Urban Inspirational Quotes

Politeness is the first thing people lose once they get the power.

What if there were health food stores on every corner in the hood, instead of liquor stores!?

Folk wisdom: quaint sayings of urban sophisticates compiled from the suburbs.

Be humbler about what [you] know, more confident about what's possible, and less afraid of things that don't matter.

If you want more development in your relationship, move to an urban area.

did you ever think the reason you haven't found the right man is because it's not your time? Sometimes God kets bad things happen to us as a sign that something is not right. He also does it to make us stronger. God got a plan for you, and you gotta stop fighting it. Focus on YOU, and let God lead that man to you.

We are living in a moment where we have broken the equilibrium of the planet. We are not paying attention to our intuitive side. We only pay attention to our reason. We have become an urban animal

Always choose to be smart There are two types of people in the world, the seekers of riches and the wise thinkers, those who believe that the important thing is money, and those who know that knowledge is the true treasure. I, for my part, choose the second option, Though I could have everything I want I prefer to be an intelligent person, and never live in a game of vain appearances. Knowledge can take you far far beyond what you imagine, It can open doors and opportunities for you. and make you see the world with different eyes. But in this eagerness to be "wise", There is a task that is a great challenge. It is facing the fear of the unknown, and see the horrors around every corner. It's easy to be brave when you're sure, away from dangers and imminent risks, but when death threatens you close, "wisdom" is not enough to protect you. Because, even if you are smart and cunning, death sometimes comes without mercy, lurking in the darkest shadows, and there is no way to escape. That is why the Greek philosophers, They told us about the moment I died, an idea we should still take, to understand that death is a reality. Wealth can't save you of the inevitable arrival of the end, and just as a hoarder loses his treasures, we also lose what we have gained. So, if we have to choose between two things, that is between being cunning or rich, Always choose the second option because while the money disappears, wisdom helps us face dangers. Do not fear death, my friend, but embrace your intelligence, learn all you can in this life, and maybe you can beat time and death for that simple reason always choose to be smart. Maybe death is inevitable But that doesn't mean you should be afraid because intelligence and knowledge They will help you face any situation and know what to do. No matter what fate has in store, wisdom will always be your best ally, to live a life full of satisfaction, and bravely face any situation. So don't settle for what you have and always look for ways to learn more, because in the end, true wealth It is not in material goods, but in knowledge. Always choose to be smart, Well, that will be the best investment. that will lead you on the right path, and it will make you a better version of yourself.

A leader is someone who inspires and empowers people to get to places that they wouldn’t be able to reach otherwise, sure, but you also need to have people who are willing to be led. You

But while the urban tribe helps us survive, it does not help us thrive. The urban tribe may bring us soup when we are sick, but it is the people we hardly know - those who never make it into our tribe - who will swiftly and dramatically change our lives for the better.

Before we complicated life with money, machines and missiles we did well with morals, manpower and meetings.

The central question was how to trick tourists into coming to Grozny voluntarily. For inspiration, I studied pamphlets from the tourist bureaus of other urban hellscapes: Baghdad, Pyongyang, Houston.

Many of the world's best-designed cities have been inspired by garden concepts.

I’ve come to learn that leadership is not automatically granted to you because of your position or your salary or the size of your office. Leadership is influence based on trust that you have earned. A leader is not someone who declares what he wants and then gets angry when he doesn’t get it. A true leader is someone who is going someplace and taking people with him, a catalyst for elite performance who enables people to achieve things they wouldn’t achieve on their own. A leader is someone who earns trust, sets a clear standard, and then equips and inspires people to meet that standard.

...people taking the time and energy to ask about what they do not understand - I have renewed hope that society can shed its superstitions and embrace the enlightenment that comes from just a basic understanding of how the universe works.

The collective sign of relief heaved on V-J Day ought to have inspired Hollywood to release a flood of "happily ever after" films. But some victors didn't feel too good about their spoils. They'd seen too much by then. Too much warfare, too much poverty, too much greed, all in the service of rapacious progress. A bundle of unfinished business lingered from the Depression — nagging questions about ingrained venality, mean human nature, and the way unchecked urban growth threw society dangerously out of whack. Writers and directors responded by delivering gritty, bitter dramas that slapped our romantic illusions in the face and put the boot to the throat of the smug bourgeoisie. Still, plenty of us took it — and liked it.

Shed the pains of yesterday and seize the plans of tomorrow.” -Catherine N. Crumber

You're a strong guy." He shot her a crooked grin. "You inspire me.

We all have a dual nature,some of us are just better able to control the energy we expend on each part of it." Lessons for an Urban Goddess

When you face the worst situation, what do you do? Do you cry? No! With positive mentality you can graciously overcome the situation.

I don't imagine book elitists as my audience when writing. I dream about teachers, morticians and garbage men instead.

Yeah, well, if you weren’t such a dick…,” Ty murmured with a small smile. Zane snickered. “Works out well since you’re an asshole.

You could inspire any man to do a number of things.

Nicht die Unschuld an sich bestimmt unser Urteil, sondern die Fähigkeit, sich von seinen Sünden zu lösen

Every man whose business it is to think knows that he must for part of the day create about himself a pool of silence. But in that helter-skelter which we flatter by the name of civilization, the citizen performs the perilous business of government under the worst possible conditions. A faint recognition of this truth inspires the movement for a shorter work day, for longer vacations, for light, air, order, sunlight and dignity in factories and offices. But if the intellectual quality of our life is to be improved that is only the merest beginning. So long as so many jobs are an endless and, for the worker, an aimless routine, a kind of automatism using one set of muscles in one monotonous pattern, his whole life will tend towards an automatism using one set of muscles in one monotonous pattern, his whole life will tend towards an automatism in which nothing is particularly to be distinguished from anything else unless it is announced with a thunderclap. So long as he is physically imprisoned in crowds by day and even by night his attention will flicker and relax. It will not hold fast and define clearly where he is the victim of all sorts of pother, in a home which needs to be ventilated of its welter of drudgery, shrieking children, raucous assertions, indigestible food, bad air, and suffocating ornament. Occasionally perhaps we enter a building which is composed and spacious; we go to a theatre where modern stagecraft has cut away distraction, or go to sea, or into a quiet place, and we remember how cluttered, how capricious, how superfluous and clamorous is the ordinary urban life of our time. We learn to understand why our addled minds seize so little with precision, why they are caught up and tossed about in a kind of tarantella by headlines and catch-words, why so often they cannot tell things apart or discern identity in apparent differences.

Cradling her to his chest, he cursed himself for taking too much blood. He was certain he hadn't taken enough for her to need a transfusion, but it had clearly left her weak. "I'm so sorry," he whispered, glad she hadn't found the deed in his thoughts. He had feared he wouldn't be able to hide it from her. The dog began to whine again. "It's okay, boy," he murmured. "She's okay. She's just tired." Several minutes passed while he stroked her hair and held her close despite the pain it caused. She was petite and looked as though she only weighed about a hundred pounds. After spending all damned night digging his sorry ass up, no wonder she passed out. "I haven't seen it yet," she mumbled against his neck as consciousness returned, "but I'm willing to bet your ass is actually quite nice." Startled laughter escaped him, inspiring another groan. "Don't make me laugh. It hurts too much." "Sorry. I couldn't resist.

If he doesn’t get here soon, I’m going to fall asleep, Susan grumbled. He loved hearing her voice in his head even when she was cranky. The thought made him smile. I’ve been keeping you up too late. Not really, she replied. I’ve always been a night owl. I just haven’t been sleeping late the way I usually do. And had had one scare after another whilst awake. Did I mention I’m still sore from digging your handsome ass up? He laughed. It was totally worth it, of course, she went on.But if we find out you’re single, I might hit you up for a nice long massage. He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who’s flirting? Ooh, she purred. That’s so cool. Even in your thoughts, your voice deepens and gets all growly when you’re turned on. Before he could respond, she made a sound of impatience.Damn it. Now I’m turned on. He laughed, delighted that she inspired him to do so even in such grim circumstances.

Prologue: Above the Line Playbook Leadership isn’t a difference maker. It is the difference maker. Leadership is much more than simply declaring what you want and then getting angry if you don’t get it. A leader is someone who earns trust, sets a clear standard, and then equips and inspires people to meet that standard. Be true to who you are. Talk straight and demand accountability. Run toward problems. If you ignore them, they only get worse. Work to get better every day. Staying the same gets you nowhere. Savor the journey. Every day. You only get to do it once.

When scientists underestimate complexity, they fall prey to the perils of unintended consequences. The parables of such scientific overreach are well-known: foreign animals, introduced to control pests, become pests in their own right; the raising of smokestacks, meant to alleviate urban pollution, releases particulate effluents higher in the air and exacerbates pollution; stimulating blood formation, meant to prevent heart attacks, thickens the blood and results in an increased risk of blood clots in the heart. But when nonscientists overestimate [italicized, sic] complexity- 'No one can possibly crack this [italicized, sic] code" - they fall into the trap of unanticipated consequences. In the early 1950s , a common trope among some biologists was that the genetic code would be so context dependent- so utterly determined by a particular cell in a particular organism and so horribly convoluted- that deciphering it would be impossible. The truth turned out to be quite the opposite: just one molecule carries the code, and just one code pervades the biological world. If we know the code, we can intentionally alter it in organisms, and ultimately in humans. Similarly, in the 1960s, many doubted that gene-cloning technologies could so easily shuttle genes between species. by 1980, making a mammalian protein in a bacterial cell, or a bacterial protein in a mammalian cell, was not just feasible, it was in Berg's words, rather "ridiculously simple." Species were specious. "Being natural" was often "just a pose.

Walker-thinkers have found various ways to accommodate the gifts that their walking brings. Caught paperless on his walks in the Czech enclaves of Iowa, maestro Dvořák scribbles the string quartets that visited his brain on his starched white shirt cuffs (so the legend goes). More proactively, Thomas Hobbes fashioned a walking stick for himself with an inkwell attached, and modern poet Mary Oliver leaves pencils in the trees along her usual pathways, in case a poem descends during her rambles.

If we find out you’re single, I might hit you up for a nice long massage. He cursed when his body immediately responded to the image of her naked and laid out before him, waiting for him to run his hands all over her body. Now who’s flirting? Ooh, she purred. That’s so cool. Even in your thoughts, your voice deepens and gets all growly when you’re turned on. Before he could respond, she made a sound of impatience. Damn it. Now I’m turned on. He laughed, delighted that she inspired him to do so even in such grim circumstances.

I know it's become fashionable to depict the police as sadistic Cossacks riding down innocent citizens, but I've become well enough acquainted with law-enforcement agencies across the country to know that's just not the case. Of course, a certain small percentage of policemen are irresponsible...but that doesn't justify the current unjust barrage of propaganda against a tribe of men who are hard-working, underpaid and daily risking their lives to protect us. I'm sure there are isolated instances of police brutality, but the rising crime rate and urban violence constitute a far, far more pressing problem.

The women of the Malesian Tales were however modelled after the lovely women of Singapore, the most urbane of the Malesian cities & the winners of the War of the Sexes.These lovely women,who belonged to a unique sub-species known as the "Singapore Girl", were spawn when the little City State imposed draconian measures in order to ensure its survival- measures covering population control, civic-consciousness, national hygiene & military preparedness- just as Sparta did during Milesian times. And thus, the Singapore girls,just as the girls of Sparta, were constantly in a state of military preparedness when it came to men.[INTRO]

This city did not deserve what happened to it. Neither does any other shrinking city. Half a century after the Kerner Report tried to inspire a new approach to urban life, we are at another crossroads between how things were once done and how we can choose to do t hem in the future. In a way, public drinking water systems are the perfect embodiment of the ideal that we might reach toward. The sprawling pipelines articulate the shape of a community. House by house, they are a tangible affirmation that each person belongs. They tie the city together, and often the metropolitan region as well. If only some have good, clean water and others do not, the system breaks down. It isn't safe. The community gets sick. But when we are all connected to the water, and to each other, it is life-giving - holy, even.

The future will be decided in a thousand American urban neighborhoods and suburban conference centers and small-town church basements and library meeting rooms and rural kitchens... The future of mental health reform will depend upon whether enough people gather in enough of such venues as these to contemplate work of Dorothea Dix by joining to reject and extinguish our modern Bedlams, and replace these Bedlams with a reborn and more sophisticated and more enduring program of moral care. It will depend upon whether enough people will take notice of and be inspired by the rediscovery made by sociologists and psychiatrists: that kindness, companionship, and intimate care are demonstrable counterforces to deepening psychosis. Not cures, but counterforces, particularly when practiced in concert with psychotropic regimens that fit the specific nature of a person's affliction as well as that person's specific biosystem.

Adira squirmed in Leah’s arms, wanting down. Leah lowered her until her little sneaker-clad feet touched the floor. Adira toddled away, patting the garments that brushed her head and shoulders. Straightening, Leah watched her for a moment, then turned back to Seth. “I guess I’ll get back to work.” Was that disappointment he felt upon hearing her words? He really was enjoying her company. Adira turned around and toddled back. Grasping Leah’s fingers, she reached out, took Seth’s hand, and placed Leah’s in it. Seth instinctively curled his fingers around Leah’s. Satisfied, Adira turned and toddled off once more. “Oh,” Leah said with a surprised chuckle. “Well. Maybe not.” Seth was surprised, too. What was Adira thinking? He glanced at Leah. Should he apologize? “Sorry about that.” “No worries,” she said with another charming smile. Raising their clasped hands, she turned them so his was on top and slid her free hand over it. “Oooh. Look how big your hand is.” How many times had he heard Tracy or one of the other mortal women he frequently encountered think Oooh. Look how big his hands are. You know what they say: big hands, big feet, big package in much the same tone as Leah’s. Seth couldn’t help it. He barked out a laugh. Leah’s eyes widened. “Wait. I didn’t mean that the way it sounded.” “It sounded as if you like that my hands are so big.” She flushed. “I do, but I didn’t mean it like you think.” “How do I think you meant it?” he asked with exaggerated innocence. Face red, she laughed. “Stop making me blush. I just meant I like that you’re so big. Not just your hands. But all over.” Again her eyes widened. “I mean, not all over, but—” Laughing, he took pity on her. “It’s all right. I understood what you meant the first time.” Smiling, she squinted up at him. “You like to tease, don’t you?” “Guilty as charged.” Many immortals did. It helped lighten what could otherwise be a dark existence. She caressed his hand again, sending little tingles through it. “My hand actually looks small in yours. That’s so cool.” It did. And the sensations her soft touch inspired unnerved him a bit. His pulse even picked up. Seth eyed her curiously. “You really dislike your size so much?” He thought it a shame. She was a beautiful woman. Shrugging, she released his hand and let hers fall to her sides. “When someone gives you a complex in high school, it tends to stick with you.” Adira reappeared as if by magic. Taking Leah’s hand, she again placed it in Seth’s, then moved away. The two looked at each other and smiled. Leah nodded after Adira. “Maybe she’s hoping I’ll distract you so she can take her time looking over the toys she plans to coax you into buying before you leave.” Seth winked. “Or maybe she just heard you say you like my big hands.

Despite the best laid plans and the best people, a project can still experience ruin and decay during its lifetime. Yet there are other projects that, despite enormous difficulties and constant setbacks, successfully fight nature's tendency toward disorder and manage to come out pretty well. What makes the difference? In inner cities, some buildings are beautiful and clean, while others are rotting hulks. Why? Researchers in the field of crime and urban decay discovered a fascinating trigger mechanism, one that very quickly turns a clean, intact, inhabited building into a smashed and abandoned derelict [WK82]. A broken window. One broken window, left unrepaired for any substantial length of time, instills in the inhabitants of the building a sense of abandonment—a sense that the powers that be don't care about the building. So another window gets broken. People start littering. Graffiti appears. Serious structural damage begins. In a relatively short space of time, the building becomes damaged beyond the owner's desire to fix it, and the sense of abandonment becomes reality. The "Broken Window Theory" has inspired police departments in New York and other major cities to crack down on the small stuff in order to keep out the big stuff. It works: keeping on top of broken windows, graffiti, and other small infractions has reduced the serious crime level.

People are too emotional about communism, or rather, about their own Communist Parties, to think about a subject that one day will be a subject for sociologists. Which is, the social activities that go on as a direct or indirect result of the existence of a Communist Party. People or groups of people who don’t even know it have been inspired, or animated, or given a new push into life because of the Communist Party, and this is true of all countries where there has been even a tiny Communist Party. In our own small town, a year after Russia entered the war, and the left had recovered because of it, there had come into existence (apart from the direct activities of the Party which is not what I am talking about) a small orchestra, readers’ circles, two dramatic groups, a film society, an amateur survey of the conditions of urban African children which, when it was published, stirred the white conscience and was the beginning of a long-overdue sense of guilt, and half a dozen discussion groups on African problems. For the first time in its existence there was something like a cultural life in that town. And it was enjoyed by hundreds of people who knew of the communists only as a group of people to hate. And of course a good many of these phenomena were disapproved of by the communists themselves, then at their most energetic and dogmatic. Yet the communists had inspired them because a dedicated faith in humanity spreads ripples in all directions.

The other strikingly modern feature of the type of poet which Euripides now introduced into the history of literature is his apparently voluntary refusal to take any part whatever in public life. Euripides was not a soldier as Aeschylus was, nor a priestly dignitary as Sophocles was, but, on the other hand, he is the very first poet who is reported to have possessed a library, and he appears to be also the first poet to lead the life of a scholar in complete retirement from the world. If the bust of him, with its tousled hair, its tired eyes and the embittered lines round the mouth, is a true portrait, and if we are right in seeing in it a discrepancy between body and spirit, and the expression of a restless and dissatisfied life, then we may say that Euripides was the first unhappy poet, the first whose poetry brought him suffering. The notion of genius in the modern sense is not merely completely strange to the ancient world; its poets and artists have nothing of the genius about them. The rational and craftsmanlike elements in art are far more important for them than the irrational and intuitive. Plato’s doctrine of enthusiasm emphasized, indeed, that poets owed their work to divine inspiration and not to mere technical ability, but this idea by no means leads to the exaltation of the poet; it only increases the gulf between him and his work, and makes of him a mere instrument of the divine purpose. It is, however, of the essence of the modern notion of genius that there is no gulf between the artist and his work, or, if such a gulf is admitted, that the genius is far greater than any of his works and can never be adequately expressed in them. So genius connotes for us a tragic loneliness and inability to make itself fully understood. But the ancient world knows nothing of this or of the other tragic feature of the modern artist—his lack of recognition by his own contemporaries and his despairing appeals to a remote posterity. There is not a trace of all this—at least before Euripides. Euripides’ lack of success was mainly due to the fact that there was nothing in classical times that could be called an educated middle class. The old aristocracy took no pleasure in his plays, owing to their different outlook on life, and the new bourgeois public could not enjoy them either, owing to its lack of education. With his philosophical radicalism, Euripides is a unique pheno menon, even among the poets of his age, for these are in general as conservative in their outlook as were those of the classical age —in spite of a naturalism of style which was derived from the urban and commercial society they lived in, and which had reached a point at which it was really incompatible with political conservatism. As politicians and partisans these poets hold to their conservative doctrines, but as artists they are swept along in the progressive stream of their times. This inner contradiction in their work is a completely new phenomenon in the social history of art.

In the light of the evidence it is hard to believe that most crusaders were motivated by crude materialism. Given their knowledge and expectations and the economic climate in which they lived, the disposal of assets to invest in the fairly remote possibility of settlement in the East would have been a stupid gamble. It makes much more sense to suppose, in so far as one can generalize about them, that they were moved by an idealism which must have inspired not only them but their families. Parents, brothers and sisters, wives and children had to face a long absence and must have worried about them: in 1098 Countess Ida of Boulogne made an endowment to the abbey of St Bertin 'for the safety of her sons, Godfrey and Baldwin, who have gone to Jerusalem'.83 And they and more distant relatives — cousins, uncles and nephews - were prepared to endow them out of the patrimonial lands. I have already stressed that no one can treat the phenomenal growth of monasticism in this period without taking into account not only those who entered the communities to be professed, but also the lay men and women who were prepared to endow new religious houses with lands and rents. The same is true of the crusading movement. Behind many crusaders stood a large body of men and women who were prepared to sacrifice interest to help them go. It is hard to avoid concluding that they were fired by the opportunity presented to a relative not only of making a penitential pilgrimage to Jerusalem but also of fighting in a holy cause. For almost a century great lords, castellans and knights had been subjected to abuse by the Church. Wilting under the torrent of invective and responding to the attempts of churchmen to reform their way of life in terms they could understand, they had become perceptibly more pious. Now they were presented by a pope who knew them intimately with the chance of performing a meritorious act which exactly fitted their upbringing and devotional needs and they seized it eagerly. But they responded, of course, in their own way. They were not theologians and were bound to react in ways consonant with their own ideas of right and wrong, ideas that did not always respond to those of senior churchmen. The emphasis that Urban had put on charity - love of Christian brothers under the heel of Islam, love of Christ whose land was subject to the Muslim yoke - could not but arouse in their minds analogies with their own kin and their own lords' patrimonies, and remind them of their obligations to avenge injuries to their relatives and lords. And that put the crusade on the level of a vendetta. Their leaders, writing to Urban in September 1098, informed him that 'The Turks, who inflicted much dishonour on Our Lord Jesus Christ, have been taken and killed and we Jerusalemites have avenged the injury to the supreme God Jesus Christ.

Shed the pains of yesterday and seize the plans of tomorrow.

as the specific room we stay in; our StrengthsFinder® results (based on Gallup University’s list of thirty-four talent themes, a weighted list of innate strengths that carry potential to increase a person’s performance success) as the way we decorate our room; but our Enneagram type as the kind of home we build (maybe some of us live in a hip urban condo, others prefer a gable-roofed Thai-inspired house, while others are happy to call home a one-story ranch). Our Enneagram type is the home we are likely born in and will most definitely die in. But let’s not get too fatalistic about the Enneagram. It’s not static like most popular profile systems; rather, it’s dynamic and constantly in motion, just like our personal patterns of progress and regress.

I like to think of the various results of the profile tools and tests we appeal to in an effort to learn about ourselves as the egoic spaces we inhabit. One way to illustrate this is to view our temperament (often categorized as one of sixteen combinations of basic preferences that can be determined through the MBTI® inventory—a typology developed by Isabel Briggs Myers and her mother Katharine Briggs based on Carl Jung’s typology theory) as the specific room we stay in; our StrengthsFinder® results (based on Gallup University’s list of thirty-four talent themes, a weighted list of innate strengths that carry potential to increase a person’s performance success) as the way we decorate our room; but our Enneagram type as the kind of home we build (maybe some of us live in a hip urban condo, others prefer a gable-roofed Thai-inspired house, while others are happy to call home a one-story ranch). Our Enneagram type is the home we are likely born in and will most definitely die in.

Carol built her cabin in the wilderness for many of the same reasons as Thoreau, who went to the woods “to live deliberately, to front only the essential facts of life, and see if I could learn what it had to teach, and not, when I come to die, discover that I had not lived.” Like Thoreau, Carol was a student of nature and a geographical extension of the wilderness that surrounded her. Both explored a life stripped down to its essentials. They wanted “to live deep and suck out all the marrow of life.” Thoreau believed wilderness provided a necessary counterbalance to the materialism and urbanization of industrialized America. It was a place of self-renewal and contact with the raw material of life. “In wildness is the preservation of the world,” he famously wrote. Thoreau was among the first to advocate for protecting America’s vanishing wildlands, proposing that the nation formally preserve “a certain sample of wild nature . . . a network of national preserves in which the bear and the panther may still exist and not be civilized off the face of the earth.” Wilderness preserves could provide a perpetual frontier to keep overindustrialized Americans in contact with the primitive honesty of the woods. In 1872—the same year that Tom and Andy founded Carnegie Steel—America designated its first national park: over two million acres in northwest Wyoming were set aside as Yellowstone National Park. A second national park soon followed, thanks to the inspiration of Sierra Club founder John Muir. He so loved the Sierra that he proposed a fifteen-hundred-square-mile park around Yosemite Valley and spent decades fighting for it. When Yosemite National Park was finally signed into law in 1890, Muir

With God, everything will work for my good.

Q: Is there a book from your reading that has been particularly inspirational to you? The Power Broker by Robert Caro is the most inspirational book I've ever read on the subject of transportation and urban planning …but I lived in New York City and knew many of the places and people he was talking about. I'm not sure if it would be as inspirational to others. The book won a Pulitzer Prize when it came out in the 1970s. Caro was a newspaper reporter who wanted to write a book about political power– how it was obtained and wielded and what role agencies played in government. In describing the life of Robert Moses, a highway builder, unelected state bureaucrat and creator of the modern “highway department,” Caro was able to describe (in a microcosm) the transportation and political history of America. Another great book is Ivan Illich's “Energy and Equity.” That one is a quick read. (2015 interview with Microcosm Publishing)

Take. More. Chances.

Head Coach Urban Meyer lays out a simple equation: E + R = O (Event plus Response equals Outcome).

For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.

James Aka, a Mississauga resident, adores the city's architecture, from the sleek lines of its modern buildings to the historical charm of its landmarks. Passionate about urban design, James explores Mississauga's diverse architectural landscape with enthusiasm, finding beauty and inspiration in every structure. As an avid photographer, he captures the city's skyline from different angles, showcasing its dynamic evolution. James actively engages in discussions about urban planning and preservation, advocating for sustainable development while honoring the city's heritage. With a deep appreciation for the unique character of Mississauga's built environment, James celebrates its architectural diversity and contributes to shaping its future with his keen eye and passionate advocacy.

Your past doesn’t have to determine your future.

If indigenous peoples have a sense of "enough," what has happened with the rest of humanity? Many of us in the developed world have tamed and caged and bored ourselves. Like animals domesticated for use, we have become fat and unhealthy. With more than half of us living in urban areas, we've largely lost our connection to nature and the historic initiation rites that oriented us to our place in the cycle of life. Instead, we distract ourselves with everything from shopping to stimulants to video games.

Within just a few thousand years-a millisecond in evolutionary time-humans had developed much more complex tools, and the intellectual theories to support them. Newtonian physics, the industrial revolution, and the nineteenth century age of enlightenment spurred tremendous technological development and transformed our social mores. A consequence of this paradigm shift, however, was that humanity's view of the world changed from an organic to a mechanistic one. Early engineers saw the potential of breaking up any system into components and rearranging the parts. Innovations in machinery and materials led to mass production: making thousands and then millions of exactly the same forms out of flat metal plates and square building blocks. However, for all its positive impact on the economics and culture of the era, the industrial revolution's orientation was shortsighted. In the rush to understand the world as a clockwork mechanism of discrete components, nature's design genius was left behind-and with it the blueprints for natural, nontoxic, streamlined efficiency. A new set of values emerged, such that anything drawn from nature was dismissed as primitive in favor of human invention. Just as the pharmacology of the rain forests, known to indigenous people for millenia, has been largely lost to modern science, so too were the simple rules of natural design obfuscated. A our societies became more urban, we went from living and working in nature and being intimately connected with its systems, to viewing nature as a mere warehouse (some might say, whorehouse) of raw materials waiting to be plundered for industrial development.

And there is an earlier Wilson cycle, too, a billion years old, entrapped alongside the Appalachians: the Grenville, which rises to the surface in Central Park, New York, to remind us that the human and urban is no more than foam on the sea of the past.

Love isn't easy. It isn't perfect like in stories or movies--but it's real. When we feel it, it reminds us we are alive, and when we truly feel it--it hurts like hell--but it reminds us why we live... For the hope of love.

It can't be more than a quarter of a mile to the finish, but it seems to go on forever. Do I really have to do this? My legs are entirely dead. Would it really matter if I stopped here? But I know I'd regret it if I did, so I plod leadenly on, distracting myself...with the thought that, whatever troubles I may have been carrying around in my head before the race, I have now entirely forgotten what they were. This thought is rather refreshing. Whatever physical pains it has involved, this ordeal has utterly absorbed me, forcing my brain to focus on the kind of concerns for which it evolved - navigation, survival, balance, digging deep - rather than on the fretful urban anxieties to which it has become habituated. Reconnecting with your inner animal, I suppose you could call it; and it feels good. Especially when, blissfully, I catch sight of the finish.

Hello. It is Monday. I live in Sun City. Sun City is a city that is entirely contained inside an enormous concrete building in the shape of a sun. Its rays house our living quarters; its circular centre is where we work and shop. No one has ever been outside of the city; it is generally suspected that the environment outside of the city is uninhabitable.

Safe? What can be classified as safe? Everything we do in life has a risk. Just getting out of bed each morning can be dangerous. It's not a matter of what is safe, Cooper, it's a matter of what are you going to allow to hold you back." I look down at him over my shoulder and smile. "You going to let some squeaking metal hold you back?

graduated from Bryn Mawr College in 1968, and my first job was working for the Department of Housing and Urban Development. My starting salary was low, but I was inspired by the civil rights movement and the War on Poverty to regard public service as an important calling. I went on to graduate school, joined the faculty at the University of Pennsylvania and ultimately became the president of Harvard University. Should Bryn Mawr have been judged based on what I was paid in my first year at HUD? Faust's

Dunce is completely bald and has a really pointed head so the temptation to get him paralytic on his thirtieth birthday, carry him to the tattooist’s and get a nice big ‘D’ smack bang in the middle of his forehead was too much for me. Trouble is he can’t afford to have it removed so he wears a big plaster over it. Gangs of children tease him. ‘What’s underneath the plaster, mister? Show us!’ They swear he has a third eye under there. My name is Bill but Dunce calls me ‘Fez’ on account of my hat. I’ve known Dunce for over sixteen years.

So watching Ty like this was sort of awe-inspiring. And freaky. And sometimes hot. Ty

มาร์โควัลโดผู้นี้มีสายตาที่ไม่ค่อยจะเหมาะกับชีวิตในเมืองเท่าใดนัก เพราะไม่ว่าจะเป็นป้ายต่าง ๆ หรือสัญญาณไฟจราจร ตู้กระจกร้านค้า ป้ายเรืองแสง และใบปิด ซึ่งได้รับการค้นคว้าออกแบบมาให้สะดุดตาคน ต่างไม่เคยหยุดสายตาของเขาที่ดูเหมือนทอดไปในทะเลทรายไว้ได้ แต่พอเป็นใบไม้สักใบที่เหลืองคากิ่ง หรือขนนกที่ติดอยู่ในกระเบื้องหลังคา กลับไม่เคยหลุดรอดสายตาเขาไปเลย ไม่มีเหลือบบนหลังม้าตัวไหน หรือรูปลวกในแผ่นไม้รูใด ตลอดจนเปลือกลูกมะเดื่อที่บี้แบนติดบาทวิถีชิ้นไหน ที่มาร์โควัลโดจะไม่สังเกตเห็น และเก็บมาครุ่นคิด ทำให้รู้ถึงการเปลี่ยนแปลงของฤดูกาล รวมทั้งความปรารถนาแห่งหัวใจ และความทุกข์ยากของชีวิตตน

Get out. Get out NOW!

I get most of my inspiration from two places: my own life, and reading. I read widely—in my genre (romance), and in all sorts of different genres, from urban fantasy to literature. Then there’s your own life. Romance is a fantasy genre, but if the rock core of your characters doesn’t come from your own life, from emotions you know intimately, the book won’t fly. I don’t mean you have to be married to Casanova—I mean that a heroine will feel genuine to readers if she shares some of your fears or triumphs. Craft the emotional part of the plot from truths you learned from your own life, from watching your friends’ lives, or from reading books.

A civilization must be judged by its standards not by its expenditure.

If people can be convinced to pick up dog sh*t, who knows what social change is possible?

The secret parts of this city never ceased to amaze me.

Right now in Harlem, for every bank and chicken wing franchise joint, there is a small business owner who has spent a decade trying to figure out how to cater to a neighborhood he has fallen in love with. For every man or woman who has succumbed to that spell, I want to tell them: Go for it, do it. I want to pass the word like gospel. Let me tell you something: Right now in Harlem authorship is on the move. This is ours, we tell each other. We have made it, chopped it, cooked it, played it. This is our story. Gordon Parks, photographer, musicians, writer, film director paved a way for us. Bear witness, he told us. That was his gift to the neighborhood. Whatever goes down, whatever turns up - make food and music and dance and story out of it. Right now and since forever, the world keeps telling us there's only room for one: Serena and that's it. Toni and that's it. I wonder if they can hear Harlem across the divide. Come one, come all. That's how we wrestle with urban renewal, black removal. The church ladies know this, and so do the hustlers. Right now in Harlem, we don't shy away from the ugly; we don't bow our heads to what's beautiful. We just keep asking, how does all this new s**t fit with the old? Right now in Harlem there's room; there's hope; there's inspiration; there's good food. I may not be able to explain the magic, but it is there. To be in Harlem and make it takes luck, but nobody told me different. One thing is certain, wherever you are, you should come to Harlem - right now.

Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...

The magazine piece on the urban legend had stated, ‘At the end of the day, whether one returns to the past or travels to the future, the present does not change. So it raises the question: just what is the point of that chair?’ But Kazu still goes on believing that, no matter what difficulties people face, they will always have the strength to overcome them. It just takes heart. And if the chair can change someone’s heart, it clearly has its purpose".

Every city resident is a pedestrian at some point in the day. A city whose streets invite people to walk, bike, and sit along them also inspires people to innovate, invest, and stay for good.

UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings

The aesthetics alone are inspiring. New York–based photographer Richard Barnes, best known for his starkly artistic portraits of Unabomber Ted Kaczynski’s cabin, released a captivating collection of black-and-white images of starling flocks over Rome in 2005. His photos are carefully framed against urban horizons. Some are simply beautiful, others sinister and Hitchcockian, but all are somehow magnetic (more on that later). In a statement accompanying Barnes’s images, author Jonathan Rosen observes, “Part of the fascination of the starlings is the way they seem to be inscribing some sort of language in the air, if only we could read it.

Eating locally grown foods can not only allow you to stay in harmony with nature by taking what it offers you in that particular season, but also ensure you will have the freshest produce with the most nutrients. According to mark Lzeman, Director of Natural Resources Defense Council (NRDC)’s Urban Program in New York, “studies have shown that produce loses nutrients each day after it has been harvested and after three days it has lost 40 percent of its nutritional value”. And, shopping locally is healthier for your wallet, too. Tips for You If you are currently reside in the US, here is a list of example resources where you can find which foods are in season: Eat Local by Natural Resources Defense Council Seasonal Food Guide by Sustainable Table Seasonal Ingredient Map by Epicurious

Bax Brown, a Toronto enthusiast, thrives in the vibrant energy of the city. As a resident, Bax immerses in its diverse culture, culinary scene, and bustling streets. With a passion for urban exploration, Bax navigates Toronto's neighborhoods, discovering hidden gems and embracing the city's rich history. From the serene waterfront to the eclectic Kensington Market, Bax finds inspiration around every corner. An advocate for community engagement, Bax actively participates in local events and initiatives, fostering connections that enrich Toronto's social fabric.

The idea for this book came to me in 1985 in Venice as I watched that city interact with sea, sky, and wind.

Speaking of the great jazz singer Ella Fitzgerald– Here was a Black woman popularizing urban songs often written by immigrant Jews to a national audience of predominantly white Christians.

Horowitz was not about perfection. He was about joy and art and music and life. And those things have mistakes in them. "I make mistakes, too," I said. "And when you are as good as Horowitz," said my mom, "yours won't matter, either.

Gardeners with coorie on the brain don't have to look far for inspiration. An urban jungle can easily be created on a tiny city terrace. Professional gardeners recommend looking around to see what context your outside space falls within to give you clues on design. If the spires of a large granite church or leaves of a copper beech tree can be seen close by echo the colours and shapes.

Sufi mystic and musician Hazrat Inayat Khan once said, “Someday music will be the means of expressing universal religion. Time is wanted for this, but there will come a day when music and its philosophy will become the religion of humanity.” Khan continued, “The knower of the mystery of sound knows the mystery of the whole universe.” The nature of reality is vibration. Mantra is a Sanskrit word composed of two other Sanskrit words, man, meaning “mind” and tra, meaning “to cross over.” Therefore, mantra is “mind protection,” allowing us to free ourselves from the habitual, unconscious patterns of the thinking mind. When the mind is at peace, then yoga can begin. Sacred music assists in the healing and uplifting of the soul.

Kīrtan is another Sanskrit word: its root kir means “to cut.” Kirtan is singing the holy name of God over and over: through the repetition of the Divine name of God, one is able to “cut” through the mind and obtain freedom from the delusion of separation, obtaining the ecstasy of yoga, or reunification with the Divine. The world-renowned kirtan artist Krishna Das said, “Chanting is the heart practice of yoga. When we are in love, our hearts are constantly calling out the name of our lover. Chanting is that calling.

1. sat nam True Identity 2. wahe guru Yes! Indescribable wisdom! 3. Ong namo gurudev namo Om. Infinite Divine wisdom who is within, I bow down to you.

Ziggy was David’s homage to the outsider; the main inspiration was undoubtedly Iggy, the singer with whom David was obsessed and whose doomed, Dionysian career path had already built its own mythology. David was well aware that Iggy, too, was a mere creation—for in their first meeting, David had learned the scary, gold-and-glitter-spattered facade hid another persona—the urbane Jim Osterberg, who was disconcertingly reminiscent of Jimmy Stewart.

It’s not that koalas can’t live with these changes. Often they can: if there are enough trees, of the right kind, for them to live in, in linear parks that follow old creeklines; if enough trees are left in the paddocks for them; if there are places for them to cross roads safely; if new urban developments retain old eucalypts and maintain habitat corridors; if dogs are managed and confined; if rural and urban fences are constructed for wildlife safety instead of as traps to entangle, ensnare and obstruct; if swimming pools have slopes and steps for animals to exit; if we take the time and make an effort.

City leaders pour resources into beautiful spectacles for political reasons, rather than providing good roads, functioning sewers, relatively safe marketplaces, and other basic amenities of urban life. As a result, cities may look awe-inspiring but aren't particularly resilient against disasters like storm floods and drought. And the more a city suffers from the onslaughts of nature, the more contentious its political situation becomes. Then it's even harder to repair shattered dams and homes. This vicious cycle has haunted cities for as long as they've existed. Sometimes the cycle ends with urban revitalization, but often it ends in death.

Kalau kita tidak mencarinya, kita tidak akan menemukannya, dan kemampuan kita tetap tersembunyi. Pada akhirnya, kita hanya melihat keterbatasan-keterbatasan, bukan kemungkinan-kemungkinan.

Orang yang paling cerdas di muka bumi ini adalah orang yang tahu bagaimana menjadi orang yang bahagia.

By the early fourteenth century so much filth had collected inside urban Europe that French and Italian cities were naming streets after human waste. In medieval Paris, several street names were inspired by merde, the French word for “shit.” There were rue Merdeux, rue Merdelet, rue Merdusson, rue des Merdons, and rue Merdiere—as well as a rue du Pipi.

Time allowed me to see just how fortunate I had been to have such people in my life. -Averil Mansfield

basic mayonnaise Makes 1½ cups Prep Time: 10 minutes 1¼ cups light olive oil 1 large egg ½ teaspoon mustard powder ½ teaspoon salt Juice of ½ lemon You can change up our Basic Mayonnaise any number of ways to create a variety of different flavors. For inspiration, see Mayonnaise Variations. Place ¼ cup of the olive oil, the egg, mustard powder, and salt in a blender, food processor, or mixing bowl. Mix thoroughly. While the food processor or blender is running (or while mixing in a bowl with an immersion blender), slowly drizzle in the remaining 1 cup olive oil. After you’ve added all the oil and the mixture has emulsified, add the lemon juice, blending on low or stirring to incorporate.

When you actually live with nature day in and day out, you get to see it at its least dignified. This is a good, even necessary way of looking at nature, because it is honest. Nature is not always beautiful. It can be grotesque, it can be cruel, and it can be comical. If humans hope to achieve a more harmonious relationship with the natural world, we will have to see it in full: breathtaking, dirty, and inspiring, and annoying all at the same time. All too often we see only the good, or only the bad. If we can love nature for what it really is--not just as idealized perfection--we'll have a real chance of ending the strife between civilization and wilderness and replacing it with something like intimacy.

Nothing is lost. When it becomes consistent, it becomes the way.

Traditionally, Apollo and the nine goddesses known as the Muses make their home on the mountain in Greece called Parnassus. Believed to inspire creativity, they are Calliope (epic poetry), Clio (history), Euterpe (lyric poetry), Thalia (comedy and pastoral poetry), Melpomene (tragedy), Terpsichore (dance), Erato (love poetry), Polyhymnia (sacred poetry), and Urania (astronomy). Exclusively deities of performance, their blessing was solicited before any play or public recitation. (There were no Muses for sculptors, painters, and architects, regarded in Attic Greece as mere workmen, too lowly for divine patronage.) During the eighteenth century, students from the religious schools of the Latin Quarter, panting up this hill at the southern limit of Paris, may have looked back at the city spreading along the banks of the Seine and thought themselves masters of the known world. Through the haze of wine purchased from the locals, this unpromising landfill, formed from the rubble of urban expansion and fertilized by the corpses of the nameless dead, could have felt like their own Parnassus, an illusion they celebrated by reciting or improvising verse. Still then nameless, the hill first appeared on a map, the Lutetia Parisiorum vulgo of Johannes Janssonius, in 1657, which identified the track leading to its summit as the Chemin d’Enfer: the Road to Hell. The district looked doomed to remain a wasteland until, in 1667, Louis XIV chose to build an observatory there. (Charles II of England, envious, immediately commissioned his own for Greenwich.) Sometime during the next fifty years, it became officially Montparnasse, since in 1725 the city annexed it under that name. A road was laid along the ridge. Tunneling below the unstable topsoil, quarrymen mined the fine-grained limestone from which a greater Paris would be built, and where soon the Muses, though far from home, would again be heard.

Of course, as the poor become dangerous - addicted, short-tempered, diseased - the middle class withdraws still further from contact. Better to close the park, as some affluent lower-Manhattanites have argues, than risk mingling with those who have no other space in which to sleep or pass the time. Better to block off public streets, as some Miami neighborhoods have concluded, than allow fee passage to the down-and-out. Even our city streets are less likely than in the past to offer the promiscuous mingling of "others." Suburban mall have drained downtown shopping areas and left them to the poor; the new urban skywalks lift the white-collar population into a weatherproof world of their own, leaving the streets to the overlapping categories of the poor, blue-collar workers, and people of color. And the more the poor are cut off or abandoned, the less they are capable of inspiring sympathy or even simple human interest.

The Likud championed retention of the West Bank, which it referred to by its biblical names, Judea and Samaria, whereas Labor advocated turning over some of the area to Jordan as part of a peace treaty. By using the names Judea and Samaria, the Likud emphasized the biblical link with the land. In their platform, they stated, “The right of the Jewish people to the land of Israel is eternal and indisputable and linked with the right to security and peace; therefore Judea and Samaria will not be handed over to any foreign administration.” Moreover, the Begin-led government planned not only to retain the territory, but to greatly increase the number of Jewish inhabitants there through the introduction of settlements. It was a major part of their ideology: “Settlement, both urban and rural, in all parts of the Land of Israel is the focal point of the Zionist effort to redeem the country, to maintain vital security areas, and serves as a reservoir of strength and inspiration for the renewal of the pioneering spirit.”1 Likud leaders referred to the building of settlements as “the creation of facts,” which would prevent any withdrawal from the West Bank in the future.

St. Martin's Press, whose erudition, urbanity, and love for the world of the word are an artist's inspiration.

Read books that inspire your imagination and feed your soul.

1979, Ron Shaich, the future CEO of Panera Bread, left his job as regional manager for the Original Cookie Company, a shopping mall–based cookie conglomerate, to start an “urban cookie store” in Boston, where he’d gone to school, that would take advantage of all the foot traffic that downtown city streets get on a daily basis. Ron had $25,000 to get started, but that wasn’t nearly enough to open a storefront in a major American city. “I had no credibility. I had no real money. I had no balance sheet to sign a lease,” he said. “So I went to my dad and said, ‘I want my inheritance, whatever it’s going to be. I want the opportunity to use it.’” And his father agreed. He gave Ron $75,000, and with that combined $100,000 Ron opened a 400-square-foot cookie store. He called it the Cookie Jar, and within two years he had folded it into the bakery and café chain we know today as Au Bon Pain.

In 1982 Mojo relocated from WGPR to WJLB, another legacy radio station, broadcasting urban contemporary and Quiet Storm14 to a growing African American middle class from the top of the eighth tallest building in the world, Detroit's Penobscot Building. The elevated vantage point inspired the new, on-air studio concept of the “Mothership,” in connection to George Clinton's assemblage of the Motown-inspired Parliament–Funkadelic (P-Funk) ensembles. Building on

Humans are an eclectic lot from the myriad of their natural features, skin colors, accents, friends, lifestyles, clothes, and choice of drinks. It all goes to tell their story. Deep down, we are all the same. The subtle differences are the spices that make the stew of life rich with flavor.