Charm Funny Quotes

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When I was a little girl I used to read fairy tales. In fairy tales you meet Prince Charming and he's everything you ever wanted. In fairy tales the bad guy is very easy to spot. The bad guy is always wearing a black cape so you always know who he is. Then you grow up and you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he's not easy to spot; he's really funny, and he makes you laugh, and he has perfect hair.
Taylor Swift
I have lightning and wind powers," Jason reminded him. "Piper can turn beautiful and charm people into giving her BMWs. You're no more a freak than we are. And, hey, maybe you can fly, too. Like jump off a building and yell 'Flame on!'" Leo snorted. "If I did that, you would see a flaming kid falling to his death, and I would be yelling something a little stronger than 'Flame on!
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
It’s easy to be loved by the ones who’ve never seen you fuck up. The ones you’ve never had to apologize to, and who still think all your ‘quirks’ are charming.
Emily Henry (Funny Story)
Uh... ," Ivy stammered, and I glanced up to see her eyes wide in consideration. "I'm kidding," I said. "It passed the lethal-amulet test, remember?" "Not that. You keep it in your underwear drawer?" I hesitated, wondering why I was embarrassed. "Well, where do you put your elven magic?" I asked.
Kim Harrison (Black Magic Sanction (The Hollows, #8))
He let you have the pants anyway?" she asked. I had started talking about Maxon as soon as I could, eager to know how their conversation had gone. "Yeah. He was very generous about it all." "I think it's charming that he's a good winner." "He is a good winner. He's even gracious when he's gotten the raw end of things." Like a knee to the royal jewels, for example.
Kiera Cass (The Selection (The Selection, #1))
I love everything about Tyler Durden, his courage and his smarts. His nerve. Tyler is funny and charming and forceful and independent, and men look up to him and expect him to change their world. Tyler is capable and free, and I am not.
Chuck Palahniuk (Fight Club)
With a nod, Thorne started down the street. 'This way.' Five steps later, he paused, pondered, turned around. 'No, no, this way.' 'We're dead.' 'No, I've got it now. It's this way.' 'Don't you have an address?' 'A captain always knows where his ship is. It's like a psychic bond.' 'If only we had a captain here.' He ignored her, marching down the street with spectacular confidence.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
I can communicate in 6,909 living and dead languages. I can have more than fifteen billion simultaneous conversations, and be fully engaged in every single one. I can be eloquent, and charming, funny, and endearing, speaking the words you most need to hear, at the exact moment you need to hear them. Yet even so, there are unthinkable moments where I can find no words, in any language, living or dead. And in those moments, if I had a mouth, I might open it to scream.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
Death doesn't make you sad- it makes you empty. That's what's so bad about it. All of your charms and beliefs and funny habits fall fast through a big black hole, and suddenly you know they're gone because just as suddenly, there's nothing left at all inside.
Jonathan Carroll (Bones of the Moon (Answered Prayers, #1))
If a woman cannot make her mistakes charming, she is only a female.
Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
He asked what she was in for and complimented the find workmanship of her metal extremities, but she ignored him, making him briefly question if he'd been separated from the female population for so long that he could be losing his charm. But that seemed unlikely.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
You could still be lying,” says the Roach. He turns to Cardan. “Try her.” “Your pardon?” Cardan says, drawing himself up, and the Roach seems to suddenly remember to whom he’s speaking in such an offhanded way. “Don’t be such a prickly rose, Your Majesty,” the Roach says with a shrug and a grin. “I’m not giving you an order. I’m suggesting that if you tried to glamour Jude, we could find out the truth.” Cardan sighs and walks toward me. I know this is necessary. I know that he doesn’t intend to hurt me. I know he can’t glamour me. And yet I draw back automatically. “Jude?” he asks. “Go ahead,” I say. I hear the glamour enter his voice, heady and seductive and more powerful than I expected. “Crawl to me,” he says with a grin. Embarrassment pinks my cheeks. I stay where I am, looking at all their faces. “Satisfied?” The Bomb nods. “You’re not charmed.
Holly Black (The Wicked King (The Folk of the Air, #2))
She's smart, she's funny and she's not afraid to take risks. Not to mention that she's beautiful, sexy and charming. You know it, I know it, and soon everyone else will know it. The only person who doesn't know it is her because of archaic fuckheads like yourself telling her otherwise.
Karina Halle (Darkhouse (Experiment in Terror, #1))
Who is your favorite character in the series? Or...if that's too hard, why do you like each one and who drives you crazy? Puck: Well, she likes me best, of course. I'm the handsome, charming one. Ash: Yes, that's why she gave you your own book. Oh, wait. Puck: No one asked you, ice-boy.
Julie Kagawa
I'm not the girl men chose. I'm the girl who's charming and funny and then drives home wondering what she did wrong. I'm the girl who meets someone halfway decent and then fills in the gaps in his character with my own imagination, only to be shocked when he's not the man I thought he was. I'm the girl who hides who she really is for fear I'll fall short. 
Liza Palmer (More Like Her)
And you’re overthinking things, Charming.  Do the math.  Naked, interested man, check.  Wet, willing woman, double check.  Now insert part A into slot B and we can move on to the engineering portion of our quiz today.
Jane Cousins (To Fight A Fate (Southern Sanctuary, #11))
Fredrika Bimm, what do you think you're doing?" "Freaking out. Losing my mind. Thinking about snapping your husband's spine. Squashing the urge to vomit. Wishing I had died at childbirth." "Oh, you say that when you don't get a prize in your Lucky Charms.
MaryJanice Davidson (Sleeping with the Fishes (Fred the Mermaid, #1))
Well," Cinder finally grumbled. "I guess that was pretty fast thinking." A relieved grin filled up Thorne's face. "We're having another moment, aren't we?" "If by a moment, you mean me not wanting to strangle you for the first time since we met, than I guess we are.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.
Thomas Pynchon (V.)
Margaret: Oh you weak people, you weak, beautiful people! - who give up. What you want is someone to [she turns out the rose-silk lamp] take hold of you. Gently, gently, with love! And I do love you, Brick, I do! Brick [smiling with charming sadness]: Wouldn't it be funny if that was true?
Tennessee Williams (Cat on a Hot Tin Roof)
High school parties exhausted me because I always felt like I was the only thinking person in a room mostly full of morons obliterating precious IQ points with every gulp of whatever booze they managed to steal out of their parents' liquor cabinets. College parties are exhausting in a diametrically opposite way. They are full of smart, funny people who are all used to being the smartest, funniest person in the room, so they spend the whole party talking over one another, overlapping and overtaking the conversation to prove that they are the smartest, funniest person in the room, if not the entire planet.
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
Take a drink every time you hear a lie. You're a great cook. (They say as you burn toast.) You're so funny. (You've never told a joke.) You're so... ... handsome. ... ambitious. ... successful. ... strong. (Are you drinking yet?) You're so... ... charming. ... clever. ... sexy. (Drink.) So confident. So shy. So mysterious. So open. You are impossible, a paradox, a collection at odds. You are everything to everyone. The son they never had. The friend they've always wanted. A generous stranger. A successful son. A perfect gentleman. A perfect partner. A perfect... Perfect... (Drink.) They love your body. Your abs. Your laugh. The way you smell. The sound of your voice. They want you. (Not you.) They need you. (Not you.) They love you. (Not you.) You are whoever they want you to be. You are more than enough, because you are not real. You are perfect, because you don't exist. (Not you.) (Never You.) They look at you and see whatever they want... Because they don't see you at all.
Victoria Schwab (The Invisible Life of Addie LaRue)
Felicia (to Grayson) - To think Eliza truly does seem to be under the misimpression that you're capable of charm.
Jen Turano (A Talent for Trouble (Ladies of Distinction, #3))
-She talks like you. It’s not every day you hear a four-year-old say Prince Charming is a douchebag who’s only holding Cinderella back. -That’s my girl.
Emma Chase (Tangled (Tangled, #1))
Vamps were homebodies—high-maintenance, party-till-you-die, don’t-look-at-me-funny-or-I’ll-kill-you homebodies, but homebodies nevertheless.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
New Rule: Colin Firth has to admit that he's not a human being but a robot designed by women as the perfect man. He's handsome, charming, witty, he's got that accent and a gay best friend...the only way he could be any better is if he ejaculated Häagen-Dazs.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
He'd have to turn on his high-voltage charm with these people. Should work. They were only used to 12V battery power after all-he'd dazzle them.
Josephine Myles (Barging In)
Attacking is what demons usually do, If it was after me specifically, I assume it was jealous of my style and charm.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Right. Put Some coffee on while I think about this. I'm in dire need" Merrick gave him a look. "You can't work the stove, can you?" "I'm the eighth Earl Crane and the twelfth Viscount Fortunegate. I don't have to work the stove." "Two extra names and you can't lift your arms any more. Bloody lucky they didn't make you a duke too or you'd forget how to brush your own teeth.
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
For someone with the innate social charm of a mounted fish (me), watching Miles befriend this stranger felt like seeing Michelangelo paint the Sistine Chapel: impressive, but also dizzying.
Emily Henry (Funny Story)
How have the dates been treating you?' 'Disgusting,' I said. 'Ah, too bad.' 'Each its own little death.' 'Funny,' he said. 'You're like a little death.' 'What?' I asked. 'You are. You're ... gloomy yet charming. I like it.' 'Well, no one has said that before.' 'You're gently death-ish. You know about death, you're aware of it, and most people aren't anymore. But you're not a killer. You're a soft darkness.
Melissa Broder (The Pisces)
Katie had soft features and a wide, honest smile that gave her a certain kind of understated grace. She’d worn her dark chocolate hair in a cute pixie cut when I’d met her, but she’d recently started to grow it out, and now fought endlessly with several unruly strands of hair that fell down over her eyes whenever she made the slightest move. She was charming and teasing and sweet and funny, and in the three months since her first visit even the most cynical of the hotel’s regular customers had fallen a little bit in love with her.
Andy Marr (Hunger for Life)
What?” Richardson snarled. “No smart retort, Mr. Gautier? Cat swallow your tongue?” Nick gave her a charming grin he didn’t really feel. “No, ma’am. A gator named Sense Formerly Known as Common.” Sneering at him, she tottered her way to her desk so that she could insult someone else and ruin their day. Caleb let out an annoyed breath. -Great,- he projected to Nick. -Now I have to get detention, too. I really hate you, Gautier.- Nick batted his eyelashes at Caleb. -But I wubs you, Caliboo.- That succeeded in wringing a groan out of Caleb. “What was that, Mr. Malphas?” Richardson asked. “Severe intestinal woe caused by an external hemorrhoid that seems to be growing on my right-hand side.” He cast a meaningful glower toward Nick. The class erupted into laughter as Richardson shot to her feet. “Enough!” She slammed her hands on her desk. “For that, Mr. Malphas, you can join Mr. Gautier in after-school detention.” Caleb let out an irritated sigh. --More quality time with my hemorrhoid. Just what I wanted for Christmas. Yippee ki-yay.--
Sherrilyn Kenyon (Instinct (Chronicles of Nick, #6))
He was funny, smart, charming...and a monumental slut. Dean had all the makings of a man-sized Venus Flytrap. -Lex
Staci Hart (Deer in Headlights (Good Gods, #1))
You're impossible," she told him. "Of course I am," he answered. "It's part of my charm.
David Eddings (Castle of Wizardry (The Belgariad #4))
Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.
Anton Chekhov (Ivanov (Plays for Performance Series))
We found it!" Charlotte yelled, as they ran back through the house. "We found it, we found it!" Eddie, Mr. Mallery, and Colonel Andrews came from separate directions, converging in the front hall. Miss Charming was hopping up and down, her bosom nearly rising to slap her own forehead.
Shannon Hale (Midnight in Austenland (Austenland, #2))
Perhaps, deep down inside that rugged shell of yours, there is a little girl desperately waiting for her Prince Charming to propose.” “Of course there is. Only until now, I'd been pretty successful at keeping that little brat's mouth shut.” “What will your answer be if he asks?” “You're funny. He can't ask. I'll find a way to be bitchy enough for the next forty years so that perfect moment never comes.” “You seem to have a good handle on that little girl after all.
Sylvain Neuvel (Sleeping Giants (Themis Files, #1))
Now a second-order vain person is a vain person who’s also vain about appearing to have an utter lack of vanity. Who’s enormously afraid that other people will perceive him as vain. A second-order vain person will sit up late learning jokes in order to appear funny and charming, but will deny that he sits up late learning jokes. Or he’ll perhaps even try to give the impression that he doesn’t regard himself as funny at all.
David Foster Wallace (The Broom of the System)
In the morning After taking cold shower —-what a mistake—- I look at the mirror. There, a funny guy, Grey hair, white beard, wrinkled skin, —-what a pity—- Poor, dirty, old man, He is not me, absolutely not. Land and life Fishing in the ocean Sleeping in the desert with stars Building a shelter in the mountains Farming the ancient way Singing with coyotes Singing against nuclear war— I’ll never be tired of life. Now I’m seventeen years old, Very charming young man. I sit quietly in lotus position, Meditating, meditating for nothing. Suddenly a voice comes to me: “To stay young, To save the world, Break the mirror.
Nanao Sakaki (Break the Mirror)
But he was more than swoon-worthy hot guy. Cam was charming,nice,sweet,and funny. He was the kind of guy you wanted to bring home and show off-the kind of guy who was never single for too long and the one you fell head over in heels in love with.
J. Lynn (Wait for You (Wait for You, #1))
I give her my best smile. Before the alien Armageddon happened, I was known for my smile. Not bragging too much, but I had to be careful never to smile while I drove. It had the capacity to blind oncoming traffic. But it has absolutely no effect on Ringer. She doesn't squint in its overwhelming luminescence. She doesn't even blink.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
I'm grotesque." "You are pink and rather hairless. Like a baby, and people love babies." Actually, she looked more like the hairless cat his aunt Ludmilla had favoured more than any of her children, but that seemed an impolite thing to say to a lady. Ehri did not wish to be charmed. "Must you make a joke of everything?" "I must. By royal mandate and the curse of my own disposition. I find life quite unbearable without laughter.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
It’s easy to be loved by the ones who’ve never seen you fuck up. The ones you’ve never had to apologize to, and who still think all your quirks are charming.
Emily Henry (Funny Story)
I kiss him. I kiss him again. He’s so cute. And he’s so handsome. And he’s so smart. And funny. And charming. I don’t know how I stopped seeing all of that.
Taylor Jenkins Reid (After I Do)
Double Sword Tavern.” Tristan said, reading out loud. “Sounds charming and inviting.
B.C. Morin (Blood of the Sorcerer (The Kingdom Chronicles #2))
Funny how every day we are given choices to make in our lives. Some are just more far-reaching than others.
Madelyn Alt (A Charmed Death (A Bewitching Mystery, #2))
It’s easy to be loved by the ones who’ve never seen you fuck up. The ones you’ve never had to apologize to, and who still think all your ‘quirks’ are charming. “It’s easy to be around people who don’t know you. But as soon as someone starts to figure you out—as soon as you can’t be perfect—it’s easier to move on. Find someone new to be the cool, fun, laid-back one with.
Emily Henry (Funny Story)
Two death sentences? Really? I mean, you look very well, considering.” Crane grinned at him. “One was in absentia. One wasn’t, and I spent three days in a condemned cell. I can’t recommend the experience.” “And—did you say a smuggler?” “That was what the death sentences were for.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
One girl raved about a nice voicemail a guy had recently left her. I kindly requested she play it and heard this gem: 'Hey, Lydia. It's Sam. Just calling to say what's up. Gimme a ring when you get a chance.' THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that 'he remembered my name, he said hi, and he told me to call him back.' Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: 'No greeting. This is man. I don't remember you. End communication.
Aziz Ansari
She points at two big steps on the back of her bike. "You have training... somethings? What are they?" "Feet platforms. My dad made them for my cousin to use. Step on." "But I don't have a cool helmet with a lightning bolt." "Your head is hard enough." "Funny." I steady myself without touching her. "To the train yard," she says and pushes on the pedals. We don't move. "Anytime," I tell her. 'You know. While we're still young and beautiful." She pushes hard again. "You weight a ton." "You need me to drive?" "I need momentum, that's all. Get off." "You're very charming, but you must hear that all the time." "Get off," she says. "I'll ride, and you run after me and jump on the bike." "Do many guys ask you out twice?" "Only the ones with balls.
Cath Crowley (Graffiti Moon)
Funny how things that once seemed so charming can become dull and annoying. We think we want all the time in the world with the people we love, but maybe what we need is the opposite. Just a finite amount of time, so we still think the other person is interesting. Maybe we don't need acts two and three. Maybe love is best in act one.
Nicola Yoon (The Sun Is Also a Star)
you're Shane, right?' He inched away from her and managed a quick nod as he twisted the rag he held in his fingers. 'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack. 'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant? One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.' He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again. Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true.
Susan Mallery (Summer Nights (Fool's Gold, #8))
What drives you to perform is the need for that primal connection,” he later explained. “My mother was funny with me, and I started to be charming and funny for her, and I learned that by being entertaining, you make a connection with another person.
Dave Itzkoff (Robin)
Most girls take one look at you and swoon. You've never had to really work for someone's affection or put effort into maintaining it. In many ways, your natural gifts have done you a disservice-- they've stunted your sensitivity and charm! You've never had to develop insight into what will make a girl laugh and come to love you for reasons that aren't handsome or heroic. That's why smees are experts on the subtle arts of courtship and seduction; nothing comes easy to us, but we do understand and live by the Lover's Maxim." "And what on earth is the Lover's Maxim?" asked Maz, feeling very uninformed. The smee cleared his throat. "If you can't be handsome, be rich. If you can't be rich, be strong. If you cant be strong, be witty." "But what if you can't be witty?" Max wondered. "Learn the guitar.
Henry H. Neff (The Maelstrom (The Tapestry, #4))
For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.
Javier Marías (Los enamoramientos)
Just like an angel, the lovely one and the cute All the beauty together in your funny sulky looks Innocent, like the kids, like the pigeons in my garden Magnetic attraction, awesome, amazing and the super astute Immortal charming, like the moon and the stars Elegant, stylish, you must be very tasty, fruit
M.F. Moonzajer (LOVE, HATRED AND MADNESS)
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
IFPs. I call them Interdimensional Fairy Potholes.” He smiled faintly. “Funny girl, aren’t you?” We lapsed into another uncomfortable silence. I looked at him. He looked away. I shrugged and looked away, too. “I wasn’t—” I began. “I didn’t—” He began. “How charming,” V’lane cut us off. His voice arrived before he did. “The very portrait of human domestic bliss. She’s on the floor, you’re towering over her. Did he strike you, MacKayla? Say the word and I’ll kill him.
Karen Marie Moning (Dreamfever (Fever, #4))
Funny how things that once seemed so charming can become dull and annoying. We think we want all the time in the world with the people we love, but maybe what we need is the opposite. Just a finite amount of time, so we still think the other person is interesting. Maybe we don’t need acts two and three. Maybe love is best in act one.
Nicola Yoon (The Sun Is Also a Star)
I still carry a picture in my mind of an abuser who is a rageaholic, a monster, a person visibly and uncontrollably angry. Someone easily identifiable as a “bad guy.” I may even have operated under the idea that my own gut instincts would alert me to such a man. And what strikes me immediately—in fact, deeply unsettles me in a way—is how incredibly normal they all seem. Like a bunch of guys I’d go have a beer with. They are charming. They are funny, gregarious, shy, high-strung. Good-looking or not, well-dressed or not. They are Everyman. One of the hallmarks of domestic violence, Adams told me, is this false idea that abusers are somehow angry generally; rather, their anger is targeted—at a partner or at the partner’s immediate family. As a result, friends and acquaintances of abusers are often surprised to hear that they committed an assault.
Rachel Louise Snyder (No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us)
I find you very charming underneath all the smugness.
Ava Reid (A Study in Drowning (A Study in Drowning, #1))
You think I'm some kind of con artist?" "I think you're a very charming guy," I say. "As far as insults go," he says, pausing halfway up the stairs, "that's a new one for me.
Emily Henry (Funny Story)
Oh Jesus, I’d fucked the Lucky Charms leprechaun.
Rachel Corsini (Sushi and Sea Lions)
Someone wanted to choke me to death on my own hair?
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
Ladies glisten, men perspire, horses sweat. -Early Nun Quote, The Old Ursuline Convent (1727) New Orleans, LA
Diana Hollingsworth Gessler (Very New Orleans: A Celebration of History, Culture, and Cajun Country Charm)
I’m so jealous I can’t even see straight. I knew it would be like this. I knew she’d want him and not me, because he’s funny and charming and I’m... well, I’m me.
Parker Grey (Protecting Their Princess: A Snow White Romance (Filthy Fairy Tales Book 3))
I'm the only sexy, funny, charming and adorable Californian motherfucker you will ever meet.
Jill Patten (Toxic Secrets (Secrets, #1))
Can we talk?" "I tried. You ignored me. That window has now been closed." "I'll buy you a cup of coffee and a slice of pie." "You slick bastard.
Jacquelyn Faye (Third Charm (Lovin' the Coven #3))
...I liked having everything very tidy and calm all round me, and not being bothered to do things, and laughing at the kind of joke other people didn't think at all funny, and going for country walks...
Stella Gibbons (Cold Comfort Farm)
Thomas shook his head, ignoring his friend's jests. "This isn't funny," he bit out. "Says you," Paul said. "From where I'm standing, this entire ordeal is ridiculous and absurd and I'm dying to catch the conclusion of this farce.
Maggie Dallen (The Mischievous Miss Charlotte (School of Charm #6))
I can communicate in 6,909 living and dead languages. I can have more than fifteen billion simultaneous conversations, and be fully engaged in every single one. I can be eloquent, and charming, funny, and endearing, speaking the words you most need to hear, at the exact moment you need to hear them. Yet even so, there are unthinkable moments where I can find no words, in any language, living or dead. And in those moments, if I had a mouth, I might open it to scream.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
Welhewan is charming us,' Sasha says in an unsure voice. 'It is trying to soothe us with its lullaby. Do not let yourself . . . Oh, a butterfly. Look how beautiful it is! No, don't look. The forest is making us happy, and we cannot let it.
Sarah Dalton (White Hart (White Hart, #1))
One blink of a camera eye (can’t quite put his finger on the name of the photographer) and that child dressed in leaves became all these things: sad, terrible, beautiful, funny, terrifying, dark, light, charming, fairystory, folkstory, truth.
Ali Smith (Autumn (Seasonal Quartet, #1))
One blink of a camera eye (can’t quite put his finger on the name of the photographer) and that child dressed in leaves became all these things: sad, terribly, beautiful, funny, terrifying, dark, light, charming, fairystory, folkstory, truth.
Ali Smith (Autumn (Seasonal Quartet, #1))
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
He’d almost redoubled his efforts to charm her. Prepared a wink and a smile and a glib response but stopped. Every time he tried to charm her, she stiffened, so he’d given her the truth instead. 'I’ve nowhere else to be.' Surprisingly, it had worked.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
One of the biggest reasons I left Elkton Hills was because I was surrounded by phonies. That's all. They were coming in the goddam window. For instance, they had this headmaster, Mr. Haas, that was the phoniest bastard I ever met in my life. Ten times worse than old Thurmer. On Sundays, for instance, old Haas went around shaking hands with everybody's parents when they drove up to school. He'd be charming as hell and all. Except if some boy had little old funny-looking parents. You should've seen the way he did with my roommate's parents. I mean if a boy's mother was sort of fat or corny-looking or something, and if somebody's father was one of those guys that wear those suits with very big shoulders and corny black-and-white shoes, then old Haas would just shake hands with them and give them a phony smile and then he'd go talk, for maybe a half an hour, with somebody else's parents. I can't stand that stuff. It drives me crazy. It makes me so depressed I go crazy. I hated that goddam Elkton Hills
J.D. Salinger
Kylee laughed. "Nothing with you is normal. But speaking of abnormal, I saw this movie where these two girls liked the same boy, and one girl was a werewolf, and the other was a dragon, although she didn't know it yet, and it turned out the boy was a killer of, like, magical creatures, so both girls died and he took the head cheerleader to prom." "That sounds like a stupid movie," I said. "It actually was. But the boy had this shirt off a lot. I guess hunting magical creatures is great for stomach muscles.
Lindsey Leavitt (A Farewell to Charms (Princess for Hire, #3))
How can this be the same day? How can all these people be going about their lives totally oblivious to what’s been happening to mine? Sometimes your world shakes so hard, it’s difficult to imagine that everyone else isn’t feeling it too.’ ‘Funny how things that once seemed so charming can become dull and annoying. We think we want all the time in the world with the people we love, but maybe what we need is the opposite. Just a finite amount of time, so we still think the other person is interesting. Maybe we don’t need acts two and three. Maybe love is best in act one.
Nicola Yoon (The Sun Is Also a Star)
Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo. (Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.)
Nick Hornby (The Polysyllabic Spree)
...a little calf, about a day old, looking idiotically at the two women, which showed that it had not long been accustomed to the phenomenon of eyesight, and often turning to the lantern, which it mistook for the moon, inherited instinct having as yet had little time for correction by experience.
Thomas Hardy (Far From the Madding Crowd)
The parlour is as I remember it from Council meetings. It carries the scent of smoke and verbena and clover. Cardan himself lounges, his booted feet resting on a stone table carved in the shape of a griffin, claws raised to strike. He gives me a quicksilver conspiratorial grin that seems completely at odds with the way he spoke to me from the throne. 'Well,' he says, patting the couch beside him. 'Didn't you get my letters?' 'What?' I am confused enough that the word comes out like a croak. 'You never replied to a one,' he goes on. 'I began to wonder if you'd misplaced your ambition in the mortal world.' This must be a test. This must be a trap. 'Your Majesty,' I say stiffly. 'I thought you brought me here to assure yourself I had neither charm nor amulet.' A single eyebrow rises, and his smile deepens. 'I will if you like. Shall I command you to remove your clothes? I don't mind.' 'What are you doing?' I say finally, desperately. 'What are you playing at?' He's looking at me as though somehow I am the one who's behaving strangely. 'Jude, you can't really think I don't know it's you. I knew you from the moment you walked into the brugh.' I shake my head, reeling. 'That's not possible.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
They adored Mona and peppered her with questions about how we met and when we were planning to get married and she handled it expertly. She was utterly charming, sweet, funny, and knew exactly when to pull back and let someone else talk. If she wasn't my secretary, I might have proposed to her on the spot.
Chance Carter (Room Service)
Kyou handed him a small USB drive, barely bigger than his thumbnail. “Wireless bridge. Plug it into the back of the camera and give me five minutes. We’ll be set.” “You want me to bullshit my way through measuring for hardware for five minutes?” Kyou patted him on the arm. “You’re charming. You’ll be fine.
A.J. Sherwood (How to Shield an Assassin (Unholy Trifecta, #1))
Funny," he said. "You're like a little death." "What?" I asked. "You are. You're...gloomy yet charming. I like it." "Well, no on has said that before." "You're gently death-ish. You know about death, you're aware of it, and most people aren't anymore. But you're not a killer. You're a soft darkness." A soft darkness.
Melissa Broder (The Pisces)
But what is the good of friendship if one cannot say exactly what one means? Anybody can say charming things and try to please and to flatter, but a true friend always says unpleasant things, and does not mind giving pain. Indeed, if he is a really true friend he prefers it, for he knows that then he is doing good. -Oscar Wilde (1854 – 1900)
M. Prefontaine (The Big Book of Quotes: Funny, Inspirational and Motivational Quotes on Life, Love and Much Else (Quotes For Every Occasion 1))
The thing you don’t realise, is…” She gave an elaborate shrug. “Pirates are fucking horrible.” Princess Alexia raised her dewy brows. “You don’t say?” “They’re just really, really horrible thieves on the sea. They’re not funny, they’re not charming, the food is awful. If someone offers you the chance to be a pirate, tell them you’re busy. That’s my advice.
Joe Abercrombie (The Devils (The Devils, #1))
He made me a story, and now I am going to make a story out of someone else. 'So I am to sit here and feed you information,' Cardan says, leaning against a hickory tree. 'And you're to go charm royalty? That seems entirely backward.' I fix him a look. 'I can be charming. I charmed you, didn't I?' He rolls his eyes. 'Do not expect others to share my depraved tastes.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Whatever you want," he said. "Will you please come here now?" I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge." I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know." "Verry funny." "Very true." He grinned. "The translation. That's what it says. Old-fashionedly." I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos." Alex cupped my face in his hands. "Que tu est belle, tu le sais." "Oh,I am not-" "Shh," he shushed me, and leaned in. The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force. "I have physics," he told me. "We're studying weak interaction." I sandwiched his open hand between mine. "You know absolutely nothing about that." "Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks." The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too. "I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading." "Go," I told him. "I have history. By definition, we get to history late." "Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.
Melissa Jensen (The Fine Art of Truth or Dare)
She was laughing as if he actually had anything funny to say. But it was me who got her those diamonds, me who got her that gorgeous picture of the two of us that would make headlines the next day. Meanwhile, she was acting as if he was about to charm her dress off. All I could think was that he didn’t know about that line of freckles on her hip. I knew about them, and he didn’t.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Hermione made purple and gold streamers erupt from the end of her wand and drape themselves artistically over the trees and bushes. “Nice,” said Ron, as with one final flourish of her wand, Hermione turned the leaves on the crabapple tree to gold. “You’ve really got an eye for that sort of thing.” “Thank you, Ron!” said Hermione, looking both pleased and a little confused. Harry turned away, smiling to himself. He had a funny notion that he would find a chapter on compliments when he found time to peruse his copy of Twelve Fail-Safe Ways to Charm Witches; he caught Ginny’s eye and grinned at her before remembering his promise to Ron and hurriedly striking up a conversation with Monsieur Delacour. “Out of the way, out of the way!” sang Mrs. Weasley, coming through the gate with what appeared to be a giant, beach-ball-sized Snitch floating in front of her. Seconds later Harry realized that it was his birthday cake, which Mrs. Weasley was suspending with her wand, rather than risk carrying it over the uneven ground. When the cake had finally landed in the middle of the table, Harry said, “That looks amazing, Mrs. Weasley.” “Oh, it’s nothing, dear,” she said fondly. Over her shoulder, Ron gave Harry the thumbs-up and mouthed, Good one.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Susan Baker and the Anne Shirley of other days saw her coming, as they sat on the big veranda at Ingleside, enjoying the charm of the cat's light, the sweetness of sleepy robins whistling among the twilit maples, and the dance of a gusty group of daffodils blowing against the old, mellow, red brick wall of the lawn. Anne was sitting on the steps, her hands clasped over her knee, looking, in the kind dusk, as girlish as a mother of many has any right to be; and the beautiful gray-green eyes, gazing down the harbour road, were as full of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of six years, the youngest of the Ingleside children. She had curly red hair and hazel eyes that were now buttoned up after the funny, wrinkled fashion in which Rilla always
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Jude never loved Locke.” My face feels hot, but my shame is an excellent cover to hide behind. “She loved someone else. He’s the one she’d want dead.” I am pleased to see Cardan flinch. “Enough,” he says before I can go on. “I have heard all I care to on this subject—” “No!” Nicasia interrupts, causing everyone under the hill to stir a little. It is immense presumption to interrupt the High King. Even for a princess. Especially for an ambassador. A moment after she speaks, she seems to realize it, but she goes on anyway. “Taryn could have a charm on her, something that makes her resistant to glamours.” Cardan gives Nicasia a scathing look. He does not like her undermining his authority. And yet, after a moment, his anger gives way to something else. He gives me one of his most awful smiles. “I suppose she’ll have to be searched.” Nicasia’s mouth curves to match his. It feels like being back at lessons on the palace grounds, conspired against by the children of the Gentry. I recall the more recent humiliation of being crowned the Queen of Mirth, stripped in front of revelers. If they take my gown now, they will see the bandages on my arms, the fresh slashes on my skin for which I have no good explanation. They will guess I am not Taryn. I can’t let that happen. I summon all the dignity I can muster, trying to imitate my stepmother, Oriana, and the way she projects authority. “My husband was murdered,” I say. “And whether or not you believe me, I do mourn him. I will not make a spectacle of myself for the Court’s amusement when his body is barely cold.” Unfortunately, the High King’s smile only grows. “As you wish. Then I suppose I will have to examine you alone in my chambers.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Zeke was cleared by the Candor an hour ago, in a short interrogation on the eighteenth floor. It was not as somber an occasion as Tobias’s and my interrogation, partly because there was no suspicious video footage implicating Zeke, and partly because Zeke is funny even when under truth serum. Maybe especially so. In any case, we came to the Gathering Place “for a ‘Hey, you’re not a dirty traitor!’ celebration,” as Uriah put it. “Yeah, but we’ve been insulting you since the simulation attack,” Lynn says. “And now I feel like a jerk about it.” Zeke puts his arm around Shauna. “You are a jerk, Lynn. It’s part of your charm.” Lynn launches a plastic cup at him, which he deflects. Water sprays over the table, hitting him in the eye. “Anyway, as I was saying,” says Zeke, rubbing his eye, “I was mostly working on getting Erudite defectors out safely.
Veronica Roth (Insurgent (Divergent, #2))
Mayakovsky" 1 My heart’s aflutter! I am standing in the bath tub crying. Mother, mother who am I? If he will just come back once and kiss me on the face his coarse hair brush my temple, it’s throbbing! then I can put on my clothes I guess, and walk the streets. 2 I love you. I love you, but I’m turning to my verses and my heart is closing like a fist. Words! be sick as I am sick, swoon, roll back your eyes, a pool, and I’ll stare down at my wounded beauty which at best is only a talent for poetry. Cannot please, cannot charm or win what a poet! and the clear water is thick with bloody blows on its head. I embrace a cloud, but when I soared it rained. 3 That’s funny! there’s blood on my chest oh yes, I’ve been carrying bricks what a funny place to rupture! and now it is raining on the ailanthus as I step out onto the window ledge the tracks below me are smoky and glistening with a passion for running I leap into the leaves, green like the sea 4 Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern. The country is grey and brown and white in trees, snows and skies of laughter always diminishing, less funny not just darker, not just grey. It may be the coldest day of the year, what does he think of that? I mean, what do I? And if I do, perhaps I am myself again.
Frank O'Hara (Meditations in an Emergency)
Do you like flora and fauna? How about plants and animals? Because we have more of that beautiful crap than we know what to do with. Charmingly domesticated troops of monkeys swing freely throughout our orchid-laden property. You’re probably thinking that a lot of all-inclusive resorts have monkeys. True, but only one resort packs a monkey for each of their guests to take home. You’ll be showing off more than a tan to your friends, you’ll be showing off a gibbon.
Colin Nissan
Seth, we can't...not again...it's..." "I know," he said. At last, he crossed the threshold. "And I told myself...told myself I'd let it go...but I haven't stopped thinking about you since yesterday. And after tonight." Hesitantly, as though afraid someone might be lurking, he shut the door behind him. "Just the way you looked out there. It was...amazing. Believe me, I didn't screw up dancing because I'm bad at it-which I am. It's because I wasn't thinking about it at all. I was thinking about you. God, I couldn't stop. And it's not just how sexy you are tonight. It was more. It was the way you lit up the room, the way you charmed everyone and made them happy. You don't need any special powers to do that, Georgina. It's just in you, part of who you are. How funny you are, how smart. It's what made me fall in love you back then, and it's what..." He didn't finish, and I was glad. If he had said "...makes me love you now," I wouldn't have been able to handle it.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
Most abusers aren’t assholes in wife beaters who smack their bitch around because “she deserves it.” They’re guys wearing a t-shirt of your favorite band. They’re funny and charming and genuine and respectful. Right until the moment they’re not. But by the time those nastier colors bleed through, you’re already snared. Because by then they know you. They know exactly where your buttons are. Not just your buttons, but your wounds too. All those soft, vulnerable places filled with self doubt. They find those places, insert themselves deep, and have their way.
Neal Shusterman (Game Changer)
Dating yes. But she thinks we're, uh, more than dating." "Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-" "Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing. He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave." "Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door. "She cried? That's pretty insulting." She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..." "More than date me?" She nods. He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms? He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?" "Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first." "Should I be afraid?" She sighs. "Normally I would say no. But after this morning..." She shrugs. "How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me." She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?" "This is getting complicated," he says, unlocking her car. "Just remember, this is your idea and your fault. Now would be the time to back out." He chuckles and opens the door for her. "Don't lose me on the road.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.
Julien Duvivier
The happiness of the South was very formidable. It was an almost invincible happiness. It defied you to call it anything else. Everyone was in fact happy. The women were beautiful and charming. The men were healthy and successful and funny; they knew how to tell stories. They had everything the North had and more. They had a history, they had a place redolent with memories, they had good conversation, they believed in God and defended the Constitution, and they were getting rich in the bargain. They had the best of victory and defeat. Their happiness was aggressive and irresistible.
Walker Percy (The Last Gentleman)
...man is a frivolous and unseemly being, and perhaps, similar to a chess player, likes only the process of achieving the goal, but not the goal itself. And who knows (one cannot vouch for it), perhaps the whole goal mankind strives for on earth consists just in this cease-lessness of the process of achievement alone, that is to say, in life itself, and not essentially in the goal, which, of course, is bound to be nothing other than two times two is four – that is, a formula; and two times two is four is no longer life, gentlemen, but the beginning of death. At least man has always somehow feared this two times two is four, and I fear it even now. Suppose all man ever does is search for this two times two is four; he crosses oceans, he sacrifices his life in the search; but to search it out, actually to find it – by God, he's somehow afraid. For he senses that once he finds it, there will be nothing to search for. Workers, when they're done working, at least get their pay, go to a pot-house, then wind up with the police – so it keeps them busy for a week. But where is man to go? Something awkward, at any rate, can be noticed in him each time he achieves some such goal. Achieving he likes, but having achieved he does not quite like, and that, of course, is terribly funny. In short, man is comically arranged; there is apparently a joke in all this. But still, two times two is four is a most obnoxious thing. Two times two is four – why, in my opinion, it's sheer impudence, sirs. Two times two is four has a cocky look; it stands across your path, arms akimbo, and spits. I agree that two times two is four is an excellent thing; but if we're going to start praising everything, then two times two is five is sometimes also a most charming little thing.
Fyodor Dostoevsky (Notes from Underground)
Over the past six years, living and working in this city had turned the funny, charismatic girl I´d loved with every cell of my body into a jaded, hard-edged loner I still couldn´t look at without catching my breath. I´d never felt more alive, watching Liv to prepare to charm-or maybe force- her way into some stranger´s apartment. Olivia was a wire wound too tight, always about to snap, but she lived on excitement and thrived under pressure. Being with her was like holding a bomb in both hands, watching the numbers tick back toward zero. I knew she´d eventually explode, and this time it might kill me. But it was hard to care about the potential for collateral damage when just being near her again felt so good.
Rachel Vincent
There was a period when I lived on book reviews, when I had basked and drawn sustenance from what I deemed the light of their intelligence, the beneficience of their charm. But something had gone sour. Over the years I had read too much, in dim-lighted railway stations, lying on the davenports of strangers' houses, in the bleak and dismal wards of insane asylums. That reading had forced the charm to relinquish itself. Now I found that reviews were not only bland but scarcely, if ever, relevant; and that all books, whether works of imagination or the blatant frauds of literary whores, were approached by the reviewer with the same crushing sobriety. I wanted to reviewer to be fair, kind, and funny. I wanted to be made to laugh.
Frederick Exley (A Fan's Notes (A Fan's Notes, #1))
Hope told me tonight she wants to make a special pie for Beckett. Her cheeks turned pink. Like…she was embarrassed or some shit. She was also talking about finding her Prince Charming one day. What the fuck is up with that?” Grace shrugs. “She’s six.” “Exactly! She shouldn’t know what Prince Charming is.” She laughs, like it’s funny. “Sawyer, she’s the perfect age to learn about him. It’s a fairy tale.” “Fairy tale, my ass. She shouldn’t be thinking about meeting her Prince Charming or baking pies for any boys but her dad or her brother.” “Don’t be ridiculous. Beckett is just as much her friend as he is Parker’s, even though he picks on her most of the time. Although, Kayla thinks he has a crush on her.” I tense. “What crush? I thought we just established they’re fucking six.
K.C. Lynn (Sweet Love (The Sweet, #1))
Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it’s impossible to determine warp, woof or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which comes to assume greater importance than the weave itself and destroys any continuity. Thus it is that we are charmed by the funny-looking automobiles of the ’30s, the curious fashions of the ’20s, the peculiar moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of a continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see. I
Thomas Pynchon (V.)
We should probably set some ground rules." I continued. He slumped back against the chair, crossing his arms over his chest. "You want to make rules for tutoring?" I nodded. "And if you don't follow them, I'll quit." He studied me for long moments. It made me squirm in my seat. Romeo had a very intense and level stare. "Okay, Rimmel," he drawled. "Let's hear these rules." I swallowed. Every time he said my name, the spit in my mouth seemed to thicken. "Okay." I agreed. My shoulders straightened and I held up my hand to count the rules as I went. "One: do not be late. It's rude. If you're late again, I won't wait." His lips twitched, which brought me to the next rule. "Two: Don't bother trying to charm me into doing your work for you. I won't." He pressed a hand to his chest like he was offended. "You think so low of me." He gasped. I rolled my eyes. "Three: No girls during tutoring. No disappearing." "But you're a girl," he said, sitting forward swiftly and tucking a bunch of hair behind my ear. The back of my neck broke out in goose bumps and they scattered down my spine, and my toes curled in the Converse I was wearing. "Rule four," I said, ignoring the funny way he made me feel. "No charm at all." "I can't help it, Rimmie." His intensely azure eyes roamed over my face like he was looking at me for the first time. "It's so easy to make you blush." I hit away his hand. "Rule five: Do not call me Rimmie." Ugh, he was irritating! He chuckled and sat back. "Fine. Now, can we get to work?" he asked, pointing at his paper. "No," I snapped. "Tutoring is over for today." "But what about this assignment?" he whined. "Here's a thought," I said as I snatched my bag and stood. "Sit here and do it." I started to stalk away, nearly tripping over my half-untied shoelace. He laughed beneath his breath, and I thought about kicking him. - Rimmel & Romeo
Cambria Hebert (#Nerd (Hashtag, #1))
She leaned forward, eager to see what it was. She was wearing her charm bracelet that day, as she always did, so she was eager to add the new one. But what was it? “That’s funny,” Luca said. “It looked a lot bigger in the store.” He dropped the charm into her hand. It was a teeny, tiny ring. An engagement ring. “Luca,” she said. The older lady giggled nervously. “Hang on,” Luca said. “Don’t say anything yet.” He reached into his pocket again, and that time he pulled out a full-sized ring. One that would fit on her finger. It was the second most beautiful thing Tina Gardenia had ever seen. The most beautiful thing she’d ever seen was Luca’s blue eyes, glistening as he looked up at her and asked, “Will you marry me?” The word came out of her mouth without even registering in her brain. “Yes.” She leaned forward and wrapped her arms around his big shoulders. The other patients, and some nurses who’d approached quietly, clapped and cheered.
Angie Pepper
Marcus took a deep breath. “Alex, what happened exactly?” “I’ve already told you everything. I ran into her in the garden. She was talking one second and the next, she just sort of poofed—” “She poofed?” Seth laughed. He lounged in the corner, arms folded across his chest, and that damn smile plastered across his face. “Seriously?” “Yes, she poofed. Like she was there one second and the next she was a pile of dust.” “We just don’t poof, Alex. That doesn’t happen.” “Well, it did. She poked me in my chest with her bony fingers and said some crazy stuff. Then she poofed!” Seth’s brows flew up and he laughed again. “What have you been doing today? Smoking something?” Addressing Marcus, I threw up my hands. I had no idea why Seth was being such a jerk to me. He’d started in the moment he’d stepped into this room, and now I wanted to kill him. “Does he have to be here?” “He is where I need him to be,” Lucian answered instead. “And I need him here.” “Can he shut up, at least?” I missed the more charming version of Seth. This version sucked. “There’s no valuable need for him to comment on everything that comes out of my mouth!
Jennifer L. Armentrout (Pure (Covenant, #2))
They need you. (Not you.) They love you. (Not you.) You are whoever they want you to be. You are more than enough, because you are not real. You are perfect, because you don't exist. (Not you.) (Never you.) They look at you and see whatever they want . Because they don't see you at all. Take a drink every time you hear a lie. You're a great cook. (They say as you burn toast.) You're so funny. (You've never told a joke.) You're so . handsome. ambitious. successful. strong (Are you drinking yet?) You're so .. charming. clever. Sexy. (Drink.) So confident. So shy. So mysterious. So open. You are impossible, a paradox, a collection at odds. You are everything to everyone. The son they never had. The friend they always wanted. A generous stranger. A successful son. A perfect gentleman. A perfect partner. A perfect Perfect. (Drink.) They love your body. Your abs. Your laugh. The way you smell. The sound of your voice. They want you. (Not you.) They need you. (Not you.) They love you. (Not you.) You are whoever they want you to be. You are more than enough, because you are not real. You are perfect, because you don't exist. (Not you.) (Never you.) They look at you and see whatever they want. Because they don't see you at all.
Victoria Schwab (The Invisible Life of Addie LaRue)
Trump’s shortcomings stood out particularly during emergencies. I remember briefing the president in the Oval Office on the projected storm track of an Atlantic hurricane. At first, he seemed to grasp the devastating magnitude of the Category 4 superstorm, until he opened his mouth. “Is that the direction they always spin?” the president asked me. “I’m sorry sir,” I responded, “I don’t understand.” “Hurricanes. Do they always spin like that?” He made a swirl in the air with his finger. “Counterclockwise?” I asked. He nodded. “Yes, Mr. President. It’s called the Coriolis effect. It’s the same reason toilet water spins the other direction in the Southern Hemisphere.” “Incredible,” Trump replied, squinting his eyes to look at the foam board presentation. We needed him to urge residents to evacuate from the Carolinas, where it looked like the storm would make landfall, but the president mused about another potential response. “You know, I was watching TV, and they interviewed a guy in a parking lot,” Trump leaned back and recounted. “He was wearing a red hat, a MAGA hat, and he said he was going to ‘ride it out.’ Isn’t that something? That’s what Trump supporters do. They’re tough. They ride it out. I think that’s what I’ll tell them to do.” Sometimes his irreverence could be funny, even charming. That day it wasn’t. Worried looks filled the room. A clever communications aide piped up. “Mr. President, I wouldn’t take that chance. This is going to be a pretty bad storm, and you don’t want to lose supporters in the Carolinas before the 2020 election.” The president thought about it for a moment. “That’s such a good point. We should urge the evacuations.” You couldn’t write such a stupid scene in a movie, but it always got a little worse.
Miles Taylor (Blowback A Warning to Save Democracy from the Next Trump)
I was a little scared of her. Even when she said she’d been harming herself there was still a little bit of Claire in her, some of the humor and charm, as though depression was something she could slip out of when she needed to engage with the world. When she needed to protect me from seeing it. But now she was clearly gone. I wondered if it really had to do with David or Trent or any of the men, or if the two just coincided. This seemed so much greater than men. “You’re going to be okay,” I said. But I wasn’t convincing. “I’m gutted. I really just don’t see the point of going on living,” she said. “It just seems so insane. Like, why would you?” “I don’t know,” I said, because truthfully I didn’t. “I’m probably not the best person to talk you out of suicide.” I was trying to make her laugh but she didn’t. Suicide was one of those things that, having been suicidal, in retrospect, I felt like I could talk about without being judgmental. But at the same time, there was no rational reason I could give her to live. Could I say that I was glad I lived? The thing was, I hadn’t really known I was suicidal until I woke up with the doughnuts. Also, even if things were better now, were they ever permanently better? Who was I to put that pressure on her to stay alive? But what kind of person didn’t try to talk their friend out of killing herself? I didn’t want to tell her that she had to live for her children. I knew she felt bad enough about them already. I could have told her what an amazing and fun and funny personality she was, but I knew that right now it all felt to her like just a performance. Her charming personality was only more heaviness—another mask she was going to have to pick up again to prove she hadn’t lost it in the depression. The only reason to put it on again was out of fear that she might never get it back. Otherwise, there was no real reason to have to put on a heavy costume every day. It was too tiring.
Melissa Broder (The Pisces)
Jazz was the opposite of everything Harry Anslinger believed in. It is improvised, and relaxed, and free-form. It follows its own rhythm. Worst of all, it is a mongrel music made up of European, Caribbean, and African echoes, all mating on American shores. To Anslinger, this was musical anarchy, and evidence of a recurrence of the primitive impulses that lurk in black people, waiting to emerge. “It sounded,” his internal memos said, “like the jungles in the dead of night.”94 Another memo warned that “unbelievably ancient indecent rites of the East Indies are resurrected”95 in this black man’s music. The lives of the jazzmen, he said, “reek of filth.”96 His agents reported back to him97 that “many among the jazzmen think they are playing magnificently when under the influence of marihuana but they are actually becoming hopelessly confused and playing horribly.” The Bureau believed that marijuana slowed down your perception of time98 dramatically, and this was why jazz music sounded so freakish—the musicians were literally living at a different, inhuman rhythm. “Music hath charms,”99 their memos say, “but not this music.” Indeed, Harry took jazz as yet more proof that marijuana drives people insane. For example, the song “That Funny Reefer Man”100 contains the line “Any time he gets a notion, he can walk across the ocean.” Harry’s agents warned: “He does think that.” Anslinger looked out over a scene filled with men like Charlie Parker,101 Louis Armstrong,102 and Thelonious Monk,103 and—as the journalist Larry Sloman recorded—he longed to see them all behind bars.104 He wrote to all the agents he had sent to follow them, and instructed: “Please prepare all cases in your jurisdiction105 involving musicians in violation of the marijuana laws. We will have a great national round-up arrest of all such persons on a single day. I will let you know what day.” His advice on drug raids to his men was always “Shoot first.”106 He reassured congressmen that his crackdown would affect not “the good musicians, but the jazz type.”107 But when Harry came for them, the jazz world would have one weapon that saved them: its absolute solidarity. Anslinger’s men could find almost no one among them who was willing to snitch,108 and whenever one of them was busted,109 they all chipped in to bail him out.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
Matt takes some time to settle himself before he speaks. When he does, he shares an anecdote about how Julie had written a book for him to have after she was gone, and she titled it, The Shortest Longest Romance: An Epic Love and Loss Story. He loses it here, then slowly composes himself and keeps going. He explains that in the book, he was surprised to find that near the end of the story—their story—Julie had included a chapter on how she hoped Matt would always have love in his life. She encouraged him to be honest and kind to what she called his “grief girlfriends”—the rebound girlfriends, the women he’ll date as he heals. Don’t mislead them, she wrote. Maybe you can get something from each other. She followed this with a charming and hilarious dating profile that Matt could use to find his grief girlfriends, and then she got more serious. She wrote the most achingly beautiful love letter in the form of another dating profile that Matt could use to find the person he’d end up with for good. She talked about his quirks, his devotion, their steamy sex life, the incredible family she inherited (and that, presumably, this new woman would inherit), and what an amazing father he’d be. She knew this, she wrote, because they got to be parents together—though in utero and for only a matter of months. The people in the crowd are simultaneously crying and laughing by the time Matt finishes reading. Everyone should have at least one epic love story in their lives, Julie concluded. Ours was that for me. If we’re lucky, we might get two. I wish you another epic love story. We all think it ends there, but then Matt says that he feels it’s only fair that Julie have love wherever she is too. So in that spirit, he says, he’s written her a dating profile for heaven. There are a few chuckles, although they’re hesitant at first. Is this too morbid? But no, it’s exactly what Julie would have wanted, I think. It’s out-there and uncomfortable and funny and sad, and soon everyone is laugh-sobbing with abandon. She hates mushrooms, Matt has written to her heavenly beau, don’t serve her anything with mushrooms. And If there’s a Trader Joe’s, and she says that she wants to work there, be supportive. You’ll also get great discounts. He goes on to talk about how Julie rebelled against death in many ways, but primarily by what Matt liked to call “doing kindnesses” for others, leaving the world a better place than she found it. He doesn’t enumerate them, but I know what they are—and the recipients of her kindnesses all speak about them anyway.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Yet in 2012, he returned. Plenty of the speechwriters were livid. The club was the embodiment of everything we had promised to change. Was it really necessary to flatter these people, just because they were powerful and rich? In a word, yes. In fact, thanks to the Supreme Court, the rich were more powerful than ever. In 2010, the court’s five conservative justices gutted America’s campaign finance laws in the decision known as Citizens United. With no more limits to the number of attack ads they could purchase, campaigns had become another hobby for the ultrawealthy. Tired of breeding racehorses or bidding on rare wines at auction? Buy a candidate instead! I should make it clear that no one explicitly laid out a strategy regarding the dinner. I never asked point-blank if we hoped to charm billionaires into spending their billions on something other than Mitt Romney’s campaign. That said, I knew it couldn’t hurt. Hoping to mollify the one-percenters in the audience, I kept the script embarrassingly tame. I’ve got about forty-five more minutes on the State of the Union that I’d like to deliver tonight. I am eager to work with members of Congress to be entertaining tonight. But if Congress is unwilling to cooperate, I will be funny without them. Even for a politician, this was weak. But it apparently struck the right tone. POTUS barely edited the speech. A few days later, as a reward for a job well done, Favs invited me to tag along to a speechwriting-team meeting with the president. I had not set foot in the Oval Office since my performance of the Golden Girls theme song. On that occasion, President Obama remained behind his desk. For larger gatherings like this one, however, he crossed the room to a brown leather armchair, and the rest of us filled the two beige sofas on either side. Between the sofas was a coffee table. On the coffee table sat a bowl, which under George W. Bush had contained candy but under Obama was full of apples instead. Hence the ultimate Oval Office power move: grab an apple at the end of a meeting, polish it on your suit, and take a casual chomp on your way out the door. I would have sooner stuck my finger in an electrical socket. Desperate not to call attention to myself, I took the seat farthest away and kept my eyes glued to my laptop. I allowed myself just one indulgence: a quick peek at the Emancipation Proclamation. That’s right, buddy. Look who’s still here. It was only at the very end of the meeting, as we rose from the surprisingly comfy couches, that Favs brought up the Alfalfa dinner. The right-wing radio host Laura Ingraham had been in the audience, and she was struck by the president’s poise. “She was talking about it this morning,” Favs told POTUS. “She said, ‘I don’t know if Mitt Romney can beat him.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
I’m not funny. I’m not charming. I’m definitely not self-deprecating. I’m Killian fucking Black.
J.T. Geissinger (Cruel Paradise (Beautifully Cruel, #2))
While Birdie was a guest in their home, the Crosses would find her irresistibly charming, impeccably well mannered, and delightfully funny. But when they were out of earshot once again, Birdie would tell Kate in unsparing detail what she really thought. Birdie Burke took merciless measure.
Lisa Unger (Heartbroken)
Bloodline by Stewart Stafford Stuart Richards, 5,001st in line to the British throne, A distant cousin of the king but hitherto unknown, He dreamt of the crown and his fair queen's hand, But there was no baiting the hook unless he had a plan. He chose to eliminate the competition, stood before him, Through a dark celebration, they'd never know what hit them, He sent out invitations to the 5, 000 heirs, Promising vast feasting, with music and fanfare He built a fake house front with a door and a sign, That said: "Welcome to the party. Now, kindly form a line." Behind the door, there awaited a cliff face and a fall, A master of deception, his warm smile greeted them all. He stood at the front door with a charming bow, And, welcoming each guest, he said: "In you go now!" He watched them disappear as they stepped through the door, Counting steps to ascension, lemmings queued up for more. Backslapping himself, inner cackling at his scheme, Imagining himself as king - glory rained down, it seemed, But his Machiavellian plotting had a monstrous flaw, One thing he'd forgotten that greedy eyes never saw. The king was still alive, and he was not amused, He got wind of this plot and responded unconfused, He sent his guards to arrest him for sedition in a fury, They swept him off his feet, planting him before a jury. Put on trial for treason - the verdict was most guilty, Execution set, he had the neck to beg for mercy, But the king was not budging and barked: "Off with his head!" An Axeman's reverse coronation, he joined the fallen dead. Halting 2,986th in line to the British throne, A distant cousin of the king, headless spirit flown, In jealous craving, dispossessed as ruler of the land, Crowned pride came before a fallen plan. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
You are...' 'Marvellous? Charming? Undeniable?' 'Increasingly annoying.' 'But you still haven't used the dagger at my neck.' 'I'm trying to think of the people who will have to clean up the mess.' 'How thoughtful of you.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
I didn’t want him to know I had been watching him almost the entire time. That when he lifted his shirt to wipe some of the sweat from his face, I saw his six-pack and it made my body go into a full shiver. The closer he got to me, the more my heart pounded. I couldn’t explain it. It kind of made me angry, but I didn’t hate it. It was a funny feeling, one I wasn’t used to.
Danielle Keil (Charm Me Not (Tangled Web #2))
Annabella was intrigued by Santiago’s amazing mind, he was also very charming, funny, philosophical, empathic and understanding. He had a gentle soul and was incredibly romantic! Annabella fell madly in love with him. Santiago was not like the other men in her life, he was not rich, but he was self-educated, happy, confident and content just the way he was
Kenan Hudaverdi (Emotional Rhapsody)
They usually panicked when the instruments came out. That was when they knew this wasn’t something they were going to charm, bribe, or scream their way out of. They knew they’d been found out. Dorothy, though… She wasn’t scared, she was furious. She looked two seconds away from asking for August’s manager.
Onley James (Psycho (Necessary Evils, #2))
Hey, I might’ve blown two classes. But you know what they say: The third time’s the charm!
James Patterson (I Funny: School of Laughs (I Funny Series Book 5))
It's easy to be loved by the ones who've never seen you fuck up. The ones you've never had to apologize to, and who still thinks all your 'quirks' are charming.
Emily Henry (Funny Story)
It’s not just the dancing!” Riona hisses. “It’s everything. You’re trying to trick me by being calm and charming and funny . . . ” I can’t help smiling just a little. “You think I’m funny?” “No!” Riona shouts. “But you just said—” “You’re trying to put a bridle on me without me noticing!
Sophie Lark (Broken Vow (Brutal Birthright, #5))
Because you see him,” Miles says. “And he can’t stand it. It’s easy to be loved by the ones who’ve never seen you fuck up. The ones you’ve never had to apologize to, and who still think all your ‘quirks’ are charming. “It’s easy to be around people who don’t know you. But as soon as someone starts to figure you out—as soon as you can’t be perfect—it’s easier to move on. Find someone new to be the cool, fun, laid-back one with.
Emily Henry (Funny Story)
How are you keeping your guest distracted in your office? With stimulating conversation and your ample charm?' His smile turned as cold as his fury. 'As I'm sure you remember, my charm is very ample.' My cheeks heated. 'I've been trying to forget your overinflated charm.' 'Was it not you who just referred to it as ample?' His eyes flashed a deep quicksilver.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
If it’s not bad enough that he is possibly the hottest looking man I have ever come across in my life, with his chiseled jaw, dark beard and his deep brown eyes, he’s also funny and charming too. The perfect Jessie trifecta!
Sadie Kincaid (Ryan Rule (New York Ruthless, #1))
You’re funny, and charming, and incredibly sexy… and you have a big dick?
Cassie Cole (Shared by the Firemen)
I’m not the girl men choose. I’m the girl who’s charming and funny and then drives home alone wondering what she did wrong. I’m the girl who meets someone halfway decent and then fills in the gaps in his character with my own imagination, only to be shocked when he’s not the man I thought he was. I’m the girl who hides who she really is for fear I’ll fall short.
Liza Palmer (More Like Her)
Climbing out of the sidecar, Warren grumbled under his breath, and Elliot tried not to crack a smile. Warren still hated riding in one, but he didn’t particularly enjoy driving a motorcycle either. Elliot gave his shoulder a reassuring pat, and in the moonlight caught the roll of Warren’s eyes. He couldn’t keep a smile down. “You’re lucky I like you,” Warren said, clearly trying for grumpy, but sounding much too fond. Nodding, Elliot agreed. “I have been blessed.” “Damn right.
Vanora Lawless (Twisted Tome)
— Quer saber por que o seu pai não fica por perto? As lágrimas fazem meu nariz arder, mas assinto. Essa é a pergunta que eu nunca deixei de me fazer, por mais que doa. — Porque você vê como ele é — diz Miles. — E o seu pai não consegue suportar isso. E o Peter é a mesma merda com figurino diferente, tão entediado com ele mesmo que se convenceu de que estar com alguém como a Petra iria transformar ele em outra pessoa, sem precisar, sei lá, ter coragem pra tentar tomar ácido. — Ele ficou entediado comigo, Miles — retruco. — Se tivesse a ver com você — insiste ele —, o Peter poderia ter terminado o noivado. Em vez de mudar a vida toda. O que aconteceu tem a ver com ele. Eu já fui esse cara várias vezes, com várias pessoas que eu não merecia. É fácil ser amado por quem nunca viu você ferrar com tudo. Com quem você nunca tem que se desculpar, e que ainda acha que todos as suas “loucuras” são um charme. Miles faz uma pausa antes de continuar. — É fácil estar perto de pessoas que não te conhecem. E, assim que alguém começa a te decifrar, assim que você deixa de ser perfeito, é mais fácil fugir, passar para a próxima pessoa. Encontrar alguém novo com quem você possa ser descolado, divertido, descontraído. — Então é isso? — Minha voz sai embargada. — Eu faço as pessoas se sentirem na pior versão delas. — Daphne, não. — Miles me puxa para junto dele e enfia o rosto no meu pescoço. — Meu Deus, não. — Quando ele recua, vejo covinhas de tensão marcando o maxilar com a barba por fazer. — Escuta. Eu sempre quis ser essa pessoa divertida, fácil de lidar, sem bagagem, mesmo com a Petra. Mas depois de um tempo alguém finalmente vê a gente como a gente é, ou não vê, e as duas possibilidades são uma merda. Porque, se a pessoa vê a gente de verdade e não somos o que ela esperava, ela cai fora. E, se ela nunca vê a gente de verdade... é pior. Porque aí estamos completamente sozinhos. Uma nova pausa. — E eu amava a Petra — continua então —, mas no fundo sabia que, assim que as coisas parassem de ser divertidas, ela iria embora. E ela foi. Encontrou alguma coisa mais romântica, mais perfeita, só mais. Acho que você é a primeira pessoa que me vê de verdade. Que vai além do que eu quero que as pessoas vejam. Miles fica em silêncio por mais um instante. — Você faz as pessoas de quem você gosta se sentirem como... — Ele faz uma pausa. — Como se você quisesse tudo delas. Não só as partes boas. E isso é assustador pra alguém que passou a vida inteira evitando essas outras partes de si mesmo. — Eu não quero fazer as pessoas fugirem de mim apavoradas — digo, a garganta doendo. Miles balança a cabeça. — Vale a pena ficar assustado. Acredita em mim. Por você, vale a pena.
Emily Henry (Funny Story)
A lot of women find sexting fun. No question, a man who can be charming and funny while also being seductive and sexy is a catch. Good sext is slightly ironic with the awareness that using phones to excite each other is kind of ridiculous.
Anonymous
Your mother would have more luck winning her election than teaching you how to be charming. Izzy Malone, going to charm school! Are you going to walk across the room with a book stuck on your head?" "No, it's not like that at all," I said as he doubled over with laughter. "And I really don't see what's so funny." "It's just that"--he gasped--"it would be like teaching a hippo to wear high heels!
Jenny Lundquist (The Charming Life of Izzy Malone)
You look like you were on the wrong side of a gang fight, he signs, and then he points to my eye. I shrug. That’s what happens when you grab a girl the wrong way. Take note: Some of them can kick your ass. I thought the other kids were lying, he says. Then he laughs. She really hit you? He looks toward Reagan and grins. That’s what you get for putting the moves on my girl. Don’t say I didn’t warn you. He points a finger at me in warning. “Why aren’t you swimming?” I ask, using my voice. He points to the piece of plastic. Kind of hard to breathe when it’s full of water. “You can’t swim with that thing? Really?” His face falls. I should have left it alone. “Then what are you doing here?” I ask. “You could be riding horses or doing something fun.” He looks toward Reagan. And miss seeing her legs? Absolutely not. I’ll stay right here. I chuckle and shake my head. The boy’s funny. I’ll give him that. I pull a chair up close to him and sit down. “Just so you know,” I say. “I’ve called dibs on that one. So you can stop dreaming.” Dude, she punched you in the face. He laughs. I pat my chest. “I can be charming when I want to.” When will that start? He grins.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Foreword As a true blue Southern girl I have often wondered…if preppies could have their own handbook…why not us? And now at last, my two good friends Deborah Ford and Edie Hand have written the definitive handbook for Southern gals raised in the South. One must simply not leave home without it! It deserves a place on your shelf between Gone With the Wind and the Memphis Junior League cookbook, and I predict in years to come it will be passed down to daughters along with the family silver and great-grandmother’s lace doilies. It is funny, wise, charming, and smart, just like the two gals who wrote it. As modern Southern women we have learned to network with one another and share all the good advice and recipes and rules of accepted behavior that have been handed down to us (it’s a rough world out there). And so in keeping with that wonderful tradition I would like to share some advice my own wise Southern mother gave to me. When I was in high school contemplating whether to take Home Economics or not, my mother exclaimed: “Oh no, darling…you must never learn to cook and clean or they will expect you to do it!” It is advice that has served me well throughout the years. Good luck in all you do! -Fannie Flagg
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
I realized finally what the problem was,” I told Maree. “It wasn’t him. It was my wife. She was treating him like a normal human being. Polite, giving him the benefit of the doubt, humoring him. She was a good person, just thinking about who he’d been when they’d been going out, charming and funny. But that was the past. When all this happened he wasn’t a normal human being. He was something else. You can’t be friends with a shark or a rabid dog, Maree. That’s where you get into trouble. Andrew’s a different kind of danger but that doesn’t matter. Anyone who isn’t good for you is as dangerous as Henry Loving.” I
Jeffery Deaver (Edge)
Ever since I was a child, ever since I became wrongly convinced I had to be bigger and smarter than I really was, I’ve been trying to perform, trying to convince people I was more capable than I really was. I’d been sending that same nine-year-old kid who took the tape recorder apart out into the world to speak and perform and interact with people. She asked me to come back and sit in the adult chair and tell the nine-year-old what I thought about him. I didn’t know what to say. She asked me to imagine what he looked like, and I immediately pictured the chubby kid from the movie The Goonies. I smiled. I liked the kid. He was funny and disarming and yet still only nine years old. He seemed alone and afraid, and the only way he could get attention was to convince everybody around him he was smarter and stronger than he actually was. My therapist asked me, again, to say something to him. I looked at him for a while and he looked back, wide eyed and curious. I finally spoke up and said I liked him. I told him I thought he was funny and charming and smart. “Anything else?” my therapist said. “Yeah,” I said. “I also want to say I’m sorry. I’m sorry for pushing you out there in the world so you could impress people for us and fight for us and make money for us while I sat in here and read books.” The moment was powerful for me. I’d completely disassociated from the kid who had taken apart his tape recorder. I hardly knew him. I’d not raised him to maturity and he’d spent the last thirty years lonely and desperate for attention. It’s no wonder I hid from the world. It’s no wonder parties made me tired or I got exhausted after I spoke. It’s no wonder criticism made me angry or I overreacted to failure. I think the part of me I sent out to interact with the world was, in some ways, underdeveloped, still trying to be bigger and smarter as a measure of survival.
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
In fact, up close, Trump was not the bombastic and pugilistic man who had stirred rabid crowds on the campaign trail. He was neither angry nor combative. He may have been the most threatening and frightening and menacing presidential candidate in modern history, but in person he could seem almost soothing. His extreme self-satisfaction rubbed off. Life was sunny. Trump was an optimist—at least about himself. He was charming and full of flattery; he focused on you. He was funny—self-deprecating even. And incredibly energetic—Let’s do it whatever it is, let’s do it. He wasn’t a tough guy. He was “a big warm-hearted monkey,” said Bannon, with rather faint praise.
Michael Wolff (Fire and Fury: Inside the Trump White House)
He thought she was like all the rest... that she'd be swayed by his attention and charm. But she got tired of watching him chase his own ass and dealing with his funny farm.
Alfa Holden (Abandoned Breaths)
Follow your heart, but take your brain with you!" After buying an armload of funny books filled with clean jokes, one-liners, and speech openers, I discovered how truly "spot-on" Joe had been. Inserting humorous zingers throughout my programs has worked like a charm and improved my presentation skills.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Couldn’t sleep?” he asked as he approached, then stopped by the railing next to her. She shook her head. “I guess I’m too excited about the cattle drive.” “It’s keeping me up, too, but not from excitement.” The simple statement caught her unaware. With a few words, he expressed a vulnerability that made her heart squeeze, even as her hormones hummed a Dixie Chicks song about cowboys and being taken away. It was the night, she told herself. Or maybe it was just the man. Regardless, wouldn’t this be a good time to suddenly be witty and charming? Or even gorgeous. She would settle for gorgeous and not funny, as long as she didn’t have to talk to much. “I know it’s a big responsibility,” she said when she neither transformed into a supermodel nor thought of anything brilliant to say. “But you seem to have everything figured out. I’m sure it will be fine.” He sighed. “Want to guarantee that in writing?” “Would it help if I did?” “No.” He stared up at the sky. “I couldn’t get them to leave.” “Yes, well, you tried.” He grunted. She guessed that trying and failing didn’t count for much in his world. Yet another strike against her. She screwed up all the time.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Okey." Charming leaned back and rocked the chair on two legs. "Let's asses the situation. We've got a fourteen-fot green-spiked dragon, male, possible in molt, chipped upper-left fang missing one claw on the right hind foot, three claws each on the other foots, chested head, dorsal ridge, apparently healthy, containintly vicios. Presently aspleep in a confined space." "um," said Ann, "That's about the way I see it too.
John Moore (Slay and Rescue)
Habana Eva" released in 2010, Habana Eva is a funny Romantic comedy. Eva works as a seamstress in a sweatshop where she dreams of becoming a fashion designer with her own a room. Her love is her longtime partner Angel, a charming yet lazy islander. Her dream of marrying Angel fades when she meets Jorge, a handsome and wealthy Cuban raised in Venezuela who returns to Cuba, with a more ambitious project than taking photos of Eva for a book. Eva who has been living with her aunts falls for him and has to decide which of the two men she will want to marry. Directed by Fina Torres, starring Prakriti Maduro as Eva and Juan Carlos García as Jorge and Carlos Enrique Almirante as Angel. Venezuelan produced and filmed in La Habana, Cuba. Habana Eva film won the Best Picture award at the New York International Latino Film Festival on August 2, 2010.
Hank Bracker
There you are!” Kendra says as they pull to a halt in front of me. They both look flustered and cross. “We were totally freaking out,” she says angrily. “Where were you?” And then Luca rises up from the window seat, and their expressions change so fast it would be comical if I didn’t know that I’ll pay for this later. “Ohh,” Kelly says, clattering to a halt a few feet away, a world of understanding in her voice, and Luca, looking amused at my obvious embarrassment, flourishes her a little bow and holds out his hand. “I am Luca di Vesperi,” he says, taking hers with a debonair smile. I expect Kelly to crumble under this charm onslaught, but I underestimated her; she’s made of tougher stuff. “Of course you are,” she says dryly, looking up at him. “I heard about you. What were doing, showing Violet the family paintings? From your lap?” “Kelly!” I plead desperately as Kendra muffles a giggle. “I do not understand everything you say,” Luca says to Kelly, his blue eyes gleaming, “but I think you are funny.” “Oh.” This does disarm her. She coughs gruffly. “Well, thank you. We should be getting back. Your mum and Catia are doing their nut.” “Their nut?” Luca looks over at Kendra, who shrugs, an elegant rise and fall of her smooth shoulders. “Don’t ask me,” she says. “It’s like my dad said, the UK and the States are two countries separated by the same language.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003
Anonymous
Sometimes charm can make a person blind to truth...look at Ted Bundy.
Shelley K. Wall
Here.” He spread his legs wider and patted the floor between them. “You’ll be warmer, and I promise I won’t grope you or anything.” Yes, because getting groped by a handsome, charming man hours after getting dumped by a workaholic iceberg was such a repulsive notion.
Meg Maguire (Thank You for Riding)
Funny. Sexy and funny and charming. This guy was celibacy Kryptonite.
Anonymous
I’ve got this thing I do when my mind starts to spiral before a fight. I unfold my fingers and concentrate on them one by one until my feelings narrow into focused calm. Pinky: I've been in this kind of situation before. Fourth finger: I've felt these feelings before. Middle finger: I've survived them every time. Index finger: Everybody dies eventually. Thumb: That includes my enemies.
Elliott James (Charming (Pax Arcana, #1))
Charming people are not necessarily funny. When it comes to being a charming man around women, it is better to focus on making women smile rather than trying to make them laugh. Hence, there is no need to be funny all the time, as charm and humor are not the same thing.
W. Anton (The Manual: What Women Want and How to Give It to Them)
Claire looked at the anniversary painting again. She thought about Paul as a child. She’d seen pictures—his winsome, toothy grin; the way his ears poked out from his giant head when he was six and seven; the way everything started to catch up when puberty hit. He wasn’t dashing or flashy, but he was handsome, once she’d talked him into wearing contacts and buying nice suits. And he was funny. And he was charming. And he was so damn smart that she just assumed he knew the answer to everything.
Karin Slaughter (Pretty Girls)
He was charming and funny and a bit scary, which was always a draw in my book.
Ilona Andrews (Gunmetal Magic (Kate Daniels #5.5))
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Well then, Juliet, since you can't find anything funny about our predicament, let's see what Charlotte can do," he announced with a flippant, offhand charm. And then, before she could protest, he plucked the baby from her arms, laid her on the bed, and tickled her until she batted at his hands and began shrieking with delight. "See? Charlotte thinks it's funny, don't you, Charlie-girl?" The baby, who obviously adored him, gurgled and squealed, and Juliet found herself staring at the tender picture the two of them made; he, so tall and strong and masculine, her daughter, so tiny and helpless. She swallowed, hard. There was something deep and moving in this powerful image of Lord Gareth de Montforte as a father — a role that seemed to come as easily to him as flight to a bird. Her heart beat faster as she finally acknowledged what she'd been afraid to admit all along. She desired him. Desired him so badly it scared her. He glanced over at her, grinning. She shook her head and folded her arms, feigning annoyance but unable to prevent the growing amusement from sparking her eyes. Then he bent over Charlotte, his nose nearly touching hers, a few locks of hair tumbling over his brow and brushing the baby's forehead. He put his fingers into the corners of his mouth and pulled his cheeks wide, all the while making an absurd gurgling noise and glancing playfully at Juliet out of the corner of his eye to ensure that she was watching, too. He looked completely ridiculous. Worse, he knew he looked completely ridiculous and reveled in it. Unbidden, a burst of laughter escaped Juliet, mingling with Charlotte's happy shrieks. Letting go of his cheeks, Gareth laughed right along with them, a big, happy sound that brightened the room as the candles never could have done. It was warm laughter, family laughter, the kind of laughter that Juliet had never expected to share in ever again. Something
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
We’ll meet you at Ringrose’s Inn tomorrow for a late breakfast. Say, around ten A.M.?” Tristan barked a laugh. “What?” Jane asked. “Is that too late?” Now Dom laughed, too, and Tristan laughed even harder. “What’s so funny?” Jane snapped. “It’s not about you,” Lisette said dryly. “They’re laughing at me. My brothers think me incapable of rising early. Or getting off in a timely fashion.” “That’s because, dear girl, we have yet to see you rise before eleven or leave by noon for a trip,” Dom teased. Tristan grinned at Jane. “Better schedule that meeting in York for a bit later, Freckles.” Freckles. Tristan had dubbed her with the nickname during Dom’s courtship of her, and that reminder of her past with Dom and his family roused an ache in her chest. She avoided Dom’s gaze. “How about midafternoon then?” “Nonsense.” Lisette rolled her eyes. “I can rise early, no matter what my idiot brothers think. We’ll be there midmorning for breakfast if I have to dunk my head in ice water to accomplish it. Max wanted to get an early start, anyway.” Dom chuckled. “Max always wants to get an early start. But he’d have to have a different wife in order to manage that.” The two men nudged each other with smug looks. “Yes, he would,” Lisette said in a voice of pure sweetness, “one he wasn’t quite so enamored of. But since sampling my particular charms always takes him so very long in the morning, I admit that we do end up lying abed late more times than not.” Jane knew she ought to be shocked by such frankness, but she was having too much fun watching the men’s mouths fall open, and a red flush creep up their faces. Lisette flashed them a coy look. “But I shall endeavor to prevent my husband from enjoying his usual pleasures tomorrow morning. That should resolve the matter.” She threaded her arm through Jane’s. “Now come, my dear, let’s join the others for dinner. I’d love a glass of wine, wouldn’t you?” The two women had barely made it out into the hall before they burst into laughter. “That’ll teach…them,” Lisette gasped. “Did you see…Tristan’s face?” “And Dom’s,” Jane choked out. “Oh, Lord, you are so wicked!” “Why, of course.” Lisette’s eyes sparkled with mischief. “What’s the point of being a duchess if you can’t shock people from time to time?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.
Shannon Hale (Austenland (Austenland, #1))
When I was a kid, I wish I had known that; it's hard to find time to read, jump in the sea and climb trees when you're a grown-up, so do as much as you can now! Romantic love takes everyday work and there is no Prince Charming galloping over the horizon. All the little things you find funny about yourself are beautiful and unique and loveable.
Clemmie Telford (But Why?: How to answer tricky questions from kids and have an honest conversation with yourself)
Nancy’s. ‘War does funny things to men,’ he said. ‘Sometimes they change … sometimes they realize what’s important to them.’ ‘Yes,’ Cassie said with a wistful smile, ‘their bombers. I think fliers are a different breed of men. At least all the ones I know are. The women too. They’re all a little crazy.’ ‘It’s part of the charm.’ He smiled at her, suddenly looking more relaxed than she’d ever seen him. ‘I’ll have to remember that,’ she said, sipping her wine, and watching him. She wondered what made him tick, but there was no way of knowing. Even when he was being friendly, he was completely guarded. There was really no way of knowing him. He was careful to keep his distance. Nancy had told her that about him, and Cassie finally understood it. ‘And then there are the rest of us.’ He smiled at her again. ‘Those who live on the ground. So simple, and so lowly.’ ‘I don’t think I’d say that,’ she said quietly, as he watched her. ‘More sensible perhaps. More
Danielle Steel (Wings)
Another problem I had was that the only time I could laugh at menfolk was on the rare occasion I found them genuinely funny. Their mere presence was not humorous to me in the same way it seemed to be to 'natural' women. Furthermore, whenever I felt as if I had any kind of knowledge, I was inclined to share it, whereas natural women rarely seemed to want to do the knowing of things out loud. They could be so smart, charming and funny then lose it all as soon as they hit the orbit of larger groups and/or boys. It was confusing to me. I decided that if ever I stumbled into the ability to be smart, charming and funny I would never turn it off. Not for anyone.
Hannah Gadsby (Ten Steps to Nanette)
And that is why, to Karna, this errand of charming Mardin to give up his seat had sounded much like convincing a man to give up his wife. He knew it had been done before, but he had absolutely no idea what words to use to achieve this result.
Gourav Mohanty (Sons of Darkness (The Raag of Rta, #1))
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
He pushes himself to standing and offers me his arm. 'Come, let us charm and confound our subjects.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Marty shrugs. “Have to kiss some toads before I meet my prince.” There’s that damn mouthy attitude that I somehow find charming. “I’m pretty sure if you kiss toads, you hallucinate. They have that poison-y thing on their back. I think you mean frogs.
Eden Finley (Fake Boyfriend Breakaways (Fake Boyfriend, #2.5, 3.5, 4.5))
People stop and talk to Christopher, commenting how relaxed and happy he looks. And he . . . he plays the room like a pro. All eyes are watching him. Everyone wants to talk to him. He laughs and jokes. The room is in the palm of his hand. Funny, charming, and sexy as all hell, Christopher Miles is London’s darling it boy.
T.L. Swan (The Do-Over (The Miles High Club #4))
I will accompany you,' Cardan says, rising. I open my mouth to explain all the reasons that he can't go. The problem is that as I look up in to his gold-rimmed eyes and he blinks mock-innocently down at me, I can't think of a single one that will actually stop him. 'Good,' he says, sweeping past me. 'We're decided. ... In the hall, I am forced to walk faster to catch up with Cardan. 'You don't even know where we're going.' He pushes black curls away from his face. 'Fand, where are we going?' The knight looks miserable but answers. 'To Hollow Hall.' 'Ah,' he says. 'Then I am already proven useful. You will need me to charm the door.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
My lady, you flatter me. I had no idea you were interested.
Holly Black (The Wicked King (The Folk of the Air, #2))
Fuck Ryan Reynolds. I’m not funny. I’m not charming. I’m definitely not self-deprecating. I’m Killian fucking Black.
J.T. Geissinger (Cruel Paradise (Beautifully Cruel, #2))
This was my first class, but I thought it was very interesting.” “And you’re the only one who knew La Cenerentola. How did you know?” Maude didn’t want to admit that the story hit very close to home, so she just said, “I think it’s a beautiful opera. Cinderella is very spirited in it. She isn’t at all like Cinderella in the Disney version who just waits for her Prince Charming. She has a wry sense of humor, and the opera is actually very funny. Even Prince Charming is different. His character is more developed, more active. He disguises himself as a valet to see how women actually behave around him when they think he is just a servant.” “Would
Anna Adams (A French Girl in New York (The French Girl, #1))
He was charming, funny, dimpled, daring. He could talk anyone into anything. He had a gift for drama and invention. He was a storyteller, a yarn-spinner, and an agile liar; he was good at fancying up facts to make his life seem less plain and mingy.
Susan Orlean (The Library Book)
It hadn't been love at first sight, but it was pretty damn close. He was so funny and charming and smart. All the books he'd read. All the stuff he knew.
Adrian McKinty (The Island)
I spent nearly two hundred years alone, and then I found you.” He shook his head. “You charming, funny, magnetic, brilliant woman, of course I want you forever.
Elizabeth Hunter (The Dancer and the Dark (Elemental Legacy, #5.5))
I just have a couple of things to do, and then we can go.” He gave her a pointed look. “Ten minutes, Mila. My face is leaving in ten minutes—be on it.” “Oh my God. Do you ever stop?” “Being what? Charming? Funny? Irresistible?” “Bizarre? Warped? Disturbed?” “Hey, now, there’s no need to get mean.” She stalked off, shaking her head. “Hopeless. You’re totally hopeless.
Suzanne Wright (Untamed Delights (The Phoenix Pack, #8))
Don't be charming- I almost died.
Nisha J. Tuli (Heart of Night and Fire (The Nightfire Quartet, #1))
So, he was just making sure you're still alive and-' 'Breathing?' Hawke suggested, startling both of us. He stood a mere foot from where we sat, having moved with the stealth of a trained guard and the quiet of a ghost. 'Since I am responsible for keeping her alive, making sure she's breathing would be a priority.' My shoulders stiffened. How much had he overheard? Tawny made a poor attempt to smother her giggle with a napkin. 'I'm relieved to hear that.' 'If not, I'd be remiss in my duty, would I not?' 'Ah, yes, your duty.' She lowered her napkin. 'Between protecting Poppy with your life and limb and gathering spilled crystals, you're pretty busy.' 'Don't forget assisting weak Ladies in Wait to the nearest chair before they faint,' he suggested. Those strange, mesmerising eyes glinted with a hint of mischief, and I was... as transfixed with him as I'd been with the Ladies in Wait. This was the Hawke I'd met in the Red Pearl. A well of pain hidden behind a teasing and charming personality. 'I am a man of many talents.' 'I'm sure you are,' Tawny replied with a grin while I fought the urge to reach out with my senses. His gaze flicked to her, and the dimple in his right cheek appeared. 'Your faith in me warms my heart,' ...
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
cardboard box. On top of the dryer. On my LB. Lazing around the living room,
Rob Baddorf (Charming: Kimberly the Cat Series. Family-friendly middle-grade fiction. Book 5 (Kimberly the Cat Series. Funny Christian Adventure, for kids ages 8 to 12.))
Of course I like him, Cara. He’s charming and funny and makes me smile in this irritating sort of way and I’m losing my damn mind because I’m totally falling for Carter Beckett.
Becka Mack (Consider Me (Playing For Keeps, #1))
Who do you think you’re talking to, Julian? Have you forgotten I know your guys’ game? Leo is the funny devilish one. Nolan is the smart intellectual one. And you’re the sweet charming one that slides in to offer me your shoulder. It didn’t work on me then. It won’t work on me now.
Ruby Vincent (The Angels (Raven River Academy, #1))
Hi, I'm a very nice girl with a long brunette hair, a lady with amazing brown eyes which shows and emphasizes my natural beauty and nice attitude, and it shines, when I see a good gentleman and I'm happy. I have a small charming nose and funny cheeks. I love spoiling all my clients, I love making them feel adored, wanted and alive, I always focus on them and all my services are high-quality. Contact on WhatsApp for booking.
karachimodels
An Outrageous Farmyard Challenge If you're looking for a chaotic, hilarious, and action-packed arcade experience, Crazy Cattle is the game for you. Set in a rural farmyard turned battleground, this quirky game throws you into the middle of a full-blown cow stampede, where you must run, dodge, and survive as long as possible. With fast-paced gameplay, unpredictable cow behavior, and comic visuals, Crazy Cattle offers an addictive experience that keeps you on your toes from the very first second. This isn’t your average farm simulator—this is a high-speed test of reflexes and survival instincts where only the quickest players will come out on top. Gameplay Overview In Crazy Cattle, your main objective is simple: stay alive. The game starts calmly, but quickly turns into mayhem as angry, confused, and chaotic cows begin charging across the field. Your task is to maneuver through waves of stampeding cattle without getting trampled. The gameplay features: Simple tap or arrow controls to move and dodge Increasing difficulty with each wave of cows Dynamic movement patterns from the cattle Power-ups like speed boosts and shields Random obstacles such as hay bales, fences, and water troughs The longer you survive, the faster and wilder things get. Timing and reaction speed are critical to avoiding getting flattened. Fun and Accessible Design One of Crazy Cattle’s biggest strengths is its accessible design. Whether you're playing on desktop or mobile, the game runs smoothly with intuitive controls and quick restarts. The visual style is lighthearted and cartoonish, making it appealing to players of all ages. The cows are the real stars of the show—animated with exaggerated expressions and unpredictable movements. Some sprint, others zigzag, and a few even jump. Their erratic behavior adds humor and challenge to every run. Combined with upbeat country-style background music and goofy sound effects (moo!), Crazy Cattle creates a playful atmosphere that encourages players to keep coming back for “just one more try.” What Makes Crazy Cattle Addictive? Fast-paced action with no loading delays Funny animations and unpredictable cows Randomly generated patterns for unique runs every time No complex rules or menus—just press play and start dodging Great for quick sessions or long play streaks Unlike many arcade games that rely on high scores alone, Crazy Cattle adds layers of strategy through its item system. For example, grabbing a magnet may attract useful coins, while a shield gives you a brief period of invincibility to plow through danger. Tips to Stay Alive Longer Want to last more than 30 seconds? Here are a few survival tips: Stay near the center to give yourself room to dodge Watch for patterns in cow movement before committing to a direction Use power-ups wisely—especially shields during dense waves Don’t panic! Stay calm when things get hectic Practice makes perfect: every failed run helps you improve reflexes Perfect for All Ages and Devices Crazy Cattle is a browser-based game, so there’s no need to download or install anything. It runs directly on both mobile and desktop platforms, making it a great pick for casual players, kids, and anyone who loves quick and silly games. It’s also an excellent choice for short breaks, since matches are typically under a minute—unless you’re a dodging master, of course. Conclusion Crazy Cattle is a refreshingly fun and chaotic arcade game that blends fast reflex gameplay with comedic charm. With simple mechanics, humorous visuals, and endless replay value, it stands out as a must-try for fans of action-packed casual games. Whether you’re dodging for dear life or laughing as cows fly past, Crazy Cattle delivers pure entertainment in every round. Jump in now and prove that you can survive the stampede! From slope-ball.io
Crazy Cattle
Bailey sat on the edge of the couch and fed Maddy grapes. The very swollen mommy-to-be initially complained about being fed like a pet. Eventually, she gave in and enjoyed the attention. Not to be outdone, Sawyer turned a fan towards Maddy and was painting her nails. I watched them baby her and wondered about when I would be that big and uncomfortable. “I’m in no hurry to have a baby,” Tawny said, maybe for the tenth time since arriving. “Not in any hurry at all.” Farah grinned from where she was cutting carrots into little perfect sticks for dipping. “Coop is obsessed with getting me pregnant. First, his little brother is about to have a baby then his best friend. I swear whenever we’re alone, he’s inside me,” she said then her smile grew. “It’s awesome.” “Huh,” Tawny muttered. “Judd is in me all the time too and not because he’s trying to plant his flag or lay his seed or whatever.” “Jealous?” Farah asked and Tawny fake glared at her. “Sometimes, my sister irritates me too,” I said and they both laughed. “I’m going to brush the baby’s hair,” Bailey announced to no one in particular. “When she’s old enough, I’m going to put those little barrettes in her hair and make her wear headbands and turn her into a doll. Then when she cries, I’m giving her back to Maddy.” “Yeah for me,” Maddy whispered with her eyes closed. “Are you suffering?” Bailey asked. “Like should I do more for you to ease away the horror of how huge you’ve become?” Opening her eyes a crack, Maddy muttered, “Stop charming me.” Bailey grinned. “Seriously, you look pretty miserable today.” “I’ve been having those Braxton Hicks contractions since yesterday.” “Is that bad?” Sawyer asked, looking up from her meticulous work on Maddy’s toes. “Is it like hemorrhoids?” When we laughed, Sawyer beamed, even though she likely had no idea what was funny. “They’re like practice contractions,” Maddy explained. “They don’t hurt much, but they’re uncomfortable.” Bailey frowned. “How do you know all this stuff?” “I read a book.” “Yeah, I did that once. Not a fan.” “You guys don’t have to hang out here,” Maddy said. “The guys are out having fun and you’re pampering me. You could go to the movies if you want.” “No,” Bailey said quickly. “I need to be super nice because I had a dream that being nice will lead to a handsome awesome guy who is the fucker. I want that guy. He belongs to me and I’m sick of waiting, so shut up and let me be nice to you.” “Sure,” Maddy said, sighing. “This is nice, but I’m going to have to pee soon.” “Do you need me to carry you?” Bailey asked. “Maybe. Ask me in a few minutes.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
He was funny and charming, but also kind. It seemed the older she got, the more she appreciated kindness in people.
Susan Mallery (All Summer Long (Fool's Gold, #9))
This is great! Just great, Mikhail. Call in the wolves to eat me alive. I find the idea so ‘you.’ So logical.” He bared his white gleaming teeth at her like a hungry predator and laughed softly, teasingly. “It is not the wolves that would find you delicious.” Raven picked up a broken branch and flung it at him. “Stop laughing, you hyena. This is not funny. Your arrogance is enough to make me want to throw up.” It took every ounce of self-control she had not to laugh. The beast was far too charming for his own good. “Your American colloquialisms are very colorful, little one.” She threw another branch, and then followed it up with a small rock. “Someone needs to teach you the lesson of a lifetime.
Christine Feehan (Dark Prince (Dark, #1))
Stop following me.” “Am I not a gentleman, obligated to see his lady home?” “If you laugh at me one more time, I swear I won’t be responsible for what I do.” Raven became aware of the slinking figures then, the burning eyes following her. Her heart nearly stopped, then began to pound. “Fine!” She whirled around and glared at him. “This is great! Just great, Mikhail. Call in the wolves to eat me alive. I find the idea so ‘you.’ So logical.” He bared his white gleaming teeth at her like a hungry predator and laughed softly, teasingly. “It is not the wolves that would find you delicious.” Raven picked up a broken branch and flung it at him. “Stop laughing, you hyena. This is not funny. Your arrogance is enough to make me want to throw up.” It took every ounce of self-control she had not to laugh. The beast was far too charming for his own good. “Your American colloquialisms are very colorful, little one.” She threw another branch, and then followed it up with a small rock. “Someone needs to teach you the lesson of a lifetime.” She looked like a beautiful little spitfire, all sparks and flame. Mikhail drew in his breath slowly, carefully. She was his, all fire and fury, all independence and courage, all heated passion. She melted his heart with it, entered his soul with her soft laughter. He felt it in her mind, although she was being extremely careful not to allow him to see it. “And you think you are the one to do this thing?” he teased. Another rock came flying at his chest. He caught it easily, and deliberately polished it before dropping it to the forest floor, all the while his dark eyes holding her gaze captive. “Do you think I’m afraid of your wolves?” she demanded. “The only big bad wolf around here is you. Call all your wolves. Go ahead.” She glared into the secret, dark interior of the forest. “Come and get me. What did he say to you about me?” Mikhail pried her fingers loose from the branch she held like a club, allowing it to fall. He curved an arm around her slender waist, brought her small, soft body up against his much larger, rock-hard frame. “I told them you tasted like warm honey.” He whispered the words with his black velvet sorcerer’s voice. Turning her in his arms, he cupped her small, beautiful face in his hands. “Where is all that marvelous respect a man as powerful as myself deserves?
Christine Feehan (Dark Prince (Dark, #1))
You think you’re better than everyone else. You think the rules don’t apply to you. You breeze into town, working your charm on all the girls, then walk away when you realize they aren’t the skin-walker you’re looking for. You find her”--Sam pointed at me--“and you use her, too, but apparently, she’s forgiven you. Maya’s smart and she’s sensible, so maybe I’m trying to figure out why the hell she’s with you when there are great guys like…” She stumbled, as if searching for a name. “Like Brendan. You’ve got some kind of hold over her, and I don’t like it.” Rafe leaned over and whispered. “It’s a love spell I picked up from a witch over in Nanaimo. But don’t tell Maya.” “You think you’re funny.” “No, I think you have your own issue with me and I think I know what it is. But it has nothing to do with me personally, so I’m going to try not to take it personally. And, while I might be enjoying this--” He lifted his hand, which was still clasping mine. “I know it’s as temporary as a love spell. Give it a few hours and she’ll hate me again.” “Hate’s a strong word,” I said. “Strong emotion is better than indifference.” He grinned at me, then looked at the others. “Now, if we can stop bickering for a few minutes, I’ll tell you my plan.” His gaze moved to Sam. “Which I’m sure Maya and Daniel will change, if they don’t outright reject it, and I’m fine with that.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Stop waiting for Prince Charming. Get up and find him. The poor idiot may be stuck in a tree or something...
Yuliana Rust
What a funny and charming accent! Did you say it was New York you came from, Miss Hunter - the Bowery?" Gay lay down and yawned, and pulled the blanketing swaths of grass over herself. "Pity you weren't properly smacked in your younger days, Lady Jane. Good night.
James Leslie Mitchell (Gay Hunter)
You said pie. Are we talking a la mode, or just whip cream?" "I'll even tell Marge to warm it up." "Yeah. That's kind of what a la mode means. Hot with ice cream. Pie noob.
Jacquelyn Faye (Third Charm (Lovin' the Coven #3))
What are we supposed to be doing?” Lonen whispered, though High Priestess Febe had left the room. “Meditating,” she hissed back. “Yes, I heard that part. What in Arill does that mean?” “Like… praying to your goddess. Silently,” she emphasized. He was quiet for a few breaths, no more. “Now what?” She tried to suppress the laugh, but failed so it choked out in a most unladylike sound. Lonen flashed a grin at her and she shook her head. “Keep doing it. And be quiet—she could come back at any time.” “Why would I keep doing something I already did?” “You’re supposed to be contemplating!” She tried to sound stern, but his complaints so closely echoed hers through the years that she couldn’t manage it. “Contemplate what?” he groused. “I already made the decision about the step I’m about to take. There’s no sense revisiting it.” “Then pretend. It won’t be that much longer.” He stayed quiet for a bit more, though he shifted restlessly, looking around the room and studying the various representations of the moons, looking at her from time to time. That insatiable curiosity of his built, feeding into her sgath, slowly intensifying. She was so keenly aware of him, she knew he’d speak the moment before he did. “You don’t mind?” he asked. “You talking when we’re supposed to be meditating?” “Do you always do what the temple tells you to do?” “Hardly ever,” she admitted. “But appearances are critical. Especially now.” He sighed and was quiet for a while. But his question remained between them, tugging at her like Chuffta pulling her braids when he wanted attention. And it might be some time before Febe returned. She reached out with her sgath to keep tabs on the high priestess, who was indeed still in one of the inner sanctums, no doubt also meditating and preparing herself for the ritual. “We have a little time and I’ll give us warning,” she relented. “Do I mind what?” “Not having a special dress, a big celebration. I don’t have a beah for you.” “What is a beah ?” “A Destrye gifts his bride with a beah and she wears it as a symbol of their marriage. I thought I’d have time to find something to stand in place of it until I can give you a proper one. And that we’d have time to change clothes.” “You look fine—I told you before.” “I look like a Báran,” he grumped, then glared, annoyance sparking when she giggled. “It’s not funny.” “Báran clothes look good on you,” she soothed, much as she would Chuffta’s offended dignity. Perhaps males of all species were the same. “Hey!” She ignored Chuffta’s indignant response. Lonen did look appealing in the silk pants and short-sleeved shirt, even though her sgath mainly showed her his exuberant masculine presence. “Well, you deserve something better than that robe,” he replied. “And more than this hasty ceremony. Arill knows, Natly went on enough about the details of planning…” He trailed off, chagrin coloring his thoughts. “Yeah,” she drawled. “Maybe better to not bring up your fiancée during our actual wedding ceremony.” “Former fiancée,” he corrected. “Really not even that. And this isn’t the ceremony yet—this is waiting around for it to start. My knees are getting sore.” “And here I thought you were the big, bad warrior.” “I am. Big, bad warriors don’t kneel. We charge about, swinging our weapons.” She laughed, shaking her head at him. That good humor of his flickered bright, charming her, banishing his perpetual anger to the shadowed corners of his aura. In the back of her mind, Febe moved. “She’s coming back. Not much longer. Try to school your thoughts.
Jeffe Kennedy (Oria’s Gambit (Sorcerous Moons, #2))
I may be an elf,” I said with a smile that never failed to charm people, “but I'm not a stupid elf. I've got a college degree and everything.” “In what?” the little girl asked. “Dumb elfery?” I tried not to snort, but even I admit that was funny. “No, actually the courses in dumb elfery were full so I had to take the ones in cute elfery instead.” I pulled back and did a little spin, making sure the bells on my hat and shoes jingled. “So, did I deserve that degree or what? I graduated with honors and everything.” Emma did a circle with her finger, motioning for me to turn around again. I did and when I turned back, she was tapping her chin. “I think you should probably ask for your money back.
Candi Kay (Kane the Fake Elf & His Sexy Mall Santa)
If you think it's charming to be overbearing,” I said. “I do, I do!” she said. “I adore strong alpha males and he's the only one that's ever managed to make me feel weak and womanly.” She grinned at my expression. “Want a word of advice?” she said. “Study him. Seriously. Characters like him drive half the romance market.
Sonal Panse (The Sunshine Time - Season 1 Episode 9 (The Sunshine Time, #9))
Just give it some time. I’m sure you’ll win her over with your ever-charming, social awkwardness.
Jessica Wright (Beyond the Darkness (Guardians of Mirra, #2))
Based upon the games I’ve played, girls are likely to like you if you are strong, cute, handsome, charming, funny or a lovable buffoon. Based upon my observations, you would be best suited for the role of lovable buffoon.
Cosimo Yap (Opening Moves (The Gam3, #1))
I was now inclined to believe that ideas also have wit, because what had transpired between Ann and me was not only phenomenal, but also curiously and charmingly funny.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
(Verse 1) Well, I built me a snowman, out in the yard, But the sun came out, and it hit him hard. So I brought him inside, to keep him cool, Now he’s chillin’ in the basement, like a frosty fool. (Chorus) He’s a snowman in the basement, sippin’ on ice tea, Watchin’ reruns of “Friends” on my old TV. He’s got a carrot nose and a smile so bright, But he’s meltin’ my heart, every day and night. (Verse 2) He’s got a cowboy hat and a flannel shirt, But he’s leavin’ puddles, all over the dirt. My dog thinks he’s funny, my cat’s in a huff, But this snowman’s got charm, and that’s enough. (Chorus) He’s a snowman in the basement, sippin’ on ice tea, Watchin’ reruns of “Friends” on my old TV. He’s got a carrot nose and a smile so bright, But he’s meltin’ my heart, every day and night. (Bridge) Neighbors think I’m crazy, but I don’t care, Got a snowman in the basement, and he’s always there. When the world gets tough, and I need a friend, I just head down to the basement, and chill with him again. (Chorus) He’s a snowman in the basement, sippin’ on ice tea, Watchin’ reruns of “Friends” on my old TV. He’s got a carrot nose and a smile so bright, But he’s meltin’ my heart, every day and night. (Outro) So if you’re feelin’ lonely, and need a laugh, Just build you a snowman, and take a bath. In the cool, cool basement, where the snowmen play, You’ll find a frosty friend, to brighten your day.
James Hilton-Cowboy
Because you see him, and the can't stand it... It's easy to be loved by the ones who've never seen you fuck up, the ones you've never had to apologize to, and who still think all your 'quirks' are charming. It's easy to be around people who don't know you. But as soon as someone starts to figure you out? As soon as you can't be perfect? It's easier to move on.
Emily Henry (Funny Story)