Chapel Bell Quotes

Some want to live within the sound Of church or chapel bell; I want to run a rescue shop, Within a yard of hell.

Some wish to live within the sound of church and chapel bell. I want to run a rescue shop within a yard of hell!

Gimmerton chapel bells were still ringing and the full, mellow flow of the beck in the valley came soothingly on the ear. It was a sweet substitute for the yet absent murmur of the summer foliage, which drowned that music about the Grange when the trees were in leaf.

said, “but the school board—” He opened his arms in a helpless sweep. “If I can help . . .” The following Wednesday the bells of the chapel did not ring, and when the old women

Some wish to live within the sound of a chapel bell, I want to run a rescue shop within a yard of Hell.

She was given to me to put things right And I stacked all my accomplishments beside her Still I seemed so obselete and small I found God and all His devils inside her In my bed she cast the blizzard out A mock sun blazed upon her head So completely filled with light she was Her shadow fanged and hairy and mad Our love-lines grew hopelessly tangled And the bells from the chapel went jingle-jangle

this person saw Mrs. Gunness as “a maniac of the much-dreaded type that includes the White Chapel murderer.” It is “not money” that drives such killers “but the constantly growing appetite for blood, to cut deep and watch the blood flow, to dabble the hands in it, to revel in the odor of it.” One “distinguishing features of these criminals is their invariable use of the same methods in every case. Mrs. Gunness decapitated every one of her victims. In every case she severed the limbs. Always there was the maximum of mutilation.”[9]

C. T. Studd wrote, Some want to live within the sound of church or chapel bell; I want to run a rescue shop within a yard of hell.

Some want to live within the sound of church or chapel bell; I want to run a rescue shop within a yard of hell. 

I am a shadow now, alas! alas! Upon the skirts of human-nature dwelling Alone: I chant alone the holy mass, While little sounds of life are round me knelling, And glossy bees at noon do fieldward pass, And many a chapel bell the hour is telling, 310 Paining me through: those sounds grow strange to me, And thou art distant in Humanity.

But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth. Even before first light, I am already practicing sliding my tongue toward the rear of my palate in order to provoke a swallowing reaction. What is more, I have dedicated to my larynx the little packets of incense hanging on the wall, amulets brought back from Japan by pious globe-trotting friends. Just one of the stones in the thanksgiving monument erected by my circle of friends during their wanderings. In every corner of the world, the most diverse deities have been solicited in my name. I try to organize all this spiritual energy. If they tell me that candles have been burned for my sake in a Breton chapel, or that a mantra has been chanted in a Nepalese temple, I at once give each of the spirits invoked a precise task. A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood. They regularly dedicate their prayers to me, and I occasionally steal into their abbey to hear their chants fly heavenward. So far the results have been unremarkable. But when seven brothers of the same order had their throats cut by Islamic fanatics, my ears hurt for several days. Yet all these lofty protections are merely clay ramparts, walls of sand, Maginot lines, compared to the small prayer my daughter, Céleste, sends up to her Lord every evening before she closes her eyes. Since we fall asleep at roughly the same hour, I set out for the kingdom of slumber with this wonderful talisman, which shields me from all harm.

I would not leave a mother alone in her plight. They described how she had kept the news of my brother’s death from our ailing father and on the evening that he was brought home, chapel bells rang out and kept ringing in honor of him, his valor, and my father kept asking if it was a bishop or something that was visiting the parish, not knowing that it was his own son.

They were buried six feet deep in the darkness. All they needed was the monotonous chanting of the priest, his voice muffled but not entirely obscured by the new-packed darkness, above which the mourners stood. The mourners were not even aware that they were here, they were alive, they were screaming and scratching and clawing at the coffin-lid darkness, the air was flaking and rusting away, the air was turning into poison gas, hope fading until hope itself was a darkness, and above all of it the nodding chapel-bell voice of the priest and the impatient, shuffling feet of mourners anxious to be off into the warm May sunshine. Then, overmastering that, the sighing, shuffling chorus of the bugs and the beetles, squirming their way through the earth, come for the feast.

Each hour burns slowly away, although time means nothing to him now. Time is quite lost to him in his eternal darkness, in his eternal timelessness, though it leans so heavily on me. All day long I wait for the slow rolling in of the gray evening and the mournful tolling of the Compline bell, when I can go to the chapel and pray for his soul, though he will never again hear my whispers, nor the quiet chanting of the priests. Then I can go to bed. But when I get to bed I dare not sleep because I cannot bear the dreams that come. I dream of him. Over and over again I dream of him.

That settled, the number of chapels, doors, bell towers, and pinnacles are modified to infinity, according to the fancy of the century, the people, and art. The service of religion once assured and provided for, architecture does what she pleases. Statues, stained glass, rose windows, arabesques, denticulations, capitals, bas-reliefs,—she combines all these imaginings according to the arrangement which best suits her. Hence, the prodigious exterior variety of these edifices, at whose foundation dwells so much order and unity. The trunk of a tree is immovable; the foliage is capricious.

I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society." "That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...) We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects. "The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die." "Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us. "Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art. "If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?

But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye-streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled with each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was! In time the bells ceased, and the bakers’ were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too. “Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge. “There is. My own.” “Would it apply to any kind of dinner on this day?” asked Scrooge. “To any kindly given. To a poor one most.” “Why to a poor one most?” asked Scrooge. “Because it needs it most.” “Spirit,” said Scrooge, after a moments thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these peoples opportunities of innocent enjoyment.” “I!” cried the Spirit. “You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?” “I!” cried the Spirit. “You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.” “I seek!” exclaimed the Spirit. “Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge. “There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry* and selfishness in our name; who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.

We approached the long, heavily guarded causeway. There were soldiers at the entrance. Our names were taken, and our permissions scrutinized, and then a bell rang and a military escort went with us through the gate. We didn’t go to the side where the government offices are. We walked inside the huge place, past the old cathedrals which have been there for so long, and we went through the museums in the giant palace which was used by so many czars, from Ivan the Terrible on. We went into the tiny bedroom that Ivan used, and into the little withdrawing rooms, and the private chapels. And they are very beautiful, and strange, and ancient, and they are kept just as they were. And we saw the museum where the armor, the plate, the weapons, the china services, the costumes, and the royal gifts for five hundred years are stored. There were huge crowns covered with diamonds and emeralds, there was the big sledge of Catherine the Great. We saw the fur garments and the fantastic armor of the old boyars. There were the gifts sent by other royal houses to the czars—a great silver dog sent by Queen Elizabeth, presents of German silver and china from Frederick the Great to Catherine, the swords of honor, the incredible claptrap of monarchy. It became apparent, after looking at a royal museum, that bad taste, far from being undesirable in royalty, is an absolute necessity.

There was always a little difficulty as to who should decorate what, all the ladies having the lowest opinion of each other's decorative powers. There was especial difficulty over the side chapel vases . . . If there is one thing in the world that every woman is quite sure no other woman but herself can do it is vases. . . The vases on the high altar were of course, as always, the duty of the wife or daughter of the Canon in residence (though goodness knew that poor Nell Roderick could no more make dahlia stick upright than fly), but the side chapel vases were only filled on benefactors' day and there was no real precedence as to who did them. Mrs Elphinstone, as wife of the Senior Canon, naturally thought she should, and Miss Roderick thought she should because she was doing the high altar vases and might as well do the lot together, and Mrs Allenby thought she should because she had once been to the Scilly Isles and therefore must know more about flowers than anyone else, and no one knew why Mrs Phillips, who was only the organists's wife, thought she should . . . The Archdeacon had no female dependents.

Lewis! Stop throwing stones! I don't believe you've listened to a single word I've been saying!" "Yes, I have. You were talking about jugs. I'm listening. I'm listening to you and a dozen other things as well." "There aren't a dozen other things. There's only the chapel bell, and some men shouting in the boats down on the quay... and a dog barking, and some ducks in the garden below." "Not bad! You've missed about fifty larks in the sky, and the grasshoppers all round us, and a car changing gear on the hill, and the oars in the rowlocks of that boat putting out, and the children playing, and the goat bells away on the hill behind us, and I think I can hear a smity." "What a babel it sounds! I'd have said it was a quiet evening." "So it is. It's so quiet that you can hear every sound in it.

This Land is Our Home [Verse] From the rolling plains to the mountain high, Our fathers bled and fought, they didn't die for a lie. Now the ghost of our past whispers in the wind, Saying "Son, don't let the dream die, fight to the end." [Verse 2] The city folks in their ivory towers, Selling out our lands for their fleeting powers. But out here in the country, we'll make a stand, With calloused hands we'll take back this land. [Chorus] This land is our home, and we're not backing down, We stand for our God and the small-town crowd. Proud to be American, we ain't selling our soul, There'll be hell to pay, we're taking back control. [Verse 3] From the chapel bells to the fields of grain, The spirit of this country runs deep in our veins. Mama's prayers, Daddy's hardened hands, We fight for the future, we take a stand. [Verse 4] In the quiet dawn, we hear the land's lament, Sold to the highest bidder, they don't repent. But we're the heartland, the rock of this earth, We'll reclaim our pride, know what it's worth. [Chorus] This land is our home, and we're not backing down, We stand for our God and the small-town crowd. Proud to be American, we ain't selling our soul, There'll be hell to pay, we're taking back control.

Listen, Daniel.” She could hear the tension in her voice. “I—I made a mistake. I’ve been torturing myself with this all weekend. The last thing I wanted to do was put you on the spot or make you feel uncomfortable or like you had to—” “Yes.” “—Step in and save the day, and I never wanted you to feel—” “Yes, Jade.” “—Taken advantage of, because our friendship means—” Jade heard his words belatedly. She frowned, taking the pause to breathe because somehow she’d forgotten to do that. “What?” she asked. “I said yes.” His lips twitched a little as his eyes caught hers. “This makes three times now.” Her breath caught as she stared into his eyes, wondering if she misunderstood. If wishful thinking misconstrued his words. Had she asked a question while she’d been rambling? “Yes?” He hiked a brow. “It was a yes or no question, right?” Now she was really confused. Maybe she had asked something. She reviewed her words, but it was all a blur. “The proposition? Friday? Ringing a bell?” “You mean . . . yes?

You Never Can Tell" It was a teenage wedding, and the old folks wished them well You could see that Pierre did truly love the mademoiselle And now the young monsieur and madame have rung the chapel bell, "C'est la vie", say the old folks, it goes to show you never can tell They furnished off an apartment with a two room Roebuck sale The coolerator was crammed with TV dinners and ginger ale, But when Pierre found work, the little money comin' worked out well "C'est la vie", say the old folks, it goes to show you never can tell They had a hi-fi phono, boy, did they let it blast Seven hundred little records, all rock, rhythm and jazz But when the sun went down, the rapid tempo of the music fell "C'est la vie", say the old folks, it goes to show you never can tell They bought a souped-up jitney, 'twas a cherry red '53, They drove it down New Orleans to celebrate their anniversary It was there that Pierre was married to the lovely mademoiselle "C'est la vie", say the old folks, it goes to show you never can tell

PROLOGUE MARCH 1162 THE ARCHBISHOP’S men fled into the shadows of the lower valley. Behind them, atop the winter pass, horses screamed, arrow-bit and cleaved. Men shouted, cried, and roared. The clash of steel rang as silvery as a chapel’s bells. But it was not God’s work being done here.

the chapel bells. Unlike most of his

Always together,” I whispered, stating our vow we had. “Never apart.” Sin visibly swallowed. “Through whatever weather,” Ashes murmured. “From the endings to the start,” Stitches finished.

Lead me not into temptation but deliver me from evil. A-fucking-men for crazy pussy.

It’s not the love you deserve. It’s the love you’re punishing yourself with.

Lead me not into temptation but deliver me from evil.

Ah, such a tangled web we weave when we first practice to deceive.

Do be careful. It’s the pretty ones that can drive us insane.

Many prominent families were affected by this disaster and would in time build the beautiful chapel of Notre-Dame-de-la-Consolation on the spot, as a memorial to their lost loved ones.

I could see nothing but those eyes. They filled the universe, *became* the universe and behind them and through them I beheld countless suns. They scattered like embers and blew out, all but one. Toward it I fell and into a city whose spires and bell towers recalled the castle of my home, but all the buildings were strange. I heard a great wailing, as from an infant, as I stood beneath the vaults of a mighty chapel. There a cradle stood amid shattered statuary, and I approached, but the cradle held nothing but air. The image crumbled, and I fell backward through thick mist. As it parted I beheld a great ship studded with statues of men and gods and devils. She stretched across the heavens and drowned the unfixed stars. And I saw the Cielcin standing in rank and file amidst the black of space itself, marching in the night. How bright their spears! And the song of them was like the flash of cruel lightning. Where they passed, the stars fell and planets went up like smoke. And I beheld one greater than the rest. Silver was its crown, and silver the inlay of black armor, and its eyes were terrible as the worlds burning in its wake. The great ship with her statues overshadowed that Pale host and plunged into the nearest star like a knife descending. Light. I was blind, though in that brightness I sensed a presence. Shapes moving invisibly, casting no shadows. I tried to cry out, but the words would not come, for I had forgotten them. I felt nothing, heard nothing. Knew nothing. Save three words. *This must be.*

Some want to live within the sound Of church and chapel bell-- I want to run a rescue shop Within a yard of hell.