is the propagation of bloodshed, and the justification for it, that is really terrible! Some friends of mine returned from Kursk recently and told me a shocking incident. It is a story for the films. You couldn't write it in fiction or for the stage. But on the screen it would be good. Listen-it may turn out to be a powerful thing!
Leo Tolstoy
After any highly stressful event, such as an automobile accident, it is normal for memories, emotions, and sensations associated with the trauma to flood involuntarily into consciousness. In most cases, people replay these memories over and over again, and this "replay" mechanism actually helps defuse their emotional content and allows people to put the experience behind them. This kind of mental processing is healthy and does not lead to long-term problems. But events that are extremely traumatic—being caught in a hurricane, attacked in a war, being the victim of an assault or a rape, or having suffered severe abuse as a child—are not effectively processed by some people. When images or memories of the event return, they are not able to think about them analytically or dispassionately, but instead they reexperience the terror all over again. These intrusive thoughts do not fade with time but are persistent, and each time they occur they are newly traumatizing. Such people are haunted by nightmares, flashbacks, and feelings of anxiety, fear, and foreboding that make them experience the trauma not as a painful event of the past but as a real, in-the-present, on-going threat. As a result, their entire stress-response system, in body and mind, becomes stuck in a state of constant alert, but the state tends to be unstable. Their emotions tend to swing from one extreme to its opposite. To cope with such emotional overload, these people organize their lives around avoiding any reminder of the trauma and the feelings it invokes. It is ultimately a futile struggle, however—like fighting an invisible enemy. The battle for control sets off a vicious cycle of intrusive thoughts that produce fear and anxiety followed by desperate attempts to achieve psychological numbing to reduce the anxiety. They progressively lose the ability to control or modulate their physiological response to any kind of stressor, and stimuli completely unrelated to the trauma may trigger intrusive memories. Lit up like a pinball machine, all their internal bells and whistles blaring, they cannot articulate how they feel because they cannot decipher the messages that their nervous system is sending them. Eventually, just having a feeling, any feeling, can seem enormously threatening.
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
Children are especially dependent on their parents and caregivers to provide the stability and unconditional love that will help them establish a core of resiliency and a sense of self-efficacy to draw upon when faced with adversity later in life. Childhood events that can lead to PTSD and serious difficulties in regulating emotions, and are often linked in research to cutting, certainly include the most abject forms of abuse—physical, sexual, and emotional. But a child's emotional response system—which is controlled by the still developing brain, the sympathetic nervous system, and stress hormones—can be thrown off-kilter by a wide range of painful experiences, whether they are the result of intentionally abusive acts or purely accidental circumstances. Confusing and overwhelming feelings experienced as a result of adoption or abandonment, natural disasters (such as hurricanes or earthquakes,) deaths in the family, serious illness or disability, or witnessing or being the victim of an accident or violent crime can result in symptoms of posttraumatic stress. These kinds of taxing and traumatic events, as well as other societal stressors—from school bullying to identity struggles to perfectionism to body-image issues and the eating disorders often associated with them—have been linked to cutting in various populations.
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
Their first and only child was born on 4 May 1929, on John’s fine old estate near Brussels. Edda Kathleen Hepburn van Heemstra, a long baby with the prettiest, ‘laughing’ eyes, came into the world at a time of grave economic and political unrest. The impending slump of 1929, with the crash of the New York Stock Exchange, would shake the financial structure of the whole world to its foundations. No continent would escape the catastrophe, but in Europe its consequences would be tragic. The slump would sweep through Belgium, the Netherlands and Germany like a hurricane, leaving wreckage and despair in its wake.
Ian Woodward (Audrey Hepburn: Fair Lady of the Screen)
Scarlett Mistry supposed there were natural disasters everywhere. But it was all so very inconvenient. When she was a child, her father had gone apoplectic over a hurricane that had flattened one of their multi-million-dollar high-rises in Miami Beach. A landslide in Vail had once collapsed the roof of a Mistry Hotels chalet. And her mother was constantly threatening to sell off the property in New Orleans before the levees gave way for good. Even in her family's native Gujarat, India, there were terrible floods when the monsoons came. Property was a risky way to make a living, in Scarlett's opinion - not that she'd ever say as much to her parents. She'd long ago decided on an alternative route to fame and fortune, one free from the uncertainty of climate change and its unpredictable effect on the real estate market. Unfortunately, she hadn't factored in power outages. So instead of being able to check any of her feeds, she was stuck sitting in a wingback chair, her phone as dead as a brick in her hand, and listening to Orchid pepper the townie with questions about how bad the storm had gotten. He wasn't big on details, that Vaughn Green. Not that Scarlett needed Vaughn's opinion on how screwed they all were. After all, she was spending the afternoon sitting under a quilt by a fire like some sort of pioneer girl.
Diana Peterfreund (In the Hall with the Knife (Clue Mystery, #1))
fate could come along and intervene and change the course of one’s life in the breath of a moment. One tragic fall, a bitter divorce, a child’s decision, a hurricane.
Mary Alice Monroe (The Summer Guests)
There’s much more in this life to fear than just spirits, and if I let fear rule my every move, I will become nothing more than a little ghost child myself. I want to be brave. I want to live the life I was given. So what if the spirits hear us call their names? Let them hear it.
Kacen Callender (Hurricane Child)
[...] his friends were all a bunch of poor cunts and his mother was a fool who still believed her man was coming back one day, a fucking fool who pretended she didn’t know that Brando’s dad had another family over in Palogacho and only sent them money each month because he felt guilty for having tossed them out like rubbish bags, as if we were pieces of shit, Mum, wake the fuck up: what’s the point in all that praying, what good does it do if you can’t even see straight, if you can’t see what everyone else does, you stupid, stupid woman! But she would just lock herself in her room and chant her litanies, almost shouting them to block out Brando’s raging and bashing against her door, the kicking and thumping that he would have happily aimed at her rotten mug, to see if that way she’d get it through her thick skull, to see if she’d just die and fuck off once and for all to her motherfucking promised land and stop banging on at him with her prayers and her sermons, her moaning and snivelling, all that: Lord, what have I done to deserve this child? Where’s my darling boy, my sweet, dear little Brando? How could you allow the devil to enter him, Lord? The devil doesn’t exist, he’d shout back, or your shitty God, and his mother would let out an anguished wail followed by more prayers, intoned with even greater intensity, even greater devotion, to make up for her son’s blasphemes, before Brando stormed off to the bathroom, where he’d stand before the mirror and stare at the reflection of his face until it looked like his black pupils, together with his equally black irises, had dilated so wide that they covered the entire surface of the mirror, a forbidding darkness cloaking everything: a darkness devoid of even the solace of the incandescent fires of hell; a desolate, dead darkness, a void from which nothing and no one could ever rescue him: not the wide-open mouths of the poofs who approached him in the clubs on the highway, not his nocturnal escapades in search of dog orgies, not even the memory of what he and Luismi had done, not even that [...]
Fernanda Melchor (Hurricane Season)
I’ve never been afraid to speak my mind before in my life. That’s what feels worse than anything else. Silencing myself, when I’ve so often fought to be heard against people like Missus Wilhelmina and Anise Fowler and her hyenas. They aren’t telling me to shut up now. I’m telling myself. I’m a traitor to my own voice.
Kacen Callender (Hurricane Child)
the phrase “elite panic” was coined by her peers, Rutgers University professors Caron Chess and Lee Clarke. Clarke told me, “Caron said: to heck with this idea about regular people panicking; it’s the elites that we see panicking. The distinguishing thing about elite panic as compared to regular-people panic, is that what elites will panic about is the possibility that we will panic. It is simply, more prosaically more important when they panic because they’re in positions of influence, positions of power. They’re in positions where they can move resources around so they can keep information close to the vest. It’s a very paternalistic orientation to governance. It’s how you might treat a child. If you’re the mayor of a city and you get bad news about something that might be coming your way and you’re worried that people might behave like little children, you don’t tell them. You presume instead that the police are going to maintain order, if the thing actually comes: a dirty bomb, a tornado, a hurricane into lower Manhattan. As we define it, elite panic, as does general panic, involves the breaking of social bonds. In the case of elite panic it involves the breaking of social bonds between people in positions that are higher than we are. . . . So there is some breaking of the social bond, and the person in the elite position does something that creates greater danger.
Rebecca Solnit (A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster)