Cedar Roof Quotes

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I dwell in Possibility— A fairer House than Prose— More numerous of Windows— Superior—for Doors— Of Chambers as the Cedars— Impregnable of Eye— And for an Everlasting Roof The Gambrels of the Sky— Of Visitors—the fairest— For Occupation—This— The spreading wide of narrow Hands To gather Paradise—
Emily Dickinson
They were taken from Anacortes on a train to a transit camp—the horse stables at the Puyallup fairgrounds. They lived in the horse stalls and slept on canvas army cots; at nine p.m. they were confined to their stalls; at ten p.m. they were made to turn out their lights, one bare bulb for each family. The cold in the stalls worked into their bones, and when it rained that night they moved their cots because of the leaks in the roof. The next morning, at six A.M., they slogged through mud to the transit camp mess hall and ate canned figs and white bread from pie tins and drank coffee out of tin cups.
David Guterson (Snow Falling on Cedars)
The youth lies awake in the cedar-roof'd garret and harks to the musical rain,
Walt Whitman (The Complete Walt Whitman)
The rituals surrounding vacations among Manhattan's wealthiest and best-connected citizens are strange and specific. By vacations I don't mean country houses, which are part of the regular ebb and flow of life and which are frequently subjects for complaint - The kids never want to go! The caretaker missed the roof leak! The pipes froze! - as though having a six-thousand-square-foot, cedar-shingled cottage on five acres overlooking the ocean is nothing more or less than a constant test of character.
Anna Quindlen (Rise and Shine)
Jack took me to the Christmas Dance. It snowed the day of the dance, making the Meier Farmhouse and Dance Hall look like something out of a painting, the lights on the roof glowing under sheets of white. And when Jack led me onto the dance floor and grasped one of my hands and tugged it up behind his neck, then placed his arm around my back, soft and low, I thought life couldn't get better. He pulled me close against him, our hands clasped next to his chest.The cedar from the farmhouse mingled with Jack's aftershave,making a sweet, rustic scent. "Becks,remember the first time we met?" he asked,his lips grazing my ear. Of course I remembered. The events of that day were permanently etched into my brain. "You mean,the time you nearly beheaded me with a baseball?" "I had to do something to get the new girl's attention." "A simple 'hello' would have worked." He pulled me in tighter, as if that were possible. "Why did we wait so long to do this?" "Um, because you were making your way through the entire cheerleading squad?" He looked at me for a few moments, then shook his head and leaned in to brush his lips along my shoulder. I closed my eyes. If this was what I could expect for the rest of my high school years,I never wanted to graduate. Ever.
Brodi Ashton (Everneath (Everneath, #1))
I dwell in Possibility – A fairer House than Prose – More numerous of Windows – Superior – for Doors – Of Chambers as the Cedars – Impregnable of eye – And for an everlasting Roof The Gambrels of the Sky – Of Visitors – the fairest – For Occupation – This – The spreading wide my narrow Hands To gather Paradise –
Emily Dickinson
cabin for a long moment. Just looking at it made her smile. It was tiny and whimsical – a cedar sided A-frame with a bright green roof and purple trim, complete with a purple star at the point of the A-frame. It sat in a small open area amongst spruce and alder. The hill tumbled down behind it, offering a wide-open view of Kachemak Bay. She’d been in Diamond Creek, Alaska for almost three years. The sun was rising behind the mountains across the bay, streaks of gold and pink reaching into the sky and filtering through the wispy clouds that sat above the mountains this morning. The air was cool and crisp, typical for an Alaskan summer morning. When the sun was high, the chill would dissipate. A faded blue Subaru pulled into the driveway. Susie climbed out of her car, grabbed some fishing gear and walked to Emma’s truck. “Morning! Sorry I’m late,” Susie said. Emma reached over and took a fishing rod out of Susie’s hands.
J.H. Croix (Love Unbroken (Diamond Creek, Alaska #3))
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree. As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts. And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain. Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.” Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones. These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.
Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
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Now this is interesting.” He addressed a luscious strawberry, red-ripe all over, the exact shape and size a strawberry ought to be, but when had his chair shifted so close? “I am trying to do the pretty without being caught in parson’s mousetrap, I suffer a small lapse of propriety while under the influence with a lady whom all esteem, and you think it’s your name I’m protecting?” He popped the strawberry into his mouth and considered her in a lazy-lidded way that had Eve’s insides pitching in odd directions. “Why are you bristling, Deene? I’m offering my thanks.” He finished chewing the strawberry, though his blue eyes had bored into hers as he’d consumed it. “Did you enjoy our kiss, Evie?” Evie. Only her family called her that—and him. He said it with a particular intimate inflection her family never used though. She sat up very straight. “Your question has no proper answer. If I say no, then I am dishonest—I flew at you, after all, and you had to peel me off of you—and if I say yes, then I am wicked.” “Because if you did enjoy that kiss,” he went on as if she hadn’t spoken, “for I certainly enjoyed it, then perhaps you might be thanking me for the kiss and not for keeping the silence any man with sense or manners would have kept.” With him staring at her like that, it was hard to grasp the sense of his words, but Eve made the effort. He was offended that she’d thanked him. Any man admitted under her parents’ roof would have been discreet about such a moment. He had enjoyed that kiss. He leaned forward, so close Eve could catch the scent of his lavender-and-cedar soap, so close she could… Feel his lips, soft and knowing, against her cheek. Oh, she should turn away. There was no convenient tankard of spiked punch to blame, no holiday cheer, no reckless sense of yet another sibling slipping away into marriage. His hand came up to cradle her jaw, then to shift her head slightly so she faced him. Those soft, knowing lips teased their way to her mouth, gently, inexorably.
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
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I awoke this morning in the gold light turning this way and that thinking for a moment it was one day like any other. But the veil had gone from my darkened heart and I thought it must have been the quiet candlelight that filled my room, it must have been the first easy rhythm with which I breathed myself to sleep, it must have been the prayer I said speaking to the otherness of the night. And I thought this is the good day you could meet your love, this is the gray day someone close to you could die. This is the day you realize how easily the thread is broken between this world and the next and I found myself sitting up in the quiet pathway of light, the tawny close grained cedar burning round me like fire and all the angels of this housely heaven ascending through the first roof of light the sun has made. This is the bright home in which I live, this is where I ask my friends to come, this is where I want to love all the things it has taken me so long to learn to love. This is the temple of my adult aloneness and I belong to that aloneness as I belong to my life. There is no house like the house of belonging.
David Whyte (What to Remember When Waking: The Disciplines of an Everyday Life)