Celestial Moon Quotes

We've searched our database for all the quotes and captions related to Celestial Moon. Here they are! All 100 of them:

I? I walk alone; The midnight street Spins itself from under my feet; My eyes shut These dreaming houses all snuff out; Through a whim of mine Over gables the moon's celestial onion Hangs high.
Sylvia Plath
Some scars are carved into our bones - a part of who we are, shaping what we become.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
We should appreciate the flower, regardless of its roots.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Why would you want to look like her? Why would a falcon want to be a nightingale?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Everyone has their own troubles; some lay them bare while others hide them better.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
I hated him now because I had loved him then.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
The moon is the friendliest of the celestial bodies, after all, glowing warm and white and welcoming, like a friend who wants only to know that all of us are safe in our narrow worlds, our narrow yards, our narrow, well-considered lives. The moon worries. We may not know how we know that, but we know it all the same: that the moon watches, and the moon worries, and the moon will always love us, no matter what.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
A glorious future beckoned on the horizon. Yet I still clung to a shred of my past, as a flowering peach blossom tree yearning for its fallen bloom.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
What use were adventures when there was no one to share them with?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
Never did I imagine such luminous joy existed, and never again would I be content to remain in the shadows.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
I had always thought life was a road, twisting and turning with the vagaries of fate. Luck and opportunity, gifts beyond our control. As I gazed across the endless night, it dawned on me then, that our paths were forged from the choices we made. Whether to reach for an opportunity or to let it pass by. To be swept up with changed or to hold your ground.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Why was it that the times which called for greatest strength were when we were at our weakest?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more. The rainbow comes and goes, And lovely is the rose; The moon doth with delight Look round her when the heavens are bare; Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where’er I go, That there hath past away a glory from the earth.
William Wordsworth (Ode: Intimations of Immortality from Recollections of Early Childhood)
My path, which had seemed a straight road, had taken a turn into the wilderness—and I was lost.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
I was no longer a child willing to drift with the ride - I would steer against the current if I had to. and if I won, by some miraculous stroke of luck, I would never be helpless again.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
But we could not keep hiding and burying our hurt, especially from those we loved. I had learned that through the pain lay forgiveness, growth, and the eventual healing of our wounds.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
I would not yearn after what had been lost, impossible to regain. I would look to the days ahead, to the happiness which awaited me there... if only I were brave and steadfast enough to reach for it.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
As long as you are mine as I am yours, we have all the time in the world.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
Titles are inherited, talent might be blood-bound, but true greatness lies within.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
I’ve swapped disco lights for celestial lights but I’m still surrounded by dancers. I am orbited by sixty-seven moons.
Amy Liptrot (The Outrun)
Some scars are carved into our bones—a part of who we are, shaping what we become.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
I do care," he ground out. "despite my sense, my judgement and honor - I cannot help but care.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
You'll never grow if you only do what you're good at... The most difficult things are often the most worth while.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
When we met, I felt there were no walls between us. That you were someone I could speak freely with. I’d like us to be friends, if you want that, too?” he asked gently.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
The First, then, should be compared to light, the next [Spirit or Intellect] to the sun, and the third [soul] to the celestial body of the moon, which gets its light from the sun. (V-6-4)
Plotinus (The Enneads)
Was closing one's heart to love - all love - the only way to contentment? Had I not imagined so myself, during those long months of misery? Indeed, my darkest moments were when I had left my loved ones. And yet... the happiest times of my life had been with them too.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
SUN, MOON, AND STARRY SKY Early summer evenings, when the first stars come out, the warm glow of sunset still stains the rim of the western sky. Sometimes, the moon is also visible, a pale white slice, while the sun tarries. Just think -- all the celestial lights are present at the same time! These are moments of wonder -- see them and remember.
Vera Nazarian (The Perpetual Calendar of Inspiration)
When the battle lines are drawn, advance with a clear mind.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Dark night knows what full moon requires When all your love my heart acquires Celestial bodies no more faded Life makes sound; silence invaded
Munia Khan
They were beautiful, yet something vital in them had been lost. Once you had seen the full moon, the crescent lost its charm.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Those nights when my pain was at its sharpest, it would have been so easy to slide into resentment and hatred. Yet as much as I loved him, I loved myself more. And as I was discovering, there was no end to love- it was something which grew and renewed endlessly, expanding to encompass each new horizon. Family. Friends. And other lovers, too - nove of them the same - yet each so precious in their own way.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
There are things I want which you know nothing of. I do have my own dreams.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Was this where all paths to love led? Heartbreak, whether through separation, betrayal, or death? Was the fleeting joy worth the sorrow that came after?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Those most trusted could still let you down, even when they did not mean to—a lesson I had learned with Liwei, and one I learned well.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
Every moon, sun, comet, planet, and star is itself a center, and exerts its own force upon all the rest. Nothing in the universe stands alone.
Olivia Waite (The Lady's Guide to Celestial Mechanics (Feminine Pursuits, #1))
How dark the night that stretched before us, yet ablaze with the light of the moon and stars, it felt as bright as day.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
My fingers clenched around the cup as I lifted it in a toast. "May you always be happy." His gaze rested on me. "If I'm always as happy as I am now, that would be the best wish of all.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
As punishment, I was exiled to the moon—an enchantment cast upon me which binds me here for eternity. I cannot leave this place, no matter how much I want to.” In a low voice, she added, “A palace you cannot escape is a prison nonetheless.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
You’ll never grow if you only do what you’re good at,” she had said. “The most difficult things are often the most worthwhile.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
I will never be free of my sorrow. And yet, I would do it again, even knowing all which came after. Because it meant I had you.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
No matter what is happening, keep a clear mind to judge when to use your power for greatest impact. But don’t hesitate to use it when necessary.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
The sun, moon, and stars God gave to the world, but He embedded their glories in your countenance just for me. Woven in your hair are the sun's shimmering golden rays. From your face glows the pale luminescence of the moon. And in your eyes God sprinkled a million stars to twinkle against a backdrop of endless night. You are my celestial light.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe (The Raven and Other Poems)
Yet as much as I loved him, I loved myself more. And as I was discovering, there was no end to love-it was something which grew and renewed endlessly, expanding to encompass each new horizon. Family. Friends. And other lovers, too-none of them the same- yet each precious in their own way.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Then the whole range, much nearer now, paled into fresh splendor; a full moon rose, touching each peak in succession like some celestial lamplighter, until the long horizon glittered against a blue-black sky.
James Hilton (Lost Horizon)
Memories of our time together flashed before my mind: our years of friendship, our few stolen days of love. Then the candle flame flickered, struggling for its final seconds of life before curling into a wisp of smoke … the room now enveloped in darkness.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
My father slew the suns. My mother lights the moon.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
a few words spoken beneath the moon, love may be, but I write your name in the celestial dust that lingers in the air, above the veilchenblau roses, callow and pale
John Daniel Thieme (the ghost dancers)
As for him, he had learned his lesson better than I had, pursuing her with unwavering dedication, risking everything, even choosing her life over his.
Sue Lynn Tan (Tales of the Celestial Kingdom (The Celestial Kingdom, #2.5))
I'm no lovesick puppet, begging for a morsel of affection. I have my own dreams, my own principles, my own honor to uphold.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Those in love often make promises they can’t keep,
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
We each had our own burdens to bear and we alone knew their true cost, and whether we could pay it.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Daughter, you are mortal-born, yet immortality flows in your veins. Your home should be here, yet you live on the moon. You, more than anyone, should have learned that nothing is impossible.
Sue Lynn Tan (Heart of the Sun Warrior (The Celestial Kingdom Duology, #2))
To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!
Edgar Allan Poe
My future stretched before me, lonely and bleak—a lifetime of servitude without hope of betterment. An unwanted tear welled up in the corner of my eye. I had learned to swallow them, inhaling sharply or blinking them away. But as I was alone, I let it trail down my cheek.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
It’s not the same,” I ground out. “You’ve taken away their freedom to choose, to judge on their own. To compel them to acts they might rather die than commit.” I fixed him with a scornful stare, even as I shrank away inside. “But no enchantment is unbreakable. You’ll pay when they break free.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology #1))
I would not taint today with the doubts of tomorrow or fears of the past.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Why would a falcon want to be a nightingale?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Not every battle could be won with brute force; sometimes it was water that could wear down stone.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Never again would I be content to remain in the shadows.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
The light in his eyes rivaled that of the moon. “I would give it all up for you, if you would only ask.
Sue Lynn Tan (Heart of the Sun Warrior (The Celestial Kingdom Duology, #2))
Astrology is for those bored by astronomy, but fascinated with themselves.
William Least Heat-Moon (Celestial Mechanics: A Tale for a Mid-Winter Night)
You were the sun to my moon. But to you? I was just another celestial body in a sky full of stars.
ka.ya
Yet as much as I loved him, I loved myself more. And as I was discovering, there was no end to love—it was something which grew and renewed endlessly, expanding to encompass each new horizon. Family. Friends. And other lovers, too—none of them the same—yet each precious in their own way.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
no simple mechanism could do the job as well or better. It might simply be that nobody has yet found the simpler alternative. The Ptolemaic system (with the Earth in the center, orbited by the Sun, the Moon, planets, and stars) represented the state of the art in astronomy for over a thousand years, and its predictive accuracy was improved over the centuries by progressively complicating the model: adding epicycles upon epicycles to the postulated celestial motions. Then the entire system was overthrown by the heliocentric theory of Copernicus, which was simpler and—though only after further elaboration by Kepler—more predictively accurate.63 Artificial intelligence methods are now used in more areas than it would make sense to review here, but mentioning a sampling of them will give an idea of the breadth of applications. Aside from the game AIs
Nick Bostrom (Superintelligence: Paths, Dangers, Strategies)
I helped you because I liked you. You speak your mind, you take pride in yourself. You’re honest in what you want, and fearless in reaching for it. You don’t pretend to be someone else around me. And while you didn’t know who I was then, that holds true even now.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
What we do is not a reflection of who we are.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Why are you here?" "Curiosity. I wanted to meet my replacement," I said with a flippancy which fell flat. "Who could have taken your place?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
There is no greater unity than a common danger.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
He had claimed he cared for me, and then taken everything I held dear. If this was his love, I did not want it.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
We cannot control what others fear.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Some knowledge beats in our hearts, while others are learned by the body and mind.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
Why did I fall in love with someone who takes such pleasure in grinding my pride into the dust?” My lips parted in disbelief.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
A palace you cannot escape is a prison nonetheless.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
I was no longer a child willing to drift with the tide-I would steer against the current if I had to.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
Being an attendant doesn’t mean I don’t have my pride. The work I do is not a reflection of who I am.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
My lifeforce surging free, running through my veins life a river undammed. Strong, indomitable, roiling with power. Brighter than the infinite stars, more luminous than the moon.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
My heart is yours; it has always been yours,” he said.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
Trust was something I had learned not to readily yield. Yet my joy could not be restrained - surging free, spilling through me like the rays of the sun reaching across the infinite sky.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
But I did not stop, my lifeforce surging free, running through my veins life a river undammed. Strong, indomitable, roiling with power. Brighter than the infinite stars, more luminous than the moon.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
How foolish I had been to think everything would work out, just like in the books I had read: the lost child found by his mother, the monster defeated by a valiant warrior, the princess saved by the prince. But I was no princess and fairy tales did not exist for the likes of me, not even in heaven.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
I would not yearn after what had been lost, impossible to regain. I would look to the days ahead, to the happiness which awaited me there . . . if only I were brave and steadfast enough to reach for it.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
He had dreamt about a dark-haired foreign boy. This boy held the key to the undoing of their demise. He had carried his curse for too long. Time was short, the alignment was coming. The vivid dream had spoken to him about Florence. As the sun overshadowed the top of the open-air coliseum, the light briefly hit his three golden symbols. He would need to cover them before he was spotted. Glancing around, he found what he needed. He rolled through the mud until he was coated. On the outside, he was Celestial KittyCat — a black, scrappy, alley cat with a golden brand on his side. A brand of a sun, a star, and a moon all in alignment. On the inside, he was still Patrick, and his heart still yearned for CallaLyly. He scowled as he thought about the curse that was planted by a mystic from the Far East over two and a half centuries ago.
Mary K. Savarese (The Girl In The Toile Wallpaper (The Star Writers Trilogy, #1))
If we do not require a calendar to be geared to a tropical year (earth's orbit), but only that it be geared to some part of the celestial clock, then the Maya calendar was more accurate than the Julian calendar, more accurate than the Babylonian (solar-lunar) calendar; it intermeshed the "gear wheels" of Sun, Moon and Venus, and was based on a more accurate "gear ratio" than the other calendars, repeating itself only once in 52 years.
Petr Beckmann (A History of π)
Never had my home seemed more beautiful than in this moment when I was pressing each curve, each stone into my mind. The thousand lanterns illuminated the soil, the silver roof tiles reflected the stars. And on the balcony where I had stared at the world below, there stood a slender figure in white.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom Duology, #1))
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
While he watched the far-removed landscape a tawny stain grew into being on the lower verge--the eclipse had begun. This marked a preconcerted moment--for the remote celestial phenomenon had been pressed into sublunary service as a lover's signal. Yeobright's mind flew back to earth at the sight; he arose, shook himself and listened. Minute after minute passed by, perhaps ten minutes passed, and the shadow on the moon perceptibly widened. He heard a rustling on his left hand, a cloaked figure with an upturned face appeared at the base of the Barrow, and Clym descended. In a moment the figure was in his arms, and his lips upon hers.
Thomas Hardy (Far From the Madding Crowd)
Once again, the celestial wheel had turned, ushering in a new beginning. In those earliest days, the great I am was the what you can become, and the people of rose river were radiant reflecting the light of the stars in his eyes. With his coat of many colors, he had painted the world in his own image, upon the infinite ocean of time that has no meaning. And when the moon was full, he cultivated a beautiful garden, from whence, with ecstasy's cry, she brought forth the water of life.
Sun Moon (The light of the stars in their eyes)
Were you afraid?" "All the time." Some might think me a coward, but I felt no shame in admitting it. I was not one of those valiant heroes who plunged into danger so fearlessly. I had been terrified of getting hurt, of failure, and most of all - of death. To never see my mother again, or my loved ones. To regret all the things left unsaid or undone. To leave my life... unlived. I had been lauded for my bravery, yet I knew the truth - that I had done these things despite my fear. Because not doing them frightened me more.
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
August is the Sun. Me and Mom and Dad are planets orbiting the Sun. The rest of our family and friends are asteroids and comets floating around the planets orbiting the Sun. The only celestial body that doesn’t orbit August the Sun is Daisy the dog, and that’s only because to her little doggy eyes, August’s face doesn’t look very different from any other human’s face. To Daisy, all our faces look alike, as flat and pale as the moon.
R.J. Palacio (Wonder)
It was while gliding through these latter waters that one serene and moonlight night, when all the waves rolled by like scrolls of silver; and, by their soft, suffusing seethings, made what seemed a silvery silence, not a solitude; on such a silent night a silvery jet was seen far in advance of the white bubbles at the bow. Lit up by the moon, it looked celestial; seemed some plumed and glittering god uprising from the sea. Fedallah first descried this jet. For of these moonlight nights, it was his wont to mount to the main-mast head, and stand a look-out there, with the same precision as if it had been day. And yet, though herds of whales were seen by night, not one whaleman in a hundred would venture a lowering for them. You may think with what emotions, then, the seamen beheld this old Oriental perched aloft at such unusual hours; his turban and the moon, companions in one sky. But when, after spending his uniform interval there for several successive nights without uttering a single sound; when, after all this silence, his unearthly voice was heard announcing that silvery, moon-lit jet, every reclining mariner started to his feet as if some winged spirit had lighted in the rigging, and hailed the mortal crew. “There she blows!” Had the trump of judgment blown, they could not have quivered more; yet still they felt no terror; rather pleasure. For though it was a most unwonted hour, yet so impressive was the cry, and so deliriously exciting, that almost every soul on board instinctively desired a lowering.
Herman Melville
Agile Soffits: Sacred Defoliacity” Moon! Crown of an immense head, which you keep shedding in golden shadows! Red crown of a Jesus who thinks tragically sweet of emeralds! Moon! Maddened celestial heart —why are you rowing like this, inside the cup full of blue wine, toward the west, such a defeated and aching stern? Moon! And by flying off in vain, you holocaust into scattered opals: perhaps you are my gypsy heart wandering the blue weeping verses!
César Vallejo (The Complete Poetry)
A horoscope is a specific map, or picture, of the heavens that is cast for the date, time, and location of your birth. The positions of the sun, moon, and planets, as well as the sign that hovers at the horizon, are all placed around the wheel of the zodiac to reveal the intricate mathematical relationships that portray your personal blueprint and potential for development. This map can reveal your physical, mental, emotional, and spiritual gifts and challenges, and you are always free to grow and change, according to your own volition. Also noteworthy are the nodal points, or the locations where the path of Earth and the path of the moon intersect, forming what is known as the “head and tail of the sky dragon,” or the north and south nodes. The location of the celestial dragon in a chart is of utmost importance, for it indicates the direction in which you are moving to achieve the fulfillment of your personal destiny, as well as the place in the past that you are emerging from. Once you are born into physical reality, you unfold your life within an imprint of cosmic energy that embodies a plan of intent and purpose, a plan designed and approved by you. Throughout
Barbara Marciniak (Path of Empowerment: New Pleiadian Wisdom for a World in Chaos)
Big Bang, Shooting Star, Blazing Fire If this is darkness, then I will be the light. I will be the crashing supernova. If this is darkness, I will howl at it until the moon awakens. Until the stars roar back. Until the sun and the seas and everything in between scream to burn the skeletons away. I know there is ugliness hiding within the light. I know the monsters beneath my bed won’t disappear with the dawn. But it is enough to see them, wretched little beasts, to look them straight in the eyes and say, I will not run from my sins. I am more than my ghosts. I am better than the dark parts of me.
Venetta Octavia (Prelude to Light (Celestial Bodies Poetry Series Book 4))
What You Should Know to be a Poet" all you can know about animals as persons. the names of trees and flowers and weeds. the names of stars and the movements of planets and the moon. your own six senses, with a watchful elegant mind. at least one kind of traditional magic: divination, astrology, the book of changes, the tarot; dreams. the illusory demons and the illusory shining gods. kiss the ass of the devil and eat sh*t; fuck his horny barbed cock, fuck the hag, and all the celestial angels and maidens perfum’d and golden- & then love the human: wives husbands and friends children’s games, comic books, bubble-gum, the weirdness of television and advertising. work long, dry hours of dull work swallowed and accepted and lived with and finally lovd. exhaustion, hunger, rest. the wild freedom of the dance, extasy silent solitary illumination, entasy real danger. gambles and the edge of death.
Gary Snyder
I'd finally reached the end of myself, all my self-reliance and denial and pride unraveling into nothingness, leaving only a blank Alison-shaped space behind. It was finished. I was done. But just as I felt myself dissolving on the tide of my own self-condemnation, the dark waves receded, and I floated into a celestial calm. I saw the whole universe laid out before me, a vast shining machine of indescribable beauty and complexity. Its design was too intricate for me to understand, and I knew I could never begin to grasp more than the smallest idea of its purpose. But I sensed that every part of it, from quark to quasar, was unique and - in some mysterious way - significant. I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a peircing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase - nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace not, I was not worthless. Nor was I alone. God help me, I prayed as I gathered up my raw and weary sense, flung them into the wormhole - And at last, found what I'd been looking for.
R.J. Anderson (Ultraviolet (Ultraviolet, #1))
A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn
Numi Who
I wished upon the moon one night, bewitched by how it shone so white. While staring up with some excite my eyes beheld a wondrous sight!  The moon so lustrous and white transformed into an armored knight who caused me just a moments fright when he jumped down from such a height.  No more a soft, celestial light, he was my lover, day and night.   This caused the world a serious plight.  How harsh a sting and deep the bite inflicted on the world, alright, to lose their blackest-hour light.   And so I've come to set things right, to offer up without a fight my lover wished for one clear night.  I hold him close.  He hugs me tight, then climbs again to heaven's height to glow a bluer shade of bright.  I stare at my beloved knight, not wanting to be impolite, and in my heart with all my might I wish a wish that isn't right.   Now and then the world still spites a shadowless and moonless night when we steal softly out of sight to hold each other 'til daylight and share in lovers true delight.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
In a sky swarming with uncountable stars, clouds endlessly flowing, and planets wandering, always and forever there has been just one moon and one sun. To our ancestors, these two mysterious bodies reflected the female and the male essences. From Iceland to Tierra del Fuego, people attributed the Sun’s constancy and power to his masculinity; the Moon’s changeability, unspeakable beauty, and monthly cycles were signs of her femininity. To human eyes turned toward the sky 100,000 years ago, they appeared identical in size, as they do to our eyes today. In a total solar eclipse, the disc of the moon fits so precisely over that of the sun that the naked eye can see solar flares leaping into space from behind. But while they appear precisely the same size to terrestrial observers, scientists long ago determined that the true diameter of the sun is about four hundred times that of the moon. Yet incredibly, the sun’s distance from Earth is roughly four hundred times that of the moon’s, thus bringing them into unlikely balance when viewed from the only planet with anyone around to notice.22 Some will say, “Interesting coincidence.” Others will wonder whether there isn’t an extraordinary message contained in this celestial convergence of difference and similarity, intimacy and distance, rhythmic constancy and cyclical change. Like our distant ancestors, we watch the eternal dance of our sun and our moon, looking for clues to the nature of man and woman, masculine and feminine here at home.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
The Sumerian pantheon was headed by an "Olympian Circle" of twelve, for each of these supreme gods had to have a celestial counterpart, one of the twelve members of the Solar System. Indeed, the names of the gods and their planets were one and the same (except when a variety of epithets were used to describe the planet or the god's attributes). Heading the pantheon was the ruler of Nibiru, ANU whose name was synonymous with "Heaven," for he resided on Nibiru. His spouse, also a member of the Twelve, was called ANTU. Included in this group were the two principal sons of ANU: E.A ("Whose House Is Water"), Anu's Firstborn but not by Antu; and EN.LIL ("Lord of the Command") who was the Heir Apparent because his mother was Antu, a half sister of Anu. Ea was also called in Sumerian texts EN.KI ("Lord Earth"), for he had led the first mission of the Anunnaki from Nibiru to Earth and established on Earth their first colonies in the E.DIN ("Home of the Righteous Ones")—the biblical Eden. His mission was to obtain gold, for which Earth was a unique source. Not for ornamentation or because of vanity, but as away to save the atmosphere of Nibiru by suspending gold dust in that planet's stratosphere. As recorded in the Sumerian texts (and related by us in The 12th Planet and subsequent books of The Earth Chronicles), Enlil was sent to Earth to take over the command when the initial extraction methods used by Enki proved unsatisfactory. This laid the groundwork for an ongoing feud between the two half brothers and their descendants, a feud that led to Wars of the Gods; it ended with a peace treaty worked out by their sister Ninti (thereafter renamed Ninharsag). The inhabited Earth was divided between the warring clans. The three sons of Enlil—Ninurta, Sin, Adad—together with Sin's twin children, Shamash (the Sun) and Ishtar (Venus), were given the lands of Shem and Japhet, the lands of the Semites and Indo-Europeans: Sin (the Moon) lowland Mesopotamia; Ninurta, ("Enlil's Warrior," Mars) the highlands of Elam and Assyria; Adad ("The Thunderer," Mercury) Asia Minor (the land of the Hittites) and Lebanon. Ishtar was granted dominion as the goddess of the Indus Valley civilization; Shamash was given command of the spaceport in the Sinai peninsula. This division, which did not go uncontested, gave Enki and his sons the lands of Ham—the brown/black people—of Africa: the civilization of the Nile Valley and the gold mines of southern and western Africa—a vital and cherished prize. A great scientist and metallurgist, Enki's Egyptian name was Ptah ("The Developer"; a title that translated into Hephaestus by the Greeks and Vulcan by the Romans). He shared the continent with his sons; among them was the firstborn MAR.DUK ("Son of the Bright Mound") whom the Egyptians called Ra, and NIN.GISH.ZI.DA ("Lord of the Tree of Life") whom the Egyptians called Thoth (Hermes to the Greeks)—a god of secret knowledge including astronomy, mathematics, and the building of pyramids. It was the knowledge imparted by this pantheon, the needs of the gods who had come to Earth, and the leadership of Thoth, that directed the African Olmecs and the bearded Near Easterners to the other side of the world. And having arrived in Mesoamerica on the Gulf coast—just as the Spaniards, aided by the same sea currents, did millennia later—they cut across the Mesoamerican isthmus at its narrowest neck and—just like the Spaniards due to the same geography—sailed down from the Pacific coast of Mesoamerica southward, to the lands of Central America and beyond. For that is where the gold was, in Spanish times and before.
Zecharia Sitchin (The Lost Realms (The Earth Chronicles, #4))