Caxton Quotes

Vampires, real vampires, didn't nibble on the necks of nubile young virgins. They tore people to pieces and sucked the blood out of the chunks.

It's a long story. Want a refill?" "No, let's start the steak. Where's the button?" "Right here." "Well, push it." "Me? You offered to cook." "Ben Caxton, I will lie here and starve before I will get up to push a button six inches from your finger" "As you wish." He pressed the button. "But don't forget who cooked dinner.

You have a wife?” Caxton demanded. “I killed a vampire twenty years ago, and another one last night. I had to keep myself busy in the meantime,” he told her.

I felt instantly at home, and wanted only to dismiss Alistair, along with the rest of Justice Hall, that I might have a closer look at the shelves.I had to content myself instead with a strolling perusal, my hands locked behind my back to keep them from reaching out for Le Morte D'Arthur, Caxton 1485 or the delicious little red-and-gilt Bestiary, MS Circa 1250 or.... If I took one down, I should be lost. So I looked, like a hungry child in a sweet shop, and trailed out on my guide's heels with one longing backward glance.

If somebody wants to be your enemy, there's only one thing you can do. You give them exactly what they want. It confuses them and makes them wonder what you're up to.

Ben Caxton, I will lie right here in the grass and starve before I will get up to push a button that is six inches from your right forefinger.

Wow. So what was the vampire like?” “Pale. Big. Toothy,” the trooper answered.

Do we have a plan?” she asked. “Yes,” he told her. “Shoot everything that moves.

Caxton crawled into the back while Arkeley took the front passenger seat. His fused vertebrae trumped her sprained ribs, he announced.

What’s that smell?” Reynolds asked. That smell is the stuff they grow mushrooms in.” DeForrest sniffed the air. “Shit?” he asked. Captain Suzie shrugged. “Manure.

Love lasteth long as the money endureth.

Say again, over,” he announced. “I was saying that I’m going from here on foot,” Arkeley told them. “You can follow however you choose but this place was never meant for a military parade.” “He’s making fun of your truck,” Caxton told Captain Suzie.

Floyd sometimes wondered if the Newspad, and the fantastic technology behind it, was the last word in man’s quest for perfect communications. Here he was, far out in space, speeding away from Earth at thousands of miles an hour, yet in a few milliseconds he could see the headlines of any newspaper he pleased. (That very word “newspaper,” of course, was an anachronistic hangover into the age of electronics.) The text was updated automatically on every hour; even if one read only the English versions, one could spend an entire lifetime doing nothing but absorbing the everchanging flow of information from the news satellites. It was hard to imagine how the system could be improved or made more convenient. But sooner or later, Floyd guessed, it would pass away, to be replaced by something as unimaginable as the Newspad itself would have been to Caxton or Gutenberg.

Hey.” He glanced away from her, instead looking down at the coffin. He looked back at her and raised his eyebrows. “Want a peek?

There appeared to be only two types of business in the town: everybody’s business, and business that was not yet everybody’s but soon would be once the local gossips had got to work on it.

Sometimes we call it ‘Extra Chunky,’ too.” “Why’s that?” she finally asked. “Because,” DeForrest said, barely able to contain his mirth, “when you run over a hippy with this thing, extra chunky is about all that’s left.

He looked right into her and then he said, “In a second I’m going to ask you if you’re okay. Your answer is extremely important. If you can keep fighting, or at least keep running, you have to say ‘yes’. Otherwise we have to run away and let them win this one. Now. Are you okay?

In the dark ages a vampire could live for decades unopposed, feeding nightly on people whose only defense was to bar their windows and lock their doors and always, always, be home before sundown. When it became necessary to slay a vampire there was only one way it could be done. There were no guns and certainly no jackhammers at the time. The vampire slayers would gather up every able-bodied male in the community. The mob of them would go against the vampire with torches and spears and sticks if they had to. Very many of them would die in the first onslaught but eventually enough of them would pile on top to hold the vampire down.

Before the fifteenth century was out, William Caxton had printed two editions of The Canterbury Tales and they have never been out of print since. They have been enjoyed, imitated, copied, re-translated, put on stage, screen and radio, and generations have rightly regarded Chaucer as the father and founding genius of English literature.

At the end of the 1400s, the world changed. Two key dates can mark the beginning of modern times. In 1485, the Wars of the Roses came to an end, and, following the invention of printing, William Caxton issued the first imaginative book to be published in England - Sir Thomas Malory's retelling of the Arthurian legends as Le Morte D'Arthur. In 1492, Christopher Columbus's voyage to the Americas opened European eyes to the existence of the New World. New worlds, both geographical and spiritual, are the key to the Renaissance, the 'rebirth' of learning and culture, which reached its peak in Italy in the early sixteenth century and in Britain during the reign of Queen Elizabeth I, from 1558 to 1603.

He that hath liberty ought to kepe it wel, for nothyng is better than liberty.

You may think me mad.” “My dear fellow, we hardly know each other. I wouldn’t dare to make such a judgment until we were better acquainted.

One of the women took his arm and smiled into his face until he looked at her. “We’re going to dance in the woods later, when the moon comes up. You’ll have to join us, of course,” she said. She batted her eyelashes and added, “It’s a full moon, so we’ll go skyclad.” Simon frowned, trying to work out what she was saying. “Naked, you mean.” His mouth fluttered as if he was trying to decide whether to grin sheepishly or lasciviously.

..every once in a while, maybe twice a year, I dream of blood. It tastes like copper pennies on your tongue. It’s hot, hotter than you expect, and very wet at first, but it clots even as it fills your mouth. It sticks in your throat but you swallow it down, you can feel it stringy and dark in the back of your throat but you force it down so you can have some more, another mouthful, and another. I know it so well now. The dryness of it, the clots in your teeth. The need.

It’s a natural consequence of the capacity of a bookstore or library to contain entire worlds, whole universes, and all contained between the covers of books. In that sense, every library or bookstore is practically infinite. This library takes that to its logical conclusion.

For the first time I got a good look at the woman who, despite avowed intentions, had saved my life. I was surprised first to see that she was old. Her hair was silver, tied back behind her head in a no-nonsense bun. Her face was lined with wrinkles. On her head she wore a hat with a very wide brim, a kind of hat I’d never seen before. She also wore tight-fitting black pants and black leather boots and a brown leather jacket. A patch on her shoulder read PENNSYLVANIA STATE POLICE TROOPER. On the front of her jacket was a nameplate that read CAXTON.

As with Jack, the discriminating milieu of loneliness moved Hugh to raise the stakes of solitude, not from a wish to spare himself the sapping drudgery of a conventional, passionless marriage, but rather to gamble on the existence of a just goddess. Like Jack’s, his core being was attuned solely to the enrapturing company of a scintillating paragon, to a woman who was indivisibly and alluringly noble.

Wherin they shalle fynde many Ioyous and playsaunt hystoryes / and noble & renomed actes of humanyte / gentylnesse and chyualryes / For herein may be seen noble chyualrye / Curtosye / Humanyte / frendlynesse / hardynesse / loue / frendshyp / Cowardyse / Murdre / hate / vertue / and synne / Doo after the good and leue the euyl / and it shal brynge you to good fame and renommee / And for to passe the tyme thys boook shal be plesaunte to rede in /

Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper. Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut.

The mixture of a solidly established Romance aristocracy with the Old English grassroots produced a new language, a “French of England,” which came to be known as Anglo-Norman. It was perfectly intelligible to the speakers of other langues d’oïl and also gave French its first anglicisms, words such as bateau (boat) and the four points of the compass, nord, sud, est and ouest. The most famous Romance chanson de geste, the Song of Roland, was written in Anglo-Norman. The first verse shows how “French” this language was: Carles li reis, nostre emperere magnes, set anz tuz pleins ad estéd en Espaigne, Tresqu’en la mer cunquist la tere altaigne… King Charles, our great emperor, stayed in Spain a full seven years: and he conquered the high lands up to the sea… Francophones are probably not aware of how much England contributed to the development of French. England’s court was an important production centre for Romance literature, and most of the early legends of King Arthur were written in Anglo-Norman. Robert Wace, who came from the Channel Island of Jersey, first evoked the mythical Round Table in his Roman de Brut, written in French in 1155. An Englishman, William Caxton, even produced the first “vocabulary” of French and English (a precursor of the dictionary) in 1480. But for four centuries after William seized the English crown, the exchange between Old English and Romance was pretty much the other way around—from Romance to English. Linguists dispute whether a quarter or a half of the basic English vocabulary comes from French. Part of the argument has to do with the fact that some borrowings are referred to as Latinates, a term that tends to obscure the fact that they actually come from French (as we explain later, the English worked hard to push away or hide the influence of French). Words such as charge, council, court, debt, judge, justice, merchant and parliament are straight borrowings from eleventh-century Romance, often with no modification in spelling. In her book Honni soit qui mal y pense, Henriette Walter points out that the historical developments of French and English are so closely related that anglophone students find it easier to read Old French than francophones do. The reason is simple: Words such as acointance, chalenge, plege, estriver, remaindre and esquier disappeared from the French vocabulary but remained in English as acquaintance, challenge, pledge, strive, remain and squire—with their original meanings. The word bacon, which francophones today decry as an English import, is an old Frankish term that took root in English. Words that people think are totally English, such as foreign, pedigree, budget, proud and view, are actually Romance terms pronounced with an English accent: forain, pied-de-grue (crane’s foot—a symbol used in genealogical trees to mark a line of succession), bougette (purse), prud (valiant) and vëue. Like all other Romance vernaculars, Anglo-Norman evolved quickly. English became the expression of a profound brand of nationalism long before French did. As early as the thirteenth century, the English were struggling to define their nation in opposition to the French, a phenomenon that is no doubt the root of the peculiar mixture of attraction and repulsion most anglophones feel towards the French today, whether they admit it or not. When Norman kings tried to add their French territory to England and unify their kingdom under the English Crown, the French of course resisted. The situation led to the first, lesser-known Hundred Years War (1159–1299). This long quarrel forced the Anglo-Norman aristocracy to take sides. Those who chose England got closer to the local grassroots, setting the Anglo-Norman aristocracy on the road to assimilation into English.

The man who discovered the power behind that authority was not Gutenberg or Caxton or even Luther. It was Erasmus of Rotterdam.

Love lasteth long as the money endureth. -William Caxton (1422 – 91)

It was too cold to sit outside and watch the harvest moon across the river valley, so they sat in the drawing-room and Mrs. Halliday said it would be nice to have a fire. George lit it. It flared and died down. Good advice flowed over George from every side. Mrs. Halliday said she had told Hubback how to lay a fire for at least twenty years and that was the result. First some shavings, she said, and Caxton always had plenty, or very small chips of pine or fir; only Hubback wouldn’t go to the carpenter’s shed for them and Caxton wouldn’t bring them into the drawing-room. Meanwhile George rearranged the fire and relit it. After a few sulks it began to crackle and then to blaze. George put dry pine cones on it and a couple of logs and it settled down to burn properly. “But couldn’t he leave the shavings at the back door?” said Edith. “You see,” said Mrs. Halliday, “if he left them there, and he might if I spoke to him myself, Hubback wouldn’t bring them into the house.” “But couldn’t you tell him to bring them into the drawing-room?” said Edith, who had much of the Pomfret tenacity of purpose. “I could, my dear. Indeed I quite often have,” said Mrs. Halliday, without complaint, merely stating an ineluctable law of nature. “But he always manages not to hear.” “Well, then, couldn’t Hubback bring them from the back door to the drawing-room?” said Edith. “No,” said Mrs. Halliday. “You see it isn’t her place to do it,” and this she said with such simplicity that Edith could not for the life of her tell whether her hostess believed what she said or not. Our own opinion, for what it is worth, is that Mrs. Halliday was feeling older and more tired than she liked to admit and was prepared to let things pass that earlier she would have fought and conquered.

... The freshly devoured peppermint she loved lofted from her breath and up to his nose with her loud bellow of Father in his ear, and Caxton was sure that he could smell that scent now out in the crisp night air. "You demon!" he screamed with all his might. ...

On the day attorney Richard Caxton was shot he spent his morning in court doing what he did best… lying to the jury.

It was her considered opinion that by sending his men to collect her like a cow he wished purchased, her husband was showing her very little in the way of care and concern. Eva supposed this meant she could expect to be considered of little more value at MacAdie than she had been at Caxton. Had it been so much to hope that she might have gained a husband who valued her at least a little? It seemed Connall MacAdie wasn’t likely to. “M’lady?

Dear Lord, you are a vampire,” Eva gasped, then covered her mouth to keep the wayward thing from spouting any other unwanted revelations. Connall stiffened, his eyes shooting to her face. He had the oddest expression on his face, she noted. He looked . . . scared? Nay, apprehensive was a better description, and Eva had to wonder why he was looking so apprehensive when he was the soulless— Nay, not soulless, she reminded herself, recalling their conversation from the night before. He was not dead, nor soulless, he had assured her and he did not kill those he bit. Connall had described himself as just different and while Eva thought that was something of an understatement, she reassured herself with that information, now. He was just different, still her husband, the kind, sweet, gentle man who had treated her as if she had value, and shown her such consideration, as well as taught her passion. Nothing else had changed, she reminded herself as her head began to spin. He was the clan chief of the MacAdie, and her husband. And really, as flaws went, vampirism was much more pleasant to deal with than his being a wife beater or some such thing. Wasn’t it? “Dear Lord,” Eva breathed, shaking her head at her own thoughts, then she glanced to Connall again. He was uncharacteristically silent, his attention focused on her with an intensity that made her nervous. Her husband hadn’t said a word since she’d blurted that he was a vampire and it was making her uncomfortable enough to start searching her mind for a way to make him leave. “If you have things to do, you need not trouble yourself to wait here for me to finish eating. I can manage well enough on my own,” she murmured at last, though the food was all gone. “Tis no trouble to be with ye,” he said with a frown and there was sudden anger on his face. “Yer no a burden to me, Eva, ye ne’er ha’e been and ne’er will be. Dear God, ye saved me life this morn, woman, no once, but twice. Ha’e ye no realized yer worth yet?” “I—” Eva shook her head helplessly, confused by the tears suddenly pooling in her eyes. His vehemence was as surprising to her as the words themselves. She had saved his life that morning. She’d driven the intruder off with the log, then . . . well all right, the feeding bit wasn’t that impressive. Anyone would have done in that instance, but she had fended off the intruder. “Ye’ve courage and beauty and intelligence and are a worthy wife. E’en a king would ha’e pride in claimin’ ye to wife. I have felt nothing but pride in claimin’ ye meself.” “Despite my bein’ accident prone?” she teased with a wry twist of the lips. “Yer accidents are a result o’ tryin’ too hard to earn a place here,” he said quietly. “But ’tis only because you doonae realize ye already ha’e a place here. Yer the Lady MacAdie. My wife.” Eva swallowed, her gaze dropping from his at those words. They made her heart ache for some reason. “Why do ye look away? Do ye hate me now?” Eva glanced back up with surprise. “What?” “Now that ye know what I am?” he explained. “Will ye be wantin’ an annulment? Beggin’ to be set free? Wid ye rather a mortal man to husband? Should I take ye back to Caxton?” Eva stared at him in horror, fear clutching at her heart at the very idea of what he suggested.

He was briefly tempted to reach for the brandy again, but no particular good had come of their previous shared moments, and so he opted for the routine of making a big pot of tea.

Caxton was a merchant, a member of a growing class that was able to acquire a certain amount of education and literacy. He was working in Flanders when he started a printing press in Bruges. Printing had been spreading through Europe for a few decades, but most of the works produced were in Latin. The first work that Caxton printed was in English: his own translation from French of a retelling of the legend of Troy. He had written a manuscript translation that had become so popular among the English-speaking courtiers of the Burgundian Netherlands (the duchess was the sister of the king of England) that he couldn’t keep up with demand.

William Caxton, for example, England's first printer, recorded for us in 1484 the following account of a reptilian monster in medieval Italy. I have modernised the spelling and punctuation: “There was found within a great river [i.e. the Po in Italy] a monster marine, or of the sea, of the form or likeness which followeth. He had the form or making of a fish, the which part was in two halves, that is to wit double. He had a great beard and he had two wonderfully great horns above his ears. Also he had great paps and a wonderfully great and horrible mouth. And at the both [of] his elbows he had wings right broad and great of fish's armour wherewith he swimmed and only he had but the head out of the water. It happed then that many women laundered and washed at the port or haven of the said river [where] that this horrible and fearful beast was, [who] for lack or default of meat came swimming toward the said women. Of the which he took one by the hand and supposed to have drawn her into the water. But she was strong and well advised and resisted against the said monster. And as she defended herself, she began to cry with an high voice, "Help, help!" To the which came running five women which by hurling and drawing of stones, killed and slew the said monster, for he was come too far within the sound, wherefore he might not return to the deep water. And after, when he rendered his spirit, he made a right little cry. He was of great corpulence more than any man's body. And yet, saith Poge [Pogius Bracciolini of Florence] in this manner, that he, being at Ferrara, he saw the said monster and saith yet that the young children were accustomed for to go bathe and wash them within the said river, but they came not all again. Wherefore the women [neither] washed nor laundered their clothes at the said port, for the folk presumed and supposed that the monster killed the young children which were drowned.

Because there is a growing belief among the community of thinking beings that by 2050 men and women will be marrying human like robots. At that point, how Craig Raine will describe his experiences will be fascinating to know. And in my imagination I have already travelled with the Green Man into the future called 2075 and witnessed How humans will experience love in 2075. Because this science fiction novel navigates through the possibility of men and women falling in love with machines, without knowing they are robots imitating human emotions. Will you still dare to fall in love in 2075 or will you strive to tell the difference between a human lover and a robotic lover? Now it is your turn to join the Green Man on this exciting journey into 2075, where he will reveal to you what the world would look like in 2075, and take you on an excitingly epic journey with the protagonist, Saabir, who criss crosses the highways and all by ways of emotional trajectory in the midst of synthetic emotions and feelings that engulf him. To know more, travel with the Green Man via the science fiction titled, They Loved in 2075. With this anticipation I shall dream of you tonight and hope that you will be able to unlock the alien imagination within you, to realise the part of you that is from Heaven. If you have any doubts, here is the poem by ​​Craig Raine to make you a dreamer who while asleep is always awake in his/her subconscious state too. Because he/she has learned the art of having a rendezvous with the light that radiates through the universe, to eventually settle in a dreamer's eyes who dares to dream beyond the ordinary and the 3 dimensional reality. "A Martian Sends A Postcard Home” Caxtons are mechanical birds with many wings and some are treasured for their markings-- they cause the eyes to melt or the body to shriek without pain. I have never seen one fly, but sometimes they perch on the hand. Mist is when the sky is tired of flight and rests its soft machine on the ground: then the world is dim and bookish like engravings under tissue paper Rain is when the earth is television. It has the properites of making colours darker. Model T is a room with the lock inside -- a key is turned to free the world for movement, so quick there is a film to watch for anything missed. But time is tied to the wrist or kept in a box, ticking with impatience. In homes, a haunted apparatus sleeps, that snores when you pick it up. If the ghost cries, they carry it to their lips and soothe it to sleep with sounds. And yet, they wake it up deliberately, by tickling with a finger. Only the young are allowed to suffer openly. Adults go to a punishment room with water but nothing to eat. They lock the door and suffer the noises alone. No one is exempt and everyone's pain has a different smell. At night, when all the colours die, they hide in pairs and read about themselves -- in colour, with their eyelids shut. Dedicated to you, the Green Man and Saabir who hails from 2075 and dares to love a real woman in 2075 because he loves her a lot!

The morning before attorney Richard Caxton was shot, he

This time around, Caxton’s client was the son of a

Mr. Berger found himself consigned to the dusty ranks of the council’s spinsters and bachelors, to the army of the closeted, the odd, and the sad, although he was none of these things. Well, perhaps just a little of the latter:

The meal was lavish and lengthy; the conversation laboured. At least so far as Claudia was concerned it was barely classifiable as conversation. For Caxton, she realised, it might have seemed quite adequate. He is totally incurious. In three days she has rarely heard him ask a single personal question of anyone. This insularity seems to be not so much egotism as a deficiency induced by years of having other people intensely interested in his every word or action.

In the event, it was the contribution women made to the war effort that saw the franchise awarded to female property owners over the age of thirty in 1918. Another ten years were to elapse before women would enjoy electoral equality with men. In 1930, a statue of Emmeline Pankhurst was unveiled in Westminster, not far from the spot where, two decades earlier, she and Edith had watched the violent assault of the delegations from Caxton Hall.

Words, being all proper names, would become meaningless at the time of the destruction of the objects they symbolized. They could not even be explained the way proper names are now explained by means of common names (for example, William Caxton, 1422?–1491, first English

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The Dukes loved their palace at Hesdin in Artois. It had wonderful machines to entertain visitors: they could create hidden voices, spray water, sprinkle snow. There was a trapdoor through which visitors would drop onto great piles of feathers; conduits were placed to squirt ‘women from below’. There were the mysterious but no doubt beguiling automata. There was a magical room celebrating the story of Jason and the Golden Fleece (to commemorate the chivalric order initiated by Philip the Good), which William Caxton saw while he was working as a printer in Bruges and which he thought ‘craftily and curiously depeynted’. The entire palace and its fortifications were razed by the Emperor Charles V and no trace remains. The Burgundian court was once famous for a special dance called the ‘moresca’, but we have no idea how it was danced, and in any event the music has not survived.

Carlisle’s