Cemetery Gates Quotes

Within its gates I heard the sound Of winds in cypress caverns caught Of huddling tress that moaned, and sought To whisper what their roots had found. (“A Dream of Fear”)

Go ahead," Apollo said to Luke. "Tell them what it is, since it's obviously hugging material." Crimson stained Luke's cheeks. "Legend goes that one of the gates to hell is in Stull Cemetery in Kansas." "Oh, gods," I muttered, remembering where I'd heard this before. "Wasn't that a season finale on Supernatural?" When the boys nodded, my eyes rolled. "Seriously? Are Sam and Dean going to be there?

One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it - water stained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave wants to make you be somewhere else, that is the ghoul-gate.

Twenty-two months are a long time and a lot of things can happen in them- there is time for new families to be formed, for babies to be born and even begin to talk, for a great house to rise where once there was only a field, for a beautiful woman to grow old and no one desire her any more, for an illness- for a long illness- to ripen (yet men live on heedlessly), to consume the body slowly, to recede for short periods as if cured, to take hold again more deeply and drain away the last hopes; there is time for a man to die and be buried, for his son to be able to laugh again and in the evening take the girls down the avenues and past the cemetery gates without a thought. But it seemed as if Drogo’s existence had come to a halt. The same day, the same things, had repeated themselves hundreds of times without taking a step forward. The river of time flowed over the Fort, crumbled the walls, swept down dust and fragments of stone, wore away the stairs and the chain, but over Drogo it passed in vain- it had not yet succeeded in catching him, bearing him with it as it flowed.

I mourned,” Roma said just as softly. “I mourned for months, years outside the gates of the cemetery. Yet I don’t regret choosing you. No matter how cruel you think yourself, your heart beats for your people. That’s why you shot him. That’s why you took the chance. Not because you are merciless. Because you have hope.” Juliette looked up. If Roma turned, even the slightest, they would be nose to nose. “I regret that I was ever put in the position to choose,” Roma continued. His words were faint, whispered into the world while the streets roared with sirens, the building beside them teemed with chaos, and policemen along every street corner screamed for order. But Juliette heard him perfectly. “I hate that the blood feud forced my hand, but I can’t—I did what I had to do and you may think me monstrous for it. The feud keeps taking and hurting and killing and still I couldn’t stop loving you even when I thought I hated you.

The massive bronze gates were wide open now, too late. Inside, the cemetery had been turned into a grotesque place gleaming with high-powered searchlights, blue flashlight flares, winking pocket torches. Uniformed men were already swarming about. Red cigarette-embers showed oddly amidst the headstones here and there. ("The Street Of Jungle Death")

Don’t carry your ideas to the grave untouched.

You say that about everything,” I complained, trailing after him. “Everything is a long story, too long to tell me. I suppose after two hundred years, or whatever, things get a little convoluted, but can’t you paraphrase? How do you know the Rectors?” When we rounded the corner, it became apparent there wouldn’t be time for any stories at all, paraphrased or not. Not because the gray clouds that were hanging so threateningly overhead had burst open, the way I was half expecting them to, but because the family we’d seen earlier, along with Mr. Smith and the people holding the clipboards, were climbing into their various vehicles in the parking lot right in front of us. It shouldn’t have been a big deal. We were just an ordinary young couple, taking a late afternoon stroll through the cemetery. I’d forgotten that, due to the “vandalism” that had occurred there earlier in the week, the cemetery gates (which John had kicked apart in a fit of temper) had been ordered locked twenty-four hours a day by the chief of police. So it kind of was a big deal. Still, that didn’t explain why one of the women-the grandmother, if her gray hair was any indication-took one look at my face, made the sign of the cross, cried, “Dios mio!” then passed out cold right in front of us.

Pete took her hand and together they went out through the gate to the other side of the cemetery’s iron railings; the side where the living belong.

I read this on the gates to a village cemetery: What you are, we used to be. What we are, you’re going to be. — It puts things in perspective, doesn’t it?

I think the world’s a better place because Bill realized that his goal isn’t to be the richest guy in the cemetery, right?

To open the gate for me there was a gravedigger I had already met at the Star of The Sweden."I am looking for Mr. Kauderer," I said to him. He answered, " Mr. Kauderer is not here. But since the cemetery is the home of those who are not here, come in.

The moon seemed to veil herself before the bold looks of Satan. The night was cold. All the doors were closed, all the windows darkened. and the streets deserted. From their appearance, one would have imagined that, for a long time past no foot had traversed those silent streets. Everything around us bore a death-like aspect. It seemed as if, when day came, no one would open their doors; that no head, of woman or of child, would look out of those dark, dull windows; that no step would break the silence which fell, like a pall, upon all around. I seemed to be walking in a city which had been buried some ages. In truth, the town seemed to have been depopulated, and the cemetery to have grown full. Still we went forward, without hearing a murmur, or meeting even with a shadow. The street stretched for a long way across this fearful city of silence and repose. At last we reached my house. 'You remember it?' said the fiend. 'Yes,' replied I, sullenly, 'let us enter.' 'First,' said he, 'we must open the door. It is I, by the way, who invented the science of opening doors without breaking them in. In fact, I have a second key to all doors and gates - with one exception - that of Paradise!

Down the street, tree branches strung in purple Halloween lights began to shudder and sway. Dusty whirlwinds rose from the ground, and from the north came a great rush of wind. From Congo Square, she thought. Where the slaves danced and sang. "...and St. Louis Cemetery," whispered in her ear. The wind blew as cold as the icy breath of Lake Superior. Blowing veins seizured round the wrought iron gate. Yet the music continued. The only one oblivious to the sudden shift in the air--as if she were expecting it--was Angelique, who continued her dance, face to the sky. As though nothing had changed, though everything had.

How could the wind be so strong, so far inland, that cyclists coming into the town in the late afternoon looked more like sailors in peril? This was on the way into Cambridge, up Mill Road past the cemetery and the workhouse. On the open ground to the left the willow-trees had been blown, driven and cracked until their branches gave way and lay about the drenched grass, jerking convulsively and trailing cataracts of twigs. The cows had gone mad, tossing up the silvery weeping leaves which were suddenly, quite contrary to all their exper- ience, everywhere within reach. Their horns were festooned with willow boughs. Not being able to see properly, they tripped and fell. Two or three of them were wallowing on their backs, idiotically, exhibiting vast pale bellies intended by nature to be always hidden. They were still munching. A scene of disorder, tree-tops on the earth, legs in the air, in a university city devoted to logic and reason.

The cemetery has a wrought-iron gate, with an intricate scrollwork archway over it, and an inscription: Though I Walk Through the Valley of the Shadow of Death I Will Fear No Evil, For Thou Art With Me. Yes, it does feel deceptively safer with two; but Thou is a slippery character. Every Thou I’ve known has had a way of going missing. They skip town, or turn perfidious, or else they drop like flies, and then where are you?

The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.

The day before I stepped down as secretary, I sent a message to every man and woman wearing the American military uniform because I knew I could not speak to or about them at my farewell ceremony without breaking down. I repeated my now-familiar words: “Your countrymen owe you their freedom and their security. They sleep safely at night and pursue their dreams during the day because you stand the watch and protect them.… You are the best America has to offer. My admiration and affection for you is without limit, and I will think about you and your families and pray for you every day for the rest of my life. God bless you.” I am eligible to be buried at Arlington National Cemetery. I have asked to be buried in Section 60, where so many of the fallen from Iraq and Afghanistan have been laid to rest. The greatest honor possible would be to rest among my heroes for all eternity.

Seeing that I would never manage to fall asleep, I arose, lit a candle, and after dressing went outside. Beneath the dull glow of the winter moon the snow glowed like pale blue china. The sidewalks sparkled weakly beneath the rays of the flickering street lamps; the benumbed streets slumbered forlornly. I walked, passing one corner after the other, and suddenly found myself on the edge of town. Further, beyond the square, an endless expanse began to glisten with a somber silverness. I stopped just before the gates. My intent gaze could distinguish nothing in the distant white expanse. Before me rose the imposing bank of the Volga like a gigantic snowdrift. So barren and uninviting was this deserted view resembling eternity that my heart contracted. I turned to the right and approached quite close to the monastery enclosure. From behind the bronze gates, glimmered a dense net of crosses and gravestones. The ancient eyes of the church gazed forbiddingly down on me, and with an eerie feeling I thought of the monks sleeping at this moment in tomb-like cells together with corpses. Were any of them thinking of the hour of death on this night? ("Lamia")

The cart slowed as they came to a place so dark and quiet that it seemed as if they had entered some remote forest. Peeking beneath the hem of the cart's canvas covering, Garrett saw towering gates covered with ivy, and ghostly sculptures of angels, and solemn figures of men, women, and children with their arms crossed in resignation upon their breasts. Graveyard sculptures. A stab of horror went through her, and she crawled to the front of the cart to where West Ravenel was sitting with the driver. "Where the devil are you taking us, Mr. Ravenel?" He glanced at her over his shoulder, his brows raised. "I told you before- a private railway station." "It looks like a cemetery." "It's a cemetery station," he admitted. "With a dedicated line that runs funeral trains out to the burial grounds. It also happens to connect to the main lines and branches of the London Ironstone Railroad, owned by our mutual friend Tom Severin." "You told Mr. Severin about all this? Dear God. Can we trust him?" West grimaced slightly. "One never wants to be in the position of having to trust Severin," he admitted. "But he's the only one who could obtain clearances for a special train so quickly." They approached a massive brick and stone building housing a railway platform. A ponderous stone sign adorned the top of the carriage entrance: Silent Gardens. Just below it, the shape of an open book emblazoned with words had been carved in the stone. Ad Meliora. "Toward better things," Garrett translated beneath her breath.

One can do only so much to control one's life,' Ernestine said, and with that, a summary statement as philosophically potent as any she cared to make, she returned the wallet to her handbag, thanked me for lunch, and, gathering herself almost visibly back into that orderly, ordinary existence that rigorously distanced itself from delusionary thinking, whether white or black or in between, she left the car. Instead of my then heading home, I drove crosstown to the cemetery and, after parking on the street, walked in through the gate, and not quite knowing what was happening, standing in the falling darkness beside the uneven earth mound roughly heaped over Coleman's coffin, I was completely seized by his story, by its end and by its beginning, and, then and there, I began this book. I began by wondering what it had been like when Coleman had told Faunia the truth about that beginning--assuming that he ever had; assuming, that is, that he had to have. Assuming that what he could not outright say to me on the day he burst in all but shouting, "Write my story, damn you!" and what he could not say to me when he had to abandon (because of the secret, I now realized) writing the story himself, he could not in the end resist confessing to her, to the college cleaning woman who'd become his comrade-in-arms, the first and last person since Ellie Magee for whom he could strip down and turn around so as to expose, protruding from his naked back, the mechanical key by which he had wound himself up to set off on his great escapade. Ellie, before her Steena, and finally Faunia. The only woman never to know his secret is the woman he spent his life with, his wife. Why Faunia?

It was evening back in what used to be the Southern Bohemian Occult when Charlotte and the coven walked through her familiar bent, iron gate, past the small cemetery, and under the long, forest tunnel. They walked into the town square she had not seen in what felt like an eternity. They were not greeted by any sort of parade. There were no celebrations for the unsung heroes of the night as they made their way past the old, abandoned inns and shops.

The result was a spectacular cemetery with an Egyptian gate and fence that surrounded lakes, winding paths, and lush foliage. People were ecstatic, and throngs of famous and ordinary city dwellers went there to walk, meditate, and play. “Cemeteries are all the ‘rage’; people lounge in them and use them (as their tastes are inclined) for walking, making love, weeping, sentimentalizing, and everything in short,” an Englishman wrote after he toured Mount Auburn.

Together, they were legend tripping, the age old practice of visiting strange locations of urban myths. Places such as the Baird chair monument, the Screaming Beaches, or the Spider Gates Cemetery. Popular sites frequently visited by tour groups or rowdy teenagers, locations with a history of the tragic, the horrific, or just plain old supernatural acclaim

Here he met Judith Tholon, the woman who was to become the love of his life, but who was married to the keeper of the cemetery. [...] After closing the heavy wrought-iron gates at night, they would wander together amidst the graves under the moonlight.

And what better consolation for a dying person than to say to himself: this land bores us? I can imagine those words in neon over the cemetery gates.

Chester William Nimitz, Sr. was the last surviving officer to serve as a five star admiral in the Unites States Navy, holding the rank of Fleet Admiral. His career started as a midshipman at the United States Naval Academy where he graduated with honors on January 30, 1905. Becoming a submarine officer, Nimitz was responsible of the construction of the USS Nautilus, the first nuclear powered submarine. During World War II he was appointed the Commander in Chief of the Unites States Pacific Fleet known as CinCPa. His promotions led to his becoming the Chief of Naval Operations, a post he held until 1947. The rank of Fleet Admiral in the U.S. Navy is a lifetime appointment, so he never retired and remained on active duty as the special assistant to the Secretary of the Navy for the Western Sea Frontier. He held this position for the rest of his life, with full pay and benefits. In January 1966 Nimitz suffered a severe stroke, complicated by pneumonia. On February 20, 1966, at 80 years of age, he died at his quarters on Yerba Buena Island in San Francisco Bay. Chester William Nimitz, Sr. was buried with full military honors and lies alongside his wife and some military friends at the Golden Gate National Cemetery in San Bruno, California.

Legend goes that one of the gates to hell is in Stull Cemetery in Kansas.” “Oh, gods,” I muttered, remembering where I’d heard this before. “Wasn’t that a season finale on Supernatural?” When the boys nodded, my eyes rolled. “Seriously? Are Sam and Dean going to be there?” Luke

Over the gate of our cemeteries should be written: “Nothing Is Tragic. Everything Is Unreal.

It was midnight and, framed by the cemetery gates, the figure stood tall and sinister. He was silhouetted by the weak light from a gibbous moon that made his muscular build and towering height seem much, much more than imposing. In one hand he held a heavy canvas sports bag. The other clutched a shovel that rested casually over one broad shoulder. If an errant driver or a late-night dog walker had glimpsed him, they would have thought he looked like a man with a strong sense of purpose. But the roads were as silent as a held breath.

Where do you have her?” “You know that private cemetery in Hicksville?” “Yeah.” “Show up at the gate after the sun rises and I’ll buzz you in.

Well, this is a deuce of a place to come,’ said Sergeant Berry, as he and Anders walked through the gates of the cemetery at Kensal Green. ‘I’m never happy in graveyards. Reminds me of how little time we have left. Why did they have to build the place so far out? We’ve been walking for hours. It’s damn near in the countryside!’ ‘And even here the long tentacles of London are stretching,’ said Anders. ‘See those houses they are building over there! The last generation would have known so much of this as farmland, but the inexorable grip of the city is closing round what were once pleasant meadows and woodlands. The place’ll spread over half England before it’s done!

We arrive at Sandy Ridge, and Chris drives the truck through the gate of the double-fenced perimeter. We meet the caretaker, a new intern named Janet. She’s just received a degree from the University of California, Davis. She carts a wheelbarrow to the truck, and Chris hauls the kennel, wolf and all, into it. They tuck a large five-gallon water jug next to the kennel, and then we set off pulling the male down the main thoroughfare that divides the pens of Sandy Ridge. It has rained heavily this fall, and everything from mushrooms to few-days-old kibbles is coated in mold. Chris pauses for a moment and points into the trees at regularly spaced depressions in the ground. “Did you know that this used to be a cemetery?” he asks. We shake our heads. “This is the highest land around,” he says. “It’s a natural ridge, so it was used for graves. There are a few unmarked ones right there.” He points at the depressions where soil has settled and compacted lower than the surrounding areas. “That’s why we don’t have any wolf pens right there.” High land, in the peninsula, usually means an elevation of a few feet above sea level. The unmarked depressions seem a poignant reminder of how man and wolf share the same spaces in this area, whether knowingly or not.

If brute force wouldn't suffice, however, there was always the famous Viking cunning. The fleet was put to anchor and under a flag of truce some Vikings approached the gate. Their leader, they claimed, was dying and wished to be baptized as a Christian. As proof, they had brought along the ailing Hastein on a litter, groaning and sweating.  The request presented a moral dilemma for the Italians. As Christians they could hardly turn away a dying penitent, but they didn't trust the Vikings and expected a trick. The local count, in consultation with the bishop, warily decided to admit Hastein, but made sure that he was heavily guarded. A detachment of soldiers was sent to collect Hastein and a small retinue while the rest of the Vikings waited outside.  Despite the misgivings, the people of Luna flocked to see the curiosity of a dreaded barbarian peacefully inside their city. The Vikings were on their best behavior as they were escorted to the cathedral, remaining silent and respectful. Throughout the service, which probably lasted a few hours, Hastein was a picture of reverence and weakness, a dying man who had finally seen the light. The bishop performed the baptism, and the count stood in as godfather, christening Hastein with a new name. When the rite had concluded, the Vikings respectfully picked up the litter and carried their stricken leader back to the ships.  That night, a Viking messenger reappeared at the gates, and after thanking the count for allowing the baptism, sadly informed him that Hastein had died. Before he expired, however, he had asked to be given a funeral mass and to be buried in the holy ground of the cathedral cemetery.  The next day a solemn procession of fifty Vikings, each dressed in long robes of mourning, entered the city carrying Hastein's corpse on a bier. Virtually all the inhabitants of the city had turned out to witness the event, joining the cavalcade all the way to the cathedral. The bishop, surrounded by a crowd of monks and priests bearing candles, blessed the coffin with holy water, and led the entire procession inside.  As the bishop launched into the funerary Mass, reminding all good Christians to look forward to the day of resurrection, the coffin lid was abruptly thrown to the ground and a very much alive Hastein leapt out. As he cut down the bishop, his men threw off their cloaks and drew their weapons. A few ran to bar the doors, the rest set about slaughtering the congregation.  At the same time – perhaps alerted by the tolling bell – Bjorn Ironside led the remaining Vikings into the city and they fanned out, looking for treasure. The plundering lasted for the entire day. Portable goods were loaded onto the ships, the younger citizens were spared to be sold as slaves, and the rest were killed. Finally, when night began to fall, Hastein called off the attack. Since nothing more could fit on their ships, they set fire to the city and sailed away.97 For the next two years, the Norsemen criss-crossed the Mediterranean, raiding both the African and European coasts. There are even rumors that they tried to sack Alexandria in Egypt, but were apparently unable to take it by force or stealth.

During the mid-1930’s Jorge's father arrived in Camagüey, looking for work. Being single, he asked some of the locals where he could find a brothel with some “Fun Girls.” After getting explicit directions, he started walking along the winding streets of the city, but the maze proved more confusing than he had expected. So, instead of finding the brothel, he wound up staring at the gates of the cemetery. He was at the dead center of town!

I don't know why, since I was very young I've always been fascinated by poems about death. I've learned lots and lots of them by heart. I can recite some, you want me to? You can use them. For instance, these lines from Baudelaire, you must know them: O Death, old captain, it's time! Let's weigh anchor! This land bores us, O Death! Let's cast off!" "I know that, I know that," Chantal breaks in. "It's beautiful, but it's not for us." "What do you mean? Your old Trotskyite loves poetry! And what better consolation for a dying person than to say to himself: this land bores us? I can imagine those words in neon over the cemetery gates. For your ads, you'd only have to change them a bit: You're getting bored with this land. Lucien Duval, the old captain, will help you weigh anchor.

In the vampire miniseries finale, the gates of Hell are wide open. Hungry zombies attack the hotel, Nightbird, at the cemetery when guests arrive to celebrate the Battle of Lexington that took place in 1775. Outside the hotel’s perimeters, heavily armed ATU agents try to stop the zombie invasion. With the party going on, many innocent lives are at stake. Sybil and her friends from Nightbird and the ATU knows that there’s only one way to close the gates of Hell. She needs to destroy the book of the dead, AKA The Necronomicon before it's too late . . .

I was born a Spade brother, but I will die a husband and a father. And when I am buried in our cemetery and arrive at the gates of hell, I’ll smile because I’ll already know what to expect from the devil. A very short life with my family is worth an eternity of damnation.

Jeffrey ran to his car parked outside Mr Roslan's block, not wanting to lose sight of the young man and remembering Faizal's number plate. He found the black Nissan and pursued it from two or three cars away. It had started to drizzle and he almost lost him a few times along the Bukit Timah and Kranji Expressways, but kept a close eye on the back of Faizal's car. For twenty minutes they drove like an invisible convoy, before Faizal turned off the highway into the Lim Chu Kang area. Keeping his distance, Jeffrey saw Faizal stop his car by the main gate of Pusara Abadi, the Muslim cemetery ground. Jeffrey swerved to the side and waited until he saw Faizal getting out of the car empty-handed and entering the cemetery. Then, getting out of his car he pried open the Nissan's boot with an Allan key that he always carried in his pocket. Inside was a black trash bag and a long machete, well-worn and used, crusted along its edges with a dark stain. It was soil, not blood, as he lifted his finger to taste it. Jeffrey put the machete back, closed the boot and went closer into the burial grounds, the long weeds brushing the sides of his trousers. Faizal stood in a far corner of the cemetery. Jeffrey stopped, crouched behind a large tombstone and watched. A darker, smaller man appeared next to Faizal. They talked for a few minutes; several crumpled dollar notes were exchanged. Faizal patted the man's back. The man departed. Then Faizal walked back to his car. Jeffrey continued to watch. Faizal returned with the machete. Taking his time, he hacked away at the overgrown scrub around a blue minaret tombstone. Slow and lethargic like a landscape gardenener, he pulled up the weeds and threw them into a pile at the side. Jeffrey waited until Faizal cleared the vegetation and left the grounds, before inching forward. On the minaret tombstone, he saw the engraved name, 'Rubianah binte Bakar' - she had died eight years ago.