Ceviche Quotes

It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair. The second time you have a root beer float, for instance, your happiness at sipping the delicious concoction may not be quite as enormous as when you first had a root beer float, and the twelfth time your happiness may be still less enormous, until root beer floats begin to offer you very little happiness at all, because you have become used to the taste of vanilla ice cream and root beer mixed together. However, the second time you find a thumbtack in your root beer float, your despair is much greater than the first time, when you dismissed the thumbtack as a freak accident rather than part of the scheme of a soda jerk, a phrase which here means "ice cream shop employee who is trying to injure your tongue," and by the twelfth time you find a thumbtack, your despair is even greater still, until you can hardly utter the phrase "root beer float" without bursting into tears. It is almost as if happiness is an acquired taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

Ceviche is an acquired taste, a phrase which here means 'something you don't like the first few times you eat it....

It is a curious thing, but as one travels the world getting older and older, it appears that happiness is easier to get used to than despair.... It is almost as if happiness is an acquire taste, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

Ceviche is an acquired taste, a phrase which here means something you don't like the first few times you eat it....

Happiness is an acquired tase, like coconut cordial or ceviche, to which you can eventually become accustomed, but despair is something surprising each time you encounter it.

They ate raw fish salad (ceviche) at a Lebanese joint and tea at a norther Chinese place. They held hands. They didn't talk about Sally or anything heavy. Johnny left her, telling her he'd be home later. (repeated multiple times throughout a chapter, emphasizing the monotony of the kept woman's life)

I need the comfort. I look for a food memory to calm me and I settle on ceviche. A tart bite, a clean, fresh wave of flavor. Think of the process. Raw fish is translucent, but when you dip the lime juice onto it, it becomes something else. Cubes of white-fleshed fish begin to flake. Shrimp turn pink. Texture becomes color. Visible streaks, almost stripes, show the grain.

They shared a platter of meze and dips and, for dessert, summer berries dipped in four kinds of melted chocolate. Lovers' food, Lara thought, watching Phil feed Katy a strawberry. When she was married, she had made special trips to obscure ethnic supermarkets for Vietnamese rice pancakes and soba noodles. She had bought extra-virgin olive oil online from a tiny estate in Sicily. She had discovered celeriac and plantains and Jerusalem artichokes. She had sautéed and ceviched and fricasseed and brûléed.

There are a dozen factors that make Japanese food so special- ingredient obsession, technical precision, thousands of years of meticulous refinement- but chief among them is one simple concept: specialization. In the Western world, where miso-braised short ribs share menu space with white truffle ceviche, restaurants cast massive nets to try to catch as many fish as possible, but in Japan, the secret to success is choosing one thing and doing it fucking well. Forever. There are people who dedicate their entire lives to grilling beef intestines, slicing blowfish, kneading buckwheat into tangles of chewy noodles- microdisciplines with infinite room for improvement. The concept of shokunin, an artisan deeply and singularly dedicated to his or her craft, is at the core of Japanese culture.

Dinner starts with a ceviche of beef, the love child of northern Italy's raw beef culture and the couple's interest in assertive flavors from around the world. Depending on the day, you may find lemongrass, cilantro, and miso- perfect strangers across Italy- canoodling with cured anchovies and handmade pastas. "It's not fusion," says Francesca. "We don't ever think 'How can we work a bit of Asia into this plate?' If it makes sense on the fork, then we go for it." From there Francesca takes me through the entire menu: from the esoteric and unexpected- fried snails over a dashi-spiked potato puree, glazed pork belly with cavolo nero kimchi- to gentle riffs on the soul food you'd find in a traditional trattoria- fried artichokes dipped into an anise-spiked mayonnaise, tender pork sweetbreads with tiny candy-sweet asparagus and a slick of Mazzo's exceptional olive oil.

The client had the boudin blanc, the roasted chicken and the cheesecake," he says. "Cheesecake?" I say, confused by this plain, alien-sounding list. "What sauce or fruits were on the roasted chicken? What shapes was it cut into?" "None, Patrick," he says, also confused. "It was… roasted." "And the cheesecake, what flavor? Was it heated?" I say. "Ricotta cheesecake? Goat cheese? Were there flowers or cilantro in it?" "It was just… regular," he says, and then, "Patrick, you're sweating." "What did she have?" I ask, ignoring him. "The client's bimbo." "Well, she had the country salad, the scallops and the lemon tart," Luis says. "The scallops were grilled? Were they sashimi scallops? In a ceviche of sorts?" I'm asking. "Or were they gratinized?" "No, Patrick," Luis says. "They were… broiled." It's silent in the boardroom as I contemplate this, thinking it through before asking, finally, "What's 'broiled,' Luis?" "I'm not sure," he says. "I think it involves… a pan.

Today I've prepared a dish I'm calling 'Sea Bass of Three.' The first is a citrus ceviche with yellow chilies and a hint of preserved lemon, to be eaten with plantain crisps on the left of your plate." Even from her vantage, Penelope could see Elijah had molded the ceviche into a vague fish shape that pointed to the center of the plate. "Next, in the center, is a pan-sautéed fillet of sea bass coated in chili de árbol, and paprika potatoes sliced and arranged to resemble fish scales," Elijah continued. Penelope's mouth watered at the sight of the fillet, which looked perfectly crisp and very much resembled a small fish. It again seemed to point to the third and final part of the dish, thanks to the way he'd arranged it all. "And for the final phase, you have a sea-bass-and-cod fritter with fresh coriander leaves, serrano chilies, and a pineapple, chili, and lime foam." The queen and the princess nodded and started to eat the ceviche. "Will you explain what you've done with the samphire?" Lady Rutland asked, pointing to the green seaweed that resembled very thin asparagus spears. "The samphire is meant to symbolize the sea, just as the pineapple foam is meant to suggest sea foam. I sautéed the samphire in a spiced butter," Elijah replied. Penelope grinned from her seat behind the Minstrels' Gallery's open door. He'd almost made it look like the fish (especially the potato-scaled fillet in the center) was still swimming in the sea. From what she could see, he'd dotted the foam in strategic places on the plate, including near the ceviche, so one could take a bite with a plantain crisp and the foam, or try it plain.

ceviche. It was a summertime staple at my

—Tienen que ser abiertas, compartidas. Porque así te conviertes en un icono, eres un modelo a imitar, generas tendencias. Si tú inventas un ceviche y si al año siguiente ese ceviche está en todo Miami, entonces tú existes: hay una necesidad urgente de que lo que hagas, lo hagan otros —respondió Acurio.

I wasn’t sure if it was the boat ride we’d just taken or my father’s usage of the word foodies and the care he took in pronouncing it FOO-DEES that was making me feel queasy, but suddenly the seafood mango salad I had ordered was not so appealing. There are few things I detest more in this world than an adult man proclaiming himself to be a foodie, much less my own father dragging me in to share the title when only moments before he had asked me if I’d ever heard of a ceviche.

I remember the pissaladière. We stood there watching them cook and eating that soft, oily bread. Back then I was so poor I was living on bread and cheese, and the flavor of olives and anchovies went straight through me." He stopped, and when he spoke again, his voice was lower, as if he was summoning the words from the air. "The wine was flowing, and the celery was crisp. Richard had found some old farmer who gave him a great ripe wheel of Brie that dripped off the edges of the bread. Richard and that crazy chef kept arguing, but it wasn't a fight, it was a seduction." Stella wanted to ask what they had argued about, but she was afraid to interrupt the rhythm of his words. "Richard wanted to keep it simple--- you know how he is--- but that chef had his own ideas. I remember he started dicing fish and mixing it with onions, tomatoes, and little bits of celery. 'Limes!' he said. 'I must have limes!' None of us had ever heard of ceviche, and we were astonished. Then Richard concocted a chicken gratin with a cheese custard on top, and the chef made the most beautiful salad I'd ever seen. He threw everything into it--- pieces of lemon, bits of cheese, and then he took the violets out of the vase and tossed in the petals. It was beautiful.

And you shouldn't be---" I say, looking up and taking in his appearance. So damn hot. My throat catches. Words do not form. He's sexier than the ceviche I'm planning on making---slick and smooth, cool and hot. Confession: I may have a problem binge-watching rom-coms and steamy romances, hoping for my own meet-cute. If they happen in the movies, why not in real life? When I'm not in the kitchen, I watch them all, inhaling the happy endings---from Sleepless in Seattle to Pretty Woman to Sixteen Candles, the latter so politically incorrect and cringe-worthy today but made up for with the drool-worthy hotness that is Jake Ryan. Something about this guy reminds me of Keanu Reeves, with his razor-sharp cheekbones, mildly unkempt black hair that nearly touches his shoulders, two-day scruff, penetrating hazel eyes, and, from what I can tell---dressed in a casual but elegant fitted black suit---a buff body. I may have developed a slight Keanu obsession after I saw him in Always Be My Maybe, the story of him being the temporary love interest of an ambitious chef. Even though he played a douchebag version of himself, he was funny and hot as hell. Normally, I only salivate over recipes, but this feast for the eyes is clearly an exception.

I'd have no problem describing the ceviche in words. Raw sea bass, firm and gleaming and presenting just a little resistance to my teeth, marinated in an explosion of sour citrus and ripe garlic and crunchy onion, chile peppers sparking heat on my tongue. The fierce citrus cooked the fish in a way that allowed the essence of the fish to shine through along with the marinade, untouched by fire. To soothe the intense flavors of the ceviche, it was served alongside a simple mashed sweet potato and crunchy pieces of giant corn that tasted like a purer corn chip. We also noshed on maki rolls filled with eel and cream cheese, a strange combo of fat and fat that somehow worked, a salad of pickled sunchokes, some charred octopus with yucca root.

Kokoda isn't actually sushi, it's fish cooked in lime juice. Ceviche, which is made in Central and South America, is prepared in the same way. It's a chemical process, the citric acid denatures the proteins in the flesh of the fish so the molecules change their structure

Raw fish and seafood were the Trojan horses in whose guts the vibrio was carried to the population of Lima and other cities. Especially suspect at the time was ceviche, a dish of raw fish marinated in lime juice, onion, chilies, and herbs.

Think of other foods, other meals. The most complicated menu planning I can think of, my truly desperate resort. The imaginary dinner party I've always wanted to throw, the seven-course "Continental Cuisine" menu, with a dish for each continent. One, the amuse-bouche, ceviche of scallops and shrimp, with the leche de tigre served alongside in a tall shot glass, to wake the appetite. Two, a Moroccan soup, lentils, rich with cardamom and cumin and pepper. Three, the fish course, miso-glazed cod. Four, a white, barely lemon-tinted sorbet, representing Antarctica, because who cooks penguin? Five, Australian lamb, from Paula Wolfert's seven-hour-lamb recipe, so tender it melts in the mouth like butter instead of meat. Six, a small triangle of classically American apple pie, the crust enriched with white cheddar from Vermont. Seven, three European cheeses: tangy Manchego with membrillo, creamy asked Morbier with red pepper honey, sweet Gorgonzola Dolce on-