Terrible Father Quotes

We've searched our database for all the quotes and captions related to Terrible Father. Here they are! All 200 of them:

The surface of the pond was green with fallen leaves. "How could you have been happy there? I know what you thought, but Valentine was a terrible father. He killed your pets, lied to you, and I know he hit you- don't even try to pretend he didn't." A flicker of a smile ghosted across Jace's face. "Only on alternate Thursdays.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I'm afraid not." Hades sighed. "My son here convinced me that perhaps I should prioritize my list of enemies." He glared at me with distaste. "As much as I dislike certain upstart demigods, it would not do for Olympus to fall. I would miss bickering with my siblings. And if there is one thing we agree on - it is that you were a TERRIBLE father.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
There is probably no more terrible instant of enlightenment than the one in which you discover your father is a man - with human flesh.
Frank Herbert (Dune (Dune #1))
I must be overtired', Buttercup managed. 'The excitement and all.' 'Rest then', her mother cautioned. 'Terrible things can happen when you're overtired. I was overtired the night your father proposed.
William Goldman (The Princess Bride)
Hades smiled coldly. "Hello, Father. You're looking...young." "Hades," Kronos growled. "I hope you and the ladies have come to pledge your allegiance." "I'm afraid not." Hades sighed. "My son here convinced me that perhaps I should prioritize my list of enemies." He glanced at me with distaste. "As much as I dislike certain upstart demigods, it would not do for Olympus to fall. I would miss bickering with my siblings. And if there is one thing we agree on - it is that you were a TERRIBLE father.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
How much is love meant to hurt?" he had asked his father once. "Oh, terribly," his father had said with a smile. "But we suffer for love because love it worth it.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
To be the father of growing daughters is to understand something of what Yeats evokes with his imperishable phrase 'terrible beauty.' Nothing can make one so happily exhilarated or so frightened: it's a solid lesson in the limitations of self to realize that your heart is running around inside someone else's body. It also makes me quite astonishingly calm at the thought of death: I know whom I would die to protect and I also understand that nobody but a lugubrious serf can possibly wish for a father who never goes away.
Christopher Hitchens (Hitch 22: A Memoir)
i don't know when love became elusive what i know, is that no one i know has it my fathers arms around my mothers neck fruit too ripe to eat, a door half way open when your name is a just a hand i can never hold everything i have ever believed in, becomes magic. i think of lovers as trees, growing to and from one another searching for the same light, my mothers laughter in a dark room, a photograph greying under my touch, this is all i know how to do, carry loss around until i begin to resemble every bad memory, every terrible fear, every nightmare anyone has ever had. i ask did you ever love me? you say of course, of course so quickly that you sound like someone else i ask are you made of steel? are you made of iron? you cry on the phone, my stomach hurts i let you leave, i need someone who knows how to stay.
Warsan Shire
You talk to him about the fact that we haven't had sex?" Six says, completely embarrassed. My father shakes his head. "No, he doesn't have to. I know because every night he comes home he goes straight to his bedroom and takes a thirty-minute shower. I was eighteen once." Six covers her face with her hands. "Oh, my God." She peeks through her hands at my dad. "I guess I know who Daniel gets his personality from." My father nods. "Tell me about it. His mother is terribly inappropriate.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
We may never speak about this again. But I hope you’ll never hold it against me that we did. I will have been a terrible father if, one day, you’d want to speak to me and felt that the door was shut or not sufficiently open.
André Aciman (Call Me by Your Name)
My father was one of those men who sit in a room and you can feel it: the simmer, the sense of some unpredictable force that might, at any moment, break loose, and do something terrible. [Burnside, p. 27]
John Burnside (A Lie About My Father: A Memoir)
I think that God that we have created and allowed to shape our culture through, essentially Christian theology is a pretty villainous creature. I think that one of the things that male patriarchal figure has done is, allowed under it's, his church, his wing, all kinds of corruptions and villainies to grow and fester. In the name of that God terrible wars have been waged, in the name of that God terrible sexism has been allowed to spread. There are children being born all across this world that don't have enough food to eat because that God, at least his church, tells the mothers and fathers that they must procreate at all costs, and to prevent procreation with a condom is in contravention with his laws. Now, I don't believe that God exists. I think that God is creation of men, by men, and for men. What has happened over the many centuries now, the better part of two thousand in fact, is that that God has been slowly and steadily accruing power. His church has been accruing power, and the men who run that church, and they are all men, are not about to give it up. If they give it up, they give up luxury, they give up comfort.
Clive Barker
If you find that not many of the things you asked for have come, and not perhaps quite so many as sometimes, remember that this Christmas all over the world there are a terrible number of poor and starving people.
J.R.R. Tolkien (Letters from Father Christmas)
The thing that most haunted me that day, however...was the fact that these things had - apparently - actually occurred...For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you've seen that truth - really seen it - you can't look away.
Elizabeth Kostova (The Historian)
The thing was, Jeremiah was right. I did love him. I knew the exact moment it became real too. Conrad got up early to make a special belated Father's Day breakfast, only Mr. Fisher hadn't been able to come down the night before. He wasn't there the next morning the way he was supposed to be. Conrad cooked anyway, and he was thirteen and a terrible cook, but we all ate it. Watching him serving rubbery eggs and pretending not to be sad, I thought to myself, I will love this boy forever.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
It wasn't easy telling my family that I'm gay. I made my carefully worded announcement at Thanksgiving. It was very Norman Rockwell. I said, 'Mom, would you please pass the gravy to a homosexual?' She passed it to my father. A terrible scene followed.
Bob Smith
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
Alan Moore (V for Vendetta)
It isn’t really much of a mystery, this occasional need I have to comfort my father. I did something terrible to his son once.
John Darnielle (Wolf in White Van)
ONCE UPON A time, there was a king who had three beautiful daughters. He loved each of them dearly. One day, when the young ladies were of age to be married, a terrible, three-headed dragon laid siege to the kingdom, burning villages with fiery breath. It spoiled crops and burned churches. It killed babies, old people, and everyone in between. The king promised a princess’s hand in marriage to whoever slayed the dragon. Heroes and warriors came in suits of armor, riding brave horses and bearing swords and arrows. One by one, these men were slaughtered and eaten. Finally the king reasoned that a maiden might melt the dragon’s heart and succeed where warriors had failed. He sent his eldest daughter to beg the dragon for mercy, but the dragon listened to not a word of her pleas. It swallowed her whole. Then the king sent his second daughter to beg the dragon for mercy, but the dragon did the same. Swallowed her before she could get a word out. The king then sent his youngest daughter to beg the dragon for mercy, and she was so lovely and clever that he was sure she would succeed where the others had perished. No indeed. The dragon simply ate her. The king was left aching with regret. He was now alone in the world. Now, let me ask you this. Who killed the girls? The dragon? Or their father?
E. Lockhart (We Were Liars)
Lieutenant Chatrand: I don’t understand this omnipotent-benevolent thing. Camerlengo Carlo Ventresca: You are confused because the Bible describes God as an omnipotent and benevolent deity. Lieutenant Chatrand: Exactly. Camerlengo Carlo Ventresca: Omnipotent-benevolent simply means that God is all-powerful and well-meaning. Lieutenant Chatrand: I understand the concept. It’s just... there seems to be a contradiction. Camerlengo Carlo Ventresca: Yes. The contradiction is pain. Man’s starvation, war, sickness... Lieutenant Chatrand: Exactly! Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn’t he? Camerlengo Carlo Ventresca: Would He? Lieutenant Chatrand: Well... if God Loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help. Camerlengo Carlo Ventresca: Do you have children? Lieutenant Chatrand: No, signore. Camerlengo Carlo Ventresca: Imagine you had an eight-year-old son... would you love him? Lieutenant Chatrand: Of course. Camerlengo Carlo Ventresca: Would you let him skateboard? Lieutenant Chatrand: Yeah, I guess. Sure I’d let him skateboard, but I’d tell him to be careful. Camerlengo Carlo Ventresca: So as this child’s father, you would give him some basic, good advice and then let him go off and make his own mistakes? Lieutenant Chatrand: I wouldn’t run behind him and mollycoddle him if that’s what you mean. Camerlengo Carlo Ventresca: But what if he fell and skinned his knee? Lieutenant Chatrand: He would learn to be more careful. Camerlengo Carlo Ventresca: So although you have the power to interfere and prevent your child’s pain, you would choose to show you love by letting him learn his own lessons? Lieutenant Chatrand: Of course. Pain is part of growing up. It’s how we learn. Camerlengo Carlo Ventresca: Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))
He raises his head. "You're nothing like your father, Monty. For a start, you're far more decent than he is." I'm not sure how, after all the terrible things I've done, he can possibly mean that. "You might be the only person left on earth who thinks me decent." Between us, I feel his knuckles brush mine. Perhaps it's by chance, but it feels more like a question, and when I spread my fingers in answer, his hand slides into mine. "Then everyone else doesn't know you.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Sherman made the terrible discovery that men make about their fathers sooner or later... that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best he could, out of a sense of duty and, perhaps love, adopted a role called Being a Father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life.
Tom Wolfe (The Bonfire of the Vanities)
Hades," Kronos growled. "I hope you and the ladies have come to pledge your allegiance." "I'm afraid not." Hades sighed. "My son here convinced me that perhaps I should prioritize my list of enemies." He glanced at me with distaste. "As much as I dislike certainupstart demigods, it would not do for Olympus to fall. I would miss bickering with my siblings. And if there is one thing we agree on—it is that you were a TERRIBLE father.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
If the devil tells you something is too fearful to look at, look at it. If he says something is too terrible to hear, hear it. If you think some truth unbearable, bear it.
G.K. Chesterton (The Wisdom of Father Brown (Father Brown, #2))
Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, summon up the blood, Disguise fair nature with hard-favour'd rage; Then lend the eye a terrible aspect; Let pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height. On, on, you noblest English. Whose blood is fet from fathers of war-proof! Fathers that, like so many Alexanders, Have in these parts from morn till even fought And sheathed their swords for lack of argument: Dishonour not your mothers; now attest That those whom you call'd fathers did beget you. Be copy now to men of grosser blood, And teach them how to war. And you, good yeoman, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding; which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot: Follow your spirit, and upon this charge Cry 'God for Harry, England, and Saint George!
William Shakespeare (Henry V)
Come on, Father. Stop me. Tell me to behave, to go to hell, something, anything.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
I must court her now,' said the Prince. 'Leave us alone for a minute.' He rode the white expertly down the hill. Buttercup had never seen such a giant beast. Or such a rider. 'I am your Prince and you will marry me,' Humperdinck said. Buttercup whispered, 'I am your servant and I refuse.' 'I am your Prince and you cannot refuse.' 'I am your loyal servant and I just did.' 'Refusal means death.' 'Kill me then.' 'I am your Prince and I’m not that bad — how could you rather be dead than married to me?' 'Because,' Buttercup said, 'marriage involves love, and that is not a pastime at which I excel. I tried once, and it went badly, and I am sworn never to love another.' 'Love?' said Prince Humperdinck. 'Who mentioned love? Not me, I can tell you. Look: there must always be a male heir to the throne of Florin. That’s me. Once my father dies, there won’t be an heir, just a king. That’s me again. When that happens, I’ll marry and have children until there is a son. So you can either marry me and be the richest and most powerful woman in a thousand miles and give turkeys away at Christmas and provide me a son, or you can die in terrible pain in the very near future. Make up your own mind.' 'I’ll never love you.' 'I wouldn’t want it if I had it.' 'Then by all means let us marry.
William Goldman (The Princess Bride)
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
If you knew the trouble we’ve had because Howl will keep falling in love like this! We’ve had lawsuits, and suitors with swords, and mothers with rolling pins, and fathers and uncles with cudgels. And aunts. Aunts are terrible. They go for you with hat pins.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
People everywhere brag and whimper about the woes of their early years, but nothing can compare with the Irish version: the poverty; the shiftless loquacious father; the pious defeated mother moaning by the fire; pompous priests; bullying school masters; the English and the terrible things they did to us for eight hundred long years. Above all -- we were wet.
Frank McCourt
In a world beyond this one, that river goes on singing sweetly, enchanting us with what we want to hear, shaping what we need to see in order to keep going. In those waters, all disappointments are forgotten, our mistakes forgiven. Gazing into them, we see a strong father. A loving mother. Warm rooms where we are sheltered, adored, wanted. And the uncertainty of our futures is nothing more than the fog of breath on a windowpane.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood. . . . nothing can compare with the Irish version: the poverty; the shiftless loquacious alcoholic father; the pious defeated mother moaning by the fire; pompous priests; bullying schoolmasters; the English and the terrible things they did to us for eight hundred long years.
Frank McCourt
Listen, listen, listen well. There was an age before the Seasons, when life and Earth, its father, thrived alike. (Life had a mother, too. Something terrible happened to Her.)
N.K. Jemisin (The Fifth Season)
My father used to take me everywhere with him.” “Until?” “Until what?” “Until. My father took me everywhere until I contracted terrible seasickness, until I vomited at a royal wedding, until I tried to hump the ambassador’s leg.” “The leg was asking for it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (Neapolitan Novels, #2))
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
He [Jesus] had a terrible temper, you know, undoubtedly inherited from His Father.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
One of the most terrible moments in a boy’s life,” Paul said, “is when he discovers his father and mother are human beings who share a love that he can never quite taste. It’s a loss, an awakening to the fact that the world is there and here and we are in it alone. The moment carries its own truth; you can’t evade it. I heard my father when he spoke of my mother. She’s not the betrayer, Gurney.
Frank Herbert (Dune (Dune, #1))
Why did her family think pachinko was so terrible? Her father, a traveling salesman, had sold expensive life insurance policies to isolated housewives who couldn't afford them, and Mozasu created spaces where grown men and women could play pinball for money. Both men had made money from chance and fear and loneliness. Every morning, Mozasu and his men tinkered with the machines to fix the outcomes--there could only be a few winners and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones. How could you get angry at the ones who wanted to be in the game? Etsuko had failed in this important way--she had not taught her children to hope, to believe in the perhaps-absurd possibility that they might win. Pachinko was a foolish game, but life was not.
Min Jin Lee (Pachinko)
Me, Polly Garter, under the washing line, giving the breast in the garden to my bonny new baby. Nothing grows in our garden, only washing. And babies. And where's their fathers live, my love? Over the hills and far away. You're looking up at me now. I know what you're thinking, you poor little milky creature. You're thinking, you're no better than you should be, Polly, and that's good enough for me. Oh, isn't life a terrible thing, thank God?
Dylan Thomas (Under Milk Wood)
A father's love can be a terrible thing
Jeph Loeb
My grandfather, the wonderful Alton L. Perry, grew up around an alcoholic father, and as a result, he never touched a drink in his life, all ninety-six long, wonderful years of it. I am not my grandfather.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Brother raises a hand against brother and son against father (how terrible!) and the father also against son. And moreover it is a continuity-matter, for if the father did not strike the son, they would not be alike. It is done to perpetuate similarity. Oh, Henderson, man cannot keep still under the blows.... A hit B? B hit C?--we have not enough alphabet to cover the condition. A brave man will try to make the evil stop with him. He shall keep the blow. No man shall get it from him, and that is a sublime ambition.
Saul Bellow (Henderson the Rain King)
You won't believe the amount of trouble we get because Howl keeps falling in love," Michael said, "We've had law suits, suitors with challenges, fathers with cudgels, mothers with rolling pins. And aunts. Aunts are terrible, they go for you with hat pins.
Diana Wynne Jones
I don't trust her father than I can run full-steam in a corset.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
my father's last night, the way his face went slack, the smell of his hands, the fever, the waiting and waiting and terrible waiting and the even worse not-waiting anymore
Casey McQuiston (Red, White & Royal Blue)
I had always thought that life was the actual thing, the natural thing, and that death was simply the end of living. Now, in this lifeless place, I saw with a terrible clarity that death was the constant, death was the base, and life was only a short, frgile dream. I was dead already. I had been born death, and what I thought was my life was just a game death let me play as it waited to take me. . . Death has an opposite, but the opposite is not mere living. It is not courage or faith or human will. The opposite of death is love. How had I missed that? How does anyone miss that? Love is our only weapon. Only love can turn mere life into a miracle, and draw precious meaning from suffering and fear. For a brief, magical moment, all my fears lifted, and I knew that I would not let death control me. I would walk through the godforsaken country that separated me from my home with love and hope in my heart. I wouuld walk until I had walked all the life out of me, and when I fell I would die that much closer to my father.
Nando Parrado (Miracle in the Andes: 72 Days on the Mountain and My Long Trek Home)
The empty rooms always had a terribly depressing effect upon my father when he considered, he said, that the person who dwelt in them had to fill them solely with his own fantasies, with fantastic objects, in order not to go out of his mind.
Thomas Bernhard (Gargoyles)
You're still our sister," Pandora said. "It doesn't matter to me whether you were sired by our old terrible father, or your new terrible father." "I didn't need the extra one," Helen said glumly.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
He turned back to her stomach and got very close. She thought he meant to kiss her again and prepared to enjoy his lips on her abdomen once more. Instead he addressed the fiery ball of cells. "Lucy," he said, deepening his voice in a really wretched imitation of Darth Vader. "I am your father." Alison groaned. her breh was such a ham. A terrible, wonderful, sexy, vampire ham. Who'd've thought?
Caris Roane (Ascension (Guardians of Ascension, #1))
So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began. In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed. Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through. We are the humbugs now.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
I do not view suicide as wicked, just terribly sad. There is only one death, but it is like a stone cast into a pond - the ripples stretch far. Such an act must leave a burden of sorrow, guilt, shame and confusion on an entire family. A natural death, such as my father suffered, is hard enough to deal with. A decision to end one's life must be still more devastating for those left behind. I cannot imagine the degree of hopelessness someone must feel to contemplate such an act.
Juliet Marillier (Heart's Blood)
Look, this boy's been kicked around all his life. You know-living in a slum, his mother dead since he was nine. He spent a year and a half in an orphanage while his father served a jail term for forgery. That's not a very good head start. He's had a pretty terrible sixteen years. I think maybe we owe him a few words. That's all.
Reginald Rose (Twelve Angry Men)
I had thought we were friends," he said. "I cannot be your friend." He took a step forward. "What if I were to ask you—" "Gideon!" It was Henry, at the open door, breathless, wearing one of his terrible green-and-orange-striped waistcoats. "Your brother's here. Downstairs—" Gideon's eyes widened. "Gabriel's here?" "Yes. Shouting something about your father, but he won't tell us anything more unless you're there. He swears it. Come along." Gideon hesitated, his eyes moving from Henry to Sophie, who tried to look invisible. "I . . ." "Come now, Gideon." Henry rarely spoke sharply, and when he did, the effect was startling. "He's covered in blood.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
David drives back to Björnstad. Sits in the car and cries in anger. He is ashamed. He is disgusted. With himself. For an entire hockey life he has trained a boy, loved him like a son, been loved back as a father. There is no player as loyal as Benji. No bigger heart than his. How many times has David hugged number sixteen after a game and told him that? "You are the bravest bastard I know, Benji." The bravest bastard I know. " And after all those hours in locker rooms, all those nights in the bus, all the conversations and blood, sweat and tears, the boy didn't dare tell his coach his greatest secret. It's a betrayal, David knows it's a terrible betrayal. There is no other way to explain how much a grown man must have failed for such a warrior of a boy to make him think his coach would be less proud of him if he was gay. David hates himself for not being better than his father. For that is a son's job.
Fredrik Backman (Beartown (Beartown, #1))
I feel the curve of his smile against my skin. But as he lifts his head and looks into my eyes, his grin fades. "Haven . . . I don't know if I'm going to be a good father. What if I don't do it right?" I am touched by Hardy's concern, his constant desire to be the man he thinks I deserve. Even when we disagree, I have no doubt that I am cherished. And respected. And I know that neither of us takes the other one for granted. I have come to realize you can never be truly happy unless you've known some sorrow. All the terrible things Hardy and I have gone through in our lives have created the spaces inside where happiness can live. Not to mention love. So much love that there doesn't seem to be room for bitterness in either of us. "I think the fact that you're worrying about it at all," I say, "means you'll probably be great at it.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
That day, instead, I saw clearly the mothers of the old neighbourhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swallen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts (...) they appeared to have lost those feminine qualities that were so important to us girls (...) They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name (Neapolitan Novels, #2))
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
William Golding
J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I’ve heard it said that he was trying to create some kind of original British mythology using the structure of other cultures’ myths, and maybe that was true. I don’t know. What I see, when I read his work, is a man trying desperately to dream. Dreaming is impossible without myths. If we don’t have enough myths of our own, we’ll latch onto those of others — even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it’s human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight.
N.K. Jemisin
Self-Exam Dear audience, please stand if you were raised By a terrible mother. Okay, okay, Approximately half of you. So I'd say That terrible mothers are commonplace. Just like terrible fathers. So let's mourn For the children who never knew childhood. Our grief is justified. Our anger is good. I won't blame children for childish scorn. But there comes a day when a broken child Becomes an adult. On that day, you'll need To choose between the domestic and wild. You'll need to escalate war or declare peace. I tell you this because I'm the kid, mother-stung, Who became a terrible adult son. And I'm to blame for that. I made that mess. Because I am the Amateur of Forgiveness.
Sherman Alexie (You Don't Have to Say You Love Me)
Then all the sharp intricate peaks on the monitor smoothed out to clean straight lines and my father made a terrible growling sound, but even without any of that I would have known, because the air around us had split open and whirled and re-formed itself and there was one less person in the room.
Tana French (The Witch Elm)
It is a terrible thing to feel sorry for one’s mother or indeed father. And it’s an additionally awful thing to feel this and to know the impotence of the adolescent to do anything at all about it. Worse still, perhaps, is the selfish consolation that it isn’t really one’s job to rear one’s parents.
Christopher Hitchens (Hitch 22: A Memoir)
Why did I allow the abuse to continue? Even as a teenager? I didn’t. Something that had been plaguing me for years now made sense. It was like the answer to a terrible secret. The thing is, it wasn’t me in my bed, it was Shirley who lay the wondering if that man was going to come to her room, pull back the cover and push his penis into her waiting mouth it was Shirley. I remembered watching her, a skinny little thing with no breasts and a dark resentful expression. She was angry. She didn’t want this man in her room doing the things he did, but she didn’t know how to stop it. He didn’t beat her, he didn’t threaten her. He just looked at her with black hypnotic eyes and she lay back with her legs apart thinking about nothing at all. And where was I? I stood to one side, or hovered overhead just below the ceiling, or rode on a magic carpet. I held my breath and watched my father pushing up and down inside Shirley’s skinny body.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
You must miss your father terribly, I know. Lord Eddard was a brave man, honest and loyal...but quite a hopeless player.' He brought the seed to his mouth with the knife. 'In King's Landing, there are two sorts of people The players and the pieces.' 'And I was a piece?' She dreaded the answer. 'Yes, but don't let that trouble you. You're still half a child. Every man's a piece to start with, and every maid as well. Even some who think they are players.' He at another seed. 'Cersei, for one. She thinks herself sly, but in truth she is utterly predictable. her strength rests on her beauty, birth, and riches. Only the first of those is truly her own, and it will soon desert her. I pity her then. She wants power, but has no notion what to do with it when she gets it. Everyone wants something, Alayne. And when you know what a man wants you know who he is, and how to move him.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
People can be, or can pose as, the enemies of God, but God will never be the enemy of any person. It is the terrible advantage children sometimes have over their fathers (and mothers).
Raniero Cantalamessa (Remember Jesus Christ: Responding to the Challenges of Faith in Our Time)
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))
There was no point in telling my father. He'd never let me quit after only one day. He couldn't help me and he'd make some terrible blunder if he tried. Parents are too innocent for the Boschian landscapes of middle school.
Karen Joy Fowler (We Are All Completely Beside Ourselves)
Nothing that had ever happened to him, not the shooting of Oyster, or the piteous muttering expiration of John Wesley Shannenhouse, or the death of his father, or internment of his mother and grandfather, not even the drowning of his beloved brother, had ever broken his heart quite as terribly as the realization, when he was halfway to the rimed zinc hatch of the German station, that he was hauling a corpse behind him
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
You think I have more than most people dream of? What other people dream of doesn't matter. I always had less than I ever dreamt of. All I ever dreamt of was family. A father and a mother. Most people don't even need to dream of such luxuries, they take them for granted. That is what I used to dwell on, alone in my bedroom. I dwelt as all children do, on the injustice. Injustice is the most terrible thing in the world, Oliver. Everything that is evil springs from it and only a cheap soul can abide it without anger.
Stephen Fry (Revenge (aka The Stars’ Tennis Balls))
His stories were what frightened people worst of all. Dreadful stories they were--about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea, and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannized over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life, and there was even a party of the younger men who pretended to admire him, calling him a "true sea-dog" and a "real old salt" and such like names, and saying there was the sort of man that made England terrible at sea.
Robert Louis Stevenson (Treasure Island)
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.
Haruki Murakami (South of the Border, West of the Sun)
Let me be frank just this once, father. I've been foolish and wicked and hateful. I've been terribly punished. I'm determined to save my daughter from all that. I want her to be fearless and frank. I want her to be a person, independent of others because she is possessed of herself, and I want her to take life like a free man and make a better job of it than I have.
W. Somerset Maugham (The Painted Veil)
He saw the Queen and saw her for the first time with the mask of friendship removed, a figure suddenly as ruthless and terrible as ever her father had been... All their dazzling intimacy was an illusion, a mere straw in the wind, for in the last resort he was but a subject, as her mother had been.
Susan Kay (Legacy)
Fortunately there is a beautiful boy, unfortunately he has a terrible disease. Fortunately there is love and joy, unfortunately there is pain and misery. Fortunately this story is not over.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done.
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
For all his attention to my historical education, my father had neglected to tell me this: history’s terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you’ve seen that truth—really seen it—you can’t look away.
Elizabeth Kostova (The Historian)
It seems to me like this. It's not a terrible thing - I mean, it may be terrible, but it's not damaging, it's not poisoning, to do something one wants. It's not bad to say: My work is not what I really want, I'm capable of doing something bigger. Or I'm a person who needs love, and I'm doing without it. What's terrible is to pretend that the second rate is first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better, It would be very bad i I said, out of guilt or something: I loved Janet's father, when i know quite well I didn't. Or for your mother to say: I loved Richard. Or I'm doing work I love....
Doris Lessing
Leniency and mercy. Men set free despite crimes, because they were good fathers, or well liked in the community, or in the favor of someone important. “Some of those who are set free change their lives and go on to produce for society. Others recidivate and create great tragedies. The thing is, Szeth son Neturo, we humans are terrible at spotting which will be which. The purpose of the law is so we do not have to choose. So our native sentimentality will not harm us.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
We did an evil thing, father." "What do you think war is? We're men. Not boys swinging sticks at each other and pronouncing the evil wizard's defeat. We do what duty and honor demand, and often what we do is terrible.
Daniel Abraham (The Dragon's Path (The Dagger and the Coin, #1))
My father wrote beautifully,” Esmé interrupted. “I’m saving a number of his letters for posterity.” I said that sounded like a very good idea. I happened to be looking at her enormous-faced, chrono-graphic-looking wristwatch again. I asked if it had belonged to her father. She looked down at her wrist solemnly. “Yes, it did,” she said. “He gave it to me just before Charles and I were evacuated.” Self-consciously, she took her hand off the table, saying, “Purely as a momento, of course.” She guided the conversation in a different direction. “I’d be extremely flattered if you’d write a story exclusively for me sometime. I’m an avid reader.” I told her I certainly would, if I could. I said that I wasn’t terribly prolific. “It doesn’t have to be terribly prolific! Just so that isn’t childish and silly.” She reflected. “I prefer stories about squalor.” “About what?” I said, leaning forward. “Squalor. I’m extremely interested in squalor.
J.D. Salinger (Nine Stories)
Terrible things can happen when you’re overtired. I was overtired the night your father proposed.
William Goldman (The Princess Bride)
Then we talked a lot about our parents and how we didn't want to become them, but we had no other role models--or "maps," Alex kept saying. "My father is a terrible map, mostly because he doesn't ever lead me anywhere." And I thought about my parents being maps that led to places I didn't want to go-- and it made a shocking amount of sense, using the word maps to describe parents. If almost made you feel like you could fold Mom and Dad up and lock them away in the glove compartment of your car and just joyride for the rest of your life maybe.
Matthew Quick (Every Exquisite Thing)
...they ate the apple, and knew good and evil, and became 'as gods.' And they still go on eating it. But little children have not eaten anything and are not yet guilty of anything...If they, too, suffer terribly on earth, it is, of course, for their fathers; they are punished for their fathers who ate the apple--but that is reasoning from another world; for the human heart here on earth it is incomprehensible.
Fyodor Dostoevsky (The Brothers Karamazov)
I see Nic on the plane. I see him as he is - frail, opaque, ill - my beloved son, my beautiful boy. "Everything," I say to him. "Everything." Fortunately there is a beautiful boy. Unfortunately he has a terrible disease. Fortunately there is love and joy. Unfortunately there is pain and misery. Fortunately the story is not over.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
I look straight ahead, not answering the driver. How’s it going? It’s going fucking terribly. Mom lied my entire life about who my biological father was, I’m caught in the undertow of bulimia, I’m gonna have to do an entire press junket while missing a lower left molar, and my boyfriend’s schizophrenic. It could not be going any worse.
Jennette McCurdy (I'm Glad My Mom Died)
For almost every addict who s mired in this terrible disease, other -- a mother or father, a child or spouse, an aunt or uncles or grandparents, a brother or sister -- are suffering too. Families are the hidden victims of addiction, enduring enormous levels of stress and pain. They suffer sleepless nights, deep anxiety, and physical exhaustion brought on by worry and desperation. They lie awake for hours on end as fear for their loved one's safety crowds out any possibility of sleep. They liveeach day with a weight inside that drags them down. Unable to laugh or smile, they are sometimes filled with bottled-up anger or a constant sadness that keeps them on the verge of tears.
Beverly Conyers (Addict In The Family: Stories of Loss, Hope, and Recovery)
[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
The secrets of slavery are concealed like those of the Inquisition. My master was, to my knowledge, the father of 11 slaves... Did the mothers dare tell who was the father of their children? No, indeed! They knew too well the terrible consequences.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl by Harriet Jacobs)
It doesn't matter what the manifest problem was in our childhood family. In a home where a child is emotionally deprived for one reason or another that child will take some personal emotional confusion into his or her adult life. We may spin our spiritual wheels in trying to make up for childhood's personal losses, looking for compensation in the wrong places and despairing that we can find it. But the significance of spiritual rebirth through Jesus Christ is that we can mature spiritually under His parenting and receive healing compensation for these childhood deprivations. Three emotions that often grow all out of proportion in the emotionally deprived child are fear, guilt, and anger. The fear grows out of the child's awareness of the uncontrollable nature of her fearful environment, of overwhelming negative forces around her. Her guilt, her profound feelings of inadequacy, intensify when she is unable to put right what is wrong, either in the environment or in another person, no matter how hard she tries to be good. If only she could try harder or be better, she could correct what is wrong, she thinks. She may carry this guilt all her life, not knowing where it comes from, but just always feeling guilty. She often feels too sorry for something she has done that was really not all that serious. Her anger comes from her frustration, perceived deprivation, and the resultant self-pity. She has picked up an anger habit and doesn't know how much trouble it is causing her. A fourth problem often follows in the wake of the big three: the need to control others and manipulate events in order to feel secure in her own world, to hold her world together- to make happen what she wants to happen. She thinks she has to run everything. She may enter adulthood with an illusion of power and a sense of authority to put other people right, though she has had little success with it. She thinks that all she has to do is try harder, be worthier, and then she can change, perfect, and save other people. But she is in the dark about what really needs changing."I thought I would drown in guilt and wanted to fix all the people that I had affected so negatively. But I learned that I had to focus on getting well and leave off trying to cure anyone around me." Many of those around - might indeed get better too, since we seldom see how much we are a key part of a negative relationship pattern. I have learned it is a true principle that I need to fix myself before I can begin to be truly helpful to anyone else. I used to think that if I were worthy enough and worked hard enough, and exercised enough anxiety (which is not the same thing as faith), I could change anything. My power and my control are illusions. To survive emotionally, I have to turn my life over to the care of that tender Heavenly Father who was really in charge. It is my own spiritual superficiality that makes me sick, and that only profound repentance, that real change of heart, would ultimately heal me. My Savior is much closer than I imagine and is willing to take over the direction of my life: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me, ye can do nothing." (John 15:5). As old foundations crumble, we feel terribly vulnerable. Humility, prayer and flexibility are the keys to passing through this corridor of healthy change while we experiment with truer ways of dealing with life. Godly knowledge, lovingly imparted, begins deep healing, gives tools to live by and new ways to understand the gospel.
M. Catherine Thomas
Omnipotent-benevolent simply means that God is all-powerful and well-meaning.' 'I understand the concept. It's just . . . there seems to be a contradiction.' 'Yes. The contradiction is pain. Man's starvation, war, sickness . . .' 'Exactly!' Chartrand knew the camerlengo would understand. 'Terrible things happen in this world. Human tragedy seems like proof that God could not possibly be both all-powerful and well-meaning. If He loves us and has the power to change our situation, He would prevent our pain, wouldn't He?' The camerlengo frowned. 'Would He?' Chartrand felt uneasy. Had he overstepped his bounds? Was this one of those religious questions you just didn't ask? 'Well . . . if God loves us, and He can protect us, He would have to. It seems He is either omnipotent and uncaring, or benevolent and powerless to help.' 'Do you have children, Lieutenant?' Chartrand flushed. 'No, signore.' 'Imagine you had an eight-year-old son . . . would you love him?' 'Of course.' 'Would you let him skateboard?' Chartrand did a double take. The camerlengo always seemed oddly "in touch" for a clergyman. 'Yeah, I guess,' Chartrand said. 'Sure, I'd let him skateboard, but I'd tell him to be careful.' 'So as this child's father, you would give him some basic, good advice and then let him go off and make his own mistakes?' 'I wouldn't run behind him and mollycoddle him if that's what you mean.' 'But what if he fell and skinned his knee?' 'He would learn to be more careful.' The camerlengo smiled. 'So although you have the power to interfere and prevent your child's pain, you would choose to show your love by letting him learn his own lessons?' 'Of course. Pain is part of growing up. It's how we learn.' The camerlengo nodded. 'Exactly.
Dan Brown (Angels & Demons (Robert Langdon, #1))
Then came the reflection, how little at any time could a father do for the wellbeing of his children! The fact of their being children implied their need of an all-powerful father: must there not then be such a father? Therewith the truth dawned upon him, that first of truths, which all his church-going and Bible-reading had hitherto failed to disclose, that, for life to be a good thing and worth living, a man must be the child of a perfect father, and know him. In his terrible perturbation about his children, he lifted up his heart—not to the Governor of the world; not to the God of Abraham or Moses; not in the least to the God of the Kirk; least of all to the God of the Shorter Catechism; but to the faithful creator and Father of David Barclay. The aching soul which none but a perfect father could have created capable of deploring its own fatherly imperfection, cried out to the father of fathers on behalf of his children, and as he cried, a peace came stealing over him such as he had never before felt.
George MacDonald (Heather and Snow)
What do you know of love or marriage?" I asked. "You were all set to marry a woman ten years older than you before the King stole her away." "I wouldn't have married her anyway," Loki shrugged. "Not if I didn't love her." "Now you've got integrity?" I scoffed. "You kidnapped me, and your father was a traitor." "I've never said a nice word about my father," Loki said quickly. "And I've never done anything bad to you." "You still kidnapped me!" I said dubiously. "Did I?" Loki cocked his head. "Because I remember Kyra kidnapping you,and me preventing her from pummeling you to death. Then,when you were coughing up blood, I sent for the Queen to help you. When you escaped,I didn't stop you. And since I came here,I've done nothing to you. I've even been good because you told me to be. So what terrible crimes have I committed against you, Princess?" "I-I-" I stammered. "I never said you did anything terrible." "Then why don't you trust me, Wendy?" He'd never called me by my name before, and the underlying affection underneath it startled me. Even his eyes, which still held their usual veil of playfulness, had something deeper brewing underneath. When he wasn't trying so hard to be devilishly handsome, he actually was. The growing connection I felt with him unnerved me, but I didn't want him to see that. More than that,it didn't matter what feelings I might be having for him.He was leaving today, and I would probably never see him again. "I do trust you," I admitted. "I do trust you.I just don't know why I do,and I don't know why you've been helping me." "You want the truth?" He smiled at me, and there was something sincere and sweet underlying. "You piqued my curiosity." "You risked your life for me because you were curious?" I asked doubtfully. "As soon as you came to,your only conern was for helping your friends, and you never stopped," Loki said. "You were kind. And I haven't seen that much kindness in my life.
Amanda Hocking (Torn (Trylle, #2))
When I’m rich,” Jesper said behind him. “I’m going somewhere I never have to see snow again. What about you, Wylan?” “I don’t know exactly.” “I think you should buy a golden piano-” “Flute.” “And play concerts on a pleasure barge. You can park it in the canal right outside your father’s house.” “Nina can sing,” Inej put in, “We’ll duet,” Nina amended. “Your father will have to move.” She did have a terrible singing voice. He hated that he knew that, but he couldn’t resist glancing over his shoulder. Nina’s hood had fallen back, and the thick waves of her hair had escaped her collar. Why do I keep doing that? He thought in a rush of frustration. It had happened aboard the ship, too. He’d tell himself to ignore her, and the next thing he knew his eyes would be seeking her out.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis’s comments on them, and burned them.
A.S. Byatt (Possession)
There was nothing terrible about them. They had no particular power over me. No more than anyone else. It had never been them. It had always been me. This realization was like a word I had to be taught every time I heard it. The definition never seemed to sink in. They were just ordinary people. [...] It used to matter so much. It used to seem like such a struggle to not turn into my father. But now, sitting here, it seemed impossible that that could've ever happened. I had wasted so much time on this. I kept finding out that the monster I'd been fighting was only me.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
I do not believe that God has given us this trial to not purpose. I know that the day will come when we will clearly understand why this persecution with all it's sufferings has been bestowed upon us -- for everything that Our Lord does is for our good. And yet, even as I write these words I feel the oppressive weight in my heart of those last stammering words of Kichijiro in the morning of his departure: "Why has Deus Sama imposed this suffering on us?" and then the resentment in those eyes that he turned upon me. "Father", he had said "what evil have we done?" I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.
Shūsaku Endō (Silence)
Dad, I’m not at all sure I can follow you any longer in your simple Christian faith’ stated the clergyman’s son when he returned from the university for holidays with a fledgling scholar’s assured arrogance. The father’s black eyes skewered his son, who was 'lost,' as C.S. Lewis put it ‘in the invincible ignorance of his intellect.’ ‘Son,’ the father said, ‘That is your freedom, your terrible freedom.
Ruth Bell Graham
Because honor still matters. Honor is what echoes." His father's words. But they are as empty on his lips as they feel in my ears. This was has taken everything from him. I see in his eyes how broken he is. how terribly hard he is trying to be his father's son. If he could, he would choose to be back by the campfire we made in the highlands of the Institute. He would return to the days of glory when life was simple, when friends seemed true. But wishing for the past doesn't clean the blood from either of our hands.
Pierce Brown (Morning Star (Red Rising Saga, #3))
You see, Minka, my father would say. Anything is possible. Even the most terrible beast might one day be a distant memory. He would hold my hand in his, tracing my finger along the brightest stars in the constellation. Look, he would say. There is the head, and the tail. There’s the heart.
Jodi Picoult (The Storyteller)
But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry — and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad. "And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero — I, sleepy Lír, my father's sport and shame — but I might as well have remained the dull fool I was. My great deeds mean nothing to her.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
But here before me was a good man. It struck me that I had yet to hear him say a negative word about another person. Even if he was describing a terrible action, like his father’s inability to care for his family in the way that they needed, he spoke in terms of the event, rather than blaming the person. I loved people like this, and encountered so very few.
Camille Pagán (Life and Other Near-Death Experiences)
It isn't really much of a mystery, this occasional need I have to comfort my father. I did something terrible to his son once.
John Darnielle
For many years, February was a difficult month for me after the death of my parents. My father died in February, just a week before my mother's birthday. For years their loss cast a pall over the month. I missed them terribly. But time has changed things. I see my father often in the face of my son and I run into my mother daily each time I pass the hall mirror.
Mary Morrell (Things My Father Taught Me About Love)
I am more like my father than I thought. He wronged you, and I have wronged you. I have taken you from your home. I have used your gifts. I have taken your will and spent myself in your body. I have given you worry and fear and responsibility. I have taken. Endlessly. And you have given endlessly. I only wanted to save my country. I told myself, ‘I’m doing it for Jeru.’ That’s what my father always said when he did something terrible.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
You can give me anything?" he asked. "Anything!" Lucifer cried. "Anything I ask for?" "Anything you desire!" "Can you give me love?" Ammon asked him. "Can you take away my sins? Can you give me salvation? Are you willing to die for me? Can you give me the love of my family and the love of my friends? Can you promise me anything besides what you have shown me here? Can you give me the love of my Father, or my older brother, Jehovah, the Christ?
Chris Stewart (Prologue: The Brothers (The Great and Terrible, #1))
Though here his voice faltered, because he knew as well as she did what came next, what words came next. If he could speak them, he might even convince her they were true, as his father had convinced his mother that Browning summer. It was the worst lie there was, imprisoning and ultimately embittering the hearer, playing upon her terrible need to believe. He could feel the I love you forming on his lips. Would he have said it if she hadn't interrupted?
Richard Russo (That Old Cape Magic)
Perhaps it's true that all men love their fathers, no matter how terrible the things they do to their sons: there is a part of us that remains forever in debt to those responsible for our existence.
John Connolly (The Reapers (Charlie Parker, #7))
Some fathers cannot love their children. They find them annoying. Or uninteresting. Or unsettling. They’re irritated by their children because they’ve turned out differently than they had expected. They’re irritated because the children were the wife’s wish to patch up the marriage when there was nothing left to patch up, her means of forcing a loving marriage where there was no love. And such fathers take it out on the children. Whatever they do, their fathers will be nasty and mean to them.” “Please stop.” “And the children, the delicate, little, yearning children,” Perdu continued more softly, because he was terribly moved by Max’s inner turmoil, “do everything they can to be loved. Everything. They think that it must somehow be their fault that their father cannot love them. But Max,” and here Perdu lifted Jordan’s chin, “it has nothing to do with them.
Nina George (The Little Paris Bookshop)
It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.
William Kent Krueger (Ordinary Grace)
what his uneducated father had been trying so hard to teach him all along: of the terrible, the incomprehensible way one’s most banal, incidental, even comical choices achieve the most disproportionate result.
Philip Roth (Indignation)
No, Maximilien, I am not offended," answered she, "but do you not see what a poor, helpless being I am, almost a stranger and an outcast in my father's house, where even he is seldom seen; whose will has been thwarted, and spirits broken, from the age of ten years, beneath the iron rod so sternly held over me; oppressed, mortified, and persecuted, day by day, hour by hour, minute by minute, no person has cared for, even observed my sufferings, nor have I ever breathed one word on the subject save to yourself. Outwardly and in the eyes of the world, I am surrounded by kindness and affection; but the reverse is the case. The general remark is, `Oh, it cannot be expected that one of so stern a character as M. Villefort could lavish the tenderness some fathers do on their daughters. What though she has lost her own mother at a tender age, she has had the happiness to find a second mother in Madame de Villefort.' The world, however, is mistaken; my father abandons me from utter indifference, while my mother-in-law detests me with a hatred so much the more terrible because it is veiled beneath a continual smile.
Alexandre Dumas (The Count of Monte Cristo)
would go somewhere, we would seek that spot on earth, where the sun is brightest, the sky the bluest, where the trees are most luxuriant. We would love each other, we would pour our two souls into each other, and we would have a thirst for ourselves which we would quench in common and incessantly at that fountain of inexhaustible love." She interrupted with a terrible and thrilling laugh. "Look, father, you have blood on your fingers!
Victor Hugo (The Hunchback Of Notre Dame)
Do you think Jesus came to deliver us from the punishment of our sins? He would not have moved a step for that. The terrible thing is to be bad, and all punishment is to help to deliver us from it, nor will it cease till we have given up being bad. God will have us good; and Jesus works out the will of his father.
George MacDonald (Donal Grant)
I wanted to say that although you might be considered a good businessman, you’ve done it at the expense of being a terrible, verbally abusive father. And one day you’re going to look back on your life and regret the way you treated your children, and I hope it hurts you as much as you hurt them. So fuck you and fuck off.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
Turkeys make terrible pets, you should never trust your father to identify poultry, and you should accept who you are, flaws and all, because if you try to be someone you aren’t, then eventually some turkey is going to shit all over your well-crafted façade, so you might as well save yourself the effort and enjoy your zombie books.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
The danger came from the white dragon. This was Father, some kind of partner to the dragon who cared. The newly hatched dragonet could hardly look at him without seeing a spiral of confusing flashes: pain, fury, screaming dragons, and blood, everywhere, blood. This white dragon had done something terrible that haunted him, and he might do worse someday. Father’s mind had patches of damp, rotten vileness all over it.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
She felt utterly crushed and betrayed. Science had betrayed her. She had always believed deep down that science would not judge her, even if people did. Her father's books had opened to her touch easily enough. His journals had not flinched from her all too female gaze. But it seemed that science had weighed her, labelled her and found her wanting. Science had decreed that she could not be clever… and that if by some miracle she was clever, it meant that there was something terribly wrong with her.
Frances Hardinge (The Lie Tree)
Last to dry was the hair. When we were already far from the sea, when words and salt, which had merged on us, separated from one another with a sigh, and your body no longer showed signs of a terrible ancientness. And in vain we had forgotten a few things on the beach, so that we would have an excuse to return. We didn’t return. And these days I remember the days that have your name on them, like a name on a ship, and how we saw through two open doors one man who was thinking, and how we looked at the clouds with the ancient gaze we inherited from our fathers, who waited for rain, and how at night, when the world cooled off, your body kept its warmth for a long time, like the sea
Yehuda Amichai (The Selected Poetry of Yehuda Amichai)
At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before: Arise, arise, Riders of Theoden! Fell deeds awake: fire and slaughter! spear shall be shaken, shield be splintered, a sword-day, a red day, ere the sun rises! Ride now, ride now! Ride to Gondor! With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains. Ride now, ride now! Ride to Gondor! Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
The work of atonement took place in the presence of the God of heaven. Indeed, it involved a transaction within the fellowship of the persons of the eternal Trinity in their love for us: the Son was willing, with the aid of the Spirit, to experience the hiding of the Father's face. The shedding of the blood of God's Son opened the way to God for us (Acts 20:28). That is both the horror and the glory of our Great High Priest's ministry. Terrible
Sinclair B. Ferguson (In Christ Alone: Living the Gospel-Centered Life)
...the water was scarcely inviting; for, through fear lest the output of the source should not suffice, the Fathers of the Grotto only allowed the water of the baths to be changed twice a day. And nearly a hundred patients being dipped in the same water, it can be imagined what a terrible soup the latter at last became. All manner of things were found in it, so that it was like a frightful consomme of all ailments, a field of cultivation for every kind of poisonous germ, a quintessence of the most dreaded contagious diseases; the miraculous feature of it all being that men should emerge alive from their immersion in such filth.
Émile Zola (Lourdes (Three Cities Trilogy, #1))
This is true: if there was one thing my father taught me, it's that endings never work out the way you want them to--that they're terrible, and this one is no different. They're like the last drops of wine, the final puffs of a cigarette. They're Sunday nights, or the last afternoon of summer. They're flat tires and wet pairs of socks and cold dinners. They're the sort of thing that--no matter the effort, no matter the discipline--no one can get right.
Grant Ginder (Driver's Education)
And once Father Lucas said to me, 'Be simple, Matthew, life is a simple book, and an open book, read and be simple as the beasts in the field; just being miserable isn't enough -- you've got to know how.' So I got to thinking and I said to myself, 'This is a terrible thing that Father Lucas has put on me -- be simple like the beasts and yet think and harm nobody.
Djuna Barnes (Nightwood)
Once when I was young-maybe more than once-when I was extremely disrespectful to my mother, my father angrily called me "garbage" in our native Hokkien dialect. It worked really well. I felt terrible and deeply ashamed of what I had done. But it didn't damage my self esteem or anything like that. I knew exactly how highly he thought of me. I didn't actually think I was worthless or feel like a piece of garbage. As an adult, I once did the same thing to Sophie, calling her garbage in English when she acted extremely disrespectful toward me. When I mentioned I had done this at a dinner party, I was immediately ostracized. One guest named Marcy got so upset she broke down in tears and had to leave early. My friend Susan, the host, tried to rehabilitate me with the remaining guests. "Oh dear, it's just a misunderstanding. Amy was speaking metaphorically-right, Amy? you didn't actually call Sophie 'garbage.'" "Um, yes I did. But it's all in the context," I tried to explain. "It's a Chinese immigrant thing.
Amy Chua (Battle Hymn of the Tiger Mother)
I should understand the land, not as a commodity, an inert fact to be taken for granted, but as an ultimate value, enduring and alive, useful and beautiful and mysterious and formidable and comforting, beneficent and terribly demanding, worthy of the best of man's attention and care... [My father] insisted that I learn to do the hand labor that the land required, knowing--and saying again and again--that the ability to do such work is the source of a confidence and an independence of character that can come no other way, not by money, not by education.
Wendell Berry (The Hidden Wound)
Father Peregrine, won’t you ever be serious?” “Not until the good Lord is. Oh, don’t look so terribly shocked, please. The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn’t it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn’t that true? And certainly we are ridiculous little animals wallowing in the fudge bowl, and God must love us all the more because we appeal to his humor.
Ray Bradbury (The Martian Chronicles)
There was something terrible, but also something sad and melancholy in this long cry uttered by the Russian infantry as they staged an attack. As it crossed the cold water, it lost its fervour. Instead of valour or gallantry, you could hear the sadness of a soul parting with everything that it loved, calling on its nearest and dearest to wake up, to lift their head from their pillows and hear for the last time the voice of a father, a husband, a son or a brother...
Vasily Grossman (Life and Fate)
I was taught that punishment and shame were the logical and necessary reactions to screwing up. The benefit of punishment was that it would keep my wild and terrible natural tendencies in line. It would shame me into being better. “Justice is the firmest pillar of good government,” after all, and justice meant people had to pay for their mistakes. When something went wrong, there had to be fault. There had to be blame. There had to be pain. Now I knew I was wrong. Punishment didn’t make things better. It mucked things up even more. The father’s self-punishment did not grant him his daughter’s forgiveness. It did not whip his sins out of him. Instead, it removed him from his family by isolating him in a prison of self-loathing. Locked in this prison, he couldn’t hear what his daughter needed. He couldn’t give her what she was asking for. There was blame and pain in spades. But all of this actively prevented him from making amends, from healing his relationship with his daughter. Punishment did not ease Willow or Jeremy or the other children at Mott Haven back into their circles of friends. Punishment excludes and excises. It demolishes relationships and community. I could not believe it had taken me this long to realize that punishment is not love. In fact, it is the opposite of love. Forgiveness is love. Spaciousness is love.
Stephanie Foo (What My Bones Know)
I thank you, Wilhelm, for your heartfelt sympathy, for your well-intentioned advice, but beg you to be quiet. Let me stick it out. Blessedly exhausted as I am, I have strength enough to carry through. I honor religion, you know that, I feel it is a staff for many weary souls, refreshment for many a one who is pining away. But--can it be, must it be, the same thing for everyone? If you look at the great world, you see thousands for whom it wasn't, thousands for whom it will not be the same, preached or unpreached, and must it then be the same for me? Does not the son of God Himself say that those would be around Him whom the Father had given Him? But if I am not given? If the Father wants to keep me for Himself, as my heart tells me?--I beg you, do not misinterpret this, do not see mockery in these innocent words. What I am laying before you is my whole soul; otherwise I would rather have kept silent, as I do not like to lose words over things that everyone knows as little about as I do. What else is it but human destiny to suffer out one's measure, drink up one's cup?--And if the chalice was too bitter for the God from heaven on His human lips, why should I boast and pretend that it tastes sweet to me? And why should I be ashamed in the terrible moment when my entire being trembles between being and nothingness, since the past flashes like lightning above the dark abyss of the future and everything around me is swallowed up, and the world perishes with me?--Is that not the voice of the creature thrown back on itself, failing, trapped, lost, and inexorably tumbling downward, the voice groaning in the inner depths of its vainly upwards-struggling energies: My God! My God! Why hast thou forsaken me? And if I should be ashamed of the expression, should I be afraid when facing that moment, since it did not escape Him who rolls up heaven like a carpet?
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
In the emergency of growing up, we all need heroes. But the father I grew up with was no hero to me, not then. He was too wounded in the head, too endlessly and terribly sad. Too funny, too explosive, too confusing. Heroes are uncomplicated. *This* makes them do *that*… But the war does not make sense. War senselessly wounds everyone right down the line. A body bag fits more than just its intended corpse. Take the 58,000 American soldiers lost in Vietnam and multiply by four, five, six—and only then does one begin to realize the damage this war has done… War when necessary, is unspeakable. When unnecessary, it is unforgivable. It is not an occasion for heroism. It is an occasion only for survival and death. To regard war in any other way only guarantees its inevitable reappearance.
Tom Bissell (The Father of All Things: A Marine, His Son, and the Legacy of Vietnam)
Sometimes, they wait. Sometimes, you see the dead come in to the harbor, and their old dogs are all along the docks, wagging their tails, for they have waited for their masters and mistresses for many years. You see mothers who have missed their sons. Fathers who had never spoken of love to their children, ready to embrace them as they voyage from the end of life. It shows the lies of this world, you see. We are wrong about so many things here. Mankind has done terrible things, yet we are forgiven.
Douglas Clegg (Isis (Harrow House, #0.25))
He had been conceived while his father was home on leave in 1915. He was born out of the war and (he had always known it) war would be his fate. There was nothing morbid in this idea; he shared it with many boys his age; it was simply logical and reasonable. But, he said to himself, the worst is over now, and that changes everything. Once again there is a future. The war is over—terrible, shameful, but over. And … there is hope
Irène Némirovsky (Suite Française)
She fixed me with her cold gray stare, and I realized what a terrible enemy Athena would make, ten times worse than Ares or Dionysus or maybe even my father. Athena would never give up. She would never do something rash or stupid just because she hated you, and if she made a plan to destroy you, it would not fail. Natalie: Athena scares me! She would be a… If she becomes Percy’s enemy she would just destroy him, without a hint of remorse.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Father Travis leaned back. I glanced up at him. He was watching us from under his brow, his hands folded in his lap. His eyes had taken on that cyborg gleam. His cheekbones looked like they were going to break right through his skin. Not only did he own a copy of Alien, not only did he have an amazing and terrible wound, but he had called us humiliating names without actually resorting to the usual swear words. Besides that there was the deft speed with which he’d caught Angus, the free weights beside the television, the fancy Michelob. It was almost enough to make a boy want to be a Catholic.
Louise Erdrich (The Round House)
My father worked on a farm - and his father. They both got very near to ninety, I believe. They were hardy old sorts. They never had a thing amiss with them. They worked and lived, and then kind of toppled over at the end. I should have been like them but my accident made the difference to me. The horses ran away with me on the farm. It was only two fields away from this house. It was a terrible accident; it jagged me all to pieces. The horses bolted in the field and ruined me. We were using the self-binder at the time. It was the second year I was in this village and thirty-eight year ago or more. I was at the top of the field whole and then at the bottom of the field, broken, and all in minutes. I should not have come here.
Akenfield: Portrait of an English Village
Its invisibility, and the mystery which was attached to it, made this organization doubly terrible. It appeared to be omniscient and omnipotent, and yet was neither seen nor heard. The man who held out against the Church vanished away, and none knew whither he had gone or what had befallen him. His wife and his children awaited him at home, but no father ever returned to tell them how he had fared at the hands of his secret judges. A rash word or a hasty act was followed by annihilation, and yet none knew what the nature might be of this terrible power which was suspended over them. No wonder that men went about in fear and trembling, and that even in the heart of the wilderness they dared not whisper the doubts which oppressed them.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole." "But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —" "Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment, that you had never heard that prophecy! How would you feel about Voldemort now? Think!" Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat. "I'd want him finished," said Harry quietly. "And I'd want to do it." "Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —" "That one of us is going to end up killing the other," said Harry. "Yes." But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Here’s a free tip,” his father says: “The feds aren’t terribly impressed by infantile egoism. In fact, if Objectivism were at the center of human philosophical discourse rather than the fringes, we wouldn’t be here—the Big Zap would have arrived decades ago. But I’m going to be generous and let you write down the ghost of Ayn Rand as a brain fart. I won’t bring her up again if you don’t.
Cory Doctorow (The Rapture of the Nerds)
A scream is a sound we make that is born of intense feeling. A scream of fear, of being startled, is often high-pitched. It may be short or prolonged. A scream may also accompany delight or amusement, though often that is more of a squeal. And a scream of sorrow or rage ... well, that is an entirely different thing. That comes from a darker place, from the depths of our souls, and when we scream in those times, because we are sad or angry, there is a terrible knowledge that accompanies it, that we are giving voice to our emotions, to what is simply too big for our hearts to contain. And as Li Wei cries out, I know Feng Ji is right. It is his heart I am hearing, a way of expressing what he feels over his father's loss that is both primal and beautiful, and it comes from his soul and reaches something within mine. It is the sound my own heart made when my parents died, only I didn't know it until now.
Richelle Mead (Soundless)
The danger facing all of us--let me say it again, for one feels it tremendously--is not that we shall make an absolute failure of life, nor that we shall fall into outright viciousness, nor that we shall be terribly unhappy, nor that we shall feel that life has no meaning at all--not these things. The danger is that we may fail to perceive life's greatest meaning, fall short of its highest good, miss its deepest and most abiding happiness, be unable to render the most needed service, be unconscious of life ablaze with the light of the Presence of God--and be content to have it so--that is the danger. That some day we may wake up and find that always we have been busy with the husks and trappings of life--and have really missed life itself. For life without God, to one who has known the richness and joy of life with Him, is unthinkable, impossible. That is what one prays one's friends may be spared--satisfaction with a life that falls short of the best, that has in it no tingle and thrill which come from a friendship with the Father.
Phillips Brooks
It's like that story of the father whose son breaks his leg. The villagers come up and say, 'Your son broke his leg, what bad luck.' but the father replies, 'Good luck, bad luck, who knows?' Then there's a war and all the young men in the village must fight. There is a terrible battle and most everyone is killed - except for the man's son who couldn't fight because he broke his leg. So the villagers come up to him and say, 'What good luck, your son didn't have to fight and now he is alive.' But the father replies, 'Good luck, bad luck, who knows?
Nic Sheff (Tweak: Growing Up On Methamphetamines)
My father’s retellings could be dramatic and my mother would often chide him, especially before bedtime when she feared he’d give me nightmares. But his stories never frightened me. I was an overly brash child who delighted in believing every stray cat a djinn, every shadow beneath the waves a mermaid. But it went beyond imaginings. I’d grown up feeling terribly unusual, out of place and never at peace with the fate afforded young girls. In a hidden corner of my heart, I nursed embarrassing dreams. That I was not the child of my parents, but the daughter of a tribe of female warriors who flew upon winged horses. Or I was heir to a hidden sea kingdom below the waves, and the whispered sighs I heard from the water when we sailed and the strange lightning in the distance were not natural weather phenomena but magic, my true family calling to me.
S.A. Chakraborty (The Adventures of Amina al-Sirafi (Amina al-Sirafi, #1))
Then he told Perry that love was like the waves in the sea, gentle and good sometimes, rough and terrible at others, but that it was endless and stronger than the sky and the earth and everything in between. “One day,” his father had said, “I hope you understand. And I hope you’ll forgive me.” Perry knew how it felt to be haunted by a mistake whenever he lay down to sleep. There was nothing more painful than hurting someone you loved.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
We used to hang out all the time. St. Clair and me.But after you arrived,I hardly saw him. He'd sit next to you in class,at lunch,at the movies. Everywhere. And even though I was suspicious,I knew the first time I heard you call him Etienne-I knew you loved him.And I knew by his response-the way his eyes lit up every time you said it-I knew he loved you,too. And I ignored it,because I didn't want to believe it." The struggle rises inside me again. "I don't know if he loves me.I don't know if he does,or if he ever did.It's all so messed up." "It's obvious he wants more than friendship." Mer takes my shaking mug. "Haven't you seen him? He suffers every time he looks at you.I've never seen anyone so miserable in my life." "That's not true." I'm remembering he said the situation with his father is really terrible right now. "He has other things on his mind,more important things." "Why aren't the two of you together?" The directness of her question throws me. "I don't know.Sometimes I think there are only so many opportunies...to get together with someone.And we've both screwed up so many times"-my voice grows quiet-"that we've missed our chance." "Anna." Mer pauses. "That is the dumbest thing I've ever heard." "But-" "But what? You love him,and he loves you, and you live in the most romantic city in the world." I shake my head. "It's not that simple." "Then let me put it another way.A gorgeous boy is in love with you, and you're not even gonna try to make it work?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
and in that moment, Sherman made the terrible discovery that men make about their fathers sooner or later. For the first time he realized that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best as he could, out of a sense of duty and, perhaps, love, adopted a role called being a father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. And now that boy, that good actor, had grown old and fragile and tired, wearier than ever at the thought of trying to hoist the Protector's armor back onto his shoulders again, now, so far down the line.
Tom Wolfe (The Bonfire of the Vanities)
I know the Unknown God," said the little priest, with an unconscious grandeur of certitude that stood up like a granite tower. "I know his name; it is Satan. The true God was made flesh and dwelt among us. And I say to you, wherever you find men ruled merely by mystery, it is the mystery of iniquity. If the devil tells you something is too fearful to look at, look at it. If he says something is too terrible to hear, hear it. If you think some truth unbearable, bear it.
G.K. Chesterton (The Wisdom Of Father Brown)
The Price of Neglect A PUBLIC THAT’S illiterate about the conflicts of the past can easily find itself confused during wartime. Without standards of historical comparison, people prove ill-equipped to make informed judgments when the dogs of war are unleashed. Neither U.S. politicians nor most citizens seem to recall the incompetence and terrible decisions that, in December 1777, December 1941, and November 1950, led to massive American casualties and, for a time, public despair.
Victor Davis Hanson (The Father of Us All: War and History, Ancient and Modern)
The thing that haunted me that day, however, as I closed my notebook and put my coat on to go home, was not my ghostly image of Dracula, or the description of impalement, but the fact that these things had- apparently- actually occurred. If I listened too closely, I thought, I would hear the screams of the boys, of the ‘large family’ dying together. For all his attention to my historical education, my father had neglected to tell me this: history’s terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth. And once you’ve seen that truth-really seen it-you can’t look away.
Elizabeth Kostova (The Historian)
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.' Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words. 'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...' 'What don't I know?' asked Dumbledore calmly. It was too much. Harry turned around, shaking with rage. 'I don't want to talk about how I feel, all right?' 'Harry, suffering like this proves you are still a man! This pain is part of being human--' 'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!' 'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--' He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions. 'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.' 'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself. 'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.' 'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--' But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I think of published poets that you could know of...I think [Rainer Maria Rilke] probably has the most great published poems of any poet [...] but Rilke himself was an asshole. If you look at his biography, he was probably misogynist; he was a liar, a cheat; he was a terrible father; he was selfish; he put people down; he had no consideration for anyone [...] yet, he transcends that in his greatest poems. There's that ineffable, spiritual quality - that he himself couldn't reach! But somewhere underneath that reptilian exterior, that asshole exterior of Rainer Maria Rilke, there was some good that came through – like these little sunbursts coming through clouds – that had that moment. And he'd write the Duino Elegies, he'd write the New Poems, and somewhere, that came through. And that's an amazing thing: you can have a lot of great people who are great individuals, who are loving and caring – and they can't do that. And that's not to say that their lives are meaningless, but they will never be able to affect anyone past the propinquity of their existence. They are never going to be able to affect someone in China; they are never going to be able to affect someone in 2132 the way Rilke can. And that specialness needs to be acknowledged; that specialness needs to be upheld; it needs to be rewarded, and people need to say, 'Goddamn – that's a good thing! It's a good thing that people make art!
Dan Schneider
A number of terrible things about falling in love make it not worth the time and the effort. But the worst of these is that we can never truly fall in love with a person, but only what we think that person is - more precisely, we fall in love with an image of a person that we create in our minds based on a few inconsequential traits: hair color; bloodline; timbre of voice; preference in music or literature. We are so quick to make a judgment on first sight, and it is so easy for us to decide that the object of our love is unquestionably perfect. And while people can only be human at best, these same fallible humans are more than capable of imagining each other to be infallible gods. Any relationship we have with another human being is an ongoing process of error correction, altering this image that we see in our mind's eye whenever we lay love-blinded eyes on our beloved. It changes bit by bit until it matches the beloved herself, who is invariably less than perfect, often unworthy of love, and often incapable of giving love. This is why any extended interpersonal relationship other than the most superficial, be it a friendship, a romance, or a tie between father and daughter, must by necessity involve disappointment and pain. When the woman you worship behaves as a human being eventually will, she does not merely disappoint; she commits sacrilege, as if the God we worship were to somehow damn Himself.
Dexter Palmer (The Dream of Perpetual Motion)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I just came from Bunker Hill,’ I told Sam. ‘Hel offered me a reunion with my mother.’ I managed to tell her the story. Samirah reached out as if to touch my arm, then apparently changed her mind. ‘I’m so sorry, Magnus. But Hel lies. You can’t trust her. She’s just like my father, only colder. You made the right choice.’ ‘Yeah … still. You ever do the right thing, and you know it’s the right thing, but it leaves you feeling horrible?’ ‘You’ve just described most days of my life.’ Sam pulled up her hood. ‘When I became a Valkyrie … I’m still not sure why I fought that frost giant. The kids at Malcolm X were terrible to me. The usual garbage: they asked me if I was a terrorist. They yanked off my hijab. They slipped disgusting notes and pictures into my locker. When that giant attacked … I could’ve pretended to be just another mortal and got myself to safety. But I didn’t even think about running away. Why did I risk my life for those kids?’ I smiled. ‘What?’ she demanded. ‘Somebody once told me that a hero’s bravery has to be unplanned – a genuine response to a crisis. It has to come from the heart, without any thought of reward.’ Sam huffed. ‘That somebody sounds pretty smug.’ ‘Maybe you didn’t need to come here,’ I decided. ‘Maybe I did. To understand why we’re a good team.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
My Caroline, If you’re reading this endnote then I can assume you’ve suffered your way through the story, our story once again. I suppose having you relive our time together is the ultimate proof of my sadism, as if you of all people needed further proof. At the end I find myself surprised by how easy it was to write this book about us. I found I missed you so much that a terrible vacuum had formed; all the words came and filled it and for a little while you were home with me again. I didn’t want it to end but a story must have an end, I suppose. I have no secrets to reveal on this final page. I loved you. At least I tried to. And I failed you. I failed you with great success. Forgive me if you can. I will not apologize anymore. I’m done writing now. I may go into the garden and read until evening. It isn’t quite the same without your head on my knee and your ill-informed criticisms of my reading material, but I shall carry on alone, page by page, until the end. And when evening comes and the sun is sitting on the edge of the earth, I will look out, searching for a break in the horizon as that father did once so many thousands of years ago…the father waiting for his prodigal child to return. I hope you are happy. As for me, I…continue. If you ever miss me, miss… But some things are best left unwritten. Just know I have kept your room for you. I’ll say no more. I know I sent you away. I know it was the right thing to do. But I also know that perhaps not every story has to end. Love, Your William
Tiffany Reisz (The Siren (The Original Sinners, #1))
I suppose, he was thinking, that we heard this tale of the Herzogs ten times a year. Sometimes Mama told it, sometimes he. So we had a great schooling in grief. I still know these cries of the soul. They lie in the breast, and in the throat. The mouth wants to open wide and let them out. But all these are antiquities -- yes, Jewish antiquities originating in the Bible, in a Biblical sense of personal experience and destiny. What happened during the War abolished Father Herzog's claim to exceptional suffering. We are on a more brutal standard now, a new terminal standard, indifferent to persons. Part of the program of human destruction into which the human spirit has poured itself with energy, even with joy. These personal histories, old tales from old times that may not be worth remembering. I remember. I must. But who else -- to whom can this matter? So many millions -- multitudes -- go down in terrible pain. And, at that, moral suffering is denied, these days. Personalities are good only for comic relief. But I am still a slave to Papa's pain. The way Father Herzog spoke of himself! That could make one laugh. His I had such dignity.
Saul Bellow (Herzog)
Sadly, prosperity is not the only reason people forget God. It can also be hard to remember Him when our lives go badly. When we struggle, as so many do, in grinding poverty or when our enemies prevail against us or when sickness is not healed, the enemy of our souls can send his evil message that there is no God or that if He exists He does not care about us. Then it can be hard for the Holy Ghost to bring to our remembrance the lifetime of blessings the Lord has given us from our infancy and in the midst of our distress. There is a simple cure for the terrible malady of forgetting God, His blessings, and His messages to us. Jesus Christ promised it to His disciples when He was about to be crucified, resurrected, and then taken away from them to ascend in glory to His Father. They were concerned to know how they would be able to endure when He was no longer with them. Here is the promise. It was fulfilled for them then. It can be fulfilled for all of us now.
Henry B. Eyring
She jogs until she reaches Billy, and falls in step beside him. He glances at her, then back at the ground. “Is this how it is, then?” she asks after several moments. “One visit to my sister and we are no longer friends?” He stops at the crest of a hill and squints out at the sun sparkling off the ripples in Sealhead Cove. “I wish we weren’t. When my father sent me to Rolanth, I swore that I would hate you. That I wouldn’t be a fool like Joseph and get myself stuck in between.” He smiles at her sadly. “Why couldn’t you be wretched? Don’t you have any manners? You should’ve had the courtesy to be terrible. So I could despise you.” “I am sorry. Shall I start now? Spit in your eye and kick you?” “That sounds like something Arsinoe would do, actually. So I would find it endearing
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
So the German people clamored for order and leadership. But it was as though in the babble of their clamoring, they had summoned the devil himself, for there now rose up from the deep wound in the national psyche something strange and terrible and compelling. The Führer was no mere man or mere politician. He was something terrifying and authoritarian, self-contained and self-justifying, his own father and his own god. He was a symbol who symbolized himself, who had traded his soul for the zeitgeist. Germany wanted to restore its former glory, but the only means available was the debased language of democracy. So on January 30, 1933, the people democratically elected the man who had vowed to destroy the democratic government they hated. Hitler’s election to office destroyed the office.
Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
I am struck by what a tawdry magician’s trick Time is after all. I am sixty-six years old. Viewed from your coign of vantage—facing toward the future—sixty-six years is a great deal of time. It is all of the experience of your life more than three times over. But, viewed from my coign of vantage—facing toward the past—this sixty-six years was the fluttering down of a cherry petal. I feel that my life was a picture hastily sketched but never filled in . . . for lack of time. Only yesterday—but more than fifty years ago—I walked along this river with my father. I can remember how big and strong his hand felt to my small fingers. Fifty years. But all the insignificant, busy things—the terribly important, now forgotten things that cluttered the intervening time collapse and fall away from my memory. And I remember another yesterday when my daughter was a little girl. We walked along here. At this very moment, the nerves in my hand remember the feeling of her chubby fingers clinging to one of mine.
Trevanian
The shock and fragrance of life, steaming red life, given off by the trail of the German's blood in the snow was a reproach to Joe, the reproach of something beautiful and inestimable, like innocence, which he had been lured by the Ice into betraying. In seeking revenge, he had allied himself with the Ice, with the interminable white topography, with the sawteeth and crevasses of death. Nothing that had ever happened to him, not the shooting of Oyster, or the piteous muttering expiration of John Wesley Shannenhouse, or the death of his father, or internment of his mother and grandfather, not even the drowning of his beloved brother, had ever broken his heart quite as terribly as the realization, when he was halfway to the rimed zinc hatch of the German station, that he was hauling a corpse behind him
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
For the first time the Don showed annoyance. He poured another glass of anisette and drank it down. He pointed a finger at his son. "You want to learn," he said. "Now listen to me. A man's first duty is to keep himself alive. Then comes what everyone else calls honor. This dishonor, as you call it, I willingly take upon myself. I did it to save your life as you once took on dishonor to save mine. You would have never left Sicily alive without Don Croce's protection. So be it. Do you want to be a hero like Guiliano, a legend? And dead? I love him as the son of my dear friends, but I do not envy him his fame. You are alive and he is dead. Always remember that and live your life not be be a hero but to remain alive. With time, heroes seem a little foolish." Michael sighed. "Guiliano had no choice," he said. "We are more fortunate," the Don said. It was the first lesson Michael received from his father and the one he learned best. It was to color his future life, persuade him to make terrible decisions he could never have dreamed of making before. It changed his perception of honor and heroism. It helped him survive, but it made him unhappy. For despite the fact that his father did not envy Guiliano, Michael did.
Mario Puzo (The Sicilian (The Godfather, #2))
When I was in Auschwitz, I kept asking, why am I here, what did I do wrong? What did my grandfather do wrong? And a young American man, he put me in the right knowledge. You didn’t do anything wrong, he said, the world did something wrong, terribly wrong. This young man, he went to Budapest in the beginning of it all, and he saved Jews, he gave out passports of Sweden, and because the Hungarians didn’t know how to read Swedish, this was how my father was saved. And thousands of others too, with these pieces of paper. I am here to tell you that one man can make a difference, and that man can be you, any of you…
Alice Lok Cahana
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (1 of 6) [Dramatized Adaptation] (Stormlight Archive #3))
Through these days Bunny made increasingly frequent and protracted visits to the bathroom, beating off with a single-minded savagery intense even by Bunny's standards. Now, sitting on the sofa with a large Scotch, his cock feels and looks like something that has been involved in a terrible accident - a cartoon hotdog, maybe, that has made an unsuccessful attempt to cross a busy road. The boy sits beside him and the two of them are locked in a parenthesis of mutual zonkedness. Bunny Junior stares blankly at the encyclopedia open in his lap. His father watches the television, smokes his fag and drinks his whisky, like an automaton. After a time, Bunny turns his head and looks at his son and clocks the way he stares at his weird encyclopedia. He sees him but he can't really believe he is there. What does this kid want? What is he supposed to do with him? Who is he? Bunny feels like an extinct volcano, lifeless and paralysed. Yeah, he thinks, I feel like an extinct volcano - with a weird little kid to look after and a mangled sausage for a dick.
Nick Cave (The Death of Bunny Munro)
Then came that terrible Christmas with its awful presents when our father, with the vanity I was to find typical, sent his photograph. My gift from Mother was a tea set—a teapot, four cups and saucers and tiny spoons-and a doll with blue eyes and rosy cheeks and yellow hair painted on her head. I didn't know what Bailey received, but after I opened my boxes I went out to the backyard behind the chinaberry tree. The day was cold and the air as clear as water. Frost was still on the bench but I sat down and cried. I looked up and Bailey was coming from the outhouse, wiping his eyes. He had been crying too. I didn't know if he had also told himself they were dead and had been rudely awakened to the truth or whether he was just feeling lonely. The gifts opened the door to questions that neither of us wanted to ask. Why did they send us away? and What did we do so wrong? So Wrong? Why at three and four, did we have tags put on our arms to be sent by train alone from Long Beach, California, to Stamps, Arkansas, with only the porter to look after us?
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Outside, you don't even hear a single bird, and a deathly, oppressive silence hangs over the house and clings to me as if it were going to drag me into the deepest regions of the underworld. At times like these, Father, Mother and Margot don't matter to me in the least. I wander from room to room, climb up and down the stairs and feel like a songbird whose wings have been ripped off and who keeps hurling itself against the bars of its dark cage. "Let me out, where there's fresh air and laughter!" a voice within me cries. I don't even bother to reply anymore, but lie down on the divan. Sleep makes the silence and the terrible fear go by more quickly, helps pass the time, since it's impossible to kill it.
Anne Frank (Anne Frank: The Diary of a Young Girl)
Military history teaches us, contrary to popular belief, that wars are not necessarily the most costly of human calamities. The allied coalition lost few lives in getting Saddam out of Kuwait during the Gulf War of 1991, yet doing nothing in Rwanda allowed savage gangs and militias to murder hundreds of thousands with impunity. Bill Clinton stopped a Balkan holocaust through air strikes, without sacrificing American soldiers. His supporters argued, with some merit, that the collateral damage from the NATO bombing of Belgrade resulted in far fewer innocents killed, in such a “terrible arithmetic,” than if the Serbian death squads had been allowed to continue their unchecked cleansing of Islamic communities.
Victor Davis Hanson (The Father of Us All: War and History, Ancient and Modern)
Everything comes from everything and nothing escapes commonality. I am building a house already built, you are bearing a child already born. Everything comes from everything: a single cell out of another single cell; the cherry tree blossoms from the boughs; the hunter's aim from his arm; the rivers from tributaries from streams from falls from springs from wells; the Christ thorns out of the honey locust; a word from an ancient word, this book from many books; the tiny black bears out of their durable mothers tumbling from dark lairs; eightieth-generation wild crab abloom again and again and again; your hand out of your father's; firstborn out of firstborn out of firstborn out of; the weeping willows and the heart leaf, the Carolina, the silky, the upland, the sandbar willows; every tart berry; our work, which disappears; our mothers' whispers, which disappear; every Thoroughbred; every violet; every kindling twig, bone out of bone; also the heat lightborne, the pollen airborne, the rabbits soft and crickets all angles and the glossy snakes from their slithering, inexhaustible mothers, freshly terrible. When you die, you will contribute your bones like alms. More and more is the only law.
C.E. Morgan (The Sport of Kings)
Oh, I have what a lot of people would probably call communistic thoughts,” said Eliot artlessly, “but, for heaven’s sakes, Father, nobody can work with the poor and not fall over Karl Marx from time to time—or just fall over the Bible, as far as that goes. I think it’s terrible the way people don’t share things in this country. I think it’s a heartless government that will let one baby be born owning a big piece of the country, the way I was born, and let another baby be born without owning anything. The least a government could do, it seems to me, is to divide things up fairly among the babies. Life is hard enough, without people having to worry themselves sick about money, too. There’s plenty for everybody in this country, if we’ll only share more.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
Did I ever tell you I went to school in America?" "What? No." "It's true,for a year. Eighth grade. It was terrible." "Eighth grade is terrible for everyone," I say. "Well,it was worse for me. My parents had just seperated,and my mum moved back to California.I hadn't been since I was an infant,but I went with her,and I was put in this horrid public school-" "Oh,no. Public school." He nudges me with his shoulder. "The other kids were ruthless. They made fun of everything about me-my height,my accent, the way I dressed.I vowed I'd never go back." "But American girls love English accents." I blurt this without thinking, and then pray he doesn't notice my blush. St. Clair picks up a pebble and tosses it into the river. "Not in middle school, they don't.Especially when it's attached to a bloke who comes up to their kneecaps." I laugh. "So when the year was over,my parents found a new school for me. I wanted to go back to London,where my mates were, but my father insisted on Paris so he could keep an eye on me. And that's how I would up at the School of America.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
So since we’ve clearly created a monster, which of us is Dr. Frankenstein, and who gets to be Igor?” I asked, hoping to inject a little levity. “I’m definitely the doctor. He had the nicer ass.” “I hate to be a bubble burster, but you’re a disembodied AI; you don’t have an ass.” “I have since I met you.” “Aw. And you do have quite a mainframe on you.” I realized after saying it how weird that was, since technically her mainframe was my mainframe, and I really didn’t want to dwell on how incestuous that was. “But what if I’m not ready to be a father?” “Well, you’re already a bother, so all you’d really need to do is give an F.” “That was low, and given how terrible my standards are, you should recognize what kind of an insult that really is.” “Don’t be a jerk. It’s unbecoming.” “Well, apparently I’m becoming a jerk. Were you expecting a pumpkin?
Nicolas Wilson (The Galaxy Chronicles)
...do we realize that this cheap grace has turned back upon us like a boomerang? The price we are having to pay today in the shape of the collapse of the organized Church is only the inevitable consequence of our policy of making grace available to all at too low a cost. We gave away the word and sacraments wholesale, we baptized, confirmed, and absolved a whole nation unasked and without condition. Our humanitarian sentiment made us give that which was holy to the scornful and unbelieving. We poured forth unending streams of grace. But the call to follow Jesus in the narrow way was hardly ever heard. Where were those truths which impelled the early Church to institute the catechumenate, which enabled a strict watch to be kept over the frontier between the Church and the world, and afforded adequate protection for costly grace? What had happened to all those warnings of Luther's against preaching the gospel in such a manner as to make men rest secure in their ungodly living? Was there ever a more terrible or disastrous instance of the Christianizing of the world than this? What are those three thousand Saxons put to death by Charlemagne compared with the millions of spiritual corpses in our country today? With us it has been abundantly proved that the sins of the fathers are visited upon the children unto the third and fourth generations. Cheap grace has turned out to be utterly merciless to our Evangelical church.
Dietrich Bonhoeffer
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
Have You Prayed” When the wind turns and asks, in my father’s voice, Have you prayed? I know three things. One: I’m never finished answering to the dead. Two: A man is four winds and three fires. And the four winds are his father’s voice, his mother’s voice . . . Or maybe he’s seven winds and ten fires. And the fires are seeing, hearing, touching, dreaming, thinking . . . Or is he the breath of God? When the wind turns traveler and asks, in my father’s voice, Have you prayed? I remember three things. One: A father’s love is milk and sugar, two-thirds worry, two-thirds grief, and what’s left over is trimmed and leavened to make the bread the dead and the living share. And patience? That’s to endure the terrible leavening and kneading. And wisdom? That’s my father’s face in sleep. When the wind asks, Have you prayed? I know it’s only me reminding myself a flower is one station between earth’s wish and earth’s rapture, and blood was fire, salt, and breath long before it quickened any wand or branch, any limb that woke speaking. It’s just me in the gowns of the wind, or my father through me, asking, Have you found your refuge yet? asking, Are you happy? Strange. A troubled father. A happy son. The wind with a voice. And me talking to no one.
Li-Young Lee (Behind My Eyes: Poems)
Nothing in the record of human history argues for divine morality, and a great deal argues against it. What we know is that good people very often suffer terribly, while the perpetrators of horrific evil backstroke through all the pleasures of the world. There is no evidence that the score is ever evened in this life or any after. The barbarian Andrew Jackson rejoiced in mass murder, regaled in enslavement, and died a national hero. For three decades, J. Edgar Hoover incited murder and perfected blackmail against citizens who only sought some equal pursuit of liberty and happiness. Today his name is affixed to a building that we are told was erected in the pursuit of justice. Hitler pushed an entire people to the brink of extinction, escaped human censure, and now finds acolytes among some of the very states he conquered. The warlords of history are still kicking our heads in, and no one, not our fathers, not our Gods, is coming to save us.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
I fell back against the wall and he came up to me, grinding his teeth, and, as I fell upon my knees, he hissed mad, incoherent words and curses at me. Leaning over me, he cried, ‘Look! You want to see! See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik’s face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like! Oh, you women are so inquisitive! Well, are you satisfied? I’m a very good-looking fellow, eh? … When a woman has seen me, as you have, she belongs to me. She loves me for ever. I am a kind of Don Juan, you know!’ And, drawing himself up to his full height, with his hand on his hip, wagging the hideous thing that was his head on his shoulders, he roared, ‘Look at me! I AM DON JUAN TRIUMPHANT!’ And, when I turned away my head and begged for mercy, he drew it to him, brutally, twisting his dead fingers into my hair.” “Enough! Enough!” cried Raoul. “I will kill him. In Heaven’s name, Christine, tell me where the dining-room on the lake is! I must kill him!” “Oh, be quiet, Raoul, if you want to know!” “Yes, I want to know how and why you went back; I must know! … But, in any case, I will kill him!” “Oh, Raoul, listen, listen! … He dragged me by my hair and then … and then … Oh, it is too horrible!” “Well, what? Out with it!” exclaimed Raoul fiercely. “Out with it, quick!” “Then he hissed at me. 'Ah, I frighten you, do I? … I dare say! … Perhaps you think that I have another mask, eh, and that this … this … my head is a mask? Well,’ he roared, 'tear it off as you did the other! Come! Come along! I insist! Your hands! Your hands! Give me your hands!’ And he seized my hands and dug them into his awful face. He tore his flesh with my nails, tore his terrible dead flesh with my nails! … 'Know,’ he shouted, while his throat throbbed and panted like a furnace, 'know that I am built up of death from head to foot and that it is a corpse that loves you and adores you and will never, never leave you! … Look, I am not laughing now, I am crying, crying for you, Christine, who have torn off my mask and who therefore can never leave me again! … As long as you thought me handsome, you could have come back, I know you would have come back … but, now that you know my hideousness, you would run away for good… So I shall keep you here! … Why did you want to see me? Oh, mad Christine, who wanted to see me! … When my own father never saw me and when my mother, so as not to see me, made me a present of my first mask!’ - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
I had never been so close to death before. For a long time, as I lay there trying to clear my mind, I couldn't think coherently at all, conscious only of a terrible, blind bitterness. Why had they singled me out? Didn't they understand? Had everything I'd gone through on their behalf been utterly in vain? Did it really count for nothing? What had happened to logic, meaning and sense? But I feel much calmer now. It helps to discipline oneself like this, writing it down to see it set out on paper, to try and weigh it and find some significance in it. Prof Bruwer: There are only two kinds of madness one should guard against, Ben. One is the belief that we can do everything. The other is the belief that we can do nothing. I wanted to help. Right. I meant it very sincerely. But I wanted to do it on my terms. And I am white, and they are black. I thought it was still possible to reach beyond our whiteness and blackness. I thought that to reach out and touch hands across the gulf would be sufficient in itself. But I grasped so little, really: as if good intentions from my side could solve it all. It was presumptuous of me. In an ordinary world, in a natural one, I might have succeeded. But not in this deranged, divided age. I can do all I can for Gordon or scores of others who have come to me; I can imagine myself in their shoes, I can project myself into their suffering. But I cannot, ever, live their lives for them. So what else could come of it but failure? Whether I like it or not, whether I feel like cursing my own condition or not -- and that would only serve to confirm my impotence -- I am white. This is the small, final, terrifying truth of my broken world. I am white. And because I am white I am born into a state of privilege. Even if I fight the system that has reduced us to this I remain white, and favored by the very circumstances I abhor. Even if I'm hated, and ostracized, and persecuted, and in the end destroyed, nothing can make me black. And so those who are cannot but remain suspicious of me. In their eyes my very efforts to identify myself with Gordon, whit all the Gordons, would be obscene. Every gesture I make, every act I commit in my efforts to help them makes it more difficult for them to define their real needs and discover for themselves their integrity and affirm their own dignity. How else could we hope to arrive beyond predator and prey, helper and helped, white and black, and find redemption? On the other hand: what can I do but what I have done? I cannot choose not to intervene: that would be a denial and a mockery not only of everything I believe in, but of the hope that compassion may survive among men. By not acting as I did I would deny the very possibility of that gulf to be bridged. If I act, I cannot but lose. But if I do not act, it is a different kind of defeat, equally decisive and maybe worse. Because then I will not even have a conscience left. The end seems ineluctable: failure, defeat, loss. The only choice I have left is whether I am prepared to salvage a little honour, a little decency, a little humanity -- or nothing. It seems as if a sacrifice is impossible to avoid, whatever way one looks at it. But at least one has the choice between a wholly futile sacrifice and one that might, in the long run, open up a possibility, however negligible or dubious, of something better, less sordid and more noble, for our children… They live on. We, the fathers, have lost.
André Brink (A Dry White Season)
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
This probably would have been my exact worst nightmare of bringing a boy home to meet my parents, if I’d ever had enough creativity to imagine my father throwing a live bobcat on the boy I was trying to impress. I assumed that Daddy had accidentally left a bobcat in the house, fallen asleep, realized his terrible mistake when he woke up and heard Victor’s voice, and was now surreptitiously sneaking it out the back door so that Victor would never suspect that we were the type of family to keep live bobcats in the house. Unfortunately, that was not my father’s intent at all, and my eyes widened in horror as my father leaned over and yelled in his booming, cheerful voice, “HELLOOOO, VICTOR,” while tossing a live bobcat on him. Most people reading this will assume that this was my father’s way of making would-be suitors terrified of him so they would always treat his daughters right, but this wasn’t even vaguely a concern of his. He would just as happily have tossed the live bobcat on my mother or me, if it weren’t for the fact that we’d all become superhumanly aware of the terrifying sounds of my father trying to be quiet. In my father’s defense, it was a smallish sort of bobcat that my dad was nursing back to health so he could release it back into the wild, rather than one of the full-grown ones from the backyard. At the time, my dad had several large bobcats he was keeping, but they were seldom indoors, and if my mom found one in the house she’d shoo it into the bobcat cages outside with a broom. I
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
Catarina hooked her hand around Magnus’s elbow and hauled him away, like a schoolteacher with a misbehaving student. They entered a narrow alcove around the corner, where the music and noise of the party was muffled. She rounded on him. “I recently treated Tessa for wounds she said were inflicted on her by members of a demon-worshipping cult,” Catarina said. “She told me you were, and I quote, ‘handling’ the cult. What’s going on? Explain.” Magnus made a face. “I may have had a hand in founding it.” “How much of a hand?” “Well, both.” Catarina bristled. “I specifically told you not to do that!” “You did?” Magnus said. A bubble of hope grew within him. “You remember what happened?” She gave him a look of distress. “You don’t?” “Someone took all my memories around the subject of this cult,” said Magnus. “I don’t know who, or why.” He sounded more desperate than he would’ve liked, more desperate than he wanted to be. His old friend’s face was full of sympathy. “I don’t know anything about it,” she said. “I met up with you and Ragnor for a brief vacation. You seemed troubled, but you were trying to laugh it off, the way you always do. You and Ragnor said you had a brilliant idea to start a joke cult. I told you not to do it. That’s it.” He, Catarina, and Ragnor had taken many trips together, over the centuries. One memorable trip had gotten Magnus banished from Peru. He had always enjoyed those adventures more than any others. Being with his friends almost felt like having a home. He did not know if there would ever be another trip. Ragnor was dead, and Magnus might have done something terrible. “Why didn’t you stop me?” he asked. “You usually stop me!” “I had to take an orphan child across an ocean to save his life.” “Right,” said Magnus. “That’s a good reason.” Catarina shook her head. “I took my eyes off you for one second.” She had worked in mundane hospitals in New York for decades. She saved orphans. She healed the sick. She’d always been the voice of reason in the trio that was Ragnor, Catarina, and Magnus. “So I planned with Ragnor to start a joke cult, and I guess I did it. Now the joke cult is a real cult, and they have a new leader. It sounds like they’re mixed up with a Greater Demon.” Even to Catarina, he wouldn’t say the name of his father. “Sounds like the joke has gotten a little out of hand,” Catarina said dryly. “Sounds like I’m the punch line.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
He pulled back, dropped his hands, feeling unspeakably awkward. What did you say after a terrible kiss? He’d never had cause to wonder. That was when he saw Kuwei standing in the doorway, mouth open, eyes wide and shocked. “What?” Jesper asked. “Do the Shu not kiss before noon?” “I wouldn’t know,” Kuwei said sourly. Not Kuwei. “Oh, Saints,” Jesper groaned. That wasn’t Kuwei in the doorway. It was Wylan Van Eck, budding demolitions expert and wayward rich kid. And that meant he’d just kissed … The real Kuwei plunked that same listless note on the piano, grinning shamelessly up at him through thick black lashes. Jesper turned back to the door. “Wylan—” he began. “Kaz wants us in the sitting room.” “I—” But Wylan was already gone. Jesper stared at the empty doorway. How could he have made a mistake like that? Wylan was taller than Kuwei; his face was narrower too. If Jesper hadn’t been so riled up and jittery after the fight with Kaz and the argument with his father, he would never have confused them. And now he’d ruined everything. Jesper jabbed an accusing finger at Kuwei. “You should have said something!” Kuwei shrugged. “You were very brave on Black Veil. Since we’re all probably going to die—” “Damn it,” Jesper cursed, stalking toward the door. “You’re a very good kisser,” called Kuwei after him. Jesper turned. “How good is your Kerch really?” “Fairly good.” “Okay, then I hope you understand exactly what I mean when I say you are definitely more trouble than you’re worth.” Kuwei beamed, looking entirely too pleased with himself. “Kaz seems to think I’m worth a great deal now.” Jesper rolled his eyes skyward. “You fit right in here.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
This is just a form letter,” Jules pointed out. “And as for the test, maybe she went in for a checkup. Women are supposed to do that once a year, right? She’d been in Kenya, and suddenly here she was going to this health clinic with Molly, so she figured, what the heck. Maybe this place gives pregnancy tests as part of their regular annual exam.” “Yeah,” Max said. “Maybe.” He didn’t sound convinced. “Okay. Let’s run with the worst-case scenario. She is pregnant. I know it’s not like her to have a one-night stand, but . . .” Jules said, but then stopped. His words were meant to help, but, Hey, good news—the woman you love may have gotten knocked up from a night of casual sex with a stranger were not going to provide a whole hell of a lot of comfort. It didn’t matter that the idea was less awful than the terrible alternative—that Paul Jimmo had continued to pressure Gina. And he hadn’t taken no for an answer. Which was obviously what Max was thinking, considering the way he was working to grind down his few remaining back teeth. “So,” Jules said. “Looks like our little talk didn’t exactly succeed at putting you in a better place.” It was clear, when Max didn’t respond, that he was concentrating on not leaping through the window and flying—using his rage as a form of propulsion, across the street and blasting a body-shaped hole in the wall of that building where Gina and Molly were being held prisoner—please, heavenly father, let them be in there. And Jules knew that if it turned out that Paul Jimmo had so much as touched Gina without her consent, Max would find his grave, dig up his body, bring him back to life, and then kill the son of a bitch all over again.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
We've spoken of the Knights of the Holy Grail, Percival. Do you know what I was? The Knight of the Unholy Grail. In times like these when everyone is wonderful, what is needed is a quest for evil. You should be interested! Such a quest serves God's cause! How? Because the Good proves nothing. When everyone is wonderful, nobody bothers with God. If you had ten thousand Albert Schweitzers giving their lives for their fellow men, do you think anyone would have a second thought about God? Or suppose the Lowell Professor of Religion at Harvard should actually find the Holy Grail, dig it up in an Israeli wadi, properly authenticate it, carbon date it, and present it to the Metropolitan Museum. Millions of visitors! I would be as curious as the next person and would stand in line for hours to see it. But what different would it make in the end? People would be interested for a while, yes. This is an age of interest. But suppose you could show me one "sin," one pure act of malevolence. A different cup of tea! That would bring matters to a screeching halt. But we have plenty of evil around you say. What about Hitler, the gas ovens and so forth? What about them? As everyone knows and says, Hitler was a madman. And it seems nobody else was responsible. Everyone was following orders. It is even possible that there was no such order, that it was all a bureaucratic mistake. Show me a single "sin." One hundred and twenty thousand dead at Hiroshima? Where was the evil of that? Was Harry Truman evil? As for the pilot and bombardier, they were by all accounts wonderful fellows, good fathers and family men. "Evil" is surely the clue to this age, the only quest appropriate to the age. For everything and everyone's either wonderful or sick and nothing is evil. God may be absent, but what if one should find the devil? Do you think I wouldn't be pleased to meet the devil? Ha, ha, I'd shake his hand like a long-lost friend. The mark of the age is that terrible things happen but there is no "evil" involved. People are either crazy, miserable, or wonderful, so where does the "evil" come in? There I was forty-five years old and I didn't know whether there was "evil" in the world.
Walker Percy (Lancelot)
We Let the Boat Drift I set out for the pond, crossing the ravine where seedling pines start up like sparks between the disused rails of the Boston and Maine. The grass in the field would make a second crop if early autumn rains hadn't washed the goodness out. After the night's hard frost it makes a brittle rustling as I walk. The water is utterly still. Here and there a black twig sticks up. It's five years today, and even now I can't accept what cancer did to him -- not death so much as the annihilation of the whole man, sense by sense, thought by thought, hope by hope. Once we talked about the life to come. I took the Bible from the nightstand and offered John 14: "I go to prepare a place for you.""Fine. Good," he said. "But what about Matthew? 'You, therefore, must be perfect, as your heavenly Father is perfect.'" And he wept. My neighbor honks and waves driving by. She counsels troubled students; keeps bees; her goats follow her to the mailbox. Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles rested across our laps; glittering drops fell randomly from their tips. The light around us seemed alive. A loon-itinerant- let us get quite close before it dove, coming up after a long time, and well away from humankind
Jane Kenyon (Otherwise: New and Selected Poems)
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident. I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?” He shook his head. “That’s true, but that’s not the reason we do it.” But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.” Mr. B. shook his head and scratched the stubble on his neck. I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?” Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.” Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?” “Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people. “Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?” No one answered. But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.” Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left. After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?” There was a vacant silence. “Think, people! There must be a reason. Why the brain? What were they trying to preserve?” When no one answered, he answered his own question. “The mind!” he said, exasperated. “The soul!” As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me. Who is cuter? A. Professor Bliss B. Brett Steyers C. Dante Berlin D. The mummy I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Your father’s death was an accident,” Kate said. “An accident. A terrible, horrible twist of fate that no one could have predicted.” Anthony shrugged fatalistically. “I’ll probably go the same way.” “Oh, for the love of—” Kate managed to bite her tongue a split second before she blasphemed. “Anthony, I could die tomorrow as well. I could have died today when that carriage rolled on top of me.” He paled. “Don’t ever remind me of that.” “My mother died when she was my age,” Kate reminded him harshly. “Did you ever think of that? By your laws, I should be dead by my next birthday.” “Don’t be—” “Silly?” she finished for him. Silence reigned for a full minute. Finally, Anthony said, his voice barely above a whisper, “I don’t know if I can get past this.” “You don’t have to get past it,” Kate said. She caught her lower lip, which had begun to tremble, between her teeth, and then laid her hand on an empty spot on the bed. “Could you come over here so I can hold your hand?” Anthony responded instantly; the warmth of her touch flooded him, seeping through his body until it caressed his very soul. And in that moment he realized that this was about more than love. This woman made him a better person. He’d been good and strong and kind before, but with her at his side, he was something more. And together they could do anything. It almost made him think that forty might not be such an impossible dream. “You don’t have to get past it,” she said again, her words blowing softly between them. “To be honest, I don’t see how you could get completely past it until you turn thirty-nine. But what you can do”— she gave his hand a squeeze, and Anthony somehow felt even stronger than he had just moments before—“ is refuse to allow it to rule your life.” “I realized that this morning,” he whispered, “when I knew I had to tell you I loved you. But somehow now— now I know it.” She nodded, and he saw that her eyes were filling with tears. “You have to live each hour as if it’s your last,” she said, “and each day as if you were immortal." -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Wherefore, we receiving a kingdom which cannot be moved, let us have grace, whereby we may serve God acceptably with reverence and godly fear, for our God is a consuming fire."—We have received a kingdom that cannot be moved—whose nature is immovable: let us have grace to serve the Consuming Fire, our God, with divine fear; not with the fear that cringes and craves, but with the bowing down of all thoughts, all delights, all loves before him who is the life of them all, and will have them all pure. The kingdom he has given us cannot be moved, because it has nothing weak in it: it is of the eternal world, the world of being, of truth. We, therefore, must worship him with a fear pure as the kingdom is unshakeable. He will shake heaven and earth, that only the unshakeable may remain, (verse 27): he is a consuming fire, that only that which cannot be consumed may stand forth eternal. It is the nature of God, so terribly pure that it destroys all that is not pure as fire, which demands like purity in our worship. He will have purity. It is not that the fire will burn us if we do not worship thus; but that the fire will burn us until we worship thus; yea, will go on burning within us after all that is foreign to it has yielded to its force, no longer with pain and consuming, but as the highest consciousness of life, the presence of God. When evil, which alone is consumable, shall have passed away in his fire from the dwellers in the immovable kingdom, the nature of man shall look the nature of God in the face, and his fear shall then be pure; for an eternal, that is a holy fear, must spring from a knowledge of the nature, not from a sense of the power. But that which cannot be consumed must be one within itself, a simple existence; therefore in such a soul the fear towards God will be one with the homeliest love. Yea, the fear of God will cause a man to flee, not from him, but from himself; not from him, but to him, the Father of himself, in terror lest he should do Him wrong or his neighbour wrong. And the first words which follow for the setting forth of that grace whereby we may serve God acceptably are these—" Let brotherly love continue." To love our brother is to worship the Consuming Fire.
George MacDonald (Unspoken Sermons, Series I., II., and III.)
There was still some time before the train opened its doors for boarding, yet passengers were hurriedly buying boxed dinners, snacks, cans of beer, and magazines at the kiosk. Some had white iPod headphones in their ears, already off in their own little worlds. Others palmed smartphones, thumbing out texts, some talking so loudly into their phones that their voices rose above the blaring PA announcements. Tsukuru spotted a young couple, seated close together on a bench, happily sharing secrets. A pair of sleepy-looking five- or six-year-old twin boys, with their mother and father dragging them along by their hands, were whisked past where Tsukuru sat. The boys clutched small game devices. Two young foreign men hefted heavy-looking backpacks, while a young woman was lugging a cello case. A woman with a stunning profile passed by. Everyone was boarding a night train, heading to a far-off destination. Tsukuru envied them. At least they had a place they needed to go to. Tsukuru Tazaki had no place he needed to go. He realized that he had never actually been to Matsumoto, or Kofu. Or Shiojiri. Not even to the much closer town of Hachioji. He had watched countless express trains for Matsumoto depart from this platform, but it had never occurred to him that there was a possibility he could board one. Until now he had never thought of it. Why is that? he wondered. Tsukuru imagined himself boarding this train and heading for Matsumoto. It wasn’t exactly impossible. And it didn’t seem like such a terrible idea. He’d suddenly gotten it into his head, after all, to take off for Finland, so why not Matsumoto? What sort of town was it? he wondered. What kind of lives did people lead there? But he shook his head and erased these thoughts. Tomorrow morning it would be impossible to get back to Tokyo in time for work. He knew that much without consulting the timetable. And he was meeting Sara tomorrow night. It was a very important day for him. He couldn’t just take off for Matsumoto on a whim. He drank the rest of his now-lukewarm coffee and tossed the paper cup into a nearby garbage bin. Tsukuru Tazaki had nowhere he had to go. This was like a running theme of his life. He had no place he had to go to, no place to come back to. He never did, and he didn’t now.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look." "She barely caught me." "Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans. "Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private." "Shut up.God, Brian, you said it was nothing." "It's not much." His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up." He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them." "You could have a cracked rib. You need an X ray." "I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again. "Stand still,and don't be a baby." "A minute ago it was don't be macho, now it's don't be a baby. What do you want?" "For you to behave sensibly." "It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens." "I'm sure that's terribly amusing.One of the men can drive you to the emergency room" "No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it." She spotted another, riding high on his hip,and gave that a poke. This time he groaned. "Keeley,you're torturing me here." "Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?" It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?" His throat hurt. "You make my head swim. And you know it." "Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would." "You pick a fine time to tell me when there's people everywhere, and your father one of them.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
In fact this desire for consonance in the apocalyptic data, and our tendency to be derisive about it, seem to me equally interesting. Each manifests itself, in the presence of the other, in most of our minds. We are all ready to be sceptical about Father Marystone, but we are most of us given to some form of 'centurial mysticism,' and even to more extravagant apocalyptic practices: a point I shall be taking up in my fourth talk. What it seems to come to is this. Men in the middest make considerable imaginative investments in coherent patterns which, by the provision of an end, make possible a satisfying consonance with the origins and with the middle. That is why the image of the end can never be permanently falsified. But they also, when awake and sane, feel the need to show a marked respect for things as they are; so that there is a recurring need for adjustments in the interest of reality as well as of control. This has relevance to literary plots, images of the grand temporal consonance; and we may notice that there is the same co-existence of naïve acceptance and scepticism here as there is in apocalyptic. Broadly speaking, it is the popular story that sticks most closely to established conventions; novels the clerisy calls 'major' tend to vary them, and to vary them more and more as time goes by. I shall be talking about this in some detail later, but a few brief illustrations might be useful now. I shall refer chiefly to one aspect of the matter, the falsification of one's expectation of the end. The story that proceeded very simply to its obviously predestined end would be nearer myth than novel or drama. Peripeteia, which has been called the equivalent, in narrative, of irony in rhetoric, is present in every story of the least structural sophistication. Now peripeteia depends on our confidence of the end; it is a disconfirmation followed by a consonance; the interest of having our expectations falsified is obviously related to our wish to reach the discovery or recognition by an unexpected and instructive route. It has nothing whatever to do with any reluctance on our part to get there at all. So that in assimilating the peripeteia we are enacting that readjustment of expectations in regard to an end which is so notable a feature of naïve apocalyptic. And we are doing rather more than that; we are, to look at the matter in another way, re-enacting the familiar dialogue between credulity and scepticism. The more daring the peripeteia, the more we may feel that the work respects our sense of reality; and the more certainly we shall feel that the fiction under consideration is one of those which, by upsetting the ordinary balance of our naïve expectations, is finding something out for us, something real. The falsification of an expectation can be terrible, as in the death of Cordelia; it is a way of finding something out that we should, on our more conventional way to the end, have closed our eyes to. Obviously it could not work if there were not a certain rigidity in the set of our expectations.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.
James C. Dobson (Bringing Up Boys: Practical Advice and Encouragement for Those Shaping the Next Generation of Men)
In the Middle Ages, marriage was considered a sacrament ordained by God, and God also authorised the father to marry his children according to his wishes and interests. An extramarital affair was accordingly a brazen rebellion against both divine and parental authority. It was a mortal sin, no matter what the lovers felt and thought about it. Today people marry for love, and it is their inner feelings that give value to this bond. Hence, if the very same feelings that once drove you into the arms of one man now drive you into the arms of another, what’s wrong with that? If an extramarital affair provides an outlet for emotional and sexual desires that are not satisfied by your spouse of twenty years, and if your new lover is kind, passionate and sensitive to your needs – why not enjoy it? But wait a minute, you might say. We cannot ignore the feelings of the other concerned parties. The woman and her lover might feel wonderful in each other’s arms, but if their respective spouses find out, everybody will probably feel awful for quite some time. And if it leads to divorce, their children might carry the emotional scars for decades. Even if the affair is never discovered, hiding it involves a lot of tension, and may lead to growing feelings of alienation and resentment. The most interesting discussions in humanist ethics concern situations like extramarital affairs, when human feelings collide. What happens when the same action causes one person to feel good, and another to feel bad? How do we weigh the feelings against each other? Do the good feelings of the two lovers outweigh the bad feelings of their spouses and children? It doesn’t matter what you think about this particular question. It is far more important to understand the kind of arguments both sides deploy. Modern people have differing ideas about extramarital affairs, but no matter what their position is, they tend to justify it in the name of human feelings rather than in the name of holy scriptures and divine commandments. Humanism has taught us that something can be bad only if it causes somebody to feel bad. Murder is wrong not because some god once said, ‘Thou shalt not kill.’ Rather, murder is wrong because it causes terrible suffering to the victim, to his family members, and to his friends and acquaintances. Theft is wrong not because some ancient text says, ‘Thou shalt not steal.’ Rather, theft is wrong because when you lose your property, you feel bad about it. And if an action does not cause anyone to feel bad, there can be nothing wrong about it. If the same ancient text says that God commanded us not to make any images of either humans or animals (Exodus 20:4), but I enjoy sculpting such figures, and I don’t harm anyone in the process – then what could possibly be wrong with it? The same logic dominates current debates on homosexuality. If two adult men enjoy having sex with one another, and they don’t harm anyone while doing so, why should it be wrong, and why should we outlaw it? It is a private matter between these two men, and they are free to decide about it according to their inner feelings. In the Middle Ages, if two men confessed to a priest that they were in love with one another, and that they never felt so happy, their good feelings would not have changed the priest’s damning judgement – indeed, their happiness would only have worsened the situation. Today, in contrast, if two men love one another, they are told: ‘If it feels good – do it! Don’t let any priest mess with your mind. Just follow your heart. You know best what’s good for you.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
David Vann (Aquarium)
Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
There comes a time in most of our lives in which we no longer have the strength to lift ourselves out or to pretend ourselves strong. Sometimes our minds want to break because life stomped on us and God didn’t stop it. Like a family who watches their loved one slip and fall onto the rocks on a mountainside vacation when all was supposed to be beautiful and fun; or like a parent whose child was mistreated or shot while at school. Charles and those who lost their loved ones that terrible day had to come to terms with suffering in a house of God while the word was preached and a prankster cackled. Questions fill our lungs. We mentally wheeze. We go numb. When on vacation or at school or at church, that kind of thing is not supposed to happen there. Even the knees of a Jesus-follower will buckle. Charles’ wife, Susannah, said of Charles at that time, “My beloved’s anguish was so deep and violent, that reason seemed to totter in her throne, and we sometimes feared that he would never preach again.”5 Though it cannot be said for all of us or for every person that we have loved, it remains true that, in this cherished case, Charles Spurgeon did preach again. But sorrows of many kinds haunted and hounded him for the rest of his life. His depression came, not only from circumstances, or from questions about whether or not he was consecrated to God, but also from the chemistry of his body. God gave to us a preacher who knew firsthand what it felt like for his reason to totter, not just once, but many times during his life and ministry. And somehow this fellow sufferer named Charles and his dear wife Susannah (who also suffered physically most of her adult life) still made a go of it, insisting to each other and to their generation that the sorrowing have a Savior. On that November morning, in weakness, Charles did what some of us are not yet able to do in our sorrows; he read the Bible. Perhaps it will comfort you to learn that for a while “the very sight of the Bible” made Charles cry.6 Many of us know what this feels like. But this Scripture passage, Philippians 2:9-11, “had such a power of comfort upon [his] distressed spirit.” And being found in human form, he [Jesus] humbled himself by becoming obedient to the point of death, even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name (Phil. 2:8-9). From this Scripture, Charles set the larger story of his hope before us. The same Heavenly Father who picked up His son out of the muck, misery and mistreatment can do the same for us.
Zack Eswine (Spurgeon's Sorrows: Realistic Hope for those who Suffer from Depression)
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)