Charming Boy Quotes

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Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.
Maurice Sendak
The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.
Nenia Campbell (Horrorscape (Horrorscape, #2))
Lara Jean, I think you half-fall in love with every person you meet. It’s part of your charm. You’re in love with love.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
So let me get this straight. You were living in a tent in the woods, but now you're living with Prince Charming and anger management boy? SERIOUSLY?!
Natsuki Takaya (Fruits Basket, Vol. 2)
Peeta actually is charming and then utterly winning as the boy in love. And there I am, blushing and confused, made beautiful by Cinna’s hands, desirable by Peeta’s confession, tragic by circumstance, and by all accounts, unforgettable.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I'm Min's fairy godmother, Charm Boy,' Liza said, frowning down at him. 'And if you don't give her a happily ever after, I'm going to come back and beat you to death with a snow globe.' What happened to "bibbity bobbity boo"?' Cal asked Min. That was Disney, honey,' Min said. 'It wasn't a documentary.
Jennifer Crusie (Bet Me)
My dear boy, no woman is a genius. Women are a decorative sex. They never have anything to say, but they say it charmingly. Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals.
Oscar Wilde (The Picture of Dorian Gray)
It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
Deb Caletti (The Secret Life of Prince Charming)
There’s nothing more dangerous than a boy with charm.
Christina Aguilera (Christina Aguilera - Back to Basics Piano, Vocal and Guitar Chords)
I said, I know why you’re afraid to fight with me.” "And why is that?” If he flexed again, I’d have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes. "You want me.” Oh boy. "You can’t resist my subtle charm, so you’re afraid you’re going to make a spectacle out of yourself.” "You know what? Don’t talk to me.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
Simona Panova (Nightmarish Sacrifice (Cardew))
Has anyone else . . ." "Hmm?" Grams walked the paper back across the room and took up her tray of hospital good again, settling it over me. "Has anyone else, what?: "Been by," I mumbled. "To visit." Grams gave me a knowing smile. "A charming young woman with a mouth that could give a sailor a heart attack? A sweet little one who brought you flowers? The one who spent half a day chasing doctors and nurses around, demanding answers about your condition? Or, by any chance are you referring to a very well - mannered Southern boy?
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Kami said, "I want you to go in there and vamp that receptionist." "What?" Ash said blankly. "You know," Kami said. "Dazzle her with your charms. Rock her world. Go on." [...] "What," Ash said, "all of us?" "Do you want to stand around trying to guess if she likes pretty boys or rough trade?" Jared asked, gesturing lazily from Ash to himself. "Excuse me, what did you just call yourself?" Ash demanded. "No, wait a second, I don't care. What did you just call me?
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
The cuter the boy, the mushier your brain.
Jeanne Birdsall (The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (The Penderwicks, #1))
So that's how you charm the cobra," I quip. He smiles devilishly. "If you really want to see what effect you have on my snake, I'd be happy to show you.
M. Leighton (Down to You (The Bad Boys, #1))
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Charm and intrigue can only get you so far, Libby Loo. Those things always disappear, which is why you never, ever choose the bad boy.
Lynn Painter (Better than the Movies (Better than the Movies, #1))
Boy, you are a hothead, Bane. Your rage makes you an exceptional warrior but quite a boring conversationalist. Good thing I did not keep you for your manners and charm, eh? Now calm down, your spittle is getting all over me, my feet do not require a shower." -Michael, The ArchAngel
J.B. Lion (The Seventh Spark: Volume One – Knights of the Trinity)
If we go that way, it seems less like we’ll be shot for trespassing. We can’t be low profile because of your shirt.” “Aquamarine is a wonderful color, and I won’t be made to feel bad for wearing it,” Gansey said. But his voice was a bit thin, and he glanced back at the church again. Just then he looked younger than she’d ever seen him, his eyes narrowed, hair messed up, features unstudied. Young and, strangely enough, afraid. Blue thought: I can’t tell him. I can never tell him. I have to just try to stop it from happening. Then Gansey, suddenly charming again, flipped a hand in the direct of her purple tunic dress. “Lead the way, Eggplant.” She found a stick to poke at the ground for snakes before they set off through the grass. The wind smelled like rain, and the ground rumbled with thunder, but the weather held. The machine in Gansey’s hands blinked red constantly, only flickering to orange when they stepped too far away from the invisible line. “Thanks for coming, Jane,” Gansey said. Blue shot him a dirty look. “You’re welcome, Dick.” He looked pained. “Please don’t.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Daniello, you do not like the bread? Eat! ...per favore, have some pasticcio di gnocchi alla boscaiola!" "As long as you don't ask me to repeat the name," Dan replied. Luna Amato chuckled. "Charming boy." "Handsome, too," Dan said.
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
One day soon you'll be in the world, and you'll have so many options you won't know what to do with them. Everyone will fall in love with you, because you're so beautiful and so charming, and you'll look back on high school as such a tiny blip.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
When I have you, sweet boy, it will be because you want me to. Not against your better judgment, not in spite of my surname, and definitely not to annoy your aunt." Stephen went red, but his voice was defiant. "Well, what was that, then?" Crane shrugged. "You seemed tense.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
Who is your favorite character in the series? Or...if that's too hard, why do you like each one and who drives you crazy? Puck: Well, she likes me best, of course. I'm the handsome, charming one. Ash: Yes, that's why she gave you your own book. Oh, wait. Puck: No one asked you, ice-boy.
Julie Kagawa
Ben smiled for the first time all afternoon. It was nice to see. When he deigned to flash his pearly whites, Ben went from sullen boy to charming young man. I much preferred the latter.
Kathy Reichs (Code (Virals, #3))
What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Now, I've had boys of my own, and I know boys aren't that way. They don't learn, or grow, or have manners when you're looking at them. But turn away, and turn back, and there they are, smarter, taller, and charming everyone but their own mothers.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also a schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man.
Robertson Davies (The Deptford Trilogy)
She had never had a boy talk to her like that. There was no cover of bullshit, no flirtation, no added charm, but his look was searing. He was different from anyone she had known.
Ann Brashares (My Name Is Memory)
It would seem as if there never was a book written, or a story told, expressly with the object of keeping boys on shore, which did not lure and charm them to the ocean, as a matter of course.
Charles Dickens (Dombey and Son)
Third time is the charm
Fall Out Boy
It seemed to him that the little Manchu had never looked so radiant. She gave him a most charming smile, but her eyes were all for the boy.
James Hilton (Lost Horizon)
Her magic formula for dealing with children is ignoring all faults and accenting tiny virtues. She says, "Instead of telling Tommy day in and day out that he is the naughtiest boy in the United States of America, which could very well be true, take an aspirin and comment on his neatly tied shoes. Almost anybody would rather be known for expert shoe-tying than for kicking the cat." She always tells whiners how charming they are--bullies how brave--bad sports how good--sneaks how honest!
Betty MacDonald (Onions in the Stew (Betty MacDonald Memoirs, #4))
How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy's flute-like voice has its own spring charm; but the man should yield a richer, deeper music.
George Eliot (Adam Bede)
Basil my dear boy puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices his principles and his common sense. The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make and consequently are perfectly uninteresting in what they are. A great poet a really great poet is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
Oscar Wilde (The Picture of Dorian Gray)
I've crossed paths since with men like him. I wish I could say differently. But I have. And what I have learned is that you dig a little and you find they're all the same, give or take. Some are more polished, granted. They may come with a little bit of charm-- Or a lot -- and that can fool you. But really they're all unhappy little boys sloshing around in their own rage. They feel wronged. They haven't been given their due. No one loved them enough. Of course they expect you to love them. They want to be held, rocked, reassured. But it's a mistake to give it to them. They can't accept it. They can't accept the very thing they're needing. They end up hating you for it. And it never ends because they can't hate you enough. It never ends-- the misery, the apologies, the promises, the reneging, the wretchedness of it all. My first husband was like that.
Khaled Hosseini (And the Mountains Echoed)
And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother’s magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow. Someday,” he said, “when we are ready, I will give you back your tears.
Francesca Lia Block (Echo)
It’s a cat. Boy, you couldn’t slip anything past me tonight.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
I dined with Legrandin on the terrace of his house by moonlight. "There is a charming quality, is there not," he said to me, "in this silence; for hearts that are wounded, as mine is, a novelist whom you will read in time to come asserts that there is no remedy but silence and shadow. And you see this, my boy, there comes in all our lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light, the light which a fine evening like this prepares for us in the stillroom for darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
See?" I said. "That's exactly the person I don't want to be with. And he's always there, underneath all your charm.
E. Lockhart (The Treasure Map of Boys: Noel, Jackson, Finn, Hutch, Gideon—and me, Ruby Oliver (Ruby Oliver, #3))
We have gone on too long blaming or pitying the mothers who devour their children, who sow the seeds of progressive dehumanization, because they have never grown to full humanity themselves. If the mother is at fault, why isn't it time to break the pattern by urging all these Sleeping Beauties to grow up and live their own lives? There never will be enough Prince Charmings or enough therapists to break that pattern now. It is society's job, and finally that of each woman alone. For it is not the strength of the mothers that is at fault but their weakness, their passive childlike dependency and immaturity that is mistaken for "femininity." Our society forces boys, insofar as it can, to grow up, to endure the pains of growth, to educate themselves to work, to move on. Why aren't girls forced to grow up - to achieve somehow the core of self that will end the unnecessary dilemma, the mistaken choice between femaleness and humanness that is implied in the feminine mystique?
Betty Friedan (The Feminine Mystique)
That's quite gallant of you. After you've ignored me for the better part of a week, like a boy half your age with twice your charm.
Renée Ahdieh (The Rose & the Dagger (The Wrath and the Dawn, #2))
I’d once overheard my daddy tell my momma that the six Winston boys had inherited their father’s ability to charm snakes, the IRS, and women.
Penny Reid (Truth or Beard (Winston Brothers, #1))
It’s just that Hazel is so—people like Hazel. Boys like Hazel. She goes through this world as if nothing touches her, as if no one can reach her, as though she’s focused on something bigger and better and more important that she’s not going to tell you a single thing about. It drives people crazy. It charms them.
Holly Black (The Darkest Part of the Forest)
In all of his Instagram photos, Joel’s little brother had never once appeared to be anything but affable and handsome and casually, ruthlessly charming in the way of Southern boys who knew their towns were made for them.
John Fram (The Bright Lands)
It’s good,” Jackson said. “You’re just saying that,” I replied. “No, really, it’s good. A little greasy….” “The grease is part of the charm,” I pointed out. “Said the heart attack to the clogged arteries.” “You’re in the South now, boy. Grease is one of the four main food groups.
Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
He'd wanted us to be more like boys, and now we were. You don't teach boys to be charming. It makes people think they are devious.
Margaret Atwood (The Blind Assassin)
Buttering a roll, my dad says, “I like Peter.” “You do?” I say. Daddy nods. “He’s a good kid. He’s really taken with you, Lara Jean.” “Taken with me?” I repeat. To me Kitty says, “You sound like a parrot.” To Daddy she says, “What does that mean? Taken by her?” “It means he’s charmed by her,” Daddy explains. “He’s smitten.” “Well, what’s smitten?” He chuckles and stuffs the roll in Kitty’s open, perplexed mouth. “It means he likes her.” “He definitely likes her,” Kitty agrees, her mouth full. “He . . . he looks at you a lot, Lara Jean. When you’re not paying attention. He looks at you, to see if you’re having a good time.” “He does?” My chest feels warm and glowy, and I can feel myself start to smile.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
But you are a pureblood, aren’t you, my brave boy?” Voldemort asked Neville, who stood facing him, his empty hands curled in fists. “So what if I am?” said Neville loudly. “You show spirit and bravery, and you come of noble stock. You will make a very valuable Death Eater. We need your kind, Neville Longbottom.” “I’ll join you when hell freezes over,” said Neville. “Dumbledore’s Army!” he shouted, and there was an answering cheer from the crowd, whom Voldemort’s Silencing Charms seemed unable to hold.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
If a continental youth wants to declare his love to a girl, he kneels down, tells her that she is the sweetest, the most charming and ravishing person in the world, that she has something in her, something peculiar and individual which only a few hundred thousand other women have and that he would be unable to live one more minute without her. Often, to give a little more emphasis to the statement, he shoots himself on the spot. This is a normal, week-day declaration of love in the more temperamental continental countries. In England the boy pats his adored one on the back and says softly: ‘I don’t object to you, you know.’ If he is quite mad with passion, he may add: ‘I rather fancy you, in fact.
George Mikes (How to Be a Brit)
When I have you, sweet boy, it will be because you want me to. Not against your better judgement, not in spite of my surname, and definitely not to annoy your aunt.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
That was before I learned my charmed life could bleed. That pain could become an every day kind of thing, and that the thought of happiness was just a word that didn't mean anything.
Juliana Stone (Boys Like You)
What a wonderful song, she thought-everything was wonderful tonight, most of all this romantic scene in the den with their hands clinging and the inevitable looming charmingly close. The future vista of her life seemed an unending succession of scenes like this: under moonlight and pale starlight, and in the backs of warm limousines and in low cosy roadsters stopped under sheltering trees-only the boy might change, and this one was so nice.
F. Scott Fitzgerald (This Side of Paradise)
They’re like little boys, men. Sometimes of course they’re rather naughty and you have to pretend to be angry with them. They attach so much importance to such entirely unimportant things that it’s really touching. And they’re so helpless. Have you never nursed a man when he’s ill? It wrings your heart. It’s just like a dog or a horse. They haven’t got the sense to come in out of the rain, poor darlings. They have all the charming qualities that accompany general incompetence. They’re sweet and good and silly, and tiresome and selfish. You can’t help liking them, they’re so ingenuous, and so simple. They have no complexity or finesse. I think they’re sweet, but it’s absurd to take them seriously.
W. Somerset Maugham (The Constant Wife)
Xuan being there didn’t make any sense. This wasn’t a fairy tale. Handsome boys don’t just magically appear screaming your name the moment you need them.
Kayla Cunningham
(Golden Globe acceptance speech in the style of Jane Austen's letters): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden Emily Tomkins who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to Miss Austen, thank you.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
Max had no idea, but figured it had to be easier than getting around the gait monitor. “Let me worry about that. Just answer the question. Can you do it?” “Can I get you boys some more nachos? Or maybe some sliders?” Their waitress spoke with a Southern accent that Max would have found charming under other conditions. He brushed her away without looking up. Wang spent another second savoring Max’s suffering while he pretended to ponder. The obvious ploy made Max want to slap him. “Technically, it’s well within our capabilities.
Tim Tigner (The Lies of Spies (Kyle Achilles, #2))
..I've stopped trying to share charming anecdotes over dinner.. because we've all seen what happens when a smile creeps across my lips that you didn't put there.. I forgot that I had a voice long before you decided to become my ventriloquist and somehow in spite of your genuine longing to be loved you prefer it this way.
Megan Fox (Pretty Boys Are Poisonous: Poems)
Your courage in the grove surprised me. Surprise is a reaction I had all but forgotten. I have seen enough that I alway know what to expect. I assess the odds of various outcomes, and me predictions are never thwarted. before you were finished confronting the revenant, the potion failed. I saw the artificial bravado leave you. Your demise was certain. Yet, despite my certainty, you removed the nail. Had you been full-grown, a seasoned hero of legendary renown, well-trained, armed with charms and talismans, I would have been deeply impressed. But for a mere boy to preform such a feat? I was truly surprised.
Brandon Mull (Grip of the Shadow Plague (Fablehaven, #3))
He was tall—6’ 3” or so—with haunting green eyes that seemed to smolder despite his lazy smile. His eyes were a great contrast to his thick, shiny, dark hair. And not that I’d ever seen it personally but judging from the way his t-shirt clung to his torso, he had a body that completed the entire handsome package. He was every inch a rock star. He was charming, playful and confident. He was practically irresistible. His only flaw was that he knew it.
Kelly Oram (V is for Virgin (V is for Virgin, #1))
My dear, I could hardly keep still in my chair. I wanted to dash out of the house and leap in a taxi and say, "Take me to Charles's unhealthy pictures." Well, I went, but the gallery after luncheon was so full of absurd women in the sort of hats they should be made to eat, that I rested a little--I rested here with Cyril and Tom and these saucy boys. Then I came back at the unfashionable time of five o'clock, all agog, my dear; and what did I find? I found, my dear, a very naughty and very successful practical joke. It reminded me of dear Sebastian when he liked so much to dress up in false whiskers. It was charm again, my dear, simple, creamy English charm, playing tigers.
Evelyn Waugh (Brideshead Revisited)
Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry, aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.
Willa Cather (Death Comes for the Archbishop)
At a mere five feet seven inches, Dan was a head shorter than most of the boys. His body sagged slightly where their muscles rippled, his teeth were crooked where theirs gleamed, and his brown hair was thick and unruly where theirs shone. To judge solely from appearances, it was difficult to believe he’d been accepted into this prestigious little clique. But to judge from appearances was to ignore Dan’s quick wit and effortless charm. These were the characteristics that each of the boys aspired to, and the fact that Dan possessed them in such abundance was a constant source of fascination to them. No matter that he looked so freakishly average. His sense of humour and charisma were the benchmarks toward which the entire group was working, and few within the circle were held in higher esteem.
Andy Marr (Hunger for Life)
I knew it then. For me and her, there wasn’t any time left to think back to that summer and the beach and a boy who charmed us and disappointed us. There was only what stretched out ahead, years full of new summers and promise, with all the time in the world left to start again. My sister, who never understood most of the things I wanted her to, might have been able to understand what had happened to me in this summer of weddings and beginnings. And she was right. The first boy was always the hardest.
Sarah Dessen (That Summer)
How come she couldn't have a nice supernatural life like the girls on Charmed or even Buffy? They all had friends. Even on Supernatural, the boys had each other. What did she have? Nothing, but one damed traitor after another.
Caroline Hanson (Love Is Mortal (Valerie Dearborn, #3))
A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
We teach children from a very young age that not having a girlfriend or boyfriend is almost a problem – but happily, we also let them understand that there’s ‘still time’. But we never give them the option of not wanting one. With girls, it’s reinforced by an armada of clichés and conventions conveyed through the fairy stories they absorb, from the sleeping beauty waiting for a kiss from a prince to be brought back to life, to the lonesome wicked witch who devours other people’s children. Boys, meanwhile, grow up with a more nuanced vision, thanks to a fantasy world peopled by solitary heroes who achieve extraordinary things because of their superpowers. The message is fundamentally the same, but boys have more opportunities to develop different perspectives. They’re not so bound to this image of themselves trapped in a depressing and inert solitude. Their sense of self-worth is not conditioned by the fact of having a girlfriend or a wife. They’re encouraged to be actors in a turbulent life, to reach for their dreams, to give their all to reach the top of the mountain. Little girls, meanwhile, must wait for their Prince Charming to turn up.
Pauline Harmange (I Hate Men)
What? I didn't say that boy-stealing is a bad thing.
Lindsey Leavitt (A Farewell to Charms (Princess for Hire, #3))
Forget about weird Boy and move on
Laura J. Burns
You don’t teach boys to be charming. It makes people think they are devious.
Margaret Atwood (The Blind Assassin)
My neighbourhood has been filled with arts, songs, and dance. The gipsy boys were playing guitars and fiddles Craving emotions at the gates of our blurry days. The gipsy girls taught us how to shift graciously Within music charm, depicting wonderful stories All through ideas and emotions. Their colourful skirts rounding circles in delight Brought love from the gods Straight in our hearts.
Simona Prilogan (Love is Young: Poems)
Narcissus’s thoughts were far more occupied with Goldmund than Goldmund imagined. He wanted the bright boy as a friend. He sensed in him his opposite, his complement; he would have liked to adopt, lead, enlighten, strengthen, and bring him to bloom. But he held himself back, for many reasons, almost all of them conscious. Most of all, he felt tied and hemmed in by his distaste for teachers or monks who, all too frequently, fell in love with a pupil or a novice. Often enough, he had felt with repulsion the desiring eyes of older men upon him, had met their enticements and cajoleries with wordless rebuttal. He understood them better now that he knew the temptation to love the charming boy, to make him laugh, to run a caressing hand through his blond hair. But he would never do that, never.
Hermann Hesse (Narcissus and Goldmund)
Even if you do not recognize his features, dear reader, I am sure you have met him. He is the school bully too charming to get caught; the one who thinks up the cruelest pranks, has others carry out his dirty work, and still maintains a perfect reputation with the teachers. He is the boy who pulls the legs off insects and tortures stray animals, yet laughs with such pure delight he can almost convince you it is harmless fun. He’s the boy who steals money from the temple collection plates, behind the backs of old ladies who praise him for being such a nice young man. He is that person, that type of evil.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
I had come to Charleston as a young boy, a lonely visitor slouching through its well-tended streets, a young boy, lean and grassy, who grew fluent in his devotion and appreciation of that city's inestimable charm. I was a boy there and saw things through the eyes of a boy for the last time. The boy was dying and I wanted to leave him in the silent lanes South of Broad.I would leave him with no regrets except that I had not stopped to honor his passing. I had not thanked the boy for his capacity for astonishment, for curiosity, and for survival. I was indebted to that boy. I owed him my respect and my thanks. I owed him my remembrance of the lessons he learned so keenly and so ominously.
Pat Conroy (The Lords of Discipline)
One of the biggest reasons I left Elkton Hills was because I was surrounded by phonies. That's all. They were coming in the goddam window. For instance, they had this headmaster, Mr. Haas, that was the phoniest bastard I ever met in my life. Ten times worse than old Thurmer. On Sundays, for instance, old Haas went around shaking hands with everybody's parents when they drove up to school. He'd be charming as hell and all. Except if some boy had little old funny-looking parents. You should've seen the way he did with my roommate's parents. I mean if a boy's mother was sort of fat or corny-looking or something, and if somebody's father was one of those guys that wear those suits with very big shoulders and corny black-and-white shoes, then old Haas would just shake hands with them and give them a phony smile and then he'd go talk, for maybe a half an hour, with somebody else's parents. I can't stand that stuff. It drives me crazy. It makes me so depressed I go crazy. I hated that goddam Elkton Hills
J.D. Salinger
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Kids need guidance, for sure. I did, and I’m glad I got guided because it helped me miss making a lot of mistakes. But I think parents aren’t teachers anymore. Parents — or a whole lot of us, at least — lead by mouth instead of by example. It seems to me that if a child’s hero is their mother or father — or even better, both of them in tandem — then the rough road of learning and experience is going to be smoothed some. And every little bit of smoothing helps, in this rough old world that wants children to be miniature adults, devoid of charm and magic and the beauty of innocence.
Robert McCammon (Boy's Life)
LIFE DOESN'T FRIGHTEN ME Shadows on the wall Noises down the hall Life doesn't frightnes me at all Bad dogs barking loud Big ghosts in a cloud Life doesn't frighten me at all. Mean old Mother Goose Lions on the loose They don't frighten me at all Dragons breathing flame On my counterpane That doesn't frighten me at all. I go boo Make them shoo I make fun Way they run I won't cry So they fly I just smile They go wild Life doesn't frighten me at all. Tough guys in a fight All alone at night Life doesn't frighten me at all. Panthers in the park Strangers in the dark No, they don't frighten me at all. That new classrom where Boys all pull my hair (Kissy little girls With their hair in curls) They don't frighten me at all. Don't show me frogs and snakes And listen for my scream, If I'm afraid at all It's only in my dreams. I've got a magic charm That I keep up my sleeve, I can walk the ocean floor And never have to breathe. Life doesn't frighten me at all Not at all Not at all. Life doesn't frigthen me at all.
Maya Angelou (And Still I Rise)
Night had fallen on Manta by the time we awoke and a cooling breeze was rustling the palm fronds of the tree outside our window. We could hear laughter below as the nightlife of Manta got underway. Girls dressed for clubbing were leaving the hotel hoping to have their world rocked after a night of dancing and wake up to discover he really was Prince Charming in disguise. In truth he would be the tatted-up, dumbed-down, self-involved bad-boy they’d been drawn to like a moth to a flame after several drinks, because he was the male mirror-image of them. The tap-tap of high-heeled shoes designed to accentuate the girls’ derrieres sounded like an ancient tribal mating song being drummed out on concrete.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
I focus on my favorite daydream, the one where I return from London at the end of the summer and am all glamorous and drop-dead gorgeous and every girl in my school is completely jealous when Quinn McKeyan asks me to Fall Homecoming because he can’t resist my charm. Hey, it’s my daydream. I can dream what I want to. The thing is, Quinn’s face keeps getting replaced in my head by Dante’s. Since I’ve had a mad crush on Quinn from the time we started kindergarten all the way through our junior year last year, that’s saying something. Every daydream I’ve had for eleven years has been of him. I’m a very loyal daydreamer. And I suddenly feel like I’m cheating on my imaginary boyfriend, a boy who happens to be real, but who has been dating my best friend Becca for the past two years. And no. Becca has no idea that I’m secretly in love with her boyfriend. It’s the one secret that I’ve kept from her.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
While Keith negotiated the large, echoing room and over-sized elevator buttons, Carrot Top tagged along behind him, staring up at the ceiling and occasionally picking his nose. “Stop that,” Keith said. “It’s part of my character,” Carrot Top replied. “It’s what boys do.” Keith watched Carrot Top twist his hand around to get what appeared to be a deeply satisfying dig on. Then, as if possessed by some innate reflex, he dope-slapped the leprechaun in the back of the head.Carrot Top whipped around, furious, but before he could speak, Keith said, “It’s what fathers do.
Nicole Kimberling (Charmed and Dangerous)
Baghra,” Nikolai said, “how are you this evening?” “Still old and blind,” she snarled. “And charming,” Nikolai drawled. “Never forget charming.” “Whelp.” “Hag.” “What do you want, pest?” “I’ve brought someone to visit,” Nikolai said, giving me a push. Why was I so nervous? “Hello, Baghra,” I managed. She paused, motionless. “The little Saint,” she murmured, “returned to save us all.” “Well, she did almost die trying to rid us of your cursed spawn,” Nikolai said lightly. I blinked. So Nikolai knew Baghra was the Darkling’s mother. “Couldn’t even manage martyrdom right, could you?” Baghra waved me in. “Come in and shut the door, girl. You’re letting the heat out.” I grinned at this familiar refrain. “And you,” she spat in Nikolai’s direction. “Go somewhere you’re wanted.” “That’s hardly limiting,” he said. “Alina, I’ll be back to fetch you for dinner, but should you grow restless, do feel free to run screaming from the room or take a dagger to her. Whatever seems most fitting at the time.” “Are you still here?” snapped Baghra. “I go but hope to remain in your heart,” he said solemnly. Then he winked and disappeared. “Wretched boy.” “You like him,” I said in disbelief. Baghra scowled. “Greedy. Arrogant. Takes too many risks.” “You almost sound concerned.” “You like him too, little Saint,” she said with a leer in her voice. “I do,” I admitted. “He’s been kind when he might have been cruel. It’s refreshing.” “He laughs too much.” “There are worse traits.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
They had such a good meet-cute,” I croak. “What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.” “I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.” “Is that in color or black-and-white?” “Black-and-white.” Peter groans and falls back against the couch cushions. “It’s too bad we don’t have a meet-cute,” I muse. “You jumped me in the hallway at school. I think that’s pretty cute.” “But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.” “I remember meeting you for the first time.” “Nuh-uh. Liar!” “Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.” “Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie. Peter opens his mouth, then snaps it shut. “I’m not telling.” “See! You just can’t think of anything.” “No, you don’t deserve to know, because you don’t believe me.” I roll my eyes. “So full of it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Kylee laughed. "Nothing with you is normal. But speaking of abnormal, I saw this movie where these two girls liked the same boy, and one girl was a werewolf, and the other was a dragon, although she didn't know it yet, and it turned out the boy was a killer of, like, magical creatures, so both girls died and he took the head cheerleader to prom." "That sounds like a stupid movie," I said. "It actually was. But the boy had this shirt off a lot. I guess hunting magical creatures is great for stomach muscles.
Lindsey Leavitt (A Farewell to Charms (Princess for Hire, #3))
The latter is very prepubescent." "Prepubescent!" Josh gasped. "Prepubescent!" "I am totally pubescent," one of his friends said. Another said haughtily, "I will have you know that my mom and I are going to Aspen to shop for training bras this weekend." I rolled my eyes. "Later." I slid off the bench and stood. "Hey,we're helping you go off the jump again tomorrow,right?" Josh asked, using the word helping very loosely. "Yeah," another boy said, "eleventh time's the charm." I looked toward the Galaga machine. Fiona was still there, yet Nick was gone. Probably just to order her a drink.Ordinarily, I would have bounced all over the restaurant searching for him so I could flirt him out of Fiona's pink-nailed grasp. But the whoopee cushion had taken the wind out of my sails.
Jennifer Echols (The Ex Games)
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I wanna see the dance!” “Forget about it,” I tell him. We’re in the living room; each of us has our own couch or armchair. I poured us iced teas and put out a bowl of potato chips, which we’ve already finished. “Come on,” he pouts. “Show me the dance. Please, please show me the dance.” “That’s not going to work on me, Peter.” “What’s not going to work?” I wave my hand in his Handsome Boy face. “That. I’m immune to your charms, remember?” Peter lifts his eyebrows like I’ve dared him. “Is that a challenge? ’Cause I’m warning you, you do not want to step into the ring with me. I’ll crush you, Covey.” He doesn’t take his eyes off mine for several long seconds, and I can feel my smile fade and my cheeks heat up. “Come on, Lara Jean!” I blink. Kitty. I’d forgotten she was still in the room.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.) The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning... I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy. I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more. This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less. These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
Charles Dickens
Discovering a note in the mending basket, Phoebe plucked it out and unfolded it. She instantly recognized West's handwriting. Unemployed Feline Seeking Household Position To Whom It May Concern, I hereby offer my services as an experienced mouser and personal companion. References from a reputable family to be provided upon request. Willing to accept room and board in lieu of pay. Indoor lodgings preferred. Your servant, Galoshes the Cat Glancing up from the note, Phoebe found her parents' questioning gazes on her. "Job application," she explained sourly. "From the cat." "How charming," Seraphina exclaimed, reading over her shoulder. "'Personal companion,' my foot," Phoebe muttered. "This is a semi-feral animal who has lived in outbuildings and fed on vermin." "I wonder," Seraphina said thoughtfully. "If she were truly feral, she wouldn't want any contact with humans. With time and patience, she might become domesticated." Phoebe rolled her eyes. "It seems we'll find out." The boys returned from the dining car with a bowl of water and a tray of refreshments. Galoshes descended to the floor long enough to devour a boiled egg, an anchovy canapé, and a spoonful of black caviar from a silver dish on ice. Licking her lips and purring, the cat jumped back into Phoebe's lap and curled up with a sigh. "I'd say she's adjusting quite well," Seraphina commented with a grin, and elbowed Phoebe gently. "One never knows who might rise above their disreputable past.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The essence of cool, after all, is not giving a fuck. And let’s face it: I most definitely give a fuck now. I give a huge fuck. The hugest. Everything else—everything—pales. To pretend otherwise, by word or deed, would be a monstrous lie. There will be no more Dead Boys T-shirts. Whom would I be kidding? Their charmingly nihilistic worldview in no way mirrors my own. If Stiv Bators were still alive and put his filthy hands anywhere near my baby, I’d snap his neck—then thoroughly cleanse the area with baby wipes. There is no hope of hipness. As my friend A. A. Gill points out, after your daughter reaches a certain age—like five—the most excruciating and embarrassing thing she could possibly imagine is seeing her dad in any way threatening to rock. Your record collection may indeed be cooler than your daughter’s will ever be, but this is a meaningless distinction now. She doesn’t care. And nobody else will. If you’re lucky, long after you’re gone, a grandchild will rediscover your old copy of Fun House. But it will be way too late for you to bask in the glory of past coolness. There is nothing cool about “used to be cool.” All of this, I think, is only right and appropriate.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
Your sister is really not loving Ms. Rothschild, huh.” Peter still hasn’t gotten the hang of calling Ms. Rothschild Trina, and he likely never will. In our neighborhood, none of the kids growing up called the adults by their first names. Everyone was Miss or Mrs. or Mr., except for Daddy, who was Dr. “I wouldn’t say Gogo dislikes Trina,” I say. “She likes her; she just isn’t used to her yet. You know how Trina is.” “True,” he says. “I also know how your sister is. It took her forever to warm up to me.” “It wasn’t forever. You’re just used to people liking you from the very first minute they meet you.” I give him a sidelong look. “Because you’re so very charming.” He scowls, because I don’t say it like a compliment. “Gogo doesn’t care about charm. She cares about real.” “Well, now she loves me,” he says, all confidence. When I don’t answer right away, he says, “Right? Doesn’t she?” I laugh. “She does.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
After a brief murmured exchange, the lady's maid opened the door a bit wider, and Phoebe's brother Ivo stuck his head inside. "Hullo, sis," he said casually. "You look very nice in that gold dress." "It's ecru." At his perplexed look, she repeated, "Ecru." "God bless you," Ivo said, and gave her a cheeky grin as he entered the room. Phoebe lifted her gaze heavenward. "Why are you here, Ivo?" "I'm going to escort you downstairs, so you don't have to go alone." Phoebe was so moved, she couldn't speak. She could only stare at the eleven-year-old boy, who was volunteering to take the place her husband would have assumed. "It was Father's idea," Ivo continued, a touch bashfully. "I'm sorry I'm not as tall as the other ladies' escorts, or even as tall as you. I'm really only half an escort. But that's still better than nothing, isn't it?" His expression turned uncertain as he saw that her eyes were watering. After clearing her throat, Phoebe managed an unsteady reply. "At this moment, my gallant Ivo, you tower above every other gentleman here. I'm so very honored." He grinned and offered his arm in a gesture she had seen him practice in the past with their father. "The honor is mine, sis." In that moment, Phoebe had the briefest intimation of what Ivo would be like as a full-grown man, confident and irresistibly charming.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Whatever you want," he said. "Will you please come here now?" I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge." I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know." "Verry funny." "Very true." He grinned. "The translation. That's what it says. Old-fashionedly." I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos." Alex cupped my face in his hands. "Que tu est belle, tu le sais." "Oh,I am not-" "Shh," he shushed me, and leaned in. The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force. "I have physics," he told me. "We're studying weak interaction." I sandwiched his open hand between mine. "You know absolutely nothing about that." "Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks." The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too. "I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading." "Go," I told him. "I have history. By definition, we get to history late." "Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.
Melissa Jensen (The Fine Art of Truth or Dare)
Sheila and Hugh Resting in arms Testing your charms Repeating a ritualized “I love you” Sharing a fight Or a kiss in the night Shrugging when friends ask “What’s new?” After the wedding Her hips started spreading His hair line began to recede They remained together Out of habit now And not out of any great need He’ll show up from work Showing signs of strain While her day was spent cleaning Letting the soap operas wash her brain . . . He reads the evening paper She calls him in to eat They share their meal silently She’s bored, he’s just beat Then they climb the stairs Multiplying the monotony With each step they take The hours spent sleeping They find more satisfying Than those spent awake He removes his work clothes She puts on her curlers and cream Hoping the sheets will protect them From the demon of daily routine Then he clicks off the lamp And the darkness holds no noise For in the dark you can be anyone Housewives will be girls And businessmen boys . . . “I love you, Sheila” I love you, Hugh” But she’s deciding on dishes And his thoughts are all askew And the sheets supply refuge For this perpetual pair Neither really knowing anymore Why the other one is there
Carrie Fisher (The Princess Diarist)
this matter will not go uninvestigated.” He glanced at Madam Bones, who readjusted her monocle and stared back at him, frowning slightly. “I would remind everybody that the behavior of these dementors, if indeed they are not figments of this boy’s imagination, is not the subject of this hearing!” said Fudge. “We are here to examine Harry Potter’s offenses under the Decree for the Reasonable Restriction of Underage Sorcery!” “Of course we are,” said Dumbledore, “but the presence of dementors in that alleyway is highly relevant. Clause seven of the Decree states that magic may be used before Muggles in exceptional circumstances, and as those exceptional circumstances include situations that threaten the life of the wizard or witch himself, or witches, wizards, or Muggles present at the time of the —” “We are familiar with clause seven, thank you very much!” snarled Fudge. “Of course you are,” said Dumbledore courteously. “Then we are in agreement that Harry’s use of the Patronus Charm in these circumstances falls precisely into the category of exceptional circumstances it describes?” “If there were dementors, which I doubt —” “You have heard from an eyewitness,” Dumbledore interrupted. “If you still doubt her truthfulness, call her back, question her again. I am sure she would not object.” “I — that — not —” blustered Fudge, fiddling with the papers before him. “It’s — I want this over with today, Dumbledore!” “But naturally, you would not care how many times you heard from a witness, if the alternative was a serious miscarriage of justice,” said Dumbledore.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Within a few months Mitch Bush, head veterinarian at the National Zoo, and David Wildt, a young reproductive physiologist working as a postdoctoral fellow in my laboratory at the National Cancer Institute, were on a plane bound for South Africa. Bush is a towering, bearded, giant of a man with a strong interest and acumen in exotic animal veterinary medicine, particularly the rapidly improving field of anesthetic pharmacology. Wildt is a slight and modest Midwestern farm boy, schooled in the reproductive physiology of barnyard animals. His boyish charm and polite shy demeanor mask a piercing curiosity and deep knowledge of all things reproductive. Bush and Wildt's expedition to the DeWildt cheetah breeding center outside Pretoria would ultimately change the way the conservation community viewed cheetahs forever.
Stephen J. O'Brien (Tears of the Cheetah: The Genetic Secrets of Our Animal Ancestors)
Dr. Manning said he'd thought at first it might be sleeping sickness, or even narcolepsy, whatever that was, but - no, Pete was healthy enough physically. Manoel growled that the boy was bone-lazy, spending his time fishing and reading. Reading! No good could come of such things. 'In a way you're right, Manoel,' Dr. Manning said hesitantly. 'It's natural for a boy to day-dream now and then, but I think Pedro does it too much. I've let him use my library whenever he wanted, but it seems... h'm... it seems he reads the wrong things. Fairy tales are very charming, but they don't help a boy to cope with real life.' 'Com certeza,' Manoel agreed. 'You mean he has crazy ideas in the head.' 'Oh, they're rather nice ideas,' Dr. Manning said. 'But they're only fairy tales, and they're beginning to seem true to Pete. You see, Manoel, there are really two worlds, the real one, and the one you make up inside your mind. Sometimes a boy - or even a man - gets to like his dream world so much he just forgets about the real one and lives in the one he's made up.' 'I know,' Manoel said. 'I have seen some who do that. It is a bad thing.' 'It would be bad for Pete. He's a very sensitive boy. If you live too much in dreams, you can't face real life squarely.' ("Before I Wake...")
Henry Kuttner (Masters of Horror)
So what's going on with you and your boyfriend?" Eli asked me right before he shoved a forkful of eggs into his mouth during breakfast the next morning. I made a face in the direction of my plate before shooting a glance upward to find Gordo’s eyes on me, a smirk on his face. "Mason?" I asked, going back to my food. Eli made a gagging noise, elbowing me hard in the ribs. "I'm not gonna go into details on how disturbing it is that I say ‘your boyfriend’ and you automatically think of fucking Mase." "He's always calling me his wife, or telling people I don't know that we're getting married," I replied, elbowing him back as hard as he got me. It was partially the truth… but mostly, I didn’t want to talk about the man who had been kissing my shoulder hours ago. "I love Mase, but it'll be a sunny day in my asshole before you and him get together," he mumbled. I snorted, biting into my biscuit. "Who the heck else would you be talking about?" I asked, but I knew. Oh, I knew damn well he was referring to Sacha. Freaking Gordo snickered from across the table before putting his hands up in surrender when I glared at him. "I didn’t say anything." "Sacha, Flabby. Sacha. Your boyfriend. Your snuggle bug." Eliza finally answered. Suddenly the half-eaten biscuit on my plate needed to be eaten immediately. I shoved the entire piece into my mouth to avoid the conversation my brother was trying to edge into. I'd had talks about boys with Eli in the past, and they never ended—or started—well. "There's nothing going on between us. We're just friends." Because we were. Eli made a noise that sounded like “hmmph” deep in his throat. It was incredulous and disbelieving. Then he asked the question to prove it, his attention back on his band mate. "Gordo, do you think I'm blind?" Gordo shook his head. "Gaby, do you think I'm blind?" he asked. "Not blind, just dumb.” I smiled. He shot me a frown. A moment later, he threw his arm over my shoulders and started shoving his plate away with his free hand. "Flabby Gaby, that kid is in love with you." In love. With me? I leaned forward and tried to sniff his breath. “Are you still drunk?” But my brother kept talking before I could keep going. "Anyone with eyes and ears knows that guy thinks you shit out Lucky Charms." Gordo and I burst out laughing. "Is that a good thing?" I asked him. Eliza shoved my face away with his palm, ignoring my commentary again. "And I think that you love him, too." The noise that came out of my mouth sounded like a hybrid “moo” and squawk at the same time. "I—,” I slammed my mouth shut before opening it again with a sputter. “What?
Mariana Zapata (Rhythm, Chord & Malykhin)