Chandler Quotes

To say goodbye is to die a little.

There is no trap so deadly as the trap you set for yourself.

When you love someone, its never over. You move on, because you have to but you take them with you in your heart

Ability is what you're capable of doing. Motivation determines what you do. Attitude determines how well you do it.

From 30 feet away she looked like a lot of class. From 10 feet away she looked like something made up to be seen from 30 feet away.

I was as hollow and empty as the spaces between stars.

Dead men are heavier than broken hearts.

I had discovered that there was something more painful than falling in love with someone who hasn't fallen for you; hurting that person-hurting him and not being able to do anything about it.

When you love someone, it's never over,' Dr. Carruthers replied gently. 'You move on, because you have to, but you bring him in your heart.

I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.

It seemed like a nice neighborhood to have bad habits in.

It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.

There is no bad whiskey. There are only some whiskeys that aren't as good as others.

Without magic, there is no art. Without art, there is no idealism. Without idealism, there is no integrity. Without integrity, there is nothing but production.

Throw up into your typewriter every morning. Clean up every noon.

A man who drinks too much on occasion is still the same man as he was sober. An alcoholic, a real alcoholic, is not the same man at all. You can't predict anything about him for sure except that he will be someone you never met before.

She gave me a smile I could feel in my hip pocket.

This isn't a game for me. I love you, Ivy, and one day you're going to believe me.

The girl gave him a look which ought to have stuck at least four inches out of his back.

The streets were dark with something more than night.

You're broke, eh?" I been shaking two nickels together for a month, trying to get them to mate.

I don't mind your showing me your legs. They're very swell legs and it's a pleasure to make their acquaintace. I don't mind if you don't like my manners. They're pretty bad. I grieve over them during the long winter nights.

As honest as you can expect a man to be in a world where its going out of style.

You talk too damn much and too damn much of it is about you.

The French have a phrase for it. The bastards have a phrase for everything and they are always right. To say goodbye is to die a little.

I'm an occasional drinker, the kind of guy who goes out for a beer and wakes up in Singapore with a full beard.

I agree that it's a shame some books have to suffer ratings that clearly are invalid. However I can't think of a way to prevent it, and I didn't see any ideas in the thread either (I did skim though). I hope you'll appreciate that if we just start deleting ratings whenever we feel like it, that we've gone down a censorship road that doesn't take us to a good place.

Do it badly; do it slowly; do it fearfully; do it any way you have to, but do it.

He looked about as inconspicuous as a tarantula on a slice of angel food cake.

In writing a novel, when in doubt, have two guys come through the door with guns.

She lowered her lashes until they almost cuddled her cheeks and slowly raised them again, like a theatre curtain. I was to get to know that trick. That was supposed to make me roll over on my back with all four paws in the air.

I was neat, clean, shaved and sober and I didn't care who knew it.

Under the thinning fog the surf curled and creamed, almost without sound, like a thought trying to form inself on the edge of consciousness.

A good story cannot be devised; it has to be distilled.

Neither of the two people in the room paid any attention to the way I came in, although only one of them was dead.

I don’t mind if you don’t like my manners. They’re pretty bad. I grieve over them during the long winter evenings.

Tall, aren't you?" she said. "I didn't mean to be." Her eyes rounded. She was puzzled. She was thinking. I could see, even on that short acquaintance, that thinking was always going to be a bother to her.

Mostly I just kill time," he said, "and it dies hard.

I like smooth shiny girls, hardboiled and loaded with sin.

down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. “He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. “The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.

There was a desert wind blowing that night. It was one of those hot dry Santa Anas that come down through the mountain passes and curl your hair and make your nerves jump and your skin itch. On nights like that every booze party ends in a fight. Meek little wives feel the edge of the carving knife and study their husbands' necks. Anything can happen. You can even get a full glass of beer at a cocktail lounge.

He was a guy who talked with commas, like a heavy novel. Over the phone anyway.

I'm all done with hating you. It's all washed out of me. I hate people hard, but I don't hate them very long.

The tragedy of life, Howard, is not that the beautiful die young, but that they grow old and mean. It will not happen to me.

I wouldn't have been sent back to help you," Tristan continued. "I wouldn't have been made an angel if it weren't important that you live, Ivy. I want you to be mine" -Ivy could hear the pain in his voice- "but you're not." "I am!" she cried out loud. "We're on different sides of a river," he said, "and it's a river that neither of us can cross. You were meant for somebody else.

Love says: I’ve seen the ugly parts of you, and I’m staying.

Alcohol is like love. The first kiss is magic, the second is intimate, the third is routine. After that you take the girl's clothes off.

Without a heart transformed by the grace of Christ, we just continue to manage external and internal darkness.

I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again.

The faster I write the better my output. If I'm going slow, I'm in trouble. It means I'm pushing the words instead of being pulled by them.

How would you feel about sharing your bed?" she asked. Tristan blinked. "Excuse me?" "He'd love to!" Gary said. Tristan shot him a look, "Good," said Ivy, failing to notice Gary's wink. "Ella can be a pillow hog, but all you have to do is roll over her.

Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.

Police business is a hell of a problem. It’s a good deal like politics. It asks for the highest type of men, and there’s nothing in it to attract the highest type of men. So we have to work with what we get...

The problem for me is that I can't ever really see who Gregory is, any more than I can see what a mirror by itself looks like, because he reflects whoever's around him.

Technique alone is never enough. You have to have passion. Technique alone is just an embroidered potholder.

Write down 10 things you would do in your life if you had absolutely no fear. Then pick one of them and do it.

He sounded like a man who had slept well and didn't owe too much money.

You can have a hangover from other things than alcohol. I had one from women.

She smelled the way the Taj Mahal looks by moonlight.

There was a sad fellow over on a bar stool talking to the bartender, who was polishing a glass and listening with that plastic smile people wear when they are trying not to scream.

Everyday, every hour, I have held you close in my heart.

Not being excited is to have missed the whole point of life.

I hung up. It was a good start, but it didn’t go far enough. I ought to have locked the door and hidden under the desk.

A writer who is afraid to overreach himself is as useless as a general who is afraid to be wrong.

Chess is as elaborate a waste of human intelligence as you can find outside an advertising agency.

Hey, does my stupidity give you the right to bruise a tender heart?" "Yeah, yeah. I'm bruising a heart made of Play-Doh.

You fell in love with me?

Don't ever write anything you don't like yourself and if you do like it, don't take anyone's advice about changing it. They just don't know.

He snorted and hit me in the solar plexus. I bent over and took hold of the room with both hands and spun it. When I had it nicely spinning I gave it a full swing and hit myself on the back of the head with the floor.

If I wasn't hard, I wouldn't be alive. If I couldn't ever be gentle, I wouldn't deserve to be alive.

People fear anyone who differs from what is considered normal, and in a small town the idea of normal can be as narrow as the streets.

Most people go through life using up half their energy trying to protect a dignity they never had

The most durable thing in writing is style, and style is the single most valuable investment a writer can make with his time.

...you canʹt always choose how you love a person. Love isnʹt logical or fair. It just happens.

You were dead, you were sleeping the big sleep, you were not bothered by things like that, oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was.

The wet air was as cold as the ashes of love.

I went out the kitchen to make coffee - yards of coffee. Rich, strong, bitter, boiling hot, ruthless, depraved. The life blood of tired men.

I looked down at the chessboard. The move with the knight was wrong. I put it back where I had moved it from. Knights had no meaning in this game. It wasn't a game for knights.

This isn't some kind of game for me. I love you, Ivy Lyons, and one day you're going to believe me. - Tristan Carruthers -

The coffee shop smell was strong enough to build a garage on.

If you’re a church person and not a Jesus person, my heart hurts for you. It’s like being engaged and never getting married. It’s miserable.

I glanced up at him. "I love things that are beautiful when you don't expect them to be.

She had eyes like strange sins.

When a writer looked at an empty computer screen, what did she see? Tristan wondered. A movie screen ready to be lit with faces? A night sky with one small star blinking at the top, a universe ready to be written on? Endless possibilities. Love's endless twists and turns - and all love's impossibilities.

Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish.

What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on the top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell.

The marker of those who understand the gospel of Jesus Christ is that, when they stumble and fall, when they screw up, they run to God and not from him, because they clearly understand that their acceptance before God is not predicated upon their behavior but on the righteous life of Jesus Christ and his sacrificial death.

There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridiculous." (Great Thought, February 19, 1938)

I love you, Ivy. I'll never stop loving you." She leaned against the winsow, looking out on a pale and glittering night. She looked through tears. I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you, Ivy, and you were meant for someone else." She stood up straight. "No." Yes, love," he said, softly but firmly. No!" Promise me, Ivy-" I'll promise you nothing but that I love you," she cried. Listen to me," Tristan pleaded. "You know I can't stay any longer." The pale, glittering night was raining now, and fresh tears gleamed on her cheeks, but he had to leave. I love you," he said. "I love you. Love him. - Tristan Carruthers -

I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.

I stopped walking and wrapped my arms tightly around him. "You know I can hear your heart." "Could you hear it breaking when I accused you of getting my cartoon pulled?" he asked. I held my head back so I could look him directly in the eye. "I didn't pull it." "You couldn't have," he replied, "because I did.

It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

Are you lost?" I turned around. "Excuse me?" Two guys were sprawled on a bench close to the sidewalk. The one who had spoken wore tattered shorts and a colonial three-cornered hat-nothing else. He had wide shoulders and long, muscular legs. He stretched dramatically, then lay his tanned arm along the back of the bench. "You look lost," he said. "Can I help you find something?" "Uh, no, thanks. I was just looking." He grinned. "Me too." "Oh?" I glanced around, thinking I'd missed something. "At what?" He and his friend burst out laughing. Way to go, Lauren, I thought. He had been looking at me!

I felt mocked. "That's what I get for trusting you." He took a step back. "Excuse me! Trust doesn't mean you get the response you want from someone, but that you'll get an honest response, and that the other person will stick by you even when you can't agree." Stick by you for how long, through how much? I wondered. What is the expiration date on trust?

Good dog," Nick said. "That's one of the tricks I've taught him, shaking water on girls so they back into my arms." "Really! How smart of Rocky - and you, of course." "That's another thing I've been wanting to tell you," he said, turning me to face him. "I'm tired of getting jealous of my dog. I mean, he has nice eyes, but so do I." I looked from Rocky's golden eyes to Nick's laughing green ones. "I didn't enjoy the way Rocky got to stick close to you while I played Holly's boyfriend. He's going to have some competition from now on." "Oh, yeah? Are you good at retrieving sticks?" "I'm good at stealing kisses," Nick said, then proved it.

In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor -- by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things. He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man's money dishonestly and no man's insolence without due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks -- that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness. The story is the man's adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.

Do you know what it was like kissing Holly and looking up to see you?" "What?" "You said to begin anywhere." But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you." "What were you thinking?" "I don't remember." "Don't you start using that line," he chided. "Then don't ask me, Nick." Did he suspect how I felt. He caught me and turned me around to face him. I focused on his shirt. "Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else." I glanced up. "Your turn, brave girl. What were you thinking?" "That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you." He drew me to him. "I'm not pulling away again," he said holding me close.

Man has always been a venal animal. The growth of populations, the huge costs of war, the incessant pressure of confiscatory taxation – all these things make him more and more venal. The average man is tired and scared, and a tired, scared man can’t afford ideals. He has to buy food for his family. In our time we have seen a shocking decline in both public and private morals. You can’t expect quality from people whose lives are a subjection to a lack of quality. You can’t have quality with mass production. You don’t want it because it lasts too long. So you substitute styling, which is a commercial swindle intended to produce artificial obsolescence. Mass production couldn’t sell its goods next year unless it made what is sold this year look unfashionable a year from now. We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.

When I got home I mixed a stiff one and stood by the open window in the living room and sipped it and listened to the groundswell of traffic on Laurel Canyon Boulevard and looked at the glare of the big angry city hanging over the shoulder of the hills through which the boulevard had been cut. Far off the banshee wail of police or fire sirens rose and fell, never for very long completely silent. Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.

There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.