“
Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
”
”
Charles Dickens (Great Expectations)
“
That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
”
”
Charles Dickens (Great Expectations)
“
Love is not always a lightning bolt. Sometimes it is a creeping vine. It grows slowly until suddenly it is all that there is in the world.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
You cannot save people who do not want to be saved," said Magnus. "You can only stand by their side and hope that when they wake and realize they need saving, you will be there to help them.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
We are none of us perfect, and no one expects perfection. But when you have hurt people, you must allow them their anger. Otherwise it will only become another thing you have tried to take away.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
To love one another is to come as close as we ever can to being angels ourselves.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Someone who broke your heart is often not the person who can mend it.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
My love, my love
Remember the cries
When winter died for spring skies
They roared and roared
But we grabbed our seed
And sowed a song
Against their greed
And
Down in the vale
Hear the reaper swing, the reaper swing
the reaper swing
Down in the vale
Hear the reaper sing
A tale of winter done
My son, my son
Remember the chains
When gold ruled with iron reins
We roared and roared
And twisted and screamed
For ours, a vale
of better dreams
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
You must stop this," he said. "You will make yourself unworthy by considering yourself unworthy. We become what we are afraid we will be.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Well, you know what they say," said James. "All the best men are either married or Silent Brothers.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
We have talked so much of travel," James said. "I wanted to give you the world.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
One should not questions miracles too closely.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Alastair's gaze flicked to Matthew. "Why," he said, "are you not even wearing a hat?
"And cover up this hair?" Matthew indicated his golden locks with a flourish. "Would you blot out the sun?
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
It’s never a tragedy to love somebody.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Hast thou gone among the streets of the city and the watchmen there, and found the one thy soul loves?
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I thought of you,” he said again, “and it was as if you were there, with me. I saw your face. Your hair …” He wound a finger through a dangling curl beside her face. She could feel the warmth from his hand against her cheek. “And I was no longer afraid. I knew I would be able to come home, because of you. That you would lead me back. You are my constant star, Daisy.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I believe that decadence is a valuable perspective that should always be considered.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
James had never imagined that the hardest thing he would ever do in his life was nothing at all.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
The iron chain and the silken cord are both equally bonds.
”
”
Friedrich Schiller
“
When you want something very much, you are willing to accept the shadow of that thing. Even if it is just a shadow.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Lords are gold and knights steel, but two links can't make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Matthew has a habit of getting his heart broken. He seems to prefer a hopeless love.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
When I am with you, I imagine that my heart is beating, though it has not beaten for seven years. You give me so much, and I can give you nothing at all.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Only promise me one thing, if I do go, give us a happy ending, will you? In your book?”
“I don’t believe in endings
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
He had only felt agony when she was not there, and assumed that that was love. We suffer for love because love is worth it, his father had told him once: James had thought that meant that to love was to endure anguish. He had not realised his father had meant there should be joy to balance the pain.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
For a moment my soul was elevated from its debasing and miserable fears to which these sights were the monuments and the remembrances. For an instant I dared to shake off my chains, and look around me with a free and lofty spirit; but the iron had eaten into my flesh, and I sank again, trembling and hopeless, into my miserable self.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Thomas had very nice shoulders. Legendary shoulders, in fact.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Love is a rarity in this world, and true friendship,
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Hope is a prison, truth the key that unlocks it.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
You may fear what will happen if you speak your heart. You may wish to hide things because you fear hurting others. But secrets have a way of eating at relationships, Jamie. At love, at friendship—they undermine and destroy them until in the end you find you are bitterly alone with the secrets you kept.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Contrary to what your beloved poets say, unrequited love doesn’t last forever. And being treated badly by someone doesn’t make you love them more.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
goodness can be a blade sharp enough to cut, you know, just as much as evil intent.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
For I am persuaded, that neither death, nor life, nor angels, nor demons, nor principalities, nor powers, nor things present, nor things to come, nor height, nor depth, nor any other creature, shall be able to separate us.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I know what I feel. You cannot dictate such things, nor tell me what is possible!
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
If I must fade,' he said, 'I would like to fade remembering this as my last waking dream.'
'Don't go,' she whispered. 'Hold on, for me. We are so close.'
He touched her cheek. 'Only promise me one thing,' he said. 'If I do go, give us a happy ending, will you? In your book?'
'I don't believe in endings,' she said, but he only smiled at her, and faded slowly from view.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I try to shake it loose-but these ideas, they cling. It's like I'm shackled to them with an iron chain. They rattle along behind me, dragging against the ground, always reminding me of their presence.
”
”
Maureen Johnson (The Madness Underneath (Shades of London, #2))
“
Because, when you want something very much, you are willing to accept the shadow of that thing. Even if it is just a shadow.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
But its the same with any life. Imagine one selected day struck out of it and think how different its course would have been. Pause you who read this and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you but for the formation of the first link on one memorable day.
”
”
Charles Dickens (Great Expectations)
“
Love is like chains of unbreakable steel. Love is like iron weights, heavier than the world. Love can crush just as surely as it can lift up. Everything else wilts before it.
”
”
G. Norman Lippert (James Potter and the Vault of Destinies (James Potter, #3))
“
He is not yours. He is mine. He is mine.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I know what it is to be in pain, and not to be able to seek comfort from the one you love the most, nor be able to share that pain with anyone you know.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
We are special, unusual, unique people. That means that we must be bold and proud, but also careful. Don’t think you have so much to prove that it makes you foolish.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
In the dresser there are two sets of rosary beads, a Brigid's cross, and an iron pendant on a chain. And then there is her, more worthy of worship, with a knee on either side of my hips
”
”
Chloe Michelle Howarth (Sunburn)
“
I hate to burst your bubble, but you're really not as scary as you think you are. I don't find you scary at all, actually," I lied casually.
He stopped, raising his eyebrows in blatant disbelief. Then he flashed a wide, wicked smile.
"You really shouldn't have said that," he chuckled.
He growled, a low sound in the back of his throat; his lips curled back over his perfect teeth. His body shifted suddenly, half-crouched, tensed lika a lion about to pounce.
I backed away from him, glaring.
"You wouldn't."
I didn't see him leap me - it was much too fast. I only found myself suddenly airborne, and then we crashed onto the sofa, knocking it into the wall. All the while, his arms formed an iron cage of protection around me - I was barely jostled. But I still was gasping as I tried to right myself.
He wasn't having that. He curled me into a ball against his chest, holding me more securely than iron chains. I glared at him in alarm, but he seemed well in control, his jaw relaxed as he grinned, his eyes bright only with humor.
"You were saying?" he growled playfully.
"That you are a very, very terrifying monster," I said, my sarcasm marred a bit my breathless voice.
"Much better," he approved.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
It always amuses him that even though her life was filled with demons and vampires, warlocks and faeries, his wife still made a beeline for fantastical fiction every time they entered Foyles bookshop.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
One should not, she felt instinctively, question miracles too closely.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
It is not wise to forget to believe.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
But the truth is that sorrow is fleet and loyal. It will always follow you.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
People are dull. Gossiping about them is never dull.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
He has given us a tremendous capacity to love. To give of our hearts, to let them be filled and filled again with the love that consecrates us all. To love one another is to come as close as we ever can to being angels ourselves.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
My father used to tell me that sometimes you cannot reconcile with someone else. Sometimes you have to find that reconciliation on your own. Someone who broke your heart is often not the person who can mend it.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
You were always my secret
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
That love is complicated," said Cordelia, "That it lies beside anger and hatred, because only those we truly love can truly disappoint us.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I sometimes wonder, " James said, "if we can ever quite understand other people. " He ran a hand through his hair. "All we can do is try, I suppose.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Anna: I will never be with you. We have no future together. None. Do you still want me to kiss you anyway?
Ariadne: Yes. Yes.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
A stupid despot may constrain his slaves with iron chains; but a true politician binds them even more strongly by the chain of their own ideas… on the soft fibers of the brain is founded the unshakable base of the soundest of Empires.
”
”
Michel Foucault (Discipline and Punish: The Birth of the Prison)
“
Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Death is a jealous mistress," Lucie whispered. "She fights to keep you.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
There is joy in being with someone you love, even knowing you can never have them, even knowing they will never love you back.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Water splashed over my jeans, and I yelped as something burned my skin.
We examined my leg. Tiny holes marred my jeans where the drops had hit, the material seared away, the skin underneath red and burned. It throbbed as if I’d jabbed needles into my flesh.
“What the heck?” I muttered, glaring into the storm. It looked like ordinary rain—gray, misty, somewhat depressing. Almost compulsively, I stuck my hand toward the opening, where water dripped over the edge of the tube.
Ash grabbed my wrist, snatching it back. “Yes, it will burn your hand as well as your leg,” he said in a bland voice. “And here I thought you learned your lesson with the chains.”
Embarrassed, I dropped my hand and scooted farther into the tube, away from the rim and the acid rain dripping from it. “Guess I’m staying up all night,” I muttered, crossing my arms. “Wouldn’t want to doze off and find half my face melted off when I wake up.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
I suppose I merely thought it would be enough for you to know. That you might — if anything were to happen to me, you would remember I loved you desperately. And if for some reason, at the end of the year, you and James divorced. I would have waited
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
He’s indeed very dashing, but you must not forget your own heroism.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Just as it was a torment to love, it might be a torment to be loved. To be loved, and to know it was not real.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
So much of managing society is keeping one's chin up... and disregarding the ignorant things people say.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
After every happiness comes misery; they may be far apart or near. The more advanced the soul, the more quickly does one follow the other. What we want is neither happiness nor misery. Both make us forget our true nature; both are chains--one iron, one gold; behind both is the Atman, who knows neither happiness nor misery. These are states, and states must ever change; but the nature of the Atman is bliss, peace, unchanging. We have not to get it, we have it; only wash away the dross and see it.
”
”
Vivekananda
“
Promises bind our kind as surely as iron chains or ropes of human hair. The fae never swear by anything we don't believe in. We don't ask for thanks and we don't offer them; no promises, no regrets, no chains. No lies.
”
”
Seanan McGuire (Rosemary and Rue (October Daye, #1))
“
For two centuries, Christians would be a persecuted minority. There was no worldly reward for being Christian. Being a follower of Christ took courage. The twelve apostles, and their first-century co-workers, suffered tribulation and sometimes death as they fulfilled the Great Commission Jesus had given them (Matt 28:19–20). They turned an iron empire upside down and changed our world forever.
”
”
James Allen Moseley (Biographies of Jesus' Apostles: Ambassadors in Chains)
“
All one had to do was pretend, she realized, marveling a bit, and everyone would fall into line pretending with you.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
I hold the Fates bound fast in iron chains,
And with my hand turn Fortune's wheel about;
”
”
Christopher Marlowe (Tamburlaine (Dover Thrift Editions))
“
Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.'
I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.'
Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So...when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be....'
I looked at him. 'You haven't really got a clue, have you?'
'No.
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
You do not yield.
Aelin slammed her hand into the lid. Cairn paused. Aelin pounded her fist into the iron again. Again. You do not yield. Again. You do not yield. Again. Again. Until she was alive with it, until her blood was raining onto her face, washing away the tears, until every pound of her fist into the iron was a battle cry. You do not yield.
It rose in her, burning and roaring, and she gave herself wholly to it.
Over and over, she pounded against the lid. Over and over, that song of fire and darkness flared through her, out of her, into the world. You do not yield
And when she awoke chained on the altar, she beheld what she had done to the iron coffin. The top of the lid had been warped. A great hump now protruded, the metal stretched thin. As if it had come so very close to breaking entirely.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Suddenly James was there, throwing an arm around her from behind. He seemed heedless of Cortana as he drew her back against him, whispering in her ear, "'Neither death, nor life, nor angels, nor demons, nor principalities, nor powers, nor things present, nor things to come, shall be able to separate us.' Do you understand? Keep hold of me, Daisy. Keep hold of me and don't let go.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Carefully she took hold of the chain dangling from it, the jade pendant he had given her so long ago. The inscription on the back still gleamed as if new:
When two people are at one in their most inmost hearts, they shatter even the strength of iron or bronze.
"You remember, that you left it with me?" she said. "I've never taken it off."
He closed his eyes. His lashes lay against his cheeks, long and fine. "All these years," he said, and his voice was a low whisper, and it was not the voice of the boy he had been once, but it was still a voice she loved. "All these years, you wore it? I never knew.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
They were blurring. The lies and truths and memories. Sleep and the blackness in the iron coffin. The days bound to the stone altar in the center of the room, or hanging from a hook in the ceiling, or strung up between chains anchored into the stone wall. It was all beginning to blur, like ink in water.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?"
[Third letter to Pope Celestine (1193)]
”
”
Eleanor of Aquitaine
“
The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her."
"I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone.
"But I must!" Lucretia cried.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
If this were The Beautiful Cordelia, a mad but handsome duke would come staggering across the heath, but nothing ever happened as it did in books.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Death is a jealous mistress,” Lucie whispered. “She fights to keep you.”
“I am not hers,” he said. “I am yours for as long as I can be.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
She would tell herself she must endure the situation, but I love her, and I cannot bear to see her suffer for the next year. I hope you will forgive me—I think you will forgive me. You must see that in the situation we have now, there are four unhappy people. Surely you, too, wish that were not the case. Surely you care for her even if you do not love her, and want her to be happy.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Because you know it would be the end of you, whispered a small voice in the back of her mind. Because if you fell even a little more in love with him, the fall would break you.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Ghame akharetoon basheh. May this be your last sorrow.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
There was a soft murmur in his head. It was Daisy, reading Dickens.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
As if she could hear his thoughts, she glanced over and quirked her mouth up at him. "What are you looking at?"
"You," he said. "Did you know, you grow more beautiful every day?"
"Well that's odd," said Tessa, resting her chin thoughtfully on the spine of her book, "because as a warlock I do not age, and so I should look the same day to day, neither improving nor worsening. "
"And yet," said Will, "you continue to accrue radiance.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Scrooge followed to the window: desperate in his curiosity. He looked out.
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever
”
”
Charles Dickens (A Christmas Carol)
“
You cannot save people who do not want to be saved,” said Magnus. “You can only stand by their side and hope that when they wake and realize they need saving, you will be there to help them.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan’s tattooed hand, the others he had also laid out on that piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan’s eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn’s pants. Rowan wrapped an ice-kissed wind around the tent, blocking out all sound, and began.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I know what it's like to be in pain and not be able to explain why. I know why you're not with James tonight. Because when we are in pain, we are flayed open, and when we are flayed open, we cannot hide our true selves. And you cannot bear for him to know that you love him.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Now that music is faithfully reproducible, musicians are not needed as once they were. And music itself has changed. Though small cadres of classicists keep the sacred and ineffable alive, they are under siege by coarse generations whose music is hardly as musical as a bus engine or a chain saw. Something must have occurred during their mothers' pregnancies. How else is it possible to explain that playing Bach keeps them away from public spaces the way iron spikes drive pigeons from cathedral ledges?
”
”
Mark Helprin
“
Cordelia clamped her lips together tightly, as if she were struggling not to cry. Christopher looked terribly alarmed. "Oh, what ho, tears," he said helplessly. "Ghastly- not that you shouldn't cry if you wish, of course. Cry like the blazes, Cordelia."
"Christopher," said James darkly. "You are not helping.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
WHAT?" said Thomas, so loudly they all jumped. "Sorry," he said. "I was all prepared to shout and I hadn't got a chance yet.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
No matter how dark and hopeless the world seemed, Lucie could always find beauty in a story.
”
”
Cassandra Clare (Ghosts of the Shadow Market)
“
They trapped the Lion on Shamu's plain; They weighted his limbs with an iron chain; They cried aloud in the trumpet-blast, They cried, "The lion is caged at last!" Woe to the Cities of river and plain If ever the Lion stalks again! —Old Ballad.
”
”
Robert E. Howard (Conan: The Definitive Collection)
“
While illusion distorts reality for a moment, error can reign for a millennia in abstractions, throw its iron yoke over whole peoples and stifle the noblest impulses of humanity; those it cannot deceive are left in chains by those it has, by its slaves.
”
”
Arthur Schopenhauer
“
Life is in balance, just as magic is in balance. And so there is no way to grant life without taking life.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Longchenpa said, “Good concepts are like a golden chain. Bad concepts are like an iron chain.
”
”
Anam Thubten (The Magic of Awareness)
“
Love is complicated. It lies beside anger and hatred, because only those we truly love can truly disappoint us.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Botticelli angel. “You are as beautiful as all the stars,” he told her, “but better, because you have coffee.
”
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
We tested him—he’s innocent.”
“They tied me to a bed,” James said
”
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
My father,” James said, and hesitated. “My father used to tell me that sometimes you cannot reconcile with someone else. Sometimes you have to find that reconciliation on your own. Someone who broke your heart is often not the person who can mend it.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
The mind has its needs, just as the body does. The latter are the
foundations of society; from the former emerge the pleasures of
society. While government and laws take care of the security
and the well being of men in groups, the sciences, letters, and
the arts, less despotic and perhaps more powerful, spread
garlands of flowers over the iron chains which weigh men
down, snuffing out in them the feeling of that original liberty for
which they appear to have been born, and make them love their
slavery by turning them into what are called civilized people.
”
”
Jean-Jacques Rousseau (Oeuvres de J. J. Rousseau: Avec Des Notes Historiques, Volume 9 (French Edition))
“
An agile, well-trained, brave elephant, ridden by a good mahout, its trunk armed with the kind of sabre known as a qartal and covered with chain mail, while the rest of its body is protected by sheets of bark and iron, surrounded by 500 men to defend it and protect it to the rear, can fight against 6000 men on horseback.
”
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al-Mas'udi
“
It truly is ironic that we don’t have time to enjoy the gadgets and luxuries we can afford on a large income rewarded from long working hours. We spend much of our weekends catching up on laundry, running errands, and cleaning the neglected bathroom. It’s a chain-link downward spiral: We want stuff, so we work hard; our hard work allows us to buy stuff, but our hard work takes all of our energy, so we can’t enjoy our stuff as much as we would like.
”
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Tsh Oxenreider (Organized Simplicity: The Clutter-Free Approach to Intentional Living)
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You have always believed love came at a cost," said Matthew. "That it was torment and torture and pain. But there should be some joy. There is joy in being with someone you love, even knowing you can never have them, even knowing they will never love you back.
”
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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He stomped away, and James could hear him murmuring to the horses. Magnus's horses, presumably, though Will generally loved all horses. All animals, really, with the exception of ducks. And cats.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day
”
”
Charles Dickens (Great Expectations)
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What ticks in the clock, beats here with strong strokes of the hammer. It is Bloodless, who drank life from human thought and thereby got limbs of metals, stone and wood; it is Bloodless, who by human thought gained strength, which man himself does not physically possess. Bloodless reigns in Motala, and through the large foundries and factories he extends his hard limbs, whose joints and parts consist of wheel within wheel, chains, bars, and thick iron wires.
”
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Hans Christian Andersen (Pictures of Sweden)
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definitions belong to the definer, not the defined, & I no longer wished to have my life & death foretold by others. I had endured too much to be reduced to an idea. Onto that pyre I threw so many, many words - that entire untrue literature of the past which had shackled & subjugated my as surely as the spiked iron collars & leg locks & jagged basils & balls & chains & headshaving - that had so long denied me my free voice & the stories I needed to tell. I no longer wished to read lies as to who & why I was. I knew who I was
”
”
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
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But you who walk facing the sun, what images drawn on the earth can hold you?
You who travel with the wind, what weathervane shall direct your course?
What man's law shall bind you if you break your yoke but upon no man's prison door?
What laws shall you fear if you dance but stumble against no man's iron chains?
And who is he that shall bring you to judgment if you tear off your garment yet leave it in no man's path?
People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?
”
”
Kahlil Gibran
“
It’s ironic that the only way to kill a zombie is to destroy its brain, because, as a group, they have no collective brain to speak of. There was no leadership, no chain of command, no communication or cooperation on any level. There was no president to assassinate, no HQ bunker to surgically strike. Each zombie is its own, self-contained, automated unit, and this last advantage is what truly encapsulates the entire conflict.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
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Among the mighty store of wonderful chains that are for ever forging, day and night, in the cast iron-works of time and circumstance, there was one chain forged in the moment of that small conclusion, riveted to the foundations of heaven and earth, and gifted with invincible force to hold and drag.
”
”
Charles Dickens
“
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
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The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
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The weak link-- she liked the ring of it. To seek the imperfection in the chain that keeps you in bondage. Taken individually, the link was not much. But in concert with its fellows, a mighty iron that subjugated millions despite its weakness. The people she chose, young and old, from the rich part of town or the more modest streets, did not individually persecute Cora. As a community, they were shackles. If she kept at it, chipping away at weak links wherever she found them, it might add up to something.
”
”
Colson Whitehead (The Underground Railroad)
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No one knows why dwarfs, who at home in the mountains lead quiet, orderly lives, forget it all when they move to the big city. Something comes over even the most blameless iron-ore miner and prompts him to wear chain-mail all the time, carry an ax, change his name to something like Grabthroat Shinkicker and drink himself into surly oblivion.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8))
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Anna did not reply; she had started out of the room- then paused in front of Ariadne. She slid a finger under Ariadne's chin, raised the other girl's face, and kissed her, hard- Ariadne's eyes flew wide with surprise before she closed them, surrendering to the moment.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Be quiet,” Belial snapped. “You, girl, do not matter. Your little talent with ghosts does not matter. When I heard you were born, I wept tears of fire, for you were female, and you could not see the shadow realms. You are useless, do you understand? Useless to me, to the world.”
But Lucie - slight and small, without a weapon in her hand - only looked at him steadily. “Talk all you want,” she said. “You certainly don’t matter. Only Jesse matters.
”
”
Cassandra Clare (The Anniversary Party, part 2 (Chain of Gold Extra Content #10))
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What I want for you above all things is that you follow the truth of your dreams. No scorn, no shame, no part of society's opinion matters more than that.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Love is a prison, and I have no desire for shackles.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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And I was no longer afraid. I knew I would be able to come home, because of you. That you would lead me back. You are my constant star, Daisy.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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So much of managing in society is keeping one's chin up," Tessa added carefully, [...] and disregarding the ignorant things people say".
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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We all have the right to feel pain, and unhappiness.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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believe the popular attitude among most of Downworld is that we can take care of our own problems, since we meddle in everyone else’s.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Something echoed through the house. It was the doorbell ringing. James quietly cursed himself for having a doorbell put in at all. He
”
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Negative self-criticism is an iron chain that will never let you ascend to real greatness.
”
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Jewel (Never Broken: Songs Are Only Half the Story)
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You are better than any imagined heroine. You are my heroine.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Cordelia glanced down. She was scratched, but that was nothing to the spot in her heart where the knowledge that she was Lilith's paladin now bit like teeth. She couldn't look at James- she glanced over and saw Lucie, who was kneeling by Jesse's body. He lay where he had fallen, motionless and unbreathing. If he had not been truly dead before, he was now. Lucie looked utterly lost.
Cordelia closed her eyes, and hot tears spilled down her cheeks, scorching her skin.
"Daisy," she heard James say; she felt his stele brush over her arm, the faint sting and then the numbness of healing runes being applied. "Daisy, my love, I'm so sorry.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.
”
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Charles Dickens (A Christmas Carol)
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The world is ruled by such dreams, dreams of impassioned hearts, and improvisations of warm lips, not by cold words linked in chains of iron sequence, --- not by logic. The heart with its passions, not the understanding with its reasoning, sways, in the long run, the actions of mankind.
”
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William Kirby
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I have seen Christians in Communist prisons with fifty pounds of chains on their feet, tortured with red-hot iron pokers, in whose throats spoonfuls of salt had been forced, being kept afterward without water, starving, whipped, suffering from cold
—and praying with fervor for the Communists. This is humanly inexplicable! It is the love of Christ, which was poured out in our hearts.
”
”
Richard Wurmbrand (Tortured for Christ)
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I love words; it doesn’t matter which, it doesn’t matter about what. (I am writing down, at random, things that he said one night, while the kasaba slept in the darkness.) Conversation is a link between people, maybe the only one. That’s what an old soldier taught me, we were captured together, thrown into a prison together, chained together and bound to the same iron ring on the wall.
”
”
Meša Selimović (Death and the Dervish)
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Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day. Chapter Ten The felicitous idea occurred to me a morning or two later when I woke, that the best step I could take towards making myself uncommon was to get out of Biddy everything she knew.
”
”
Charles Dickens (Great Expectations)
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Times like these I wonder if I ever been happy. From the start there's been a film of dingy on my days.... I see some folks walk easy and carry peace on their shoulders, but I been chained to a iron life.
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Leah Weiss (If the Creek Don't Rise)
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They are human,” Magnus said. “It is not in their capability to understand that which by its nature is almost beyond understanding. They see demons as what they fight. They forget that there are unimaginable forces that can bend the laws of the universe. The gods are walking, Malcom, and none of us are prepared.
”
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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They are human," Magnus said. "It is not in their capability to understand that which by its nature is almost beyond understanding. They see demons as what they fight. They forget that there are unimaginable forces that can bend the laws of the universe. The gods are walking, Malcolm, and none of us are prepared.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Every prisoner knows perfectly that he is a convict and a reprobate, and knows the distance which separates him from his superiors; but neither the branding irons nor chains will make him forget that he is a man.
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”
Fyodor Dostoevsky
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That was a memorable day to me, for it made great changes in me. But, it is the same with any life. Imagine one selected day struck out of it and think how different its course would have been. Pause, you who read this, and think for a long moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on that memorable day.’ Charles Dickens, Great Expectations
”
”
David Nicholls (One Day)
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I thought about ... our kind being killed, but I am not concerned. I have real power - no one could keep me chained, because my blood can transform iron into water. I could walk through walls if I needed, and now - now I know I can throw my mind into another's, and how easy, then, would it be to unlock any cage? We are invincible, Philip and I. Like unto God. Or the Devil.
”
”
Tessa Gratton (Blood Magic (The Blood Journals, #1))
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James was one of the best, kindest, and bravest people Thomas had ever known, and for James to doubt himself like this was painful - for if James could doubt himself like this, what did it mean for those like Thomas, who already doubted themselves so much?
”
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
You are loosed from your moorings, and are free; I am fast in my chains, and am a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedom's swift-winged angels, that fly round the world; I am confined in bands of iron! O that I were free! O, that I were on one of your gallant decks, and under your protecting wing! Alas! betwixt me and you, the turbid waters roll. Go on, go on. O that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute!
”
”
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
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Freedom, sir," I began unceremoniously, without greeting or inquiry, "freedom is the biggest thing for man. Nothing can be compared to it— nothing at all!" Surprised at my outburst, my master looked up at me in silence. "One can understand nothing from books," I went on. "We read in the scriptures that our desires are bonds, fettering us as well as others. But such words, by themselves, are so empty. It is only when we get to the point of letting the bird out of its cage that we can realize how free the bird has set us. Whatever we cage, shackles us with desire whose bonds are stronger than those of iron chains. I tell you, sir, this is just what the world has failed to understand. They all seek to reform something outside themselves. But reform is wanted only in one's own desires, nowhere else, nowhere else!
”
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Rabindranath Tagore (The Home and the World)
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For seven years he had lived bound to her, his every step subject to her scrutiny. She might as well have chained iron balls to his ankles. Suddenly his step was much lighter. He soared. He had entered Parmenides' magic field: he was enjoying the sweet lightness of being''.
”
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Milan Kundera (The Unbearable Lightness of Being)
“
Speak
Speak, your lips are free.
Speak, it is your own tongue.
Speak, it is your own body.
Speak, your life is still yours.
See how in the blacksmith's shop
The flame burns wild, the iron glows red;
The locks open their jaws,
And every chain begins to break.
Speak, this brief hour is long enough
Before the death of body and tongue:
Speak, 'cause the truth is not dead yet,
Speak, speak, whatever you must speak.
”
”
Faiz Ahmad Faiz
“
You are loosed from your moorings, and are free; I am fast in my chains, and am a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedom's swift-winged angels, that fly round the world; I am confined in bands of iron! O that I were free!
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
”
”
Hunter S. Thompson (Hell's Angels)
“
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
”
”
E.L. Doctorow (Ragtime)
“
Who am I? I am that which thou hast searched for since thy baby eyes gazed wonderingly upon the world, whose horizon hides this real life from thee. I am that which in thy heart thou hast prayed for, demanded as thy birthright, although thou hast not known what it was. I am that which has lain in thy soul for hundreds and thousands of years. Sometimes I lay in thee grieving because thou didst not recognize me; sometimes I raised my head, opened my eyes, and extended my arms calling thee either tenderly and quietly, or strenuously, demanding that thou shouldst rebel against the iron chains which bound thee to the earth.
”
”
Leo Tolstoy (A Letter to a Hindu)
“
covering ten to twenty miles a day. The pregnant women complained desperately. The Georgia-man rode on. After crossing the Potomac, he moved Ball, who was physically the strongest of the men, from the middle of the chain and attached his padlocked collar to the first iron link. With Ball setting a faster pace, the two sets of double lines of people hurried down the high road, a dirt line in the Virginia grain fields that today lies under the track of US Highway 301.
”
”
Edward E. Baptist (The Half Has Never Been Told: Slavery and the Making of American Capitalism)
“
If renunciation is not embraced
By the pure motivation of bodhicitta,
It will not become a cause for the perfect bliss of unsurpassed awakening,
So the wise should generate supreme bodhicitta.
Beings are swept along by the powerful current of the four rivers,
Tightly bound by the chains of their karma, so difficult to undo,
Ensnared within the iron trap of their self-grasping,
And enshrouded in the thick darkness of ignorance.
Again and yet again, they are reborn in limitless saṃsāra,
And constantly tormented by the three forms of suffering.
This is the current condition of all your mothers from previous lives—
Contemplate their plight and generate supreme bodhichitta.
”
”
Tsongkhapa (The Three Principal Aspects of the Path eBook)
“
He tells us that occasionally there are men and women who wander through Hell in thin processions, wearing heavy gray robes and bearing lanterns to light their way. They are invariably chained together and led through the burning canyons by a loping demon: some malformed, tooth-spangled pinwheel of limbs and claws. They tour safely because they are shuttered against the sights and sounds of Hell by the iron boxes around their heads, which give them the appearance of strange astronauts on a pilgrimage through fire.
”
”
Nathan Ballingrud (Wounds: Six Stories from the Border of Hell)
“
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.'
But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich.
Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth.
Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ.
I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.'
I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain.
I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again.
This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
”
”
Robert G. Ingersoll (The Liberty of Man, Woman and Child)
“
We tried to approach you inside but were cut off by Rosamund chasing Thoby around because their ice sculpture melted," said Will. "What does it mean for the youth of today, that they don't know ice melts? What are we teaching them in the schoolrooms?"
James looked amused. "Is this another 'youth of today' speech?" He dropped his voice into a passable imitation of Will's. "Running about, no morals, using ridiculous words like 'barmy' and 'brinkets'--"
"Even I know 'brinkets' is not a word," said Will with great dignity.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
frantically. Where was his backpack? “Go!” said a guard, giving him a push. Jack went. Down they marched, down the long, dark hallway. Squinty, Annie, Mustache, Jack, and Red. Down a narrow, winding staircase. Jack heard Annie shouting at the guards. “Dummies! Meanies! We didn’t do anything!” The guards laughed. They didn’t take her seriously at all. At the bottom of the stairs was a big iron door with a bar across it. Squinty pushed the bar off the door. Then he shoved at the door. It creaked open. Jack and Annie were pushed into a cold, clammy room. The fiery torch lit the dungeon. There were chains hanging from the filthy walls. Water dripped from the ceiling, making puddles on the stone floor. It was
”
”
Mary Pope Osborne (Magic Tree House: #1-4 [ebook Collection: Mystery of the Tree House])
“
But there are many kinds of hunters engaged in the Pursuit of Happiness, and they go variously armed. It is the Inalienable Right of some among them, to take the field after THEIR Happiness equipped with cat and cartwhip, stocks, and iron collar, and to shout their view halloa! (always in praise of Liberty) to the music of clanking chains and bloody stripes.
”
”
Charles Dickens (The Complete Works of Charles Dickens)
“
Sometimes you cannot reconcile with someone else. Sometimes you have to find that reconciliation on your own. Someone who broke your heart is often not the person who can mend it. -
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Their daddies taught them how to keep a slave in line, passed down this brutal heirloom. Take him away from his family, whip him until all he remembers is the whip, chain him up so all he knows is chains. A term in an iron sweatbox, cooking his brains in the sun, had a way of bringing a buck around, and so did a dark cell, a room aloft in darkness, outside time.
”
”
Colson Whitehead (The Nickel Boys)
“
The summer I turned eleven, I found out that ghosts are real.
Guess it's hard to rest nice and easy in your coffin if you got stuff on your mind. Your soul stays chained to earth instead of zipping up to heaven to sing in one of the angel choirs.
Sometimes ghosts show up in the msot peculiar places.
Sometimes ghosts fool you.
Then you are those ghosts that hang around because we have unfinished business. Business that sinks like old crawfish left in a bucket for a week. That's some nasty smell let me tell you.
But the most important thing I learned is that ghosts can help you spill your guts before guilt eats you up and leaves a hole that can't ever be fixed no matter how many patches you try to steam iron across it.
”
”
Kimberley Griffiths Little
“
We reached the doors and Jackaby inspected the lock. “It isn’t broken,” he said. “It’s unlocked. From the outside. Wait here.” He stalked down the steps and returned a minute later holding the sky iron chain. It had been sliced into pieces. “The bad news is, she’s gone,” he said. “And worse, she has the black blade.”
“Is there good news?” Miss Lee asked.
“Well,” Jackaby answered gamely, “karmically, I would say we’re due for an upswing on the pendulum of fortune. That’s almost good news.”
“That’s not good news,” Serif said, crossly. “That’s just a very wordy way of saying it’s all bad news.
”
”
William Ritter (The Dire King (Jackaby, #4))
“
The weakest link in any chain of security is not the technology itself, but the person operating it; iron gates have no compassion to appeal to, nor fears to exploit, nor insecurities to use to one’s advantage. They are, however, operated by us – by beings of unlimited vulnerability and limited energy. Why waste time brute-forcing what can be easily circumvented by a clever façade and a crimson tongue?
”
”
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
“
Walking down the back stairs, I knew that my father’s statement could only be reconciled through the peculiar religion of Virginia—Virginia, where it was held that a whole race would submit to chains; Virginia, where this same race held the math that molded iron and carved marble to exact proportion and were still called beasts; Virginia, where a man would profess his love for you one moment and sell you off the next.
”
”
Ta-Nehisi Coates (The Water Dancer)
“
There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building.
'It - it can't do that,' I stammered. 'We're inside the iron.'
'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.'
'Adjust the chains inward-' George began.
'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.
”
”
Todd Nelsen (Appetite & Other Stories)
“
I was bound not by an iron imposed by anyone else but by the iron of my own choice. The enemy had a grip on my will and so made a chain for me to hold me a prisoner. The consequence of a distorted will is passion. By servitude to passion, habit is formed, and habit to which there is no resistance becomes a compulsion. By these links, as it were, connected one to another (hence my term a chain), a harsh bondage held me under restraint
”
”
Augustine of Hippo
“
The macromolecules of organic life embody information in an intricate structure. A single hemoglobin molecule comprises four chains of polypeptides, two with 141 amino acids and two with 146, in strict linear sequence, bonded and folded together. Atoms of hydrogen, oxygen, carbon, and iron could mingle randomly for the lifetime of the universe and be no more likely to form hemoglobin than the proverbial chimpanzees to type the works of Shakespeare. Their genesis requires energy; they are built up from simpler, less patterned parts, and the law of entropy applies. For earthly life, the energy comes as photons from the sun. The information comes via evolution.
”
”
James Gleick (The Information: A History, a Theory, a Flood)
“
A slight clinking behind me made me turn my head. Six black men advanced in a file, toiling up the path. They walked erect and slow, balancing small baskets full of earth on their heads, and the clink kept time with their footsteps. Black rags were wound round their loins, and the short ends behind wagged to and fro like tails. I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all were connected together with a chain whose bights swung between them, rhythmically clinking. Another report from the cliff made me think suddenly of that ship of war I had seen firing into a continent. It was the same kind of ominous voice; but these men could by no stretch of imagination be called enemies. They were called criminals, and the outraged law, like the bursting shells, had come to them, an insoluble mystery from over the sea. All their meager breasts panted together, the violently dilated nostrils quivered, the eyes stared stonily uphill. They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages.
”
”
Joseph Conrad (Heart of Darkness)
“
The streets were full of hurrying people who walked as though they had been wound up and were directed by some unseen control. Many of the men carried dispatch cases and brief cases and I gripped mine with a sense of importance. And here and there I saw Negroes who hurried along with leather pouches strapped to their wrists. They reminded me fleetingly of prisoners carrying their leg irons as they escaped from a chain gang. Yet they seemed aware of some self-importance, and I wished to stop one and ask him why he was chained to his pouch. Maybe they got paid well for this, maybe they were chained to money. Perhaps the man with rundown heels ahead of me was chained to a million dollars!
”
”
Ralph Ellison (Invisible Man)
“
The Lowe family had always been the undisputed villains of their town’s ancient, bloodstained story, and no one understood that better than the Lowe brothers.
The family lived on an isolated estate of centuries-worn stone, swatched in moss and shadowed in weeping trees. On mischief nights, children from Ilvernath sometimes crept up to its towering wrought iron fence, daring their friends to touch the padlock chained around the gate—the one engraved with a scythe.
Grins like goblins, the children murmured, because children in Ilvernath loved fairy tales—especially real ones. Pale as plague and silent as spirits. They’ll tear your throat out and drink your soul.
All these tales were deserved.
”
”
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
“
Get on top of me," he said, his voice barely recognizable to his own ears.
It was her turn to look surprised. "What-?"
“I am tied to the bed,” he said. “I cannot get up and kiss you, so I will have to sit here and kiss you. Which means I need you”—he held out his free arm, his gaze never leaving hers—“closer.” ...
"Tell me again what you want me to do," he said.
The smooth column of her throat moved as she swallowed. "Show me how to kiss," she said. "Properly.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
The anatomical specifications of rupture, of altered human tissue, take on the objective description of laboratory prose – eyes beaten out, arms, backs, skulls branded, a left jaw, a right ankle, punctured; teeth missing, as the calculated work of iron, whips, chains, knives, the canine patrol, the bullet. These undecipherable markings on the captive body render a kind of hieroglyphics of the flesh whose severe disjunctures come to be hidden to the cultural seeing by color.
”
”
Hortense Spillers (Black, White, and in Color: Essays on American Literature and Culture)
“
My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.
”
”
Ben Bova
“
While illusion distorts reality for a moment, error can reign for millennia in abstractions, throw its iron yoke over whole peoples and stifle the noblest impulses of humanity; those it cannot deceive are left in chains by those it has, by its slaves.
”
”
Arthur Schopenhauer (The World as Will and Representation: Volume 1)
“
A given symptom is responded to by a phobia, the phobia triggers the symptom, and the symptom, in turn, reinforces the phobia. A similar chain of events, however, can be observed in obsessive-compulsive cases in which the patient fights the ideas which haunt him. Thereby, however, he increases their power to disturb him, since pressure precipitates counter-pressure. Again the symptom is reinforced! On the other hand, as soon as the patient stops fighting his obsessions and instead tries to ridicule them by dealing with them in an ironical way-by applying paradoxical intention-the vicious circle is cut, the symptom diminishes and finally atrophies. In the fortunate case where there is no existential vacuum which invites and elicits the symptom, the patient will not only succeed in ridiculing his neurotic fear but finally will succeed in completely ignoring it.
As we see, anticipatory anxiety has to be counteracted by paradoxical intention; hyper-intention as well as hyper-reflection have to be counteracted by dereflection; dereflection, however, ultimately is not possible except by the patient's orientation toward his specific vocation and mission in life.
It is not the neurotic's self-concern, whether pity or contempt, which breaks the circle formation; the cue to cure is self-transcendence.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
They began to come upon chains and packsaddles, singletrees, dead mules, wagons. Saddletrees eaten bare of their rawhide coverings and weathered white as bone, a light chamfering of miceteeth along the edges of the wood. They rode through a region where iron will not rust nor tin tarnish. The ribbed frames of dead cattle under their patches of dried hide lay like the ruins of primitive boats upturned upon that shoreless void and they passed lurid and austere the black and desiccated shapes of horses and mules that travelers had stood afoot.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Pharaohs
It took Khufu twenty-three years to build his Great Pyramid at Giza, where some eleven hundred stone blocks, each weighing about two and a half tons, had to be quarried, moved, and set in place every day during the annual building season, roughly four months long. Few commentators on these facts can resist noting that this achievement is an amazing testimonial to the pharaoh’s iron control over the workers of Egypt. I submit, on the contrary, that pharaoh Khufu needed to exercise no more control over his workers at Giza than pharaoh Bill Gates exercises over his workers at Microsoft. I submit that Egyptian workers, relatively speaking, got as much out of building Khufu’s pyramid as Microsoft workers will get out of building Bill Gates’s pyramid (which will surely dwarf Khufu’s a hundred times over, though it will not, of course, be built of stone).
No special control is needed to make people into pyramid builders—if they see themselves as having no choice but to build pyramids. They’ll build whatever they’re told to build, whether it’s pyramids, parking garages, or computer programs.
Karl Marx recognized that workers without a choice are workers in chains. But his idea of breaking chains was for us to depose the pharaohs and then build the pyramids for ourselves, as if building pyramids is something we just can’t stop doing, we love it so much.
”
”
Daniel Quinn (Beyond Civilization: Humanity's Next Great Adventure)
“
A recurrent theme of this book is that architects, fairly low in the chain of command and needing jobs, are prone to compromise with the state and the establishment. Very rarely do they resist the zeitgeist. On a political level such compromise leads to the folly of invading Vietnam, Iraq and Afghanistan, follies of modern complicity too obvious to need comment. On an architectural level they lead to tearing down historic districts, building leviathans for multinationals or, for instance, constructing with cheap building systems that soon collapse.
”
”
Charles Jencks (The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture)
“
He told me that a maester’s collar is made of chain to remind him that he is sworn to serve,” Jon said, remembering. “I asked why each link was a different metal. A silver chain would look much finer with his grey robes, I said. Maester Luwin laughed. A maester forges his chain with study, he told me. The different metals are each a different kind of learning, gold for the study of money and accounts, silver for healing, iron for warcraft. And he said there were other meanings as well. The collar is supposed to remind a maester of the realm he serves, isn’t that so? Lords are gold and knights steel, but two links can’t make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Love, that is first and last of all things made,
The light that has the living world for shade,
The spirit that for temporal veil has on
The souls of all men woven in unison,
One fiery raiment with all lives inwrought
And lights of sunny and starry deed and thought,
And alway through new act and passion new
Shines the divine same body and beauty through,
The body spiritual of fire and light
That is to worldly noon as noon to night;
Love, that is flesh upon the spirit of man
And spirit within the flesh whence breath began;
Love, that keeps all the choir of lives in chime;
Love, that is blood within the veins of time;
That wrought the whole world without stroke of hand,
Shaping the breadth of sea, the length of land,
And with the pulse and motion of his breath
Through the great heart of the earth strikes life and death,
The sweet twain chords that make the sweet tune live
Through day and night of things alternative,
Through silence and through sound of stress and strife,
And ebb and flow of dying death and life:
Love, that sounds loud or light in all men's ears,
Whence all men's eyes take fire from sparks of tears,
That binds on all men's feet or chains or wings;
Love that is root and fruit of terrene things;
Love, that the whole world's waters shall not drown,
The whole world's fiery forces not burn down;
Love, that what time his own hands guard his head
The whole world's wrath and strength shall not strike dead;
Love, that if once his own hands make his grave
The whole world's pity and sorrow shall not save;
Love, that for very life shall not be sold,
Nor bought nor bound with iron nor with gold;
So strong that heaven, could love bid heaven farewell,
Would turn to fruitless and unflowering hell;
So sweet that hell, to hell could love be given,
Would turn to splendid and sonorous heaven;
Love that is fire within thee and light above,
And lives by grace of nothing but of love;
Through many and lovely thoughts and much desire
Led these twain to the life of tears and fire;
Through many and lovely days and much delight
Led these twain to the lifeless life of night.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
dressed in a formal frock coat—with an Iron Cross still pinned on its front3—the same outfit he’d worn for the putsch, for his failed march to Odeon Square, and during his escape to Ernst Hanfstaengl’s villa. Beside him, “their shadows flickering and dancing in the darkness before them,” walked Landsberg Prison warden Otto Leybold and two police officers, one of them leading a “strong dog” on a chain. The prison was still, except for the slamming of iron doors behind the men. In the dead of night, Adolf Hitler had arrived at what would be his home for most of the next thirteen months. Located
”
”
Peter Ross Range (1924: The Year That Made Hitler)
“
Anomander Rake walked into Darujhistan.
Howls rose like madness unleashed.
The Son of Darkness reached up and unsheathed Dragnipur.
Steam curled from the black blade, twisting into ephemeral chains that stretched out as he walked up the wide, empty street. Stretched out to drag behind him, and from each length others emerged and from those still more, a forest's worth of iron roots, snaking out, whispering over the cobbles.
He had never invited such a manifestation before. Reigning in that bleed of power had been an act of mercy, to all those who might witness it, who might comprehend its significance.
But on this night, Anomander Rake had other things on his mind.
Chains of smoke, chains and chains and chains, so many writhing in his wake that they filled the breadth of the street, that they snaked over and under and spilled out into side streets, alleys, beneath estate gates, beneath doors and through windows.
”
”
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
“
E L James, Party Games
you’re looking kind of smug
inserting that god damn anal plug
giving me your kinky love
after writing Fifty Shades
you’re acting like some kind of renegade
giving me your kinky love
sit me on a dildo and spin me right around
chain me up and hang me upside down
giving me your kinky love
god damn you E L James
making me into some kind of party game
giving me your kinky love
put me in a dream
and wheel in the Fucking Machine
god damn you E L James
spank a hand on my bum
see how much I can cum
god damn you E L James
stand me up and sit me down
lay me out and roll me about
god damn you E L James
BDSM
electro impulses up my brainstem
god damn you E L James
cast me in a submissive role-play
with my genitals on display
god damn you E L James
suspend me high in the air
slap me around like I don’t care
god damn you E L James
take that whip off the shelf
make me forget myself
god damn you E L James
Why are you wearing oven mittens?
branding iron your name written
inner goddess don’t keep in hidden
god damn you E L James
holy crap
my mind has snapped
to forget one thing that I have heard
I’m never going to use the safe-word
god damn you E L James
By R.M.Romarney
”
”
R.M. Romarney
“
There had been no crises of incident, or marked movements of experience such as in Felipe's imaginations of love were essential to the fulness of its growth. This is a common mistake on the part of those who have never felt love's true bonds. Once in those chains, one perceives that they are not of the sort full forged in a day. They are made as the great iron cables are made, on which bridges are swung across the widest water-channels,--not of single huge rods, or bars, which would be stronger, perhaps, to look at; but myriads of the finest wires, each one by itself so fine, so frail, it would barely hold a child's kite in the wind: by hundreds, hundreds of thousands of such, twisted, re-twisted together, are made the mighty cables, which do not any more swerve from their place in the air, under the weight and jar of the ceaseless traffic and tread of two cities, than the solid earth swerves under the same ceaseless weight and jar. Such cables do not break.
”
”
Helen Hunt Jackson (Ramona (Signet Classics))
“
Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder
To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath
With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’
The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’
‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’
The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,
And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.
‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’
And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun
And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine
And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you
From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood
And the backs of the slave did bow
To the laboured sentence of a life
In chains of dire need and little worth.
All that we build one day echoes hollow.’
‘Where then, good soldiers, will I
Ever find all that is best in us?
If not in flesh or in temple bound
Or wretched road of cobbled stone?’
‘Could we answer you,’ said the sergeant,
‘This blood would cease its fatal flow,
And my surgeon could seal wounds with a touch,
All labours will ease before temple and road,
Could we answer you,’ said the sergeant,
‘Crows might starve in our company
And our talons we would cast in bogs
For the gods to fight over as they will.
But we have not found in all our years
The best in us, until this very day.’
‘How so?’ asked I, so lost now on the road,
And said he, ‘Upon this bridge we sat
Since the dawn’s bleak arrival,
Our perch of despond so weary and worn,
And you we watched, at first a speck
Upon the strife-painted horizon
So tortured in your tread as to soak our faces
In the wonder of your will, yet on you came
Upon two sticks so bowed in weight
Seeking, say you, the best in us
And now we have seen in your gift
The best in us, and were treasures at hand
We would set them humbly before you,
A man without feet who walked a road.’
Now, soldiers with kind words are rare
Enough, and I welcomed their regard
As I moved among them, ’cross the bridge
And onward to the long road beyond
I travel seeking the best in us
And one day it shall rise before me
To bless this journey of mine, and this road
I began upon long ago shall now end
Where waits for all the best in us.
―Avas Didion Flicker
Where Ravens Perch
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
He went on like this all day, his lips bristling with bright iron brads under his grizzled beard, talking, spitting out nails, hammering them in, grasping, misquoting and singing all at the same time, lively as a leprechaun. "... the spectre of war is haunting Europe!"-bang bang bang-"You have nothing but your chains to lose, Mr. Small, and all the world to gain!"
"Chains?" asked I. Small, looking about him. "What do you mean, chains? What chains? Where chains?" He touched his watch-chain to satisfy himself that it was not yet lost. Then, somewhat sadly, he said "You're bleddywell right. I got nothing but my chain to lose. And what's that worth? Three pounds?
”
”
Gerald Kersh (The Thousand Deaths of Mr. Small)
“
I had never felt that Egypt was really Africa, but now that our route had taken us across the Sahara, I could look down from my window seat and see trees, and bushes, rivers and dense forest. It all began here. The jumble of poverty-stricken children sleeping in rat-infested tenements or abandoned cars. The terrifying moan of my grandmother, ‘Bread of Heaven, Bread of Heaven, feed me till I want no more.’ The drugged days and alcoholic nights of men for whom hope had not been born. The loneliness of women who would never know appreciation or a mite’s share of honor. Here, there, along the banks of that river, someone was taken, tied with ropes, shackled with chains, forced to march for weeks carrying the double burden of neck irons and abysmal fear. In that large clump of trees, looking like wood moss from the plane’s great height, boys and girls had been hunted like beasts, caught and tethered together. Sacrificial lambs on the altar of greed. America’s period of orgiastic lynchings had begun on yonder broad savannah.
”
”
Maya Angelou (The Heart of a Woman (Maya Angelou's Autobiography #4))
“
At the root of the tree at the heart of the world,
With a chain round his neck, the Wolf lies curled.
His gleaming teeth and jaws are furled,
And the sun shall rise in the morning.
His chain, it is forged of the nerve of a bear,
Of the voice of a fish, and a girl's chin-hair.
His chain, it is light and strong and fair,
And the sun shall rise in the morning.
With a mountain's root, and a cat's foot-fall,
And the spit of a bird, he is held in thrall,
Though iron could bind him never at all,
And the sun shall rise in the morning.
The sun shall rise, the stars shall fade,
For the binding which the good gods made
Still loops the Wolf in its lovely braid,
And the sun shall rise in the morning.
”
”
Maculategiraffe (Jesse's Story (The Slave Breakers, #2))
“
Rowan surveyed the tools Cairn had laid out, the ones in the drawer. carefully, thoughtfully, he selected one.
A thin, razor-sharp knife. A healer's tool, meant for sleek incisions and scraping out rot.
Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready.
Cairn beheld who stood over him, the tool in Rowan's tattooed hand, the others he had also laid out on the piece of velvet, and began thrashing. The iron chains held firm.
Then Cairn beheld the frozen rage in Rowan's eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn's pants.
Rowan wrapped an ice-kissed wind around the tent, blocking all sound, and began.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
All that night, after I shut the door and left Number 16 empty, I went looking for the parts of my city that have lasted. I walked down streets that got their names in the Middle Ages: Copper Alley, Fishamble Street, Blackpitts where the plague dead were buried. I looked for cobblestones worn smooth and iron railings gone thin with rust. I ran my hand over the cool stone of Trinity’s walls and I crossed the spot where nine hundred years ago the town got its water from Patrick’s Well; the street sign still tells you so, hidden in the Irish that no one ever reads. I paid no attention to the shoddy new apartment blocks and the neon signs, the sick illusions ready to fall into brown mush like rotten fruit. They’re nothing; they’re not real. In a hundred years they’ll be gone, replaced and forgotten. This is the truth of bombed-out ruins: hit a city hard enough and the cheap arrogant veneer will crumble faster than you can snap your fingers; it’s the old stuff, the stuff that’s endured, that might just keep enduring. I tilted my head up to see the delicate, ornate columns and balustrades above Grafton Street’s chain stores and fast-food joints. I leaned my arms on the Ha’penny Bridge where people used to pay half a penny to cross the Liffey, I looked out at the Custom House and the shifting streams of lights and the steady dark roll of the river under the falling snow, and I hoped to God that somehow or other, before it was too late, we would all find our way back home.
”
”
Tana French (Faithful Place (Dublin Murder Squad #3))
“
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
A given symptom is responded to by a phobia, the phobia triggers the symptom, and the symptom, in turn, reinforces the phobia. A similar chain of events, however, can be observed in obsessive-compulsive cases in which the patient fights the ideas which haunt him. Thereby, however, he increases their power to disturb him, since pressure precipitates counter-pressure. Again the symptom is reinforced! On the other hand, as soon as the patient stops fighting his obsessions and instead tries to ridicule them by dealing with them in an ironical way-by applying paradoxical intention-the vicious circle is cut, the symptom diminishes and finally atrophies. In the fortunate case where there is no existential vacuum which invites and elicits the symptom, the patient will not only succeed in ridiculing his neurotic fear but finally will succeed in completely ignoring it.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
But one day as I was passing into the field, with some dashes on my conscience, fearing yet that all was not right, suddenly this sentence fell upon my soul, “Your righteousness is in heaven.” I thought I saw with the eyes of my soul Jesus Christ at God’s right hand. There was my righteousness. Wherever I was, or whatever I was doing, God could not say of me that I lacked His righteousness, for that was ever before Him. Moreover, I saw that it was not my good frame of heart that made my righteousness better, nor yet my bad frame that made my righteousness worse, for my righteousness was Jesus Christ Himself, “the same yesterday, today, and for ever“.
Now did my chains fall off my legs indeed. I was loosed from my afflictions and irons, my temptations also fled away. From that time those dreadful Scriptures of God quit troubling me; now I went home rejoicing for the grace and love of God.
”
”
John Bunyan
“
A long suburb of red brick houses -some with patches of garden-ground, where coal-dust and factory smoke darkened the shrinking leaves, and coarse rank flowers, and where the struggling vegetation sickened and sank under the hot breath of kiln and furnace.
On mounds of ashes by the wayside, sheltered only by a few rough boards, or rotten pent-house roofs, strange engines spun and writhed like tortured creatures; clanking their iron chains, shrieking in their rapid whirl from time to time as though in torment unendurable, and making the ground tremble with their agonies.
Dismantled houses here and there appeared, tottering to the earth, propped up by fragments of others that had fallen down, unroofed, windowless, blackened, desolate, but yet inhabited. Men, women, children, wan in their looks and ragged in attire, tended the engines, fed their tributary fire, begged upon the road, or scowled half-naked from the doorless houses.
”
”
Charles Dickens (The Old Curiosity Shop)
“
Murhder lowered his head . . . and kissed her. Oh . . . wow. His lips were velvet on her own, all summer-breeze soft and slow as an August sunrise as they caressed hers. And she would have called the contact sweet, except no. His enormous body . . . his mysterious, other-than-human, incredibly powerful body . . . trembled, and that was what made everything utterly erotic: The subtle shaking meant he was holding himself in strict control, clamping down on his drive, chaining, jailing what was inside of him. There was a beast on the far side of his will, a wild creature rattling at the iron bars of his restraint, a force so much greater than she could understand. And she wanted the monster in him. The unleashed. The crazed. Against everything that made any kind of sense, she wanted him to devour her, master her, take her down onto the hard floor right here, right now, and pin her under his naked, pumping body until she had no thoughts of who or even what he was.
”
”
J.R. Ward (The Savior (Black Dagger Brotherhood, #17))
“
Well, as for slavery…it is true that I should not like to be one myself, yet Nelson was in favour of it and he said that the country’s shipping would be ruined if the trade were put down. Perhaps it comes more natural if you are black…but come, I remember how you tore that unfortunate scrub Bosville to pieces years ago in Barbados for saying that the slaves liked it – that it was in their masters’ interest to treat them kindly – that doing away with slavery would be shutting the gates of mercy on the negroes. Hey, hey! The strongest language I have ever heard you use. I wonder he did not ask for satisfaction.’ ‘I think I feel more strongly about slavery than anything else, even that vile Buonaparte who is in any case one aspect of it…Bosville…the sanctimonious hypocrite…the silly blackguard with his “gates of mercy”, his soul to the Devil – a mercy that includes chains and whips and branding with a hot iron. Satisfaction. I should have given it him with the utmost good-will: two ounces of lead or a span of sharp steel; though common ratsbane would have been more appropriate.’ ‘Why, Stephen, you are in quite a passion.’ ‘So I am. It is a retrospective passion, sure, but I feel it still. Thinking of that ill-looking flabby ornamented conceited self-complacent ignorant shallow mean-spirited cowardly young shite with absolute power over fifteen hundred blacks makes me fairly tremble even now – it moves me to grossness. I should have kicked him if ladies had not been present.
”
”
Patrick O'Brian (The Wine-Dark Sea (Aubrey/Maturin, #16))
“
The Woman Poet // Die Dichterin
You hold me now completely in your hands.
My heart beats like a frightened little bird's
Against your palm. Take heed! You do not think
A person lives within the page you thumb.
To you this book is paper, cloth, and ink,
Some binding thread and glue, and thus is dumb,
And cannot touch you (though the gaze be great
That seeks you from the printed marks inside),
And is an object with an object's fate.
And yet it has been veiled like a bride,
Adorned with gems, made ready to be loved,
Who asks you bashfully to change your mind,
To wake yourself, and feel, and to be moved.
But still she trembles, whispering to the wind:
"This shall not be." And smiles as if she knew.
Yet she must hope. A woman always tries,
Her very life is but a single "You . . ."
With her black flowers and her painted eyes,
With silver chains and silks of spangled blue.
She knew more beauty when a child and free,
But now forgets the better words she knew.
A man is so much cleverer than we,
Conversing with himself of truth and lie,
Of death and spring and iron-work and time.
But I say "you" and always "you and I."
This book is but a girl's dress in rhyme,
Which can be rich and red, or poor and pale,
Which may be wrinkled, but with gentle hands,
And only may be torn by loving nails.
So then, to tell my story, here I stand.
The dress's tint, though bleached in bitter lye,
Has not all washed away. It still is real.
I call then with a thin, ethereal cry.
You hear me speak. But do you hear me feel?
”
”
Gertrud Kolmar
“
The Gauls’ own ships were built and rigged in a different manner from ours. They were made with much flatter bottoms, to help them to ride shallow water caused by shoals or ebb-tides. Exceptionally high bows and sterns fitted them for use in heavy seas and violent gales, and the hulls were made entirely of oak, to enable them to stand any amount of shocks and rough usage. The cross-timbers, which consisted of beams a foot wide, were fastened with iron bolts as thick as a man’s thumb. The anchors were secured with iron chains instead of ropes. They used sails made of raw hides or thin leather, either because they had no flax and were ignorant of its use, or more probably because they thought that ordinary sails would not stand the violent storms and squalls of the Atlantic and were not suitable for such heavy vessels. In meeting them the only advantage our ships possessed was that they were faster and could be propelled by oars; in other respects the enemy’s were much better adapted for sailing such treacherous and stormy waters. We could not injure them by ramming because they were so solidly built, and their height made it difficult to reach them with missiles or board them with grappling-irons. Moreover, when it began to blow hard and they were running before the wind, they weathered the storm more easily; they could bring in to shallow water with greater safety, and when left aground by the tide had nothing to fear from reefs or pointed rocks – whereas to our ships all these risks were formidable.
”
”
Gaius Julius Caesar (The Conquest of Gaul)
“
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
James wondered for a moment whether this was the first time someone had used a witchlight rune stone as stage lighting before his mind went blank. Christopher made a small noise in the back of his throat, and Thomas stared wide-eyed.
The mermaid had human legs. They were long and really quite shapely, James had to admit, loosely draped in diaphanous skirts made of woven exotic seaweeds.
Unfortunately, from the waist up she was the front half of a gaping, staring fish. Her scales were shiny metallic silver and reflected the light in a way that almost, but not quite, distracted from her dinner-plate-size, unblinking yellow eyes.
The audience went mad, cheering and hooting twice as loudly as before. One of the werewolves howled, "CLARIBELLA!" in a mournful, yearning voice.
"May I present," Matthew cried with a grin, "Claribella the Mermaid!"
The crowd whistled and banged their approval. James, Christopher, and Thomas struggled to find words.
"The mermaid's backwards," said James, having regained some of his vocabulary--though perhaps not all of it.
"Matthew hired a reverse mermaid," Thomas agreed. "But why?"
"I wonder what kind of fish she is," said Christopher. "Are mermaids a specific kind of fish? Sharks or herring, or such?"
"I had kippers this morning," said Thomas sadly.
The backward mermaid began to swing her hips side to side, with the ease of a practiced cabaret dancer. Her mouth bobbed open and closed in rhythm with the music. Her small fins, on either side of her body, flapped.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
To his surprise, Sorasa moved with him. She looked straight ahead, refusing to meet his eye. Instead, she fussed with the chain mail beneath her jacket, trying to adjust the metal rings. Clearly she despised it, her usually fluid motions slower and more stilted.
He opened his mouth to taunt her, to say anything, to grasp one more second at her side.
“Thank you for wearing armor,” he growled. It was the only thing left to say.
He expected a quick, poisonous retort. Instead, Sorasa looked up at him. Her copper eyes wavered, filled with all the emotion she no longer cared to hide.
“Iron and steel won’t save us from dragon fire,” she said, all regret, her mouth barely moving.
Again, Dom wanted to stay, lingering one last moment, his eyes locked on her own.
“I know you don't believe in ghosts,” Sorasa murmured, holding her ground. She did not move closer, or move at all, letting the crowd of Elders break around her.
A Vedera who falls in this realm falls forever, Dom thought, the old belief a sudden curse.
Sorasa’s eyes shimmered, swimming with tears she would never allow herself to shed. She looked like she did on the beach after the shipwreck, torn apart by grief.
“But I do,” she said.
His chest filled with an unfamiliar feeling, an ache he could not name.
“Sorasa,” he began, but the crowd surged around them, his Vederan soldiers too many to ignore. Every part of him wanted to stay rooted, though he knew he could not.
She would not reach chin, her hands pressed to her sides, her chin raised and jaw set. Whatever tears she carried faded, pushed down into the unfeeling well of an Amhara heart.
“Haunt me, Domacridhan.”
The tide of the army swelled before he could muster an answer. While Sorasa stood against it, Dom let himself be carried. While his body marched, his heart stayed behind, broken as it was, already burning.
Her last words followed him all the way down to the city gates.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
The instruments of murder are as manifold as the unlimited human imagination. Apart from the obvious—shotguns, rifles, pistols, knives, hatchets and axes—I have seen meat cleavers, machetes, ice picks, bayonets, hammers, wrenches, screwdrivers, crowbars, pry bars, two-by-fours, tree limbs, jack handles (which are not “tire irons;” nobody carries tire irons anymore), building blocks, crutches, artificial legs, brass bedposts, pipes, bricks, belts, neckties, pantyhose, ropes, bootlaces, towels and chains—all these things and more, used by human beings to dispatch their fellow human beings into eternity. I have never seen a butler use a candelabrum. I have never seen anyone use a candelabrum! Such recherché elegance is apparently confined to England. I did see a pair of sneakers used to kill a woman, and they left distinctive tread marks where the murderer stepped on her throat and crushed the life from her. I have not seen an icicle used to stab someone, though it is said to be the perfect weapon, because it melts afterward. But I do know of a case in which a man was bludgeoned to death with a frozen ham. Murderers generally do not enjoy heavy lifting—though of course they end up doing quite a bit of it after the fact, when it is necessary to dispose of the body—so the weapons they use tend to be light and maneuverable. You would be surprised how frequently glass bottles are used to beat people to death. Unlike the “candy-glass” props used in the movies, real glass bottles stand up very well to blows. Long-necked beer bottles, along with the heavy old Coca-Cola and Pepsi bottles, make formidable weapons, powerful enough to leave a dent in a wooden two-by-four without breaking. I recall one case in which a woman was beaten to death with a Pepsi bottle, and the distinctive spiral fluting of the bottle was still visible on the broken margins of her skull. The proverbial “lead pipe” is a thing of the past, as a murder weapon. Lead is no longer used to make pipes.
”
”
William R. Maples (Dead Men Do Tell Tales: Strange and Fascinating Cases of a Forensic Anthropologist)
“
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year.
The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home.
He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street.
They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then.
The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips.
Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites.
The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra.
“Who is The Mandarin? His name? Who is The Mandarin?”
He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him.
By the time they freed him, he was a different man.
”
”
Gary Haynes (State of Honour)