“
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She never cried because she was afraid that something 'would' happen; she would cry because she feared something that could render the world more beautiful, 'would not' happen.
”
”
Roman Payne (The Wanderess)
“
I can see that the sadness has returned. And it's not a beautiful sadness- beautiful sadness is a myth. Sadness turns our features to clay, not porcelain.
”
”
David Levithan (Every Day (Every Day, #1))
“
Beautiful sadness is a myth. Sadness turns our features to clay, not porcelain.
”
”
David Levithan (Every Day (Every Day, #1))
“
Once there was a girl who was too sure of herself. Not everyone would call her beautiful, but they admitted that she had a certain grace that intimidated more often than it charmed. She was not, society agreed, someone you wanted to cross. She keeps her heart in a porcelain box, people whispered, and they were right.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She was brave, and I never once saw her cry out of fear. She never cried because she was afraid that something would happen; she would cry because she feared something that could render the world more beautiful, would not happen… She believed if I gave in to make her fortune become realized, the world would be ultimately profound and beautiful. I guess I held out because I feared the realization of her fortune would mean the destruction of us together. And each time she cried, I fell a little more deeply in love with her.
”
”
Roman Payne (The Wanderess)
“
It's always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important.
”
”
Nien Cheng (Life and Death in Shanghai)
“
You are mysterious. I love you. You’re beautiful, intelligent, and virtuous, and that’s the rarest known combination.
”
”
F. Scott Fitzgerald (Porcelain and Pink)
“
...What is the use of beauty? i have lived my life surrounded by painters, and still I do not know the answer. But i suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes or lives less miserable so that we might be more kind-well, then, lets have beauty, painted on our porcelain, hanging on our walls, ringing through our stories.
”
”
Gregory Maguire (Confessions of an Ugly Stepsister)
“
In Plaster
I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was
Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.
Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.
I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.
She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.
She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.
I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.
I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
--written 26 Feburary 1961
”
”
Sylvia Plath (The Collected Poems)
“
It was the first thing I noticed about him. He could admire a lady as though he were admiring a beautiful porcelain vase, without making her feel he was affixing a price tag.
”
”
Kate Quinn (The Huntress)
“
The silence grew, and I felt silently inspected. I’d been caught. It didn’t help that Jesus’ tiny decapitated porcelain head was watching me from the sideboard, judging. He knew.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
Slowly what she composed with the new day was her own focus, to bring together body and mind. This was made with an effort, as if all the dissolutions and dispersions of her self the night before were difficult to reassemble. She was like an actress who must compose a face, an attitude to meet the day.
The eyebrow pencil was no mere charcoal emphasis on blond eyebrows, but a design necessary to balance a chaotic asymmetry. Make up and powder were not simply applied to heighten a porcelain texture, to efface the uneven swellings caused by sleep, but to smooth out the sharp furrows designed by nightmares, to reform the contours and blurred surfaces of the cheeks, to erase the contradictions and conflicts which strained the clarity of the face’s lines, disturbing the purity of its forms.
She must redesign the face, smooth the anxious brows, separate the crushed eyelashes, wash off the traces of secret interior tears, accentuate the mouth as upon a canvas, so it will hold its luxuriant smile.
Inner chaos, like those secret volcanoes which suddenly lift the neat furrows of a peacefully ploughed field, awaited behind all disorders of face, hair, and costume, for a fissure through which to explode.
What she saw in the mirror now was a flushed, clear-eyed face, smiling, smooth, beautiful. The multiple acts of composure and artifice had merely dissolved her anxieties; now that she felt prepared to meet the day, her true beauty emerged which had been frayed and marred by anxiety.
”
”
Anaïs Nin (A Spy in the House of Love (Cities of the Interior, #4))
“
The sight of Moiraine always made her smile. Cetalia had been wrong in one particular. She was not a pretty little porcelain doll; she was a beautiful little porcelain doll. On the outside, anyway. Inside, where it counted, was another matter. The first time Siuan saw her, she had been sure the Cairhienin girl would crack like a spindle-shell in a matter of days. But Moiraine had turned out to be as tough as she herself if not tougher. No matter how often she was knocked down, she climbed back to her feet straightaway. Moiraine did not know the meaning of 'give up.
”
”
Robert Jordan (New Spring (The Wheel of Time, #0))
“
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
”
”
Joseph Brodsky
“
The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop in on the floor it will break into a dozen fragments. Isn't possible in the same way that the values we cherish in the world can only exist in combination with evil?
”
”
W. Somerset Maugham (The Razor’s Edge)
“
A lover of comfort might shrug after looking at the whole apparent jumble of furniture, old paintings, statues with missing arms and legs, engravings that were sometimes bad but precious in memory, and bric-a-brac. Only the eye of a connoisseur would have blazed with eagerness at the sight of this painting or that, some book yellowed with age, a piece of old porcelain, or stones and coins.
But the furniture and paintings of different ages, the bric-a-brac that meant nothing to anyone but had been marked for them both by a happy hour or memorable moment, and the ocean of books and sheet music breathed a warm life that oddly stimulated the mind and aesthetic sense. Present everywhere was vigilant thought. The beauty of human effort shone here, just as the eternal beauty of nature shone all around.
pp. 492-493
”
”
Ivan Goncharov (Oblomov)
“
The camellia against the moss of the temple, the violet hues of the Kyoto mountains, a blue porcelain cup -- this sudden flowering of pure beauty at the heart of ephemeral passion: is this not something we all aspire to? And something that, in our western civilization, we do not know how to attain?
The contemplation of eternity within the very movement of life.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Maggie felt sorry for her, a woman surrounded by beautiful expensive things, all of them by authentic designers, genuine gold-trims, the best-quality fabrics and woods, rare collector accessories of porcelain and ceramic—nothing artificial except her personality. Maggie
”
”
Alex Kava (Hotwire (Maggie O'Dell, #9))
“
Months later, in a different world, Nechuma will look back on this evening, the last Passover when they were nearly all together, and wish with every cell in her body that she could relive it. She will remember the familiar smell of the gefilte, the chink of silver on porcelain, the taste of parsley, briny and bitter on her tongue. She will long for the touch of Felicia's baby-soft skin, the weight of Jakob's hand on hers beneath the table, the wine-induced warmth in the pit of her belly that begged her to believe that everything might actually turn out all right in the end. She will remember how happy Halina had looked at the piano after their meal, how they had danced together, how they all spoke of missing Addy, assuring each other that he'd be home soon. She will replay it all, over and over again, every beautiful moment of it, and savor it, like the last perfect klapsa pears of the season.
”
”
Georgia Hunter (We Were the Lucky Ones)
“
Do people call you Ollie?” Lola asked.
Oliver looked at her, completely dumbfounded by the possibility of this nickname. She may as well have asked him if people call him Garth, or Andrew, or Timothy.
“No,” he said flatly, and the only thing charming about him was the way his accent seemed to run through every vowel with one syllable. Lola’s eyebrow twitched in her single tell—mildly annoyed—and she lifted her flashing LED drink cup to her lips.
Lola wears mostly black, including her glossy dark hair, and has a tiny diamond pierced into her lip, but, even still, she’s never been able to pull off the full physical manifestation of the angry Riot Grrrl. With her perfect porcelain skin and the longest eyelashes in the world, she’s simply too delicate. But once she decides you’re an asshole, it no longer matters to her what you think. She gives good glare.
“The flower suits you,” she said, tilting her head to study him. “And you have pretty hands, kind of soft. Maybe we should call you Olive.”
He grunted out a dry laugh.
“And a really beautiful mouth,” I added. “Gentle. Like a woman’s.”
“Aw fuck off.” He was laughing outright by then.
”
”
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
“
I must study politics and war," wrote John Adams, "that my sons may have the liberty to study mathematics, and philosophy, geography, natural history, and naval architecture, navigation, commerce, and agriculture, in order to give their children the right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain." Adams saw clearly that politics is the indispensable foundation for things elegant and beautiful. First and above all else, you must secure life, liberty and the right to pursue your own happiness.
”
”
Charles Krauthamer John Adams
“
It was a beautiful room, not an office at all, and much bigger than it looked from outside--airy and white, with a high ceiling and a breeze fluttering in the starched curtains. In the corner, near a low bookshelf, was a big round table littered with teapots and Greek books, and there were flowers everywhere, roses and carnations and anemones, on his desk, on the table, in the windowsills. The roses were especially fragrant; their smell hung rich and heavy in the air, mingled with the smell of bergamot, and black China tea, and a faint inky scent of camphor. Breathing deep, I felt intoxicated. Everywhere I looked was something beautiful--Oriental rugs, porcelains, tiny paintings like jewels--a dazzle of fractured color that struck me as if I had stepped into one of those little Byzantine churches that are so plain on the outside; inside, the most paradisal painted eggshell of gilt and
”
”
Donna Tartt (The Secret History)
“
Beauty is no end in itself, but if it makes our lives less miserable so that we might be more kind—well, then, let’s have beauty, painted on our porcelain, hanging on our walls, ringing through our stories. We are a sorry tribe of beasts. We need all the help we can get.
”
”
Gregory Maguire (Confessions of an Ugly Stepsister)
“
The box was small and oblong and apparently made of silver and porcelain. It was a beautiful shade of blue, but then not exactly blue, it was more like lilac. But then, not exactly lilac either, since it had a tinge of grey in it. To be more precise, it was the color of heartache.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth’s crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing color, and give it a perfect glaze, but from its very nature he can’t make it anything but fragile. If you drop it on the floor it will break into a dozen fragments. Isn’t it possible in the same way that the values we cherish in the world can only exist in combination with evil?
”
”
W. Somerset Maugham (The Razor's Edge (Vintage International))
“
Louise reminds him of those porcelain dolls he’s seen sitting on shelves in the apartments of old ladies where he has gone to do a favor or do some work. Like those dolls, Louise’s features are almost motionless; sometimes her frozen expression is absolutely beautiful. She has a way of staring into space that makes Hervé want to remind her of his existence.
”
”
Leïla Slimani (The Perfect Nanny)
“
It may be that there is no solution or it may be that I'm not clever enough to find it. Ramakrishna looked upon the world as the sport of God. "It is like a game," he said. "In this game there are joy and sorrow, virtue and vice, knowledge and ignorance, good and evil., The game cannot continue if sin and suffering are altogether eliminated from the creation." I would reject that with all my strength. The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour, and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop it on the floor it will break into a dozen fragments. Isn't it possible in the same way that the values we cherish in the world can only exist in combination with evil?
”
”
W. Somerset Maugham
“
To his mind there were four kinds of beautiful skin. The first he likened to porcelain: finely grained and flawless in sheen, but marked by a hardness and chill. The second he compared to snow: duller and more coarsely grained, with a deep whiteness and an inner warmth and softness that belied its cold surface. Next was what he called the textile look, what others called silken; this was the complexion most prized by Japanese women, yet it had no virtue in Mikamé’s eyes beyond a flat, smooth prettiness. To be supremely beautiful, he thought, a woman’s skin had to glow with the internal life-force of spring’s earliest buds unfolding naturally in the sun. But city women, too clever with makeup, lost that perishable, flowerlike beauty at a surprisingly early age—and rare indeed was the woman past twenty-five whose skin had kept the freshness of youth.
”
”
Fumiko Enchi (Masks)
“
Love is Heaven on a Hinge
Memory enfolds upon her's sovereignty of sleep;
her beauty manifests not as pleasing proportion
but as an arcane assemblage of Ming porcelain,
clues pieced together to reveal
the numinous Yin within.
Tangrams of facile shapes recollect
into priceless chinoiserie
excavated with a toothbrush
beneath the clay noses
of a thousand entombed sentinels.
She reposes within my niche,
an ingenuous vase,
her dreams fulcromed by my lever.
My right arm, her nocturnal tiara,
diademed in jewels of sweat,
perfumed in muskiness and ferment,
heralded in the dulcet wail of snores.
Beneath the bay window of her oneiric realm
frogs belch Chopin's Impromptus,
chanticleers trumpet Hayden
cicadas chirp Mozart's Elvira Madigan.
Under the mask of night my niche becomes
her royal box at the Viennese Opera:
concertinas of Chinese silk,
the empyreal music of limns,
the fateful reprise of heaven
on a hinge.
”
”
Beryl Dov
“
There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards.
'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.'
That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!'
Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?
”
”
Jean Lorrain (Monsieur De Phocas)
“
Jordan considered. “He knows how to look. Really look, when a woman is talking.” “Ah.” Her stepmother sighed. “Some men ogle, some men look. The first makes us bristle, and the second makes us melt, and men are at an utter loss knowing the difference. But we do, and we know it at once.” “Exactly.” Jordan handed her a plate to dry. “Did Dad know how to look?” “It was the first thing I noticed about him. He could admire a lady as though he were admiring a beautiful porcelain vase, without making her feel he was affixing a price tag.
”
”
Kate Quinn (The Huntress)
“
Lady Merritt Sterling was a vibrantly attractive woman with large, dark eyes, a wealth of lustrous sable hair, and a flawless porcelain complexion. Unlike her two sisters, she had inherited the shorter, stockier frame of the Marsden side instead of the slender build of her mother. Similarly, she had her father's square-shaped face and determined jaw instead of her mother's delicate oval one. However, Merritt possessed a charm so compelling that she eclipsed every other woman in the vicinity, no matter how beautiful.
Merritt focused on whomever she was talking to with a wealth of sincere interest, as if she or he were the only person in the world. She asked questions and listened without ever seeming to wait for her turn to talk. She was the guest everyone invited when they needed to blend a group of disparate personalities, just as a roux would bind soap or sauce into velvety smoothness.
It was no exaggeration to say that every man who met Merritt fell at least a little in love with her. When she had entered society, countless suitors had pursued her before she'd finally consented to marry Joshua Sterling, an American-born shipping magnate who had taken up residence in London.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
”
”
Pat Conroy (South of Broad)
“
It would be easy to attribute Layla's effect on the opposite sex (and the occasional Sapphically inclined female) to her youth or sweet, natural perfume, but the real reason behind her attraction was far more complex. Of course, there was no denying her beauty, the consistency of her angled, porcelain features, that tilt in her almond eyes, which shined like half-moons across her celestial face. Unlike her two older sisters, who sported wayward brown ringlets, Layla had hair that was long and jet black. Tied up or let down, moussed or gelled, nothing could excite her stubbornly straight locks. They were a definite throwback to some latent Oriental chromosomes roaming deep inside of her.
”
”
Marsha Mehran (Pomegranate Soup (Babylon Café #1))
“
Sal and Henry return with a gust of warm garden air and I settle down to create miniature roses from sugarpaste using tiny ivory spatulas and crimpers. I will have no antique tester bed crowning my cake, only a posy of flowers: symbols of beauty and growth, each year new-blossoming. I let Henry paint the broken pieces with spinach juice, while I tint my flowers with cochineal and yellow gum. As a pretty device I paint a ladybird on a rose, and think it finer than Sèvres porcelain.
At ten o'clock tomorrow, I will marry John Francis at St. Mark's Church, across the square. As Sal and I rehearse our plans for the day, pleasurable anticipation bubbles inside me like fizzing wine. We will return from church for this bride cake in the parlor, then take a simple wedding breakfast of hot buttered rolls, ham, cold chicken, and fruit, on the silver in the dining room. Nan has sent me a Yorkshire Game Pie, so crusted with wedding figures of wheatsheafs and blossoms it truly looks too good to eat. We have invited few guests, for I want no great show, and instead will have bread and beef sent to feed the poor. And at two o'clock, we will leave with Henry for a much anticipated holiday by the sea, at Sandhills, on the southern coast. John Francis has promised Henry he might try sea-bathing, while I have bought stocks of cerulean blue and burnt umber to attempt to catch the sea and sky in watercolor.
”
”
Martine Bailey (A Taste for Nightshade)
“
Nestled into a bed of shiny cream satin lay a heart-shaped pendant on a simple gold chain. The heart itself was created from over a dozen delicate round amethyst stones, while the center held a miniature painted on porcelain. Done in a series of fine, delicate strokes, the artist's rendering depicted a tiny garden, alive with masses of yellow and white hollyhocks.
Right away, they reminded her of the flowers she'd been drawing that long-ago day in Bath. The day of her and Jack's very first kiss.
Her gaze went to his, breath stilled in her chest. "Oh, Jack. It's Sydney Gardens, isn't it?"
"That's right, with those stalky, puff-headed flowers." He gave her a gentle smile. "Do you like it?"
"I love it."
"I chose amethyst, since you said it's your favorite stone. I hope I remembered right?"
"You did. It's so lovely. Thank you. I'll wear it each and every day," she promised. "Your heart tucked against my own."
A peculiar shadow flickered momentarily across his eyes before he reached for the necklace. "Here, let me help you put it on."
"Yes. Please," she said, relieved he'd offered. Her hands were trembling with so much emotion that she doubted she could have managed the task on her own.
Turning slightly, she angled herself so he could place the chain around her neck and fasten the clasp. The slight weight of the gold and stones grew instantly warm against her skin. "There. How does it look?" she asked as she moved to face him again.
"Beautiful," he said.
But when she glanced up, she realized he wasn't looking at the pendant. Instead, he was looking at her.
”
”
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
“
there were solid gold and silver vessels and ornaments, crusted with gems, miles of jewel-sewn brocade, gorgeous pictures and statues that the troops just hacked and smashed, beautiful enamel and porcelain trampled underfoot, weapons and standards set with rubies and emeralds which were gouged and hammered from their settings—all this among the powder-smoke and blood, with native soldiers who’d never seen above ten rupees in their lives, and slum-ruffians from Glasgow and Liverpool, all staggering about drunk on plunder and killing and destruction. One thing I’m sure of: there was twice as much treasure destroyed as carried away, and we officers were too busy bagging our share to do anything about it. I daresay a philosopher would have made heavy speculation about that scene, if he’d had time to spare from filling his pockets. I
”
”
George MacDonald Fraser (Flashman in the Great Game (Flashman Papers #5))
“
he herself will serve them coffee in tiny, cracked cups of precious porcelain and little sugar cakes. The hobbledehoys sit with a spilling cup in one hand and a biscuit in the other, gaping at the beautiful Countess in her satin finery as she pours from a silver pot and chatters distractedly to put them at their fatal ease. A certain desolate stillness of her eyes indicates she is inconsolable. She would like to caress their lean, brown cheeks and stroke their ragged hair. When she takes them by the hand and leads them to her bedroom, they can scarcely believe their luck.
Afterwards, her governess will tidy the remains into a neat pile and wrap it in its own discarded clothes. This mortal parcel she then discreetly buries in the garden. The blood on the Countess' cheeks will be mixed with tears; her keeper probes her fingernails for her with a little silver toothpick, to get rid of the fragments of skin and bone that have lodged there.
”
”
Angela Carter (The Lady of the House of Love)
“
The room was two-tiered,
its marble balconies filled with rams and water nymphs in fancy
dress; a kaleidoscope of colours swayed in time to the beat of
hypnotic music. A concerto of absent musicians, it played only in
her mind. The numerous chandeliers with sculptured metal frames
hung down from chains, with endless fireflies attached. At the far
end stretched a grand staircase, dressed with a plush velvet carpet
in deep cerise, and ceiling paintings edged with gold embossed
dado rails clung to the walls.
Then Eve honed in on herself and saw that she wore a crushed
white taffeta A-line gown that fit her trim figure like a glove. Her
butterfly mask with floral patterns embroidered in red and gold
silk sat against her pale skin, her reflection like that of a porcelain
doll. A matching shawl rested softly on her shoulders. Everything
was so beautiful that she almost totally lost herself in the mirror’s
reflection."
(little snippet from our book)
”
”
L. Wells
“
Let us suppose that this ounce of mud is left in perfect rest, and that its elements gather together, like to like, so that their atoms may get into the closest relations possible.
Let the clay begin. Ridding itself of all foreign substance, it gradually becomes a white earth, already very beautiful; and fit, with help of congealing fire, to be made into finest porcelain, and painted on, and be kept in kings’ palaces. But such artificial consistence is not its best. Leave it still quiet to follow its own instinct of unity, and it becomes not only white, but clear; not only clear, but hard; not only clear and hard, but so set that it can deal with light in a wonderful way, and gather out of it the loveliest blue rays only, refusing the rest. We call it then a sapphire.
Such being the consummation of the clay, we give similar permission of quiet to the sand. It also becomes, first, a white earth, then proceeds to grow clear and hard, and at last arranges itself in mysterious, infinitely fine, parallel lines, which have the power of reflecting not merely the blue rays, but the blue, green, purple, and red rays in the greatest beauty in which they can be seen through any hard material whatsoever. We call it then an opal.
In next order the soot sets to work; it cannot make itself white at first, but instead of being discouraged, tries harder and harder, and comes out clear at last, and the hardest thing in the world; and for the blackness that it had, obtains in exchange the power of reflecting all the rays of the sun at once in the vividest blaze that any solid thing can shoot. We call it then a diamond.
Last of all the water purifies or unites itself, contented enough if it only reach the form of a dew-drop; but if we insist on its proceeding to a more perfect consistence, it crystallizes into the shape of a star.
And for the ounce of slime which we had by political economy of competition, we have by political economy of co-operation, a sapphire, an opal, and a diamond, set in the midst of a star of snow.
”
”
John Ruskin (Modern Painters: Volume 5. Of Leaf Beauty. Of Cloud Beauty. Of Ideas of Relation)
“
Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf.
"As you would have it so, Professor, here is your pupil in all her ghastliness."
Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner.
"You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-"
"Distaste ?" he interrupted quietly. "Is that what you see ?
”
”
Leanna Renee Hieber (The Strangely Beautiful Tale of Miss Percy Parker (Strangely Beautiful, #1))
“
I must study politics and war,” wrote John Adams, “that my sons may have the liberty to study mathematics and philosophy, geography, natural history, and naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.” Adams saw clearly that politics is the indispensable foundation for things elegant and beautiful. First and above all else, you must secure life, liberty and the right to pursue your own happiness. That’s politics done right, hard-earned, often by war. And yet the glories yielded by such a successful politics lie outside itself. Its deepest purpose is to create the conditions for the cultivation of the finer things, beginning with philosophy and science, and ascending to the ever more delicate and refined arts. Note Adams’ double reference to architecture: The second generation must study naval architecture—a hybrid discipline of war, commerce and science—before the third can freely and securely study architecture for its own sake. The most optimistic implication of Adams’ dictum is that once the first generation gets the political essentials right, they remain intact to nurture the future. Yet he himself once said that “there never was a democracy yet that did not commit suicide.
”
”
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes, and Politics)
“
Carrying her over to his bed, he slowly laid her on it. She sank into the mattress with a dreamy murmur of a sigh.
Though the protective impulse he had felt toward her earlier had returned full force, the soft and sensual moan from her lips filled him with a moment's blinding lust.
Dear God. A tremor of hunger ran through him. His stare traveled over her lax face and down her white neck to her creamy chest. He swallowed hard, gazing at her breasts.
Somehow, he became fixated on them again.
Heart pounding, he moved slowly and with caution sat on the edge of the bed. Desire slammed through his veins, but he only meant to look. She was a harlot, she wouldn't care, as long as he had money, which he did, lots of it. Yet it amazed him that such beauty could be purchased for the taking. She was exquisite, with the dusky fringe of her lashes fanned above her cheeks in sleep.
The thick and wavy cloud of her satiny brown hair flowed back from the pale oval of her face and spilled across his pillow.
He marveled at the creamy shimmer of her complexion in the firelight, her flushed cheeks like delicate pink-tinted porcelain. His gaze traveled over her smooth forehead, the delicate twin arches of her light brown eyebrows, and her small, prettily formed nose.
He would not have guessed her any common sort of wench. Then his attention strayed to her pink lips in ever-growing desire, a gathering smolder darkening his eyes.
She had a very charming chin, slightly pronounced, and hinting at a firm stubbornness of character. He wanted to nibble its smooth rounded curve.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
Overall look: Soft and delicate Hair: Most often blonde or golden grey Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon. Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
”
”
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
“
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same.
Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night.
Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote.
Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means?
Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up.
I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey.
Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep.
Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that?
Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
”
”
Victoria Aveyard (Queen Song (Red Queen, #0.1))
“
Don’t you know you’re beautiful?” Fanny picked up one of my hands as casually as she would a teacup. “Look at this, look at these delicate bones, nails as glossy as porcelain. I can’t stand it.” She dropped my hand and fell back into her chair in one motion. “I think it’s that curl of a smile that finally does them in—partway between a sneer and a laugh. Makes them work to impress you.
”
”
Susan Power (The Grass Dancer)
“
My parents took us to dinner but we came back early. Tomorrow was to be a day of days and we must get a good night's rest. Nothing, Emily said, was a greater aid to beauty than a long slumber; the eyes were made clear and sparkling and the skin like tinted porcelain.
”
”
Cornelia Otis Skinner (Our Hearts Were Young and Gay: An Unforgettable Comic Chronicle of Innocents Abroad in the 1920s)
“
I’m Scarlet,” she said. The smile never left her lips for a second. “Scarlet Monroe.”
She was absolutely gorgeous. With her long blonde mane of hair, almost pure-white porcelain skin, those ruby red lips and the queenly arched eyebrows, it was impossible not to notice how beautiful she was. But her being beautiful didn’t strike me right off the bat. It wasn’t the first thing I noticed about her. What that first thing was, it’s impossible for me to say. Any skull has a human face, but that’s not the first thing anyone notices about a skeleton—that it was human once, and so still is.
”
”
Lauren Sapala (West Is San Francisco)
“
As she craned her neck further she finally saw his face. She knew her mouth must have been gaping open like a clown in a ball toss game but she couldn't help it. His face was without a doubt the most beautiful thing she had ever seen. It was the kind of face that should have been gracing the pages of magazines, not the sidewalks of suburban Melbourne. The kind of face that made her yearn for her sketchbook and pencil.
He couldn't have been more than a year or two older than Sachi was, with dishwater blonde hair cut short and styled meticulously, a pointed jaw and hollow cheeks. His eyes were the colour of storm clouds and framed by lashes any girl would kill for.
He was a contradiction of sharp edges and porcelain smooth. He could have been carved out of marble. He couldn't be real.
”
”
Ashlee Nicole Bye (Out of the Shadows (Shadowlands #1))
“
It’s always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important.
”
”
Nien Cheng (Life and Death in Shanghai)
“
Lumineers may be the perfect solution for you if you're unhappy with your smile. Lumineers are a type of veneer that can give you a beautiful, natural-looking smile in just two visits to the dentist. Lumineers are made of porcelain and are very thin so that they can be fitted over your existing teeth without any drilling or alteration. This blog post will discuss the benefits of Lumineers and how they can help you achieve the perfect smile!
What is A Lumineers?
Lumineers are a type of veneer that can give you a beautiful, natural-looking smile in just two visits to the dentist. Lumineers are made of porcelain and are very thin so that they can be fitted over your existing teeth without any drilling or alteration. Lumineers can be used to correct a wide variety of dental problems, including:
-Gaps in your teeth
-Crooked or misshapen teeth
-Discolored or stained teeth
-Chipped or cracked teeth
-Worn down teeth
Lumineers are an excellent solution for people who want to improve their smile but don't want to go through traditional braces or veneers. Lumineers are also a perfect option for people who have sensitive teeth or gums.
What are the benefits of Lumineers?
Lumineers offer many benefits, including:
-They are fragile and can be fitted over your existing teeth without drilling or alteration.
-They are made of porcelain, so they look natural and realistic.
-They are stain resistant and will not yellow over time.
-They are solid and durable, so you can expect them to last for many years.
-They require no special care or cleaning products. You can brush and floss them just like your natural teeth.
Lumineers are an excellent way to improve your smile without going through traditional braces or veneers. Lumineers are also a perfect option for people who have sensitive teeth or gums.
If you're considering Lumineers, we encourage you to schedule a consultation with our office. We will be happy to answer any questions you may have and help you decide if Lumineers are suitable for you. Contact us today to get started!
”
”
Primera Dental
“
Porcelain thus connoted both hardness and plasticity, old-world beauty and new-world technology, fragile daintiness and insensate coolness: a mixture of antithetical symbolic meanings that are then ascribed to, indeed, become the very “stuff” of Asiatic femininity.
”
”
Anne Anlin Cheng (Ornamentalism)
“
If Kilgore really got to know him, he’d see Ambrose for his true self: a heartless porcelain doll, beautiful on the outside, but hollow within, splintered with well-hidden cracks.
”
”
Emily Brandish (Monsters & Mind Games)
“
We all begin with the question “What am I, really? What is my work here?” The Yaga teaches us that we are Life/Death/Life, that this is our cycle, this is our special insight into the deep feminine. When I was a child one of my aunts told me our family’s legend of “The Watery Women.” She said that at the edge of every lake there lived a young woman with old hands. Her first job was to put tüz—what I can only describe to you as souls or “soul-fire”—into dozens of beautiful porcelain ducks. Her second job was to wind the wooden keys in the ducks’ backs. When the winding-keys ran out, and the ducks fell over, their bodies shattered, she was to flap her apron at the souls as they were released and shoo them up into the sky. Her fourth job was to put tüz into more beautiful porcelain ducks, wind their keys, and release them to their lives.... The tüz story is one of the clearest about exactly what it is the Life/Death/Life Mother does with her time. Psychically, Mother Nyx, Baba Yaga, the Watery Women, La Que Sabe, and Wild Woman represent different pictures, different ages, moods, and aspects of the Wild Mother God. The infusion of tüz into our own ideas, our own lives, the lives of those we touch, that is our work. The shooing of the soul to its home, that is our work. The releasing of a shower of sparks to fill the day, and creating a light so we can find our way through the night, that is our work.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
“
She was beautiful, a porcelain ocean, with silver hoops crawling up the shells of her ears and jewelry lining her agile wrists.
”
”
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
“
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai.
Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kidnapers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” obsequiously waiting to be tipped; Jimmy’s Kitchen with its good American coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road;
the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
”
”
Edgar Snow (Red China Today: The Other Side of the River)
“
China Marks, Dark Porcelains and Marbled Beauties, Scarce Silver-lines or Burnished Brass, Green Foresters and Green Adelas, White Plumes, Light Arches, Old Ladies and Ghost Moths,
”
”
W.G. Sebald (Austerlitz)
“
You are sculpting yourself. Of course it's painful.
Carving every detail you want in your life into the tender fabrics of your own existence. Your body, your mind, your business, your home.
Is it not beautiful? How there are those of us that are willing to bear insufferable pain, all to achieve their highest form.
And then there's the rest of the world, fragile creatures, porcelain dolls, the unscuplted masses. All too scared to bear the burden.
Pain is the seed of power. If you can not tolerate it, you should not compete with those who will.
”
”
Anje Kruger
Sarra Cannon (Beautiful Demons (The Shadow Demons Saga, #1; Peachville High Demons, #1))
“
the use of beauty? I have lived my life surrounded by painters, and I still do not know the answer. But I suspect, some days, that beauty helps protect the spirit of mankind, swaddle it and succor it, so that we might survive. Beauty is no end in itself, but if it makes our lives less miserable so that we might be more kind—well, then, let’s have beauty, painted on our porcelain, hanging on our walls, ringing through our stories. We are a sorry tribe of beasts. We need all the help we can get.
”
”
Gregory Maguire (Confessions of an Ugly Stepsister)
“
my mind continually tiptoed to Georgia on the other side of my wall. I could imagine upswept hair and long limbs spilling over the white porcelain of the tub, dark lashes on a smooth cheek, full lips softly parted, and I resisted the urge to start painting all the little details my mind readily supplied. If Vermeer could find beauty in cracks and stains, then I could only imagine what I could create from the pores of her skin.
”
”
Amy Harmon (The Law of Moses (The Law of Moses, #1))
“
I'd heard "Rhapsody in Blue" a thousand times and it always amazed me. It was so humble and then so bombastic. It was beautiful, bright, and terrifying: old and new, European and American. At times it sounded like Debussy, at times it sounded like Stravinsky, and at times it sounded like the Lower East Side in 1910.
"Rhapsody in Blue" was a quintessentially New York work of art, but it was also about moving from east to west, from the old world to the new...
”
”
Moby (Porcelain: A Memoir)
“
Rylan!"
Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears.
"Yeah?" I yell across the room.
That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy.
"Your girlfriend's here," Tim informs me.
He steps aside, and a goddess enters the room.
It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality.
Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs.
But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful.
”
”
Colleen Boyd (Swamp Angel)
“
Sixteen after Midnight She just made it home Poured some Johnnie Walker Another goodnight…alone Freddie King is spinnin’ As a cinnamon candle burns It’s Sixteen after Midnight When her hurt starts to churn Sixteen after Midnight Three dead cigarettes New dress on the floor Her panties are soakin’ wet The proof is sometimes stronger Than she’s able to tolerate It’s Sixteen after Midnight A perfect time to oscillate Sixteen after Midnight On the cold bathroom floor Beautiful blue linoleum Her feet against the door Head against stained porcelain Water drips from a busted sink It’s Sixteen after Midnight And she is on the brink
”
”
K.W. Peery (Purgatory)
“
His thoughts died as Anders’s brain caught and held on to one particular sentence that had run through his mind. God, he loved this woman? Breaking their kiss, he lifted his head and stared down into her sweet face. She was like a ray of sunshine. Golden hair, porcelain skin, bright green eyes, luscious red lips. She was as beautiful as the sun to him, and he’d always thought the sun the most beautiful thing in the world. Perhaps because he could never really enjoy it, and he’d only allowed himself brief glimpses of it, or enjoyed it secondhand from the memories of mortals he fed off. It was only the last decade or so that he’d been able to enjoy it properly with the help of the window coating that blocked UV rays. Valerie rivaled the sun in his eyes. And won. If given the choice of seeing her every day but never seeing the sun again, or never seeing her again and getting to enjoy the sun, Valerie would win hands down, he acknowledged. Anders had always understood that the nanos got it right when they chose a life mate for an immortal. He just hadn’t realized how right it could be. When he was with Valerie, he felt at peace. He enjoyed her smile, her laughter, her chatter, her sense of humor, her everything. He enjoyed just being with her, even if they were saying nothing. And he definitely enjoyed their passion.
”
”
Lynsay Sands (Immortal Ever After (Argeneau, #18))
“
Once there was a girl who was too sure of herself. Not everyone would call her beautiful, but they admitted that she had a certain grace that intimidated more often than it charmed. She was not, society agreed, someone you wanted to cross. She keeps her heart in a porcelain box, people whispered, and they were right. She
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Her limpid brown eyes came up to the turn of Durand’s shoulder. Her face held an exquisite beauty he had never before seen, the beauty of porcelain, but without its cold stillness, and a crumpled rose petal of a mouth.
”
”
Cornell Woolrich (Waltz into Darkness)
“
I lean my head back against the couch, imagining that porcelain skin, those red, trembling lips, the natural curves of her supple breasts. I pretend the woman touching me is the innocent beauty about to fall to her desires. A groan leaves my lips as I envision the dark-haired doll I’ve become obsessed with twisting her soft hands around my hardening cock.
”
”
Jescie Hall (That Sik Luv)
“
He circles the shrines, scanning each of them.
There's one made in exclusively soft shades of pink, with a bouquet of blush roses at the center. It's surrounded by oysters, each one nestling a pearl. Smooth, heart-shaped rose quartz surrounds the perimeter in a perfect circle. Sliced guava reveals its rosy flesh, next to clamshells full of cherry blossoms.
Another is built from a large shell in the center, filled with water that reflects the moon. White magnolias float on the surface, along with golden glitter that sparkles like starlight. Oranges with long stems and blossoms surround the shell, paired with sliced mango drizzled with honey.
I swear I know who some of these belong to. The one with green grapes and pears decorated with golden butterfly appliqué must be Genevieve's. Beside it is one crafted from fuchsia carnations and obnoxiously large peonies, with different berries in porcelain dishes painted with bright pink flowers. So obviously Amelia's.
”
”
Kiana Krystle (Dance of the Starlit Sea)
“
I release her neck, sliding my palm down her beautifully arched spine before gripping her ass with a firm grasp, bending down to lick the length of her sweet, soft clit and pussy. I glide a heavy, flat tongue along her clit, over her aching hole, all the way up to her ass. She wiggles in my grasp, clearly feeling discomfort at the newfound sensation. Smacking the side of her thigh, she tenses as I tease, then plunge my tongue into her forbidden entrance. “Fuck,” she cries out, attempting to get out of my grasp, but I grip her hips, forcing her back onto my tongue. Briony rarely curses, so when I hear her innocent lips mutter the word fuck with my tongue in her ass, it’s a recipe for disaster. I lean back up, my pulse spiking in anticipation as a bead of cum drips from the tip of my cock, needing to dirty her with a pleasure we’ve both yet to discover. I slap the white porcelain skin of her ass with a rough hand, loving the bounce her flesh gives me, thirsty for the reddened marks, ultimately causing her to moan against the blanket between her white-knuckled hold.
”
”
Jescie Hall (That Sik Luv)
“
He was so beautiful then, standing right in the space of the road where a beam of moonlight fell across his face, illuminating one side and casting long shadows on the other.
He looked like glazed porcelain, preserved glass. He was a sculptor's approximation of a person, not human himself. He can't be real, she thought. A boy made of flesh and bone could not be so painfully lovely, so free of any blemish or flaw.
”
”
RF Kuang
“
She’s wearing that goddamn crucifix again. How badly I want to rip that from her delicate little neck, cutting into her flesh in the process, just to see the bright red blood leak from her perfect porcelain skin. My beautiful little doll.
”
”
Jescie Hall (That Sik Luv)
“
nothing more beautiful than that utter emptiness of black. Unless it were white on the black. Plated white on the black. Porcelain white.
”
”
Frank Herbert (Dune (Dune, #1))
“
The spirit that confronted me was unlike anything I had ever seen before. It was a skeletal, six-winged figure radiating a starburst of lines that I took to signify light, like the rays of the sun. A halo shone behind its head. It wore a half-melted crown, the gold dripping in shining rivulets down its skull. At the bottom, letters read CIMELIARCH THE BRIGHT.
I turned the page. The next revenant lurked in a pall of shadow, only the bones of its arm and hand clearly visible, holding a set of scales. The one was labeled ARCHITRAVE THE DIM.
A chill crawled down my spine as I turned more pages, met each time with unearthly skeletal figures, veiled or crowned or holding objects—the scale, a sword, a chalice—and all of them winged, some with a single pair, others more. And beneath them, spelled out in gilt: CAHETHAL THE MAD. OREMUS THE LOST. MALTHAS THE HOLLOW. SARATHIEL THE OBSCURED.
“You have names,” I realized aloud.
“Names given to us by humans,” it said in distaste.
I gazed at Sarathiel the Obscured, taking in its remote, beautiful countenance, the eyes serenely half-closed. A fine crack ran diagonally across its features, dividing them in two, as though its face were a porcelain mask. Mist poured from the chalice held in its skeletal hand, pooling beneath its silver pinions. Three sets of wings framed its body, one pair spread and the others folded. It shouldn’t have come as a surprise to me that the revenants had wings—I had felt them. But the images almost defied comprehension.
No one knew how the revenants had been created. Perhaps they weren’t human souls. Maybe there was nothing human about them.
”
”
Margaret Rogerson (Vespertine)
“
I have four pets,’ Bjørnar Nicolaisen tells me at 69.31°N, ‘two cats and two sea eagles. I feed them all together on the shore, there by the throne, with the best fish in the world!’ He gives a huge laugh, and points east through the window of his living room: snow-filled fields sloping away to a rocky beach that borders a fjord several miles in width. Steel-blue water in the fjord, choppy where the currents are running. Far across the fjord, ranks of smooth-snowed peaks gleam in the late sunlight. They are shaped more wildly than any mountains I have ever seen before. Witches’ hats and shark fins and jabbing fingers, all polished white as porcelain. I cannot see a throne on the shore, though. ‘Here, try these.’ He hands me a pair of binoculars. Black leather-clad barrels, weathered in places to brown. Polished eye-pieces – and a Nazi eagle engraved into the left-hand barrel-back. ‘Wehrmacht-issue,’ says Bjørnar. ‘Beautiful lenses. An officer’s. When my father was dying, he asked me what I wanted from his possessions. “One thing only,” I told him, “the binoculars you took from the Germans.”‘ I lift the binoculars and the shoreline leaps to my eyes, close enough to touch. Calibrated cross-hairs float in my vision. I pan right along the beach. Nothing. I switch back left. Yes, there, a chair of some kind – but six or seven feet tall, built from driftwood lashed and nailed together. It looks like something the ironborn of Westeros might have made. ‘I take the eagles a cod or a saithe whenever I come back from a good day’s fishing. I feed them by my chair, there.’ ‘Bjørnar, you are the only person I know who counts sea eagles among his pets.’ ‘I am more of a cat person,’ Bjørnar replies. ‘Than a dog person or than an eagle person?’ ‘Than a people person!’ Bjørnar laughs and laughs – a deep, explosive laugh coming from far inside his chest.
”
”
Robert Macfarlane (Underland: A Deep Time Journey)
“
Owen had short brown hair with filaments of gray, and deep brown eyes. She’d never been a beautiful woman, but now she was getting a late-life revenge on her contemporaries who had been: she had porcelain-smooth skin, with a soft summer tan; slender face and arms, like a bike rider’s; an attractive square-chinned smile.
”
”
John Sandford (Heat Lightning (Virgil Flowers, #2))
“
It's not that I don't want to wear the latest fashion of pleated skirts and cute cardigans and have a smart exchange with a handsome boy in a waistcoat, but I just wasn't made that way. It's all so uncomfortable. I don't understand how girls get their hair in sleek ponytails or wear it in bouffant while my dark curls spring wild in the wind about my round face. Their skin is smooth and porcelain while the freckles on my cheeks and nose will not be covered with powder. They call me cute; I've heard them. But not beautiful, never that.
”
”
Patti Callahan Henry (Once Upon a Wardrobe)
“
possible I will someday be able to afford my dream home (by the ocean, with Danby marble countertops, slate tiles, porcelain in the cabinets, silk rugs on the floor, big windows, south-facing, beauty everywhere)
”
”
Katy Kelleher (The Ugly History of Beautiful Things: Essays on Desire and Consumption)
“
Today, and each dawn, Elsa lights a candle and burns incense before the ivory porcelain statue of Kwan Yin, Chinese Goddess of Wisdom and Compassion. She builds a fire in the stone fireplace beneath Ella Young's enchanting face, and sits in the curved chair. The cat, Lady Tiki, purrs on her lap. They gaze out the window at the "dancing dryads," madrone, bay laurel, live oak. Rose-lipped fuschias nod at them through the glass. Elsa's beautiful bright eyes watch the flames. She begins to write.
Abigail Hemstreet
San Anselmo, CA
April 1982
”
”
Elsa Gidlow (Sapphic Songs: Eighteen to Eighty)
“
I’m not enchanted with this little girl. For one thing, she’s awfully pretty. Her hair is raven black and flows freely to her waist. Her skin is pale and porcelain smooth. She needs no white magic to perfect her appearance, she will naturally grow into a breathtaking beauty. It isn’t fair.
”
”
Anita Valle (Sinful Cinderella (Dark Fairy Tale Queen, #1))
“
Much of what I had was handed down to me from others. The fact that I was now the oldest child, since my sister had died, put me first in line for toys. Not that the toys and clothing I acquired were necessarily new, nor were they gender specific, but they were newer when I got them, than later, when they were passed farther down the line. It didn’t matter that my sister was a girl…. A coat was a coat, except for how it was buttoned. Looking at old photographs, I sometimes find it impossible to tell if I am looking at my sister or me. It’s only when I see my nautical blue coat, with miniature petty officer chevrons on it that I’m certain that I’m looking at myself. As a baby, I wore her gowns and sleepwear, and this continued until they were worn out, or I outgrew them. Of course I inherited most of her toys, including a plunger type metal top and her beautiful, porcelain dolls. I don’t believe that these dolls were ever for play. They were beautiful enough to have been collectors’ items, but in my hands, they were doomed.
”
”
Hank Bracker
“
A formless blob begins to morph and then evolves into a humanoid shape. A male body is revealed to her. A twenty-year-old man that looks a bit older than her, but no more than a few years at most. He has pale skin but a tan pigmentation to his dermal membrane, similarly to those who have descended from Hispanic or Spanish heritage. His eyes are heterochromatic, gleaming like gems in this uncanny realm. Identical to the eyes of her beloved cat: one shines with the radiance of a sapphire, while the other glows with a fiery dissimilarity, resembling a diametrical ruby. Somehow, though different in color, the blankness of his eyes are far from antithetical to the pair that were painted in the picture of her dream from days ago, that seemed to have come right out of a Dalí painting. Invoking the memory of the dead-eyed stare that continually to haunts her.
He is very handsome with a large forehead, and slick ebony hair. His eyebrows are incredibly expressive, as if they were sketched on with a pencil. And he had a teardrop mole underneath his right eye. He had long eyelashes and a porcelain doll mouth. He is adorned in all white: a long-sleeved white sweater with white pants and a pair of white combat boots.
Although he has manifested himself in such a beautiful form, Juniper doesn't feel any attraction towards him. When she blushes, it is only from humiliation. Their eyes are locked together in an encumbrance of space-time.
”
”
H.E. Rodgers
“
I must study politics and war," wrote John Adams, "that my sons may have the liberty to study mathematics, and philosophy, geography, natural history, and naval architecture, navigation, commerce, and agriculture, in order to give their children the right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain." Adams saw clearly that politics is the indispensable foundation for things elegant and beautiful. First and above all else, you must secure life, liberty and the right to pursue your own happiness.
”
”
Charles Krauthammer