Chandelier Deep Quotes

With a chaste heart With pure eyes I celebrate your beauty Holding the leash of blood So that it might leap out and trace your outline Where you lie down in my Ode As in a land of forests or in surf In aromatic loam, or in sea music Beautiful nude Equally beautiful your feet Arched by primeval tap of wind or sound Your ears, small shells Of the splendid American sea Your breasts of level plentitude Fulfilled by living light Your flying eyelids of wheat Revealing or enclosing The two deep countries of your eyes The line your shoulders have divided into pale regions Loses itself and blends into the compact halves of an apple Continues separating your beauty down into two columns of Burnished gold Fine alabaster To sink into the two grapes of your feet Where your twin symmetrical tree burns again and rises Flowering fire Open chandelier A swelling fruit Over the pact of sea and earth From what materials Agate? Quartz? Wheat? Did your body come together? Swelling like baking bread to signal silvered hills The cleavage of one petal Sweet fruits of a deep velvet Until alone remained Astonished The fine and firm feminine form It is not only light that falls over the world spreading inside your body Yet suffocate itself So much is clarity Taking its leave of you As if you were on fire within The moon lives in the lining of your skin.

Everything is lit with glowing chandeliers and copious candles, so that the light is not bright but deep and warm and bubbling.

In the beginning, the earth was without form, and void and the darkness was upon the face of the deep. And the spirit of God moved upon the face of the waters. And god said, 'Let there be light.' and there was light. Only, it wasn't good light. Bob created fireworks, sparklers and neon tubes that circled the globe like weird tangled rainbows. He dabbled with bugs that blinked and abstract creatures whose heads lit up and cast long overlapping shadows. There were mile-high candles and mountains of fairy lights. For an hour or so, earth was lit by enormous crystal chandeliers. Bob thought his creations were cool. They were cool, but they didn't work

My son was something of a disciple of flying things. On his bedroom wall were posters of fighter planes and wild birds. A model of a helicopter was chandeliered to his ceiling. His birthday cake, which sat before me on the picnic table, was decorated with a picture of a rocket ship - a silver-white missile with discharging thrusters. I had been hoping that the baker would place a few stars in the frosting as well (the cake in the catalog was dotted with yellow candy sequins), but when I opened the box I found that they were missing. So this is what I did: as Joshua stood beneath the swing set, fishing for something in his pocket, I planted his birthday candles deep in the cake. I pushed them in until each wick was surrounded by only a shallow bracelet of wax. Then I called the children over from the swing set. They came, tearing up divots in the grass. We sang happy birthday as I held a match to the candles. Joshua closed his eyes. "Blow out the stars," I said, and his cheeks rounded with air.

You, er, want us to attack him?" said the guard miserably. Thick though the palace guard were, they were as aware as everyone else of the conventions, and when guards are summoned to deal with one man in overheated circumstances it's not a good time for them.The bugger's bound to be heroic, he was thinking. This guard was not looking forward to a future in which he was dead. "Of course, you idiot!" "But, er, there's only one of him" said the guard captain. "And he's smilin'," said a man behind him. "Prob'ly goin' to swing on the chandeliers any minute," said one of his collegues. "And kick over the table, and that." "He's not even armed!" shrieked Wonse. "Worse kind, that," said one of the guards, with deep stoicism."They leap up, see, and grab one of the ornamental swords behind the shield over the fireplace." "Yeah," said another, suspiciously. " And then they chucks a chair at you." "There's no fireplace! There's no sword! There's only him!Now take him!" screamed Wonse. A couple of guard grabbed Vimes tentatively by the shoulders. "You're not going to do anything heroic, are you?" whispered one of them. "Wouldn't know where to start," he said.

She sinks into the armchair by the window. It's soft, deep, and striped in her favorite colors: dusty pink and green. Nearly a year and a half after Francois died, Amandine insisted on redesigning the bedroom and, although Heloise protested at the time, she's grateful for it now. The room is a fairy tale, an escape from reality, a reminder of the romance of the past instead of the grief of the present. The bed is wrought-iron with white sheets and a canopy of cream gauze. The desks, bookshelves, and matching wardrobe are all original Victorian antiques painted white. With the touch of a sparkling crystal chandelier, Amandine created a room that gives Heloise a tiny smile of pleasure every time she wakes.

The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

DJ, are you awake? Freaking elf. “Go home, Rand.” I am home. Where are you? I frowned and burrowed my face into the soft down pillow. Which wasn’t my pillow. Holy crap. What had happened? I sat up and took in several observations at once, none of which made sense and all of which sent my heart rate jack-rabbiting hard enough to send my blood pressure into the ozone. First, I was lying beneath a heavy bedspread woven in a rich blue-and-cream print. The bed was an elaborate confection made to look like an antique half-tester, and a brass chandelier hung overhead. I recognized the Hotel Monteleone. I recognized Jean Lafitte’s bedroom in the posh Eudora Welty Suite in the Monteleone. I didn’t have a clue as to how I got here. Second, I wore only underwear. My clothes were thrown across a chair in the corner. I had no recollection of removing them. Third, the pillow next to mine still held the clear indentation of a head, and there was water running behind the closed bathroom door. What in God’s name had I done? Rand! Where are you? So help me, if that elf was behind this, I’d splay him open like a catfish and watch his guts fall on the floor. Then I’d batter and deep-fry him. God, Dru. Stop shrieking like an elven shrew. I think you got too cold and went into a survival state.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

The polished oak floors reflected the light of the overhead crystal chandelier and gleaned under the plush deep red Persian rug.

The giant chamber of the St. Kinga Chapel, deep underground in the famous Wieliczka Salt Mine, was warmly lit by its standard lighting of five massive chandeliers along with the glow of ten thousand candles. At 101 metres below the surface, the grand gothic cathedral had been hand-carved from the rock salt over centuries and had only ceased to be a working mine in 1996 when the enormous underground labyrinth was transformed