Chain Of Iron Quotes

We've searched our database for all the quotes and captions related to Chain Of Iron. Here they are! All 100 of them:

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Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
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Charles Dickens (Great Expectations)
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That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
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Charles Dickens (Great Expectations)
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Love is not always a lightning bolt. Sometimes it is a creeping vine. It grows slowly until suddenly it is all that there is in the world.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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You cannot save people who do not want to be saved," said Magnus. "You can only stand by their side and hope that when they wake and realize they need saving, you will be there to help them.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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We are none of us perfect, and no one expects perfection. But when you have hurt people, you must allow them their anger. Otherwise it will only become another thing you have tried to take away.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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To love one another is to come as close as we ever can to being angels ourselves.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Someone who broke your heart is often not the person who can mend it.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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My love, my love Remember the cries When winter died for spring skies They roared and roared But we grabbed our seed And sowed a song Against their greed And Down in the vale Hear the reaper swing, the reaper swing the reaper swing Down in the vale Hear the reaper sing A tale of winter done My son, my son Remember the chains When gold ruled with iron reins We roared and roared And twisted and screamed For ours, a vale of better dreams
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Pierce Brown (Red Rising (Red Rising Saga, #1))
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You must stop this," he said. "You will make yourself unworthy by considering yourself unworthy. We become what we are afraid we will be.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Well, you know what they say," said James. "All the best men are either married or Silent Brothers.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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We have talked so much of travel," James said. "I wanted to give you the world.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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One should not questions miracles too closely.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Alastair's gaze flicked to Matthew. "Why," he said, "are you not even wearing a hat? "And cover up this hair?" Matthew indicated his golden locks with a flourish. "Would you blot out the sun?
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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It’s never a tragedy to love somebody.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Hast thou gone among the streets of the city and the watchmen there, and found the one thy soul loves?
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I believe that decadence is a valuable perspective that should always be considered.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I thought of you,” he said again, β€œand it was as if you were there, with me. I saw your face. Your hair …” He wound a finger through a dangling curl beside her face. She could feel the warmth from his hand against her cheek. β€œAnd I was no longer afraid. I knew I would be able to come home, because of you. That you would lead me back. You are my constant star, Daisy.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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James had never imagined that the hardest thing he would ever do in his life was nothing at all.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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The iron chain and the silken cord are both equally bonds.
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Friedrich Schiller
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When you want something very much, you are willing to accept the shadow of that thing. Even if it is just a shadow.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Lords are gold and knights steel, but two links can't make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people.
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George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
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Matthew has a habit of getting his heart broken. He seems to prefer a hopeless love.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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He had only felt agony when she was not there, and assumed that that was love. We suffer for love because love is worth it, his father had told him once: James had thought that meant that to love was to endure anguish. He had not realised his father had meant there should be joy to balance the pain.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Only promise me one thing, if I do go, give us a happy ending, will you? In your book?” β€œI don’t believe in endings
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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When I am with you, I imagine that my heart is beating, though it has not beaten for seven years. You give me so much, and I can give you nothing at all.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Thomas had very nice shoulders. Legendary shoulders, in fact.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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For a moment my soul was elevated from its debasing and miserable fears to which these sights were the monuments and the remembrances. For an instant I dared to shake off my chains, and look around me with a free and lofty spirit; but the iron had eaten into my flesh, and I sank again, trembling and hopeless, into my miserable self.
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Mary Wollstonecraft Shelley (Frankenstein)
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Love is a rarity in this world, and true friendship,
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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You may fear what will happen if you speak your heart. You may wish to hide things because you fear hurting others. But secrets have a way of eating at relationships, Jamie. At love, at friendshipβ€”they undermine and destroy them until in the end you find you are bitterly alone with the secrets you kept.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Hope is a prison, truth the key that unlocks it.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Contrary to what your beloved poets say, unrequited love doesn’t last forever. And being treated badly by someone doesn’t make you love them more.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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goodness can be a blade sharp enough to cut, you know, just as much as evil intent.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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For I am persuaded, that neither death, nor life, nor angels, nor demons, nor principalities, nor powers, nor things present, nor things to come, nor height, nor depth, nor any other creature, shall be able to separate us.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I know what I feel. You cannot dictate such things, nor tell me what is possible!
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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If I must fade,' he said, 'I would like to fade remembering this as my last waking dream.' 'Don't go,' she whispered. 'Hold on, for me. We are so close.' He touched her cheek. 'Only promise me one thing,' he said. 'If I do go, give us a happy ending, will you? In your book?' 'I don't believe in endings,' she said, but he only smiled at her, and faded slowly from view.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I try to shake it loose-but these ideas, they cling. It's like I'm shackled to them with an iron chain. They rattle along behind me, dragging against the ground, always reminding me of their presence.
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Maureen Johnson (The Madness Underneath (Shades of London, #2))
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Love is like chains of unbreakable steel. Love is like iron weights, heavier than the world. Love can crush just as surely as it can lift up. Everything else wilts before it.
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G. Norman Lippert (James Potter and the Vault of Destinies (James Potter, #3))
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Because, when you want something very much, you are willing to accept the shadow of that thing. Even if it is just a shadow.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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But its the same with any life. Imagine one selected day struck out of it and think how different its course would have been. Pause you who read this and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you but for the formation of the first link on one memorable day.
”
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Charles Dickens (Great Expectations)
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He is not yours. He is mine. He is mine.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I know what it is to be in pain, and not to be able to seek comfort from the one you love the most, nor be able to share that pain with anyone you know.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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It always amuses him that even though her life was filled with demons and vampires, warlocks and faeries, his wife still made a beeline for fantastical fiction every time they entered Foyles bookshop.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I hate to burst your bubble, but you're really not as scary as you think you are. I don't find you scary at all, actually," I lied casually. He stopped, raising his eyebrows in blatant disbelief. Then he flashed a wide, wicked smile. "You really shouldn't have said that," he chuckled. He growled, a low sound in the back of his throat; his lips curled back over his perfect teeth. His body shifted suddenly, half-crouched, tensed lika a lion about to pounce. I backed away from him, glaring. "You wouldn't." I didn't see him leap me - it was much too fast. I only found myself suddenly airborne, and then we crashed onto the sofa, knocking it into the wall. All the while, his arms formed an iron cage of protection around me - I was barely jostled. But I still was gasping as I tried to right myself. He wasn't having that. He curled me into a ball against his chest, holding me more securely than iron chains. I glared at him in alarm, but he seemed well in control, his jaw relaxed as he grinned, his eyes bright only with humor. "You were saying?" he growled playfully. "That you are a very, very terrifying monster," I said, my sarcasm marred a bit my breathless voice. "Much better," he approved.
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Stephenie Meyer (Twilight (The Twilight Saga, #1))
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One should not, she felt instinctively, question miracles too closely.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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We are special, unusual, unique people. That means that we must be bold and proud, but also careful. Don’t think you have so much to prove that it makes you foolish.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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But the truth is that sorrow is fleet and loyal. It will always follow you.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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It is not wise to forget to believe.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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People are dull. Gossiping about them is never dull.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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My father used to tell me that sometimes you cannot reconcile with someone else. Sometimes you have to find that reconciliation on your own. Someone who broke your heart is often not the person who can mend it.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I sometimes wonder, " James said, "if we can ever quite understand other people. " He ran a hand through his hair. "All we can do is try, I suppose.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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You were always my secret
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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That love is complicated," said Cordelia, "That it lies beside anger and hatred, because only those we truly love can truly disappoint us.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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He has given us a tremendous capacity to love. To give of our hearts, to let them be filled and filled again with the love that consecrates us all. To love one another is to come as close as we ever can to being angels ourselves.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Daisy. She seem to blaze like a torch. James had always known she was beautiful-How he always known? Have there been a moment he had realized it? – But still the sight of her hit him like a blow. She was all fire, or heat and light, from the gold silk roses woven into her dark red hair to the ribbons and beads on her golden dress. The hilt of Cortana was visible over her left shoulder; the straps that secured it had been fashioned from thick gold ribbons.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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A stupid despot may constrain his slaves with iron chains; but a true politician binds them even more strongly by the chain of their own ideas… on the soft fibers of the brain is founded the unshakable base of the soundest of Empires.
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Michel Foucault (Discipline and Punish: The Birth of the Prison)
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There is joy in being with someone you love, even knowing you can never have them, even knowing they will never love you back.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Death is a jealous mistress," Lucie whispered. "She fights to keep you.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Water splashed over my jeans, and I yelped as something burned my skin. We examined my leg. Tiny holes marred my jeans where the drops had hit, the material seared away, the skin underneath red and burned. It throbbed as if I’d jabbed needles into my flesh. β€œWhat the heck?” I muttered, glaring into the storm. It looked like ordinary rainβ€”gray, misty, somewhat depressing. Almost compulsively, I stuck my hand toward the opening, where water dripped over the edge of the tube. Ash grabbed my wrist, snatching it back. β€œYes, it will burn your hand as well as your leg,” he said in a bland voice. β€œAnd here I thought you learned your lesson with the chains.” Embarrassed, I dropped my hand and scooted farther into the tube, away from the rim and the acid rain dripping from it. β€œGuess I’m staying up all night,” I muttered, crossing my arms. β€œWouldn’t want to doze off and find half my face melted off when I wake up.
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Julie Kagawa (The Iron King (The Iron Fey, #1))
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So much of managing society is keeping one's chin up... and disregarding the ignorant things people say.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Anna: I will never be with you. We have no future together. None. Do you still want me to kiss you anyway? Ariadne: Yes. Yes.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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He’s indeed very dashing, but you must not forget your own heroism.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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...just as it was a torment to love, it might be a torment to be loved. To be loved, and to know it was not real.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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I suppose I merely thought it would be enough for you to know. That you might β€” if anything were to happen to me, you would remember I loved you desperately. And if for some reason, at the end of the year, you and James divorced. I would have waited
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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After every happiness comes misery; they may be far apart or near. The more advanced the soul, the more quickly does one follow the other. What we want is neither happiness nor misery. Both make us forget our true nature; both are chains--one iron, one gold; behind both is the Atman, who knows neither happiness nor misery. These are states, and states must ever change; but the nature of the Atman is bliss, peace, unchanging. We have not to get it, we have it; only wash away the dross and see it.
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Vivekananda
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Promises bind our kind as surely as iron chains or ropes of human hair. The fae never swear by anything we don't believe in. We don't ask for thanks and we don't offer them; no promises, no regrets, no chains. No lies.
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Seanan McGuire (Rosemary and Rue (October Daye, #1))
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For two centuries, Christians would be a persecuted minority. There was no worldly reward for being Christian. Being a follower of Christ took courage. The twelve apostles, and their first-century co-workers, suffered tribulation and sometimes death as they fulfilled the Great Commission Jesus had given them (Matt 28:19–20). They turned an iron empire upside down and changed our world forever.
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James Allen Moseley (Biographies of Jesus' Apostles: Ambassadors in Chains)
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I hold the Fates bound fast in iron chains, And with my hand turn Fortune's wheel about;
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Christopher Marlowe (Tamburlaine (Dover Thrift Editions))
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All one had to do was pretend, she realized, marveling a bit, and everyone would fall into line pretending with you.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Carefully she took hold of the chain dangling from it, the jade pendant he had given her so long ago. The inscription on the back still gleamed as if new: When two people are at one in their most inmost hearts, they shatter even the strength of iron or bronze. "You remember, that you left it with me?" she said. "I've never taken it off." He closed his eyes. His lashes lay against his cheeks, long and fine. "All these years," he said, and his voice was a low whisper, and it was not the voice of the boy he had been once, but it was still a voice she loved. "All these years, you wore it? I never knew.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her." "I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone. "But I must!" Lucretia cried.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?" [Third letter to Pope Celestine (1193)]
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Eleanor of Aquitaine
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Suddenly James was there, throwing an arm around her from behind. He seemed heedless of Cortana as he drew her back against him, whispering in her ear, "'Neither death, nor life, nor angels, nor demons, nor principalities, nor powers, nor things present, nor things to come, shall be able to separate us.' Do you understand? Keep hold of me, Daisy. Keep hold of me and don't let go.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.' I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.' Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So...when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be....' I looked at him. 'You haven't really got a clue, have you?' 'No.
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Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
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They were blurring. The lies and truths and memories. Sleep and the blackness in the iron coffin. The days bound to the stone altar in the center of the room, or hanging from a hook in the ceiling, or strung up between chains anchored into the stone wall. It was all beginning to blur, like ink in water.
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Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
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She would tell herself she must endure the situation, but I love her, and I cannot bear to see her suffer for the next year. I hope you will forgive meβ€”I think you will forgive me. You must see that in the situation we have now, there are four unhappy people. Surely you, too, wish that were not the case. Surely you care for her even if you do not love her, and want her to be happy.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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As if she could hear his thoughts, she glanced over and quirked her mouth up at him. "What are you looking at?" "You," he said. "Did you know, you grow more beautiful every day?" "Well that's odd," said Tessa, resting her chin thoughtfully on the spine of her book, "because as a warlock I do not age, and so I should look the same day to day, neither improving nor worsening. " "And yet," said Will, "you continue to accrue radiance.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever
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Charles Dickens (A Christmas Carol)
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I know what it's like to be in pain and not be able to explain why. I know why you're not with James tonight. Because when we are in pain, we are flayed open, and when we are flayed open, we cannot hide our true selves. And you cannot bear for him to know that you love him.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan’s tattooed hand, the others he had also laid out on that piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan’s eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn’s pants. Rowan wrapped an ice-kissed wind around the tent, blocking out all sound, and began.
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Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
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Cordelia clamped her lips together tightly, as if she were struggling not to cry. Christopher looked terribly alarmed. "Oh, what ho, tears," he said helplessly. "Ghastly- not that you shouldn't cry if you wish, of course. Cry like the blazes, Cordelia." "Christopher," said James darkly. "You are not helping.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
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You do not yield. Aelin slammed her hand into the lid. Cairn paused. Aelin pounded her fist into the iron again. Again. You do not yield. Again. You do not yield. Again. Again. Until she was alive with it, until her blood was raining onto her face, washing away the tears, until every pound of her fist into the iron was a battle cry. You do not yield. It rose in her, burning and roaring, and she gave herself wholly to it. Over and over, she pounded against the lid. Over and over, that song of fire and darkness flared through her, out of her, into the world. You do not yield And when she awoke chained on the altar, she beheld what she had done to the iron coffin. The top of the lid had been warped. A great hump now protruded, the metal stretched thin. As if it had come so very close to breaking entirely.
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Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
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Now that music is faithfully reproducible, musicians are not needed as once they were. And music itself has changed. Though small cadres of classicists keep the sacred and ineffable alive, they are under siege by coarse generations whose music is hardly as musical as a bus engine or a chain saw. Something must have occurred during their mothers' pregnancies. How else is it possible to explain that playing Bach keeps them away from public spaces the way iron spikes drive pigeons from cathedral ledges?
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Mark Helprin
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The mind has its needs, just as the body does. The latter are the foundations of society; from the former emerge the pleasures of society. While government and laws take care of the security and the well being of men in groups, the sciences, letters, and the arts, less despotic and perhaps more powerful, spread garlands of flowers over the iron chains which weigh men down, snuffing out in them the feeling of that original liberty for which they appear to have been born, and make them love their slavery by turning them into what are called civilized people.
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Jean-Jacques Rousseau (Oeuvres de J. J. Rousseau: Avec Des Notes Historiques, Volume 9 (French Edition))
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It truly is ironic that we don’t have time to enjoy the gadgets and luxuries we can afford on a large income rewarded from long working hours. We spend much of our weekends catching up on laundry, running errands, and cleaning the neglected bathroom. It’s a chain-link downward spiral: We want stuff, so we work hard; our hard work allows us to buy stuff, but our hard work takes all of our energy, so we can’t enjoy our stuff as much as we would like.
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Tsh Oxenreider (Organized Simplicity: The Clutter-Free Approach to Intentional Living)
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What ticks in the clock, beats here with strong strokes of the hammer. It is Bloodless, who drank life from human thought and thereby got limbs of metals, stone and wood; it is Bloodless, who by human thought gained strength, which man himself does not physically possess. Bloodless reigns in Motala, and through the large foundries and factories he extends his hard limbs, whose joints and parts consist of wheel within wheel, chains, bars, and thick iron wires.
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Hans Christian Andersen (Pictures of Sweden)
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definitions belong to the definer, not the defined, & I no longer wished to have my life & death foretold by others. I had endured too much to be reduced to an idea. Onto that pyre I threw so many, many words - that entire untrue literature of the past which had shackled & subjugated my as surely as the spiked iron collars & leg locks & jagged basils & balls & chains & headshaving - that had so long denied me my free voice & the stories I needed to tell. I no longer wished to read lies as to who & why I was. I knew who I was
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Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
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But you who walk facing the sun, what images drawn on the earth can hold you? You who travel with the wind, what weathervane shall direct your course? What man's law shall bind you if you break your yoke but upon no man's prison door? What laws shall you fear if you dance but stumble against no man's iron chains? And who is he that shall bring you to judgment if you tear off your garment yet leave it in no man's path? People of Orphalese, you can muffle the drum, and you can loosen the strings of the lyre, but who shall command the skylark not to sing?
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Kahlil Gibran
β€œ
It’s ironic that the only way to kill a zombie is to destroy its brain, because, as a group, they have no collective brain to speak of. There was no leadership, no chain of command, no communication or cooperation on any level. There was no president to assassinate, no HQ bunker to surgically strike. Each zombie is its own, self-contained, automated unit, and this last advantage is what truly encapsulates the entire conflict.
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Max Brooks (World War Z: An Oral History of the Zombie War)
β€œ
Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.
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Charles Dickens (A Christmas Carol)
β€œ
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
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Frederick Douglass (Narrative of the Life of Frederick Douglass)
β€œ
The weak link-- she liked the ring of it. To seek the imperfection in the chain that keeps you in bondage. Taken individually, the link was not much. But in concert with its fellows, a mighty iron that subjugated millions despite its weakness. The people she chose, young and old, from the rich part of town or the more modest streets, did not individually persecute Cora. As a community, they were shackles. If she kept at it, chipping away at weak links wherever she found them, it might add up to something.
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Colson Whitehead (The Underground Railroad)
β€œ
Cordelia glanced down. She was scratched, but that was nothing to the spot in her heart where the knowledge that she was Lilith's paladin now bit like teeth. She couldn't look at James- she glanced over and saw Lucie, who was kneeling by Jesse's body. He lay where he had fallen, motionless and unbreathing. If he had not been truly dead before, he was now. Lucie looked utterly lost. Cordelia closed her eyes, and hot tears spilled down her cheeks, scorching her skin. "Daisy," she heard James say; she felt his stele brush over her arm, the faint sting and then the numbness of healing runes being applied. "Daisy, my love, I'm so sorry.
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Cassandra Clare (Chain of Iron (The Last Hours, #2))
β€œ
The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
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Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β€œ
Freedom, sir," I began unceremoniously, without greeting or inquiry, "freedom is the biggest thing for man. Nothing can be compared to itβ€” nothing at all!" Surprised at my outburst, my master looked up at me in silence. "One can understand nothing from books," I went on. "We read in the scriptures that our desires are bonds, fettering us as well as others. But such words, by themselves, are so empty. It is only when we get to the point of letting the bird out of its cage that we can realize how free the bird has set us. Whatever we cage, shackles us with desire whose bonds are stronger than those of iron chains. I tell you, sir, this is just what the world has failed to understand. They all seek to reform something outside themselves. But reform is wanted only in one's own desires, nowhere else, nowhere else!
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Rabindranath Tagore (The Home and the World)
β€œ
His life was absurd. He went all over the world accepting all kinds of bondage and escaping. He was roped to a chair. He escaped. He was chained to a ladder. He escaped. He was handcuffed, his legs were put in irons, he was tied up in a strait jacket and put in a locked cabinet. He escaped. He escaped from bank vaults, nailed-up barrels, sewn mailbags; he escaped from a zinc-lined Knabe piano case, a giant football, a galvanized iron boiler, a rolltop desk, a sausage skin. His escapes were mystifying because he never damaged or appeared to unlock what he escaped from. The screen was pulled away and there he stood disheveled but triumphant beside the inviolate container that was supposed to have contained him. He waved to the crowd. He escaped from a sealed milk can filled with water. He escaped from a Siberian exile van. From a Chinese torture crucifix. From a Hamburg penitentiary. From an English prison ship. From a Boston jail. He was chained to automobile tires, water wheels, cannon, and he escaped. He dove manacled from a bridge into the Mississippi, the Seine, the Mersey, and came up waving. He hung upside down and strait-jacketed from cranes, biplanes and the tops of buildings. He was dropped into the ocean padlocked in a diving suit fully weighted and not connected to an air supply, and he escaped. He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn't stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.
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E.L. Doctorow (Ragtime)
β€œ
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
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Hunter S. Thompson (Hell's Angels)
β€œ
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrewβ€”two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of loveβ€”in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
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Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
β€œ
The room became cinders. Kaltain pushed the chains off her as though they were cobwebs and arose. She disrobed as she walked out of the room. Let them see what had been done to her, the body they’d wasted. She made it two steps into the hall before they noticed her, and beheld the black flames rippling off her. Death, devourer of worlds. The hallway turned to black dust. She strode toward the chamber where the screaming was loudest, where female cries leaked through the iron door. The iron did not heat, did not bend to her magic. So she melted an archway through the stones. Monsters and witches and men and demons whirled. Kaltain flowed into the room, spreading her arms wide, and became shadowfire, became freedom and triumph, became a promise hissed in a dungeon beneath a glass castle: Punish them all. She burned the cradles. She burned the monsters within. She burned the men and their demon princes. And then she burned the witches, who looked at her with gratitude in their eyes and embraced the dark flame. Kaltain unleashed the last of her shadowfire, tipping her face to the ceiling, toward a sky she’d never see again. She took out every wall and every column. As she brought it all crashing and crumbling around them, Kaltain smiled, and at last burned herself into ash on a phantom wind.
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β€œ
Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.
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Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
β€œ
Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me β€˜I have come,’ said I, β€˜from this road’s birth, I have come,’ said I, β€˜seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth β€˜There are few roads on this earth,’ said he, β€˜that will lead you to the best in us, old one.’ β€˜But you have seen all the tracks of men,’ said I β€˜And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs β€˜Old one,’ said she, β€˜I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. β€˜Dare say I,’ she went on,β€˜there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, β€˜Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ β€˜Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ β€˜Could we answer you,’ said the sergeant, β€˜This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, β€˜Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ β€˜How so?’ asked I, so lost now on the road, And said he, β€˜Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch
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Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))