Chat Me Quotes

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I walked a mile with Pleasure; She chatted all the way; But left me none the wiser For all she had to say. I walked a mile with Sorrow; And ne’er a word said she; But, oh! The things I learned from her, When Sorrow walked with me.
Robert Browning Hamilton
Who're you going with, then?" said Ron. "Angelina," said Fred promptly, without a trace of embarrassment. "What?" said Ron, taken aback. "You've already asked her?" "Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!" Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him. "What?" She called back. "Want to come to the ball with me?" Angelina gave Fred a sort of appraising look. "All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face. "There you go," said Fred to Harry and Ron, "piece of cake.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I'm always so glad I have no idea what you're vacantly chatting about," said Jace. It fills me with a sense of peace and well-being.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact I called to give you the good news. I asked you daughter to marry me. Now, do you want me to call you Mum straightaway, or wait until after the wedding?
Jeaniene Frost (At Grave's End (Night Huntress, #3))
Vane grabbed me. “DuLac, let’s chat.” Chat. British-speak for “Stand still while I yell at you.
Priya Ardis (My Merlin Awakening (My Merlin, #2))
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." "Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
I hope it is not necessary for me to stress the platonic nature of our relationship- not platonic in the purest sense, there was no philosophical discourse, but we certainly didn't fuck, which is usually what people mean by platonic; which I bet would really piss Plato off, that for all his thinking and chatting his name has become an adjective for describing sexless trysts.
Russell Brand (My Booky Wook)
I texted Kaidan, who was listed in my contacts under “James,” for James Bond. He’d chosen it. He had me listed as “Hot Chick From Gig.” Video chat in 30. His immediate response made me shake my head. Clothing optional? It was nice to know he could keep a sense of humor in the face of calamity. Or maybe he wasn’t joking... “Are you two flirting?” Patti asked, her eyes darting to me from the road. I blushed and deleted his message.
Wendy Higgins (Sweet Reckoning (Sweet, #3))
Just as the door opens, I look intently at the screen and act like I'm still chatting with her mother. '--And she stuck her finger in my ass when she was blowing me, which was fucking incredible. I never thought I'd enjoy having anything up there, but--' Grace screams in horror.
Elle Kennedy (The Mistake (Off-Campus, #2))
Just hear me out. While you were napping, I was busy chatting up our allies. Didn't you know--your woman's a golden-tongued ambassador! My sisters always said I graduated from the shock-and-awe school of diplomacy, but joke 'em if they can't take a fuck, right?
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Whenever I felt like that, I would have a chat with my own Fat Mary. She was like the sweet fresh air after the rain. She brought me newness, clarity, and relief. She managed to get in touch with and resurrect the free spirit deep inside me. Being one with the spirit allowed me to soar above my everyday reality. I marveled at the beauty of all life and savored the power and possibilities of my imagination.
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
He grinned. "You're jealous." I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good." "I stared at her because she smelled strange." "Strange how?" "She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive." "I never get fussy and possessive." He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?" "Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?" He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?" I laughed. Curran's eyes focused. He was concentrating on something. "You're taking a mental inventory of all people working on the third floor, aren't you?" His expression went blank. I'd hit the nail on the head. I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back. "Is it Jordan?" "I just picked a random floor," I told him. "You're nuts, you know that?" He put his arm around me. "Look who is talking.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
And this was your friend?" Cordelia raised her eyebrows. "Seems to me the only difference between your friends and your enemies is how long the stand around chatting before they shoot you.
Lois McMaster Bujold (Shards of Honour (Vorkosigan Saga, #1))
He leaned deeper toward me and said softly, "I'm gonna tell you what I make of this. What I make of it, Gwendolyn, is if my woman had a sister who I knew was in some serious shit, she would not be havin' a chat with Kane Allen, she would not be sleepin' alone and therefore she would not ever have to worry about whether she needs a baseball bat of crowbar because she'd be in bed beside me." Mitch Lawson
Kristen Ashley (Mystery Man (Dream Man, #1))
All the people are chatting and laughing and smiling and it sort of makes me feel a bit sad, like I’m watching them through a dirty window.
Alice Oseman (Solitaire)
i love playing and chatting with children...feeding and putting them to bed with a little story, and being away from the family has troubled me throughout my...life. i like relaxing at the house, reading quietly, taking in the sweet smell that comes from the pots, sitting around a table with the family and taking out my wife and children. when you can no longer enjoy these simple pleasures something valuable is taken away from your life and you feel it in your daily work.
Nelson Mandela (Conversations With Myself)
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
Sally Thorne (The Hating Game)
But—let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living room—has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steak—and it's gone. And there's the family cat, in the corner, sedately washing it's face." "The cat got the steak," Barney said. "Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
Philip K. Dick (The Three Stigmata of Palmer Eldritch)
Listen up, ’cause I’m only gonna say this once,” Ty muttered as they walked to their gate. “I don’t talk when I fly. I sleep. And I don’t listen when I eat, understand? I don’t wanna be buddies. I don’t wanna chat,” he said with a sarcastic lilt to the word. “I don’t wanna know about your childhood or how your momma whipped you with a rubber glove or how much therapy you had to go through ’cause you flunked out of preschool. I don’t wanna hear about how you want to be Director someday or how many collars you got chasin’ those Internet freaks or how proud you are of your bowel movements. I don’t wanna go shopping at Barney’s with you, and I’m not gonna help you pick out your ties to match your socks and, I swear to God, if you get me shot, I’ll kill you.
Abigail Roux (Cut & Run (Cut & Run, #1))
You only had to choose which me to talk to, for, you know, we all change our manners, depending on who has come to chat. One doesn’t behave at all the same way to a grandfather as to a bosom friend, to a professor as to a curious niece.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
Elizabeth Wurtzel (Prozac Nation)
That's me," Tack answered. "Full of surprises. Now, you gonna give Lawson his assurances and make your call or are we gonna get out our knitting needles and chat while we make scarves.
Kristen Ashley (Law Man (Dream Man, #3))
Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
He gulped. "No, we aren't done chatting. Why aren't you afraid of dying?" "Everything and everyone has an end," she said. "I mean, you're going to be killed soon and though I loathe the thought, you don't see me crying about that, either. I know what will happen, and I accept what cannot be changed. I'm trying to live while I can. While WE can. Dwelling on the bad is what destroys all hints of joy.
Gena Showalter (The Darkest Passion (Lords of the Underworld, #5))
Lovely chatting with you, darling, but I've got to run. Face it, you're always more content when you're chasing me than when you have me locked up. I think we're going to have a lot of fun.
Chelsea Cain (Kill You Twice (Archie Sheridan & Gretchen Lowell, #5))
Come live with me and be my love And we will all the pleasures prove Of a marriage conducted with economy In the Twentieth Century Anno Donomy. We’ll live in a dear little walk-up flat With practically room to swing a cat And a potted cactus to give it hauteur And a bathtub equipped with dark brown water. We’ll eat, without undue discouragement, Foods low in cost but high in nouragement And quaff with pleasure, while chatting wittily, The peculiar wine of Little Italy. We’ll remind each other it’s smart to be thrifty And buy our clothes for something-fifty. We’ll bus for miles on holidays For seas at depressing matinees, And every Sunday we’ll have a lark And take a walk in Central Park. And one of these days not too remote You’ll probably up and cut my throat.
Ogden Nash (Hard Lines)
Actually, Justina, I didn't just ring you to chat about what an undead murderer I was...right, degenerate whore as well. Did I ever tell you my mum was one? No? Oh, blimey, I come from a long line of whores, in fact..." I sucked in a breath as Bones divulged yet another tidbit about his past to my mother, who must be frothing at the mouth by now. "...called to give you the good news. I asked your daughter to marry me and she accepted. Congratulations, I will officially be your son-in-law. Now, do you want me to call you Mum straightaway, or wait until after the wedding?" I flew through the air in a dive that finally tackled him, wrenching the phone away. Bones was laughing so hard, he had to breathe to get it all out. "Mom? Are you there? Mom...?" "You might want to give her a moment, Kitten. I believe she fainted.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
I don't know what you want, Haley. Just because you got me off doesn't mean I have to engage in post-fuck chat. So back off.
Sydney Croft (Riding the Storm (ACRO, #1))
On the third day, it hit me what he was doing. He was taking his time. Allowing me to chat with townsfolk, window shop, smell the flowers, taste the foods and drink in the landscape. He was giving me his world.
Kristen Ashley (Fantastical (Fantasyland, #3))
MORGAN: Help me out here. THEO: What's up? MORGAN: Don't make me spell it out, Theo. THEO: Oh. MORGAN:Just talk dirty for a while. THEO: Blue-sky thinking. Thought shower. Full spectrum leadership. MORGAN: NOT corporate dirty. Sex dirty. THEO: I wouldn't know where to start.
Con Riley (After Ben (Seattle Stories, #1))
I always feel myself being thrust back into loneliness when someone tells me it's cold on a hot day. It isn't good to talk so much about the weather — weather is a highly personal matter, and communication on the subject inevitably fails.
Yōko Tawada (Memoirs of a Polar Bear)
Huxley: "Tell me something Bryce, do you know the difference between a Jersey, a Guernsey, a Holstein, and an Ayershire?" Bryce: "No." Huxley: "Seabags Brown does." Bryce: "I don't see what that has to do..." Huxley: "What do you know about Gaelic history?" Bryce: "Not much." Huxley: "Then why don't you sit down one day with Gunner McQuade. He is an expert. Speaks the language, too." Bryce: "I don't..." Huxley: " What do you know about astronomy?" Bryce: "A little." Huxley: "Discuss it with Wellman, he held a fellowship." Bryce: "This is most puzzling." Huxley: "What about Homer, ever read Homer?" Bryce: "Of course I've read Homer." Huxley: "In the original Greek?" Bryce: "No" Huxley: "Then chat with Pfc. Hodgkiss. Loves to read the ancient Greek." Bryce: "Would you kindly get to the point?" Huxley: "The point is this, Bryce. What makes you think you are so goddam superior? Who gave you the bright idea that you had a corner on the world's knowledge? There are privates in this battalion who can piss more brains down a slit trench then you'll ever have. You're the most pretentious, egotistical individual I've ever encountered. Your superiority complex reeks. I've seen the way you treat men, like a big strutting peacock. Why, you've had them do everything but wipe your ass.
Leon Uris (Battle Cry)
Good-bye, Pen Leland. If we meet again, maybe in London next season, you'll pardon me if I don't pursue an acquaintance with you. It's hard to chat about the weather when one's heart is breaking—
Marissa Doyle (Betraying Season (Leland Sisters, #2))
I develop oddly deep emotional connections to people in my life that are one-sided. I may just be a passing character to them. I don't know what that is. I don't know why that is. I can have one encounter with somebody and feel very connected to them and read a lot into that. They become very important people to me, but to them I may just be like, "Oh yeah, we talked that one time, right?" To me it's a live-changing moment that bonded us; to them, it was a five-minute polite chat in passing.
Marc Maron (Attempting Normal)
Nice chatting with you, Torin. I'd say don't ever speak to me again but that would be pointless because you're always around, stalking me, waiting to play the hero. Whatever game you're playing, it's not working. I already have a hero and he's... he's mortal and amazing. When we kiss, I don't think, I feel.
Ednah Walters (Runes (Runes, #1))
It's bewildering to me how you can just start chatting with a complete stranger on Facebook, and - next thing you know - it seems as if there's some intense connection with the person - or at least you feel that closeness and hope it's mutual
Zack Love (The Syrian Virgin (The Syrian Virgin, #1))
I once tried to give him a friendly little "drugs chat". He politely corrected me on every single fact, then said he'd noticed I drank above the recommended guidelines of Red Bull and did I think I might have an addiction? That was the last time I tried to act like the older sister.
Sophie Kinsella
In Memory of M. B. Here is my gift, not roses on your grave, not sticks of burning incense. You lived aloof, maintaining to the end your magnificent disdain. You drank wine, and told the wittiest jokes, and suffocated inside stifling walls. Alone you let the terrible stranger in, and stayed with her alone. Now you’re gone, and nobody says a word about your troubled and exalted life. Only my voice, like a flute, will mourn at your dumb funeral feast. Oh, who would have dared believe that half-crazed I, I, sick with grief for the buried past, I, smoldering on a slow fire, having lost everything and forgotten all, would be fated to commemorate a man so full of strength and will and bright inventions, who only yesterday it seems, chatted with me, hiding the tremor of his mortal pain.
Anna Akhmatova
If you’re looking for lollipops and rainbows while you shop for the latest best seller, you best not come to me. I won’t chat you up and tell you how cute your kid is. I won’t smile and flirt. I won’t stroke your ego about the jewelry you are wearing or the shirt you have on. I will help you find what you need. I will recommend books and hell I even talk about what I liked about one book over another but all that other shit is just not my thing.
J.L. Mac (Wreck Me (Wrecked, #1))
Back on the ferry, I sip some vodka on the rocks and have a chat with God. Me: (desperately) What the *&%$# am I going to do? God: Me: (surprised) Really? After all those Sundays of being a back up singer for Jesus, you got nothing to say? God: Me: (humbly) Help me out here.
Lexis De Rothschild (The Cat Letters: A Tale of Longing, Adventure and True Love)
I thought you wanted me to talk more," he said when he noticed her silence. "Can't have it both ways, Stephanie. I can't be quiet when you want to sulk and chatty when you want to chat. That's not how it works. That's not how I work." "I'm not sulking." "Well, you're doing something with your face that resembles sulking. Are you glowering? You might be glowering. Glowering is like sulking only scarier.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
As people chat with me and learn that I have studied movements elsewhere, one question keeps coming up: “How do you think this will end?” I say that I do not know. In the mountains of Chiapas, I learned a Zapatista saying: “Preguntando caminamos.” It means “we walk while asking questions.
Zeynep Tufekci (Twitter and Tear Gas: The Power and Fragility of Networked Protest)
I don't know what you believe in. I believe we just stop. Because if we move on to an afterlife, any kind of afterlife, that means there will be other people there. I'm tired of the chit chat. Oh, that is a handsome boy. He takes after his grandfather. Did they change the breakfast again? It tastes different to me. For Eternity? No thanks.
Joey Comeau (It's Too Late to Say I'm Sorry)
At cocktail parties, I played the part of a successful businessman's wife to perfection. I smiled, I made polite chit-chat, and I dressed the part. Denial and rationalization were two of my most effective tools in working my way through our social obligations. I believed that playing the roles of wife and mother were the least I could do to help support Tom's career. During the day, I was a puzzle with innumerable pieces. One piece made my family a nourishing breakfast. Another piece ferried the kids to school and to soccer practice. A third piece managed to trip to the grocery store. There was also a piece that wanted to sleep for eighteen hours a day and the piece that woke up shaking from yet another nightmare. And there was the piece that attended business functions and actually fooled people into thinking I might have something constructive to offer. I was a circus performer traversing the tightwire, and I could fall off into a vortex devoid of reality at any moment. There was, and had been for a very long time, an intense sense of despair. A self-deprecating voice inside told me I had no chance of getting better. I lived in an emotional black hole. p20-21, talking about dissociative identity disorder (formerly multiple personality disorder).
Suzie Burke (Wholeness: My Healing Journey from Ritual Abuse)
In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.’ In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways. We had, indeed, one very great advantage over our ancestors—anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances… and in which death itself was not a chance at all, but a certainty. This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
C.S. Lewis
But not in “normal” people like me. They don’t realize that evil lives on their street. Works in the cubicle next to them. Chats with them in the checkout line at CVS. Reads a paperback on the train next to them. Runs on a treadmill at their gym. Or marries their daughter. We’re here, and we prey on you. We target you. We groom you.
Lisa Scottoline (Every Fifteen Minutes)
Was I better? Before Shropshire I'd felt broken, as though I would fall should the scaffold of my work be removed. I didn't feel that now, but there was a fine crack through the middle of me, and I suspected it might never mend. I remembered Lizzie apologising to Mrs Lloyd the first time she stayed to chat, for the chip in the cup. 'A chip doesn't stop it from holding tea,' Mrs Lloyd had said.
Pip Williams (The Dictionary of Lost Words)
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social center, for it's here that I meet others. But I'm neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlors, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colors and sounds of the landscape, and I softly sing - for myself alone - wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I'm given and the soul I'm given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don't read it, or are not entertained, that's fine too.
Fernando Pessoa (The Book of Disquiet)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
I really just want someone to come over and brush my hair or let me cry in their lap while they pet my head and tell me I'll be okay." And I cried harder because I felt so ashamed to want that from a friend—from someone who was not a romantic partner or a parent⁠—because I didn't have either right now but I still wanted it. We section off physical comfort and intimacy so heavily. We reserve it for partners only, and platonic friends can only chit-chat and that's it. How can you tell people to be okay with being single while also telling them they can only get the basic human needs of physical touch from not being single?
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
Ronan,” said Declan. The word was loaded with additional meaning: I see you’ve only just come out of school and already your uniform looks like hell; nothing is shocking here. He gestured to the Volvo. “Join me in my office.” Ronan did not want to join him in his office. Ronan wanted to stop feeling like he had drunk battery acid. “What do you need with Ronan?” Gansey asked. His “Ronan” was loaded with additional meaning, too: Was this prearranged and tell me what is happening and do you need me to intervene? “Just a little family chat,” Declan said. Ronan looked at Gansey entreatingly. “Is it a family chat that could happen on the way to Fox Way?” Gansey asked, all polite power. “Because he and I were just headed over there.” Ordinarily, Declan would have stepped off at the slightest pressure from Gansey, but he said, “Oh, I can drop him off there after we’re done. Just a few minutes.” “Ronan!” Matthew reached his hand out the window towards Ronan. His ebullient “Ronan” was another version of please. Trapped. “Miseria fortes viros, Ronan,” Adam said. When he said “Ronan,” it meant: Ronan.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
J’ai réfléchi, je ne me fais pas d’illusions, je t’aime mais je n’ai pas confiance en toi. Puisque ce que nous vivons n’est pas réel, alors c’est un jeu. Je n’ai plus l’âge de jouer à chat. Ne cherche pas à m’appeler, ni à savoir où je suis, ni comment je vis, je crois que ce n’est plus le problème. J’ai réfléchi, je pense que c’est la meilleure solution, faire comme toi, vivre de mon côté en t’aimant bien mais de loin. Je ne veux pas attendre tes coups de téléphone, je ne veux pas m’empêcher de tomber amoureuse. J’ai réfléchi, je veux bien essayer. C’est à prendre ou à laisser…
Anna Gavalda (Someone I Loved (Je l'aimais))
Paul. Look at me. You need to understand this. The worst thing that could have happened to me already happened." He looks up. She swallows, knowing that these are the words that stall; that may simply refuse to emerge. "Four years ago David and I went to bed like it was any other night, brushing our teeth reading our books, chatting about a restaurant we were going to the next day...and when I woke up the next morning he was there beside me, cold. Blue. I didn't...I didn't feel him go. I didn't even get to say..." There is a short silence. "Can you imagine knowing you slept through the person you love most dying next to you ? Knowing that there might have been something you could have done to help him ? To save him ? Not knowing if he was looking at you, silently begging you to..." The words fail, her breath catches, a familiar tide threatens to wash over her He reaches out his hands slowly, enfolds hers within them until she can speak again. "I thought the world had actually ended. I thought nothing good could ever happen again. I thought any thing might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, life gradually became liveable again." She leans closer to him. "So this...the painting, the house...It hit me when I heard what happened to Sophie. It's just stuff. They could take all of it, frankly. the only thing that matters is people." She looks down at his hands, and her voice cracks. "All that really matters is who you love.
Jojo Moyes (The Girl You Left Behind)
I hated making small talk and avoided people in the grocery store and other places just so that i wouldn't have to think of things to say. I liked people, i cared about them, and i wanted to be a good person, but don't make me chat idly on the telephone or make pleasant conversation just for the sake of being polite.- Josie Jo Jensen
Amy Harmon (Running Barefoot)
I hope he invites me to walk with him, or at least share some local gossip. My heart is singing . . . but no duet. Duets and collaborations. All of nature longs for harmony. Girls are no different. Men need to realize, life is not a solo act. Unity is a potent force, but men don't always see the importance of unifying with a good woman. Find the right woman and watch a man's world transform into a modern-day Paradise. All I'm asking for is a little noticing and a chat or two.
Michael Ben Zehabe (Persianality)
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
Cecelia Ahern (Love, Rosie)
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I’m given and the soul I was given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don’t read it, or are not entertained, that’s fine too
Fernando Pessoa
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away. "Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four." He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore. "Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time." "I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill." I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him.Only our lips touch. "You're brilliant,you know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?" "I hope so," I say.
Veronica Roth (Divergent (Divergent, #1))
A me non piacciono molto i libri che vai avanti perché vuoi vedere come va a finire. Mi piacciono quelli in cui, potendo, staresti lì, senza andare avanti. Quelli che sono un paesaggio, e non una strada. Per cui anche quando scrivo libri che sono strade (Seta, ad esempio, lo era) li scrivo come uno che costantemente si lascia distrarre dal paesaggio, e perde tempo per strada, e alla fine si siede sotto un albero e guarda quello che c'è intorno, e parte con la fantasia.
Alessandro Baricco
Early one beautiful summer evening, when everyone else was drinking indoors, Tony and I walked down to the river. We lay on the grass under a tree and chatted. At one point, Tony said, "Look at the pattern of lace the leaves make against the sky." I looked at the canopy above us, and suddenly saw what he saw. My perspective completely shifted. I realized I didn't have his "eyes" -- though once he pointed it out, it became obvious. It made me think, "My God, I never look enough," and in the years since, I've tried very hard to look -- and look again.
Julie Andrews Edwards (Home: A Memoir of My Early Years)
She looked at him. Then she looked at the table stacked with books. Her lips curved in a wicked smile. “If you want us to keep pretending that you’re sorting old books whenever we come by to chat, you shouldn’t slam them on the table. We all know you wouldn’t do that to a book that was truly ancient and fragile.” He closed his eyes and promised himself that he would not whimper. “You all know ?” “Well, I don’t think any of the boyos have figured it out, but all of the coven knows.” May the Darkness have mercy on me. “Come on, Papa. Let’s go bwaa ha ha.
Anne Bishop (Tangled Webs (The Black Jewels, #6))
A qui écris-tu? -A toi. En fait, je ne t'écris pas vraiment, j'écris ce que j'ai envie de faire avec toi... Il y avait des feuilles partout. Autour d'elle, à ses pieds, sur le lit. J'en ai pris une au hasard: "...Pique-niquer, faire la sieste au bord d'une rivière, manger des pêches, des crevettes, des croissants, du riz gluant, nager, danser, m'acheter des chaussures, de la lingerie, du parfum, lire le journal, lécher les vitrines, prendre le métro, surveiller l'heure, te pousser quand tu prends toute la place, étendre le linge, aller à l'Opéra, faire des barbecues, râler parce que tu as oublié le charbon, me laver les dents en même temps que toi, t'acheter des caleçons, tondre la pelouse, lire le journal par-dessus ton épaule, t'empêcher de manger trop de cacahuètes, visiter les caves de la Loire, et celles de la Hunter Valley, faire l'idiote, jacasser, cueillir des mûres, cuisiner, jardiner, te réveiller encore parce que tu ronfles, aller au zoo, aux puces, à Paris, à Londres, te chanter des chansons, arrêter de fumer, te demander de me couper les ongles, acheter de la vaisselle, des bêtises, des choses qui ne servent à rien, manger des glaces, regarder les gens, te battre aux échecs, écouter du jazz, du reggae, danser le mambo et le cha-cha-cha, m'ennuyer, faire des caprices, bouder, rire, t'entortiller autour de mon petit doigt, chercher une maison avec vue sur les vaches, remplir d'indécents Caddie, repeindre un plafond, coudre des rideaux, rester des heures à table à discuter avec des gens intéressants, te tenir par la barbichette, te couper les cheveux, enlever les mauvaises herbes, laver la voiture, voir la mer, t'appeler encore, te dire des mots crus, apprendre à tricoter, te tricoter une écharpe, défaire cette horreur, recueillir des chats, des chiens, des perroquets, des éléphants, louer des bicyclettes, ne pas s'en servir, rester dans un hamac, boire des margaritas à l'ombre, tricher, apprendre à me servir d'un fer à repasser, jeter le fer à repasser par la fenêtre, chanter sous la pluie, fuire les touristes, m'enivrer, te dire toute la vérité, me souvenir que toute vérité n'est pas bonne à dire, t'écouter, te donner la main, récupérer mon fer à repasser, écouter les paroles des chansons, mettre le réveil, oublier nos valises, m'arrêter de courir, descendre les poubelles, te demander si tu m'aimes toujours, discuter avec la voisine, te raconter mon enfance, faire des mouillettes, des étiquettes pour les pots de confiture..." Et ça continuais comme ça pendant des pages et des pages...
Anna Gavalda (Someone I Loved (Je l'aimais))
She hugged me tight, and I hugged her back. I was going to miss her—I knew it. But somehow, I had the feeling that we were going to be okay. I didn’t know what would happen with us. Maybe we’d find a way to attend the same college and be roommates and have the most amazingly decorated dorm room ever. Maybe we’d end up being pen pals, sending lists back and forth. Or we’d just stick to talking twice a week, or we’d video chat, or else just spend all our money traveling to hang out with each other on weekends. I somehow knew that the particulars didn’t matter. She was my heart, she was half of me, and nothing, certainly not a few measly hundred miles, was ever going to change that.
Morgan Matson (Since You've Been Gone)
They all stared. Still woozy, Target Four said, “It’s a slitting SecUnit, you pussers, how stupid are you?” Yeah, these Targets are going to be fun to chat with, I can tell already. I told him, “You’re the one who got yourself bodyslammed into station detention, so let’s talk about how dumb you are.” Target Four seemed shocked. “SecUnits aren’t supposed to talk back,” Target Five said weakly. Tell me about it. “Cargo ship crews aren’t supposed to take Port Authority supervisors as hostages, but here we all are.
Martha Wells (Fugitive Telemetry (The Murderbot Diaries, #6))
Why are you here?" I asked him. "That's an awfully big question, Anya." "No, I meant here outside this office. What did you do wrong?" "Multiple choice," he said. "(a) A few pointed comments I made in Theology. (b) Headmaster wants to have a chat with the new kid about wearing hats in school. (c) My schedule. I'm just too darn smart for my classes. (d) My eyewitness account of the girl who poured lasagna over her boyfriend's head. (e.) Headmaster's leaving her husband and wants to run away with me. (f) None of the above. (g) All of the above." "Ex-boyfriend," I mumbled. "Good to know," he said.
Gabrielle Zevin (All These Things I've Done (Birthright, #1))
For she was really too lovely--too formidably lovely. I was used by now to mere unadjectived loveliness, the kind that youth and spirits hang like a rosy veil over commonplace features, an average outline and a pointless merriment. But this was something calculated, accomplished, finished--and just a little worn. It frightened me with my first glimpse of the infinity of beauty and the multiplicity of her pit-falls. What! There were women who need not fear crow's-feet, were more beautiful for being pale, could let a silver hair or two show among the dark, and their eyes brood inwardly while they smiled and chatted? but then no young man was safe for a moment! But then the world I had hitherto known had been only a warm pink nursery, while this new one was a place of darkness, perils and enchantments...
Edith Wharton (Old New York)
One of the more tiring aspects of hitchhiking is a need to be sociable and make conversation with whoever is driving you. It would be considered poor form to accept a ride, hop into the passenger seat and then simply to crash out until you reached your destination. How I longed to do just that, but instead I chatted merrily away, energy ebbing from me with each sentence, until Chris dropped me at the address of the lady who had offered me free B&B. One of the more tiring aspect of accepting an offer of free accommodation is a need to be sociable and make conversation with whoever had offered it to you. It would be considered poor form to turn up, dumb your bags, crawl into your bedroom and order an early morning alarm call. How I longed to do just that, but instead I chatted merrily away to Marjorie, energy ebbing from me with each sentence, until the tea was drunk, the cake was eaten and I finally plucked up the courage to mention just how exhausted I was. I apologised and said that I simply had to grab a couple of hours sleep, and Marjorie understandingly showed me to my room.
Tony Hawks (Round Ireland with a Fridge)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
Oh, very well, do you want to know why Ireally think you should keep a journal?” She nodded. “Because someday you’re going to grow into yourself, and you will be as beautiful as you already are smart. And then you can look back into your diary and realize just how silly little girls like Fiona Bennet are. And you’ll laugh when you remember that your mother said your legs started at your shoulders. And maybe you’ll save a little smile for me when you remember the nice chat we had today.
Julia Quinn (The Secret Diaries of Miss Miranda Cheever (Bevelstoke, #1))
A blast of music echoing down the corridors was his only reply. Alec and Raphael both winced. Raphael glanced up at him. “This is the worst party I’ve ever been to,” he said. “And I hate parties. People keep asking me whether I have extra superpowers, and I tell them they are thinking of Simon, whom I dislike.” “That’s a little harsh,” said Alec. “You have to be harsh with fledglings or they do not learn,” said Raphael sternly. “Besides, his jokes are stupid.” “They’re not all gold,” Alec admitted. “How do you know him?” Raphael snapped his fingers. “Wait, I remember. He’s friends with your annoying blond parabatai, right?” He was, though Simon would probably be surprised to hear it. Alec was very familiar with how Jace behaved when he wanted to be your friend. He didn’t act friendly, which would have been too easy. Instead he just spent a lot of time in your presence until you got used to him being there, which he was clearly now doing with regard to Simon. When Jace and Alec were little, Jace had done a lot of hostile hanging around him, hoping to be noticed and loved. Alec honestly preferred it to awkward getting-to-know-you conversations. “Right. Plus, Simon is sort of dating my sister, Isabelle,” said Alec. “That can’t be,” said Raphael. “Isabelle can do better.” “Er, do you know my sister?” Alec asked. “She threatened me with a candelabra once, but we don’t really chat,” said Raphael. “Which means we have my ideal relationship.” He gave Alec a cold glare. “It’s the relationship I wish I had with all Shadowhunters.” Alec was about to give up and walk away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
I’d found my niche. Since I belonged to no group I learned to move seamlessly between groups. I floated. I was a chameleon, still, a cultural chameleon. I learned how to blend. I could play sports with the jocks. I could talk computers with the nerds. I could jump in the circle and dance with the township kids. I popped around to everyone, working, chatting, telling jokes, making deliveries. I was like a weed dealer, but of food. The weed guy is always welcome at the party. He’s not a part of the circle, but he’s invited into the circle temporarily because of what he can offer. That’s who I was. Always an outsider. As the outsider, you can retreat into a shell, be anonymous, be invisible. Or you can go the other way. You protect yourself by opening up. You don’t ask to be accepted for everything you are, just the one part of yourself that you’re willing to share. For me it was humor. I learned that even though I didn’t belong to one group, I could be a part of any group that was laughing. I’d drop in, pass out the snacks, tell a few jokes. I’d perform for them. I’d catch a bit of their conversation, learn more about their group, and then leave. I never overstayed my welcome. I wasn’t popular, but I wasn’t an outcast. I was everywhere with everybody, and at the same time I was all by myself.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
As soon as the cold became uncomfortable, Eli had opened his shirt and had a nice long chat with the burn on his chest. Karon was happy to help them stick it to the ice and wind spirits, and he cheerfully kept the air around Eli as warm and dry as a smokehouse. “I only wish it didn’t reek of sulfur,” Josef said, pressing up the mountainside. “I’d almost rather deal with the cold.” “Well, don’t let me stop you,” Eli huffed, though even he looked a little green. “Who am I to stand between a man and his frostbite?
Rachel Aaron (The Spirit Eater (The Legend of Eli Monpress, #3))
Skippy, you're the smartest being in the galaxy, right?" "Yup, as far as both of us know." "Great, because I do not understand women. Human women. Can you give me some insight? Help a brother out?" Skippy sighed. Or imitated a sigh, it was convincing. "Joe, I have studied all the literature about human female psychology, read all the books written by and for women, downloaded every blog, every Instagram or Pinterest post, watched every program on the Lifetime channel, listened in on conversations between women, and have chatted online with billions of your females. With all of my processing power, over the equivalent of millions of years of analysis, I have come to one simple conclusion about human females." "And what's that?" I asked eagerly. "Bitches be crazy.
Craig Alanson (Paradise (Expeditionary Force, #3))
Leave this touching and clawing. Let him be to me a spirit. A message, a thought, a sincerity, a glance from him, I want, but not news nor pottage. I can get politics, and chat, and neighborly conveniences from cheaper companions. Should not the society of my friend be to me poetic, pure, universal, and great as nature itself? Ought I to feel that our tie is profane in comparison with yonder bar of cloud that sleeps on the horizon, or that clump of waving grass that divides the brook? Let us not vilify, bur raise it to that standard. That great, defying eye, that scornful beauty of his mien and action, do not pique yourself on reducing, but rather fortify and enhance.
Ralph Waldo Emerson
By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair. “Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us. “Good evening, ladies,” he said, stepping aside to let us enter. Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.” He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.” I swear, Bailey was blushing so hard I could feel the heat radiating from her body. “Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—” “Whitley!” I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!” I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it. “Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
I don’t remember when first I heard Them calling, with their silvery voices, The little Angels of the trees and flowers. They offered to unlock my mind And take my soul away, to clean. And oh! I welcomed them, and lay Stretched out upon the fragrant Grass, light as an empty husk. Then they, with rueful smiles, did oil The rusty hinges of my mind, and swept Away the cobwebs, and hung my soul Upon a topmost bough, to air, Close to the purifying sun. And I was lucky For as it fluttered there, a robin chat’s sweet Song rose through the trees till every fiber Of my soul was bathed in harmony. When all was clean and new they fetched My soul and slipped it back and, smiling, Danced away. And I—well, for a day or two— I looked upon the world with all the Innocence and wonder of a newborn babe. And now, if I am sad, or filled With sudden rage, I find some quiet place With grass and leaves and earth, and sit there Silently, and hope that they will come And call me, with their silvery voices, And make me clean again, those Little Angels of the trees and flowers.
Jane Goodall (Reason for Hope: A Spiritual Journey)
I'm an Atheist. I don't believe in God, Gods, Godlets or any sort of higher power beyond the universe itself, which seems quite high and powerful enough to me. I don't believe in life after death, channeled chat rooms with the dead, reincarnation, telekinesis or any miracles but the miracle of life and consciousness, which again strike me as miracles in nearly obscene abundance. I believe that the universe abides by the laws of physics, some of which are known, others of which will surely be discovered, but even if they aren't, that will simply be a result, as my colleague George Johnson put it, of our brains having evolved for life on this one little planet and thus being inevitably limited. I'm convinced that the world as we see it was shaped by the again genuinely miraculous, let's even say transcendent, hand of evolution through natural selection.
Natalie Angier
I had a chat with May and I had a sweet talk with April but the lovely conversation that left me to ponder was the long talk I had with June. Mathematics came to tell me that May is 3, June is 4 and April is 5. ‘ This should have been the counting order’ Mathematics said to me, and added, if you add 3 and 5 you shall surely get 8 and if you find the mid of 8 you will get 4 which is June. Ask June why the disorder! So I quickly called June and asked, why have you change the order? June said, ‘my brother, in this era, you should least give men things which are in order. Let them ponder and put things in order and they will learn something better’. I had to ponder and wonder. Then June added, those who will ponder to know why I have change the order to be at the mid of the other shall get to the mid of the other and wonder why they are at the mid of the other and end the other in wonder but, those who would never see why they must ponder when they get to the mid of the other to know why I am there shall end the other in disorder. They shall end the other and wander in the end! I was quick to ask June, which other? June calmly said, the twelve disciples of the year. Disciples’? I asked. June quickly said, I mean months! In your journey of life, take a break as you journey and ponder over the journey; June concluded!
Ernest Agyemang Yeboah
Aloneness – that is what SM feels like to me. Isolated, alone, separated, left out as I silently stand by watching others experience life while the words freeze inside me, afraid to speak up or join in a conversation. Actually feeling the anxiety shaking inside my chest as I try to get up the courage to speak to someone or call or text a friend. SM feels like the child standing alone behind the door watching the other kids in the playground – afraid to ask, 'may I play?' It feels like the teenager standing silently against the wall, listening to classmates laugh and chat, invisible to everyone and wondering what it would be like to have a friend. It feels like the 50-year-old office worker, alone in her cube while others chat and laugh in the aisle, still left out. I live inside a shell, a mask that looks like me, but isn't me. I am in here, but it is really hard to let others see. I'm so grateful for the few dear friends I have now. Most people, though, only see the shell and assume I'm aloof and uncaring because I am quiet. I feel very deeply. I feel others' joy and pain intensely, yet they rarely know. I'm not quiet because I am uncaring. I'm silent because I'm afraid.
Carl Sutton (Selective Mutism In Our Own Words: Experiences in Childhood and Adulthood)
If you are an LGBT+ person and you come out, you have to go through your knight’s quest to create ground for yourself, to create a space for yourself, to stand there and say, “I exist. I have no reason to feel guilt or shame. I am proud to exist, and while I’m not perfect, I deserve to exist in society just like anyone else.” This became my first big fight. While I consider myself to be fantastically boring, I realized that if I took on my own sexual identity and came out and just told people about it and tried to have a chat with them—tried to be offhand and casual about it—and tried to build our place in society and humanity, then that would be a good mission. This is where I exist in society. I am just this guy. I am transgender, and I exist. But that is just my sexuality. More important than that is that I perform comedy, I perform drama, I run marathons, and I’m an activist in politics. These are the things I do. How you self-identify with your sexuality matters not one wit. What you do in life—what you do to add to the human existence—that is what matters. That is the beautiful thing.
Eddie Izzard (Believe Me: A Memoir of Love, Death, and Jazz Chickens)
This is a world where things move at their own pace, including a tiny lift Fortey and I shared with a scholarly looking elderly man with whom Fortey chatted genially and familiarly as we proceeded upwards at about the rate that sediments are laid down. When the man departed, Fortey said to me: "That was a very nice chap named Norman who's spent forty-two years studying one species of plant, St. John's wort. He retired in 1989, but he still comes in every week." "How do you spend forty-two years on one species of plant?" I asked. "It's remarkable, isn't it?" Fortey agreed. He thought for a moment. "He's very thorough apparently." The lift door opened to reveal a bricked over opening. Fortey looked confounded. "That's very strange," he said. "That used to be Botany back there." He punched a button for another floor, and we found our way at length to Botany by means of back staircases and discreet trespass through yet more departments where investigators toiled lovingly over once-living objects.
Bill Bryson (A Short History of Nearly Everything)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
IMPATIENT? TRY LEVITATING We reacted more strongly to frustrations than normal people. AS BILL SEES IT, p. 111 Impatience with other people is one of my principal failings. Following a slow car in a no-passing lane, or waiting in a restaurant for the check, drives me to distraction. Before I give God a chance to slow me down, I explode, and that’s what I call being quicker than God. That repeated experience gave me an idea. I thought if I could look down on these events from God’s point of view, I might better control my feelings and behavior. I tried it and when I encountered the next slow driver, I levitated and looked down on the other car and upon myself. I saw an elderly couple driving along, happily chatting about their grandchildren. They were followed by me—bug-eyed and red of face—who had no time schedule to meet anyway. I looked so silly that I dropped back into reality and slowed down. Seeing things from God’s angle of vision can be very relaxing.
Alcoholics Anonymous (Daily Reflections: A Book of Reflections by A.A. Members for A.A. Members)
Oh, pfft. I manage. With any paper one sticks under their nose and plenty of self-possession, one can get through, Especially a woman. Sometimes I take an armload of parcels and bags and drop every single one as I try to find my identity cards, chatting all the while, and they wave me through out of sheer irritation.' Lili exhaled a long steam of smoke. 'To tell the truth, much of this special work we do is quite boring. I think that's why women are good as it. Our lives are already boring. We jump an Uncle Edward's offer because we can't stand the thought of working in a file room anymore, or teaching a class full of runny-nosed children their letters. Then we discover this job is deadly dull as well, but at least there's the enlivening thought that someone might put a Luger to the back of our necks. It's still better than shooting ourselves, which we know we're going to do if we have to type one more letter or pound one more Latin verb into a child's ivory skull.
Kate Quinn (The Alice Network)
Cal cares about you. And he’s a really good guy. And even though I want to hate him for being betrothed to you…” He gave a helpless shrug. “I can’t. Which must mean he’s extra-special dreamy.” “Stop it,” I said, jerking our joined hands. “Cal’s my friend. That’s it. You’re the guy I-“ Love, I wanted to say. But the word froze on my tongue, and I ended up just saying, “Want. Chose. Whatever.” He held my gaze, and his dark eyes were as serious as I’d ever seen them. “Maybe I shouldn’t be.” Shocked, I leaned away from him. “What does that mean?” “It’s just…If you were with him, you’d be happier. Better off.” Okay, now I was getting angry. “That’s really not for you to decide. And if you feel that way, maybe you should just go ahead and give me the ‘It’s Not You, It’s Me’ speech right now.” To my surprise, Archer smiled. “That’s the thing, though,” he said. “I can’t. I could stand it if you left me, but I don’t think there’s any way I could leave you.” I blinked at him. “You are so screwed up.” “That’s what I’ve been trying to tell you.” Wrapping my hand around the back of his neck, I pulled his face to mine. “I happen to like screwed up,” I whispered, our lips nearly touching. “So don’t ever say crap like that again, okay?” I could tell there was more he wanted to say. Instead he just sighed. “Okay.” “Well, this is a lovely moment.” I whipped my head around. Lara stood just inside the room, smiling beautifically at us. “So glad to have found you, Miss Mercer,” she said to me. “I think it’s time we two had a little chat.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Se conocieron en un chat. Conversaciones, risas, complicidad, la protección que te brinda la pantalla y que da pie a decir ciertas cosas que no nos atreveríamos a soltar cara a cara, el resto del día pensando en encontrarse otra vez por el chat, la complicidad reciente, algunas fotos y finalmente una cita. Ya en la cita, los nervios de antes, el saludo extraño, la sonrisa algo forzada, el tic de él que ella observa con disgusto, los incómodos silencios que él salva con su ingenio, el físico de ella que no es como las fotos anunciaban, la conversación tirante que se va aflojando poco a poco, algunos temas comunes que los van haciendo sentir cómodos, el que supera todo el resto, ella cada vez más guapa, él cada vez más tierno, la tarde que termina en noche, el vino que también ayuda, la noche cada vez más larga y el deseo que toma el volante y un beso y muchos más y ¿en tu casa o en la mía? y la noche que sigue girando hacia ellos y el sudor y la cama desarmada y la misma pregunta en la cabeza de ambos, ¿me estoy enamorando?, y la misma respuesta en la cabeza de los dos dando título a este poema.
Marwán Abu-Tahoun Recio (Todos mis futuros son contigo)
Cassie?” It’s Sammy, holding on to Ben, because he’s feeling the Ben thing a little more than he is the Cassie one at the moment. Who’s this guy falling from the ductwork, and what’s he doing with my sister? “This must be Sammy,” Evan says. “This is Sammy,” I say. “Oh! And this is—” “Ben Parish,” Ben says. “Ben Parish?” Evan looks at me. That Ben Parish? “Ben,” I say, my face on fire. I want to laugh and crawl under the counter at the same time. “This is Evan Walker.” “Is he your boyfriend?” Sammy asks. I don’t know what to say. Ben looks totally lost, Evan completely amused, and Sammy just damned curious. It’s my first truly awkward moment in the alien lair, and I’d been through my share of moments. “He’s a friend from high school,” I mutter. And Evan corrects me, since it’s clear I’ve lost my mind. “Actually, Sam, Ben is Cassie’s friend from high school.” “She’s not my friend,” Ben says. “I mean, I guess I kind of remember her…” Then Evan’s words sink in. “How do you know who I am?” “He doesn’t!” I fairly shout. Cassie told me about you,” Evan says. I elbow him in the ribs, and he gives me a look like What? “Maybe we can chat about how everybody knows one another later
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Sometimes it is the other way around. A white person is set down in our midst, but the contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions, but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen--follow them exultingly. I dance wildly inside myself; I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeooww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something--give pain, give death to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionless in his seat, smoking calmly. "Good music they have here," he remarks, drumming the table with his fingertips. Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
One summer day when I was about ten, I sat on a stoop, chatting with a group of girls my age. We were all in pigtails and shorts and basically just killing time. What were we discussing? It could have been anything—school, our older brothers, an anthill on the ground. At one point, one of the girls, a second, third, or fourth cousin of mine, gave me a sideways look and said, just a touch hotly, “How come you talk like a white girl?” The question was pointed, meant as an insult or at least a challenge, but it also came from an earnest place. It held a kernel of something that was confusing for both of us. We seemed to be related but of two different worlds. “I don’t,” I said, looking scandalized that she’d even suggest it and mortified by the way the other girls were now staring at me. But I knew what she was getting at. There was no denying it, even if I just had. I did speak differently than some of my relatives, and so did Craig. Our parents had drilled into us the importance of using proper diction, of saying “going” instead of “goin’ ” and “isn’t” instead of “ain’t.” We were taught to finish off our words. They bought us a dictionary and a full Encyclopaedia Britannica set, which lived on a shelf in the stairwell to our apartment, its titles etched in gold. Any time we had a question about a word, or a concept, or some piece of history, they directed us toward those books. Dandy, too, was an influence, meticulously correcting our grammar or admonishing us to enunciate our words when we went over for dinner. The idea was we were to transcend, to get ourselves further. They’d planned for it. They encouraged it. We were expected not just to be smart but to own our smartness—to inhabit it with pride—and this filtered down to how we spoke.
Michelle Obama (Becoming)
I was so struck by Flow’s negative implications for parents that I decided I wanted to speak to Csikszentmihalyi, just to make sure I wasn’t misreading him. And eventually I did, at a conference in Philadelphia where he was one of the marquee speakers. As we sat down to chat, the first thing I asked was why he talked so little about family life in Flow. He devotes only ten pages to it. “Let me tell you a couple of things that may be relevant to you,” he said. And then he told a personal story. When Csikszentmihalyi first developed the Experience Sampling Method, one of the first people he tried it out on was himself. “And at the end of the week,” he said, “I looked at my responses, and one thing that suddenly was very strange to me was that every time I was with my two sons, my moods were always very, very negative.” His sons weren’t toddlers at that point either. They were older. “And I said, ‘This doesn’t make any sense to me, because I’m very proud of them, and we have a good relationship.’ ” But then he started to look at what, specifically, he was doing with his sons that made his feelings so negative. “And what was I doing?” he asked. “I was saying, ‘It’s time to get up, or you will be late for school.’ Or, ‘You haven’t put away your cereal dish from breakfast.’ ” He was nagging, in other words, and nagging is not a flow activity. “I realized,” he said, “that being a parent consists, in large part, of correcting the growth pattern of a person who is not necessarily ready to live in a civilized society.” I asked if, in that same data set, he had any numbers about flow in family life. None were in his book. He said he did. “They were low. Family life is organized in a way that flow is very difficult to achieve, because we assume that family life is supposed to relax us and to make us happy. But instead of being happy, people get bored.” Or enervated, as he’d said before, when talking about disciplining his sons. And because children are constantly changing, the “rules” of handling them change too, which can further confound a family’s ability to flow. “And then we get into these spirals of conflict and so forth,” he continued. “That’s why I’m saying it’s easier to get into flow at work. Work is more structured. It’s structured more like a game. It has clear goals, you get feedback, you know what has to be done, there are limits.” He thought about this. “Partly, the lack of structure in family life, which seems to give people freedom, is actually a kind of an impediment.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
Oskan, do you really believe that I don’t understand exactly what my soldiers are going through? Do you really think I’m a stranger to burdens?” She almost laughed at the bitter absurdity of it all, but she controlled herself, knowing that if she started, she wouldn’t be able to stop. “They’re lucky, they only have to worry about a flogging if they break ranks and endanger their own lives again. But if I make a mistake, thousands could die, a country could be lost, and who knows what else could be inflicted on those unlucky enough to survive!” Her voice had slowly risen in strength as she spoke, and suddenly she let everything go in a glorious outpouring of emotion. “Don’t talk to me about burdens, I drew up the plans for them! How many fourteen-year-olds do you know who rule a kingdom at war, who command an army, who keep together an alliance of more species than she can remember, who’s killed more people than she can count, who waits desperately day in, day out, every living blessed second, for the arrival of allies she’s terrified are going to let her down? Please tell me, Oskan, tell me her name. I’d like to have a cozy chat with her and compare notes! I’d like that, it might make me feel just a little less isolated, and just a little less afraid that at any minute the whole sorry, ludicrous, deadly, hellish mess is going to collapse around me, and everyone will finally find out that I don’t know what I’m doing and that I’m making it up as I go along!
Stuart Hill (The Cry of the Icemark)
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things." "Not much chance of social movement for me, I'm afraid." "Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice." "That's all right, Dad; I'm quite happy to stay at home with you and Mom." "Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?" Mom smiled across at me. "Ah, leave him alone, Bob, there's plenty of time for that." We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
E.R. Braithwaite (To Sir, With Love)
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.
Jung Chang (Wild Swans: Three Daughters of China)
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
E.R. Braithwaite (To Sir, With Love)
Why may you not kiss me?” she had demanded. “Am I a corpse?” “Of course not.” “Do you find me less attractive now that weather and wind have scoured the bloom from my cheeks?” “Skaytha, it’s nothing like that. If anything you are more beautiful now than when we lived on Skyrl. Often enough I have no breath when I look at you. You rob me of any other thoughts.” “So you’re afraid my kisses will take what little brain you have left?” “I’m afraid the angels will do something I don’t want them to do if I fly in the face of their commands, commands I can only assume are divine as well as angelic.” “Did you ever think to ask them the reasons behind their demands?” “When it is an angel I just want to get out of the conversation alive or at least without being struck dumb. So I don’t prolong the chat.” “You might have wanted my kisses more than that. If you had any romance in you you’d have told them you were ready to fight ten legions of angels for my love.” Hawk had reached out to hold her. “If I’d told them that they might have taken me up on it. Angels are not just useful for gallant flourishes the moment you declare your intention to battle all comers for the woman you love. Angels burn like fire and blaze like a hundred suns – they strike fear in my heart.” She had pulled away from his embrace and jumped to her feet. “Oh, no, you don’t. If I’m not good enough to kiss I’m not good enough to take in your arms either. It’s angels or me. Make up your mind whom you fear more. Or love more.” “I don’t love the angels.” “Clearly you don’t love me either.” They had been in a tipi. She’d gone to the opening, lifted the flap, bent, and stalked away, passing by warriors of the tribe with her head as high as a goddess and her back as straight as the shaft of the spear. The chief had poked his head in. “All is well, Hawk?’ he had asked. Hawk had learned their tongue. “It couldn’t be better,” Hawk had responded. “Only being slain in battle would be greater than this.” The chief had thought this over and laughed. "That would bring you great honor." "I am in short supply of honor right now and such short supply never pleases a woman like her. Better to die at the end of a spear and have it for a few moments and win her back." The chief had nodded. "Sound wisdom. Would you like to join a raiding party against our enemy tonight?" "I couldn't be happier." (from The Name of the Hawk, Book 2)
Murray Pura (Legion (The Name of the Hawk, #1))
A reflection on Robert Lowell Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that. To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called. A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage. Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials. Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers. “They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.” His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air. “You look like somebody famous,” she said to him, “but I can’t remember who.” “Do I?” “Yes . . . now I remember!— Benjamin Franklin.” “He was a terrible man, just awful.” “Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.” That left Robert Lowell with nothing to do but repeat himself: “Well, he was a terrible man.” That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
Robert Pinsky
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—” “Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.” “The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.” “Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?” Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet. “You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—” “No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.” “It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—” “What were you even doing at the house? I thought you were staying at the Institute.” “I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—” “He did need clothes,” Cordelia agreed. “Nothing he had fit.” “Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—” “So you Tracked me?” “I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—” “That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.” “And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair. “James,” she said. “It was a foolish thing to do, but at no moment did I want to die—” He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—” He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))