Comments Karma Quotes

We've searched our database for all the quotes and captions related to Comments Karma. Here they are! All 7 of them:

Kuan Yin looks very traditional. Her hands are folded together. The thick cloth of her costume is folded perfectly," describes Lena. "Just as in the previous session, I’m reminded of the significance of the folds. I’m having an interesting vision that I haven’t thought about in many years. I see a beautiful tree where I used to go when I was a teenager. It stands majestic, atop the rolling hills behind the house where I grew up. Kuan Yin is at the tree looking very luminous. I see the bark of the tree, which looks very real, very three-dimensional. For some reason, Kuan Yin is touching the trunk of the tree. She suddenly seems very small next to me and she wants me to touch the tree. I’m not sure why. There is a tiny bird, with pretty feathers in its nest. It is about the size of a wren. I see the texture of the tree. I think it might be a birch. I’m not sure. ’Why should I touch the tree,’ I ask. She’s telling me that I created the tree, that it is another realm I was able to visit because life was too painful and lonely at home.” “You created the tree. You create your whole world with thoughts,” assures Kuan Yin. “Every time I try to touch the tree, Kuan Yin wants to help me touch it. There’s something different about this conversation. Usually we work on something about the earth. Because we’re revisiting my childhood, I get the impression Kuan Yin’s trying to show me something that maybe I created in my childhood.” “Well, do we all create our reality?” Kuan Yin asks of Lena. “I think she’s going to answer her own question,” comments Lena, from her trance. “Yes, you can create your reality. Once you free yourself from the negative effects of karma. I know it is sometimes difficult to differentiate between free will and karma. Focus upon your free will and your ability to create reality. I’m optimistic and hopeful you can do this.
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
He reached into his jacket pocket. Over the years, people had often commented on his ability to produce exactly the right item from his pockets at exactly the right time. Some had speculated that his pockets were extensions of the TARDIS, others had guessed he was just lucky. But then, they’d never read Yeltstrom’s Karma and Flares: The Importance of Fashion Sense to the Modern Zen Master. They didn’t appreciate the things a sentient life-form could achieve, if he was totally at one with the lining of his jacket.
Lawrence Miles (Doctor Who: Alien Bodies (Eighth Doctor Adventures, #6))
COOKBOOK FOR THE MODERN HOUSEWIFE The cover was red with a subtle crosshatch pattern and distressed, the book's title stamped in black ink- all of it faded with age. Bordering the cookbook's cover were hints of what could be found inside. Alice tilted her head as she read across, down, across, and up the cover's edges. Rolls. Pies. Luncheon. Drinks. Jams. Jellies. Poultry. Soup. Pickles. 725 Tested Recipes. Resting the spine on her bent knees, the cookbook dense yet fragile in her hands, Alice opened it carefully. There was an inscription on the inside cover. Elsie Swann, 1940. Going through the first few, age-yellowed pages, Alice glanced at charts for what constituted a balanced diet in those days: milk products, citrus fruits, green and yellow vegetables, breads and cereals, meat and eggs, the addition of a fish liver oil, particularly for children. Across from it, a page of tips for housewives to avoid being overwhelmed and advice for hosting successful dinner parties. Opening to a page near the back, Alice found another chart, this one titled Standard Retail Beef Cutting Chart, a picture of a cow divided by type of meat, mini drawings of everything from a porterhouse-steak cut to the disgusting-sounding "rolled neck." Through the middle were recipes for Pork Pie, Jellied Tongue, Meat Loaf with Oatmeal, and something called Porcupines- ground beef and rice balls, simmered for an hour in tomato soup and definitely something Alice never wanted to try- and plenty of notes written in faded cursive beside some of the recipes. Comments like Eleanor's 13th birthday-delicious! and Good for digestion and Add extra butter. Whoever this Elsie Swann was, she had clearly used the cookbook regularly. The pages were polka-dotted in brown splatters and drips, evidence it had not sat forgotten on a shelf the way cookbooks would in Alice's kitchen.
Karma Brown (Recipe for a Perfect Wife)
Choose not to ridicule, humiliate, harm , mock or make fun of others for sake of likes, retweets & comments.Choose not to hurt others, for the sake of being liked or being popular.Remember whatever you do has rewards or has consequences. People your making fun of or hurting might not respond to you, but Karma & life will deal with you.
D.J. Kyos
People feel like they can say whatever they want to say on social media, because of whatever is happening, or they comment on. It Is far away from them. Until they learn that their words had a negative impact on the situation or on someone. Is then they preach to be kind to others trying to cleanse their soul and consciousness. What keyboard worriers don’t know. Most of their suffering, bad luck, misfortune, and a curse. It Is because of the things they said with their banner, catfish, and anonymous accounts. It is karma for their action.
D.J. Kyos
Ah,’ said the Doctor. He reached into his jacket pocket. Over the years, people had often commented on his ability to produce exactly the right item from his pockets at exactly the right time. Some had speculated that his pockets were extensions of the TARDIS, others had guessed he was just lucky. But then, they’d never read Yeltstrom’s Karma and Flares: The Importance of Fashion Sense to the Modern Zen Master. They didn’t appreciate the things a sentient life-form could achieve, if he was totally at one with the lining of his jacket.
Lawrence Miles
Praśāstrasena’s Āryaprajñāpāramitāhṛdayaṭīkā comments on the Heart Sūtra’s phrase “all phenomena are without arising, ceasing, purity, impurity, increase, and decrease” by using the notion of buddha nature (sangs rgyas kyi ngo bo), which exists without any change in all beings, is naturally pure, and is only obscured by adventitious stains: As for [the sūtra’s] saying “without arising, without ceasing,” the subsequent existence of what did not exist before is called “arising.” The subsequent nonexistence of what existed before is called “cessation.” Since this buddha nature—the dharmadhātu, ultimate emptiness—has no beginning point, an endpoint is not to be found. Therefore, [the sūtra] says, “without arising, without ceasing.” Even when sentient beings cycle on the five paths [of rebirth in saṃsāra], buddha nature does not become stained. Therefore, [the sūtra] speaks of “purity.” Even when awakening to unsurpassable completely perfect awakening, there is no superior purity than buddha nature. Therefore, [the sūtra] says, “without purity.” Despite manifesting in the bodies of ants and beetles, buddha nature does not become smaller. Therefore, [the sūtra] says, “without decrease.” Despite manifesting as the dharmakāya, buddha nature does not increase. Therefore, it is without becoming full. Why? Because it is beyond thought and expression and thus not within the confines of measurement. Since the dharmadhātu does not arise in two ways (through karma and afflictions), it is unarisen. Being unarisen, it is without perishing and therefore is unceasing. Since the dharmadhātu is naturally pure, it is not pure and thus is without purity. Though it is naturally pure, it is not that it becomes impure [through] adventitious afflictions. Therefore, it is pure. Since there is no decrease in the dharmadhātu through the relinquishment of the factors of afflictiveness, it is without decrease. At the time of the increase of purified phenomena, the dharmadhātu does not increase. Therefore, it is without increase.
Karl Brunnhölzl (When the Clouds Part: The Uttaratantra and Its Meditative Tradition as a Bridge between Sutra and Tant ra (Tsadra Book 16))