“
Fiona MacLeod provided a particular and peculiar atmosphere of twilit gloom, grim despair, and beauty laden with defeat. Despite the theatrical props and pretences, he was not making it all up, but articulating a genuine psychic affliction. The manner is both excessive and limiting - poetry which continually recreates a single mood by means of a litany of repeated words such as 'sorrow', 'beauty', 'grey', 'old', 'dream', 'pale' and 'sighing'. In one essay Fiona describes the Celtic spirit as a 'rapt pleasure in what is ancient and in the contemplation of what holds an indwelling melancholy; a visionary passion for beauty, which is of the immortal things beyond the temporary beauty of what is mutable and mortal...' Apart from the prose itself, which seems blown up with a bicycle pump, I'm nor sure if he knows what he means. What are these 'immortal things'? One sharp definition would destroy the misty fabric altogether.
”
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J.B. Pick (The Great Shadow House: Essays on the Metaphysical Tradition in Scottish Fiction)