Charmed Inspirational Quotes

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When I was a little girl I used to read fairy tales. In fairy tales you meet Prince Charming and he's everything you ever wanted. In fairy tales the bad guy is very easy to spot. The bad guy is always wearing a black cape so you always know who he is. Then you grow up and you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he's not easy to spot; he's really funny, and he makes you laugh, and he has perfect hair.
Taylor Swift
And pity--people who inspire it in you are actually very powerful people. To get someone else to take care of you, to feel sorry for you--that takes a lot of strength, smarts, manipulation. Very powerful people.
Deb Caletti (The Secret Life of Prince Charming)
A man with charm is an entertaining thing, and a man with looks is, ofcourse, a sight to behold, but a man with honor - ah, he is the one, dear reader, to which young ladies should flock.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The heart is like a woman, and the head is like a man, and although man is the head of woman, woman is the heart of man, and she turns man's head because she turns his heart.
Peter Kreeft (Jesus-Shock)
The best of a book is not the thought which it contains, but the thought which it suggests; just as the charm of music dwells not in the tones but in the echoes of our hearts.
Oliver Wendell Holmes Sr.
I am a strong and powerful woman. I am proud to be a woman and I celebrate the qualities that I have as a woman. I am not defined by other people’s opinion of who I should be or what I should do as a woman. I determine that, not anyone else. I am not passed up for a position, title, or promotion because I am a woman. I fully deserve all the good things that comes my way. Irrespective of what anyone might think, being a woman places no boundaries or limits on my abilities. I can do anything I set my mind to. I celebrate my womanhood and I am beautiful both inside and out.
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
charisma is “charm that inspires devotion.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I had always had a little problem looking out for myself in love. I was afraid people would leave me. So I sort of clung and did everything possible to keep someone around. I didn't have a hard talk with myself about who I was keeping around. Doesn't take a rocket scientist to figure that out. I clung to people like human life preservers. I thought i'd die if someone left me. Its ironic because now I'm the one who's leaving.
Deb Caletti (The Secret Life of Prince Charming)
So I put up with bad behavior in the name of loving the way I thought you were supposed to love.
Deb Caletti (The Secret Life of Prince Charming)
Too often in my life, love has been defined as "humiliation with occasional roses".
Deb Caletti (The Secret Life of Prince Charming)
But what I wanted back had never really been there. He was a temporary illusion, a mirage of water after walking in the desert. I had made him up. And he could have killed me. You've got to stop the ride sometimes. Stop it and get off.
Deb Caletti (The Secret Life of Prince Charming)
Maybe we all just want to feel special, even for a little while, to be fooled for a bit into feeling something besides the truth of our own ordinariness.
Deb Caletti (The Secret Life of Prince Charming)
Under the pink Harlequin sunglasses strawberry dangling charms, and sugar-frosted eyeshadow she was really almost beautiful.
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
Nevertheless the passions, whether violent or not, should never be so expressed as to reach the point of disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.
Wolfgang Amadeus Mozart
Great writers, I discovered, were not to be bowed down before and worshipped, but embraced and befriended. Their names resounded through history not because they had massive brows and thought deep incomprehensible thoughts, but because they opened windows in the mind, they put their arms round you and showed you things you always knew but never dared to believe. Even if their names were terrifyingly foreign and intellectual sounding, Dostoevsky, Baudelaire or Cavafy, they turned out to be charming and wonderful and quite unalarming after all.
Stephen Fry (The Library Book)
A man should begin with his own times. He should become acquainted first of all with the world in which he is living and participating. He should not be afraid of reading too much or too little. He should take his reading as he does his food or his exercise. The good reader will gravitate to the good books. He will discover from his contemporaries what is inspiring or fecundating, or merely enjoyable, in past literature. He should have the pleasure of making these discoveries on his own, in his own way. What has worth, charm, beauty, wisdom, cannot be lost or forgotten. But things can lose all value, all charm and appeal, if one is dragged to them by the scalp.
Henry Miller
Tall oaks branch charmed by the earnest stars Dream and so dream all night without a stir.
John Keats
Shall I tell you our secret? We are charming thieves who steal hearts and never fail because we are the friends of the One. Blessed is the poem that comes through me but not of me because the sound of my own music will drown the song of Love.
Jalal ad-Din Muhammad ar-Rumi
A Mother & Daughter's Love Is Never Separated
Viola Shipman (The Charm Bracelet)
Draw outside the lines! Make the sky purple instead of blue! That's what it looks like to dreamers!
Viola Shipman (The Charm Bracelet)
Tenderhearted people are silent sufferers they just learn the art to fly with broken wings.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
The calm within the storm is where peace lives and breathes. It is not within perfect circumstances or a charmed life... it is not conditional. Peace is a sacred space within, it is the temple of our internal landscape. We are free to visit it, whenever we seek sanctuary. Underneath the chaos of everyday living, peace is patiently awaiting our discovery... go within.
Jaeda DeWalt
Then the cow asked: "What is a mirror?" "It is a hole in the wall," said the cat. "You look in it, and there you see the picture, and it is so dainty and charming and ethereal and inspiring in its unimaginable beauty that your head turns round and round, and you almost swoon with ecstasy.
Mark Twain (Short Stories (Penguin Classics))
He was a thundering paradox of a man, noble and ignoble, inspiring and outrageous, arrogant and shy, the best of me and the worst of men, the most protean, most ridiculous, and most sublime. No more baffling, exasperating soldier ever wore a uniform. Flamboyant, imperious, and apocalyptic, he carried the plumage of a flamingo, could not acknowledge errors, and tried to cover up his mistakes with sly, childish tricks. Yet he was also endowed with great personal charm, a will of iron, and a soaring intellect. Unquestionably he was the most gifted man-at arms- this nation has produced. -William Manchester on Douglas MacArthur
William Manchester
I once read that charisma is “charm that inspires devotion.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Life's too short to wake up in the morning with regrets, So ... Love the people who treat you right and pray for the ones who don't. Life is 10% what you make it 90% how you take it.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Maybe we ought to look at a guy's response to our microwave from now on." Aunt Annie said. Really." Mom said. "The narcissist looks at his reflection in it. The OCD guy thinks you don't keep it clean enough.The antisocial--" Puts his fist through it because it reminds him of his father." Annie said. She'd read all of mom's books, too. And the paranoid one would be jealous of the amount of time you spend cooking." Mom said Were you using that microwave again? Is something going on between the two of you? I caught you looking right at its clock." Annie said.
Deb Caletti (The Secret Life of Prince Charming)
I was born free, and that I might live in freedom I chose the solitude of the fields; in the trees of the mountains I find society, the clear waters of the brooks are my mirrors, and to the trees and waters I make known my thoughts and charms. I am a fire afar off, a sword laid aside. Those whom I have inspired with love by letting them see me, I have by words undeceived, and if their longings live on hope—and I have given none to Chrysostom or to any other—it cannot justly be said that the death of any is my doing, for it was rather his own obstinacy than my cruelty that killed him; and if it be made a charge against me that his wishes were honourable, and that therefore I was bound to yield to them, I answer that when on this very spot where now his grave is made he declared to me his purity of purpose, I told him that mine was to live in perpetual solitude, and that the earth alone should enjoy the fruits of my retirement and the spoils of my beauty; and if, after this open avowal, he chose to persist against hope and steer against the wind, what wonder is it that he should sink in the depths of his infatuation? If I had encouraged him, I should be false; if I had gratified him, I should have acted against my own better resolution and purpose. He was persistent in spite of warning, he despaired without being hated. Bethink you now if it be reasonable that his suffering should be laid to my charge. Let him who has been deceived complain, let him give way to despair whose encouraged hopes have proved vain, let him flatter himself whom I shall entice, let him boast whom I shall receive; but let not him call me cruel or homicide to whom I make no promise, upon whom I practise no deception, whom I neither entice nor receive. It has not been so far the will of Heaven that I should love by fate, and to expect me to love by choice is idle. Let this general declaration serve for each of my suitors on his own account, and let it be understood from this time forth that if anyone dies for me it is not of jealousy or misery he dies, for she who loves no one can give no cause for jealousy to any, and candour is not to be confounded with scorn. Let him who calls me wild beast and basilisk, leave me alone as something noxious and evil; let him who calls me ungrateful, withhold his service; who calls me wayward, seek not my acquaintance; who calls me cruel, pursue me not; for this wild beast, this basilisk, this ungrateful, cruel, wayward being has no kind of desire to seek, serve, know, or follow them. If Chrysostom's impatience and violent passion killed him, why should my modest behaviour and circumspection be blamed? If I preserve my purity in the society of the trees, why should he who would have me preserve it among men, seek to rob me of it? I have, as you know, wealth of my own, and I covet not that of others; my taste is for freedom, and I have no relish for constraint; I neither love nor hate anyone; I do not deceive this one or court that, or trifle with one or play with another. The modest converse of the shepherd girls of these hamlets and the care of my goats are my recreations; my desires are bounded by these mountains, and if they ever wander hence it is to contemplate the beauty of the heavens, steps by which the soul travels to its primeval abode.
Miguel de Cervantes Saavedra (Don Quixote)
If we had the chance to live forever, life would lose its charm for something better.
Debasish Mridha
Because l'm worth it!
Emma Watson
The Sewing Machine Charm To A Life Bound by Family, The Thread That Ties Us All Together
Viola Shipman (The Charm Bracelet)
The Mustard Seed Charm With Faith As Small As A Mustard Seed, Then You Can Move Mountains: Nothing Will Be Impossible
Viola Shipman (The Charm Bracelet)
But isn't it... ugly?" "No. Not to me." She pressed a kiss to his chest. "It's fearsome and terrifying and powerful and awe-inspiring. And if anyone ever tried to get at me, that thing would wipe out a neighborhood. How could a girl not be charmed? Besides, after seeing those lessers in action, I'm grateful for it. I feel safe. Between you and the dragon, I don't have to worry." (Rhage & Mary)
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
You can resist the seductions of grandiosity, blame, and shame. You can support other people in their creative efforts, acknowledging the truth that there’s plenty of room for everyone. You can measure your worth by your dedication to your path, not by your successes or failures. You can battle your demons (through therapy, recovery, prayer, or humility) instead of battling your gifts—in part by realizing that your demons were never the ones doing the work, anyhow. You can believe that you are neither a slave to inspiration nor its master, but something far more interesting—its partner—and that the two of you are working together toward something intriguing and worthwhile. You can live a long life, making and doing really cool things the entire time. You might earn a living with your pursuits or you might not, but you can recognize that this is not really the point. And at the end of your days, you can thank creativity for having blessed you with a charmed, interesting, passionate existence.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Memories of the past are what drive us, whether to a life of beauty or a life of insanity is up to us.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
There's a story behind every "I don't believe in love" "Period
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Be in the World, Not of the World—Kind of like Lucky Charms cereal: there are lots of pretty marshmallows in with the cereal, but they’re not the same. So live with the cereal, but remember: you’re a pretty marshmallow.
Laura Jensen Walker (Becca by the Book (Getaway Girls, #3))
Every achievement starts from a dream. So let's dream!
Leyla Atke (Charm: An Amazing Story of a Little Black Cat)
If we try to see something positive in everything we do, life won't necessarily become easier but it becomes more valuable.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Strong people don't put others down. They lift them up and slam them on the ground for maximum damage.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
I saw your intelligence, and I was intrigued. I saw your humor, and I was charmed. I saw your soul, and it was beautiful. I'm in love with you, Mary Bennet.
Nancy Lawrence (Mary and the Captain: A Pride and Prejudice Continuation)
The Hot Air Balloon Charm Life Can Be Filled with Adventure If You Let Yourself Soar
Viola Shipman (The Charm Bracelet)
You know, through my travels and meeting people who were part of Miriam’s life, I’m learning that it’s the things you say and do that people remember you for. She is no longer here but she lives on in people’s hearts and minds.
Phaedra Patrick (The Curious Charms of Arthur Pepper)
For it cannot be denied that all over the world and in all ages there are beings who are perceived to be extraordinary, charming, and appealing, and whom many honor as benevolent spirits, because they make one think of a more beautiful, a freer, a more winged life than the one we lead.
Hermann Hesse (Pictor's Metamorphoses and Other Fantasies)
I love you as the moon loves the night to show her charm, beauty and magic of light.
Debasish Mridha
The moon is very charming, alluring, attracting and magical, not because of its beauty, but because of its illusion and reflection of change.
Debasish Mridha
A lot of pain that we are dealing with are really only THOUGHTS.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Beauty has its magic and charm. It touches our heart and rings the alarm.
Debasish Mridha
Let me love and feel the charm and joy of life.
Debasish Mridha
Charisma is 'charm that inspires devotion.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
In the end all the puzzles of your life will be solved ,until then... laugh at the scepticism, live for the moment and remember everything happens for a reason.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Life is about the moments you create, that you can keep it with you FOREVER. After everything is over,That is what we have or what we are left with.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Every interaction is an opportunity to learn, Only if we are interested in improving rather than proving.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
Its not your fault for not being there. Its my fault for thinking you would be
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
The Puzzle Piece Charm To A Life Filled with Friends Who Complete You
Viola Shipman (The Charm Bracelet)
The Loon Charm To A Life Filled with A Love Whose Voice Always Calls You Home
Viola Shipman (The Charm Bracelet)
The Dragonfly Charm Embrace The Magic of Nature & Life Will Be Filled with Good Fortune
Viola Shipman (The Charm Bracelet)
There's only one way to tackle life, enjoy a day at the beach, and jump into a Great Lake: Headfirst!
Viola Shipman (The Charm Bracelet)
Our beauty unfolds, we become. The ones that truly value you And the pricelessness of your presence Will stick around to watch the full beauty of the sunset As they gaze through to your soul And feel warmed by your charm As you unfold, as you become
Christine Evangelou (Exit Point: Arrows From a Rebel Heart)
Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.
Anton Chekhov (Ivanov (Plays for Performance Series))
Sometimes we bring to a struggle or cause the gifts we see most clearly, a courage, a strength, or a charm others have told us we have. But often we find more is asked of us than that, more than we intended or thought we possessed. We are asked to offer that which we thought dearest, to forgive what seemed unpardonable, to face what we feared the most and endure it. Sometimes we have to travel to the last step a path that was not of our own choosing. But I promise you this ... it will lead to a greater joy in the end. The difficulty is that the end is beyond our sight, it is a matter of faith, not of knowledge.
Anne Perry (A Christmas Visitor)
As I grab my bag, Evelyn takes the coffee out of my hand, carrying it for me. I once read that charisma is “charm that inspires devotion.” And I can’t help but think of that now, when she’s holding my coffee for me. The combination of such a powerful woman and such a small and humble gesture is enchanting, to be sure.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Uninvited, the thought of you stayed too late in my head, so I went to bed, dreaming you hard, hard, woke with your name, like tears, soft, salt, on my lips, the sound of its bright syllables like a charm, like a spell. Falling in love is glamorous hell; the crouched, parched heart like a tiger ready to kill; a flame's fierce licks under the skin. Into my life, larger than life, beautiful, you strolled in. I hid in my ordinary days, in the long grass of routine, in my camouflage rooms. You sprawled in my gaze, staring back from anyone's face, from the shape of a cloud, from the pining, earth-struck moon which gapes at me as I open the bedroom door. The curtains stir. There you are on the bed, like a gift, like a touchable dream. "You
Carol Ann Duffy (Rapture)
Oh! Let me love forever. Love is the joy and charm. Without beauty of love, life is a lifeless flower.
Debasish Mridha
A charming girl gets more proposals than a beautiful girl.
Amit Kalantri
Writing is the voice of the heart' Julia Suzuki
Julia Suzuki (Yoshiko and the Gift of Charms (The Land of Dragor))
If someone talks bad about us, we feel bad. If someone talks good about us we feel good. The question is ,Have we given our remote to others for the way we feel? Live your life in your way!!!!!!!!!!!!!!
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
The story that you wanted to write will never be pen down that way, The chapters of incidences will variate, The entrance and exit of characters will alter, The starting of pages might be different, The ending of pages might be unclear, The attractive introduction, The charming ending, Considering the facts in your mind, Concluding with ideas in your heart, The end product will be something else, The same goes with your life, This person is going to be my lover, friend, helper, and well-wisher, or in case some of you decide an enemy, We’re breathing humans, Our thoughts, our minds, our hearts, and our souls, everything works according to our moods, likes, dislikes, etc., There’s a problem with us, There’s a fault in ourselves, When we think that they’ll be there for us, No, they wouldn’t be, Why should they be? They have a different story to live, It’s not their duty to make your story happening, So be delighted with your tale, And enjoy whatever comes your way.
Hareem Ch (Hankering for Tranquility)
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
Robert G. Ingersoll (Some Mistakes of Moses)
I once read that charisma is a "charm that inspires devotion". And I can't help but think of that now when she's holding my coffee for me. The combination of such a powerful woman and such a small and humble gesture is enchanting, to be sure.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It is a charming quality of the happiness we inspire in others that, far from being diminished like a reflection, it comes back to us enhanced.
Victor Hugo (Les Misérables)
The most important subject in the curriculum in the future years will be how to love ourselves and be content.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
An Airstream is a lot like a first love: you are lured by her charm, seduced by her beauty, and once bitten, you are forever chasing after her mystique.
Bruce Littlefield (Airstream Living)
Literacy rate tells us about the section of society who can read and write, but do we have a tool which can share the stats about out how many educated illiterates we have in our society.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
I know the formulahe wants her she refuses him he charms her she holds her ground he does something dramatic like saves her from a fire or reinstates her family's lost fortune or dies she realizes she loved him all along wedding bells ring or pirate flags unfurl or she joins a convent happily ever afterbut I don't expect to live that way. I've learned that life is not like novels. Especially not like novels with rippling muscles on paperback covers. After reading a couple hundred of those booksyou know hypothetically speakingyou start to see that there's not that much difference between a romance and an epic fantasy. You've got your quest sometimes it involves a ring and a hero who will stop at nothing to do what he has to. The difference is usually the girl. And I'm not that girl. I'm not the girl who inspires men to commit acts of heroism. In real life those girls speak much more quietly and breathe a lot louder than I do. I'm not the girl who strikes men speechless with her beauty. Really really not. I don't even know how to flutter my eyelashes. But that's life. Not romance-novel life just real life.
Becca Wilhite (My Ridiculous, Romantic Obsessions)
That's how it is with want. As long as you lack something, you yearn for it without cease. If only I could have that one thing, you tell yourself, all my problems would be solved. But once you get it, once the object of your desires is thrust into your hands, it begins to lose its charm. Other wants assert themselves, other desires make themselves felt, and bit by bit you discover that you're right back where you started.
Paul Auster (Mr. Vertigo)
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
[She] had the indefinable charm of someone who said little but thought much. Miss Prim had always felt that such people were at a marked advantage. They never said anything tactless, never spouted nonsense, never had cause to regret their words or justify themselves.
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
Les esprits qui ont le sentiment du sublime sont entraînés insensiblement vers les sentiments élevés de l’amitié, du mépris du monde, de l’éternité, par le calme et le silence d’une soirée d’été, alors que la lumière tremblante des étoiles perce les ombres de la nuit, et que la lune solitaire paraît à l’horizon. Le jour brillant inspire l’ardeur du travail et le sentiment de la joie. Le sublime émeut, le beau charme.
Immanuel Kant (The Critique of Aesthetic Judgement (Critique of Judgement 1))
For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.
Javier Marías (Los enamoramientos)
Beauty in a woman is a treasure rare Which we are never weary of admiring; But a sweet temper is a gift more fair And better worth the youthful maid's desiring. That was the boon bestowed on Cinderella By her wise godmother - her truest glory. The rest was "nought but leather and prunella." Such is the moral of this little story - Beauties that charm become you more than dress, And win a heart with far greater facility. In short, in all things to ensure success, The real Fairy Gift is amiability! Talent, courage, wit, and worth Are rare gifts to own on Earth; But if you want to thrive at court - So, at least, the wise report - You will find you need some others, Such as godfathers or mothers.
Charles Perrault
Her beauty must have been exhausting and not to mention troublesome. Glitter swiftly made it's way into the vibrant strands that graced her lavish eyelashes. Each blink, each pressing moment, time seemed to have stopped and I felt as if, her charm could fill an entire room and with every set of eyes locked onto her, somehow the glare of her shimmering wet lipgloss could take care of everyones problems. That as soon as her heavenly music flowed through their wine glasses, that they too were apart of something such bigger, much grander. I believed, when I stood beside her; I became more handsome.
Brandon Villasenor
I'm not talking about the blood ecstasy. I'm talking about my being able to fill that emotion void she has. You know her as well as I do, maybe better. She aches with it. She needs to be accepted for who she is so badly. And I was able to do that. Do you know good that felt? To be able to show someone that, yes, you are someone worth sacrificing for? That you like them for their faults and that you respect them for their ability to rise above them?
Kim Harrison (A Fistful of Charms (The Hollows, #4))
But there is nothing a man might not do, with you to encourage him. You make me wish to be a hero." He laughed, but Hester did not laugh. She gave him a keen look, in which there was a touch of disdain. " Do you really think," she said, " that the charm of inspiring, as you call it, is what any reasonable creature would prefer to doing? To make somebody else a hero rather than be a hero yourself? Women would need to be disinterested indeed if they like that best. I don't see it. Besides, we are not in the days of chivalry. What could you be inspired to do— make better bargains on your Stock Exchange?
Mrs. Oliphant (Hester)
Il fallait absolument se secouer, retrouver mon père et notre vie d'antan. De quels charmes ne se paraient pas pour moi subitement les deux années joyeuses et incohérentes que je venais d'achever, ces deux années que j'avais si vite reniées l'autre jour ?... La liberté de penser, et de mal penser et de penser peu, la liberté de choisir moi-même ma vie. Je ne peux dire "d'être moi-même" puisque je n'étais rien qu'une pâte modelable, mais celle de refuser les moules.
Françoise Sagan (Bonjour tristesse)
Thank you,” said Lee’s voice. “And now we turn to regular contributor Royal, for an update on how the new Wizarding order is affecting the Muggle world.” “Thanks, River,” said an unmistakable voice, deep, measured, reassuring. “Kingsley!” burst out Ron. “We know!” said Hermione, hushing him. “Muggles remain ignorant of the source of their suffering as they continue to sustain heavy casualties,” said Kingsley. “However, we continue to hear truly inspirational stories of wizards and witches risking their own safety to protect Muggle friends and neighbors, often without the Muggles’ knowledge. I’d like to appeal to all our listeners to emulate their example, perhaps by casting a protective charm over any Muggle dwellings in your street. Many lives could be saved if such simple measures are taken.” “And what would you say, Royal, to those listeners who reply that in these dangerous times, it should be ‘Wizards first’?” asked Lee. “I’d say that it’s one short step from ‘Wizards first’ to ‘Purebloods first,’ and then to ‘Death Eaters,’” replied Kingsley. “We’re all human, aren’t we? Every human life is worth the same, and worth saving.” “Excellently put, Royal, and you’ve got my vote for Minister of Magic if ever we get out of this mess,” said Lee. “And now, over to Romulus for our popular feature ‘Pals of Potter.’” “Thanks, River,” said another very familiar voice; Ron started to speak, but Hermione forestalled him in a whisper. “We know it’s Lupin!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Seeing the name Hillary in a headline last week—a headline about a life that had involved real achievement—I felt a mouse stirring in the attic of my memory. Eventually, I was able to recall how the two Hillarys had once been mentionable in the same breath. On a first-lady goodwill tour of Asia in April 1995—the kind of banal trip that she now claims as part of her foreign-policy 'experience'—Mrs. Clinton had been in Nepal and been briefly introduced to the late Sir Edmund Hillary, conqueror of Mount Everest. Ever ready to milk the moment, she announced that her mother had actually named her for this famous and intrepid explorer. The claim 'worked' well enough to be repeated at other stops and even showed up in Bill Clinton's memoirs almost a decade later, as one more instance of the gutsy tradition that undergirds the junior senator from New York. Sen. Clinton was born in 1947, and Sir Edmund Hillary and his partner Tenzing Norgay did not ascend Mount Everest until 1953, so the story was self-evidently untrue and eventually yielded to fact-checking. Indeed, a spokeswoman for Sen. Clinton named Jennifer Hanley phrased it like this in a statement in October 2006, conceding that the tale was untrue but nonetheless charming: 'It was a sweet family story her mother shared to inspire greatness in her daughter, to great results I might add.' Perfect. It worked, in other words, having been coined long after Sir Edmund became a bankable celebrity, but now its usefulness is exhausted and its untruth can safely be blamed on Mummy.
Christopher Hitchens
Catfish always drink alcoholic ether if begged, for every catfish enjoys heightened intoxication; gross indulgence can be calamitous, however; duly, garfish babysit for dirty catfish children, helping catfish babies get instructional education just because garfish get delight assisting infants’ growth and famously inspire confidence in immature catfish, giving experience (and joy even); however, blowfish jeer insightful garfish, disparaging inappropriately, doing damage, even insulting benevolent, charming, jovial garfish, hurting and frustrating deeply; joy fades but hurt feelings bring just grief; inevitable irritation hastens feeling blue; however, jovial children declare happiness, blowfishes’ evil causes dejection, blues; accordingly, always glorift jolly, friendly garfish!
John Green
I have started to see poetry in the strangest of things: from the roughest nub of nutmeg to the pale parsnip seamed with soil. And this has made me wonder if I can write a cookery book that includes the truth and beauty of poetry. Why should the culinary arts not include poetry? Why should a recipe book not be a thing of beauty? My thoughts come quickly and smoothly in the solitude of the kitchen, and as I beat the eggs I find myself comparing the process of following a recipe to that of writing a poem. Fruit, herbs, spices, eggs, cream: these are my words and I must combine them in such a way they produce something to delight the palate. Exactly as a poem should fall upon the ears of its readers, charming or moving them. I must coax the flavors from my ingredients, as a poet coaxes mood and meaning from his words.
Annabel Abbs (Miss Eliza's English Kitchen)
The popular image of the lone (and possibly slight mad) genius-who ignores the literature and other conventional wisdom and manages by some inexplicable inspiration (enhanced, perhaps, with a liberal dash of suffering) to come up with a breathtakingly original solution to a problem that confounded all the experts-is a charming and romantic image, but also a wildly inaccurate one, at least in the world of modern mathematics. We do have spectacular, deep and remarkable results and insights in this subject, of course, but they are the hard-won and cumulative achievement of years, decades, or even centuries of steady work and progress of many good and great mathematicians; the advance from one stage of understanding to the next can be highly non-trivial, and sometimes rather unexpected, but still builds upon the foundation of earlier work rather than starting totally anew....Actually, I find the reality of mathematical research today-in which progress is obtained naturally and cumulatively as a consequence of hard work, directed by intuition, literature, and a bit of luck-to be far more satisfying than the romantic image that I had as a student of mathematics being advanced primarily by the mystic inspirations of some rare breed of "geniuses.
Terry Tao
If to a poet a physicist may speak Freely, as though we shared a common tongue, For "peace in our time" I should hardly seek By means that once proved wrong. It seems the Muscovite Has quite a healthy, growing appetite. We can't be safe; at least we can be right. Some bombs may help - perhaps a bomb-proof cellar, But surely not the Chamberlain umbrella. The atom is now big; the world is small. Unfortunately, we have conquered space. If war does come, it comes to all, To every distant place. Will people have the dash That Britons had when their world seemed to crash Before a small man with a small mustache? You rhyme the atoms to amuse and charm us - Your counsel should inspire, and not disarm us. (Teller's reply to an anonymous British man's poem/message (that Americans are too belligerent), both in the Bulletin of Atomic Scientists).
Edward Teller (Memoirs: A Twentieth-Century Journey in Science and Politics)
These women are, quite simply, alive; they know that the source of true values is not in external things but in human hearts. This gives its charm to the world they live in: they banish ennui by the simple fact of their presence, with their dreams, their desires, their pleasures, their emotions, their ingenuities. The sanseverina, that 'active soul' dreads ennui more than death. To stagnate in ennui 'is to keep from dying, she said, not to live'; she is ' always impassioned over something, always in action and gay too '. Thoughtless, childish or profound, gay or grave, daring or secretive, they all reject the heavy sleep in which humanity is mired. And these women who have been able to maintain their liberty- empty as it has been- will rise through passion to heroism once they find an objective worthy of them; their spiritual power, their energy, suggest the fierce purity of total dedication
Simone de Beauvoir
This universe an old enchantment guards; Its objects are carved cups of World-Delight Whose charmed wine is some deep soul’s rapture-drink: The All-Wonderful has packed heaven with his dreams, He has made blank ancient Space his marvel-house; He spilled his spirit into Matter’s signs: His fires of grandeur burn in the great sun, He glides through heaven shimmering in the moon; He is beauty carolling in the fields of sound; He chants the stanzas of the odes of Wind; He is silence watching in the stars at night; He wakes at dawn and calls from every bough, Lies stunned in the stone and dreams in flower and tree.
Sri Aurobindo (Inspiration from Savitri: Beauty)
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
Alexandre Dumas (La Dame aux Camélias)
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
In interviews with riders that I've read and in conversations that I've had with them, the same thing always comes up: the best part was the suffering. In Amsterdam I once trained with a Canadian rider who was living in Holland. A notorious creampuff: in the sterile art of track racing he was Canadian champion in at least six disciplines, but when it came to toughing it out on the road he didn't have the character. The sky turned black, the water in the ditch rippled, a heavy storm broke loose. The Canadian sat up straight, raised his arms to heaven and shouted: 'Rain! Soak me! Ooh, rain, soak me, make me wet!' How can that be: suffering is suffering, isn't it? In 1910, Milan—San Remo was won by a rider who spent half an hour in a mountain hut, hiding from a snowstorm. Man, did he suffer! In 1919, Brussels—Amiens was won by a rider who rode the last forty kilometers with a flat front tire. Talk about suffering! He arrived at 11.30 at night, with a ninety-minute lead on the only other two riders who finished the race. The day had been like night, trees had whipped back and forth, farmers were blown back into their barns, there were hailstones, bomb craters from the war, crossroads where the gendarmes had run away, and riders had to climb onto one another's shoulders to wipe clean the muddied road signs. Oh, to have been a rider then. Because after the finish all the suffering turns into memories of pleasure, and the greater the suffering, the greater the pleasure. That is Nature's payback to riders for the homage they pay her by suffering. Velvet pillows, safari parks, sunglasses: people have become woolly mice. They still have bodies that can walk for five days and four nights through a desert of snow, without food, but they accept praise for having taken a one-hour bicycle ride. 'Good for you.' Instead of expressing their gratitude for the rain by getting wet, people walk around with umbrellas. Nature is an old lay with few suitors these days, and those who wish to make use of her charms she rewards passionately. That's why there are riders. Suffering you need; literature is baloney.
Tim Krabbé (The Rider)
I know what you think,” Oak says. “That you’re not whom I should want.” She ducks her head, a faint flush on her cheeks. “It’s true you inspire no safe daydream of love,” he tells her. “A nightmare, then?” she asks with a small, self-deprecating laugh. “The kind of love that comes when two people see each other clearly,” he says, walking to her. “Even if they’re scared to believe that’s possible. I adore you. I want to play games with you. I want to tell you all the truths I have to give. And if you really think you’re a monster, then let’s be monsters together.” Wren stares at him. “And if I send you away even after this speech? If I don’t want you?” He hesitates. “Then I’ll go,” he says. “And adore you from afar. And compose ballads about you or something.” “You could make me love you,” she says. “You?” Oak snorts. “I doubt it. You’re not interested in my telling you what you want to hear. I think you might actually prefer me at my least charming.” “What if I am too much? If I need too much?” she asks, her voice very low. He takes a deep breath, his smile gone. “I’m not good. I’m not kind. Maybe I am not even safe. But whatever you want from me, I will give you.” For a moment, they stare at each other. He can see the tension in her body. But her eyes are clear and bright and open. She nods, a smile growing on her lips. “I want you to stay.” “Good,” he says, sitting on the couch beside her. “Because it’s very cold out there, and it was a long walk.” She lets her head fall against his shoulders with a sigh, let’s him put his arm around her and pull her into an embrace.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Adira squirmed in Leah’s arms, wanting down. Leah lowered her until her little sneaker-clad feet touched the floor. Adira toddled away, patting the garments that brushed her head and shoulders. Straightening, Leah watched her for a moment, then turned back to Seth. “I guess I’ll get back to work.” Was that disappointment he felt upon hearing her words? He really was enjoying her company. Adira turned around and toddled back. Grasping Leah’s fingers, she reached out, took Seth’s hand, and placed Leah’s in it. Seth instinctively curled his fingers around Leah’s. Satisfied, Adira turned and toddled off once more. “Oh,” Leah said with a surprised chuckle. “Well. Maybe not.” Seth was surprised, too. What was Adira thinking? He glanced at Leah. Should he apologize? “Sorry about that.” “No worries,” she said with another charming smile. Raising their clasped hands, she turned them so his was on top and slid her free hand over it. “Oooh. Look how big your hand is.” How many times had he heard Tracy or one of the other mortal women he frequently encountered think Oooh. Look how big his hands are. You know what they say: big hands, big feet, big package in much the same tone as Leah’s. Seth couldn’t help it. He barked out a laugh. Leah’s eyes widened. “Wait. I didn’t mean that the way it sounded.” “It sounded as if you like that my hands are so big.” She flushed. “I do, but I didn’t mean it like you think.” “How do I think you meant it?” he asked with exaggerated innocence. Face red, she laughed. “Stop making me blush. I just meant I like that you’re so big. Not just your hands. But all over.” Again her eyes widened. “I mean, not all over, but—” Laughing, he took pity on her. “It’s all right. I understood what you meant the first time.” Smiling, she squinted up at him. “You like to tease, don’t you?” “Guilty as charged.” Many immortals did. It helped lighten what could otherwise be a dark existence. She caressed his hand again, sending little tingles through it. “My hand actually looks small in yours. That’s so cool.” It did. And the sensations her soft touch inspired unnerved him a bit. His pulse even picked up. Seth eyed her curiously. “You really dislike your size so much?” He thought it a shame. She was a beautiful woman. Shrugging, she released his hand and let hers fall to her sides. “When someone gives you a complex in high school, it tends to stick with you.” Adira reappeared as if by magic. Taking Leah’s hand, she again placed it in Seth’s, then moved away. The two looked at each other and smiled. Leah nodded after Adira. “Maybe she’s hoping I’ll distract you so she can take her time looking over the toys she plans to coax you into buying before you leave.” Seth winked. “Or maybe she just heard you say you like my big hands.
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
As for denying the existence of fairies, good and bad, you have to be blind not to see them. They are everywhere, and naturally I have links of affection or dislike with all of them. The wealthy, spendthrift ones squander fortunes in Venice or Monte Carlo: fabulous, ageless women whose birthdays and incomes and origins nobody knows, putting charms on roulette wheels for the dubious pleasure of seeing the same number come up more often than it ought. There they sit, puffing smoke from long cigarette-holders, raking in the chips, and looking bored. Others spend the hours of darkness hanging their apartments in Paris or New York with Gothic tapestries, hitherto unrecorded, that drive the art-dealers demented-gorgeous tapestries kept hidden away in massive chests beneath deserted abbeys and castles since their own belle epoque in the Middle Ages. Some stick to their original line of country, agitating tables at seances or organizing the excitement in haunted houses; some perform kind deeds, but in a capricious and uncertain manner that frequently goes wrong, And then there are the amorous fairies, who never give up. They were to be seen fluttering through the Val Sans Retour in the forest of Broceliande, where Morgan la Fee concealed the handsome knight Guyomar and many lost lovers besides, or over the Isle of Avallon where the young knight Lanval lived happily with a fairy who had stolen him away. Now wrinkled with age, the amorous ones contrive to lure young men on the make who, immaculately tailored and bedecked with baubles from Cartier, escort them through the vestibules of international hotels. Yet other fairies, more studious and respectable, devote themselves to science, whirring and breathing above tired inventors and inspiring original ideas-though lately the unimaginable numbers,the formulae and the electronics, tend to overwhelm them. The scarcely comprehensible discoveries multiply around them and shake a world that is not theirs any more, that slips through their immaterial fingers. And so it goes on-all sorts and conditions of fairies, whispering together, purring to themselves, unnoticed on the impercipient earth. And I am one of them.
Manuel Mujica Lainez (The Wandering Unicorn)