Chalkboard Quotes

We've searched our database for all the quotes and captions related to Chalkboard. Here they are! All 103 of them:

To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence-- words you have dreaded and needed in order to know you exist.
Adrienne Rich
Everyday begins like a blank chalkboard, on which each one of us can write the poem of our present and our dreams for the future.
Ricky Martin (Me)
V had a passing thought that she used the word "anyway" like an eraser on a crowded chalkboard. She said it whenever she needed to clear off the things she'd just shared to make room for more.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
By the way, I'm not just one man with a chalkboard. I'm one man with four chalkboards.
Glenn Beck
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help)
Into the silence rips a sound that makes me let go of Max's hand and cover my ears. It is like the strafe of a bullet, nails on a chalkboard, promises being broken. It's a note I have never heard - this chord of pure pain - and it takes a moment to realize it is coming from me.
Jodi Picoult (Sing You Home)
I’m a chalkboard that’s been erased over and over again until there’s nothing left but a haze of white dust. Before this I never understood how long an hour could take, how many ticks of the second hand are in a minute, how endless the space between seconds can be.
Sarah McCarry (All Our Pretty Songs (Metamorphoses, #1))
They all looked up sharply as the door to the back opened. Blue and Maura stepped into the waiting room as a nurse began to shuffle behind the counter. All attention immediately shifted to Blue. She had two visible stiches in her right eyebrow, pinning together the cleaned-up edges of a gouge that continued down her cheek. Faint scratches on either side of the deepest wound told the story of fingers clawing into her skin. Her right eye was squinted mostly shut, but at least it was still there. Adam could tell that she was hurting. He knew he cared about her because his stomach was tingling uncomfortably just looking at her wound, the suggestion of violence scratching through him like fingers on a chalkboard. Noah had done that. Adam curled his own hand into a fist, remembering what it had felt like for it to move on its own accord. Gansey was right: Any of them could have died tonight. It was time to stop playing around. For a strange second, none of them spoke. Finally, Ronan said, “Jesus God, Sargent. Do you have stitches on your face? Bad. Ass. Put it here, you asshole.” With some relief, Blue lifted her fist and bumped it against his.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Then there was your voice Like a windup tin toy Like the sweetest nails on a chalkboard That I ever heard
Michelle Dalton (Sixteenth Summer (Sixteenth Summer #1))
I'm going to die. I'm going to die. I'm going to die- No. Heather took a deep breath and tried to think about something else. Anything else. Like ponies. Ponies were a happy thought. They were nice and gentle and they never kidnapped people or strapped them to cold warehouse pillars. Ponies, ponies, ponies- "Tie him up by the girl and for God's sake don't kill him!" Clare's - er, Raven's - voice was like nails on a chalkboard as it floated into Heather's ears. Any attempts to think of ponies came to an abrupt halt.
Chelsea Fine (Avow (The Archers of Avalon, #3))
His laugh was like nails to a chalkboard. "I cannot remember a time when anything was new to me. I only ever see the tattered remains of what once was.
Diantha Jones (Prophecy of the Most Beautiful (Oracle of Delphi, #1))
Then Glenn Beck burned to death on his Internet program, right in front of his chalkboard, burned so hot his glasses fused to his face,
Joe Hill (The Fireman)
He reminded me of the typical soap-opera star. His words were fake, his smile was fake, and his very presence affected me like nails on a chalkboard.
Jamie McGuire (Requiem (Providence, #2))
I had a dream about you. It happened during the day. You used a pencil to erase the ink I wrote over the chalkboard since the professor told me 7 + 4 didn't equal 10. You were really cool about it; in fact, you handed me a bucket of ice. Apparently I needed to chill out.
Melody Sohayegh (Dreaming is for lovers)
I had a professor in college who returned our graded essays, walked up to the chalkboard, and wrote in huge letters: “SO WHAT?” She threw the piece of chalk down and said, “Ask yourself that every time you turn in a piece of writing.” It’s a lesson I never forgot.
Austin Kleon (Show Your Work!: 10 Ways to Share Your Creativity and Get Discovered)
My loneliness...still comes over me sometimes...It's a liminal, lost sensation of having wandered wide, endless boulevards, among rows of orange trees, winter butterflies, seasons reversed and out of order, dogs barking from behind fences meant to keep out intruders. It's not the place that impoverishes me but I who bring my own sense of poverty, of loss, to the place. It's a sense of near nothingness, as though I were not so much a blank slate as an erased chalkboard, still bearing illegible smudges of smoothed-over writing.
Marco Roth (The Scientists: A Family Romance)
My sister's voice is Minnie Mouse and a dash of fingernails down a chalkboard, but only when she wants to bend me to her will.
Alex Adams
It was a smile that spelled trouble. With a promise. I focused on the chalkboard.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
As a child, I was very careful not to erase my mother's writing on the chalkboard because I would miss her.
Joyce Rachelle
When I open the door, Baz is wheeling an old-fashioned chalkboard in front of our beds. “Where did that come from?” I ask. “A classroom.” “Yeah, but how did it get up here?” “It flew.” “No,” I say, “seriously.” He rolls his eyes. “I Up, up and away-ed it. It wasn’t much work.” “Why?” “Because we’re solving a mystery, Snow. I like to organize my thoughts.” “Is this how you normally plot my downfall?” “Yes. With multicoloured pieces of chalk. Stop complaining.” He opens up his book bag and takes out a few apples and things wrapped in greaseproof paper. “Eat,” he says, throwing one at me. It’s a bacon roll. He’s also got a pot of tea. “What’s all this?” I say. “Tea, obviously. I know you can’t function unless you’re stuffing yourself.” I unwrap the roll and decide to take a bite. “Thanks.” “Don’t thank me,” he says. “It sounds wrong.” “Not as wrong as you bringing me bacon butties.” “Fine, you’re welcome—when’s Bunce getting here?” “Why would she?” “Because you do everything together, don’t you? When you said you’d help, I was counting on you bringing your smarter half.
Rainbow Rowell (Carry On (Simon Snow, #1))
But he's kind of... extreme. Like he came to school one day painted head-to-toe red, and it wasn't even Spirit Week. He told some people that he was protesting racism and others he was protesting the consumption of meat. Junior year he wore a cape every day for an entire month, cracked a chalkboard in half with a desk, and stole all the dissecting frogs from the science wing and gave them a funeral before burying them in the baseball field.
Jennifer Niven (All the Bright Places)
Here is a quote I used to post on the chalkboard once and a while for my students: Education is not going to fall out of a tree and bonk you on the head -like an apple- you have to dig for it, much like digging for Gold...
Miles Cobbett
You've heard shards of our voice in the phantom-radio code of a numbers station in the roar of a crowd - in the screams of your clock - in the scrape of a chalkboard - in the snow static of a TV - in the chainsaw-decibel mating of cicadas - in the urban mythos that spreads amongst children like contagion - in the silence between lies. White noise becomes a cadence. Words develop self-awareness. Viral. Evolving. Living poetry. Sentient language.
Joshua Alan Doetsch
Then Glenn Beck burned to death on his Internet program, right in front of his chalkboard, burned so hot his glasses fused to his face, and after that most of the news was less about who did it and more about how not to catch it.
Joe Hill (The Fireman)
It had maroon paint and exposed brick and scarred wood, and a chalkboard menu about ninety percent full of things that don’t really belong in coffee, like dairy products of various types and temperatures, and weird nut-based flavorings, and many other assorted pollutants.
Lee Child (Never Go Back (Jack Reacher, #18))
The Lights..." said Norv the Raw, as if we might not have noticed. Before any further statements of the obvious could be made doors of gleaming steel started to slide down from recesses above every entrance above the Gilden Gate. The action accompanied by a squealing noise that set my teeth on edge, the sound of nails down Lundist's chalkboard. "The doors..." said Norv. I resisted temptation to beat him around the head.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
If ever I create a website, I'll call it Two-Face Book, and I'll invite everyone to it, it will be a game board, of a whitewash chalkboard. A social network, with reserved intentions, where we can fall into our cliques and circle of friends. We can dis who we want and accept who appeals to our discretion. Where the users will keep abusing, and abusers keep using, where the computer bullies will keep swinging and the J-birds that fly by will die; where the lonely will keep seeking and the needy still go desperate, where the envious will keep hating, and the lustful will keep flashing. Where those that think ignoring, will keep one down and the wannabes will foolishly think themselves greater by the number of "likes" that pours caffeine into their coffee. We can jump on the bandwagon of likes, or reserve not to show we care. Where the scorners, scammers and stalkers lay wait to take hold of the innocent and fragile, and my pockets will get fatter as more and more will join up, where being fake is accepted. As a mirror that stares at a different face. It will be my two-face epilogue, in a 3-world dimension, of a twofold war. I will build an empire of contagious hooks, and still we will live, happily-ever disastrous.
Anthony Liccione
Wendell turned to the chalkboard and wrote I AM A WORTHLESS FAT-BODY.
Michael Buckley (The Unusual Suspects)
Ever heard someone's voice and it sounded like nails on a chalkboard? I finally know what that feels like.
April Mae Monterrosa
Twilight in the mountains brought a special kind of cold. It crept out from the darkness of the lodgepole pine forest where it had spent the daylight hours and it slithered across the top of the snow to sting every inch of exposed human skin. Sounds became sharper and the snow itself became a different texture that squeaked like nails on a chalkboard with every footfall.
C.J. Box (The Disappeared (Joe Pickett #18))
Cats mewling in the middle of the night combined with evil clowns dragging long, black crusted fingernails over a chalkboard would not have been able to rival the sound that assailed our ears. It
Mark Tufo (Into the Fire (Indian Hill #5))
I want you to start a brand-new section in your notebooks and call it Mr. Browne’s Precepts.” He kept talking as we did what he was telling us to do. “Put today’s date at the top of the first page. And from now on, at the beginning of every month, I’m going to write a new Mr. Browne precept on the chalkboard and you’re going to write it down in your notebook. Then we’re going to discuss that precept and what it means. And at the end of the month, you’re going to write an essay about it, about what it means to you. So by the end of the year, you’ll all have your own list of precepts to take away with you.
R.J. Palacio (Wonder)
What You Missed That Day You Were Absent from Fourth Grade" Mrs. Nelson explained how to stand still and listen to the wind, how to find meaning in pumping gas, how peeling potatoes can be a form of prayer. She took questions on how not to feel lost in the dark. After lunch she distributed worksheets that covered ways to remember your grandfather’s voice. Then the class discussed falling asleep without feeling you had forgotten to do something else— something important—and how to believe the house you wake in is your home. This prompted Mrs. Nelson to draw a chalkboard diagram detailing how to chant the Psalms during cigarette breaks, and how not to squirm for sound when your own thoughts are all you hear; also, that you have enough. The English lesson was that I am is a complete sentence. And just before the afternoon bell, she made the math equation look easy. The one that proves that hundreds of questions, and feeling cold, and all those nights spent looking for whatever it was you lost, and one person add up to something.
Brad Aaron Modlin (Everyone at This Party Has Two Names)
So . . . ,” she says, following him to the chalkboard. “You got a Visiting. An actual Visiting—Natasha Grimm-Pitch was here.” Baz glances back over his shoulder. “You sound impressed, Bunce.” “I am,” Penelope says. “Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says. “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.” “That’s lovely,” Baz says, and I’m terrified because I think he means it. “I’m going to make time stop when I propose to Micah,” she says. “The little American? With the thick glasses?” “Not so little anymore.” “Interesting.” Baz rubs his chin. “My mother hung the moon.” “She was a legend,” Penelope beams. “I thought your parents hated the Pitches,” I say. They both look at me like I’ve just stuck my hand in the soup bowl. “That’s politics,” Penelope says. “We’re talking about magic.” “Obviously,” I say. “What was I thinking.” “Obviously,” Baz says. “You weren’t.” “What’s happening right now?” I say. “What are we even doing?” Penelope folds her arms and squints at the chalkboard. “We,” she declares, “are finding out who killed Natasha Grimm-Pitch.” “The legend,” Baz says. Penelope gives him a soft look, the kind she usually saves for me. “So she can rest in peace.
Rainbow Rowell (Carry On (Simon Snow, #1))
The main thing that I loved about living alone was the silence. Sometimes simply talking to people was like listening to white noise. Often I could tune the sound out and be all right, but other times it was like hearing nails on a chalkboard—almost painful.
Adrianne Brooks (The Dragon King and I (Fairest of Them All #1))
Obediently, I squash into a corner with a glass of cider. A chalkboard menu declares that the special of the day is stargazy pie. I gulp my drink, envisaging withered fish heads gazing plaintively at the ceiling. In the end, I'm presented with a cheese and pickle sandwich the size of my head and a pile of crisps.
Laura Madeleine (The Confectioner's Tale)
The shop across the light from the pay phone was representative. It had maroon paint and exposed brick and scarred wood, and a chalkboard menu about ninety percent full of things that don’t really belong in coffee, like dairy products of various types and temperatures, and weird nut-based flavorings, and many other assorted pollutants.
Lee Child (Personal (Jack Reacher, #19))
You see flaws in every face If you look long enough. That’s why I’m so afraid Of the word ‘forever’. Forever is long enough For sunrises to become stale For fire to become tame For a favorite song To become like nails On a chalkboard; Forever is long enough For passion to waste away Like grapes into raisins Under the beating sun Of countless days.
Justin Wetch (Bending The Universe)
Today tolerance has replaced good manners as the ultimate value to be taught and practiced. There’s a cultural mandate in America that we will tolerate any and all belief systems and modes of behavior. But have you ever thought about that word tolerate? It’s a pretty low bar to clear. I can tolerate the sound of fingernails scraping the chalkboard, but it doesn’t mean I like it or respect it.
Candace Cameron Bure (Kind Is the New Classy: The Power of Living Graciously)
She glanced at me as if looking for confirmation. I opened my mouth, then closed it. My mind was a chalkboard wiped clean. My fingers found the edges of the folded letter inside the envelope. “Thank you, Vernon.” Dot stood. “It’s time for us all to go home. We’ll eat, then we can talk about everything.” She looked at me. “We’ll see you at the house.” I pried open the manila envelope before I even closed my car door. Aside
Lauren K. Denton (The Hideaway)
Your dad told me what happened today . . . out in the woods. He told me that you tracked down the guy who’s been killing all the girls around here . . . that you put yourself in danger.” Violet couldn’t tell if he was angry or annoyed . . . or both. He ran his hand through his messy hair in an agitated gesture that indicated he was getting all worked up. “And it’s not like it was the first time you’ve done that. Trouble seems to follow you wherever you go, and you’re the only person I know who doesn’t seem to care. I don’t even want to think about what could have happened to you if I hadn’t shown up last night while Grady was . . . assaulting you.” He paused as if it really was too much to think about, and then he continued to rail at her. “You can’t even go to the mall safely. I made a promise to your parents, and you just wandered off without even telling me where you were going.” His voice was suddenly too abrasive, and it felt to Violet like he was scratching his nails across a chalkboard. She bristled against the accusation in his tone, and suddenly he wasn’t the only one who was upset. “And you didn’t speak to me for a week!” she lashed back at him. “What was that all about? I spent the entire week waiting for you to stop ignoring me. And all because I didn’t bother to check in with you? You don’t get to tell me what to do! You’re not my father, you know.” “Thanks for clarifying that, Violet,” he said sardonically. “It would be creepy if you got your boyfriend and your father confused.” Violet practically jumped when he said the word boyfriend. Obviously she’d noticed that they’d gone beyond just friendship, but she hadn’t been entirely sure what that meant for them. Apparently Jay had it all figured out.
Kimberly Derting (The Body Finder (The Body Finder, #1))
... the result is a coffee shop on every block, and a four-figure annual tab for a serious enthusiast. The shop across the light from the pay phone was representative. It had maroon paint and exposed brick and scarred wood, and a chalkboard menu about ninety percent full of things that don't really belong in coffee, like dairy products of various types and temperatures, and weird nut-based flavorings, and many other assorted pollutants.
Lee Child (Personal (Jack Reacher, #19))
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
She wanted to lunge for him then. In that moment Sheila wanted to charge her whole self into his body, pull out a tibia or a femur and squeeze its proteins to dust. She felt like she had more strength concentrated in every muscle than she'd ever had in her life, and her joints were shifting around inside of her , her cells were multiplying, like the real living organism she supposed she had been all long, but also - and this was the strange thing - she felt helpless, she felt drained of every available energy, like all of this velocity building in her was a product of what he had given her and what she had done with it. She remembered Mr. Zorn, her sophomore-year physics teacher, stepping back from the chalkboard in admiration of an equation he had just written, saying how beautiful it was, how perfectly and essentially balanced, and Sheila had rolled her eyes sitting at her desk at how pathetic this had sounded, how devoid of beauty Mr. Zorn's life must have truly been for him to even think to say something so insane, but now she felt the weight of this truth sting in her somewhere. She and Peter had built this, they had built it together - that's where the velocity came from, that's where the force of the thing came from - and to remove one of the variables from the equation was to leave it unbalanced, and she was not going to let this happen.
Sarah Bruni (The Night Gwen Stacy Died)
In learning any subject of a technical nature where mathematics plays a role, one is confronted with the task of understanding and storing away in the memory a huge body of facts and ideas, held together by certain relationships which can be “proved” or “shown” to exist between them. It is easy to confuse the proof itself with the relationship which it establishes. Clearly, the important thing to learn and to remember is the relationship, not the proof. In any particular circumstance we can either say “it can be shown that” such and such is true, or we can show it. In almost all cases, the particular proof that is used is concocted, first of all, in such form that it can be written quickly and easily on the chalkboard or on paper, and so that it will be as smooth-looking as possible. Consequently, the proof may look deceptively simple, when in fact, the author might have worked for hours trying different ways of calculating the same thing until he has found the neatest way, so as to be able to show that it can be shown in the shortest amount of time! The thing to be remembered, when seeing a proof, is not the proof itself, but rather that it can be shown that such and such is true. Of course, if the proof involves some mathematical procedures or “tricks” that one has not seen before, attention should be given not to the trick exactly, but to the mathematical idea involved.
Richard P. Feynman (The Feynman Lectures on Physics, Vol. I: The New Millennium Edition: Mainly Mechanics, Radiation, and Heat: Volume 1)
Her tone changed from shocked to curious. “How was it? Was it… different?” Sarah bit her lip, ashamed to be gossiping but feeling the strong urge to tell. “Yes,” she confided. “He’s nothing like John. Nothing like him at all.” “Really? What was different? Did he…?” Grace waved a hand as though erasing a chalkboard. “Oh, forget it. I shouldn’t be asking this. But,” again her voice lowered, “is he tattooed everywhere?” Sarah knew it was wrong to talk about him like this, but her inner schoolgirl took over and she nodded, eager to share details. “He’s beautiful … like a stained glass window. And he’s really good with his … mouth.” She raised an eyebrow, giving Grace a significant look. Her friend gasped and giggled. “But isn’t it weird? Touching him?” “Skin is skin, Grace,” Sarah chided. “The tattoos are only on the surface, you know. He’s a man.” A sexy, vulnerable, intense, attractive, responsible, sweet, gentle and loving man.
Bonnie Dee (Bone Deep)
Imagine you are tied to a chair with your hands tightly bound behind you, preventing you from covering your ears. Before you is a giant chalkboard. A woman enters the room. Her fingernails are long, hard, and ready for attack. You follow her with your eyes as she saunters to the chalkboard and raises her hand to make a claw. She looks at you with a blank stare as she digs her fingernails into the chalkboard and drags downward. As the harsh sound hits your ears, you squeeze your eyes shut in an instinctive yet vain effort to shut out the noise, but the absence of sight only magnifies the vile sound. Your ears have become hypersensitive, and you feel an unpleasant chill shoot through your body down to the toes of your feet. Finally, the sound stops as she removes her nails from the board, and a wave of relief passes over you. But the reprieve is short-lived. Again, the nails dig into the board and screech all the way down. The process repeats itself several times, and each time she stops dragging, you think it has ended for good, but soon she starts all over again. You frantically call out to her and ask her why she is doing this. You wonder what you have done to earn this perpetual torture. But she only looks back at your with a blank, almost quizzical stare, and that is when you realize that she is unaware of the pain she is causing. You feel the hopelessness pass over you. You squirm to free yourself from the chair, but it's no use. This is your life now, listening to this terribly unpleasant sound with no way to stop it. Sometimes she leaves, but she always comes back to repeat the scene, oblivious to the torture she creates.
Rachel Cinelli
In some circles, using the word feminist is the equivalent of an f-bomb dropped in church—outrageous, offensive. It’s likely some people saw this book sitting on the shelf and figured they knew what sort of author was behind the words written here: a bitter man-hater arguing that men and women had no discernable differences, a ferocious and humorless woman, perhaps, and so it’s no wonder they reacted at the sight of Jesus alongside feminist like someone had raked long fingernails across a chalkboard. Who could blame them with the lines we’ve been fed about feminists for so long?
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
We must train ourselves to even be able to see and hear anger from women and understand it not only as rational, but as politically weighty. It is, in fact, an anger on behalf of the nation’s suppressed majority and therefore especially frightening and combustible because of the threat it poses to the minority. We are primed to hear the anger of men as stirring, downright American, as our national lullaby, and primed to hear the sound of women demanding freedom as the screech of nails on our national chalkboard. That’s because women’s freedom would in fact circumscribe white male dominion.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
The chalkboard menu really seemed to emphasize that everything was local and that everything had maple syrup in it. The BBQ beef was in maple syrup BBQ sauce. The mac and cheese was made with smoked maple cheese. There was maple tofu and maple-syrup dressing for the salads. "Did you forget you were in Vermont for a second?" Stevie said to Janelle as they took their trays. "Look down. You are standing in maple syrup." "Yeah," Janelle replied, a bit dispiritedly, as she took some tofu and vegetables. "It's not my favorite." Nate stared down the sneeze guard at the mapleized meats. "I'll drink the living blood of trees," he said. "Hit me.
Maureen Johnson (Truly Devious (Truly Devious, #1))
They were all there for the food, the drink, and the ambience, even as everyone devoured plates as disparate as Korean bibimbap and French vichyssoise. "I'm going over there." Ana pointed to a midnight-blue food truck that was known for having the best bao, steamed Vietnamese buns, in Denver. Which, given the popularity of the southeast Asian cuisine in the city lately, was more of an accomplishment than it might have seemed. "What about you?" Rachel asked Melody. "I'm having what you're having. You never steer me wrong." "Then A Parisian in Denver is the way to go. Come on. I want to say hello to Lilia." They found their way to the end of the line in front of a food truck painted in red, blue, and white, and Rachel craned her neck to feet a better look at the chalkboard that proclaimed the day's specials. There was French street food like crepes and merguez sausages alongside trendy favorites like duck confit pommes frites.
Carla Laureano (The Saturday Night Supper Club (The Supper Club, #1))
Mental toughness is the ability to focus on and execute solutions, especially in the face of adversity. Greatness rarely happens on accident. If you want to achieve excellence, you will have to act like you really want it. How? Quite simply: by dedicating time and energy into consistently doing what needs to be done. Excuses are the antithesis of accountability. Important decisions aren’t supposed to be easy, but don’t let that stop you from making them. When it comes to decisions, decide to always decide. The second we stop growing, we start dying. Stagnation easily morphs into laziness, and once a person stops trying to grow and improve, he or she is nothing more than mediocre. Develop the no-excuse mentality. Do not let anything interrupt those tasks that are most critical for growth in the important areas of your life. Find a way, no matter what, to prioritize your daily process goals, even when you have a viable excuse to justify not doing it. “If you don’t evaluate yourself, how in the heck are you ever going to know what you are doing well and what you need to improve? Those who are most successful evaluate themselves daily. Daily evaluation is the key to daily success, and daily success is the key to success in life. If you want to achieve greatness, push yourself to the limits of your potential by continuously looking for improvements. Within 60 seconds, replace all problem-focused thought with solution-focused thinking. When people focus on problems, their problems actually grow and reproduce. When you train your mind to focus on solutions, guess what expands? Talking about your problems will lead to more problems, not to solutions. If you want solutions, start thinking and talking about your solutions. Believe that every problem, no matter how large, has at the very least a +1 solution, you will find it easier to stay on the solution side of the chalkboard. When you set your mind to do something, find a way to get it done…no matter what! If you come up short on your discipline, keep fighting, kicking, and scratching to improve. Find the nearest mirror and look yourself in the eye while you tell yourself, “There is no excuse, and this will not happen again.” Get outside help if needed, but never, ever give up on being disciplined. Greatness will not magically appear in your life without significant accountability, focus, and optimism on your part. Are you ready to commit fully to turning your potential into a leadership performance that will propel you to greatness. Mental toughness is understanding that the only true obstacles in life are self-imposed. You always have the choice to stay down or rise above. In truth, the only real obstacles to your ultimate success will come from within yourself and fall into one of the following three categories: apathy, laziness and fear. Laziness breeds more laziness. When you start the day by sleeping past the alarm or cutting corners in the morning, you’re more likely to continue that slothful attitude later in the day.
Jason Selk (Executive Toughness: The Mental-Training Program to Increase Your Leadership Performance)
Tell me what you and my dad were talking about." Jay jerked away from her as if she'd just slapped him. And Violet realized that she might as well have. He sat up quickly, as if his mind had suddenly cleared from the sensuous haze, and abruptly the teasing grin was wiped clean from his face. "Never mind," she blurted, trying to backpedal. "Forget I said anything." She wanted to go back to where they just were. But it was too late. The determined set of his jaw told her that. "No," he said harshly. "I think we should talk about this, Violet." Even the way he said her name was suddenly hard and angry. "Your dad told me what happened today...out in the woods. He told me that you tracked down the guy who's been killing all the girls around here...that you put yourself in danger." Violet couldn't tell if he was angry or annoyed...or both. He ran his hand through his messy hair in an agitated gesture that indicated he was getting all worked up. "And it's not like it was the first time you've done that. Trouble seems to follow you wherever you go, and you're the only person I know who doesn't seem to care. I don't even want to think about what could have happened to you if I hadn't shown up last night while Grady was...assaulting you." He paused as if it really was too much to think about, and then he continued to rail at her. "You can't even go to the mall safely. I made a promise to your parents, and you just wandered off without even telling me where you were going." His voice was suddenly too abrasive, and it felt to Violet like he was scratching his nails across a chalkboard. She bristled against the accusation in his tone, and suddenly he wasn't the only one who was upset. "And you didn't speak to me for a week!" she lashed back at him. "What was that all about? I spent the entire week waiting for you to stop ignoring me. And all because I didn't bother to check in with you? You don't get to tell me what to do! You're not my father, you know." "Thanks for clarifying that, Violet," he said sardonically. "It would be creepy if you got your boyfriend and your father confused." Violet practically jumped when he said the word boyfriend. Obviously she'd noticed that they'd gone beyond just friendship, but she hadn't been entirely sure what that meant for them. Apparently Jay had it all figured out. But that didn't mean he could push her around.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Fifteen of his clubs, dedicated to politics, music, and the performing arts, had all been developing strategic plans for the past two years. And the local branches of various societies--whose goals were to advance aviation, knowledge of chemistry, automotive transportation, equestrian sports, highway construction, as well as the prompt eradication of ethnic chauvinism--existed only in the sick imagination of the local union committee. As for the school of continuing education, of which Sardinevich was especially proud, it was constantly reorganizing itself, which, as anybody knows, means it wasn't undertaking any useful activity whatsoever. If Sardinevich were an honest man, he would probably have admitted that all these activities were essentially a mirage. But the local union committee used this mirage to concoct its reports, so at the next level up nobody doubted the existence of all those musico-political clubs. At that level, the school of continuing education was imagined as a large stone building filled with desks, where perky teachers draw graphs that show the rise of unemployment in the United States on their chalkboards, while mustachioed students develop political consciousness right in front of your eyes.
Ilya Ilf (Golden Calf)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow: Race in America Beyond Black and White)
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
David Baldacci (Memory Man (Amos Decker, #1))
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Reader's Digest (Reader's Digest USA) - Clip This Article on Location 56 | Added on Friday, May 16, 2014 12:06:55 AM Words of Lasting Interest Looking Out for The Lonely One teacher’s strategy to stop violence at its root BY GLENNON DOYLE MELTON  FROM MOMASTERY.COM PHOTOGRAPH BY DAN WINTERS A few weeks ago, I went into my son Chase’s class for tutoring. I’d e-mailed Chase’s teacher one evening and said, “Chase keeps telling me that this stuff you’re sending home is math—but I’m not sure I believe him. Help, please.” She e-mailed right back and said, “No problem! I can tutor Chase after school anytime.” And I said, “No, not him. Me. He gets it. Help me.” And that’s how I ended up standing at a chalkboard in an empty fifth-grade classroom while Chase’s teacher sat behind me, using a soothing voice to try to help me understand the “new way we teach long division.” Luckily for me, I didn’t have to unlearn much because I’d never really understood the “old way we taught long division.” It took me a solid hour to complete one problem, but I could tell that Chase’s teacher liked me anyway. She used to work with NASA, so obviously we have a whole lot in common. Afterward, we sat for a few minutes and talked about teaching children and what a sacred trust and responsibility it is. We agreed that subjects like math and reading are not the most important things that are learned in a classroom. We talked about shaping little hearts to become contributors to a larger community—and we discussed our mutual dream that those communities might be made up of individuals who are kind and brave above all. And then she told me this. Every Friday afternoon, she asks her students to take out a piece of paper and write down the names of four children with whom they’d like to sit the following week. The children know that these requests may or may not be honored. She also asks the students to nominate one student who they believe has been an exceptional classroom citizen that week. All ballots are privately submitted to her. And every single Friday afternoon, after the students go home, she takes out those slips of paper, places them in front of her, and studies them. She looks for patterns. Who is not getting requested by anyone else? Who can’t think of anyone to request? Who never gets noticed enough to be nominated? Who had a million friends last week and none this week? You see, Chase’s teacher is not looking for a new seating chart or “exceptional citizens.” Chase’s teacher is looking for lonely children. She’s looking for children who are struggling to connect with other children. She’s identifying the little ones who are falling through the cracks of the class’s social life. She is discovering whose gifts are going unnoticed by their peers. And she’s pinning down—right away—who’s being bullied and who is doing the bullying. As a teacher, parent, and lover of all children, I think this is the most brilliant Love Ninja strategy I have ever encountered. It’s like taking an X-ray of a classroom to see beneath the surface of things and into the hearts of students. It is like mining for gold—the gold being those children who need a little help, who need adults to step in and teach them how to make friends, how to ask others to play, how to join a group, or how to share their gifts. And it’s a bully deterrent because every teacher knows that bullying usually happens outside her eyeshot and that often kids being bullied are too intimidated to share. But, as she said, the truth comes out on those safe, private, little sheets of paper. As Chase’s teacher explained this simple, ingenious idea, I stared at her with my mouth hanging open. “How long have you been using this system?” I said. Ever since Columbine, she said. Every single Friday afternoon since Columbine. Good Lord. This brilliant woman watched Columbine knowing that all violence begins with disconnection. All
A vision flashed across Nick’s mind. It was the image of a lipstick kiss his wife left for him on the mirror that morning. It hung there like the single digit sum to the chalkboard-crammed equation of his life.
Gary Ponzo (A Touch of Deceit (Nick Bracco Thriller #1))
Ashley sat in the bar of the boutique hotel, admiring the gorgeous tiled light fixtures hanging from the high ceiling above, the colorful Mexican plates displayed on shelves, the framed chalkboard on the wall indicating live music later that night. Being in Tulum made her feel so far away from her five-bedroom mid-century modern house in Santa Monica, with its floor-to-ceiling windows facing west, and sleek but slightly uncomfortable gray furniture. With its closets full of more shoes than she could ever wear—the garage boasting designer cars and every toy and gadget her two daughters could ever want—its backyard home to a pool and hot tub she hadn’t so much as dipped a toe in for months.
Liz Fenton (Girls' Night Out)
Not only was Rachel, wife of Akiva, a truly righteous woman, but she was also an exceptionally modest person, to the point where—and here Mrs. Meizlish pauses for effect—she once stuck pins into her calves to keep her skirt from lifting in the breeze and exposing her kneecaps. I cringe when I hear that. I can’t stop picturing the punctured calves of a woman, and in my mind the pricking takes place over and over again, each time drawing more blood, tearing muscle, gashing skin. Is that really what God wanted of Rachel? For her to mutilate herself so that no one could catch a glimpse of her knees? Mrs. Meizlish writes the word ERVAH in big block letters on the chalkboard. “Ervah refers to any part of a woman’s body that must be covered, starting from the collarbone, ending at the wrists and knees. When ervah is exposed, men are commanded to leave its presence. Prayers or blessings may not be uttered when ervah is in sight.” “Don’t you see, girls,” Mrs. Meizlish proclaims, “how easy it is to fall into that category of choteh umachteh es harabim, the sinner who makes others sin, the worst sinner of all, simply by failing to uphold the highest standards of modesty? Every time a man catches a glimpse of any part of your body that the Torah says should be covered, he is sinning. But worse, you have caused him to sin. It is you who will bear the responsibility of his sin on Judgment Day.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
The entire chalkboard jumped forward an inch, but it didn’t scare me. Really, it didn’t. I totally didn’t flinch because of the chalkboard. I flinched because… um, I don’t know, but it wasn’t because of the chalkboard. Wrapping my fingers around the edge of the not scary chalkboard,
Marcus Emerson (Extra Large Soda Jerk (Secret Agent 6th Grader, #3))
Whalebone fan Spherical chalkboard Locks (11) Keys (“a handful”) Reflecting circle Deck of cards
Kate Milford (Ghosts of Greenglass House (Greenglass House, #2))
For a minute, the only sounds were thunder and the crackling fire. I watched his face change — like a chalkboard that had been wiped clean — and immediately regretted telling him. He was physically in the room, yet he seemed ghostly — frail enough to disappear like a wisp of smoke, and tormented enough to haunt the room.
Bianca Bowers (Cape of Storms)
Your paranoia is forcing me to try to solve a complex physics equation that will answer the ultimate question of the fate of the universe… on a chalkboard that’s two inches by two inches. Oh, and there’s no chalk.
A.G. Riddle (The Lost Colony (The Long Winter, #3))
A bell jingled over Sunna’s head as she entered the coffee shop, and suddenly, she felt like she was back in Toronto, but ten years earlier. Where the bigger city’s coffee shops had moved on to more modern—Instagram-worthy—design trends and oat milk lattes, this place still had the chalkboard menu behind the counter, a plaque on the wall with a quote about not being able to function without coffee in that once-trendy bridesmaid font. A soft folk song played in the background, and the baristas laughed together as they made drinks.
Suzy Krause (Sorry I Missed You)
John Cartier: The sound was so deafening. Michele Cartier, Lehman Brothers, North Tower, 40th floor: This high-pitched sound, and I didn’t know what that was, but it was so eerie, like your fingernails-on-a-chalkboard type of thing. Bruno Dellinger, principal, Quint Amasis North America, North Tower, 47th floor: I heard a sound that today I cannot remember. It was so powerful, such a huge sound that I blocked it. It scared me to death. I blocked it, and I cannot bring it back up to consciousness. Howard Lutnick, CEO, Cantor Fitzgerald, North Tower: The loudest sound I’d ever heard. Gregory Fried, executive chief surgeon, NYPD: I can’t even give you an analogy.
Garrett M. Graff (The Only Plane in the Sky: An Oral History of 9/11)
It's been over a year since they've visited their son's market. As they walk through the parking lot they take in a number of improvements. Brian admires the raised garden beds made of cedar planks that flank the sides of the lot. There are stalks of tomatoes, staked beans, baskets of green herbs- oregano, lavender, fragrant blades of lemongrass and pointed curry leaf. The planter of baby lettuces has a chalkboard hung from its side: "Just add fork." A wheelbarrow parked by the door is heaped with bright coronas of sunflowers, white daisies, jagged red ginger and birds-of-paradise. Avis feels a leap of pride as they enter the market: the floor of polished bamboo, the sky-blue ceiling, the wooden shelves- like bookshelves in a library. And the smells. Warm, round billows of baking bread, roasting garlic and onions and chicken.
Diana Abu-Jaber (Birds of Paradise)
On the chalkboard was another horrible but familiar sight. Someone had dipped his or her hand into a can of paint and pressed it on the wall. The handprint was bright red.
Michael Buckley (The Unusual Suspects)
Congratulations on your exciting opportunity!” declared the blob in a voice that sounded like a mix between sandpaper and nails on a chalkboard. It appeared to be wholly ignorant of the way its voice sounded, its words infused with a joyful sincerity Paresh found unsettling. “Excuse me?” asked Paresh, who had never encountered an alien before but decided that if the first thing they did when they invaded was congratulate you, they couldn’t be all that bad. “We have identified you as a potential host body. We find your body very desirable.” No one was allowed to find his body desirable but his wife, dammit. “Host body?” “Our analysts have determined that your body’s complexion, specific gravity, and the length of its extremities are optimal for our experience.” Sita had never commented on his specific gravity, but Paresh took it as a compliment. She had commented on the length of his extremity.
Sunil Patel (The Merger: A Romantic Comedy of Intergalactic Business Negotiations, Indecipherable Emotions, and Pizza)
She thought of David at his desk. She thought of her own room, decorated with things he had given her, and of the chalkboard in the kitchen, the thousands of problems and formulas written and erased on its surface, and of the problem that now stood before her,
Liz Moore (The Unseen World)
first floor of a small hotel on the outskirts of San Antonio. Cooper made himself a bet as he walked in. Neon signs for Shiner Bock, smoke-stained drop ceiling, jukebox in the corner, pool table with worn felt, chalkboard with specials. Female bartender, a blonde showing dark roots. The specials turned out to be on a dry-erase board, and the bartendress was a redhead. Cooper smiled. About half the tables were occupied, mostly men but a few women too. The tabletops held plastic pitchers and cigarette packs and cell phones. The music was too loud, some country-rock act
Marcus Sakey (Brilliance (Brilliance Saga, #1))
A city is different things to us at different times - of the day, of the year, of our life. Many years have passed since I was in the backseat of the car, taken with the razzle-dazzle. Today, I'm more drawn to the neighborhood coffee shops, or modest old parks like Abingdon Square in Greenwich Village, where farmers come to sell cheese and eggs under the London Plane trees. I have a soft spot for the little urban island like McCarthy Square, with its birdhouses - some with simple peak roofs; others with multiple stories and decks, made of miniature wood logs, like ski chalets - that poke out from shrubs and evergreens. I like the quiet of the West Village in the morning, where sidewalk chalkboards outside restaurants and coffee shops promise caffeine and better days, and streets paved with setts - Jane, West 12th, Bethune, Bank - feed into Washington Street like streams emptying into a river.
Stephanie Rosenbloom
The sky above the buildings outside their apartment windows is the color of a dusty chalkboard, and the light coming down onto the street is exactly the color of boredom.
Jennifer Egan (The Best American Short Stories 2014 (Best American Series))
Neon signs for Shiner Bock, smoke-stained drop ceiling, jukebox in the corner, pool table with worn felt, chalkboard with specials.
Marcus Sakey (Brilliance (Brilliance Saga, #1))
Teaching is not only about places, things, and concepts; teaching is totally encompassed within the confines of humanity. It's about people and interaction. It's all about caring and sharing!" "Teaching is not merely about taking the top off the bottle of ignorance and filling it to the brim with knowledge. Meaningful lessons and relevant teaching can only happen through the sharing of lives from a human perspective.
Lanny K. Cook (Fingernails on the Chalkboard: An Insider's Look Into the Public Education System)
Alice leaned first one way and then the other, down the line of children. She said, Is everybody understanding this?" One child said, "The misuse of power is the root of all evil?" Alice said, "Well...." Another child said, "There is no justice on the earth?" Alice said, "Well..." Another child said, "We are all alone in the world?" Alice said, "Well..." Another child said, "The greatest depth of our loss is the beginning of true freedom?" Alice said, "Well..." Another child said, "The disposal of human waste is the responsibility of the brokenhearted?" These were all phrases Alice had put on the chalkboard after other field trips. It occurred to Alice, hearing these phrases now, that she might have attempted to do too much with a class of fourth graders. She was willing to admit to some excesses. Alice said, "Just listen.
Lewis Nordan (Wolf Whistle)
Every day begins like a blank chalkboard, on which each one of us can write the poem of our present and our dreams for the future.
Ricky Martin (Me)
According to the chalkboard, tonight was “Ladies Night” featuring “Dollar Drafts for Chicks,” a marketing ploy that drew in, it appeared, a certain female clientele. For example, one straw-haired woman, who was cackle-laughing in a “notice me” manner, wore a yellow T-shirt that read “Sloppy Seconds,” which, alas, seemed all too apropos. Megan
Harlan Coben (Stay Close)
All I have is a life's worth of school days. What came before school I can't remember. You can only sketch so many desks and teachers and chalkboards. You can only come home to so many dinners and homework assignments and nights of taking the garbage out. You can only go to so many museum field trips before you start to wonder, Is this it?
Nina LaCour (The Disenchantments)
After all, this is the same homicide unit in which the diagnosis of Gene Constantine’s diabetes was greeted by a coffee room chalkboard divided by two headings: “Those who give a shit if Constantine dies” and “Those who don’t.” Sergeant Childs, Lieutenant Stanton, Mother Teresa and Barbara Constantine topped the latter list. The shorter column featured Gene himself, followed by the city employees’ credit union.
David Simon (Homicide: A Year on the Killing Streets)
He sat down across from Jennifer, ignoring the seat that would put his back to the door. He shook our hands, saying to Jennifer, “How come every time I meet Pike it’s at some local pub? Whatever happened to a coffee shop?” Jennifer smiled and looked at me, waiting on an answer. “Hey, sir, take a look at the layout and you’ll know why. Besides, L Street is hell and gone from Arlington, and you said get away from Taskforce headquarters.” He waved his arm as if shooing off a fly. “Whatever. I read the chalkboard outside.
Brad Taylor (The Widow's Strike (Pike Logan, #4))
The day scraped by like a hundred pieces of jagged metal slowly pulled across broken asphalt. The slow, unchanging pace of it was maddening, nails on a chalkboard for hours without end.
James N. Cook (The Passenger (Surviving the Dead, #3.5))
Tim’s countenance changed from a contemplative glow to a dim scene of a dramatic aftermath; an echo of an unknown song scratched down a chalkboard of an unidentified emotion while scrambled attempts at focus latched on to speculative fragments of logic that accumulated to reach a satisfactory degree of progress to a common ground of comprehensive reasoning.
Calvin W. Allison (Strong Love Church)
Her story about an Ohio storm that split open one tree and burned down a carriage house was nothing, not to me. I didn’t know where Ohio sat but I figured it didn’t have water on all sides. Galveston was my home and you won’t catch me saying one bad word against it. But I remembered from my schoolgoing days the map of the United States. It was pinned up on the wall by the chalkboard. Texas was big, like it deserved to be. It outshined every other state by a mile. But a person had to look hard to find Galveston. It was off to the side of Texas, just a sliver of land in the Gulf of Mexico.
Ann Weisgarber (The Promise)
He laughed again, a humorless, evil noise that would have made fingernails on a chalkboard sound like a symphony of elegant beauty.
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
DAY 2 Add a One to All Your Zeros   Jesus said to him, “I am the Way and the Truth and the Life. No one comes to the Father except through Me.”  — John 14:6   While I was in India speaking at a school, one of the dorm parents asked to talk to me. He turned out to be a great blessing to me as he sat sharing about so many things. He had been a Brahman, one of the elite of Hinduism, worshipped as a god. He had always been taught that there were many ways to God, and yet he began to wonder, “Do I have the right way?” It was this questioning and the Holy Spirit that had brought him to Jesus. Once he confessed his faith, he was banned from going to his house, and after sixteen years, his father died without reconciliation. He is now tolerated and allowed to visit his house, so long as he does not stay. He really does not care, for he has found Jesus. The most interesting point he made was about writing on a chalkboard his qualifications for being a Christian. Under talent he put zero. Under ability he put zero. Under intelligence: zero. Under people skills he put zero. In every category, he put a zero. He looked on the board and all he had written was a line of zeros. Then a man said to him, “Let me show you something. All you have are zeros, six to be exact. Now we will add one to all the zeros, the only ONE that matters. We will add Jesus to all your zeros.” The man then put a one at the front of all the zeros and said, “See? When I added the ONE to the front, where Jesus belongs, your zeros have now become one million. Add Jesus to your zeros and your weaknesses become your strength.
Michael Wells (My Weakness For His Strength)
The library still had a card catalog, the high school still had chalkboards, and our community pool was Lake Moultrie,
Kami Garcia (Beautiful Creatures (Beautiful Creatures, #1))
Out this way there was the lonely last pub, the Castle, which now had an angry chalkboard sign up that said “drinkers welcome” to indicate its dissatisfaction with other establishments’ fads like pub quizzes, bands, food, and, presumably, conversation.
Paul Cornell (Witches of Lychford (Lychford, #1))
It was a funny, impossible little trap of nature, motherhood. It muddled your brain with floods of hormones and sleep deprivation, kept you constantly busy tending to a million needs, had you forever thinking about the care of others. You could disappear into motherhood, forget completely that once upon a time you were an athlete, a graduate student, that you had ambitions to go into politics, change the world. That once upon a time you wanted to write. And even though motherhood wiped all that away like a cosmic eraser over the chalkboard of your life, it gave you something else—this crazy, blissful, adoring love that splits you open and redefines you from the inside out.
Lisa Unger (Darkness, My Old Friend)
Milton did his best to keep up, which is to say, he lagged behind, baying like a mortally wounded basset hound. The Fausters were to singing as Napoleon was to Extreme Frisbee. Milton’s Pang gullet only made things worse, drawing out each tortured “note” until it whimpered for release. Mr. Presley pulled the emergency brake on their duet. “We’ve all got talent, son,” he consoled. “Some folks just got to dig deeper than others to find it. Now, let’s give someone else a chance. You”—he waved his diamond-ringed fingers lazily toward Virgil—“step on up and show us what you’ve got.” Virgil rose nervously, his metal chair sighing with relief, and trudged up to the stage as Milton shambled off. Ever the good friend, Virgil tried to high-five Milton after his disastrous debut, but due to Milton’s Pang-suited delayed reaction, he just ended up slapping him in the head. “Sorry,” Virgil mumbled to his friend as he stood before the chalkboard. “Just follow my lead, son, and relax,” Mr. Presley slurred supportively. Mr. Presley began to mournfully croon. “Au signal du plaisir, Dans la chambre du drille, Tu peux bien entrer fille, Mais non fille en sortir …” Virgil pulled in a great breath and began to sing. “Bonne nuit, hélas! Ma petite, bonne nuit. Près du moment fatal.” In a word, Virgil’s voice was stunning. In another word, he was a virtuoso. In four more words, Milton was very surprised. Virgil’s thrilling spectacle of pitch and tone was like a vocal fireworks display, and his breath control left the rest of the class breathless. “Fais grande résistance, S’il ne t’offre d’avance Un anneau conjugale.” Riding
Dale E. Basye (Blimpo: The Third Circle of Heck)
Cleveland, and
Kelley Kaye (Death by Diploma (Chalkboard Outlines Book 1))
Yeah?” he barked. “Geez, someone got up on the wrong side of the bed,” Gracie said. Great, just what he needed. The only person who possibly loved Maddie more than his mother was Gracie. “What can I do for you?” “Is Maddie there?” Over the line, the sound of dishes clattering was like nails on a chalkboard to Mitch’s ear. “Yeah.” He made no move to hand the phone over to her. Now she was getting calls? “Can I talk to her?” Gracie asked, sounding like a teenage girl talking to her father. “One second.” The words were spoken through gritted teeth he turned to Maddie. “It’s for you. Gracie.” Maddie jumped up and grabbed the phone. He glowered at her. She scowled back. “What is wrong with you?” “Not a thing, Princess.” For
Jennifer Dawson (Take a Chance on Me (Something New, #1))
When an eyeball is longer than normal from front to back, the incoming rays of light focus in front of the retina instead of on the retina. This condition is known as myopia or nearsightedness. In this situation, a pupil can see near objects (for example, his or her textbook), but viewing objects at a distance—the chalkboard—may be problematic. If the eyeball is too short, the image will focus behind the retina. This condition is commonly referred to as hyperopia or farsightedness. A child with hyperopia typically has no problem seeing distant objects but encounters difficulty seeing near objects. Hyperopia is the most common refractive error in children (Geddie, Bina, & Miller, 2013). myopia Elongation of the eye that causes extreme nearsightedness and decreased visual acuity. hyperopia Change in the shape of the eye, which shortens the light ray path and causes farsightedness. In the case of astigmatism, one or more surfaces of the cornea or lens (the eye structures that focus incoming light) are not spherical (shaped like the side of a basketball) but cylindrical (shaped like the side of a football). As a result, there is no distinct point of focus inside the eye but, rather, a smeared or spread-out focus.
Richard M. Gargiulo (Special Education in Contemporary Society: An Introduction to Exceptionality)
This reminds me of an old story from the Harvard math department, concerning one of the grand old Russian professors, whom we shall call O. Professor O is midway through an intricate algebraic derivation when a student in the back row raises his hand. “Professor O, I didn’t follow that last step. Why do those two operators commute?” The professor raises his eyebrows and says, “Eet ees obvious.” But the student persists: “I’m sorry, Professor O, I really don’t see it.” So Professor O goes back to the board and adds a few lines of explanation. “What we must do? Well, the two operators are both diagonalized by . . . well, it is not exactly diagonalized but . . . just a moment . . .” Professor O pauses for a little while, peering at what’s on the board and scratching his chin. Then he retreats to his office. About ten minutes go by. The students are about to start leaving when Professor O returns, and again assumes his station in front of the chalkboard. “Yes,” he says, satisfied. “Eet ees obvious
Jordan Ellenberg (How Not to Be Wrong: The Power of Mathematical Thinking)
I read the earliest date aloud, October twenty-third, and scanned the numbers for the next oldest, and the next. I glanced up after four or five. “What’s that you’re drawing?” I asked. Jackaby scowled. “Recording the dates. Keep going.” “Is that an elven language or something?” He stood back from the chalkboard and stared at it blankly. “No.” “Are those pictograms? What’s that bit you just finished? The one that looks like a goose tugging at a bit of string?” “That’s a seven.” “Oh.” We both looked at the board. I tilted my head. “Oh right—I see. I think.
William Ritter (Jackaby (Jackaby, #1))
Imagine a chalkboard with a line drawn down the middle dividing it into two columns. At the top of the left column is the word, “Blessings.” At the top of the right column is the word, “Curses.” According to Deuteronomy 28, health would be listed on the left in the blessings column, and sickness would be listed on the right in the curses column. Yet many people in the church today reverse this, saying, “Oh, no. It’s really a blessing that God gave me this sickness.” That’s not true.
Andrew Wommack (God Wants You Well)
Memory like a chalkboard, but you can never quite remove the images there, only smudge them. Sometimes beyond recognition. —
Lavie Tidhar (The Violent Century)
But the fundamental lack of understanding of how the world works, the lack of awareness of how privileged they were, and the absence of basic respect for America that I heard coming out of the mouths of these kids was like listening to a sixty-minute loop of nails on a chalkboard
Mat Best (Thank You for My Service)
We then accept these persuasive self-accounts without question, as if they were the truth, the whole truth, and nothing but the truth. These are stories that, regardless of their veracity, may have been scribbled on our mental chalkboards in third grade, or even before we could walk or talk.
Susan David (Emotional Agility: Get Unstuck, Embrace Change, and Thrive in Work and Life)
You're not good enough." Gosh, that voice; nails on a chalkboard. Wanna drown that voice in buckets of urine!
Efrat Cybulkiewicz
The producers.” he said it quietly, as if that meant something to me. “They hide the cameras and mics in all sorts of things—mirrors, computers, chalkboards, streetlights. They’ve planted mics in bushes and on trees. I think there’s one on your backpack.
Anna Carey (This Is Not the Jess Show)