Cement Work Quotes

1) Work on one thing at a time until finished. 2) Start no more new books, add no more new material to "Black Spring." 3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand. 4) Work according to Program and not according to mood. Stop at the appointed time! 5) When you can't create you can work. 6) Cement a little every day, rather than add new fertilizers. 7) Keep human! See people, go places, drink if you feel like it. 8) Don't be a draught-horse! Work with pleasure only. 9) Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude. 10) Forget the books you want to write. Think only of the book you are writing. 11) Write first and always. Painting, music, friends, cinema, all these come afterwards.

But of course there's no logic to San Francisco generally, a city built with putty and pipe cleaners, rubber cement and colored construction paper. It's the work of fairies, elves, happy children with new crayons

It shouldn't have happened at all, but their friendship had been cemented in only the time it took to get to school that morning - Adam demonstrating how to fasten the Camaro's ground wire more securely, Gansey lifting Adam's bike halfway into the trunk so they could ride to school together, Adam confessing he worked at a mechanic's to put himself through Aglionby, and Gansey turning to the passenger seat and asking, "What do you know about Welsh kings?

Memory edits things, colours them, mixes cement with the rainbow, does whatever's needed to make the story work.

The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked their heads when they got out of line and squabbled with the wife about how much spending money they were to get and what programs they could have on the radio or TV set. I might even get rich - small-town rich, an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with a cast-iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.

It was about the inestimable burden of their lives: the work, the houses, the friendships, the marriages, the children, as if all the things they’d wanted and worked for had cemented the impossibility of any sort of happiness. The

I did not know the work of mourning Is like carrying a bag of cement Up a mountain at night The mountaintop is not in sight Because there is no mountaintop Poor Sisyphus grief I did not know I would struggle Through a ragged underbrush Without an upward path ... Look closely and you will see Almost everyone carrying bags Of cement on their shoulders That’s why it takes courage To get out of bed in the morning And climb into the day.

Your dreams are like the cement. If you water it with actions, it becomes a hard concrete mass. But if you leave it exposed and unwatered, the air will easily blow it away!

Reader, do you remember that ridiculous movie Volcano, the one with Tommy Lee Jones? Do you remember how they stopped eruption in the middle of downtown Los Angeles? They diverted it with cement roadblocks and pointed fire hoses at it, and rerouted the lava to the ocean, and everything was fine? Sweet reader, that is not how lava works. Anyone can tell you that. Here is the truth: I keep waiting for my anger to go dormant, but it won’t. I keep waiting for someone to reroute my anger into the ocean, but no one can. My heart is closer to Dante’s Peak of Dante’s Peak. My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.

There is a larger lesson here, because the book encompasses not just the lives of prisoners in a Soviet prison camp, but every one of us. Shukhov squeezes everything he can out of a mouthful of soup or a bite of bread…So frozen that he can’t even feel his feet, he trowels cement and lays a cinder block wall with care and patience…Shukhov takes pride in his work. In fact, even though he is starving, he can barely tear himself away at the end of the long day to go eat. He cares about his work and in that way he remains a man. Isn’t this kind of pride and gratitude and ironic detachment valuable for all people?

In the bottom right-hand corner was a decent-sized color photo of Mr. and Mrs. Carl Trudeau posing with their new acquisition. Brianna, ever photogenic, as she damned well be, emanated glamour. Carl looked rich, thin, and young, he thought, and Imelda was as baffling in print as she was in person. Was she really a work of art? Or was she just a hodgepodge of bronze and cement thrown together by some confused soul working hard to appear tortured?

Memory must have a good PR agent, because in reality, as an instrument of optical precision, it seems to me little better than a fairground kaleidoscope. To reconstruct an experience on the basis of images stored in our brains at times borders on hallucination. We do not recover the past, we re-create it: an act of dramaturgy if ever there was one. Memory edits things, colors them, mixes cement with the rainbow, does whatever’s needed to make the story work.

Here is what I was trying to figure out: how a miracle happens. A great work of art -- something that makes people pay attention, return to the work again and again, and reexamine their assumptions, something that infuriates, hurts, and confronts -- a great work of art is always a miracle.

Fathers are… The teeth on a saw, The head of a nail, The blades on a mower. Fathers are… The grit in a tumbler, The cement in the pit, The coin for the machine. Fathers are… The air in the tires, The spring in the suspension, The key to the ignition. Fathers are... the confidence in a dare, The energy of a command, The boots for the trail. Tis true you might make things work without them, but not at all like they were meant to.

Look, lady, I work construction and cement doesn’t give a fuck what your last name is when I bury a body.

I did not know the work of mourning Is like carrying a bag of cement Up a mountain at night

Think of your Tía Clara—her daughter married a man who works in New York, and every month he sends the family money. He never fails. They have a cement floor and a new bathroom.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

It was about the inestimable burden of their lives: the work, the houses, the friendships, the marriages, the children, as if all the things they’d wanted and worked for had cemented the impossibility of any sort of happiness.

Reality is a projection of your thoughts or the things you habitually think about. Your entire life and everything in it is a result of your belief system coupled with your thoughts. The feelings and emotions you have cement this in your mind, and the illusion of all of this combined is what you see as your reality on a moment-to-moment and day-to-day basis.

Think what it would be like to have a work conceived from outside the self, a work that would let us escape the limited perspective of the individual ego, not only to enter into selves like our own but to give speech to that which has no language, to the bird perching on the edge of the gutter, to the tree in spring and the tree in fall, to cement, to plastic.

How baffling you are, oh Church, and yet how I love you! How you have made me suffer, and yet how much I owe you! I would like to see you destroyed, and yet I need your presence. You have given me so much scandal and yet you have made me understand what sanctity is. I have seen nothing in the world more devoted to obscurity, more compromised, more false, and yet I have touched nothing more pure, more generous, more beautiful. How often I have wanted to shut the doors of my soul in your face, and how often I have prayed to die in the safety of your arms. No, I cannot free myself from you, because I am you, though not completely. And besides, where would I go? Would I establish another? I would not be able to establish it without the same faults, for they are the same faults I carry in me. And if I did establish another, it would be my Church, not the Church of Christ. I am old enough to know that I am no better than anyone else. …) The Church has the power to make me holy but it is made up, from the first to the last, only of sinners. And what sinners! It has the omnipotent and invincible power to renew the Miracle of the Eucharist, but is made up of men who are stumbling in the dark, who fight every day against the temptation of losing their faith. It brings a message of pure transparency but it is incarnated in slime, such is the substance of the world. It speaks of the sweetness of its Master, of its non-violence, but there was a time in history when it sent out its armies to disembowel the infidels and torture the heretics. It proclaims the message of evangelical poverty, and yet it does nothing but look for money and alliances with the powerful. Those who dream of something different from this are wasting their time and have to rethink it all. And this proves that they do not understand humanity. Because this is humanity, made visible by the Church, with all its flaws and its invincible courage, with the Faith that Christ has given it and with the love that Christ showers on it. When I was young, I did not understand why Jesus chose Peter as his successor, the first Pope, even though he abandoned Him. Now I am no longer surprised and I understand that by founding his church on the tomb of a traitor(…)He was warning each of us to remain humble, by making us aware of our fragility. (…) And what are bricks worth anyway? What matters is the promise of Christ, what matters is the cement that unites the bricks, which is the Holy Spirit. Only the Holy Spirit is capable of building the church with such poorly moulded bricks as are we. And that is where the mystery lies. This mixture of good and bad, of greatness and misery, of holiness and sin that makes up the church…this in reality am I .(…) The deep bond between God and His Church, is an intimate part of each one of us. (…)To each of us God says, as he says to his Church, “And I will betroth you to me forever” (Hosea 2,21). But at the same time he reminds us of reality: 'Your lewdness is like rust. I have tried to remove it in vain. There is so much that not even a flame will take it away' (Ezechiel 24, 12). But then there is even something more beautiful. The Holy Spirit who is Love, sees us as holy, immaculate, beautiful under our guises of thieves and adulterers. (…) It’s as if evil cannot touch the deepest part of mankind. He re-establishes our virginity no matter how many times we have prostituted our bodies, spirits and hearts. In this, God is truly God, the only one who can ‘make everything new again’. It is not so important that He will renew heaven and earth. What is most important is that He will renew our hearts. This is Christ’s work. This is the divine Spirit of the Church.

As she let her soul sing to her, she let go of lifetimes’ worth of silenced truth missiles cemented in the deepest caverns of her soul. A voice snuffed out for centuries, for saying too much, for standing up too much, for being too much. Her intuition and bigness restrained for centuries, but not any more. She could not be locked away, muted, or extinguished any longer. Not now. Not ever again.

This new science of performance argues that you get better at a skill as you develop more myelin around the relevant neurons, allowing the corresponding circuit to fire more effortlessly and effectively. To be great at something is to be well myelinated. This understanding is important because it provides a neurological foundation for why deliberate practice works. By focusing intensely on a specific skill, you’re forcing the specific relevant circuit to fire, again and again, in isolation. This repetitive use of a specific circuit triggers cells called oligodendrocytes to begin wrapping layers of myelin around the neurons in the circuits—effectively cementing the skill. The reason, therefore, why it’s important to focus intensely on the task at hand while avoiding distraction is because this is the only way to isolate the relevant neural circuit enough to trigger useful myelination. By contrast, if you’re trying to learn a complex new skill (say, SQL database management) in a state of low concentration (perhaps you also have your Facebook feed open), you’re firing too many circuits simultaneously and haphazardly to isolate the group of neurons you actually want to strengthen. In

I did not know the work of mourning Is like carrying a bag of cement Up a mountain at night The mountaintop is not in sight Because there is no mountaintop Poor Sisyphus grief I did not know I would struggle Through a ragged underbrush Without an upward path Because there is no path There is only a blunt rock With a river to fall into And Time with its medieval chambers Time with its jagged edges And blunt instruments I did not know the work of mourning Is a labor in the dark We carry inside ourselves Though sometimes when I sleep I'm with him again And then I wake Poor Sisyphus grief I'm not ready for your heaviness Cemented to my body Look closely and you will see Almost everyone carrying bags Of cement on their shoulders That's why it takes courage To get out of bed in the morning And climb into the day

rooms full of sheepskin rugs and life-size cement sheep that I recognized as the work of Medusa. There were collections of sheep T-shirts; large tubs of lanolin cream; and wooly coats, socks, and hats with ram’s horns.

If there is one ruler that can harmonize and unify the mob of characters [in our astral body], it is the Ego (the Higher Ego, or Self, or Spirit). The more the Ego shines like a sun at the center of gravity of the astral body, the more the different characters start orbiting around it. Instead of working only to satisfy their own selfish desires, the characters start manifesting the purposes of the light and of the Spirit. Instead of plotting for the success of their own ambitions, they start accomplishing the works of the Higher Self... The unveiling of the Self begins a process of unification--a new astral body slowly develops. In this new, or transformed, astral body, the different parts are penetrated by the light of the Self. Therefore they are not only united around the Self, but are also cemented to it... [Before this process], one is nothing more than an appearance: it is the illusion of being one person...

If people in the Arab world knew what was happening in this place, the hatred against the U.S. would be heavily watered, and the accusation that the U.S. is helping and working together with dictators in our countries would be cemented.

My husband, a man with a university degree, an engineer, seriously tried to convince me that it was an act of terrorism. An enemy diversion. A lot of people at the time thought that. But I remembered how I’d once been on a train with a man who worked in construction who told me about the building of the Smolensk nuclear plant: how much cement, boards, nails, and sand was stolen from the construction site and sold to neighboring villages. In exchange for money, for a bottle of vodka. People

But it would be a mistake to assume that the liberal class was simply seduced by the Utopian promises of globalism. It was also seduced by careerism. Those who mouthed the right words, who did not challenge the structures being cemented into place by the corporate state, who assured the working class that the suffering was temporary and would be rectified in the new world order, were rewarded. They were given public platforms on television and in the political arena. They were held up to the wider society as experts, sages, and specialists. They became the class of wise men and women who were permitted to explain in public forums what was happening to us at home and abroad. The New York Times columnist Thomas Friedman, a cheer leader for the Iraq war and globalization, became the poster child for the new class of corporate mandarins. And although Friedman was disastrously wrong about the outcome of the occupation, as he was about the effects of globalization, he continues, with a handful of other apologists, to dominate the airwaves.

An idea has formed in my mind. At university, I performed pieces where I'd sit on various materials that had long life spans, like plastic, trees, stone, and I gradually glued my skin to them, or else connected myself to the material with clay or plaster and painted the joins to look like the material---the bark of a tree, marble, cement. I wanted to look like I was a part of whatever material I was using and it was a part of me. I think that those works came from a kind of naive and youthful desire to be seen for what I was. For my body to be seen for what it is: this un-decaying, eternal thing---familiarly human, but also not.

But the funniest one they showed us was about the need for leisure time. I was sitting next to women who work until one in the morning every day. And here they were telling us that when a person does not get any rest, he becomes a destructive member of society because of the elevated risk of accidents. The women were laughing so hard they fell off their chairs.

The tax-exempt organization quietly cemented a deal with Glenn Beck, the incendiary right-wing Fox News television host who at the time was a Tea Party superstar. For an annual payment that eventually topped $1 million, Beck read “embedded content” written by the FreedomWorks staff. They told him what to say on the air, and he blended the promotional material seamlessly into his monologue, making it sound as if it were his own opinion. The arrangement was described on FreedomWorks’ tax disclosures as “advertising services.

This is why shaming politicians typically backfires. It can feel good. It can restore that sense of agency, temporarily. But shaming is an extreme form of social rejection. It is different from applying pressure on someone who cares what you think or who needs your support for some reason. That can work. But shame has the opposite effect. It almost always makes the opponent stronger. Especially if someone from another group does the shaming. It cements the division, bringing the other side closer together in fear or anger, emboldening them.

When girl best friends communicate with each other, they lean in, maintain eye contact, and do a lot of talking. They use their sophisticated verbal talents to cement their relationships. Boys never do this. They rarely face each other directly, preferring either parallel or oblique angles. They make little eye contact, their gaze always casting about the room. They do not use verbal information to cement their relationships. Instead, commotion seems to be the central currency of a little boy’s social economy. Doing things physically together

In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

THE MYSTIC ALWAYS RISES As she let her soul sing to her, she let go of lifetimes’ worth of silenced truth missiles cemented in the deepest caverns of her soul. A voice snuffed out for centuries, for saying too much, for standing up too much, for being too much. Her intuition and bigness restrained for centuries, but not any more. She could not be locked away, muted, or extinguished any longer. Not now. Not ever again. As she let her spirit move her, she danced right through the flames. Resentment, anger, and memories stomped out with every blazing convulsion, sway, and kick. Sensing her in the distance, one by one her sisters joined her, knowing this dance by heart. The movement created space for their tears, which flowed deeper than all of the rivers and lakes from all of the ages. Soothing and cooling the burning that once enveloped her entire being. Her whole body. All of her bodies. All of their bodies. All of our bodies. Never forgetting. But still rising, just as she planned to. Just as we planned to. Rising and rising and rising and rising and rising. Standing taller than all the sisters who came before and will continue to come again. The mystic always rises.

How to defeat this tragedy concealed within each hour, which chokes us unexpectedly and treacherously, springing at us from a melody, an old letter, a book, the colors of a dress, the walk of a stranger? Make literature. Seek new words in the dictionary. Chisel new phrases, pour the tears into a mold, style, form, eloquence. Cut out newspaper clippings carefully. Use cement glue. Have your photograph taken. Tell everyone how much you owe them. Tell Allendy he has cured you. Tell your editor he has discovered a genius, and turn around into your work again, like a scorpion in his fire ring, devouring himself.

Modern economies will always be tied to massive material flows, whether those of ammonia-based fertilizers to feed the still-growing global population; plastics, steel, and cement needed for new tools, machines, structures, and infrastructures; or new inputs required to produce solar cells, wind turbines, electric cars, and storage batteries. And until all energies used to extract and process these materials come from renewable conversions, modern civilization will remain fundamentally dependent on the fossil fuels used in the production of these indispensable materials. No AI, no apps, and no electronic messages will change that.

I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him. And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.

The Nile acted as a principle of order and centralization, necessitated collective work, created solidarity, imposed organizations on the people, and cemented them in a society. In turn the Nile was the work of the Sun, the supreme author of the universe. Ra — the Sun — the demiurge was the founder of all order human and divine, the creator of gods themselves. Its power was reflected in an absolute monarch to whom everything was subordinated. It has been suggested that such power followed the growth of astronomical knowledgeb by which the floods of the Nile could be predicted, notably a discovery of the sidereal year in which the rising of Sirius coincided with the period of floods.

Socialism, a system for raising up the working class, has now largely abandoned the working class. A program for raising the condition of ordinary citizens and workers has turned into a coordinated effort to make those very citizens and workers feel unwelcome and demonized in their own country. Socialism in America today has turned black against white, female against male, homosexual and transsexual against heterosexual and illegals against legal immigrants and American citizens. The typical socialist today is not a union guy who wants higher wages; it is a transsexual ecofeminist who marches in Antifa and Black Lives Matter rallies and throws cement blocks at her political opponents.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

Mohini was a regal white tiger who lived for many years at the Washington, D.C. National Zoo. For most of those years her home was in the old lion house—a typical twelve-by-twelve-foot cage with iron bars and a cement floor. Mohini spent her days pacing restlessly back and forth in her cramped quarters. Eventually, biologists and staff worked together to create a natural habitat for her. Covering several acres, it had hills, trees, a pond and a variety of vegetation. With excitement and anticipation they released Mohini into her new and expansive environment. But it was too late. The tiger immediately sought refuge in a corner of the compound, where she lived for the remainder of her life. Mohini paced and paced in that corner until an area twelve by twelve feet was worn bare of grass.

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.

Charisma in this world is often just looking good and speaking well. Others merely project onto you what they want to believe to be true. Most people have superficial attachments and shallow thoughts, so the glib man can persuade many. One does not have to be a supreme salesman. No need to be a wizard with words. People clamor for a confident speaker that sounds the part. That your actions can deliver on words cements their allegiance. But even if you don’t become a leader yourself, you may find a key supporting role as a great communicator. Even before you speak, work on being a better listener and observer of cues in others. All messages must be tailored to the audience. In a group, there may be one listener who, if engaged, can turn the whole room towards your speech. Speak calmly, clearly and keep eye contact. Your voice is the voice of a leader confident in his capabilities and beliefs. Changes in tone should have a reason.

He leaned down and kissed me, warm and soft. "I do have a trick to get you to relax though." And I knew exactly what his idea of "relaxing" was. "We're at work!" "We're alone at work," he teased, lifting me off my feet and walking away with me in his arms. "You're insatiable!" I laughed as he bound up the stairs. "Only when it comes to you, love." In his office, he kicked the door shut behind him before setting me on the small couch by the bookshelves. He caged me in his arms and leaned down to kiss my neck. "What do you think you're doing?" My lips protested, but my head moved to the side, giving him more room to kiss me. "Are we still trying for a faeling?" he asked. "These things can take quite a bit of time, you know." "It could take decades!" "A sacrifice I'm willing to make," he teased. Wrapping my fingers around his tie, I gently tugged his face down to mine so I could kiss him, reminiscent of our first kiss that had cemented the bond between us half a year ago. "Whatever happens, happens. I'm not as impatient as you, Lord of Winter." "Only for you," Devin answered. "Only ever for you, love." He kissed me again, deeper and hungrier than before, and I wrapped my arms around his neck and melted into him.

For here is the philosophy which sharpeneth the senses, satisfieth the soul, enlargeth the intellect and leadeth man to that true bliss to which he may attain, which consisteth in a certain balance, for it liberateth him alike from the eager quest of pleasure and from the blind feeling of grief; it causeth him to rejoice in the present and neither to fear nor to hope for the future. For that Providence or Fate or Lot which determineth the vicissitudes of our individual life doth neither desire nor permit our knowledge of the one to exceed our ignorance of the other, so that at first sight we are dubious and perplexed. But when we consider more profoundly the being and substance of that universe in which we are immutably set, we shall discover that neither we ourselves nor any substance doth suffer death; for nothing is in fact diminished in its substance, but all things wandering through infinite space undergo change of aspect. And since we are all subject to a perfect Power, we should not believe, suppose or hope otherwise, than that even as all issueth from good, so too all is good, through good, toward good; from good, by good means, toward a good end. For a contrary view can be held only by one who considereth merely the present moment, even as the beauty of a building is not manifest to one who seeth but one small detail, as a stone, a cement affixed to it or half a partition wall, but is revealed to him who can view the whole and hath understanding to appraise the proportions. We do not fear that by the violence of some erring spirit or by the wrath of a thundering Jove, that which is accumulated in our world could become dispersed beyond this hollow sepulchre or cupola of the heavens, be shaken or scattered as dust beyond this starry mantle. In no other way could the nature of things be brought to naught as to its substance save in appearance, as when the air which was compressed within the concavity of a bubble seemeth to one's own eyes to go forth into the void. For in the world as known to us, object succeedeth ever to object, nor is there an ultimate depth from which as from the artificer's hand things flow to an inevitable nullity. There are no ends, boundaries, limits or walls which can defraud or deprive us of the infinite multitude of things. Therefore the earth and the ocean thereof are fecund; therefore the sun's blaze is everlasting, so that eternally fuel is provided for the voracious fires, and moisture replenisheth the attenuated seas. For from infinity is born an ever fresh abundance of matter.

In 1861, just a year after Gage’s death, this view was further cemented through the work of Pierre Paul Broca, a physician in Paris who documented a patient who appeared normal except that he had a severe speech deficit. The patient could understand and comprehend speech perfectly, but he could utter only one sound, the word “tan.” After the patient died, Dr. Broca confirmed during the autopsy that the patient suffered from a lesion in his left temporal lobe, a region of the brain near his left ear. Dr. Broca would later confirm twelve similar cases of patients with damage to this specific area of the brain. Today patients who have damage to the temporal lobe, usually in the left hemisphere, are said to suffer from Broca’s aphasia. (In general, patients with this disorder can understand speech but cannot say anything, or else they drop many words when speaking.) Soon afterward, in 1874, German physician Carl Wernicke described patients who suffered from the opposite problem. They could articulate clearly, but they could not understand written or spoken speech. Often these patients could speak fluently with correct grammar and syntax, but with nonsensical words and meaningless jargon. Sadly, these patients often didn’t know they were spouting gibberish. Wernicke confirmed after performing autopsies that these patients had suffered damage to a slightly different area of the left temporal lobe.

If it was a mistake not to finish school (it wasn't!), it was an even worse mistake to go to work. ("Work! The word was so painful he couldn't bring himself to pronounce it," says a character in one of Cossery's books.) Until I was almost eighteen I had know freedom, a relative freedom, which is more than most people ever get to know. (It included "freedom of speech," which has hung over into my writing.) Then, like an idiot, I entered the lists. Overnight, as it were, the bit was put in my mouth, I was saddled, and the cruel rowels were dug into my tender flanks. It didn't take long to realize what a shithouse I had let myself into. Every new job I took was a step further in the direction of "murder, death and blight." I think of them still as prisons, whorehouses, lunatic asylums: the Atlas Portland Cement Co., the Federal Reserve Bank, the Bureau of Economic Research, the Charles Williams Mail Order House, the Western Union Telegraph Co., etc. To think that I wasted ten years of my life serving these anonymous lords and masters! That look of rapture in Pookie's eyes, that look of supreme admiration which I reserved for such as Eddie Carney, Lester Reardon, Johnny Paul: it was gone, lost, buried. It returned only when, much later, I reached the point where I was completely cut off, thoroughly destitute, utterly abandoned. When I became the nameless one, wandering as a mendicant through the streets of my own home town. Then I began to see again, to look with eyes of wonder, eyes of love, into the eyes of my fellow-man.

Let's get out of here. You and me, mi amor. !Vamos!" I breathe a sigh of relief as I straddle Julio and Brittany hops on behind me. She wraps her arms around my waist, holding on tight as I speed out of the parking lot. We fly through the streets; which eventually become a blur. I don't even stop when rain starts pouring down. "Can we stop now?" she yells through the deafening storm. I park under an old abandoned bridge by the lake. Heavy rain pounds the cement surrounding us, but we have our own secluded place. Brittany hops to the ground. "You're a stupid jerk," she says. "You can't deal drugs. It's dangerous and stupid, and you promised me. You'll risk going to jail. Jail, Alex. You may not care, but I do. I won't let you ruin your life." "What do you want to hear?" "Nothing. Everything. Say something so I don't stand here feeling like a complete idiot." "The truth is . . . Brittany, look at me." "I can't," she says as she stares at the pouring rain. "I'm so tired of thinking of every scary scenario." I pull her against me. "Don't think, muneca. Everything will work itself out." "But--" "No buts. Trust me." My mouth closes over hers. The smell of rain and cookies eases my nerves. My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button. "Come to me," I say, then lift her until she's straddling me over my bike. I can't stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we're together like this, hell, I can't think of anything else but her.

When you said our engagement is subject to your family’s approval,” he ventured, “I hope you don’t expect it to be unanimous.” “I would like it to be. But it’s not a requirement.” “Good,” he said. “Because even if I manage to talk Trenear into it, debating with West will be like tilting at windmills.” She looked up at him alertly. “Was Don Quixote one of the books you read?” “To my regret, yes.” “You didn’t like it?” Tom gave her a sardonic glance. “A story about a middle-aged lunatic who vandalizes private property? Hardly. Although I agree with Cervantes’ point that chivalry is no different from insanity.” “That’s not at all what he was saying.” Cassandra regarded him ruefully. “I’m beginning to suspect you’ve missed the point of every novel you’ve read so far.” “Most of them are pointless. Like the one about the French bread thief who violated his parole—” “Les Misérables?” “Yes. It took Victor Hugo fourteen hundred pages to say, ‘Never let your daughter marry a radical French law student.’ Which everyone already knows.” Her brows lifted. “Is that the lesson you took from the novel?” “No, of course not,” he said promptly, reading her expression. “The lesson of Les Misérables is …” Tom paused cagily before taking his best guess. “… ‘It’s usually a mistake to forgive your enemies.’” “Not even close.” Amusement lurked at the corners of her mouth. “I have my work cut out for me, it seems.” “Yes,” Tom said, encouraged by the remark. “Take me on. Influence me for the better. It will be a public service.” “Hush,” Cassandra begged, touching his lips with her fingers, “before I change my mind.” “You can’t,” Tom said, knowing he was taking the words more seriously than she’d intended. But the very idea was like an ice pick to the heart. “That is, don’t. Please. Because I …” He couldn’t break their shared gaze. Her blue eyes, as dark as a cloudless midnight, seemed to stare right inside him, gently and inexorably prying out the truth. “… need you,” he finally muttered. Shame caused his face to sting as if from spark burns. He couldn’t believe what he’d just said, how weak and unmanly it had sounded. But the strange thing was … Cassandra didn’t seem to think less of him for it. In fact, she was looking at him with more certainty now, nodding slightly, as if his mortifying admission had just cemented the bargain. Not for the first time, Tom reflected there was no understanding women. 

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

But that is a lie! Here we have been breaking our backs for years at All-Union hard labor. Here in slow annual spirals we have been climbing up to an understanding of life—and from this height it can all be seen so clearly: It is not the result that counts! It is not the result—but the spirit! Not what—but how. Not what has been attained—but at what price. And so it is with us the prisoners—if it is the result which counts, then it is also true that one must survive at any price. And what that means is: One must become a stool pigeon, betray one’s comrades. And thereby get oneself set up comfortably. And perhaps even get time off sentence. In the light of the Infallible Teaching there is, evidently, nothing reprehensible in this. After all, if one does that, then the result will be in our favor, and the result is what counts. No one is going to argue. It is pleasant to win. But not at the price of losing one’s human countenance. If it is the result which counts—you must strain every nerve and sinew to avoid general work. You must bend down, be servile, act meanly—yet hang on to your position as a trusty. And by this means . . . survive. If it is the essence that counts, then the time has come to reconcile yourself to general work. To tatters. To torn skin on the hands. To a piece of bread which is smaller and worse. And perhaps . . . to death. But while you’re alive, you drag your way along proudly with an aching back. And that is when—when you have ceased to be afraid of threats and are not chasing after rewards—you become the most dangerous character in the owllike view of the bosses. Because . . . what hold do they have on you? You even begin to like carrying hand barrows with rubbish (yes, but not with stone!) and discussing with your work mate how the movies influence literature. You begin to like sitting down on the empty cement mixing trough and lighting up a smoke next to your bricklaying. And you are actually and simply proud if, when the foreman passes you, he squints at your courses, checks their alignment with the rest of the wall, and says: “Did you lay that? Good line.” You need that wall like you need a hole in the head, nor do you believe it is going to bring closer the happy future of the people, but, pitiful tattered slave that you are, you smile at this creation of your own hands. The Anarchist’s daughter, Galya Venediktova, worked as a nurse in the Medical Section, but when she saw that what went on there was not healing but only the business of getting fixed up in a good spot—out of stubbornness she left and went off to general work, taking up a spade and a sledge hammer. And she says that this saved her spiritually. For a good person even a crust is healthy food, and to an evil person even meat brings no benefit.

Craftsmanship cements a relationship of trust between buyer and seller, worker and employer, and expects something of both. It is about caring about the work and its application. It is what distinguishes the work of humans from the work of machines, and it is everything that IKEA and other discounters are not.

With six thousand miles separating me from sleep, I stumbled down into the subway at dawn and emerged on the outskirts of the Tsukiji market just as the sun broke across Tokyo Bay. Inside the market, I saw the entire ocean on display: swollen-bellied salmon, dark disks of abalone, vast armies of exotic crustaceans, conger eels so shiny and new they looked to be napping in their Styrofoam boxes. I stumbled onward to a tuna auction, where a man in a trader's cap worked his way through a hundred silver carcasses scattered across the cement floor, using a system of rapid hand motions and guttural noises unintelligible to all but a select group of tuna savants. When the auction ended, I followed one of the bodies back to its buyer's stall, where a man and his son used band saw, katana blade, cleaver, and fillet knife to work the massive fish down into sellable components: sinewy tail meat for the cheap izakaya, ruby loins for hotel restaurants, blocks of marbled belly for the high-end sushi temples. By 8:00 a.m. I was starving. First, a sushi feast, a twelve-piece procession of Tsukiji's finest- fat-frizzled bluefin, chewy surf clam, a custardy slab of Hokkaido uni- washed down with frosty glasses of Kirin. Then a bowl of warm soba from the outer market, crowned at the last second with a golden nest of vegetable tempura.

Those are the conditions that Sharp honored in calling for volunteers to join “action teams” to improve the patient experience. The work was meaningful: serving patients better. The teams were given autonomy, often entrusted to formulate the health system’s policies in a certain domain. Participation was voluntary. And volunteer they did: 1,600 people came forward. A mass movement of people willing to struggle together. If you want to be part of a group that bonds like cement, take on a really demanding task that’s deeply meaningful. All of you will remember it for the rest of your lives.

Bathed in perspiration he worked like a bull, turning over with a shovel the chalk and the clay which was to become cement. This brute strength of his came not through his intelligence but from the profundities of his strong body; it did not explode within him but flowed out of him in great waves through the thunder of the earth, across the stones and the rails, from this enormous ant-like crowd who with shouting and moaning were rising from the depths with spades and hammers, emerged from smoke-stacks and the factory buildings , from the breaches quarried from the rocks, from the smoky depths up toward the obelisks supporting the power-cables.

We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.

The lion's share of individuals who are thinking about a story covering or paint for their carport, for the most part, envision an exhausting ship dark shading. On the off chance that you need to have a carport that looks better since you need to offer it quicker or you truly get a kick out of the chance to claim decent things, at that point this dim shading can't do anything for you. The uncovered cement is as of now dim so why considerably try touching it up? All things considered, if this is your state of mind, at that point you are in awesome good fortune. Presently, you can have an epoxy floor paint in a greater number of hues than you at any point thought conceivable. In actuality, you can have any shading you wish in the event that you are sufficiently quiet to look at all potential outcomes. Presently, what are the things you ought to recollect when you pick? There are three boss approaches to coordinate hues that individuals need to make as they paint their floor. To start with, they will get a shading that would match be able to or compliment the house paint. This can truly enhance the controlling claim each time the carport entryway is opened. Many individuals will go for a shading that matches their vehicle. This is extremely unsurprising for individuals who possess a show auto or only an auto that they are exceptionally pleased with. A complimentary shading can really make your "road pole" seem like it just fell off the showroom floor. At last, in settling on the shade of your epoxy carport floor covering, many individuals pick a shading that would cover be able to up stains and earth. Cases of these hues are earth tones or shading that they might be inclined toward. Regardless, it's your own inclination for your carport since you claim it. On the off chance that you have any arrangements to chip away at your autos or whatever else inside the carport at that point consider my recommendation. Lift a shading that will appear any nuts or fasteners you drop regardless of how little. More often than not, this is a light shading. As you end up plainly more seasoned and your visual perception has debased, you will be grateful to me for this wisdom. Any shade of your decision would make be able to this venture an extraordinary movement this mid-year. When you prepare to do this venture make sure you invest the required measure of the energy of the prep work for the floor. Like all paint extends, the fallen angel is in the arrangement with regards to landing a position that looks extraordinary as well as keeps going quite a while. Invest the energy in the prep and you will be content with the outcomes.

We couldn’t stop following the news. Every ten seconds we refreshed our browsers and gawked at the headlines. Dully we read blogs of friends of friends of friends who had started an organic farm out on the Wichita River. They were out there pickling and canning and brewing things in the goodness of nature. And soon we’d worry it was time for us to leave the city and go. Go! To Uruguay or Morocco or Connecticut? To the Plains or the Mountains or the Bay? But we’d bide our time and after some months or years, our farmer friends would give up the farm and begin studying for the LSATs. We felt lousy about this, and wonderful. We missed getting mail. We wondered why we even kept those tiny keys on our crowded rings. Sometimes we would send ourselves things from the office. Sometimes we would handwrite long letters to old loved ones and not send them. We never knew their new address. We never knew anyone’s address, just their cross streets and what their doors looked like. Which button to buzz, and if the buzzers even worked. How many flights to climb, and which way to turn off the stairs. Sometimes we missed those who hadn’t come to the city with us— or those who had gone to other, different cities. Sometimes we journeyed to see them, and sometimes they ventured to see us. Those were the best of times, for we were all at home and not at once. Those were the worst of times, for we inevitably longed to all move here or there, yet no one ever came— somehow everyone only left. Soon we were practically all alone. Soon we began to hate the forever cramping of our lives. Sleeping on top of strangers and sipping coffee with people we knew we knew but couldn’t remember where from. Living out of boxes we had no space to unpack. Soon we named the pigeons roosting in our windowsills; we worried they looked mangier than the week before. We heard bellowing in the apartments below us and bedsprings creaking in the ones above. Everywhere we saw people with dogs and wodnered how they managed it. Did they work form home?Did they not work? Had they gone to the right schools? Did they have connections? We had no connections. Our parents were our guarantors in name only; they called us from their jobs in distant, colorless, suburban office parks and told us we could come home anytime, and this terrified us always. But then came those nights, creeping up on us while we worked busily in dark offices, like submariners lost at sea, sailing through the dark stratosphere in our cement towers. We’d call each other to report: a good thing happened, a compliment had been paid, a favor had been appreciated, an inch of ground had been gained. We wouldn’t trade those nights for anything or anywhere. Those nights, we remembered why we came to the city. Because if we were really living, then we wanted to hear the cracking in our throats and feel the trembling in our extremities. And if our apartments were coffins and our desks headstones and our dreams infections— if we were all slowly dying — then at least we were going about that great and terrible business together.

His brother Najib owned an auto-parts store at bustling Shikarpur Gate, the mouth of the narrow road linking their village to the city—an ancient byway that had once led southward through the passes all the way to India. At dusk it is clogged with a riot of vegetable sellers’ handcarts beset by shoppers, Toyota pickup trucks, horse-drawn taxis, and three-wheeled rickshaws clambering around and through the throng like gaudy dung beetles. Nurallah’s brother Najib had gone to Chaman, just across the border in Pakistan, where the streets are lined with cargo containers serving as shops, and used motor oil cements the dust to the ground in a glossy tarmac, and every variety of automotive organ or sinew is laid bare, spread out, and strung up for sale. He had made his purchases and set off back to Kandahar. “He paid his customs dues”—Nurallah emphasized the remarkable point—“because that’s the law. He paid at every checkpoint on the way back, fifty afghanis, a hundred afghanis.” A dollar or two every time an unkempt, underage police boy in green fatigues slouched out of a sandbagged lean-to into the middle of the road—eight times in the sixty-six miles when last I counted. “And then when he reached the entrance to town, the police there wanted five hundred afghanis. Five hundred!” A double arch marks the place where the road that swoops down from Kabul joins the road leading in from Pakistan. The police range from one side to the other, like spear fishermen hunting trout in a narrows. “He refused,” Nurallah continued. “He said he had paid his customs dues—he showed them the receipt. He said he had paid the bribes at every checkpoint all along the way, and he was not paying again.” I waited a beat. “So what happened?” “They reached into his window and smacked him.” “They hit him?” I was shocked. Najib might be a sunny guy, but Kandahar tempers are strung on tripwires. For a second I thought we’d have to go bail him out. “What did he do?” Nurallah’s eyes, beneath his widow’s peak, were banked and smoldering. “What could he do? He paid the money. But then he pulled over to the side of the road and called me. I told him to stay right there. And I called Police Chief Matiullah Qatih, to report the officer who was taking the bribes.” And Matiullah had scoffed at him: Did he die of it? The police buzzards had seen Najib make the call. They had descended on him, snatched the phone out of his hand, and smashed it. “You call that law?” Now Nurallah was ablaze. “They’re the police! They should be showing people what the law is; they should be enforcing the law. And they’re the ones breaking it.” Nurallah was once a police officer himself. He left the force the day his own boss, Kabul police chief Zabit Akrem, was assassinated in that blast in the mosque in 2005.1 Yet so stout was Nurallah’s pride in his former profession that he brought his dark green uniform into work and kept it there, hung neatly on a hook in his locker. “My sacred oath,” he vowed, concluding: “If I see someone planting an IED on a road, and then I see a police truck coming, I will turn away. I will not warn them.” I caught my breath. So maybe he didn’t mean it literally. Maybe Nurallah wouldn’t actually connive with the Taliban. Still, if a former police officer like him was even mouthing such thoughts, then others were acting on them. Afghan government corruption was manufacturing Taliban.

steel, ammonia, cement, and plastics.

Chapter Eight Jack shifted his gaze between the packet and Fabien’s pale face, then slowly got to his feet. Go to the police, that was what they should do. Let them deal with it. But what kind of trouble would that land Fabien in? “I’ll sort it.” Jack made his way up to the chimney, stuffed the packet into the black bin liner he found up there, and wedged it between the pots. That would buy them some time to think about how to help Fabien. He returned to the others. Fabien was still looking green and shaky, but was on his feet and putting on his hat. “I’ll help you get down to the street,” said Beth. “It’s okay. I’ll go back through the attic. Grandad will be wondering where I am.” The boy hobbled up the incline, back the way he’d come, and they heard him stagger down the other side. Jack banged his fist against the chimney wall, sending loose cement dust showering onto the tiles. “I wish he’d told me what was going on. I could have helped. I wondered why he wanted me to teach him shadow jumping.” “He’s scared,” said Beth. “Don’t be too hard on him. Kai’s got him where he wants him. It’s Kai you should be angry with, not Fabien.” “Who’s Kai working for?” Jack let out a worried breath. “I mean, he might be a thug, but he’s not got a lot of brains, has he?” Beth pressed her lips together in thought. “You’re right. He can’t be doing this alone.” Jack’s encounter with Kai from a few months ago was inked on his memory like a tattoo. He touched his ribs as if the bruising was still there, but of course the physical injuries were gone. Not so for Fabien, Jack thought, remembering the livid mark blooming on the

When you cement systems of operation, you can’t get out…even when you get to the top. It’s a myth to think you can escape the grind before learning to live in the present.

The fact is, too many people think they’ll be able to sacrifice their time now to get more later (time doesn’t work that way) only to find out that the systems they cemented over the years won’t allow them to leave without things falling apart.

There’s no doubt that a main obstacle to my progress is my physical condition. With such a body nothing can be achieved. I will have to get used to its perpetual failure. From the last few wildly dreamed-through but barely even snatchily slept-through nights I was so incoherent this morning, felt nothing but my forehead, saw a halfway bearable condition only far beyond the present one and in sheer readiness for death at one point would have liked to curl up with the documents in my hand on the cement tiles of the corridor. My body is too long for its weakness, it has not the least fat to generate a blessed warmth, to preserve inner fire, no fat on which the spirit might at some point nourish itself beyond its daily need without damage to the whole. How is the weak heart, which recently has often stabbed me, supposed to push the blood down the whole length of these legs. To the knee would be enough work, but then it is washed with only decrepit strength into the cold lower legs. But now it is already needed again up above, one waits for it while it dissipates down below. Due to the length of the body everything is pulled apart. What can it accomplish then, when perhaps even if it were compressed, it wouldn’t have enough strength for what I want to achieve.

You're mine, Solnyshko," Sasha said, tearing his mouth from mine and fixing me with one of his piercing looks, the kind that saw straight to my soul. "Yes?" I blinked and nodded, despite the fact that I was still trying to work out what, exactly, he was saying. "From now on, you are mine," he repeated in a growl. The words reverberated from his chest into mine, solidifying that they were real and not just my imagination. "No one else's. Do you understand?" "I'm yours," I agreed in a stunned whisper. He rewarded me with a dazzling smile, one so genuine it nearly stopped my heart. He cemented our agreement, or whatever it was, with another earth-shattering kiss. I had no idea what it meant to "be" Sasha's, but the thought was thrilling, another display of his primal possessiveness. To be wanted with such intensity was intoxicating. Infuriating at times, but intoxicating nonetheless. It might have been crazy — no, it was crazy and probably unhealthy and toxic and all the things I shouldn't want... but I did. I wanted Sasha and even if he never admitted it, I knew he wanted me just as much.

With a home out in the Springs he could leave his wife, their daughter Nancy (born 8 June 1940), son Frank Junior (10 January 1944) and Christina (10 June 1948) and take off for his Sunset Towers apartment in town and often the arms of actress Lana Turner or those of many other lovers. Marian Collier, who died in 2021, worked as a showgirl in Las Vegas before moving on to movies in Hollywood working with names like Marilyn Monroe. She was forthright about Sinatra’s need never to spend a night alone and told us: ‘For many years I rarely met another woman who hadn’t fucked Frank Sinatra. For most of us it wasn’t romantic, more of a tick on the to-do list. I certainly got on better with him after I slept with him but he could be a moody son of a bitch. Vindictive.’ And jealous. His antics brought attention and his friends didn’t like the spotlight; his future was cemented with the Mob; he’d laid his foundations.

This understanding is important because it provides a neurological foundation for why deliberate practice works. By focusing intensely on a specific skill, you’re forcing the specific relevant circuit to fire, again and again, in isolation. This repetitive use of a specific circuit triggers cells called oligodendrocytes to begin wrapping layers of myelin around the neurons in the circuits—effectively cementing the skill. The reason, therefore, why it’s important to focus intensely on the task at hand while avoiding distraction is because this is the only way to isolate the relevant neural circuit enough to trigger useful myelination. By

2. The total percentage of C2S and C3S in all types of Portland cements is around 70 per cent, so that even though the strength development of two cements at early stages may be different, the final strength obtained after long periods of time may not be different. However, removal of formwork, prestressing of concrete depends to a large extent on the early strength of concrete. 3. When producing low-heat Portland cement the percentage of C2S is increased and that of C3S and C3A is decreased. This type of cement is of particular use in construction of dams, massive foundation, etc. to reduce the production of heat. 4. Reducing C3A increases sulphate resistance but the 7 day and 28 day strengths also get lowered as compared to the ordinary Portland cement. Sulphate-resisting Portland cement has less than 5% C3A. This type of cement is recommended for sewer works. 5. Rapid hardening cements compared to ordinary cements have more or less the same composition except that the latter is more finely ground and may sometimes contain higher percentage of C3S. The increased fineness increases the 7 day strength.

was now over two million dollars, a nice little nest egg nobody knew about, not even his ex-wife. The $200,000 from Smith would simply be walking-around cash. The St. Paul police and the bureau suspected Smith had a partner when they took him down, but Smith never put Burton’s name in play. He took all the weight. When Smith was being sodomized in jail, when the bureau visited him, talking about how they could make his life easier if he just told them who he worked with, he didn’t give in, didn’t fold, and didn’t turn in his partner. Burton knew all this, tracking his partner’s incarceration, always worried he might break. He never did. Meanwhile, Burton moved to kidnapping and found his true calling within the bureau. When he brought home the daughter of one of New York’s wealthiest businessmen, taking down the kidnappers in a spectacular chase through the subway tunnels, his name and reputation were cemented. He published a book. Traveled the country speaking about his cases, and now performed training for the bureau. Retiring at the end of the year, he could expect to greatly enhance his wealth on the speaking circuit. Several prestigious colleges had inquired of his interest in teaching. His life was set. Then, four months ago Smith showed up on his doorstep. Burton owed him and there was no argument. His life was what it was because Smith never turned him in. Smith took all the heat, and Burton ended up with all the glory. Burton spent days and nights thinking of ways out of helping Smith. He offered up part of his nest egg. Smith wasn’t interested. Burton offered to put him in touch with people who would put him to work, let him earn a respectable living, start a new life, a comfortable life, a decent life. Smith wasn’t interested in any of that. He wanted one thing: he wanted Charlie Flanagan, and he didn’t just want to hurt him, he wanted to gut him. And Burton owed him. And if Burton refused, Smith would kill him. If he could just get through the next day, help Smith get what he wanted and get his crew theirs; he’d be free and clear. Smith would be gone. Burton could retire a happy and wealthy man. If Charlie Flanagan, Lyman Hisle, and their daughters had to pay the ultimate price for that—well, it was him or them. If that was the way it had to be, he’d

Talking and working with others is one of the best ways to cement new knowledge.

I went to Yong-hui and she pointed to the cement terrace where our crocks of condiments stood. Written in the cement was "Myong-hui likes Yong-su."It's been there ever since the house was built. Yong-hui smiled. That was the happiest time for us. Father and Mother had carried home rocks from a ditch. They'd made steps with them and cemented the walls. We were still young and couldn't do hard work. Even so, there was much to do. For several days we didn't go to school. Every day was fun. (Cho 2006: 54)

As a result of the threats, Dr. Tiller lived with US Marshal protection at various times in his life. In addition, Dr. Tiller wore a bulletproof vest to work, strategically took different routes on his way to the clinic, and usually drove in the right-hand lane because a security expert had told him this technique gave potential attackers fewer angles of approach.12 Dr. Tiller’s experiences with these constant threats, harassment, and attacks took place against a backdrop of increasing violence against abortion providers in the United States. Starting in the 1970s and escalating through the 1980s, abortion clinics regularly suffered bombings, arsons, and chemical weapon attacks committed by anti-abortion protesters. Protesters also developed intricate methods to physically blockade entrances to clinics, including chaining themselves underneath cars and placing their heads in cement blocks deposited in front of clinic doorways.

The Agat Institute was a God- and state-forsaken outfit inhabited by dead souls and a few disoriented live ones like Yekaterina, who was put to work developing software for the weapons-control system of a nuclear submarine.

Our beginnings as a married couple were unusual and cemented our relationship strongly. The hard work and meager means did not weaken our morale, for we felt confident of a better future for ourselves and the larger community around us. Had we not gone through the years of the war and the grave hardships - we, probably, would have felt despondent. After all, we were both thirty years old and rich in experiences, rough times behind us, completely devoid of any means and still looking ahead at rough times faced by an entire nation. The fact that the majority of the population were newcomers and none of us had a decent place to live in - made the situation easier to accept.

Two other men appeared behind Simpson, each holding a semi-automatic pistol aimed at the Chief of the Secret Intelligence Service. A couple of passengers standing nearby suddenly noticed the drawn weapons, and a woman began screaming. Instantly, it seemed, chaos erupted in that particular section of the terminal. People were running and shouting, desperate to get away from these armed men standing near the Air France desk. But Holbeche, Simpson and the two other men remained stationary, seemingly oblivious to what was going on all around them. Holbeche ignored the two armed men confronting him, and stared only at Simpson. ‘I’ve had a good run, Richard,’ he said. ‘Twenty-odd years — nearly a quarter of a century — working my way up through the ranks in the service, and at the same time cementing my position as the most important single asset the SVR has ever had. Did you know that they’ve already made me an honorary general at Yasenevo?’ ‘But now it’s all over,’ Simpson snapped. ‘You’ve nowhere to go.

I don’t know much about small boys except what I learned when I was a child having to cope with them on the playground: they are dangerous rascals who are always attempting death-defying feats like walking on porch railings, leaping from top steps onto cement sidewalks, and chasing balls into streets. And this one is no different.

On the afternoon of Saturday, August 4, 1934, Alagna approached a number of the crew and junior officers an hour before sailing time. He urged them to walk off. Clutching a copy of the Marine Workers’ Voice, the official organ of the Marine Workers International Union, the radioman tried to duplicate the success of the Diamond Cement’s crew. But by the time he had walked the length of the ship he had earned the enmity of Captain Wilmott and every senior officer. They looked on him as a saboteur, a dangerous radical willing to risk their livelihoods in an era when ships’ officers would sign on as watchmen to make a living. The deck crew was not much more sympathetic. Alagna’s conditions on board were undoubtedly better than theirs; most of them had nothing in common with the well-spoken college graduate and his talk of a confrontation with the men who paid their wages. The call to strike was a total failure. Captain Wilmott wanted to fire Alagna at once, but Ferson and Rogers intervened. They argued they could not work a constant radio watch between them. The Radiomarine Corporation said it was impossible to find a replacement at such short notice. So George Alagna was temporarily reprieved. But he was shunned by virtually all the officers and crew. The only exception was George White Rogers. The radio shack continued to be a center of ferment.

think the only way to avoid talking about your own loss is to do the project: focus on other people’s situations instead.’ Rachel sighed again. She couldn’t deny there was a certain logic to this. ‘And what about you?’ she asked. ‘I mean, asking to switch assignments won’t do you any favours in terms of your position here. This is a huge account and we both know you can bring it in – it would cement your celebrity status for good.’ Jack ignored her sarcasm. ‘I’m good at what I do. There’ll be plenty more chances for me to get this agency coveted, lucrative clients.’ Rachel pulled her hand out of his and crossed her arms. He was infuriatingly confident. ‘On the other hand …’ Jack said, ‘if we go ahead with Lighthouse, I’ll be with you, supporting you – and I’ll know the truth. And at least it sounds as if the content side of things won’t require too much soul-searching. It seems pretty clear Olivia Mason already knows what’s best when it comes to writing material for her new website.’ ‘True.’ Rachel stood up straighter and pulled her shoulders back a little. Jack was right: refusing to work on this account was guaranteed to raise questions about her past, not to mention her emotional stability. What kind of person was still this churned up about a bereavement – even a close one – after almost sixteen years? A loss they never breathed a word about, even to good friends? She decided to put those questions away for examination at some future, unspecified time. Then there was the risk that she’d mark herself out as difficult or unprofessional by refusing to do the work she’d been given. All things considered, it might be better to put her head down and get on with this. It would be a difficult few weeks, but ploughing on was probably preferable to publicly dredging up past pain. ‘Okay,’ Rachel said, subdued but certain. ‘Okay?’ ‘Yeah. I don’t think I have much choice here, do I? Sticking with the account seems like the lesser of two evils.’ ‘It’s going to be fine,’ Jack said bracingly. ‘And it’ll be over within a few weeks, just like the BHGH pitch. Once we get this done, we’ll be on to the next big thing – other people will be manning the account – and we never have to talk about any of this again if you don’t want to.’ Rachel nodded. Jack reached for her hand again, squeezing it and then letting go as they turned to walk back into the building. ‘Will you be all right?’ he asked as she headed towards the ladies. ‘I think so,’ she said. ‘And … I’m sorry I had a go at

INTERVIEWER: Do you do much rewriting? Wiper: I forget which of the great sonneteers said: “One line in the fourteen comes from the ceiling; the others have to be adjusted around it.” Well, likewise there are passages in every novel whosefirst writing is pretty much the last. But it’s the joint and cement, between those spontaneouspassages, that take a great deal of rewriting.

The eye of the movie camera is an evil eye. When you act in front of it, that cyclops keeps taking from you, until you feel empty. On the stage, you give something to the audience, more comes back. When the curtain comes down in a theater, you have a feeling of exhilaration - something's been completed, fulfilled. It's so different from an exhausting day of shooting at the studio. You come home tired, drained. Making a =movie is like making a mosaic - laboriously putting little pieces together, jumping from one part of the picture to another, never seeing the whole, whereas in a ply, the momentum of the continuity works with you, takes you along. Doing a play is like dancing to music. Making a movie is like dancing in wet cement.

Burn till you turn to cinders. Your ashes are the cement that'll stabilize the universe.

The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked there heads when the get out of line and squabbled with the wife about how much spending money they were to get and what programs the could have on the radio or TV set. I might even have got rich -small town rich- an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with cast iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.

As psychologists, Ericsson and the other researchers in his field are not interested in why deliberate practice works; they’re just identifying it as an effective behavior. In the intervening decades since Ericsson’s first major papers on the topic, however, neuroscientists have been exploring the physical mechanisms that drive people’s improvements on hard tasks. As the journalist Daniel Coyle surveys in his 2009 book, The Talent Code, these scientists increasingly believe the answer includes myelin—a layer of fatty tissue that grows around neurons, acting like an insulator that allows the cells to fire faster and cleaner. To understand the role of myelin in improvement, keep in mind that skills, be they intellectual or physical, eventually reduce down to brain circuits. This new science of performance argues that you get better at a skill as you develop more myelin around the relevant neurons, allowing the corresponding circuit to fire more effortlessly and effectively. To be great at something is to be well myelinated. This understanding is important because it provides a neurological foundation for why deliberate practice works. By focusing intensely on a specific skill, you’re forcing the specific relevant circuit to fire, again and again, in isolation. This repetitive use of a specific circuit triggers cells called oligodendrocytes to begin wrapping layers of myelin around the neurons in the circuits—effectively cementing the skill. The reason, therefore, why it’s important to focus intensely on the task at hand while avoiding distraction is because this is the only way to isolate the relevant neural circuit enough to trigger useful myelination. By contrast, if you’re trying to learn a complex new skill (say, SQL database management) in a state of low concentration (perhaps you also have your Facebook feed open), you’re firing too many circuits simultaneously and haphazardly to isolate the group of neurons you actually want to strengthen.

When I see a flight of stairs, I simply cannot forget how the cement cycle works, and a wall of windows can't keep me from thinking about how the scaffolding was put up. I can't pretend not to think of it. I can't see the wall without thinking about the trowel and mortar.

I spent several months working with him, and did it in a more structured manner than previously—having, in the interim, developed the tools to do so. This client could only communicate a little at the beginning of our work together, but that was enough to start the ball rolling. Some girl at the college had developed a crush on him. He informed her that her romantic interest was not reciprocated. She became exceedingly vindictive, and set out to make his life hell. She spread rumors about his sexual habits. She encouraged some of her male friends to physically threaten him at school. She had people on hand to humiliate him constantly and unmercifully in transit to and from campus. Noting his distress, his parents alerted the school, but nothing was done to stop the ongoing torment. Unable or unwilling to tolerate the mounting peer pressure, the friends he had only recently made began to avoid and then entirely abandoned him. He began to break down, and as his behavior became stranger, his outcast status was cemented into place. And he broke.

The destruction of democratic institutions, places where the citizen has agency and a voice, is far graver than the ascendancy to the White House of the demagogue Trump. The coup destroyed our two-party system. It destroyed labor unions. It destroyed public education. It destroyed the judiciary. It destroyed the press. It destroyed academia. It destroyed consumer and environmental protection. It destroyed our industrial base. It destroyed communities and cities. And it destroyed the lives of tens of millions of Americans no longer able to find work that provides a living wage, cursed to live in chronic poverty or locked in cages in our monstrous system of mass incarceration. This coup also destroyed the credibility of liberal democracy. Self-identified liberals such as Bill and Hillary Clinton and Barack Obama mouthed the words of liberal democratic values while making war on these values in the service of corporate power. The revolt we see rippling across the country is a revolt not only against a corporate system that has betrayed workers, but also, for many, liberal democracy itself. This is very dangerous. It will allow the radical right to cement into place an Americanized fascism.

By focusing intensely on a specific skill, you’re forcing the specific relevant circuit to fire, again and again, in isolation. This repetitive use of a specific circuit triggers cells called oligodendrocytes to begin wrapping layers of myelin around the neurons in the circuits—effectively cementing the skill.

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Those who regard craft as a euphemism for elitism overlook the fact that craftsmanship need not be precious or effete; it can be practical, simple, an everyday thing: a well-made table, a sturdy chair, a butcher or tailor or travel agent who knows his or her business. A bricklayer or carpenter or teacher, a musician or salesperson, a writer of computer code—any and all can be craftsmen. Craftsmanship cements a relationship of trust between buyer and seller, worker and employer, and expects something of both. It is about caring about the work and its application. It is what distinguishes the work of humans from the work of machines, and it is everything that IKEA and other discounters are not.

Panic is panic, Clara would have liked to explain: words are a finicky, miserly fiction, a trap that hides organic chaos behind a false dramaturgy of order. Perhaps that’s why she liked correcting her students’ texts, working with neat and normalized writing: because it was better to set your feet on the cement of verbal logic than lie naked in the ocean of your own mind.

Reported in newspapers throughout Europe, the jubilee cemented the connection between Shakespeare and Stratford and marked the formal beginning of the town’s tourist industry. No Shakespeare play was actually performed over the course of the three-day festival. In fact, not a single line of Shakespeare’s writings was spoken. The works were drowned out in the frenzy of national celebration. It was what “Shakespeare” signified—the veneration of Shakespeare as, in Garrick’s words, “blest genius of the isle”—that dominated the jubilee, for if the eighteenth century was an age of skepticism, it was also an age of rising nationalism.

This understanding is important because it provides a neurological foundation for why deliberate practice works. By focusing intensely on a specific skill, you’re forcing the specific relevant circuit to fire, again and again, in isolation. This repetitive use of a specific circuit triggers cells called oligodendrocytes to begin wrapping layers of myelin around the neurons in the circuits—effectively cementing the skill. The reason, therefore, why it’s important to focus intensely on the task at hand while avoiding distraction is because this is the only way to isolate the relevant neural circuit enough to trigger useful myelination.

Mr. Armstrong as usual let the argument go rogue for a long while. But, he finally said. Didn’t we wonder why there’s nothing else doing around here, in the way of paying work? Our general thinking was that God had made Lee County the butthole of the job universe. “It wasn’t God,” he said. Just ticked off enough for his accent to give him away. I remember that day like a picture. Mr. Armstrong in his light-green shirt, breaking a sweat. We all were. It’s May, there’s no AC, and even the two cement bulldogs out front probably have their tongues hanging out. Every soul in the long brick box of Jonesville Middle wishing they could be someplace else. Except for Mr. Armstrong, determined to hold us there in our seats. “Wouldn’t you think,” he asked us, “the miners wanted a different life for their kids? After all the stories you’ve heard? Don’t you think the mine companies knew that?” What the companies did, he told us, was put the shuthole on any choice other than going into the mines. Not just here, also in Buchanan, Tazewell, all of eastern Kentucky, these counties got bought up whole: land, hospitals, courthouses, schools, company owned. Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn.

Chapter One Outside Buchanan School. 7:50 AM. Stupid ideas don’t seem so stupid when you’re about to go through with the stupid idea. Really stupid ideas shine brighter the second they enter your brain. Like, “Hey, man, you prob’ly shouldn’t do what you’re about to do!” I like to think of a field of kittens when that happens… makes it easier to ignore my common sense. Ahhhhh… field kittens. My name is Max… and I was about to do something really stupid. The air smelled of freshly cut grass as birds chirped from trees full of leaves. I took a deep breath as I stalled, hoping a meteor would crash into the planet so I wouldn’t have to go through with the thing. Kids just getting to school lined the sidewalk, curious about what was happening. I squeezed the handlebars of my bike, listening to the sound of tightening rubber under my fingers. “Max, you okay?” Beck, my best friend, said from somewhere. I didn’t know where exactly since fear was making everything blurry. I shook my head to clear the fog. “Never been better,” I said. “Are… are the thrusters working?” It took him a second to answer. “I’unno. I never tested ‘em.” I nodded bravely like a hero who was about to meet his maker. “Nice.” It became blazingly obvious that the world wasn’t going to end anytime over the next few seconds, which meant I was gonna have to perform the stunt that everyone was waiting to see. The stunt wasn’t anything crazy – just a kid jumping his bike over the bike rack filled with other bikes. In front of the bike rack was a cement lip that curved at the bottom, making a nice little ramp that everyone joked about jumping their bike off of. I was about to be the kid that did it. Easy enough, right? Well, my buddy, Beck, thought it’d be epic if I attached some thrusters to the back of my bike. No rocket fuel or flames – just a couple of cans of ultra-compressed air that would fire when I flipped the switch. It was a rig he built himself – that was kind of Beck’s specialty. Jumping the rack was a stunt that I’d been working on for weeks. I knew I wanted to do it because of all the kids who hadn’t done it before. And I was gonna nail it, and the whole school – no, the whole school district – no… the whole city was gonna talk about it when it was done.

A thing that corrupts N’s worldview is his own demonic energy, which is what socalled greatness may in fact reduce to. He’s unnatural. He can work six hours flagstoning or paving, scabs of cement stuck all over his body, a bite to eat, into the bathing engine, and he’s all set to work late into the night reading and writing and using his abacus.

Of course, a few successful black people also do very little to alter the race– class dynamics of the UK and can even help to cement it. These successes can and will be used – even sometimes by the ‘middle class’ respectable black people themselves – to beat other poor people that ‘didn’t make it’ over the head. They can be used to pretend that the system is just and there are enough seats at the table – ‘if you just work hard and pull your socks up you can be like me’ – rather than simply being honest about the way things actually work. Most people, it seems to me at least, hate poor people more than they hate poverty.

What do you get if you cross a chicken with a cement mixer? A brick-layer. **** Who invented fractions? Henry the 1/8th. **** How does Jack Frost get to work? By icicle. **** What do you call two robbers? A pair of knickers. **** There is a story that the noted linguist JL Austin was giving a lecture in which he stated: "Two negatives can make a positive but two positives can never make a negative." A voice from the lecture hall goes: "Yeah, yeah." **** Where does Santa work out? Down the gymney. **** Two planets meet. The first asks: "So, how are you?" The second answers: "Well, I'm sick, I've got Homo Sapiens." The first replies: "Oh, I know that one. No worries, it'll pass." ****