Chalk Board Quotes

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It's why I went into teaching in the first place. I like the sound of my own voice. Well that, and I am addicted to the smell of chalk and white-board markers.
Mercy Celeste (Wicked Game)
Miss Murphy in first grade wrote its name in chalk across the board and told us it was roaring down the storm tracks of the milky way at frightful speed and if it wandered off its course and smashed into the earth there'd be no school tomorrow.
Stanley Kunitz
He [James Cain] is every kind of writer I detest...a Proust in greasy overalls, a dirty little boy with a piece of chalk and a board fence and nobody looking.
Raymond Chandler
This is test number one hundred and thirty-two!’ I said, chalking it up on the board. “I handed him the pill. He looked at it nervously. I couldn’t blame him for being a bit jittery after what had happened to the other one hundred and thirty-one volunteers.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
James Cain – faugh! Everything he touches smells like a billygoat. He is every kind of writer I detest, a faux naïf, a Proust in greasy overalls, a dirty little boy with a piece of chalk and a board fence and nobody looking. Such people are the offal of literature, not because they write about dirty things, but because they do it in a dirty way. Nothing hard and clean and cold and ventilated. A brothel with a smell of cheap scent in the front parlor and a bucket of slops at the back door. Do I, for God’s sake, sound like that?
Raymond Chandler
All right,” he said. “Since you asked, Webmind is an emergent quantum-computational system based on a stable null-sigma condensate that resists decoherence thanks to constructive feedback loops.” He turned to the blackboard, scooped up a piece of chalk, and began writing rapidly. “See,” he said, “using Dirac notation, if we let Webmind’s default conscious state be represented by a bra of phi and a ket of psi, then this would be the einselected basis.” His chalk flew across the board again. “Now, we can get the vector basis of the total combined Webmind alpha-state consciousness...
Robert J. Sawyer (WWW: Watch (WWW, #2))
Bill Door found a piece of chalk in the farm's old smithy, located a piece of board among the debris, and wrote very carefully for some time. Then he wedged the board in front of the henhouse and pointed Cyril toward it. THIS YOU WILL READ, he said. Cyril peered myopically at the "Cock-A Doodle-Doo" in heavy gothic script. Somewhere in his tiny mad chicken mind a very distinct and chilly understanding formed that he'd better learn to read very, very quickly.
Terry Pratchett
Diggory's Dyke was a deep cut between two chalk downs-high, green hills, where a thin layer of green grass and reddish earth covered the chalk, and there was scarcely soil enough for trees. The Dyke looked, from a distance, like a white chalk gash on a green velvet board. Local legend had it that the cut was dug, in a day and a night, by one Diggory, using a spade that had once been a sword blade before Wayland Smith had melted it down and beaten it out, on his journey into Faerie from the Wall. There was those who said the sword had once been Flamberge, and others, that it was one the sword Balmung; but there was none who claimed to know just who Diggory had been, and it might all have been stuff and nonsense. Anyway, the path to Wall went through Diggory's Dyke, and any foot-traveler or any person going by any manner of wheeled vehicle went through the Dyke, where the chalk rose on either side of you like thick white walls, and the Downs rose up above them like green pillows of a giant's bed.
Neil Gaiman (Stardust)
Spectacles with case, firestick, fork, curved knife, charcoal, boards, sheets of paper, white chalk, wax, forceps, pane of glass, fine-tooth bone saw, scalpel, inkhorn, pen-knife, and get hold of a skull.
Leonardo da Vinci
There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
immediately commenced copying them, and in a short time was able to make the four letters named. After that, when I met with any boy who I knew could write, I would tell him I could write as well as he. The next word would be, "I don't believe you. Let me see you try it." I would then make the letters which I had been so fortunate as to learn, and ask him to beat that. In this way I got a good many lessons in writing, which it is quite possible I should never have gotten in any other way. During this time, my copy-book was the board fence, brick wall, and pavement; my pen and ink was a lump of chalk. With these, I learned mainly how to write. I then commenced and continued copying the Italics in Webster's Spelling Book, until I could make them all without looking on the book.
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
For a time he stood listening and looking down at the town, at the smoke starting up from the chimneys and the small, diminishing stars in the sky. One of the brightest fell while he was standing there, leaving a streak like a chalk mark on a board for just a second before it vanished.
Claire Keegan (Small Things Like These)
You used to have feelings for me?” He shook his head. She tossed her chalk onto the board’s shelf and turned away. “Excuse me, I’ve got to—” He swiped at her and barely caught her arm. “I didn’t have feelings for you.” He pulled her toward him despite her resistance. “Of course you wouldn’t.” Her poor lips were pressed so hard together they were shaking. “I still do, woman.” She stilled. “I still do.” Admitting
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Arm in arm with a fellow who's had the mishap, To forget, when he shagged her, to button his flap. Nor I don't like to see, though some think it a treat. A young woman scratching her thing in the street; And a boarding-school miss, with no sense in her pate. Sit and chalk a man's tool on the back of her slate. I don't like to see, in the bright face of the day, A man stand and piss in the public highway; Nor a Newfoundland dog, without any disguise. Tied fast to a bitch not a quarter his size. Nor I don't like to see, little sisters and brothers Get playing at what they call fathers and mothers; And I don't like to see, though at me you might scoff, An old woman trying to toss herself off. I don't like to see - it's a fact that I utter - That nasty word — written up on a shutter: And I don't like to see a man, drunk as an Earl. Getting into a lamp-post thinking it's a girl. I don't like to see, 'cause my feelings it shocks. Two girls busy playing with each other's c-; Nor I don't like to see, though it may be a whim. A hole like a pit-mouth in place of a q-. But I fear I'm encroaching too much on your time, So I'll put an end to my quizzical rhyme; Though with my way of taste you'll perhaps not agree, I've told you the things I don't like to see.
Anonymous (The Pearl)
I told him about how our second form teacher, Miss Crane, drew the tiniest chalk mark on the blackboard and explained that a point is “zero-dimensional,” meaning it doesn’t actually exist. But once you have two points—two nonexistent points—you can fill in the space between with lots and lots of points, and you get a line, which has length, so it’s now one dimension, which you could argue means it does now exist. Miss Crane dotted her chalk against the board, over and over, in a straight line, demonstrating how a series of nothings could become something. (Actually, you could also argue the line still doesn’t exist, it’s just a concept, but I’d learned by then not to add caveats to everything I said. This was, after all, a love letter.) I told Jack how I leaned forward that day in class as if I stood with my toes hanging over the very precipice of enlightenment. In my naivete, I believed Miss Crane was about to explain something that explained everything. Something I felt I almost already knew, but could not articulate; it was related to infinity and God, the ocean and space, the universe and my dad. Of course, I did not achieve enlightenment in my geometry lesson. Miss Crane put the chalk down and told us to take out our compasses and protractors. I told Jack that when I was with him, I felt like I was close to understanding what I had nearly understood that day.
Liane Moriarty (Here One Moment)
I have to ask you something.” Stumbling over words, I described my encounter with Edward. “I have to meet him at the railroad trestle next week. I’m supposed to do something when I get there, but he didn’t say what…” My voice trailed away. The expression on Andrew’s face told me he knew exactly what I was talking about. “Drat,” he muttered. “That low-down skunk. I was hoping he’d forgotten.” Andrew hesitated. Without looking at me, he picked up a piece of chalk and started drawing a little train on the floor. Concentrating on his sketch, he said, “Before I got sick, Edward dared me to jump off the trestle.” My heart beat faster. “Is that what I’m supposed to do? Jump off?” “Now, now, don’t get all het up, Drew. It’s not as bad as you think.” Carefully, Andrew added a curlicue of smoke to his drawing. “You walk out on the trestle and jump in the river. Then you swim to shore. It’s a simple as one two three.” He tapped the chalk three times for emphasis. My mouth was so dry I could hardly speak. Lying down between the rails or dynamiting the train might be better than this. “How high is the trestle?” Instead of answering my question, Andrew said, “It’s a test of manhood. Lots of boys have done it.” I wasn’t interested in testing my manhood or hearing about other boys. I just wanted to know what was going to happen to me. Me--a boy who was scared to jump off a diving board into eight feet of crystal-clear chlorinated water.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Activities to Develop the Visual System Making Shapes—Let your child draw or form shapes, letters, and numbers in different materials, such as playdough, finger paint, shaving cream, soap foam, sand, clay, string, pudding, or pizza dough. Mazes and Dot-to-Dot Activities—Draw mazes on paper, the sidewalk, or the beach. Have the child follow the mazes with his finger, a toy car, a crayon, a marker, or chalk. On graph paper, make dot-to-dot patterns for the child to follow. Peg Board—Have the child reproduce your design or make his own. Cutting Activities—Provide paper and scissors and have your child cut fringe and strips. Draw curved lines on the paper for her to cut. Cutting playdough is fun, too. Tracking Activities—Lie on your backs outside and watch birds or airplanes, just moving your eyes while keeping your heads still. Jigsaw Puzzles! Block Building!!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Had this been an isolated experience, he would have chalked it up to the nature of their mission and the monster they were chasing. Only it wasn’t isolated. Seven years earlier, Jonas had experienced a similar series of dreams while on-board the navy transport, the Maxine D. It had been these night terrors that he secretly credited for saving his life on his last dive into the Mariana Trench. Despite Frank Heller’s accusations, Jonas knew now that he hadn’t panicked when the Meg had attacked the Sea Cliff. In fact, he had reacted with lightning-quick reflexes from hours of mentally rehearsing what he would do if the submersible had been threatened by the biologic they had first detected on sonar hours earlier… a state of paranoia implanted by the dreams.
Steve Alten (Meg (Meg, #1))
Alan Turing once whimsically proposed a number N, defined as “the odds against a piece of chalk leaping across the room and writing a line of Shakespeare on the board.”♦
James Gleick (The Information: A History, a Theory, a Flood)
To me, the board has always been profoundly three-dimensional, an effect enhanced by the chalk dust which drifts up from the tray, or is inadequately removed when the slate is washed, so that its normal blue-black monochrome is full of subtle variations, grays which suggest faraway galaxies or a nebula's gaseous clouds. And when I begin to draw a line across a freshly cleaned section, my hand follows the chalk in, as though like fish it swam there, and then, in the curve of an encircled word, it returns toward its source, and the simpler surface of the classroom world. That may be one reason why I lose my way while spelling the most common terms, for the letters will not remain in a row on the same plane as they do on the page, but sink or rise or float away, becoming curlicues and bows of string, whorls of suspended weed in which I lose all sense of the word's original identity.
William H. Gass (The Tunnel)
While I sat in back in the dark, snug and comfortable, my aunt had several removes lectured me: “You have to erase from your memory everything that happened in Europe. You have to make a new beginning. You have to forget what they did to you. Wipe it off like chalk from a blackboard.” And to make me understand better, she gestured as if wiping a board with a sponge. I thought, she wants me to get rid of the only thing that I own for sure: my life, that is, the years I have lived. But you can't throw away your life like old clothing, as if you had another outfit in the closet. Would she want to wipe away her own childhood? I have the one I have, and she has a different one – I can't invent one for myself that's more respectable. Struggling with foreign words that seemed to lurk behind seven veils, I told her why I had to reject this invitation to betray my people, my dead. The language was recalcitrant. My aunt hardly listened to my alien gibberish.
Ruth Kluger (Still Alive A Holocaust Girlhood Remembered by Ruth Kluger [The Feminist Press,2003] (Paperback))
even the formidable deputy seemed lost for words – or was saving them for later. Maths followed a similar pattern. While the others struggled over algebra, Janet spent the first half of the lesson hidden behind her ponytail of tangled hair – ‘looking for split ends,’ she explained to Edie afterwards – until Mr Robinson, a nervous young teacher who had joined the school the previous term, invited her to come to the front of the class and write an answer to the question he had just chalked up on the board. ‘Why are you picking on me?’ Janet asked sulkily. ‘Because I don’t think you’ve been paying attention,’ Mr Robinson replied. Janet scraped back her chair, and walked to the front of the class with her shoulders swaying. ‘What’s the point trying to work out the answer when the question doesn’t make sense?’ she said, and proceeded to insert a missing bracket into Mr Robinson’s equation. ‘That was awesome,’ said Belinda later, over tea. ‘He looked so embarrassed! Oh, Janet, you should have seen him when you were walking back to your desk – his face was like strawberry jam!’ ‘I felt sorry for him,’ said Anastasia. ‘He’s so shy, and sometimes I think he’s frightened of us. Do you remember that time he was on supper duty last term and
Esme Kerr (Mischief at Midnight (Knight's Haddon Book 2))
I walk into a room where peoples' faces are as blank as chalk boards. the music picks up, the lighting becomes brighter and suddenly I am lifted off of my feet being spun by a tall figure with no name; mystery is the name of my game
Random Youtube Commenter
Loddie Doddie sells craft and art supplies including chalk markers, chalkboards, dry erase boards, dry erase markers, gel pens, sidewalk chalk and more. Loddie Doddie products are perfect for young kids, homeschoolers, elementary educators, and anyone that loves to explore their creativity.
Loddie Doddie
She had gone past the bakery shop again the next afternoon. The windows had been smashed, the front door had apparently been broken in, because it was boarded up. There were messages chalked on the sidewalk in front of the store. They all said the same thing: "White man, don't come back." She was surprised to see that there were men still standing around, on the nearest corners, across the street. Their faces were turned toward the store. They weren't talking. They were just standing with their hands in their pockets—waiting. Two police cars with their engines running were drawn up in front of the store. There were two cops right in front of the door, swinging nightsticks. She walked past, thinking that it was like a war that hadn't got off to a start yet, though both sides were piling up ammunition and reserves and were now waiting for anything, any little excuse, a gesture, a word, a sudden loud noise—and pouf! it would start. Lutie moved uneasily on the bed. She pulled the robe more tightly around her. All of these streets were filled with violence, she thought. You turned a corner, walked through a block, and you came on it suddenly, unexpectedly.
Ann Petry (The Street)
A visitor at a school for the deaf was writing questions on the board for the children. Soon he wrote this sentence: “Why has God made me able to hear and speak, and made you deaf?” The shocking sentence hit the children like a cruel slap on the face. They sat paralyzed, pondering the dreadful word “Why?” And then a little girl arose. With her lip trembling and her eyes swimming with tears, she walked straight to the board. Picking up the chalk, she wrote with a steady hand these precious words: “Yes, Father, for this was your good pleasure” (Matt. 11:26). What a reply! It reaches up and claims an eternal truth upon which the most mature believer, and even the youngest child of God, may securely rest—the truth that God is your Father.
Mrs. Charles E. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
When she returned, her children were in the front yard, playing with sidewalk chalk. They had drawn a hopscotch board on the sidewalk between her house and Mrs. Carol’s. Sarah, Clara,
Coral Harper (The Seahorse Cottage: The Complete Series)
BlockChalk is a virtual community bulletin board for neighborhoods in nearly nine thousand cities. In function, it is like a hyper-local version of Twitter. From your cell phone, you can leave a message for someone on your block or street, whether it is to report something you found, announce something happening in your neighborhood, ask to borrow an item, warn people of something to watch out for, or just chat. A typical “chalk” (BlockChalks’s word for a message) reads, “Found dog while running last night @River Bank De & Poppy Way in Edgewater . . . Please post on here if he’s yours, or you know who he belongs to.” It was created by Josh Whiting, who was formerly a senior engineer for craigslist and Del.icio.us, to make it easy for neighbors to interact with each other. Recognizing that some users will want to keep their identity and location anonymous, you can reply privately or respond publicly, “chalkback.
Rachel Botsman (What's Mine Is Yours)