Charge Of The Goddess Quotes

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Let my worship be within the heart that rejoices, for behold, all acts of love and pleasure are my rituals. Therefore, let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you.
Doreen Valiente (Charge of the Goddess)
Therefore, let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you.
Doreen Valiente (Charge of the Goddess)
And you who seek to know me, know that the seeking and yearning will avail you not, unless you know the Mystery: For if that which you seek, you find not within yourself, you will never find it without.
Doreen Valiente (Charge of the Goddess)
When you find yourself in one of those mystical/devotional frames of mind or in am emergency and you feel you want to pray, then pray. Don’t ever be ashamed to pray or feel prevented by thinking yourself unworthy in any way. Fact is whatever terrible thing you may have done, praying will always turn your energy around for the better. Pray to whomever, whatever, and whenever you choose. Pray to the mountain, pray to the ancestors, pray to the Earth, pray to the Tao (but it won’t listen!), pray to the Great Mother, pray to Jehovah, Allah, Buddha, Jesus, Lakshmi, Siva, pray to the Great Spirit, it makes no difference. Praying is merely a device for realigning the mind, energy, and passion of your local self with the mind, energy and passion of your universal self. When you pray, you are praying to the god or goddess within you. This has an effect on your energy field, which in turn translates into a positive charge that makes something good happen.
Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
And thou who thinkest to seek for me, know thy seeking and yearning shall avail thee not, unless thou know this mystery: that if that which thou seekest thou findest not within thee, thou wilt never find it without thee
Doreen Valiente (Charge of the Goddess)
Moon, that against the lintel of the west Your forehead lean until the gate be swung, Longing to leave the world and be at rest, Being worn with faring and no longer young, Do you recall at all the Carian hill Where worn with loving, loving late you lay, Halting the sun because you lingered still, While wondering candles lit the Carian day? Ah, if indeed this memory to your mind Recall some sweet employment, pity me, That even now the dawn's dim herald see! I charge you, goddess, in the name of one You loved as well: endure, hold off the sun.
Edna St. Vincent Millay (Unknown Book 7720699)
And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
Goddess,” he rasped, running his hands over her hips, up her legs. “Lover,” she whispered back, threading the fingers of her right hand through the fingers of his left and moving his hand to her breast. It was heavy and swollen and ripe with desire. He scraped his thumb over her nipple, loving the way she closed her eyes and hummed in appreciation. He loved that she was in charge. He loved how she took pleasure from his body with such confident leisure. He loved how she squeezed her innermost muscles in pulse after deliberate, exquisite pulse as she rode his length. He loved how he was just that to her, her lover, not Nick Blackthorne rock star, but just the man she gave her body, her heart, her soul to. He loved her. Everything about her.
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
Fuck off, you crazy bastard!” That ‘goddess’ raced along the path and lept over a large rose bush, charging right towards us like a wild boar. “Don’t be such a baby—It was once! Get over it already!
E.V. Drake (Elves of Fate: Denial)
Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" " There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Let my worship be within the heart that rejoices, for behold, all acts of love and pleasure are my rituals. Therefore, let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you.
Doreen Valiente (Charge of the Goddess)
Dispenza says, wisdom is simply memory with the emotional charge removed.
Christiane Northrup (Goddesses Never Age: The Secret Prescription for Radiance, Vitality, and Well-Being)
Goddess,” he says, “in the matter of Hephaestus v. Aphrodite, you are charged with being an unfaithful wife. How do you plead?” Aphrodite considers. “Amused.
Julie Berry (Lovely War)
Whenever ye have need of anything, once in the month, and better it be when the moon is full, then ye shall assemble in some secret place and adore the spirit of Me who am Queen of all Witcheries . . . And as the sign that ye are truly free, Ye shall be naked in your rites, both men And women and ye shall dance, sing, feast, make music, and love, all in my praise. —The Charge of the Goddess
Philip Carr-Gomm (A Brief History of Nakedness)
Look around you, Ethan." I said. "The end of the world. Is this the reward you want? Do you really want everything destroyed - the good with the bad? Everything?" "There is no throne to Nemesis, " Ethan muttered. "No throne to my mother." "You said your mom is the goddess of balance," I reminded him. "The minor gods deserve better, Ethan, but total destruction isn't balance. Kronos doesn't build. He only destroys." Ethan looked at the sizzling throne of Hephaestus. Grover's music kept playing, and Ethan swayed to it, as if the song was filling him with nostalgia - a wish to see a beautiful day, to be anywhere but here. His good eye blinked. Then he charged...but not at me. While Kronos was still on his knees, Ethan brought his sword down on the Titan lord's neck. It should have killed him instantly, but the blade shattered. Ethan fell back, grasping his stomach. A shard of his own blade had ricocheted and pierced his armor. Kronos rose unsteadily, towering over his servant. "Treason," he snarled. Grover's music kept playing, and grass grew around Ethan's body. Ethan stared at me, his face tight with pain. "Deserve better, " he gasped. "If they just...had thrones-" Kronos stomped his foot, and the floor ruptured around Ethan Nakamura. The son of Nemesis fell through a fissure that went straight through the heart of the mountain - straight into open air. "So much for him." Kronos picked up his sword. "And now for the rest of you.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
An electric charge surrounds us. The aroma of hot blood perfumes the air. Candlelight flickers on the web. Every detail sharpens, as though the universe has narrowed to this single room. And Sloane the goddess of chaos at the heart of it all.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
Belief in God puts our life on autopilot. We know that someone up there is watching us and is in control. Losing our faith puts off the autopilot, we have to run it manually, and check if everything is alright for ourselves. No wonder religion has a wide appeal; most of us are lazy and would like a supreme being to be in charge
Bangambiki Habyarimana (Pearls Of Eternity)
Long ago, the Celtic god Dagda drew a veil between humans and the Fey Folk. In our time, the Goddess has charged me to help bring the Fey magic back through that veil so that we humans can be renewed by the starry-eyed mysticism of the Little People, by the passion and wisdom of the poet in love with the Goddess, and by the wild integrity of the dark and dangerous Faerie Folk.
Francesca De Grandis (Be A Goddess! A Guide to Celtic Spells and Wisdom for Self-Healing, Prosperity and Great Sex)
Morrigan moved across the room as if she were floating. “I will acknowledge your anger, Aerric, but only for a moment. The others will lead the charge against the fledglings, but I want you to track Liam and report back to me directly. How many Sluagh did you take out today?” I shook my head. “Five total, but with all due respect, Goddess, I am going to need a bit more of an explanation as to why the love of my life is lying here before me, alive and well, when she was supposed to have died two centuries ago.
Brynn Myers (Entasy (Prophecies of The Nine, #1))
I love you, Jeremy.” He still felt it, that wince of doubt. The urge to push her away. She said it so simply. As though there was nothing easier, more natural in the world. The words themselves hung in the air, so tiny, so bare. Jeremy felt as though she’d thrust a frail, delicate, birdlike thing into his big, clumsy hands, charging him to keep it safe. And God forgive him, his first impulse was to shove it away. He would destroy it, surely. In his desperation, he would grasp it so tightly it would break into a thousand pieces—and his own heart would break along with it.
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
The goddess is not an out-there force among the far stars or beyond death, but is here and now and living. In philosopher Mary Daly's concept of active creation, she is a verb rather than none and is women's Be-ing. Since the goddess is everyone within and all around us, the powers of divinity and creation are both individual and shared by all. She is the power to make of women's lives what women will. With the tenant, "Thou Art Goddess", free of choice is a central issue; women take charge of who they are and what they do, not with blame or guilt, but with responsibility for their actions and choices.
Diane Stein (The Women's Spirituality Book)
Oh wretched one, if thou hast died! from what glorious state, Orestes, and from how envied a sire's fortune art thou fallen! But I reproach the devices of the Goddess, who, if any one work the death of a man, or touch with hands a woman newly delivered, or a corpse, restrains him from her altars, as deeming him impure, but yet herself takes pleasure in man-slaying sacrifices. It can not be that the consort of Jove, Latona, hath brought forth so much ignorance. I even disbelieve the banquets of Tantalus set before the Gods, [as that they] should be pleased with feeding on a boy. But I deem that those in this land, being themselves man-slayers, charge the Goddess with their own baseness, for I think not that any one of the Gods is bad.
Euripides (The Tragedies of Euripides, Volume I.)
She reached toward the chessboard, and he caught her hand in his. “Believe me,” he whispered. “When I wish to be, I can be very convincing.” He followed the seam of her fingers with this thumb, tracing slowly upward until he reached the soft cleft below her knuckles. He watched as her eyes widened and her lips parted. Then he stroked the spot lightly—a quick, circular caress—and she made a little sound, half gasp and half sigh. That little sound—that tiny, panting breath—was very nearly his undoing. Jeremy knew that sound. It was the tumbler of a lock falling in place, the charged crackle between lightning and thunderbolt, the hiss of a candlewick the instant before it comes alive with flame. An incomplete sound. A sound that promised—and begged for—more.
Tessa Dare (Goddess of the Hunt (The Wanton Dairymaid Trilogy, #1))
Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy? To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I’ve been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it’s there.
Donna Tartt (The Goldfinch)
Since we were on Everest, many other climbers have succeeded on the “big one” as well. She has now been scaled by a blind man, a guy with prosthetic legs, and even by a young Nepalese teenager. Don’t be fooled, though. I never belittle the mountain. She is still just as high and just as dangerous. Instead, I admire those mountaineers--however they have climbed her. I know what it is really like up there. Humans learn how to dominate and conquer. It is what we do. But the mountain remains the same--and sometimes she turns and bites so damn hard that we all recoil in terror. For a while. Then we return. Like vultures. But we are never in charge. It is why, within Nepal, Everest is known as the mother goddess of the sky--lest we forget. This name reflects the respect the Nepalese have for the mountain, and this respect is the greatest lesson you can learn as a climber. You climb only because the mountain allows it. If the peak hints at you to wait, then you must wait; and when she begins to beckon you to go then you must struggle and strain in the thin air with all your might. The weather can change in minutes, as storm clouds envelop the peak--and the summit itself stubbornly pokes into the fierce band of jet-stream winds that circle the earth above twenty-five thousand feet. These 150+ mph winds cause the majestic plume of snow that pours off Everest’s peak. A constant reminder that you have got to respect the mountain. Or you die.
Bear Grylls (Mud, Sweat and Tears)
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Faith’s like a goddess to the Marines, and she’s actually good at her job, especially given she’d just finished seventh grade. Which is an important job. She does really important shit. “Right now, you’re just getting your head together. Like the pamphlet says, maybe you decide to help out. We can use people who know how to get shit done. Not just as military. I only took the Lieutenancy they offered cause I have to work with the Navy and Marines to get my job done and it helps. But there’s lots of ways a guy with your background and work ethic and general get-it-done attitude could help. Problem being, even if you wanted to, right now the only reason the Marines haven’t gotten together to kick the crap out of you is that they’re too busy. When they get less busy or, for example, this evening when they break from killing zombies, I would not want to be in your shoes.” “So what is this?” Zumwald said. “A military dictatorship? Beatings for free?” “Yeah,” Isham said, looking at him as if he was nuts. “We’re on ships. And they are all officially US Navy vessels. Even most of the dinky little yachts. The commanders, including this one, are all Navy officers, even if the ink is still wet on the commissions. And even if they weren’t, captains of vessels at sea have a lot of legal control in any circumstances. By the way, I talked Captain Graham, boss of this boat, out of pressing charges against you for assault. Because you don’t get how badly you fucked up. I get that. He’s another Faith lover, but it’s also you don’t get to just grab any cookie and tell her you want another scotch. You don’t. This isn’t Hollywood, and, sorry, you’re not some big time movie executive anymore. You’re a fucking refugee in a squadron that spends half its time on the ragged edge. Still. You got no clue how tough it is to keep these vessels supplied.
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
Fortune, we are told, is a blind and fickle foster-mother, who showers her gifts at random upon her nurslings. But we do her a grave injustice if we believe such an accusation. Trace a man's career from his cradle to his grave and mark how Fortune has treated him. You will find that when he is once dead she can for the most part be vindicated from the charge of any but very superficial fickleness. Her blindness is the merest fable; she can espy her favourites long before they are born. We are as days and have had our parents for our yesterdays, but through all the fair weather of a clear parental sky the eye of Fortune can discern the coming storm, and she laughs as she places her favourites it may be in a London alley or those whom she is resolved to ruin in kings' palaces. Seldom does she relent towards those whom she has suckled unkindly and seldom does she completely fail a favoured nursling. Was George Pontifex one of Fortune's favoured nurslings or not? On the whole I should say that he was not, for he did not consider himself so; he was too religious to consider Fortune a deity at all; he took whatever she gave and never thanked her, being firmly convinced that whatever he got to his own advantage was of his own getting. And so it was, after Fortune had made him able to get it. "Nos te, nos facimus, Fortuna, deam," exclaimed the poet. "It is we who make thee, Fortune, a goddess"; and so it is, after Fortune has made us able to make her. The poet says nothing as to the making of the "nos." Perhaps some men are independent of antecedents and surroundings and have an initial force within themselves which is in no way due to causation; but this is supposed to be a difficult question and it may be as well to avoid it. Let it suffice that George Pontifex did not consider himself fortunate, and he who does not consider himself fortunate is unfortunate.
Samuel Butler (The Way of All Flesh)
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
Katie Reus (Sworn to Protect (Red Stone Security, #11))
The soldiers’ boots clapped against the cobblestone streets as they marched past the arena, finally winding around until they reached the gates to the upper city. Up the snaking rise, they charged past merchant shops and eyes that gawked at the soldiers carrying Mara. They continued on, to the highest part of the city, beneath the Temple of the Goddess Nestria, the Goddess of the Sky. To Mara’s house, the House of Viceroy Lei and Lady Malvia, daughter of the king and second in line to the throne.  They were going to be furious, Talis knew he was in serious trouble for taking Mara out on the hunt. But he couldn’t think about any of that, all that mattered now was Mara’s life. As the soldiers carried Mara into the white marble mansion, Talis worried that her wounds were too grave to cure. Today was the worst day, and he was all to blame. Why did he have to chase after the boar? Two servants ran up and gasped when they noticed Mara, and they quickly helped her inside.  Lady Malvia rushed towards them, her silver robe swirling behind. “What has happened to my daughter? She’s so pale, can someone tell me why she’s so pale?
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Leliana advanced like a predator, hair lashing like a whip behind her. She abandoned the reins, riding the horse like they had merged into one charging centaur. She aroused images of deities on winged horses, of untamed forests in a windstorm, of legendary heroes of legendary quests. Burning desire shot straight to his loins at the sight of her. He ached for this woman, this goddess that streaked across his vision like a figment of his imagination, of his deepest desires and most guarded wishes. He could lose himself, mind, body, and soul, to a woman like that. Any sane man would.
Natalia Marx (Fireheart)
Gardnerian witchcraft, particularly its early forms, clearly draws heavily from Crowley. The symbolic great rite comes from OTO’s VI ° ritual; the pagan catchphrase “Perfect love and perfect trust” is drawn from “The Revival of Magick,” and the Wiccan III ° initiation—the highest in the Craft—is essentially a Gnostic Mass. And, for all its evocative beauty, the Charge of the Goddess is largely a paraphrase of The Book of the Law. Even Gardner himself, in a cagey way, admits the lineage of his witchcraft movement: in his second book, Witchcraft Today,
Richard Kaczynski (Perdurabo, Revised and Expanded Edition: The Life of Aleister Crowley)
That was the wellness industry, in a nutshell: various entities looking to make a buck off your insecurities, revenue-generating companies with a vested interest in getting you to subscribe, try the treatment, get the special, charge it to the card on file, renew your subscription, come to the pop-up, attend the retreat, bring a friend, open a franchise, spread the gospel.
Sheila Yasmin Marikar (The Goddess Effect)
A symbol is the best possible expression for something essentially unknown. Behind its objective, visible meaning there is an invisible, more profound meaning. The symbol is thus a "nucleus of meaning" and is charged with energy. As a psychic product, a symbol carries similar energized contents across boundaries of time and space. Charged with internal psychic energy, it is projected onto the external world where it finds its reflection in a living form; it may even be projected into an abstract form such as an ideal, something suprahuman, as was the goddess. When we are in love we do feel radiant and beautiful, and we love to laugh. When the archetype breaks through to consciousness, a characteristic numinous effect is experienced. It is awe­inspiring, bigger than life, and, writes Jung, "may be said in the long run to mould the destinies of individuals by unconsciously influencing their thinking, feeling, and behaviour, even if this influence is not recognized until long afterwards.
Nancy Qualls-Corbett (The Sacred Prostitute: Eternal Aspect of the Feminine (Studies in Jungian Psychology by Jungian Analysts, 32))
Which explains a lot, having likewise noticed in my time that the goddess in charge of virtue seems to be the same one in charge of luck, if not of folly also.
William Faulkner (The Reivers (Vintage International))
Let my worship be within the heart that rejoices, for behold: all acts of love and pleasure are my rituals. And therefore, let there be beauty and strength, power and compassion, honor and humility, mirth and reverence within you.” —DOREEN VALIENTE, “THE CHARGE OF THE GODDESS
Skye Alexander (The Modern Witchcraft Grimoire: Your Complete Guide to Creating Your Own Book of Shadows (Modern Witchcraft Magic, Spells, Rituals))
As goddess of life, Inanna was also goddess of life, fertility and sexuality. That is, she had charge over whether or not those qualities existed in a given society… Therefore, neither love nor procreation can take place where Inanna is not worshipped.
Miriam Robbins Dexter (Whence the Goddesses: A Source Book)
I moved to lick her thigh again, just so she knew who was really in charge here, but she caught my tongue in her fist, squeezing lightly and shooting me a triumphant and entirely devilish smile. That fucking smile. By the goddesses, it was addictive. “Here, Captain,” she instructed, rolling her hips and dragging the tip of my tongue over her clit. Just the smallest hint of her taste had me groaning, desperate for more, craving her slick more than I’d ever craved anything. “This is where I want you.
Colette Rhodes (Superbia (Shades of Sin, #2))
When the tyrants govern, man is ruled by fear; when the priests are in charge, he is ruled by superstition; and when the people rule, he is ruled by ignorance.
Melanie Bacon (Mary and the Goddess of Ephesus)
All who seek to know Me, know this... All your seeking and yearning will be in vain unless you understand the Mystery that if what you seek is not found within, you will never find it without. For behold, I have been with you from the beginning, and I will gather you to my breast at the end.” -Doreen Valiente, from “Charge of the Goddess
Trista Hendren (Hearts Aren't Made of Glass)
get him killed by … someone. Someone scary enough that the huntress doesn’t want to get involved. She whacks like seven-eight of their guys, but she doesn’t want to get into this. Stupidly, Alpha Male charges ahead where the Goddess of the Hunt fears to tread. Because my rallying cry is “MORONS FORWARD!” or something of that sort. Mercy. I say none of this to Dr. Perugini, because a) she’s not going to believe me, and b) none of this makes me look cool, especially the part where I’m not the Big Damn Hero doing the saving. Also, there are a lot of tourists around us and most of them speak English. Call me self-conscious, but I don’t want anyone thinking I’m crazy. There is still a widely accepted cult of skepticism about the existence of metahumans, even after the Minneapolis incident. We go through a corridor of tapestries, and one of them has a Jesus that the tour guide swears is watching. I picture someone behind the wall like in the old movies, eyeballs staring out, then dismiss that thought as utter nonsense. Then I move, and I swear the tapestry’s eyes move with me. No, I am not a fan of the “Jesus is watching” tapestry. It’s like he can sense my impure thoughts about Dr. Perugini and he is not pleased. Come on, man, your dad supposedly intelligently designed her. Like this wasn’t predictable.
Robert J. Crane (In the Wind (Out of the Box, #2))
Basically each religion has certain practices that form the essence of vedic dharma. Yegyes, literally meaning ‘to offer’, forms the backbone of the vedic absolute knowledge. Traditionally, a ritualistic fire ceremony in which various herbs, clarified butter (ghee), specific wood, etc. are offered to the fire with predetermined mantras (charged with vibrations) chanted by predetermined people (priests, host, pandits etc.) with a resolve or sankalpa, a Yegyes has far-reaching effects that encompass physical, soul, social, spiritual and ecological spheres, causing purification at all these levels. A devout householder is supposed to perform five Yegyes on daily basis> 1. Brahma Egyes = Daily jap, daily meditation, daily yoga, offering into the interior fires of prana, mind, intellect and consciousness 2. Deva-Egyes = Worship offering to the Divinities, God, the Sun, Devi and Devtas through fire in the Vedic times, through watering and Pooja, flowers, fruits rituals. 3. Pitr-Egyes = Offerings to ancestors, manes, and daily worshipful service to one’s living parents and elders 4. Atithi-Egyes = Worship offering to guests the word Atithi means one who comes without making a date hospitality is not a social act but a worship. 5. Offering-Egyes = offering to God, Goddess, Devi, Devtas and Bhagawan, beings, spreading knowledge putting aside the first food for the wandering cows or other animals as well as putting aside daily before cooking similarly like some uncooked rice, daal, grain, flour, for giving away to the temple, church, gumba, gurudwar, priest, monk, beggar or orphanage nowadays. The philosophy of Egyes, which essentially is: make yourself into a worshipful offering and pour yourself into the divine fire of knowledge, the immortal soul of knowledge. The fire offering you witnessed is an embodiment of all this teaching and the participants are actually very conscious of it.
Shreeom Surye shiva devkota
The store on the hill was encased in a rainbow, closer and brighter than any Hazel had ever seen. The light was anchored at the store, shooting up into the heavens, bathing the countryside in a weird kaleidoscopic glow. The lady Cyclops hefted her club and charged at the store. As she hit the rainbow, her whole body began to steam. She wailed in agony and dropped her club, retreating with multicolored blisters all over her arms and face. “Horrible goddess!” she bellowed at the store. “Give us snacks!” The other monsters went crazy, charging the convenience store, then running away as the rainbow light burned them. Some threw rocks, spears, swords, and even pieces of their armor, all of which burned up in flames of pretty colors. Finally the giant leader seemed to realize that his troops were throwing away perfectly good equipment.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
By the time he spotted the City of Naru from afar, moonlight sent long, wiry shadows across the hillside leading up to the towering stone walls. He told himself he could do it. No matter how hard it was to continue carrying her, he was determined to bring her home alive.  Lights flickered from countless braziers mounted hundreds of feet high on the upper part of the city. Naru stood ominous under the garish light of the four moon sisters and as the evening gong sounded from atop a watchtower, Talis knew he had made it.  He stumbled toward the main gates, barely able to stand. A group of soldiers making their rounds noticed and ran over to help.  “Young Master Talis, what’s wrong?” said Baratis, the captain of the guard. His eyes blazed in fear at the sight of Mara. “Is she alive?” “I can’t talk now… open the gates… she’s hurt!”  “Carem and Jorem! Help them,” Baratis shouted. “You! Ride and fetch a healer. Have them run straightaway to House Lei. Now go!” Two soldiers lifted Mara from Talis' arms and carried her while another raced inside the city. Massive steel shafts stared down at them from inside the stone walls as they jogged past. If they weren’t quick about it, she would die. Ahead, Talis could see a soldier speed off on horseback. He prayed that the healer would arrive in time. He ran ahead, urging them to run faster.    Past the gate was the Arena of the Sej Elders, formed of gigantic white granite blocks, rising over everything in the lower part of the city. Stone towers lined the wide avenue leading up to the arena. They had to move faster. The soldiers’ boots clapped against the cobblestone streets as they marched past the arena, finally winding up and around until they reached the gates of the upper city. Up the snaking rise, they charged past merchant shops and eyes that gawked at the soldiers carrying Mara. They continued on to the highest part of the city, beneath the Temple of the Goddess Nestria, the Goddess of the Sky. To Mara’s house, the House of Viceroy Lei and Lady Malvia, daughter of the king and second in line to the throne.  They were going to be furious; Talis knew he was in serious trouble for taking Mara out on the hunt. But he couldn’t think of that, all that mattered was Mara’s life. As the soldiers carried her into the white marble mansion, Talis worried her wounds were too grave to cure. Today was the worst day and he was all to blame. Why did he have to chase after the boar? Two servants ran up and gasped when they noticed Mara and they quickly helped her inside.  Lady Malvia rushed to them, her silver robe swirling.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep-green to submerged-gold. Gardeners, construction workers and farm workers swarmed the property. Isabel Johansen was in charge; that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seemed vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about faro places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
When Tess had told him about the book project, she hadn't mentioned hostile women and swarms of bees. In fact, she'd characterized it as a working vacation of sorts, a way for him to recover from his bum knee by soaking up the charms of Sonoma County. In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep green to sunburned-gold. Gardeners, construction workers swarmed the property. Isabel Johansen was in charge, that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seen vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about far-off places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
What are we supposed to be doing?” Lonen whispered, though High Priestess Febe had left the room. “Meditating,” she hissed back. “Yes, I heard that part. What in Arill does that mean?” “Like… praying to your goddess. Silently,” she emphasized. He was quiet for a few breaths, no more. “Now what?” She tried to suppress the laugh, but failed so it choked out in a most unladylike sound. Lonen flashed a grin at her and she shook her head. “Keep doing it. And be quiet—she could come back at any time.” “Why would I keep doing something I already did?” “You’re supposed to be contemplating!” She tried to sound stern, but his complaints so closely echoed hers through the years that she couldn’t manage it. “Contemplate what?” he groused. “I already made the decision about the step I’m about to take. There’s no sense revisiting it.” “Then pretend. It won’t be that much longer.” He stayed quiet for a bit more, though he shifted restlessly, looking around the room and studying the various representations of the moons, looking at her from time to time. That insatiable curiosity of his built, feeding into her sgath, slowly intensifying. She was so keenly aware of him, she knew he’d speak the moment before he did. “You don’t mind?” he asked. “You talking when we’re supposed to be meditating?” “Do you always do what the temple tells you to do?” “Hardly ever,” she admitted. “But appearances are critical. Especially now.” He sighed and was quiet for a while. But his question remained between them, tugging at her like Chuffta pulling her braids when he wanted attention. And it might be some time before Febe returned. She reached out with her sgath to keep tabs on the high priestess, who was indeed still in one of the inner sanctums, no doubt also meditating and preparing herself for the ritual. “We have a little time and I’ll give us warning,” she relented. “Do I mind what?” “Not having a special dress, a big celebration. I don’t have a beah for you.” “What is a beah ?” “A Destrye gifts his bride with a beah and she wears it as a symbol of their marriage. I thought I’d have time to find something to stand in place of it until I can give you a proper one. And that we’d have time to change clothes.” “You look fine—I told you before.” “I look like a Báran,” he grumped, then glared, annoyance sparking when she giggled. “It’s not funny.” “Báran clothes look good on you,” she soothed, much as she would Chuffta’s offended dignity. Perhaps males of all species were the same. “Hey!” She ignored Chuffta’s indignant response. Lonen did look appealing in the silk pants and short-sleeved shirt, even though her sgath mainly showed her his exuberant masculine presence. “Well, you deserve something better than that robe,” he replied. “And more than this hasty ceremony. Arill knows, Natly went on enough about the details of planning…” He trailed off, chagrin coloring his thoughts. “Yeah,” she drawled. “Maybe better to not bring up your fiancée during our actual wedding ceremony.” “Former fiancée,” he corrected. “Really not even that. And this isn’t the ceremony yet—this is waiting around for it to start. My knees are getting sore.” “And here I thought you were the big, bad warrior.” “I am. Big, bad warriors don’t kneel. We charge about, swinging our weapons.” She laughed, shaking her head at him. That good humor of his flickered bright, charming her, banishing his perpetual anger to the shadowed corners of his aura. In the back of her mind, Febe moved. “She’s coming back. Not much longer. Try to school your thoughts.
Jeffe Kennedy (Oria’s Gambit (Sorcerous Moons, #2))
You never mentioned your fee. For your help.” It had to be exorbitant. If they’d sent their best, if she had such skill— Yrene’s brows furrowed. “If you are so inclined, any donation may be made to help the upkeep of the Torre and its staff, but there is no price, no expectation.” “Why?” Her hand slid into her pocket as she rose. “I was given this gift by Silba. It is not right to charge for what was granted for free.” Silba—Goddess of Healing. He had known one other young woman who was gods-blessed. No wonder they both possessed such unbanked fire in their eyes.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
protests. A wound like that was incredibly dangerous. If he didn’t get her to a healer soon, he knew Mara would die. If anything happened to her, he’d never forgive himself. After a long while, he was too tired to carry her, so he rested for a bit, his breath heaving and stiff arms and legs protesting. Even though it was almost dark, Talis could see that Mara’s face looked white as chalk. He had to keep going, no matter what, no matter how much his legs and back burned from carrying her. By the time he spotted the City of Naru from afar, moonlight sent long, wiry shadows across the hillside leading up to the towering stone walls. He told himself he could do it. No matter how hard it was to continue carrying her, he was determined to bring her home alive. Lights flickered from countless braziers mounted hundreds of feet high on the upper part of the city. Naru stood ominous under the garish light of the four moon sisters and as the evening gong sounded from atop a watchtower, Talis knew he had made it. He stumbled toward the main gates, barely able to stand. A group of soldiers making their rounds noticed and ran over to help. “Young Master Talis, what’s wrong?” said Baratis, the captain of the guard. His eyes blazed in fear at the sight of Mara. “Is she alive?” “I can’t talk now… open the gates… she’s hurt!” “Carem and Jorem! Help them,” Baratis shouted. “You! Ride and fetch a healer. Have them run straightaway to House Lei. Now go!” Two soldiers lifted Mara from Talis' arms and carried her while another raced atop a horse into the city. Massive steel shafts stared down at them from inside the stone walls as they jogged past. If they weren’t quick about it, she would die. Ahead, Talis could see a soldier speed off on horseback. He prayed that the healer would arrive in time. He ran ahead, urging them to run faster. Past the gate was the Arena of the Sej Elders, formed of gigantic white granite blocks, rising over everything in the lower part of the city. Stone towers lined the wide avenue leading up to the arena. They had to move faster. The soldiers’ boots clapped against the cobblestone streets as they marched past the arena, finally winding up and around until they reached the gates of the upper city. Up the snaking rise, they charged past merchant shops and eyes that gawked at the soldiers carrying Mara. They continued on to the highest part of the city, beneath the Temple of the Goddess Nestria, the Goddess of the Sky. To Mara’s house, the House of Viceroy Lei and Lady Malvia, daughter of the king and second in line to the throne. They were going to be furious; Talis knew he was in serious trouble for going with Mara out on the hunt. But he couldn’t think of that, all that mattered was Mara’s life. As the soldiers carried her into the white marble mansion, Talis worried her wounds were too grave to cure. Today was the worst day and he blamed himself. Why hadn’t he stopped Mara from going after the boar? He could have scared it off. She would have been angry at him, but at least she wouldn’t be injured. Two servants ran up and gasped when they noticed Mara. They quickly helped her inside, shouting for help.
John Forrester (Fire Mage (Blacklight Chronicles, #1))