“
When you love someone, its never over. You move on, because you have to but you take them with you in your heart
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
I had discovered that there was something more painful than falling in love with someone who hasn't fallen for you; hurting that person-hurting him and not being able to do anything about it.
”
”
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
“
When you love someone, it's never over,' Dr. Carruthers replied gently. 'You move on, because you have to, but you bring him in your heart.
”
”
Elizabeth Chandler (Kissed by an Angel (Kissed by an Angel, #1))
“
I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
She gave me a smile I could feel in my hip pocket.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
This isn't a game for me. I love you, Ivy, and one day you're going to believe me.
”
”
Elizabeth Chandler (Kissed by an Angel (Kissed by an Angel, #1))
“
I like smooth shiny girls, hardboiled and loaded with sin.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
I wouldn't have been sent back to help you," Tristan continued. "I wouldn't have been made an angel if it weren't important that you live, Ivy. I want you to be mine" -Ivy could hear the pain in his voice- "but you're not."
"I am!" she cried out loud.
"We're on different sides of a river," he said, "and it's a river that neither of us can cross. You were meant for somebody else.
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
Love says: I’ve seen the ugly parts of you, and I’m staying.
”
”
Matt Chandler
“
Alcohol is like love. The first kiss is magic, the second is intimate, the third is routine. After that you take the girl's clothes off.
”
”
Raymond Chandler
“
How would you feel about sharing your bed?" she asked.
Tristan blinked. "Excuse me?"
"He'd love to!" Gary said.
Tristan shot him a look,
"Good," said Ivy, failing to notice Gary's wink. "Ella can be a pillow hog, but all you have to do is roll over her.
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
The problem for me is that I can't ever really see who Gregory is, any more than I can see what a mirror by itself looks like, because he reflects whoever's around him.
”
”
Elizabeth Chandler
“
Everyday, every hour, I have held you close in my heart.
”
”
Elizabeth Chandler (Evercrossed (Kissed by an Angel, #4))
“
You fell in love with me?
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
...you canʹt
always choose how you love a person. Love isnʹt logical or
fair. It just happens.
”
”
Elizabeth Chandler (Evercrossed (Kissed by an Angel, #4))
“
The wet air was as cold as the ashes of love.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
This isn't some kind of game for me. I love you, Ivy Lyons, and one day you're going to believe me.
- Tristan Carruthers -
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
The coffee shop smell was strong enough to build a garage on.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
I glanced up at him. "I love things that are beautiful when you don't expect them to be.
”
”
Elizabeth Chandler (The Back Door of Midnight (Dark Secrets, #5))
“
When a writer looked at an empty computer screen, what did she see? Tristan wondered. A movie screen ready to be lit with faces? A night sky with one small star blinking at the top, a universe ready to be written on? Endless possibilities. Love's endless twists and turns - and all love's impossibilities.
”
”
Elizabeth Chandler (The Power of Love (Kissed by an Angel, #2))
“
It was a cool day and very clear. You could see a long way-but not as far as Velma had gone.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Who's that little brunette?" Suzanne asked. "I hate little petite types. Gregory doesn't look right with someone petite. Little face, little hands, little dainty feet."
"Big boobs," Beth said, glancing up.
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
Time passed again. I don't know how long. I had no watch. They don't make that kind of time in watches anyway.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Her joy with him was like nothing she had ever experienced. His love for her felt like a miracle.
”
”
Elizabeth Chandler (Evercrossed (Kissed by an Angel, #4))
“
Love can fuel hate.
”
”
Elizabeth Chandler (Evercrossed (Kissed by an Angel, #4))
“
I love you, Ivy. I'll never stop loving you."
She leaned against the winsow, looking out on a pale and glittering night. She looked through tears.
I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you, Ivy, and you were meant for someone else."
She stood up straight. "No."
Yes, love," he said, softly but firmly.
No!"
Promise me, Ivy-"
I'll promise you nothing but that I love you," she cried.
Listen to me," Tristan pleaded. "You know I can't stay any longer."
The pale, glittering night was raining now, and fresh tears gleamed on her cheeks, but he had to leave.
I love you," he said. "I love you. Love him.
- Tristan Carruthers -
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that's wonderful.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
i love you Ivy. I'll never stop loving you."
"I prayed for one more chance to reach you," he said, "to tell you how much I love you and to tell you to keep on loving. Someone else was meant for you,Ivy, and you were meant for someone else.
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
Some people fall head over heels. Other people begin to fall without even knowing it—love grows like a spring flower beneath last autumn’s leaves and catches them by surprise.
”
”
Elizabeth Chandler (Summer in the City)
“
Fix yourself something to drink," she said. "I don't have any Mr. Pepper."
"You mean Dr. Pepper?"
"For the love of God!" She exploded. "People expect everything from a psychic! 'Doctor,' 'mister,' I was close enough. I didn't call it 'Mrs. Salt,' did I?
”
”
Elizabeth Chandler (The Back Door of Midnight (Dark Secrets, #5))
“
People don’t like love, they like that flittery flirty feeling. They don’t love love - love is sacrificial, love is ferocious, it’s not emotive. Our culture doesn’t love love, it loves the idea of love. It wants the emotion without paying anything for it.
”
”
Matt Chandler
“
Things change when someone special comes into your life. Both sides have to give up things. The one thing you don't give up in a good relationship is you--whatever makes you most you. - Jim Olsten (Jane's Grandpa)
”
”
Elizabeth Chandler (I Do (Love Stories For Young Adults, #35))
“
So what don't you get?"
"The way people talk and act like they're crazy in love, and then, ding, suddenly they're
not. It's like it was all just pretend. Like it's just a game."
He crunched on an ice cube. "Well, sometimes it is just a game."
"Then how are you supposed to believe someone when it isn't?
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
After a little while I felt a little better, but very little. I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Even on Central Avenue, not the quietest dressed street in the world, he looked about as inconspicuous as a tarantula on a slice of angel food.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Sometimes I think that love is one big fairy tale. I wonder if people who say they are in love, if – really – they’ve just talked themselves into it. They want it so badly, they kind of make it happen. They fake it until they start believing their own story. Maybe that’s just sour grapes or something. Maybe because it doesn’t happen to me, I don’t want to think it happens to anyone else.
”
”
Elizabeth Chandler (Summer in the City)
“
He had told her he would love her forever, but he could not stay with her. From that time on, she couldn't see his glow or hear his voice in her head. Could he still hear her? Was he even aware of her existence?
”
”
Elizabeth Chandler (Evercrossed (Kissed by an Angel, #4))
“
It's been my experience," he continued, "that when you're with the right people, you feel more like yourself than ever. There's a happiness, and a feeling of coming alive to yourself and the other person, that's like nothing else.
”
”
Elizabeth Chandler (I Do (Love Stories For Young Adults, #35))
“
You can crab over the morning paper and kick the shins of the guy in the next seat at the movies and feel mean and discouraged and sneer at the politicians but there are a lot of nice people in the world just the same.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Every night she had fallen asleep dreaming about that kiss, and each kiss after.
”
”
Elizabeth Chandler (Kissed by an Angel/The Power of Love/Soulmates (Kissed by an Angel, #1-3))
“
It's a swell theory," I said. "Marriott socked me, took the money, then he got sorry and beat his brains out, after first burying the money under a bush.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
The universe shudders in horror that we have this infinitely valuable, infinitely deep, infinitely rich, infinitely wise, infinitely loving God, and instead of pursuing him with steadfast passion and enthralled fury — instead of loving him with all our heart, soul, mind, and strength; instead of attributing to him glory and honor and praise and power and wisdom and strength — we just try to take his toys and run. It is still idolatry to want God for his benefits but not for himself.
”
”
Matt Chandler (The Explicit Gospel)
“
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside...
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
But there is a beauty even in loving without response because that kind of love is truly selfless. When we love with no expectation or promise of reciprocity, we know what it means to sacrifice and deny ourselves in ways we wouldn’t otherwise.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
She sighed. “All men are the same.” “So are all women—after the first nine.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Grace does not make sin safe. Grace does make sinners safe.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
Alcohol is like love,” he said. “The first kiss is magic, the second is intimate, the third is routine. After that you take the girl’s clothes off.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
I think you are a very stupid person. You look stupid. You are in a stupid business. And you came here on a stupid mission.” “I get it,” I said. “I’m stupid. It sank in after a while.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
A tip from Lubitsch: 'Let the audience add up two plus two and they'll love you forever.
”
”
Charlotte Chandler (Nobody's Perfect: A Personal Biography of Billy Wilder)
“
Velma you says? No Velma heah, brother. No hooch, no gals, no nothing. Jes' the scram, white boy, jes' the scram.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Do you know what it was like kissing Holly and looking up to see you?"
"What?"
"You said to begin anywhere."
But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you."
"What were you thinking?"
"I don't remember."
"Don't you start using that line," he chided.
"Then don't ask me, Nick." Did he suspect how I felt.
He caught me and turned me around to face him. I focused on his shirt.
"Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else."
I glanced up.
"Your turn, brave girl. What were you thinking?"
"That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you."
He drew me to him. "I'm not pulling away again," he said holding me close.
”
”
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
“
She’s a charming middle-aged lady with a face like a bucket of mud and if she has washed her hair since Coolidge’s second term, I’ll eat my spare tire, rim and all.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Man has always been a venal animal. The growth of populations, the huge costs of war, the incessant pressure of confiscatory taxation – all these things make him more and more venal. The average man is tired and scared, and a tired, scared man can’t afford ideals. He has to buy food for his family. In our time we have seen a shocking decline in both public and private morals. You can’t expect quality from people whose lives are a subjection to a lack of quality. You can’t have quality with mass production. You don’t want it because it lasts too long. So you substitute styling, which is a commercial swindle intended to produce artificial obsolescence. Mass production couldn’t sell its goods next year unless it made what is sold this year look unfashionable a year from now. We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
Thick cunning played on her face, had no fun there and went somewhere else.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
We sat in silence, both of us looking up at the stars. He was probably envisioning a machine headed for Pluto. I wished i was on that machine.
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
When you fear nothing, you have nothing to fear
”
”
S.F. Chandler (We the Great Are Misthought (Cleopatra Selene, #1))
“
Heaven is not for people who just want to skip hell. Heaven is reserved for those who love Jesus, who have been rescued by Him and who long to praise Him.
”
”
Matt Chandler (Creature of the Word: The Jesus-Centered Church: The Jesus-Centered Church)
“
The house itself was not so much. It was smaller than Buckingham Palace, rather gray for California, and probably had fewer windows than the Chrysler Building.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
It was a nice face, a face you get to like. Pretty, but not so pretty that you would have to wear brass knuckles every time you took it out.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
All she did was take her hand out of her bag, with a gun in it. All she did was point it at me and smile. All I did was nothing.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
The longing in a single person’s heart for a wife or a husband finds its root in God’s glory.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
Carelessness, when it's continual, is as bad as intentional jerkiness.
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
How they love the old boxcar!
”
”
Gertrude Chandler Warner (The Boxcar Children (The Boxcar Children, #1))
“
Despite what I said about staying the way we were, I changed. I, who have always believed in speaking my mind and made it my mission to uncover the truth, have found myself keeping secrets. Sometimes life is more complicated than the simple rules we make for it.
”
”
Elizabeth Chandler (Legacy of Lies (Dark Secrets, #1))
“
Choosing one thing over another doesn't necessarily mean we love the thing we choose. If given the choice to eat spinach or broccoli, you may choose broccoli. It may only mean you don't want to eat spinach. Heaven is not for people who just want to skip Hell. Heaven is reserved for those who love Jesus, who have been rescued by Him and who long to praise Him. If someone doesn't have much use for praising Him now, it's foolish to think they're ready for Heaven.
”
”
Matt Chandler (Creature of the Word: The Jesus-Centered Church)
“
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
The reality is that all God has to do is reveal himself to you,and you'll gladly join the mission in service to his kingdom. He doesn't force the issue; he just has to reveal himself as is: mighty,wondrous, gracious, loving, and radically saving. No man goes back to saltine crackers when he's had fillet mignon.
”
”
Matt Chandler (The Explicit Gospel)
“
Ladies, if you’re single there is nothing wrong, sinful or wicked about desiring a husband, nothing. Anyone who would say otherwise is absolutely lying to you. God wired you for it, He built you for it. Men, there is nothing wrong, wicked, or evil about wanting a wife. I don’t know when that happened, I don’t, now listen I do think that you need to be content where you are today, alright, but listen I’m content with what Christ is doing in me today but I don’t want to be who I am today, I’m hoping Christ will complete what He began. It’s okay, it’s alright, who made it so complicated? it’s okay, it’s okay to want a wife, it’s okay to want a husband, those are good things, they’re really good things. It’s okay, it’s okay to want.
”
”
Matt Chandler
“
Ever notice how really smart people enjoy making silly jokes?
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired and success achieved.” The
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
Men, let me plead with you: The greatest fight of your life is not lust. You may think it is, but it isn’t. The greatest fight of your life will be rejecting the passivity that has infected your heart since the fall. Your natural default, especially as it pertains to sacrificial leadership of your wife, will be to mutely witness.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
Most people are pleasant when the world is going the way they want. But a person’s character can be seen most clearly when the brokenness of the world has invaded his or her peace, when the way he or she thinks things ought to be is interrupted, disrupted, and dismantled.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
We spend so much time trying to put send to death that we don't spend enough time striving to know God deeply, trying to gaze upon the wonder of Jesus Christ and have that transform our affections to the point where our love and hope are steadfastly on Christ.
”
”
Matt Chandler (The Explicit Gospel)
“
When I left Merle was wearing a bungalow apron and rolling pie crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty [...] I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again. (p. 262)
”
”
Raymond Chandler (The High Window (Philip Marlowe, #3))
“
So what does it look like to live a life worthy of the gospel of Jesus Christ? It looks like walking with, loving with, and doing life with those who are different from you. What binds you together is Christ. It looks like striving together to make Christ known. What motivates you is Christ. And it looks like standing with courage against all oppressors, natural or supernatural. What secures you is Christ.
”
”
Matt Chandler (To Live Is Christ to Die Is Gain)
“
Sex is a gift from God. It is meant to nurture intimacy in a marriage and forge a bonding of souls.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
We human beings love trying to solve things. As long as they’re not our things.
”
”
Steve Chandler (Time Warrior: How to defeat procrastination, people-pleasing, self-doubt, over-commitment, broken promises and chaos)
“
So quit looking for 'the one'. You have a better chance of finding an Oompa Loompa riding a unicorn, fighting Bigfoot.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
Really, all frustration is birthed out of unmet expectations, and so is nearly every conflict.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
She was a cute as a washtub.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
I got up on my feet and went over to the bowl in the corner and threw cold water on my face. After a little while I felt a little better, but very little. I needed a drink, I needed a lot of life insurance. I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
When we commit to a spouse for life, we are agreeing to enter a sacred union between two sinners and Jesus, and when you’ve got two sinners walking together over the years, you will see just how sinful he or she—and you—can be.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
Hi" he said
"Hi"
"I'd like to kiss you" He waited a moment for my response, then added, "Or, if you rather, we can dance, as long as we can get you unstuck."
"I think I'm in deep."
"Me, too," he said, looking into my eyes.
His head moved closer to mine. Then he lifted his hand, cupping my cheek ever so gently. His lips touched my lips, light as a butterfly, once, twice.
The kisses were so lovely, so lovely I couldn't help it-I did a totally stupid, uncool thing. I sighed.
I heard the laughter rumbling inside Nick and I started to pull away. But his arms wrapped around me. He held me close and pressed his lips against mine. A thrill went through me. I kissed him back-I didn't think about it, just kissed him with all that my heart felt.
”
”
Elizabeth Chandler (Don't Tell (Dark Secrets, #2))
“
There's a gentleness about April that made me ache. It seemed like I was always on the run, always working and chasing some goal or another, but April had a way of holding me still. And then I'd begin to hurt and yearn for something I couldn't describe, something I hadn't known yet. All I knew was the ache itself and the strange, sweet feeling it was.
”
”
Elizabeth Chandler (I Do (Love Stories For Young Adults, #35))
“
Sometimes love started with bewildering passion and then grew deeper through friendship; sometimes it started with deep friendship and surprised everybody-especially the two "best friends-with it's sudden romantic fire. Either way, love seemed both meant to be and a miracle.
”
”
Elizabeth Chandler (Everafter (Kissed by an Angel #6))
“
The trouble with cops is not that they're dumb or crooked or tough, but that they think just being a cop gives them a little something that they didn't have before. Maybe it did once, but not anymore. They're topped by too many smart minds.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
I like bars just after they open for the evening. When the air inside is still cool and clean and everything is shiny and the barkeep is giving himself that last look in the mirror to see if his tie is straight and his hair is smooth. I like the neat bottles on the bar back and the lovely shining glasses and the anticipation. I like to watch the man mix the first one of the evening and put it down on a crisp mat and put the little folded napkin beside it. I like to taste it slowly. The first quiet drink of the evening in a quiet bar—that’s wonderful.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
What made me love Christ wasn’t that all of a sudden I figured out how to do life. What made me love Christ is that when I was at my worst, when I was at my lowest point, when I absolutely could not clean myself up and there was nothing anybody could do with me, right at that moment, Christ said, “I’ll take that one. That’s the one I want.
”
”
Matt Chandler (The Mingling of Souls: God's Design for Love, Marriage, Sex, and Redemption)
“
A three-piece Mexican band was making the kind of music a Mexican band always makes. Whatever they play, it all sounds the same. They always sing the same song, and it always has nice open vowels an a drawn-out, sugary lilt, and the guy who sings it always strums on a guitar and has a lot to say about amor, mi corazon, a lady who is "linda" but very hard to convince, and he always has too long and too oily hair and when he isn't making with the love stuff he looks as if his knife work in an alley would be efficient and economical.
”
”
Raymond Chandler (Playback (Philip Marlowe, #7))
“
The main problem with mass media is that it makes it impossible to fall in love without any acumen of normalcy. There is no "normal," because everyone is being twisted by the same sources simultaneously. You can't compare your relationship with the playful couple who lives next door because they're probably modeling themselves after Chandler Bing and Monica Geller.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
Experience had taught me not to get close to guys who fell in love with Liza. I had been burned twice and I knew I couldn't compete. It didn't matter that I could no longer give a guy access to my sister; if Mike knew who I was, I'd be access to romantic memories of her. He'd start looking for traits and signs of her in me. And I wasn't setting myself up for that kind of heartache.
”
”
Elizabeth Chandler (No Time to Die (Dark Secrets, #3))
“
As Tristan left the darkroom he heard Lacey’s soap opera voice. “And so our two heroes part,” she said, “blinded by love, neither of them listening to the wise and beautiful Lacey”—she hummed a little—“who, by the way, is getting a broken heart of her own. But who cares about Lacey?” she asked sadly. “Who cares about Lacey?
”
”
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
“
Lucille has a dull life, Mr. Marlowe. She's stuck here with me and a PBX. And an itty-bitty diamond ring - so small I was ashamed to give it to her. But what can a man do? If he loves a girl, he'd like it to show on her finger."
Lucille held her left hand up and moved it around to get a flash from the little stone. "I hate it," she said. "I hate it like I hate the sunshine and the summer and the bright stars and the full moon. That's how I hate it".
I picked up the key and my suitcase and left them. A little more of that and I'd be falling in love with myself. I might even give myself a small unpretentious diamond ring.
”
”
Raymond Chandler (Playback (Philip Marlowe, #7))
“
They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew.
I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered:
“You are Philip Marlowe, a private detective?
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
God has made provision for our sin in Christ. So when we struggle to believe and obey, we should run to Him, not from Him--the opposite of our pattern, in contradiction to our feelings? Why? Because He already knows! See the gospel just keeps changing everything. The cross should continually testify to us that God fully knew we would need to be justified. Therefore, unconfessed sin is actually the foolish decision to run away from our healing and growth rather than toward it. We hang on to things we believe will satisfy us, thinking we need those more than what God offers to provide. But how can we rejoice in and worship the majesty of a loving and forgiving God if in practice we don't believe He loves and forgives, if in practice we don't believe the gospel? How can our churches rejoice and worship corporately when our collective energy is expended carrying around the saddle of unconfessed sin and shame? When people walk in honesty about their fears, shortcomings, and needs--not in thoughtless disobedience but in grace-based freedom and forgiveness--they reveal a deep understanding of the gospel. To confess our sins to one another is to violently pursue our own joy and the glory of God...and to exponentially increase our rejoicing and worship, both individually and corporately.
”
”
Matt Chandler (Creature of the Word: The Jesus-Centered Church)
“
Methinks, Oh! vain ill-judging Book,
I see thee cast a wishful look,
Where reputations won and lost are
In famous row called Paternoster.
Incensed to find your precious olio
Buried in unexplored port-folio,
You scorn the prudent lock and key,
And pant well bound and gilt to see
Your Volume in the window set
Of Stockdale, Hookham, or Debrett.
Go then, and pass that dangerous bourn
Whence never Book can back return:
And when you find, condemned, despised,
Neglected, blamed, and criticised,
Abuse from All who read you fall,
(If haply you be read at all
Sorely will you your folly sigh at,
And wish for me, and home, and quiet.
Assuming now a conjuror’s office, I
Thus on your future Fortune prophesy: —
Soon as your novelty is o’er,
And you are young and new no more,
In some dark dirty corner thrown,
Mouldy with damps, with cobwebs strown,
Your leaves shall be the Book-worm’s prey;
Or sent to Chandler–Shop away,
And doomed to suffer public scandal,
Shall line the trunk, or wrap the candle!
But should you meet with approbation,
And some one find an inclination
To ask, by natural transition
Respecting me and my condition;
That I am one, the enquirer teach,
Nor very poor, nor very rich;
Of passions strong, of hasty nature,
Of graceless form and dwarfish stature;
By few approved, and few approving;
Extreme in hating and in loving;
Abhorring all whom I dislike,
Adoring who my fancy strike;
In forming judgements never long,
And for the most part judging wrong;
In friendship firm, but still believing
Others are treacherous and deceiving,
And thinking in the present aera
That Friendship is a pure chimaera:
More passionate no creature living,
Proud, obstinate, and unforgiving,
But yet for those who kindness show,
Ready through fire and smoke to go.
Again, should it be asked your page,
‘Pray, what may be the author’s age?’
Your faults, no doubt, will make it clear,
I scarce have seen my twentieth year,
Which passed, kind Reader, on my word,
While England’s Throne held George the Third.
Now then your venturous course pursue:
Go, my delight! Dear Book, adieu!
”
”
Matthew Gregory Lewis (The Monk)
“
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-"
Ivy:"Thank you. Thank you for risking your life. Thank you for saving me."
"That's not what I wanted! Gratitude is the last thing I-"
"Well, let me tell you what I want, Honesty."
"When haven't I been honest? When?"
"I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will."
"So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?"
"That's usually why people blackmail."
"You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on."
"Why didn't you tell me this before? You should have told me this before."
"You weren't telling me things, either."
"I was trying to protect you!"
"What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you."
"Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!"
"You fell in love with me?"
"Love you, Will."
"Love you, Ivy.
”
”
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))