Cedar Decking Quotes

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The boy and the girl had once dreamed of ships, long ago, before they'd ever seen the True Sea. They were the vessels of stories, magic ships with masts hewn from sweet cedar and sails spun by maidens from thread of pure gold. Their crews were white mice who sang songs and scrubbed the decks with their pink tails.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
I stood on the cedar deck for quite a spell, eye fuckin' the night sky, trying to stare down the stars. Blood had crusted on my neck, back, in my hair, down the legs of my jeans, to where i was as spattered as a thumbless beef packer. I kept on with my close study of the higher reaches, fantasizing that a comet was due to streak by trailing a message only for me, spelled out clearly and printed huge. Some epigram from far away out there that'd clue me in on how to feel after killing a man
Daniel Woodrell
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree. As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts. And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain. Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.” Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones. These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
Now the next time you even think about disrespecting Tessa, or any woman for that matter, I want you to think of me. I want you to remember how it felt getting decked in the face by the local lumberjack.
Bracyn Daniels (The Second Time Around: A Cedar Hollow Novel Book One)
Morning dawned bright and sparkling after the rain. The air was keen and crisp. The cedars glistened as if decked with diamonds. Pan felt the sweet scent of the damp dust, and it gave him a thrill and a longing for the saddle and the open country.
Zane Grey (Valley of Wild Horses)
walked out to the deck that overlooked
Dianne Harman (Kelly's Koffee Shop (Cedar Bay Mystery #1))
It was, as commissioned, an ox-bike wagon: double-decked, chunky-wheeled, ready for adventure. An object of both practicality and inviting aesthetics. A mural decorated the vehicle’s exterior, and its imagery couldn’t have been mistaken for anything but monastic. Depicted large was Allalae’s bear, well fed and at ease in a field of flowers. All of the Sacred Six’s symbols were painted on the wagon’s back end, along with a paraphrased snippet from the Insights, a phrase any Pangan would understand. Find the strength to do both. Each of the wagon’s decks had a playful arrangement of round windows, plus bubbled exterior lights for the darker hours. The roof was capped with shiny thermovoltaic coating, and a pint-sized wind turbine was bolted jauntily to one side. These, Sister Fern explained, were the companions of the hidden sheets of graphene battery sandwiched within the walls, which gave life to varied electronic comforts. On the wagon’s sides, a broad assortment of equipment clung to sturdy racks—storage boxes, tool kits, anything that didn’t mind some rain. Both freshwater tank and greywater filter hugged the wagon’s base, their complicated inner workings tucked away behind pontoon-like casings. There were storage panels, too, and sliding drawers, all of which could be unfolded to conjure a kitchen and a camp shower in no time flat. Dex entered the contraption through its single door, and as they did so, a knot in their neck they hadn’t been aware of let go. The disciples of Chal had built them a tiny sanctuary, a mobile burrow that begged Dex to come in and be still. The interior wood was lacquered but unpainted, so the warm blush of reclaimed cedar could be appreciated in full. The lighting panels were inlaid in curled waves, and bathed the secret space in a candle-like glow. Dex ran a hand along the wall, hardly believing this thing was theirs. “Go on up,” Sister Fern coaxed, leaning against the doorway with a glint in her eye. Dex climbed the small ladder to the second deck. All memory of their neck knot vanished from existence as they viewed the bed. The sheets were creamy, the pillows plentiful, the blankets heavy as a hug. It looked impossibly easy to fall into and equally difficult to get out of. “We used Sibling Ash’s Treatise on Beds as a reference,” Sister Fern said. “How’d we do?” Sibling Dex stroked a pillow with quiet reverence. “It’s perfect,” they said.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))