Cds Quotes

You see, I think drugs have done some good things for us. I really do. And if you don't believe drugs have done good things for us, do me a favor. Go home tonight. Take all your albums, all your tapes and all your CDs and burn them. 'Cause you know what, the musicians that made all that great music that's enhanced your lives throughout the years were rrreal fucking high on drugs. The Beatles were so fucking high they let Ringo sing a few tunes.

When you meet someone so different from yourself, in a good way, you don't even have to kiss to have fireworks go off. It's like fireworks in your heart all the time. I always wondered, do opposites really attract? Now I know for sure they do. I'd grown up going to the library as often as most people go to the grocery store. Jackson didn't need to read about exciting people or places. He went out and found them, or created excitement himself if there wasn't any to be found. The things I like are pretty simple. Burning CDs around themes, like Songs to Get You Groove On and Tunes to Fix a Broken Heart; watching movies; baking cookies; and swimming. It's like I was a salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.

Then why don’t you and Bubba have girlfriends? (Nick) I don’t want the drama of it. After the last one burnt up all my clothes with my Jack Daniel’s Black Label collection and tried to decapitate me with my CDs, I decided I’d take a hiatus for a bit. (Mark)

Hopefully when he moved his things out of the apartment, he at least took his CDs. I mean, we might be gay, but… Enya? Really?

Students present themselves...like a succession of CDs whose shimmering surface gives no clue to their contents without the equipment to play them.

He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door. He was so utterly shocked that it took him a moment to run after her. With a meaningful nod in the direction of the astounded Cahills, she barreled down the cobblestone street with her load. "Fermati!" shouted the cashier, scrambling in breathless pursuit. Nellie let a few CDs drop and watched with satisfaction over her shoulder as the clerk stopped to pick them up. The trick would be to keep the chase going just long enough for Amy and Dan to search Disco Volante. Yikes, she reflected suddenly, I'm starting to think like a Cahill.... And if she was nuts enough to hang around this family, it was only going to get worse.

Until recently, I was an ebook sceptic, see; one of those people who harrumphs about the “physical pleasure of turning actual pages” and how ebook will “never replace the real thing”. Then I was given a Kindle as a present. That shut me up. Stock complaints about the inherent pleasure of ye olde format are bandied about whenever some new upstart invention comes along. Each moan is nothing more than a little foetus of nostalgia jerking in your gut. First they said CDs were no match for vinyl. Then they said MP3s were no match for CDs. Now they say streaming music services are no match for MP3s. They’re only happy looking in the rear-view mirror.

... her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars' worth of rap CDs but, as expected, I'm at a loss: [...] voices uttering ugly words like digit, pudding, chunk.

I shoved three CDs up my ass and got them out of Tower Records. It hurt like hell but I did it. New Michael Bolton, new Sting, and the best of Sammy Hagar. Totally painful. Definitely worth it.

These are the days in which a true leader wants to live. These are days when opportunities to change lives and even destinies are nearly endless. You are running the anchor leg of the relay because you were born to lead. You were born for glory.

See how the questions of career choices and demo CDs and relocating diminish in the light of God's Kingdom? Sail by the stars, not the flotsam.

What did I think I was doing? What did she think she was doing? When I want to kiss people in that way now, with mouths and tongues and all that, it's because I want other things too: sex, Friday nights at the cinema, company and conversation, fused networks of family and friends, Lemsips brought to me in bed when I am ill, a new pair of ears for my records and CDs, maybe a little boy called Jack and a little girl called Holly or Maisie, I haven't decided yet. But I didn't want any of those things from Alison Ashworth. Not children, because we were children, and not Friday nights at the pictures, because we went Saturday mornings, and not Lemsips, because my mum did that, not even sex, especially not sex, please God not sex, the filthiest and most terrifying invention of the early seventies.

I don’t like CDs,” he replies. “Why not?” “They’re too shiny.” Kaoru

What are you running from?" That put a damper on the fluttering lashes. "Columbia House Music Club," I said, recovering my snarkiness quickly. "Oh, sure, they say they'll sell you six CDs for a penny, but they'll hunt you down like the hounds of hell if you miss the payments.

Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.

Likewise, investors were delighted to earn 11% on bank certificates of deposit (CDs) in 1980 and are bitterly disappointed to be earning only around 2% in 2003—even though they were losing money after inflation back then but are keeping up with inflation now.

You were born to lead as mothers and fathers because nowhere is righteous leadership more crucial than in the family. You were born to lead as priesthood and auxiliary leaders, as heads of communities, companies, and even nations. You were born to lead as men and women willing 'to stand as witnesses of God at all times and in all things, and in all places' because that's what a true leader does.

Love is the total absence of fear, Love asks no questions. Its natural state is one of extension and expansion, not comparison and measurement.

Elsa learned all about LPs and CDs that afternoon. That was when she worked out why old people seem to have so much free time, because in the olden days until Spotify came along they must have used up almost all their time just changing the track. She

I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.

It was Isabel’s main accessory as she dashed in late to work, always with two or three CDs, usually new, tucked under her arm. At night, when I crawled out on my rooftop, it was what I heard first,

With technology and everything, compact discs are going to be, like, vintage soon, right? The way vinyl is now. Like, if I ever have kids, they’re going to look at CDs and think, ‘What is this crap, geez, how clunky.’ By then everyone will have the fiftieth edition of iPods—or maybe they’ll just have music downloaded directly into their brains, like with microchips, or something. And I’ll be the old lady in the corner going, ‘Back when I was a kid, we had mix tapes, and floppy disks, and gas didn’t cost twenty bucks a gallon, and oh, yeah, MTV actually played music videos, if you can believe it.’ And they’ll probably say, ‘Oh, Mom, you and your stories, we’re jetting to the oxygen bar, see you later,’ and take off in their flying cars. You know there’ll be flying cars, it’s only a matter of time.

The disc of a record was hardier yet more delicate than plasticky CDs. A record was to be treasured, its circle scratches a mysterious language, a furtive tattoo.

You just missed a perfectly good opportunity to toast an awful Coldplay T-shirt. If I ever spontaneously combust, I hope I’m holding a whole stack of their CDs.

The radio has a CD player and a few CDs, but they’re country-western. “I’m not dying to—” I look at one of the CDs, “Shania Twain. Sorry. I could do Patsy Cline or Johnny Cash, but not Shania.

...a library is not just a reference service: it is also a place for the vulnerable. From the elderly gentleman whose only remaining human interaction is with library staff, to the isolated young mother who relishes the support and friendship that grows from a Baby Rhyme Time session, to a slow moving 30-something woman collecting her CDs, libraries are a haven in a world where community services are being ground down to nothing. I've always known libraries are vital, but now I understand that their worth cannot be measured in books alone.

Once upon a simpler time, before apps, iPads, Samsung Galaxies, and the world of blazing-fast 4G, weekends were the busiest days of the week at Discount Electronix. Now the kids who used to come in to buy CDs are downloading Vampire Weekend from iTunes, while their elders are surfing eBay or watching the TV shows they missed on Hulu.

Come inside,” it says, “for CD’s, VIDEO’s, DVD’s, and BOOK’s.

Here –" Reaching into the glove compartment, I pulled out a leather case and quickly flicked through a bunch of mix CDs, stopping when I found the one I wanted, "Listen to track nine." I practically shoved the CD into her hand and shrugged, "Reminds me of you.

The box room. No bigger than a coffin. It would be like being buried. Maybe she wouldn't keep her Barbies after all. She would make a huge bonfire in the back garden. She would burn her clothes. She would burn all her old toys (except for her old teddy bear Rasputin, obviously—he was more of a guru and personal trainer than a toy). She would burn her CDs and her CD player. She would burn all her makeup. She would shave all her hair off and burn that. She would wear only a pair of Oriental black pajamas. She would sleep in the box room on a small mat made out of rushes. The only item in the room would be a plain white saucer for her tears. Then they'd be sorry.

The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked. She had kept some books since college that she had acquired for courses and never read—Fredric Jameson, for example, and Kant’s Critique of Judgment—but which suggested to her that she was, or might be, a person of seriousness, a thinker in some seeping, ubiquitous way; and she had kept, too, a handful of children’s books taken fro her now-dismantled girlhood room, like Charlotte’s Web and the Harriet the Spy novels, that conjured for her an earlier, passionately earnest self, the sober child who read constantly in the back of her parents’ Buick, oblivious to her brother punching her knee, oblivious to her parents’ squabbling, oblivious to the traffic and landscapes pressing upon her from outside the window. She had, in addition to her books, a modest shelf of tapes and CDs that served a similar, though narrower, function…she was aware that her collection was comprised largely of mainstream choices that reflected—whether popular or classical—not so much an individual spirit as the generic tastes of her times: Madonna, the Eurythmics, Tracy Chapman from her adolescence; Cecilia Bartoli, Anne-Sophie Mutter, Mitsuko Uchida; more recently Moby and the posthumously celebrated folk-singing woman from Washington, DC, who had died of a melanoma in her early thirties, and whose tragic tale attracted Danielle more than her familiar songs. Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.

Show business imposes its own strict temporality: no matter how many CDs or DVDs we own, it would still have been better to have been there, to have seen the living performers in the richness of their being and to have participated, however briefly, in the glory of their performance.

Quite a few people still listen to vinyl records, use film cameras to take photographs, and look up phone numbers in the printed Yellow Pages. But the old technologies lose their economic and cultural force. They become progress’s dead ends. It’s the new technologies that govern production and consumption, that guide people’s behavior and shape their perceptions. That’s why the future of knowledge and culture no longer lies in books or newspapers or TV shows or radio programs or records or CDs. It lies in digital files shot through our universal medium at the speed of light.

He tried to sort his CDs into alphabetical order, but gave up when he discovered they already were in alphabetical order; as was his bookcase and his collection of soul music.* *He was very proud of his collection. It had taken him ages to put together. This was real soul music. James Brown wasn’t in it.

In a way it was like a bunch of guys in a game. They were falling behind every minute that passed, but they had lost interest in the score. It was as if they were just a ton behind and had given up on the win. And maybe deep inside they didn't want to peep the score, maybe they knew what was happening but just didn't want to think about it anymore. I could understand that. I had played enough ball in my life, and was deep enough into my game to know I had to be in the hunt for a win or I could lose who I was. And once I lost who I was, my inner me, then all the CDs and all the iPods and all the bling in the world wasn't going to make it right. The strange thing was that everybody was feeling the same thing, that there was a huge game going on, and that the game was going to decide who was a winner and who lost. But so many of the brothers on the corner didn't have a play...I could feel for them because they were just like me in most ways, thinking that everybody should have a number, everybody should have the same playing time, and knowing it wasn't going to happen.

It is why I hope that if I make it to eighty-something I have the good sense not to pull out those old CDs. My heart, by then, surely would not be able to keep from imploding. My heart, back then, stayed in one piece only because, as bursting with anticipation as it was, it had not yet been strained by nostalgia. It had not yet figured out that life is mostly an exercise in being something other than what we used to be while remaining fundamentally - and sometimes maddeningly - who we are.

Where, then, is any particular gene—say, the gene for long legs in humans? This is a little like asking where is Beethoven’s Piano Sonata in E minor. Is it in the original handwritten score? The printed sheet music? Any one performance—or perhaps the sum of all performances, historical and potential, real and imagined? The quavers and crotchets inked on paper are not the music. Music is not a series of pressure waves sounding through the air; nor grooves etched in vinyl or pits burned in CDs; nor even the neuronal symphonies stirred up in the brain of the listener. The music is the information. Likewise, the base pairs of DNA are not genes. They encode genes. Genes themselves are made of bits.

After all, in the midst of armed conflicts, facts are bound to be just as susceptible to injury as ships and men, if not more so.

His personal belongings were so few that when someone gave him a gift of some CDs he asked a friend to record them to cassettes, as he did not have a CD player.

You just missed a perfectly good opportunity to toast an awful Coldplay T-shirt. If I ever spontaneously combust, I hope I’m holding a whole stack of their CDs.” Harper

In order to make the April mortgage, Kurt had been forced to sell all his CDs, disconnect his Internet, and never set foot in a Jamba Juice.

Tyler refused to listen to CDs, insisting that real vinyl records were the only way to go. Blair worried her brother was turning into a loser.

With relish, Kevin explained the boy’s claim to fame: An elderly couple in an adjacent apartment had complained about how loudly he played his CDs of the Monkees at three in the morning. The next weekend, the couple’s daughter discovered her parents in their bed, slit from crotch to throat. “That’s appalling,” I said. “I can’t believe anyone still listens to the Monkees.

A mantra like one of those ridiculous self-help hypnosis cds playing in my head on a loop: I am a strong, confident, sexually experienced woman who does not need to feel ashamed of her nudity.

Timelessness again, the house like a secret temple as dust built up on things that were never meant to have dust on them - Clee's toothbrush and hairdryer and left-out-of-the-box CDs and deodorant on the bathroom window ledge. Ordinary things carefully kept in place because the last person to touch them would never put a cup down on the edge of the table again, or ever leave a book half-read.

Listen,” Older Self might say. “The things that right now seem permanently out of reach, you’ll reach them eventually. You’ll have a career, a house, a partner in life. You will have much better shoes. You will reach a point where your funds will generally be sufficient—maybe not always plentiful, but sufficient.” But here’s what Older Self will not have the heart to say: some of the music you are now listening to—the CDs you play while you stare out the window and think about the five million different ways your life might go—will be unbearable to listen to in twenty years. They will be unbearable not because they will sound dated and trite but because they will sound like the lining of your soul. They will take you straight back to the place you were in when you felt that anything could happen at any time, that your life was a huge room with a thousand doors, that your future was not only infinite but also elastic. They will be unbearable because they will remind you that at least half of the things you once planned for your future are now in the past and others got reabsorbed into your imagination before you could even think about acting on them. It will be as though you’d never thought of them in the first place, as if they were never meant to be anything more than passing thoughts you had while playing your stereo at night.

Every weekend, Tommy would turn off the radio that was my lifeline and take a moment of silence before popping in one of his beloved Frank Sinatra CDs. What a tragic metaphor, listening to Tommy hum “My Way” as he drove us back to my captivity.

I have more CDs than 99 percent of America, but fewer CDs than 40 percent of my friends; if an acquaintance has more CDs than me, I feel intimidated and emasculated. I think about my CDs a lot. I find it oddly reassuring to look at them when I'm intoxicated.

I inspect the notebook of CDs laying on the floor. There’s the usual suspects in there, Green Day and The Clash and The Smiths, yeah, but there’s also Ella and Frank, even Dino, some Curtis Mayfield and Minor Threat and Dusty Springfield and Belle & Sebastian,

Not that parents are alone in their extreme behavior. That have more than enough company among school boards and high-ranking politicians who think if you "fix the schools, they'll fix the kids." So, in Gadsden, Alabama, school officials eliminated kindergarten nap time in 2003 so the children would have more test-prep time. Two hours away in Atlanta, school officials figured that if you eliminated recess, the kids will study more. And just in case those shifty teachers try to sneak it in, Atlanta started building schools without playgrounds. "We are intent on improving academic performance," said the superintendent. "You don't do that by having kids hanging on the monkey bars." Meanwhile, Georgia's governor wanted the state to give Mozart CDs to newborns because research showed Mozart improved babies' IQs (which later proved to be mythical research). Right behind him is Lincoln, Rhode Island, where they canceled the district spelling bee because only one child would win, leaving all others behind, thus violating the intent of No Child Left Behind--or, as they might say in Lincoln, no child gets ahead.

we are the generation you gave participant trophies to.   we are the generation you made wear helmets, elbow pads, & kneepads.   we are the generation you gave censored CDs & PG movies to.   we are the generation you spent years overprotecting then threw to the wolves.   now we are the generation running on nothing but coffee & three hours of sleep.   we are the generation working minimum-wage jobs with college degrees.   we are the generation making just enough money to survive.   we are the generation you didn’t want to see fail then ensured that we did.   - millennials.

The Mozart Effect and The Mozart Effect for Children. Pardon the pun, but his works have obviously struck a chord, since millions of the CDs and cassette tapes that accompany his books have also been sold. Strengthen the Mind features music for intelligence and learning, Heal the Body presents music for rest and relaxation, and Unlock the Creative Spirit focuses on music for imagination and creativity. Don chose other musical selections especially for the needs of pregnant mothers, infants, and children. The director of the coronary-care unit at Baltimore Hospital states that listening to classical music for half an hour produces the same effect as ten milligrams of Valium.

Only a few days after my encounter with the police, two patrolmen tackled Alton Sterling onto a car, then pinned him down on the ground and shot him in the chest while he was selling CDs in front of a convenience store, seventy-five miles up the road in Baton Rouge. A day after that, Philando Castile was shot in the passenger seat of his car during a police traffic stop in Falcon Heights, Minnesota, as his girlfriend recorded the aftermath via Facebook Live. Then, the day after Castile was killed, five policemen were shot dead by a sniper in Dallas. It felt as if the world was subsumed by cascades of unceasing despair. I mourned for the family and friends of Sterling and Castille. I felt deep sympathy for the families of the policemen who died. I also felt a real fear that, as a result of what took place in Dallas, law enforcement would become more deeply entrenched in their biases against black men, leading to the possibility of even more violence. The stream of names of those who have been killed at the hands of the police feels endless, and I become overwhelmed when I consider all the names we do not know—all of those who lost their lives and had no camera there to capture it, nothing to corroborate police reports that named them as threats. Closed cases. I watch the collective mourning transpire across my social-media feeds. I watch as people declare that they cannot get out of bed, cannot bear to go to work, cannot function as a human being is meant to function. This sense of anxiety is something I have become unsettlingly accustomed to. The familiar knot in my stomach. The tightness in my chest. But becoming accustomed to something does not mean that it does not take a toll. Systemic racism always takes a toll, whether it be by bullet or by blood clot.

Recently, I’ve gathered some of the most compelling stories in a book called The Best of The Spirit of Medjugorje and the latest project I am considering is putting the newsletters on cassette tapes and CDs for people who cannot see well enough to read. If this additional ministry is the will of Our Lord and Our Lady, it, too, will be carried out. June Klins, Pennsylvania

And Ben? Ben’s role is to need to pee. At first it seems like his main role is going to be complaining about how we don’t have any CDs and that all the radio stations in Orlando suck except for the college radio station, which is already out of range. But soon enough, he abandons that role for his true and faithful calling: needing to pee. “I need to pee,” he says at 3:06.

The quavers and crotchets inked on paper are not the music. Music is not a series of pressure waves sounding through the air; nor grooves etched in vinyl or pits burned in CDs; nor even the neuronal symphonies stirred up in the brain of the listener. The music is the information. Likewise, the base pairs of DNA are not genes. They encode genes. Genes themselves are made of bits.

Here's the plan: We do everything, all the traditions, and we do it grander than anyone ever dreamed! Here are the houselights, which will require extra generators so we don't smash the power grid, the holiday music CDs that will need waterproof outdoor concert speakers, the train set with extra boxes of tracks to connect all the rooms of the house, the toys where we forget the batteries, several gingerbread house kits we'll combine to form a mansion, DVDs of all the classic Christmas specials to run nonstop, mistletoe for all the doorways, the manger scene with a little Jesus that glows in the dark to emphasize the Holy Spirit third of the Trinity because he's the shy one who gets the least press, and all the presents we'll wrap together and give each other as Secret Santas.

It's not like anyone said anything that's memorable, or wise, or acute; it's more a mood thing. For the first time in my life I felt as though I'm in an episode of thirtysomethibng rather than an episode of... of... of some sitcom that hasn't been made yet about three guys who work in a record shop and talk about sandwich fillings an sax solos all day, and I love it. And I know thirtysomethibng is soppy and cliche'd and American and naff, I can see that. But when you're sitting in a one-bedroom flat in Crouch End and your business is going down the toilet and your girlfriend's gone off with the guy from the flat upstairs, a starring role in a real-life episode of thirtysomethibng, with all the kids and marriages and jobs and barbecues and k.d. lang CDs that this implies, seems more than one could possibly ask of life.

Back in Svetlana’s room, we listened to the CDs she had bought—Joni Mitchell’s Blue and Bach’s St. Matthew Passion—and made necklaces, periodically holding up the strands and comparing them. Svetlana explained how her necklace was characteristic of her and mine was characteristic of me, and I thought about how probably, as long as civilization had existed, women had been threading beads onto strings or reeds or whatever. Then I wondered whether it had always been women. Maybe in ancient times men had been into beads. Today, though, it was hard to imagine boys sitting around on beanbags, listening to Joni Mitchell, holding necklaces against each other’s necks, and talking about Svetlana’s sister. Some part of me worried that this was why women would never amount to anything, that we were somehow holding ourselves back.

The ARM, Adjustable Rate Mortgage, was invented in the early 1980s. Prior to that, those of us in the real estate business sold fixed-rate 7 or 8 percent mortgages. What happened? I was there in the middle of that disaster of an economy when fixed-rate mortgages went as high as 17 percent and the real estate world froze. Lenders paid out 12 percent on CDs but had money loaned out at 7 percent on hundreds of millions of dollars in mortgages. They were losing money, and lenders don’t like to lose money. So the Adjustable Rate Mortgage was born, in which your interest rate goes up when the prevailing market interest rates go up. The ARM was born to transfer the risk of higher interest rates to you, the consumer. In the last several years, home mortgage rates have been at a thirty-year low. It is not wise to get something that adjusts when you are at the bottom of rates! The mythsayers always seem to want to add risk to your home, the one place you should want to make sure has stability. Balloon mortgages are even worse. Balloons pop, and it is always strange to me that the popping sound is so startling. Why don’t we expect it? It is in the very nature of balloons to pop. Wise financial people always move away from risk, and the balloon mortgage creates risk nightmares.

I cling to everything - CDs that skip, rings that turn my fingers green, the dead ends of my hair, old love notes that turn my stomach over and over. And I'm not proud but there are still boxes under my bed. And I'm not proud but my closet is still running out of space. And nostalgia is a fucking waste of time but my heart is full with it. Tell me I won't hold this forever. Tell me there will be a day where I let gloriously go.

Many of the benefits of CBT (cognitive behavioral therapy) can be obtained without going into therapy. There are a number of self-help books, CDs and computer programs that have been used to treat depression and some of these have been tested in clinical trials with positive results. I can particularly recommend these two books. One is 'Control Your Depression', the lead author of which is Peter Lewinsohn, a Professor of Psychology at the University of Oregon. ... The other book that I can recommend with confidence is 'Feeling Good' by the psychiatrist David Burns. 'Control Your Depression' emphasizes behavioral techniques like increasing pleasant activities, improving social skills and learning to relax. 'Feeling Good' puts greater emphasis on changing the way people think about themselves. But both books include both cognitive and behavioral techniques.

Literature is as old as human language, and as new as tomorrow's sunrise. And literature is everywhere, not only in books, but in videos, television, radio, CDs, computers, newspapers, in all the media of communication where a story is told or an image created. It starts with words, and with speech. The first literature in any culture is oral. The classical Greek epics of Homer, the Asian narratives of Gilgamesh and the Bhagavad Gita, the earliest versions of the Bible and the Koran were all communicated orally, and passed on from generation to generation - with variations, additions, omissions and embellishments until they were set down in written form, in versions which have come down to us. In English, the first signs of oral literature tend to have three kinds of subject matter - religion, war, and the trials of daily life - all of which continue as themes of a great deal of writing.

Why doesn't he say something to her? But I knew why. Because there's the creeping fear that these moments don't actually exist outside your own head. No eyes meet across a crowded room, no two people thing precisely the same thing, and if only one person actually has that moment, is it even really a moment at all? We know this, so we say nothing. We avert our eyes, or pretend to be looking for change, we hope the other person will take the initiative, because we don't want to risk losing this feeling of excitement and possibilities and lust. It's too perfect. That little second of hope is worth something, possibly for ever, as we lie on out deathbeds, surrounded by our children, and our grandchildren and our great-grandchildren, and we can't help but quickly give on last selfish, dying thought to what could have happened if we'd actually said hello to that girl in the Uggs selling CDs outside Nando's seventy-four years earlier.

What I miss is the feeling that nothing has started yet, that the future towers over the past, that the present is merely a planning phase for the gleaming architecture that will make up the skyline of the rest of my life. But what I forget is the loneliness of all that. If everything is ahead then nothing is behind. You have no ballast. You have no tailwinds either. You hardly ever know what to do, because you’ve hardly done anything. I guess this is why wisdom is supposed to be the consolation prize of aging. It’s supposed to give us better things to do than stand around and watch in disbelief as the past casts long shadows over the future. The problem, I now know, is that no one ever really feels wise, least of all those who actually have it in themselves to be so. The Older Self of our imagination never quite folds itself into the older self we actually become. Instead, it hovers in the perpetual distance like a highway mirage. It’s the destination that never gets any closer even as our life histories pile up behind us in the rearview mirror. It is the reason that I got to forty-something without ever feeling thirty-something. It is why I hope that if I make it to eighty-something I have the good sense not to pull out those old CDs. My heart, by then, surely would not be able to keep from imploding. My heart, back then, stayed in one piece only because, as bursting with anticipation as it was, it had not yet been strained by nostalgia. It had not yet figured out that life is mostly an exercise in being something other than what we used to be while remaining fundamentally—and sometimes maddeningly—who we are.

As I reach the end of the book my hope is that it will help popularise bird sound identification. During one of the long sessions of working together, Magnus asked to define what I meant by popularise. „I would like to be able to talk to someone other than you about it, Magnus”.

She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.

«Eliza opened her furry black satchel. She pulled out a portable CD player. “Gav, look here. Once, I loved this machine. Because it plays all my CDs. But nobody buys music in the stores any more! Even I don’t pay for music, and I’m rich! I’m carrying a zombie in my purse!” “Well, yes, that platform is obsolete now, but a new business model will arise for music.” “No it won’t! That’s a lie! Nobody will ever pay! The music business is the walking dead! Don’t lie to me.” Eliza stuffed her doomed device back in her furry purse. Gavin rubbed his chin. “Your Digital Native generation really has some issues.”»

Aomame said, “Even if things were the same, people’s perception of them might have been very different back then. The darkness of night was probably deeper then, so the moon must have been that much bigger and brighter. And of course people didn’t have records or tapes or CDs. They couldn’t hear proper performances of music anytime they liked: it was always something special.” “I’m sure you’re right,” the dowager said. “Things are so convenient for us these days, our perceptions are probably that much duller. Even if it’s the same moon hanging in the sky, we may be looking at something quite different. Four hundred years ago, we might have had richer spirits that were closer to nature.

You went on and on about how excited you were to move away. You couldn’t wait to get out of Hamilton and get away from me. I got the message. Loud and clear. It might’ve been the first time in our lives that one of us actually took a hint, ha. I went to Stanford, ready for a fresh start, but instead I spent my entire freshman year thinking about transferring to Duke. I didn’t join any clubs or make those lifelong friends that end up being your groomsmen. I hung out in my dorm room and listened to those CDs you used to make for Madeleine. (I stole most of her collection before I moved.) There was something comforting about listening to the songs you’d handpicked, even if they weren’t for me.

Still, everything in their house was buffed to a high, flat shine, so much reflection to protect the fact that there was nothing underneath. They didn’t read; there were a few books, a set of encyclopedias (the wine-colored spines warmed up the den), but the only well-leafed volumes were instruction manuals, do-it-yourself how-to’s, cookbooks, and a haggard set of The Way Things Work, volumes one and two. They had no comprehension why anyone would seek out a film with an unhappy ending or buy a painting that wasn’t pretty. They owned a top-shelf stereo with speakers worth $1,000 apiece, but only a handful of easy-listening and best-of CDs: Opera Stoppers; Classical Greatest Hits. That sounds lazy, but I think it was more helpless: They didn’t know what music was for.

In the battle for human loyalty, national communities have to compete with tribes of customers. People who do not know one another intimately but share the same consumption habits and interests often feel part of the same consumer tribe – and define themselves as such. Madonna fans, for example, constitute a consumer tribe. They define themselves largely by shopping. They buy Madonna concert tickets, CDs, posters, shirts and ring tones, and thereby define who they are. Manchester United fans, vegetarians and environmentalists are other examples. True, few people are willing to die for the environment or for Manchester United. But most people nowadays spend far more time in the supermarket than on the battlefield, and in the supermarket the consumer tribe is often mightier than the nation.

I suggest a Money Market account with no penalties and full check-writing privileges for your emergency fund. We have a large emergency fund for our household in a mutual-fund company Money Market account. Wherever you get your mutual funds, look at the website to find Money Market accounts that pay interest equal to one-year CDs. I haven’t found bank Money Market accounts to be competitive. The FDIC does not insure the mutual-fund Money Market accounts, but I keep mine there anyway because I’ve never known one to fail. Keep in mind that the interest earned is not the main thing. The main thing is that the money is available to cover emergencies. Your wealth building is not going to happen in this account; that will come later, in other places. This account is more like insurance against rainy days than it is investing.

Years ago, I produced a record for a very skilled duo. They were incredibly hardworking and committed to their art. In order to survive, they performed three hundred days a year, and they lived in a van, driving each day to a new town, playing at a local coffeehouse, sleeping in the van, then repeating it all the next day. In most towns, there are a few places like this—if you’ve issued a few CDs and are willing to work for cheap, you can get booked without too much trouble. These cafés are not good clients. Easy in, easy out, next! What I helped these musicians understand is that going from town to town and working with easy gigs was wasting their effort and hiding their art. What they needed to do was stay in one town, earn fans, play again, earn fans, move to a better venue, and do it again. And again. Working their way up by claiming what they’d earned: fans.

What are you doing here?” he asked Bailey, surprised that Bailey was roaming the streets in his wheelchair at eleven o'clock. “Karaoke, baby.” “Karaoke?” “Yep. Haven't done it in a while, and we've been getting complaints from the produce section. Seems the carrots have formed a Bailey Sheen fan club. Tonight is for the fans. Fern's got quite a following in the frozen foods.” “Karaoke . . . here?” Ambrose didn't even crack a smile . . . but he wanted to. “Yep. Closing time means we have free rein of the place. We take over the store’s sound system, use the intercom for a microphone, plug in our CDs, and rock Jolley's Supermarket. It's awesome. You should join us. I should warn you, though, I'm amazing, and I'm also a mic hog.” Fern giggled, but looked at Ambrose hopefully. Oh, hell, no. He wasn't singing Karaoke. Not even to please Fern Taylor, which he actually wanted to do, surprisingly enough.

So you weren’t interested in the music at all?” “Well, yes. A bit. And more so then than I am now. That’s life, though, isn’t it?” “But you see…That’s all there is of me. There isn’t anything else. If you’ve lost interest in that, you’ve lost interest in everything. What’s the point of us?” “You really believe that?” “Yes. Look at me. Look at the flat. What else has it got, apart from records and CDs and tapes?” “And do you like it that way?” I shrug. “Not really.” “That’s the point of us. You have potential. I’m here to bring it out.” “Potential as what?” “As a human being. You have all the basic ingredients. You’re really very likable, when you put your mind to it. You make people laugh, when you can be bothered, and you’re kind, and when you decide you like someone then that person feels as though she’s the center of the whole world, and that’s a very sexy feeling. It’s just that most of the time you can’t be bothered.

But no, music lasted longer than anything it inspired. After LPs, cassettes, and CDs, when matrimony was about to decay into its component elements—alimony and acrimony—the songs startled him and regained all their previous, pre-Rachel meanings, as if they had not only conjured her but then dismissed her, as if she had been entirely their illusion. He listened to the old songs again, years later on that same dark promenade, when every CD he had ever owned sat nestled in that greatest of all human inventions, the iPod, dialed up and yielding to his fingertip’s tap. The songs now offered him, in exchange for all he had lost, the sensation that there was something still to long for, still, something still approaching, and all that had gone before was merely prologue to an unimaginably profound love yet to seize him. If there was any difference now, it was only that his hunger for music had become more urgent, less a daily pleasure than a daily craving.

If only I could coexist as peacefully with you as I do with my wolf,” Jaime said as they walked back to pack territory hand in hand. Dante frowned at her. “We coexist peacefully…when you’re not making a mess of our room and ignoring what I say.” “Maybe you could stop being a neat freak and ease off with barking orders at me.” “I resent the neat-freak statement. And I do not bark.” She snickered. “Sure you don’t, Popeye.” “And it wouldn’t kill you to use the shoe rack. I mean, it’s right by the door.” “Stop putting my CDs in chronological order, and I’ll work on the shoe rack thing.” A short pause. “How about alphabetical order?” “How about you go to therapy?” A frustrated growl escaped him. “How about I just shove my cock in your mouth? That should shut you up. Hey!” he whined when she drummed her fingers against his temple. “What’re you doing?” She shrugged. “I just felt like tapping some ass.” His mouth dropped open. Her smirk had him growling again. “Bitch.” “Jerk.” “Love you, baby.” “Love you, Popeye.

But here's what Older Self will not have the heart to say: some of the music you are now listening to - the CDs you play while you stare out the window and think about the five million different ways your life might go - will be unbearable to listen to in twenty years. They will be unbearable not because they will sound dated and trite but because they will sound like the lining of your soul. They will take you straight back to the place you were in when you felt that anything could happen at any time, that your life was a huge room with a thousand doors, that your future was not only infinite but also elastic. They will be unbearable because they will remind you that at least half of the things you once planned for your future are now in the past and others got reabsorbed into your imagination before you could even think about acting on them. It will be as though you'd never thought of them in the first place, as if they were never meant to be anything more than passing thoughts you had while playing your stereo at night.

OPTIONS FOR REDUCING While thrift stores such as Goodwill or the Salvation Army can be a convenient way to initially let go, many other outlets exist and are often more appropriate for usable items. Here are some examples: • Amazon.com • Antiques shops • Auction houses • Churches • Consignment shops (quality items) • Craigslist.org (large items, moving boxes, free items) • Crossroads Trading Co. (trendy clothes) • Diggerslist.com (home improvement) • Dress for Success (workplace attire) • Ebay.com (small items of value) • Flea markets • Food banks (food) • Freecycle.org (free items) • Friends • Garage and yard sales • Habitat for Humanity (building materials, furniture, and/or appliances) • Homeless and women’s shelters • Laundromats (magazines and laundry supplies) • Library (books, CDs and DVDs) • Local SPCA (towels and sheets) • Nurseries and preschools (blankets, toys) • Operation Christmas Child (new items in a shoe box) • Optometrists (eyeglasses) • Regifting • Rummage sales for a cause • Salvage yards (building materials) • Schools (art supplies, magazines, dishes to eliminate class party disposables) • Tool co-ops (tools) • Waiting rooms (magazines) • Your curb with a “Free” sign

Ein großer Mann", sagte er, "den Sie nicht leiden können, ich übrigens auch nicht, er heißt Karl Marx, meinte: Die Philosophen haben die Welt erklärt, es kommt darauf an, sie zu ändern. Ich für meine Persin glaube, das einzige Mittel, sie zu ändern, ist, sie zu erklären. Erklärt man sie plausibel, so ändert man sie auf stille Art, durch fortwirkende Vernunft. Sie mit Gewalt zu ändern, versuchen nur diejenigen, die sie nicht plausibel erklären können. Diese lauten Versuche halten nicht vor, ich glaube mehr an die leisen. Große Reiche vergehen, ein gutes Buch bleibt. Ich glaube an gutbeschriebenes Papier mehr als an Maschinengewehre.

to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what

Was it as scary for you as it is for me? Falling for Sawyer?” “Not really, no.” She shakes her head. “I’m sure I had some of the same worries, everyone does. But I’m a leaper. You’re a thinker. We process things differently.” “You didn’t have a panic attack and run away?” I ask sarcastically. “No,” she muses. “Not even that time he refused to have sex with me.” “That was your first date, Everly. And you did have sex,” I remind her. I know, because I heard about it for a week. “Whew.” She blows out a breath. “It was a tough few hours though. How is Boyd’s POD by the way? Can we talk about that?” She leans forward on the couch, looking at me expectantly. “Um, no. I don’t think so.” She shrugs good-naturedly then changes the subject back to me. “Chloe, why didn’t you tell me you were struggling with your anxiety? You know I’m never too busy for you, no matter how many husbands or children I have.” “You have one husband, babe,” Sawyer says, walking into the room at that moment. “You’re still the one, baby.” “We’ve been married for three months, Everly. I sure as hell better still be the one.” “Sawyer,” she sighs. “I was trying to have a moment, okay? Work with me.” “Next time, try waiting more than a day after downloading Shania Twain’s greatest hits to your iPod. You do realize the receipts come to my email, don’t you?” “Um.” Everly looks away and scrunches her nose. “No?” “You’ve been on quite the 90’s love ballads kick this week. Which is weird, because you’re not old enough to have owned the CD’s those songs were originally released on.” He looks at her with amused interest. “What’s a CD?” She blinks at Sawyer dramatically. “Cute. Keep it up.” “Nineties music is all the rage with the millennials,” she tells him with a shrug. “I saw a blog post about it.” “Don’t worry, sweets. We’ll beat the odds together.” He winks and she scowls. “You’re still the only one I dream of,” he calls as he walks into the kitchen and grabs a bottle of water. “See! I don’t even care that you lifted that from a song. It still gave me all the feels!

But my point applies to a broader audience. Indulge me in one more thought experiment, a familiar one: You will be stranded on a desert island, and you can take just 10 books and 10 music CDs. What do you choose? My prediction is that even people who don’t listen to classical music regularly will take Bach, Mozart, and Beethoven. Even people who haven’t picked up Shakespeare in years will take the collected works of Shakespeare. When we want something we can go back to again and again, we choose the same giants that the experts choose. My proposition about the literature, music, and visual arts of the last half century is that hardly any of it has enough substance to satisfy, over time. The post-1950 West has unquestionably produced some wonderful entertainments, and I do not mean wonderful slightingly. The Simpsons is wickedly smart, Saving Private Ryan is gripping, Groundhog Day is a brilliant moral fable. The West’s popular culture is for my money the only contemporary culture worth patronizing, with its best stories more compelling and revealing than the ones written by authors who purport to write serious novels, and its best popular music with more energy and charm than anything the academic composers turn out. It is a mixed bag, with the irredeemably vulgar side by side, sometimes intermingled, with the wittiest and most thoughtful work. But the quality is often first-rate—as well it might be. The people producing the best work include some who in another age could have been a Caravaggio or Brahms or Racine, and perhaps dozens of others good enough to have made their way onto the roster of significant figures. Why not be satisfied with wonderful entertainments?

Usually, these services went something like this: an aggressive message on why going to hell would be like putting your face in the fire while listening to AC/DC, and that the solution to hell is to “ask Jesus into your heart.” In this paradigm, Jesus becomes the ticket out of a bad situation, and all that’s required to get your free pass is to “repeat this simple prayer after me.” And, poof…you’re “saved” and now a fully vetted Jesus follower. American Christianity has been poorly marketing Jesus in this way for years. The deep, mysterious, and beautifully difficult message of Jesus becomes diluted to the point that we sing, “I have decided to follow Jesus” or “All to Jesus I Surrender” as we make our way up the aisle—thinking that following Jesus is actually that simple. What’s worse is that often our motivation for “asking Jesus into our hearts” is that we’re petrified of the myriad of ways that Jesus will have us tortured for eternity if we don’t properly pray the “sinner’s prayer” to show him that we love him back. From that night forward, we’re supposed to faithfully attend a “Bible-believing church” and destroy our Guns n’ Roses CDs in order to show that we actually meant it when we prayed it. In American Christianity, we’re often sold this bill of goods that makes following Jesus look relatively easy…as if it were a singular event instead of a radical new lifestyle. Said the magic prayer? Check. Willing to go to church? Check. Going to work really hard to cut back on how much I use the “F word”? Check. The rewards of following this simple, relatively easy checklist of what it means to follow Jesus supposedly has a huge payout. Not only do we get to claim our “get out of hell free” card, but

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

I glanced over and saw Wyatt glaring at me. Journey’s “Lovin’ Touchin’, Squeezin’” was playing on the radio. “What?” I asked. “You secretly hate me, don’t you.” He gestured toward the radio. “You can’t stand the thought of me taking a much needed nap and leaving you to drive without conversation. You’re torturing me with this sappy stuff.” “It’s Journey. I love this song.” Wyatt mumbled something under his breath, picked up the CD case, and started looking through it. He paused with a choked noise, his eyes growing huge. “You’re joking, Sam. Justin Bieber? What are you, a twelve-year old girl?” There’s gonna be one less lonely girl, I sang in my head. That was a great song. How could he not like that song? Still, I squirmed a bit in embarrassment. “A twelve-year old girl gave me that CD,” I lied. “For my birthday.” Wyatt snorted. “It’s a good thing you’re a terrible liar. Otherwise, I’d be horrified at the thought that a demon has been hanging out with a bunch of giggling pre-teens.” He continued to thumb through the CDs. “Air Supply Greatest Hits? No, no, I’m wrong here. It’s an Air Supply cover band in Spanish.” He waved the offending CD in my face. “Sam, what on earth are you thinking? How did you even get this thing?” “Some tenant left it behind,” I told him. “We evicted him, and there were all these CDs. Most were in Spanish, but I’ve got a Barry Manilow in there, too. That one’s in English.” Wyatt looked at me a moment, and with the fastest movement I’ve ever seen, rolled down the window and tossed the case of CDs out onto the highway. It barely hit the road before a semi plowed over it. I was pissed. “You asshole. I liked those CDs. I don’t come over to your house and trash your video games, or drive over your controllers. If you think that will make me listen to that Dubstep crap for the next two hours, then you better fucking think again.” “I’m sorry Sam, but it’s past time for a musical intervention here. You can’t keep listening to this stuff. It wasn’t even remotely good when it was popular, and it certainly hasn’t gained anything over time. You need to pull yourself together and try to expand your musical interests a bit. You’re on a downward spiral, and if you keep this up, you’ll find yourself friendless, living in a box in a back alley, stinking of your own excrement, and covered in track marks.” I looked at him in surprise. I had no idea Air Supply led to lack of bowel control and hard core drug usage. I wondered if it was something subliminal, a kind of compulsion programmed into the lyrics. Was Russell Hitchcock a sorcerer? He didn’t look that menacing to me, but sorcerers were pretty sneaky. Even so, I was sure Justin Bieber was okay. As soon as we hit a rest stop, I was ordering a replacement from my iPhone.

What is your name?” she said crossing her legs. “I am Raj Singhania, owner of Singhania group of Industries and I am on my way to sign a 1000 crore deal.” “Oh my God, Oh my God!” she said laughing and looked at Bobby from top to bottom. “What’s with this OMG thing and girls, stop saying that. I am not going to propose you anytime soon. But it’s OK. I can understand how girls feel when they meet famous dudes like me,” Bobby said smiling. “What kind of an idiot are you?” she said laughing. “Indeed, a very rare one. The one that you find after searching for millions of years,” Bobby said. “Do you always talk like this?” she said laughing. “Only to strangers on bus or whenever I get bored,” Bobby said. “OK, tell me your real name,” she said. “My name is Mogaliputta Tissa and I am here to save the world.” “Oh no not again!” she said squeezing her head with both her hands. “I know you are dying inside to kiss me,” Bobby said flashing a smile. “Why would I kiss you?” she said with a pretended sternness. “Because, you are impressed with my intelligence level and the hotness quotient, I can see that in your eyes.” “You think you are hot! Oh no! You look like that cartoon guy in 7 up commercial,” she said laughing. “Thank you. He was the coolest guy I saw on TV,” Bobby said. “OK fine, let’s calm down. Tell me your real name,” she said calmly. “I don’t remember my name,” Bobby said calmly. “What kind of idiot forgets his name?” she said staring into Bobby’s eyes. “I am suffering from multiple personality disorder and I forgot my present personality’s name. Can you help me out?” Bobby said with an innocent look on his face. “I will kill you with my hair clip. Leave me alone,” she said and closed her eyes. “You look like a Pomeranian puppy,” Bobby said looking at her hair. “Don’t talk to me,” she said. “You look very beautiful,” Bobby said. “Nice try but I am not going to open my eyes,” she said. “Your ear rings are very nice. But I think that girl in the last seat has better rings,” Bobby said. “She is not wearing any ear rings. I know because I saw her when I was getting inside. It takes just 5 seconds for a girl to know what other girls around her are wearing,” she said with her eyes still closed. “Hey, look. They are selling porn CDs at a roadside shop,” Bobby said. “I have loads of porn in my personal computer. I don’t need them,” she said. “OMG, that girl looks hotter than you,” Bobby said. “I will not open my eyes no matter what. Even if an earthquake hits the road, I will not open my eyes,” she said crossing her arms over her chest. Bobby turned back and waved his hand to the kid who was poking his mom’s ear. The kid came running and halted at Bobby’s seat. “This aunty wants to give you a chocolate if you tell her your name,” Bobby whispered to the kid and the kid perked up smiling. “Hello Aunty! Wake up, my name is Bintu. Give me my chocolate, Aunty, please!” the kid said yanking at the girl’s hand. All of a sudden, she opened her eyes and glared at the kid. “Don’t call me aunty. What would everyone think? I am a teenage girl. Go away. I don’t have anything to give you,” she said and the kid went back to his seat. “This is what happens when you mess with an intelligent person like me,” Bobby said laughing. “Shut up,” she said. “OK dude.” “I am not a dude. Stop it.” “OK sexy. Oops! OK Saxena,” “I will scream.” “OK. Where do you study?” “Why should I tell you?” “Are you suffering from split personality disorder like me?” Bobby said staring into her eyes. “Shut up. Don’t talk to me,” she said with a pout. “What the hell! I have enlightened your mind with my thoughts, told you my name and now you are acting like you don’t know me. Girls are mad.

"I saw you and I see you every day. I greet you every day. Can you read my eyes? I miss you every day. I love you every day. What was this guy’s story? Doorman? Bus driver? Receptionist? Who’s the girl? Has she noticed him? Is he anyone to her, or just the fella behind the counter at Benji’s? Why doesn’t he say something to her? But I knew why. Because there’s the creeping fear that these moments don’t actually exist outside your own head. No eyes meet across a crowded room, no two people think precisely the same thing, and if only one person actually has that moment, is it even really a moment at all? We know this, so we say nothing. We avert our eyes, or pretend to be looking for change, we hope the other person will take the initiative, because we don’t want to risk losing this feeling of excitement and possibilities and lust. It’s too perfect. That little second of hope is worth something, possibly for ever, as we lie on our deathbeds, surrounded by our children, and our grandchildren, and our great-grandchildren, and we can’t help but quickly give one last selfish, dying thought to what could have happened if we’d actually said hello to that girl in the Uggs selling CDs outside Nando’s seventy-four years earlier. It’s the what if? The what then? And we know that if we go for it, if we risk it, we immediately stand to lose it. But weirdly, some part of us believes the feeling is two-way, because it must be; it’s too special not to be. We believe that something’s been shared, even if the evidence we have is … what? A look that lasted a breath longer than we’re used to? A second glance, when the glance could easily have been to check whether there are any cabs coming, or whether the jacket we’re wearing that’s caught their eye would look good on their boyfriend, or why it is we seem to be staring at them."

The run is already currently occurring, but in slow-motion. Large investors are letting CDs mature, but not renewing them due to the abysmal returns. Most CDs currently pay less than 1%.

Elevation se habría convertido en una forma de misión muy eficaz en nuestra ciudad. Lo que movía el proyecto era hacer entrar a la gente de manera orgánica en un diálogo con sentido acerca de Jesús y la espiritualidad. Con ese fin organizábamos clases de arte, grupos de teatro interactivos, charlas filosóficas, talleres de guitarra, lanzamientos de CDs, presentaciones de libros con tertulia, noches de micro abierto (para que la gente compartiera su música y poesía) y noches musicales periódicas. Son maneras naturales de que la gente participe de forma orgánica en conversaciones sobre el sentido, la esencia del arte, la espiritualidad, etc.

memory cards, USB flash drives, and so on. The removable ones (CDs, DVDs, iPods

We’ll either record the multitrack at 44.1k or 48k and then we mix to 88.2, which is compatible with CDs because it’s a multiple of 44.1

decade was over For Dummies books had been published in over 30 languages, from Albanian to Turkish. In the early years, many publishers questioned whether the series would work in their language market. The answer today is a global phenomenon. Our reach also expanded beyond books. In 1996 a license agreement with EMI brought Classical Music For Dummies enhanced CDs to market. Critically and commercially successful, the series initiated the For Dummies licensing program of products and services that has included software, consumer electronics, instructional DVDs, DIY home improvement kits, online support services, beginner musical instruments, and more. Today, as books themselves have reached beyond traditional print formats to digital platforms, For Dummies continues to expand, into e-books, enhanced e-books, and mobile applications. And again, this too is happening globally, as Wiley editors in Australia, Canada, Germany, the U.K., and U.S. work together to grow our print and electronic publishing program, which is further enhanced by contributions from licensee publishers in France, the Netherlands, Spain, and elsewhere. It is remarkable to think that one book

being renewed or restored. I have met many Christians who love Jesus with all their hearts, but they say they have grown bored with worship, they just don’t feel the same sense of the presence of God they once did. Perhaps the problem is that God has called them to something new and yet they cling to something old. He is an infinite God and there are infinite ways to worship Him. We try reading books, or listening to CD’s of other people’s experience with God and try to duplicate that in our own lives. Yet, God may be trying to do something different in your own life. He may be trying to do something that is special for you and you alone. Maybe He is trying to make a Word that you, only you and you alone will hear within your own heart. God’s Word is only limited by the amount of your heart that you are willing to share with Him. We also learn that His compassions do not fail. The word fail has two possible roots, which could both be applicable to this verse. The first root word is kala’, which carries the idea of

I am on pace to break his record. He’s only got one, so after that I’m going to smash all his CDs—starting with the Beatles’ White Album.

After months of training, I broke the record. Then right after that I celebrated by scratching all my CDs.

Soon, we won't have any of those objects anymore- no books, no photo albums, no records, tapes, even CDs- which were pretty soul-less and awful- but now I feel nostalgic even about them. There'll be nothing to hold on to, put on a shelf. Nothing that lives with you in the world.

I remember the people I’ve heard complain about the very texture of digital images, filmless film: how it lacks richness, depth. I’ve heard the same thing said about CDs. Someone once told me that it was Mark Twain who turned in the first typewritten manuscript, and this was generally thought to be a Bad Thing: Work composed on a machine would naturally lack richness, depth.