Chase The Sun Quotes

We've searched our database for all the quotes and captions related to Chase The Sun. Here they are! All 100 of them:

I'd rather chase the sun than wait for it.
Markus Zusak (I Am the Messenger)
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
Haruki Murakami (Kafka on the Shore)
Yes, I understand why things had to happen this way. I understand his reason for causing me pain. But mere understanding does not chase away the hurt. It does not call upon the sun when dark clouds have loomed over me. Let the rain come then if it must come! And let it wash away the dust that hurt my eyes!
Jocelyn Soriano (Mend My Broken Heart)
There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
I WOULD RATHER BE NUMB THAN STAND HERE IN THE LIGHT OF A SUN THAT CAN NEVER CHASE THE CHILL AWAY.
Amie Kaufman (Illuminae (The Illuminae Files, #1))
Wrongly chosen, wrongly slain, A hero Valhalla cannot contain. Nine days hence the sun must go east, Ere Sword of Summer unbinds the beast.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Don't get pissy with me leech." With a glare, Carrow pressed her print to his torque. "Even tapped out, I can still do a love spell to make you fall in love--with the sun.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Before this moment, I have never wished to be something other than what I am. Never felt so keenly the lack of hands with which to touch, the lack of arms with which to hold. Why did they give me this sense of self? Why allow me the intellect by which to measure this complete inadequacy? I would rather be numb than stand here in the light of a sun that can never chase the chill away
Amie Kaufman (Illuminae (The Illuminae Files, #1))
Whatever your passion is, keep doing it. Don't waste time chasing after success or comparing yourself to others. Every flower blooms at a different pace. Excel at doing what your passion is and only focus on perfecting it. Eventually people will see what you are great at doing, and if you are truly great, success will come chasing after you.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I was waiting for the sun to chase me,” he breathes, drawing me to his chest. In one swift movement, my lips are on his. The world is spinning. He kisses me like this is the moment he’s envisioned all his life. Like this is heaven on Earth. For me, it is. A blissful moment before something that could be the end. The rush before the fear. He whispers, “I fucking love you.” I smile, my lips tingling. “Guess what?” “What?” “I love you more than chocolate cake.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
He thinks the sun comes up just to hear him crow.
Charles Martin (Chasing Fireflies)
Because happiness itself is a mythical construct, a dream you humans tell yourselves to get through each day. It is the moon, and you, like the sun, pursue it relentlessly, chasing it around and around, getting nowhere.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
The Shadow. It cannot be grasped. Chase your shadow and it will, flee; turn your back on it and it will follow you. It is also a person’s dark side, the thing that makes them mysterious. After they have given us pleasure, the shadow of their withdrawal makes us yearn for their return, much as clouds make us yearn for the sun.
Robert Greene (The Art of Seduction)
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that has nothing to do with you, This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up the sky like pulverized bones.
Haruki Murakami (Kafka on the Shore)
What can I do, Muslims? I do not know myself. I am neither Christian nor Jew, neither Magian nor Muslim, I am not from east or west, not from land or sea, not from the shafts of nature nor from the spheres of the firmament, not of the earth, not of water, not of air, not of fire. I am not from the highest heaven, not from this world, not from existence, not from being. I am not from India, not from China, not from Bulgar, not from Saqsin, not from the realm of the two Iraqs, not from the land of Khurasan. I am not from the world, not from beyond, not from heaven and not from hell. I am not from Adam, not from Eve, not from paradise and not from Ridwan. My place is placeless, my trace is traceless, no body, no soul, I am from the soul of souls. I have chased out duality, lived the two worlds as one. One I seek, one I know, one I see, one I call. He is the first, he is the last, he is the outer, he is the inner. Beyond He and He is I know no other. I am drunk from the cup of love, the two worlds have escaped me. I have no concern but carouse and rapture. If one day in my life I spend a moment without you from that hour and that time I would repent my life. If one day I am given a moment in solitude with you I will trample the two worlds underfoot and dance forever. O Sun of Tabriz, I am so tipsy here in this world, I have no tale to tell but tipsiness and rapture.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
The human ego is the ugliest part of man. We lift up men who only show us darkness, and put down those brave enough to show us the light. Likewise, people engage in darkness when it is light outside, and acknowledge the light only when it is dark. We abandon those fighting for us to cheer behind those fighting against us. And, we only remember good people and God when it is convenient for us, and take them for granted because their doors are always open - only to chase after closed doors and personalities void of substance and truth.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Today was about chasing sun-rays, beach waves, & sunsets. All things beautiful that give you peace are worth chasing. Everything else isn't.
April Mae Monterrosa
High Flight Oh! I have slipped the surly bonds of Earth And danced the skies on laughter-silvered wings; Sunward I’ve climbed, and joined the tumbling mirth of sun-split clouds, — and done a hundred things You have not dreamed of — wheeled and soared and swung High in the sunlit silence. Hov’ring there, I’ve chased the shouting wind along, and flung My eager craft through footless halls of air.... Up, up the long, delirious, burning blue I’ve topped the wind-swept heights with easy grace. Where never lark, or even eagle flew — And, while with silent, lifting mind I've trod The high untrespassed sanctity of space, - Put out my hand, and touched the face of God.
John Gillespie Magee Jr.
Lots of people like rainbows. Children make wishes on them, artists paint them, dreamers chase them, but the Aquarian is ahead of everybody. He lives on one. What's more, he's taken it apart and examined it, piece by piece, color by color, and he still believes in it. It isn't easy to believe in something after you know what it's really like, but the Aquarian is essentially a realist, even though his address is tomorrow, with a wild-blue-yonder zip code.
Linda Goodman (Linda Goodman's Sun Signs)
The quickest way for anyone to reach the sun and the light of day is not to run west, chasing after the setting sun, but to head east, plunging into the darkness until one comes to the sunrise.
Gerald L. Sittser (A Grace Disguised: How the Soul Grows through Loss)
Make my life my favorite movie. Live my favorite character. Write my own script. Direct my own story. Be my biography. Make my own documentary on me. Non-fiction, live, not recorded. Time to catch that hero I've been chasing. See if the sun will melt the wax that holds my wings or if the heat is just a mirage. Live my legacy now. Quit acting like me. Be me.
Matthew McConaughey (Greenlights)
I want you to move in here with me. I want to fall asleep with your hair in my face every night. And I want to wake up wrapped around you every morning. I want us to spend whole weekends without any clothes on at all. I want to have clean fights and dirty makeup sex...I want to talk to you until the sun comes up, and I want to bring you cereal in bed every Sunday. I want to work long, endless hours in this office, but only if you’re here next to me.” Excerpt From: Chase, Emma. “Tangled.” Omnific Publishing, 2013-05-21T05:00:00+00:00. iBooks. This material may be protected by copyright.
Emma Chase (Tangled (Tangled, #1))
I wanted to say something to make her pain go away and make everything better. But, I realized that there was no answer. Bad things happen to good people. Rain always falls on the people who deserve nothing less than the sun.
Mackenzie Herbert (Chasing Trains)
Of course, even without my help, other forces would keep the cosmos chugging along. Many different belief systems powered the revolution of the planets and stars. Wolves would still chase Sol across the sky. Ra would continue his daily journey in his sun barque. Tonatiuh would keep running on his surplus blood from human sacrifices back in the Aztec days. And that other thing—science— would still generate gravity and quantum physics or whatever.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
For all that I have kissed before, I have never felt anything like this. It is as if I have swallowed a tiny piece of the sun, its warmth and light reaching into every corner of my soul and chasing away the shadows. I surrender to that kiss - surrender to the strength and the courage and the sheer goodness of the man.
R.L. LaFevers (Dark Triumph (His Fair Assassin, #2))
I'm in a castle standing in a tower, looking down through a window at the beautiful garden, the sun setting in the distance. The beauty in the moment brings tears to my eyes. Sky blue pink, the backdrop for roses in ever color blooming in the garden.
Lisa Schroeder (Chasing Brooklyn)
You can chase away the morning, the end, by killing the sun.
Kim Holden (Bright Side (Bright Side, #1))
Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites, and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm’d The noontide sun, call’d forth the mutinous winds, And ‘twixt the green sea and the azured vault Set roaring war: to the dread rattling thunder Have I given fire and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake and by the spurs pluck’d up The pine and cedar: graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and, when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book.
William Shakespeare (The Tempest)
Youth to youth, like the dragon-flies chasing each other, and love like the sun warming them through and through.
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
Time to catch the hero I’ve been chasing, see if the sun will melt the wax that holds my wings or if the heat is just a mirage.
Matthew McConaughey (Greenlights)
I'm not gonna wish you happiness, 'cause you've already got that. So I'll just say, may the road rise to meet you. May the wind be always at your back. May the sun shine warm upon our face. May you live as long as you want, and never want as long as you live. May there be a generation of children on the children of your children. May you live to be a hundred years, with one extra year to repent. And may the saddest day of your and Kate's future be no worse than the happiest day of your past.
Emma Chase (Tied (Tangled, #4))
Time has no meaning in the wyldwood. Day and night don't really exist here, just light and darkness, and they can be as fickle and moody as everything else. A "night" can pass in the space of a blink, or go on forever. Light and darkness will chase each other through the sky, play hide-and-seek or tag or catch-me-if-you-can. Sometimes, one or the other will become offended...and refuse to come out for an indefinite amount of time. Once, light became so angry, a hundred years passed in the mortal realm before it deigned to come out again. And though the sun continued to rise and set in the human world, it was a rather turbulent period for the world of men, as all the creatures who lurked in darkness and shadow got to roam freely under the lightless Nevernever skies.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
I did nothing but run away from the time I was a puppy, and I kept on running and roving until one fine morning - a very fine morning, with the sun in my eyes - I fell over the world's edge chasing a butterfly.
J.R.R. Tolkien (Roverandom)
Caleb was like the sun. He was so warm, so big and bright that you couldn't help but come closer. But what would happen when I get too close?.
Isabelle Ronin (Chasing Red (Chasing Red, #1))
They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.
Genevieve Gornichec (The Witch's Heart)
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Poets should be ashamed To die Before they kiss The sun
Nikki Giovanni (Chasing Utopia: A Hybrid)
A beetle will chase after an opening of light, while a cockroach will scatter at a crack of it. How are we different from insects? Nobody is purely good or purely evil. Most of us are in-between. There are moths that explore the day and butterflies that play at night. Polarity is an integral part of nature — human or not human.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
In that moment, the moon and the sun shared the sky. For all of eternity, the moon and sun have chased each other around the world. Long into the future, they will continue this chase, merging the days into months into years into centuries, until the day the sun cannot take the separation any longer and she shatters, engulfing the moon and everything else in a burst of light. Most will call it the day of final judgment. The end. To the sun and the moon, it will only be the beginning. For the smallest of instants each day, they pause in this chase. They pause and look back at one another, smiling as if sharing a secret. Two lovers that can never exist as one, except in that single, brief instant. Lying there, Persephone smiled too. And as quickly as a smile parts two lips, the two sky wanderers parted ways. The chase was on again. Night gave way to day. That is true love, she had always thought. No force but love can impel one to step willingly into the shadows so that the other may shine.
Kelseyleigh Reber (If I Resist (Circle and Cross, #2))
I like being The moon To your sun
Nikki Giovanni (Chasing Utopia: A Hybrid)
I'd wanted to stay on that porch with him until the sun shone bright on both of us, but I didn't. I stood up and walked down the steps. I'd rather chase the sun than wait for it.
Markus Zusak (I Am the Messenger)
I was happy with myself before – with my little life. But this is different. It feels like I’m on the edge of a mountain cliff, the wind whipping my hair, the sun blinding – but there is no fear. Only exhilaration, pure and right. I’m not going to fall. I can’t. Because Henry has shown me how to fly.
Emma Chase (Royally Matched (Royally, #2))
Lost time is gone forever. Nobody ever catches up.
Natalia Sylvester (Chasing the Sun)
Do you remember what I used to tell you?” Manson said. “When we were teenagers and we’d drive out here to talk about shit…you’d tell me you didn’t want to see another day…” I remembered that, of course I did. I remembered the despair I felt, the pain we shared, how hopeless I’d been. “If you can get through the night, you’ll see the sun again,” I said, repeating the words he’d told me back then. “Keep chasing the next sunrise.” I closed my eyes as I exhaled. “The night feels really fucking dark, Manson, but I’m still chasing sunrises.
Harley Laroux (Losers: Part I (Losers, #1))
The tomatoes and string beans were but chilled shadows. Tasteless shadows. Nor was there any taste to the coffee or crackers. Maybe because of the morning sun? The light of morning decomposes everything.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go. When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway. 'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel. Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
Jodi Picoult (Nineteen Minutes)
if the rest of the world could see you today their laughter would bring the sun to its knees and even the flowers would leap from the ground like bulldogs and chase you away to where you belong wherever that is, and who cares where it is as long as it’s somewhere away from here.
Charles Bukowski (Mockingbird Wish Me Luck)
Light That's how I feel- like the winter-fringed breeze might scoop me up into its wings, fly away with me trapped in its feathered embrace. I am a snowflake. A wisp of eiderdown, liberated from gravity. My body is light. Ephemeral. My head is light. I want to sway beneath the weight of air, dizzy with thought. Light filters through my closed eyelids. The sun, chasing shadows, tells me I'm not afloat in dreams.
Ellen Hopkins
Male leads in love stories need to be devoted, need to chase trains, cross continents, give up fortunes and thrones, defy convention, face prosecution, take apart rooms and break the backs of angels, sketch the beloved all over the cement walls of their studios, build sculptures as homages. They don't flirt shamelessly with the likes of me when they have Transylvanian girlfriends. What an effing jerk.
Jandy Nelson (I'll Give You the Sun)
Whisking through the clouds as the birds pass by Ignoring all the storms that try to ruin the sky Chasing the setting sun Forever And ever Never let the day be done No never Never
Shannon Messenger (Let the Storm Break (Sky Fall, #2))
While chasing the moon that was about to set, she missed the sunrise.
Akshay Vasu
The mare and I took to the fields, chasing after the sun in the west, following the promise of blue wildflowers.
Rebecca Ross (The Queen's Rising (The Queen’s Rising, #1))
The sun continued to rise, casting its light over the earth, brightening the darkness and chasing away the shadows of what had been. And every single day, it reminded me that though life could be lonely and painful, it was also filled with rainbows on water, with fields of daffodils, and angels that emerged from rock. It was filled with delicate flowers that, against all odds, found the strength to turn their faces to the sunshine and thrive. It was filled with miracles that arrived when you least expected them and the hard-won knowledge that healing, like stone, is just sand and pressure and time.
Mia Sheridan (Most of All You)
Dear God, master of the universe, compassionate and merciful: we who are steeped in sin, kneel in supplication before your throne and beseech you to recall from this world Saadat Hasan Manto, son of Ghulam Hasan Manto, who was a man of great piety. Take him away, Lord, for he runs away from fragrance and chases after filth. He hates the bright sun, preferring dark labyrinths. He has nothing but contempt for modesty but is fascinated by the naked and the shameless. He hates sweetness, but will give his life to taste bitter fruit. He will not so much as look at housewives but is in seventh heaven in the company of whores. He will not go near running waters, but loves to wade through filth. Where others weep, he laughs; and where others laugh, he weeps. Faces blackened by evil, he loves to wash with tender care to make visible their real features. He never thinks about you but follows Satan everywhere, the same fallen angel who once disobeyed you.
Saadat Hasan Manto
You come face to face with love, and before the sun sets, you've become someone you didn't used to be. It makes the old new. Makes dead things live. Love makes you into something better. It's the reason a wolf would chase a crow, even knowing he can't fly... And she don't ever need to touch the ground. Love sends a man half way around the world... Just for the hope of catching it.
Jonathan Hickman (East of West, Vol. 1: The Promise)
Yu come face to face with love, and before the sun sets you've become someone you didn't used to be... It's the reason a wolf would chase a crow, even knowing he can't fly and she don't ever need to touch the ground.
Jonathan Hickman (East of West, Vol. 1: The Promise)
The diversity of sounds rule my ever presence with their highs and blows, encompassing the totality of sensual experience. I'm a child of the sirens of knowledge, a warrior for the truth in a world of washed perspectives and harsh realities. My voice cries the initial cry of the unborn into the perplexing illusion. I long for the realization of the human drama, the defeat of the dogs war, and the unity of existence. The beloved Gods of virtue have been undersold for the bleeding bread of empathy. I now awaist the triumphant roar of destiny, dressed in the inviting hand of a mother, perplexed by discovering, aroused by spirit. The door is open, the road transformed. The exit code to civilization is hacked beyond dispair, chased but the moon toward the freeing sun, on our journey to light. This is an open plea to the beautiful insanity of your hearts. It is time to consummate the kiss of oblivion into the obsidian of love!
Serj Tankian
Fog spilled from the heights of San Francisco like the liquid it almost was. On better days it spread across the bay and took over Oakland street by street, a thing you saw coming, a change you watched happening to you, a season on the move. Where it encountered redwoods, the most local of rains fell. Where it found open space, its weightless pale passage seemed both endless and like the end of all things. It was a temporary sadness, the more beautiful for being sad, the more precious for being temporary. It was the slow song in minor that the rock-and-roll sun then chased away.
Jonathan Franzen (Purity)
Always be chasing the sun. All we can do, is try, and live like we're still alive.
Sara Bareilles
EVEN as the sun with purple-colour'd face Had ta'en his last leave of the weeping morn, Rose-cheek'd Adonis tried him to the chase; Hunting he lov'd, but love he laugh'd to scorn;
William Shakespeare (Venus and Adonis)
The dried yellow petals of St. John's wort, which Old Marie called 'chase-devil' for the way it could drive the megrims away. Gaudy calendula, bright as the sun. Sweet-smelling lemon balm, guaranteed to lift the spirits with its aroma alone.
Kate Forsyth (The Wild Girl)
Pretend that you're a clever shepherd girl, and you're just dressed up in pretty clothes, and you're trying to make everybody believe that you're a spoiled, empty-headed little princess. So no one guesses that under your clothes you're a brave shepherd girl who climbs trees and chases away wolves with your staff.
Johanna Sinisalo (The Core of the Sun)
The old orchid hunter lay back on his pillow, his body limp... 'You'll curse the insects,' he said at least, 'and you'll curse the natives... The sun will burn you by day and the cold will shrivel you by night. You'll be racked by fever and tormented by a hundred discomforts, but you'll go on. For when a man falls in love with orchids, he'll do anything to possess the one he wants. It's like chasing a green-eyed woman or taking cocaine... it's a sort of madness...
Susan Orlean (The Orchid Thief)
Who died in the shop and how does it already smell like something has been decaying in the hot sun?" "Oh, you know us. Brought home some roadkill for kicks." "You didn't wait for me? You know how much I love roadkill. I mean, roadkill is the gift that keeps on giving.
Nichole Chase (Mortal Obligation (Dark Betrayal Trilogy, #1))
Slowly the golden memory of the dead sun fades from the hearts of the cold, sad clouds. Silent, like sorrowing children, the birds have ceased their song, and only the moorhen's plaintive cry and the harsh croak of the corncrake stirs the awed hush around the couch of waters, where the dying day breathes out her last. From the dim woods on either bank, Night's ghostly army, the grey shadows, creep out with noiseless tread to chase away the lingering rear- guard of the light, and pass, with noiseless, unseen feet, above the waving river-grass, and through the sighing rushes; and Night, upon her sombre throne, folds her black wings above the darkening world, and, from her phantom palace, lit by the pale stars, reigns in stillness.
Jerome K. Jerome
I guess she felt as I: that the weakness was not Government but Man, one at a time, that men were never as strong as their ideas and that ideas were governments turned into men; and so it began on a couch with a spilled martini and it ended in the bedroom: desire, revolution, nonsense ended, and the shades rattled in the wind, rattled like sabres, cracked like cannon, and 30 dogs, 20 men on 20 horses chased one fox across the fields under the sun
Charles Bukowski (Burning in Water, Drowning in Flame)
What is grit, really? It's a word that's been used to describe everything under the sun, but it means something specific: when things get hard, you push harder; when you fail, you get back up stronger; when you don't see results, you don't get discouraged, but you just continue to pound away day, after day, after day, with relentlessness, consistency, heart, and passion -- that's grit.
Ben Bergeron (Chasing Excellence: A Story About Building the World’s Fittest Athletes)
This is life. Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength. This is life. Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up. This is life. Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough. This is life. Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve. This is life. Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites. This is life. A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all. This is life.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
She wove golden rays of sunshine, Into a long and flowing dress, That left the scent on everything she touched, Of nature's sweet caress, Everywhere the girl did go, The flowers would all bloom, And she could chase the lonely feeling, Out of every room, She could drive out all your sadness, And cause a frozen heart to thaw, She's paint the sky pink every morning, But nobody ever saw, No one thought to thank her, For the warmth upon their skin, Or for chasing all their demons, From where the night-time's breath had been, So she thought she wasn't needed, She could leave and they'd not care, But they'd taken her for granted, Since her light was always there, Because you never thank the ground, Until you know how it feels to fall, Or just how much you need the sun, Until it doesn't rise at all.
E.H
Right now, you and me here, put together entirely from atoms that have been part of millions of other organisms before they became us, sitting on this round rock with a core of liquid iron held down by this force that so troubles you called gravity, all the while spinning around the sun at 67 thousand miles an hour and whizzing through the Milky Way at 600 thousand miles an hour in a universe that very well may be chasing its own tail at the speed of light... and amidst all this frantic activity, fully cognizant of our own imminent demise, which is a very pretty way of saying we all know we're going to die, we reach out, to one another, sometimes for the sake of vanity, sometimes for reasons you're not old enough to understand yet, but a lot of the time we just reach out... and expect nothing in return. Isn't that strange? Isn't that weird? ... Isn't that... weird... enough?
Jonathan Tolins
All night the earth and the heavens followed their usual arrangements. Stars passed: an immense tide hung over them. A silent sea raced back with the sun, its wave turn-over small, delicate and comfortless. The most glorious of all stars hung above the sun's threshold and went out. An hour later the sun governed the earth again, mist-chasing, flower-opening, bird-rousing, ghost-driving, spirit-shepherding back out the various gates of sleep.
Mary Butts (The Taverner Novels: Armed with Madness and Death of Felicity Taverner)
I guess she felt as I: that the weakness was not Government but Man, one at a time, that men were never as strong as their ideas and that ideas were governments turned into men; and so it began on a couch with a spilled martini and it ended in the bedroom: desire, revolution, nonsense ended, and the shades rattled in the wind, rattled like sabres, cracked like cannon, and 30 dogs, 20 men on 20 horses chased one fox across the fields under the sun
Charles Bukowski (Burning in Water, Drowning in Flame)
I felt the sun before I saw it. I was dislodging a stubborn ice clump when suddenly my vision snapped off and a sizzling feeling filled my skin. In another instant I could see again, and the landscape—the frozen fjord, the mountains behind the school—caught like a candlewick and exploded around me in a blaze of white fire. The dogs fell still and my throat choked shut, and then they were howling and I was laughing, and in another minute the day was over and the sun sank back down as if it had never been. My ecstasy was illogical, uncontrollable; I felt as if I’d been slipped a drug, and could no more control its chemical effects than I could force the sun to resurface.
Blair Braverman (Welcome to the Goddamn Ice Cube: Chasing Fear and Finding Home in the Great White North)
wind stinging our faces overhead the birds shrieking turn back turn back turn back behind us, look, bright fields, the sea glinting gold! we've come this far chasing the rain, the sun at our heels.
Merlie M. Alunan (Tales of the Spiderwoman: New Poetry)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
Mystery the moon A hole in the sky A supernatural nightlight So full but often right A pair of eyes, a closin' one, A chosen child of golden sun A marble dog that chases cars To farthest reaches of the beach and far beyond into the swimming sea of stars A cosmic fish they love to kiss They're giving birth to constellation No riffs and oh, no reservation. If they should fall you get a wish or dedication May I suggest you get the best For nothing less than you and I Let's take a chance as this romance is rising over before we lose the lighting Oh bella bella please Bella you beautiful luna Oh bella do what you do Do do do do do You are an illuminating anchor Of leagues to infinite number Crashing waves and breaking thunder Tiding the ebb and flows of hunger You're dancing naked there for me You expose all memory You make the most of boundary You're the ghost of royalty imposing love You are the queen and king combining everything Intertwining like a ring around the finger of a girl I'm just a singer, you're the world All I can bring ya Is the language of a lover Bella luna, my beautiful, beautiful moon How you swoon me like no other May I suggest you get the best Of your wish may I insist That no contest for little you or smaller I A larger chance happened, all them they lie On the rise, on the brink of our lives Bella please Bella you beautiful luna Oh bella do what you do Bella luna, my beautiful, beautiful moon How you swoon me like no other, oh oh oh ((Bella Luna))
Jason Mraz
Linus, for all that he was capable of, didn't like to chase anything. Chasing implied running, and Linus had decided long ago that running wasn't something he liked very much. He never understood those who woke up even before the sun had risen, donned their fancy expensive sneakers, and went running on purpose. It was most unusual.
T.J. Klune (The House in the Cerulean Sea (The House in the Cerulean Sea, #1))
So they take off after each other straight into an endless black prairie. The sun is just comin' down and they can feel the night on their backs. What they don't know is that each one of 'em is afraid, see. Each one separately thinks that he's the only one that's afraid. And they keep ridin' like that straight into the night. Not knowing. And the one who's chasin' doesn't know where the other one is taking him. And the one who's being chased doesn't know where he's going.
Sam Shepard
There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.
Pamela Todd (The Blind Faith Hotel)
I can count on one hand the number of people I trust—and Simon Barrister, 4th Earl of Ellington, is one of them. He greets me with a back-smacking hug and a glowing smile. And when I say glowing, I mean literally—his face is bright tomato red, and crispy around the edges. “What the hell happened to your face?” “Damn Caribbean sun hates me. No matter how much sunscreen I used, it found a way to fry me like a chip!” He elbows me. “Made for a creative honeymoon, if you know what I mean. Burn ointment can be quite sensual.
Emma Chase (Royally Screwed (Royally, #1))
The Red Keep was full of cats: lazy old cats dozing in the sun, cold-eyed mousers twitching their tails, quick little kittens with claws like needles, ladies’ cats all combed and trusting, ragged shadows prowling the midden heaps. One by one Arya had chased them down and snatched them up and brought them proudly to Syrio Forel … all but this one, this one-eared black devil of a tomcat. “That’s the real king of this castle right there,” one of the gold cloaks had told her. “Older than sin and twice as mean. One time, the king was feasting the queen’s father, and that black bastard hopped up on the table and snatched a roast quail right out of Lord Tywin’s fingers. Robert laughed so hard he like to burst. You stay away from that one, child.” He had run her halfway across the castle; twice around the Tower of the Hand, across the inner bailey, through the stables, down the serpentine steps, past the small kitchen and the pig yard and the barracks of the gold cloaks, along the base of the river wall and up more steps and back and forth over Traitor’s Walk, and then down again and through a gate and around a well and in and out of strange buildings until Arya didn’t know where she was. Now at last she had him. High walls pressed close on either side, and ahead was a blank windowless mass of stone. Quiet as a shadow, she repeated, sliding forward, light as a feather. When she was three steps away from him, the tomcat bolted. Left, then right, he went; and right, then left, went Arya, cutting off his escape. He hissed again and tried to dart between her legs. Quick as a snake, she thought.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
She is the sun that shines on my path, chasing away any shadows. She is the laughter that fills up the gaping holes, without which I would be a basket case. She is the reason why I love my job. The best part of my day is drinking a coffee, eating a chocolate treat and listening to great music, while sitting with Genevieve Cain. She appreciates life, she grasps it and makes it what she wants. Sure, she's hit a few bumps recently, what with her loser ex, but Gen's a survivor. And not just any survivor, she's a survivor with dignity and pride.
Nicola Claire (Sweet Seduction Sacrifice (Sweet Seduction, #1))
Well, cats live as long as dogs,” he said, “mostly, anyway.” This was a lie, and he knew it. Cats lived violent lives and often died bloody deaths, always just below the usual range of human sight. Here was Church, dozing in the sun (or appearing to), Church who slept peacefully on his daughter’s bed every night, Church who had been so cute as a kitten, all tangled up in a ball of string. And yet Louis had seen him stalk a bird with a broken wing, his green eyes sparkling with curiosity and—yes, Louis would have sworn it—cold delight. He rarely killed what he stalked, but there had been one notable exception—a large rat, probably caught in the alley between their apartment house and the next. Church had really put the blocks to that baby. It had been so bloody and gore-flecked that Rachel, then in her sixth month with Gage, had had to run into the bathroom and vomit. Violent lives, violent deaths. A dog got them and ripped them open instead of just chasing them like the bumbling, easily fooled dogs in the TV cartoons, or another tom got them, or a poisoned bait, or a passing car. Cats were the gangsters of the animal world, living outside the law and often dying there. There were a great many of them who never grew old by the fire.
Stephen King (Pet Sematary)
Far from birds, from flocks and village girls, What did I drink, on my knees in the heather Surrounded by a sweet wood of hazel trees, In the warm and green mist of the afternoon? What could I drink from that young Oise, − Voiceless elms, flowerless grass, an overcast sky! − Drinking from these yellow gourds, far from the hut I loved? Some golden spirit that made me sweat. I would have made a dubious sign for an inn. − A storm came to chase the sky away. In the evening Water from the woods sank into the virgin sand, And God’s wind threw ice across the ponds. Weeping, I saw gold − but could not drink. − ——— At four in the morning, in the summer, The sleep of love still continues. Beneath the trees the wind disperses The smells of the evening feast. Over there, in their vast wood yard, Under the sun of the Hesperidins, Already hard at work − in shirtsleeves − Are the Carpenters. In their Deserts of moss, quietly, They raise precious panelling Where the city Will paint fake skies. O for these Workers, charming Subjects of a Babylonian king, Venus! Leave for a moment the Lovers Whose souls are crowned with wreaths. O Queen of Shepherds, Carry the water of life to these labourers, So their strength may be appeased As they wait to bathe in the noon-day sea.
Arthur Rimbaud (A Season in Hell)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
Never look back. The past is done. The future is a blank canvas. Work on creating a masterpiece. Only you have the power to make your painting beautiful. Do not waste time chasing after success or comparing yourself to others. Every flower blooms at a different pace. Excel at doing what your passion is and only focus on perfecting it. Eventually people will see what you are great at doing, and if you are truly great, success will come chasing after you. Those who chase after success are flowers with bulbs that fade out early. Those who have success chasing after them, become eternal flowers. But remember, you were born an original work of art. Stay original always. Originals cost more than imitations. Just take a look at the the coolest people in history. History does not remember the forgettable. It honors the unique minority the majority cannot forget.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
One of those awfully simple and beautiful days with you that makes me afraid of dying, makes me afraid of not being. When the soft 6 o’clock sun is slowly sinking behind the harbour, and your smile, effortless and tidy, makes time take flight. You save me from death but also from lifeless living. With you, nothing's wasted on me. The music of the breeze, the colours of children’s footsteps, the dancing trees—I drink them all and, what’s more, you drink these with me. One of those insignificant days when we do nothing and achieve nothing, and yet, chasing the ducks and sharing my last stick of gum with you is everything.
Kamand Kojouri
Rain comes from the east one night We watch it come To hang like beaded curtains Till the morning sun Water dripping from our clothes You with raindrops on your nose Ask me sadly "Please don't go away now" Till the rain is done, I say "I'll stay now" Rain outside but inside we don't mind at all Shadows by the fire slowly climb and fall Kisses fade and leave no trace Whispers vanish into space The dawn will send me on a chase to nowhere Why cry as if I were the first to go there And I know I shouldn't be here Yes, I know I should go home But that eastern rain drones in my brain And I'm so all alone, so all alone Morning comes up from the east We watch it come And far away now rolls the ancient rain God's drum You with daybreak in your eyes Afraid to speak for telling lies I watch you search for some reply to lend me But when the rain is done There's no pretending "Eastern Rain" from Second Fret Sets
Joni Mitchell
Life, according to Stephen, was not a journey out of darkness into light. In fact, dark and light were two arbitrary categories applied to the human spirit in a vain hope that it, too, with all its fleshy influences, would be as orderly as the rise and fall of the sun. The light in the darkness, as Stephen explained it, did not chase away the shadows of fear and regret: It merely illuminated the fears worth fighting. It lit the paths dictated by fate and choice, rather than casting a celestial glow on the way to a better and more perfect world.
Christopher Rice
When you walk along a wooded path In the nature my heart held so dear, Remember the joy that it gave me And know that I’ll always be near. When a robin announces his presence Singing solo as day becomes new The doe lifts her head to listen As her fawn drinks the freshness of dew. When an otter glides through the river, His swim is a masterful one. He engages his mate in a playful chase Then they climb on the rocks to sun. When the rustling leaves touch the autumn sky, Boasting colors of russet and gold Geese wing on their southern-most journey To escape from the beckoning cold. When the North wind blows through the towering pines It delivers a mid winter’s chill While snowflakes drift softly on fresh frozen lakes And the call of the wild becomes still. In each of these things, remember me. And know that I’ll always be near. The woodlands, God’s wondrous Creation, In His nature my heart held so dear.
Kris Nelson
Before Diagnosis" The lake is dead for a second time this January. And no matter how many geese lay their warm breasts against the ice or fly across its hard chest, it doesn’t break, or sink, or open up and swallow them. The ice is frozen water. There is no metaphor for exile. Even if these trees continue to shake the crows from their branches, my sister is still farther away from her mind than we are from each other sitting on opposite ends of a park bench waiting for evening to swallow us whole. In the last moments of a depressive, a sun. In the last moments of a sun, my sister says a man is chasing a goose through the snow.
Roger Reeves
These dreams are disappearing Speak and be misunderstood Or be silent and good and as how far as it look These dreams are disappearing.. Put hopes in a box and tie It's either protect it or die Maintain the truth or talk a lie These dreams are disappearing.. Mountains of gold and a lovely cat a house by a lake and a lovely chat a day in paradise and all of that These dreams are disappearing.. Chase a purpose of life and do and be the one you wanted to and be with who have always wanted you These dreams are disappearing.. Run in pace and catch the sun Raise a family and have a son Build a home, not only one These dreams are disappearing.. In daily wars like on regular bases In daily problems a puzzled mazes In daily issues and complications These dreams are disappearing.. Nothing is lost but nothing is healing All is gone and all is leaking Some hope to hold on to and keep dreaming Although these dreams are disappearing... Ahmed Adel Hassona
Ahmed Adel Hassona
What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who's to doom, when the judge himself is dragged to the bar?
Herman Melville
I explored the literature of tree-climbing, not extensive, but so exciting. John Muir had swarmed up a hundred-foot Douglas Spruce during a Californian windstorm, and looked out over a forest, 'the whole mass of which was kindled into one continuous blaze of white sun-fire!' Italo Calvino had written his The Baron in the Trees, Italian editionmagical novel, The Baron in the Trees, whose young hero, Cosimo, in an adolescent huff, climbs a tree on his father's forested estate and vows never to set foot on the ground again. He keeps his impetuous word, and ends up living and even marrying in the canopy, moving for miles between olive, cherry, elm, and holm oak. There were the boys in B.B.'s Brendan Chase, who go feral in an English forest rather than return to boarding-school, and climb a 'Scotch pine' in order to reach a honey buzzard's nest scrimmed with beech leaves. And of course there was the realm of Winnie the Pooh and Christopher Robin: Pooh floating on his sky-blue balloon up to the oak-top bee's nest, in order to poach some honey; Christopher ready with his pop-gun to shoot Pooh's balloon down once the honey had been poached....
Robert Macfarlane (The Wild Places)
There are things that cannot wait. You have to rush and run and march if you must fight or take the best place in the market. You strain your nerves and are on the alert when you chase opportunities that are always on the wing. But there are ideals which do not play hide-and-seek with our life; they slowly grow from seed to flower, from flower to fruit; they require infinite space and heaven's light to mature, and the fruits that they produce can survive years of insult and neglect. The East with her ideals, in whose bosom are stored the ages of sunlight and silence of stars, can patiently wait till the West, hurrying after the expedient, loses breath and stops. Europe, while busily speeding to her engagements, disdainfully casts her glance from her carriage window at the reaper reaping his harvest in the field, and in her intoxication of speed cannot but think him as slow and ever receding backwards. But the speed comes to its end, the engagement loses its meaning and the hungry heart clamours for food, till at last she comes to the lowly reaper reaping his harvest in the sun. For if the office cannot wait, or the buying and selling, or the craving for excitement, love waits and beauty and the wisdom of suffering and the fruits of patient devotion and reverent meekness of simple faith. And thus shall wait the East till her time comes. I
Rabindranath Tagore (Nationalism)
What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea! Look! see yon Albicore! who put it into him to chase and fang that flying-fish? Where do murderers go, man! Who’s to doom, when the judge himself is dragged to the bar? But it is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay. Sleeping? Aye, toil we how we may, we all sleep at last on the field. Sleep? Aye, and rust amid greenness; as last year’s scythes flung down, and left in the half-cut swaths—Starbuck!
Herman Melville
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Psychoanalysis: An Elegy" What are you thinking about? I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana Driving the hills crazy, A fast wind with a bit of dust in it Bruising everything and making the seed sweet. Or down in the city where the peach trees Are awkward as young horses, And there are kites caught on the wires Up above the street lamps, And the storm drains are all choked with dead branches. What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
The deafening crowd echoed through the pale stone corridors of the royal castle of Orynth. They were chanting her name, almost wailing it. Aelin. A two-beat pulse that sounded through each step she made up the darkened stairwell. Goldryn was heavy at her back, its ruby smoldering in the light of the sun trickling from the landing above. Her tunic was beautiful yet simple, though her steel gauntlets—armed with hidden blades—were as ornate as they were deadly. She reached the landing and stalked down it, past the towering, muscled warriors who lurked in the shadows just beyond the open archway. Not just warriors—her warriors. Her court. Aedion was there, and a few others whose faces were obscured by shadow, but their teeth gleamed faintly as they gave her feral grins. A court to change the world. The chanting increased, and the amulet bounced between her breasts with each step. She kept her eyes ahead, a half smile on her face as she emerged at last onto the balcony and the cries grew frantic, as overpowering as the frenzied crowd outside the palace, in the streets, thousands gathered and chanting her name. In the courtyard, young priestesses of Mala danced to each pulse of her name, worshipping, fanatic. With this power—with the keys she’d attained—what she had created for them, the armies she had made to drive out their enemies, the crops she had grown, the shadows she had chased away … these things were nothing short of a miracle. She was more than human, more than queen. Aelin. Beloved. Immortal. Blessed. Aelin. Aelin of the Wildfire. Aelin Fireheart. Aelin Light-Bringer. Aelin. She raised her arms, tipping back her head to the sunlight, and their cries made the entirety of the White Palace tremble. On her brow, a mark—the sacred mark of Brannon’s line—glowed blue. She smiled at the crowd, at her people, at her world, so ripe for the taking.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)