Centaur Quotes

We've searched our database for all the quotes and captions related to Centaur. Here they are! All 100 of them:

It's like learning to ride a unicorn. You never forget.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
He turned to Frank who was trying to pull his fingers out of the Chinese handcuffs… “Okay,” Frank relented. “Sure.” He frowned at his fingers, trying to pull them out of the trap. “Uh, how do you—” Leo chuckled. “Man, you’ve never seen those before? There’s a simple trick to getting out.” Frank tugged again with no luck. Even Hazel was trying not to laugh. Frank grimaced with concentration. Suddenly, he disappeared. On the deck where he’d been standing, a green iguana crouched next to an empty set of Chinese handcuffs. “Well done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. “That is exactly how people beat Chinese handcuffs. They turn into iguanas.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Always the innocent are the first victims, so it has been for ages past, so it is now.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Seniors get to do all the jolly things," Owen complained as they walked to archery practice that first day. Neal glared at the chubby second-year with all the royal disdain of a vexed lion. He was limping from a staff blow to the knee. "You are a bloody minded-savage," he informed Owen sternly. "I hope you are kidnapped by centaurs.
Tamora Pierce (Page (Protector of the Small, #2))
What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
Ocean Vuong (On Earth We're Briefly Gorgeous)
He threw his head back and sang, "'I am a centaur, yes, a centaur is what I am.' It's not like you to wax, Artemis" "Foaly is singing," said Holly. "Surely that's illegal?
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
While Leo fussed over his helm controls, Hazel and Frank relayed the story of the fish-centaurs and their training camp. 'Incredible,' Jason said. 'These are really good brownies.' 'That's your only comment?' Piper demanded. He looked surprised. 'What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies--' 'I know,' Frank said, his mouth full. 'Try them with Ester's peach preserves.' 'That,' Hazel said, 'is incredibly disgusting.' 'Pass me the jar, man,' Jason said. Hazel and Piper exchanged a look of total exasperation. Boys.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
You..." The centaur's eyes flared like a cornered animal's. "You should be dead.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Percy says be talked to a Nereid in Charleston Harbor!” “Good for him!” Leo yelled back. “The Nereid said we should seek help from Chiron’s brothers.” “What does that mean? The Party Ponies?” Leo had never met Chiron’s crazy centaur relatives, but he’d heard rumors of Nerf sword-fights, root beer-chugging contests, and Super Soakers filled with pressurized whipped cream. “Not sure,” Annabeth said. “But I’ve got coordinates. Can you input latitude and longitude in this thing?” “I can input star charts and order you a smoothie, if you want. Of course I can do latitude and longitude!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
He would have shaved the centaurs, dipped them in honey, covered them with feathers, and hung them up like a bunch of pinatas. I'm just saying." - Warren
Brandon Mull
When they passed the centaur king’s cell, Volós pointed at Regin and slid his forefinger across his throat. She replied, “Hey, didn’t I see you in a donkey show down in Tijuana? No? You’ve got a twin then—
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Leo waited while the fish centaur put away his supplies. Aphros's lobster-claw horns kept swimming around in his thick hair, and Leo had to resist the urge to try and rescue them.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
His priority did not seem to be to teach them what he knew, but rather to impress upon them that nothing, not even... knowledge, was foolproof.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Orion sniffed. "Good. Then, worthy centaur, perhaps you could give me a ride to the village on your way back. Then I can make a few pennies wth my verses while you build us a shack and perform circus tricks for passersby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away.
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
Mulch's tongue lolled out, resting on the centaur's neck. "Mmm," he mumbled around his tongue. "Horse. Tasty" "Let's go," said Foaly nervously. "Let's go right now.
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
I can grow cameras!" she had shrieked at the Brill brothers during one briefing. "Who's to say that despicable centaur Foaly hasn't succeded in splicing surveillance equiptment to plants? So get rid of all the flowers. Rocks, too. I don't trust them. Sullen little blebers.
Eoin Colfer
Frank tugged again with no luck. Even Hazel was trying not to laugh. Frank grimaced with concentration. Suddenly, he disappeared. On the deck where he’d been standing, a green iguana crouched next to an empty set of Chinese handcuffs. “Well done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. “That is exactly how people beat Chinese handcuffs. They turn into iguanas.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Never," said Hagrid irritably, "try an' get a straight answer out of a centaur. Ruddy stargazers. Not interested in anythin' closer'n the moon.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Holly is alive,' thought Foaly 'My princess lives,'exulted Orion. 'And we're chasing a dragon
Eoin Colfer
How do I love thee? wondered Orion. "Let me see. I love thee passionately and eternally...obviously eternally-that goes without saying." Holly blinked sweat from her eyes. "Is he serious?" she called over her shoulder to Foaly. "Oh, absolutely," said the centaur "If he asks you to look for birthmarks, say no immediately." "Oh, I would never." Orion assured her. "Ladies don't look for birthmarks; that is work for jolly fellows like the Goodly Beast and myself. Ladies, like Miss Short, do enough by simply existing. They exude beauty, and that is enough." "I am not exuding anything." said Holly, through gritted teeth. Orion tapped her shoulder. "I beg to differ. You're exuding right now, a wonderful aura. It's pastel blue with little dolphins." Holly gripped the wheel tightly. "I'm going to be sick. Did he just say pastel blue?" "And dolphins, little ones," said Foaly.
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
Tyson dropped the two warriors he was about to tie into a knot and jogged after us. He jumped on the centaur's back. 'Dude!' the centaur groaned, almost buckling under Tyson's weight. 'Do the words "low-carb diet" mean anything to you?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Incredible,” Jason said. “These are really good brownies.” “That’s your only comment?” Piper demanded. He looked surprised. “What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies—” “I know,” Frank said, his mouth full. “Try them with Esther’s peach preserves.” “That,” Hazel said, “is incredibly disgusting.” “Pass me the jar, man,” Jason said. Hazel and Piper exchanged a look of total exasperation. Boys. Percy, for his part, wanted to hear every detail about the aquatic camp. He kept coming back to one point: “They didn’t want to meet me?” “It wasn’t that,” Hazel said. “Just…undersea politics, I guess. The merpeople are territorial. The good news is they’re taking care of that aquarium in Atlanta. And they’ll help protect the Argo II as we cross the Atlantic.” Percy nodded absently. “But they didn’t want to meet me?” Annabeth swatted his arm. “Come on, Seaweed Brain! We’ve got other things to worry about.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
When they passed the centaur king's cell, Volos pointed at Regin and slid his forefinger across his throat. She replied, "Hey, didn't I see you in a donkey show down in Tijuana? No? You've got a twin then--
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Bad pony-men! BOO!
Rick Riordan
Now I can do the bolts," she slurred. "I've been trying to focus enough magic all week." The magic shifted and swirled, finally etching a picture in the air. It was a rough picture of Foaly, and he was laughing. I hate you, centaur!" screamed Opal, lunging toward, and then through, the insubstantial image. Her eyes rolled back into her head, and then she collapsed, snoring, on the floor. Artemis straightened his tie. Freud, he was certain, would have a field day with that.
Eoin Colfer
You’re not a monster,” I said. But I lied. What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
Ocean Vuong (On Earth We're Briefly Gorgeous)
What good would learning be if we concentrated on what we already knew? It is only by learning those things that come to us with difficulty that we truly gain wisdom.
Kate Klimo (Daughter of the Centaurs (Centauriad, #1))
I don’t believe him,” said Hermione in a very unsteady voice, the moment they were out of earshot of Hagrid. “I don’t believe him. I really don’t believe him. . . .” “Calm down,” said Harry. “Calm down!” she said feverishly. “A giant! A giant in the forest! And we’re supposed to give him English lessons! Always assuming, of course, we can get past the herd of murderous centaurs on the way in and out! I — don’t — believe — him!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Horses frighten me as much as chickens do,’ he said. ‘That is too bad, because lack of communication with horses has impeded human progress,’ said Abrenuncio. ‘If we ever broke down the barriers, we could produce the centaur.
Gabriel García Márquez
A Centaur has a man-stomach and a horse-stomach. And of course both want breakfast. So first of all he has porridge and pavenders and kidneys and bacon and omlette and cold ham and toast and marmalade and coffee and beer. And after that he tends to the horse part of himself by grazing for an hour or so and finishing up with a hot mash, some oats, and a bag of sugar. That's why it's such a serious thing to ask a Centaur to stay for the weeekend. A very serious thing indeed.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
Orion sniffed. "Good. Then, worthy centaur, perhaps you could give me a ride to the village on your back. Then I can make a few pennies with my verses while you build us a shack and perform circus tricks for passerby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away.
Eoin Colfer (The Atlantis Complex (Artemis Fowl #7))
Adults had the notion that juveniles needed to suffer. Only when they had suffered enough to wipe out most of their naturally joyous spirits and innocence were they staid enough to be considered mature. An adult was essentially a broken-down child.
Piers Anthony (Centaur Aisle (Xanth, #4))
I didn't know dragons had hair. It's like a horse's mane." Fearghus snapped. To Morfyd's surprise, Annwyl didn't shy away from her brother and scurry across the room. Instead, she laughed, leaning closer against his body. "No need to get testy. I was merely implying that your kind was really meant to be beasts of burden for us humans. Just like horses. And centaurs." "Oh, is that all? Well, I apologize, Lady Annwyl. I thought you were saying something insulting.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
You are a bloody-minded savage. I hope you are kidnapped by centaurs.
Tamora Pierce (Page (Protector of the Small, #2))
Orion sniffed. "Good. Then, Worthy Centaur, perhaps you could give me a ride to the village on your back. Then I can make a few pennies with my verses while you build us a shack and perform circus tricks for passersby." This was such a surprising statement that Foaly briefly considered jumping into the hole to get away. "This isn't Middle Earth, you know. We're not in a novel. I am not noble, neither do I have a repertoire of circus tricks." Orion seemed disappointed. "Can you juggle at least?
Eoin Colfer
Wait, have you fucked a mermaid before?” Matthew asked, keeping himself at Tarrick’s side. “I’m old, Matthew.” “But…what about trolls? You haven’t fucked a troll before have you?” “I’m old, Matthew.” “Ew. Really? What about a centaur?” Tarrick glanced at Matthew. “God damn. Is there anything you haven’t fucked? You know what, never mind, I don’t want to know.
Jex Lane (Broken (Beautiful Monsters, #3))
Remember, cautioned the centaur. Modesty. Observance of the gods. In a fight do not do what you want to do, but what you judge you're enemy least wants you to. You cannot control others if you cannot control yourself. Those who most understand their own limitations have the fewest.
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
It seemed to me I was living in an insane asylum of my own making. I went about with all these fantastic figures: centaurs, nymphs, satyrs, gods and goddesses, as though they were patients and I was analyzing them. I read a Greek or Negro myth as if a lunatic were telling me his anamnesis.
C.G. Jung (Analytical Psychology: Its Theory and Practice)
Was there anything else? asked the centaur. Did Artemis say or do anything else? Holly shook her head miserably. No. He got a little sentimental, which is unusual for him, but understandable. He told me to kiss you. She stood on tiptoes and kissed Foaly’s forehead. “Just in case, I suppose.” Foaly was suddenly upset, and almost overwhelmed, but he coughed and swallowed it down for another time. He said, Kiss Foaly. Those exact words? No, said Holly, thinking back. He kissed me, and said, Give him that from me. The centaur grinned, then cackled, then dragged her across the lab. We need to get your forehead under an electron microscope, he said.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
You only had to see a unicorn lay open the side of a centaur once, the ribcage flashing white when the ripped skin flopped down, to swear a mighty oath never to fuck with or even look at another unicorn again. I'm putting down the hearts and fluffy clouds and backing away slowly. Don't want any trouble here. You can have all the rainbows.
Lev Grossman (The Magician's Land (The Magicians, #3))
Coming for her. Because I'm its...mate. Oh, man, that couldn't be good. She wanted this centaur to get her away from that wolf! She screamed against her gag, "Moo ur ass! Hu-y!" Chloe :)
Kresley Cole
I want to be a Huntress when I grow up!" shouted a voice from the throng. Kyna rolled her eyes and shook her head. "You can't be a Huntress, Liam. You're not a centaur and you're not a female.
P.C. Cast (Elphame's Choice (Partholon, #4))
Confidence is ignorance,” advised the centaur. “If you’re feeling cocky, it’s because there’s something you don’t know.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
Except for the hydra in her swamp and the baby dragon, the exotics—the unicorn, the herd of centaurs, and the gryphon family—lived on an island meadow surrounded by an extension of the castle moat.
Gail Carson Levine (Ella Enchanted)
The adults all agreed, without a word exchanged, that if Regan’s act of human heroism was to give comfort and friendship to one lonely centaur girl, they would consider her efforts to have been well spent.
Seanan McGuire (Across the Green Grass Fields (Wayward Children, #6))
Dor woke again as dawn came. The sun had somehow gotten around to the east, where the land was, and dried off so that it could shine again.
Piers Anthony (Centaur Aisle (Xanth, #4))
You're not a monster,' I said. But I lied. What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once. I read that parents suffering from PTSD are more likely to hit their children. Perhaps there is a monstrous origin to it, after all. Perhaps to lay hands on your child is to prepare him for war. To say processing a heartbeat is never as simple as the heart's task of saying yes yes yes to the body.
Ocean Vuong (On Earth We're Briefly Gorgeous)
Well done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. “That is exactly how people beat Chinese handcuffs. They turn into iguanas.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I have never known a field as wild as your heart. -From "Love Poem: Centaur
Donika Kelly (Bestiary: Poems)
I am part-demon, part-human. What else does that make me?" She answered his question with one of her own. "I am part-centaur, part-human. Does that make me a mutant?" "It makes you a miracle." She held his gaze. "Exactly.
P.C. Cast (Elphame's Choice (Partholon, #4))
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
My mother used to read to me every night when I was little. We got through most of the major fantasy books of that time. The Narnia books by C.S. Lewis were my favorites and, later, Tolkien's The Lord of the Rings. I started making dolls to fill in the gaps of the dolls I had. Obviously we couldn't buy centaurs and fauns and elves and fairies, so I made them to play with the normal dolls I had. I must have been about six years old when I started making fantasy dolls.
Wendy Froud
Meg gawked. “He—he really is a centaur.” “Well spotted,” I said. “I suppose the lower body of a horse is what gave him away?” She punched me in the arm.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
That I know not, Lord King,” said the Centaur. “But I know there are liars on earth; there are none among the stars.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7) (Publication Order, #7))
She smiled again. "Are all centaurs as confident as you?" "Yes. We're centaurs. We're amazing.
G.A. Aiken (The Blacksmith Queen (The Scarred Earth Saga, #1))
Nico,’ said Chiron. ‘You’re ... You’re hugging me. Are we hugging now? Is that a thing we do?’ ‘Shut up, Chiron,’ he said. ‘Just hug me back.’ The centaur did. It felt wonderful.
Rick Riordan (The Sun and the Star (The Nico di Angelo Adventures #1))
...man is a centaur, a tangle of flesh and mind, divine inspiration and dust.
Primo Levi
Her book was filled with centaurs because she had not fully grasped the complexity of actual people, actual horses.
Alasdair Gray (Every Short Story, 1951-2012)
Dude!” the centaur groaned, almost buckling under Tyson’s weight. “Do the words ‘low-carb diet’ mean anything to you?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Dreams are collisions of memories, they fuse the inconvenience of a mislaid pen with the grief of losing a loved one. They create hybrids, centaurs.
Dave McKean (Black Dog: The Dreams of Paul Nash)
Peleus lived to a good age and survived his famous son Achilles, an initiate of the Centaur Horse fraternity, who was killed at the siege of Troy.
Robert Graves (Hercules, My Shipmate)
incredible," Jason said. "these r really good brownies." "That's your only comment?" piper demanded. he looked surprised. "what? I heard the story. fish- centaurs. merpeople. letter of intro to the tiber river god. got it. But these brownies-" "I know," Frank said, his mouth full. "try them w esther's peach preserves." "that," hazel said, "is incredibly disgusting." "pass me the jar, man," jason said. hazel and piper exchanged a look of total exasperation. BOYS.
Rick Riordan
Hear my wife speak of John Lewis and you might picture a stately pleasure dome of ornamental cascades and hanging gardens, staffed by muscular Centaurs who know all there is to know about kitchenware and soft furnishings. But really it's just a big hall full of wanky chrome fridges.
Tim Moore (You are Awful (But I Like You): Travels Through Unloved Britain)
At this slower pace the journey took a couple of days, and I fought off a few minor threats along the way --griffins, carnivorous plants, giant serpents, hostile centaurs, that sort of thing, purely routine --and I was beginning to get bored when at last the dusky towers of Castle Roogna hove into view.
Piers Anthony (Crewel Lye: A Caustic Yarn (Xanth #8))
True love can demolish any obstacles – even bond those two who are completely different creatures, because with their souls, they are one…
Tamuna Tsertsvadze (The Mermaid and the Centaur)
It is the fate of the young never to learn,” the centaur sighed. “I suppose it is arrogance and unwavering self-belief that propels them to their triumphs, just as surely as it is arrogance and unwavering self-belief that unseats them and sends them plummeting to their ends.
Stephen Fry (Heroes: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #2))
He'd heard of elvenblossom wine. It was known for its stultifying bouquet of fruit blossoms and the battle-axe power of its alcohol content. Only those of elven blood could stomach the sweet stuff, he'd heard, and it was the alcoholic equivalent of being kicked in the head by a centaur.
Mark Anthony (Kindred Spirits (Dragonlance: Meetings Sextet, #1))
You must observe, when you write to any one, it is for them, and not for yourself: you must endeavour, then, to write to please them, and not give them your thoughts.
Pierre Choderlos de Laclos (Dangerous Liaisons (Centaur Classics) [The 100 greatest novels of all time - #41])
A lack of communication with horses has impeded human progress, said Abrenuncio. If we ever broke down the barriers, we could produce the centaur
Gabriel García Márquez (Of Love and Other Demons)
What does that mean? The Party Ponies?” Leo had never met Chiron’s crazy centaur relatives, but he’d heard rumors of Nerf sword-fights, root beer–chugging contests, and Super Soakers filled with pressurized whipped cream. “Not sure,” Annabeth said. “But I’ve got coordinates. Can you input latitude and longitude in this thing?” “I can input star charts and order you a smoothie, if you want. Of course I can do latitude and longitude!
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
He smiled. “I am your trainer, your teacher. That is not the same as being your leader. I will go gather what allies I can. It may not be too late to convince my brother centaurs to help. Meanwhile, you called the campers here, Percy. You are the leader.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Remember,” cautioned the centaur, “modesty. Observance of the gods. In a fight, do not do what you want to do, but what you judge your enemy least wants you to. You cannot control others if you cannot control yourself. Those who most understand their own limitations have the fewest.
Stephen Fry (Heroes: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #2))
it seemed to me I was living in an insane asylum of my own making. I went about with all these fantastic figures: centaurs, nymphs, satyrs, gods and goddesses, as though they were patients and I was analyzing them. I read a Greek or a Negro myth as if a lunatic were telling me his anamnesis.
C.G. Jung (The Red Book: A Reader's Edition)
To the extent that you actually realize that you are not, for example, your anxieties, then your anxieties no longer threaten you. Even if anxiety is present, it no longer overwhelms you because you are no longer exclusively tied to it. You are no longer courting it, fighting it, resisting it, or running from it. In the most radical fashion, anxiety is thoroughly accepted as it is and allowed to move as it will. You have nothing to lose, nothing to gain, by its presence or absence, for you are simply watching it pass by. Thus, any emotion, sensation, thought, memory, or experience that disturbs you is simply one with which you have exclusively identified yourself, and the ultimate resolution of the disturbance is simply to dis-identify with it. You cleanly let all of them drop away by realizing that they are not you--since you can see them, they cannot be the true Seer and Subject. Since they are not your real self, there is no reason whatsoever for you to identify with them, hold on to them, or allow your self to be bound by them. Slowly, gently, as you pursue this dis-identification "therapy," you may find that your entire individual self (persona, ego, centaur), which heretofore you have fought to defend and protect, begins to go transparent and drop away. Not that it literally falls off and you find yourself floating, disembodied, through space. Rather, you begin to feel that what happens to your personal self—your wishes, hopes, desires, hurts—is not a matter of life-or-death seriousness, because there is within you a deeper and more basic self which is not touched by these peripheral fluctuations, these surface waves of grand commotion but feeble substance. Thus, your personal mind-and-body may be in pain, or humiliation, or fear, but as long as you abide as the witness of these affairs, as if from on high, they no longer threaten you, and thus you are no longer moved to manipulate them, wrestle with them, or subdue them. Because you are willing to witness them, to look at them impartially, you are able to transcend them. As St. Thomas put it, "Whatever knows certain things cannot have any of them in its own nature." Thus, if the eye were colored red, it wouldn't be able to perceive red objects. It can see red because it is clear, or "redless." Likewise, if we can but watch or witness our distresses, we prove ourselves thereby to be "distress-less," free of the witnessed turmoil. That within which feels pain is itself pain-less; that which feels fear is fear-less; that which perceives tension is tensionless. To witness these states is to transcend them. They no longer seize you from behind because you look at them up front.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.
Anthony Powell (A Question of Upbringing (A Dance to the Music of Time, #1))
@LucyFitz Would you rather live the rest of your life with a human head and a horse’s body, or a horse’s head and a human body? @BroderickAdams to @LucyFitzHuman head + horse body = centaur. Horse head + human body = WTF. So, the first one, obvs. @RonanFitz to @BroderickAdams @LucyFitz No more acid tabs for either of you.
L.H. Cosway (The Player and the Pixie (Rugby, #2))
Frank grimaced with concentration. Suddenly, he disappeared. On the deck where he’d been standing, a green iguana crouched next to an empty set of Chinese handcuffs. “Well done, Frank Zhang,” Leo said dryly, doing his impression of Chiron the centaur. “That is exactly how people beat Chinese handcuffs. They turn into iguanas.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
So, let me get this straight,” said Julio, as the wulvers herded us along a moonlit path leading farther into the hills. “You are a centaur—” “Part-time,” I clarified. “—and you have a werewolf sister.” “Wulver. And yes. We took different paths in life.
Kyle Robert Shultz (Horseman (Crockett and Crane #1))
For the first time, they were seeing the dream beneath the flesh. Karla stared at the pointed ears that had come from the Dea al Mon, the hands with sheathed claws that had come from the Tigre, the hooves peeking out from beneath the black gown that could have come from the centaurs or the horses or the unicorns. Most of all, she stared at the tiny spiral horn. The living myth. Dreams made flesh. But, oh, had any of them really thought about who the dreamers had been? No wonder the kindred love her. No wonder we've all loved her. Karla quietly cleared her throat to ask the question she suddenly hoped wouldn't be answered. "Who is going to war with Terreille?" "I am," Witch said.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
One of the best things about sex with a Banshee, however, is that she will make her needs known freely.
Francesca Lia Block (Wood Nymph Seeks Centaur: A Mythological Dating Guide)
Now I mention neglect, you resemble those who send regularly to inquire of the state of health of their sick friends, and who never concern themselves about the answer.
Pierre Choderlos de Laclos (Dangerous Liaisons (Centaur Classics) [The 100 greatest novels of all time - #41])
When Milton met Beethoven he said 'I've been told that you cannot hear.' And that was true, but Beethoven read Milton's lips and understood so he nodded his head 'yes.' Unfortunately Milton was blind so he didn't see the head nod and patiently awaited a response until he starved.
Nate Denver (Wait, You're Not a Centaur: 50-50 Word Stories and Drawings)
Should a traveler, returning from a far country, bring us an account of men wholly different from any with whom we were ever acquainted, men who were entirely divested of avarice, ambition, or revenge, who knew no pleasure but friendship, generosity, and public spirit, we should immediately, from these circumstances, detect the falsehood and prove him a liar with the same certainty as if he had stuffed his narration with stories of centaurs and dragons, miracles and prodigies.
David Hume (A Treatise of Human Nature)
...I glance around at the nest we have made, at the floorboards polished by our bare feet, at the continents of stain on the ceiling like an old and all-wrong discoverer's map, at the earnestly bloated canvases I conscientiously cover with great streaks straining to say what even I am begining to suspect is the unsayable thing, and I grow frightened.
John Updike (The Centaur)
Not long ago-incredible though it may seem-I heard a clerk of Oxford declare that he 'welcomed' the proximity of mass-production robot factories, and the roar of self-obstructive traffic, because it brought his university into 'contact with real life.' He may have meant that the way men were living and working in the twentieth century was increasing in barbarity at an alarming rate, and that the loud demonstration of this in the streets of Oxford might serve as a warning that it is not possible to preserve for long an oasis of sanity in a desert of unreason by mere fences, without actual offensive action (practical and intellectual). I fear he did not. In any case the expression 'real life' in this context seems to fall short of academic standards. The notion that motor-cars are more 'alive' than, say, centaurs or dragons is curious; that they are more 'real' than, say, horses is pathetically absurd. How real, how startlingly alive is a factory chimney compared with an elm tree: poor obsolete thing, insubstantial dream of an escapist!
J.R.R. Tolkien (Tree and Leaf: Includes Mythopoeia and The Homecoming of Beorhtnoth)
If you should walk and wind and wander far enough on one of those afternoons in April when smoke goes down instead of up, and nearby things sound far away and far things near, you are more than likely to come at last to the enchanted forest that lies between the Moonstone Mines and Centaurs Mountain. You'll know the woods when you are still a long way off by virtue of a fragrance you can never quite forget and never quite remember.
James Thurber (The White Deer)
…"The few humans I've met who know what we are usually want to have sex with us." "Even the men?" she asked, appearing confused. "They want to have sex with the female centaurs?" Caid was about to get insulted for the females of his race when Keeley added. "I mean...don't they feel insecure? There's no way they could possibly live up to what I've seen trotting around your camps." Caid turned away, attempting to stop the laughter by rubbing his nose with his fist.
G.A. Aiken (The Blacksmith Queen (The Scarred Earth Saga, #1))
I have a feeling," Harry said finally, "that we're coming at this from the wrong angle. There's a tale I once heard about some students who came into a physics class, and the teacher showed them a large metal plate near a fire. She ordered them to feel the metal plate, and they felt that the metal nearer the fire was cooler, and the metal further away was warmer. And she said, write down your guess for why this happens. So some students wrote down 'because of how the metal conducts heat', and some students wrote down 'because of how the air moves', and no one said 'this just seems impossible', and the real answer was that before the students came into the room, the teacher turned the plate around." "Interesting," said Professor Quirrell. "That does sound similar. Is there a moral?" "That your strength as a rationalist is your ability to be more confused by fiction than by reality," said Harry. "If you're equally good at explaining any outcome, you have zero knowledge. The students thought they could use words like 'because of heat conduction' to explain anything, even a metal plate being cooler on the side nearer the fire. So they didn't notice how confused they were, and that meant they couldn't be more confused by falsehood than by truth. If you tell me that the centaurs were under the Imperius Curse, I still have the feeling of something being not quite right. I notice that I'm still confused even after hearing your explanation.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
The pure, absolute quality and nature of each note in itself are only appreciated by the strummer. For some notes have all the sea in them, and some cathedral bells; others a woodland joyance and a smell of greenery; in some fauns dance to the merry reed, and even the grave centaurs peep out from their caves. Some bring moonlight, and some the deep crimson of a rose's heart; some are blue, some red, and others will tell of an army with silken standards and march-music. And throughout all the sequence of suggestion, up above the little white men leap and peep, and strive against the imprisoning wires; and all the big rosewood box hums as it were full of hiving bees.
Kenneth Grahame (The Golden Age)
The last person to come through the line was Chiron himself, pushed in his wheelchair by Rachel Dare. The old centaur gave Leo a warm, fatherly smile. “My boy, I am so pleased to have you back. And you freed Calypso, I see. Well done, and welcome, both of you!” Chiron spread his arms for a hug. “Uh, thanks, Chiron.” Leo leaned forward. From underneath Chiron’s lap blanket, his equine foreleg shot out and implanted a hoof in Leo’s gut. Then, just as quickly, the leg disappeared. “Mr. Valdez,” Chiron said in the same kindly tone, “if you ever pull a stunt like that again—” “I got it, I got it!” Leo rubbed his stomach. “Dang, for a teacher, you got a heck of a high kick.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
The heroes cleansed our world of chthonic terrors -- earthborn monsters that endangered mankind and threatened to choke the rise of civilisation. So long as dragons, giants, centaurs and mutant beasts infested the air, earth and seas we could never spread out with confidence and transform the wild world into a place of safety for humanity. In time, even the benevolent minor deities would find themselves elbowed out by the burgeoning and newly confident human race. The nymphs, dryads, fauns, satyrs and sprites of the mountains, streams, meadows and oceans could not compete with our need and greed for land to quarry, farm and build upon. The rise of a spirit of rational enquiry and scientific understanding pushed the immortals further from us. The world was being reshaped as a home fit for mortal beings only. Today, of course, some of the rarer and more vulnerable mortal creatures that have shared the world with us are undergoing the same threats to their natural territories that cuased the end of the nymphs and woodland spirits. Habitat loss and species extinction have all happened before. The days of the gods themselves were numbered too. Prometheus's gift of fire, as Zeus had feared, would one day allow us to do even without the Olympians.
Stephen Fry (Heroes: Mortals and Monsters, Quests and Adventures (Stephen Fry's Great Mythology, #2))
The brontosaurus had thirty-ton body and a two-ounce brain. The anatosaurus had two thousand teeth. Triceratops had a helmet of filled bone seven feet long. Tyrannosaurus rex had tiny arms and teeth like six-inch razors and it was elected President. It ate everything—dead meat, living meat, old bones—
John Updike (The Centaur)
I use that word endlessly: "primitive." "Oh, the primitive world," I say. "What instinctive truths were lost with it!" And while I sit there, baiting a poor, unimaginative woman with the word that freaky boy tries to conjure the reality! I sit looking at pages of centaurs trampling the soil of Argos - and outside my window he is trying to become one, in a Hampshire field! ... I watch that woman knitting, night after night - a woman I haven't kissed in six years - and he stands in the dark for an hour, sucking the sweat of his God's hairy cheek! Then in the morning, I put away my books on the cultural shelf, close up the Kodachrome snaps of Mount Olympus, touch my reproduction statue of Dionysus for luck - and go off to hospital to treat him for insanity. Do you see?
Peter Shaffer (Equus (Penguin Plays))
Ay, every inch a king: When I do stare, see how the subject quakes. I pardon that man's life. What was thy cause? Adultery? Thou shalt not die: die for adultery! No: The wren goes to 't, and the small gilded fly Does lecher in my sight. Let copulation thrive; for Gloucester's bastard son Was kinder to his father than my daughters Got 'tween the lawful sheets. To 't, luxury, pell-mell! for I lack soldiers. Behold yond simpering dame, Whose face between her forks presages snow; That minces virtue, and does shake the head To hear of pleasure's name; The fitchew, nor the soiled horse, goes to 't With a more riotous appetite. Down from the waist they are Centaurs, Though women all above: But to the girdle do the gods inherit, Beneath is all the fiends'; There's hell, there's darkness, there's the sulphurous pit, Burning, scalding, stench, consumption; fie, fie, fie! pah, pah! Give me an ounce of civet, good apothecary, to sweeten my imagination: there's money for thee.
William Shakespeare (King Lear)
Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence
William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
(...) ClanFintan's gaze captured mine once more. "I said nothing because I hoped that you would trust me enough to confide in me." His voice had finally regained its emotion, and I was upset to hear the sadness that filled his words. "I do trust you! It's just that there didn't seem to be a right time. And then, well, I didn't tell you because I didn't want to chance loosing your love." My voice had become a whisper. (...) So, I stood there trying to blink away the tears that were threatening to spill from my eyes. ClanFintan sighed heavily and closed the space between us before I could start bawling. He touched my face and cupped my chin in the warmth of his hand. "My love is something you will never lose." He bent and kissed me softly, then smiled at my undoubtedly goofy expression. "My patience, perhaps, but never my love.
P.C. Cast
Colonel Crawley’s defective capital. I wonder how many families are driven to roguery and to ruin by great practitioners in Crawlers way?— how many great noblemen rob their petty tradesmen, condescend to swindle their poor retainers out of wretched little sums and cheat for a few shillings? When we read that a noble nobleman has left for the Continent, or that another noble nobleman has an execution in his house — and that one or other owes six or seven millions, the defeat seems glorious even, and we respect the victim in the vastness of his ruin. But who pities a poor barber who can’t get his money for powdering the footmen’s heads; or a poor carpenter who has ruined himself by fixing up ornaments and pavilions for my lady’s dejeuner; or the poor devil of a tailor whom the steward patronizes, and who has pledged all he is worth, and more, to get the liveries ready, which my lord has done him the honour to bespeak? When the great house tumbles down, these miserable wretches fall under it unnoticed: as they say in the old legends, before a man goes to the devil himself, he sends plenty of other souls thither.
William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens. So the children sat in their thrones and scepters were put into their hands and they gave rewards and honors to all their friends, to Tumnus the Faun, and to the Beavers, and Giant Rumblebuffin, to the leopards, and the good centaurs and the good dwarfs, and to the lion. And that night there was a great feast in Cair Paravel, and revelry and dancing, and gold flashed and wine flowed, and answering to the music inside, but stranger, sweeter, and more piercing, came the music of the sea-people. But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there, they said nothing about it. For Mr. Beaver had warned them. “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down--and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)