Cave Of Wonders Quotes

Hermes smiled. "I knew a boy once ... oh, younger than you by far. A mere baby, really." Here we go again, George said. Always talking about himself. Quiet! Martha snapped. Do you want to get set on vibrate? Hermes ignored them. "One night, when this boy's mother wasn't watching, he sneaked out of their cave and stole some cattle that belonged to Apollo." "Did he get blasted to tiny pieces?" I asked. "Hmm ... no. Actually, everything turned out quite well. To make up for his theft, the boy gave Apollo an instrument he'd invented-a lyre. Apollo was so enchanted with the music that he forgot all about being angry." So what's the moral?" "The moral?" Hermes asked. "Goodness, you act like it's a fable. It's a true story. Does truth have a moral?" "Um ..." "How about this: stealing is not always bad?" "I don't think my mom would like that moral." Rats are delicious, suggested George. What does that have to do with the story? Martha demanded. Nothing, George said. But I'm hungry. "I've got it," Hermes said. "Young people don't always do what they're told, but if they can pull it off and do something wonderful, sometimes they escape punishment. How's that?

There was a smell of Time in the air tonight. He smiled and turned the fancy in his mind. There was a thought. What did time smell like? Like dust and clocks and people. And if you wondered what Time sounded like it sounded like water running in a dark cave and voices crying and dirt dropping down upon hollow box lids, and rain. And, going further, what did Time look like? Time look like snow dropping silently into a black room or it looked like a silent film in an ancient theater, 100 billion faces falling like those New Year balloons, down and down into nothing. That was how Time smelled and looked and sounded. And tonight-Tomas shoved a hand into the wind outside the truck-tonight you could almost taste time.

It's a wonderful life if you can find it.

You've got to understand your limitations. It's your limitations that make you the wonderful disaster you most probably are.

Out of sorrow entire worlds have been built out of longing great wonders have been willed they're only little tears darling let them spill and lay your head upon my shoulder.

Out of sorrow entire worlds have been built Out of longing great wonders have been willed

The little queen all golden Flew hissing at the sea. To stop each wave Her clutch to save She ventured bravely. As she attacked the sea in rage A holderman came nigh Along the sand Fishnet in hand And saw the queen midsky. He stared at her in wonder For often he'd been told That such as she Could never be Who hovered there, bright gold. He saw her plight and quickly He looked up the cliff he faced And saw a cave Above the wave In which her eggs he placed. The little queen all golden Upon his shoulder stood Her eyes all blue Glowed of her true Undying gratitude.

God has matured. He is not the impulsive, bowel-less being of the Testaments - the vehement glory-monger, with His bag of cheap carny tricks and his booming voice - the fiery huckster with his burning bushes and his wonder wands. Nowadays God knows what He wants and He knows who He wants.

Most people either love or hate old libraries. To some, a room like this--dim, high-ceilinged, dusty, smelling of old paper and crumbling leather--would be oppressive, a place to flee from in search of sun and air. To others, like me, it was a wonderful cave filled with unimaginable treasures and unexpected treats. I always found myself inhaling deeply when I entered the stacks, as if trying to absorb part of them into my bloodstream.

I don't believe in an interventionist God But I know, darling, that you do But if I did I would kneel down and ask Him Not to intervene when it came to you Not to touch a hair on your head To leave you as you are And if He felt He had to direct you Then direct you into my arms Into my arms, O Lord Into my arms, O Lord Into my arms, O Lord Into my arms And I don't believe in the existence of angels But looking at you I wonder if that's true But if I did I would summon them together And ask them to watch over you To each burn a candle for you To make bright and clear your path And to walk, like Christ, in grace and love And guide you into my arms Into my arms, O Lord Into my arms, O Lord Into my arms, O Lord Into my arms And I believe in Love And I know that you do too And I believe in some kind of path That we can walk down, me and you So keep your candlew burning And make her journey bright and pure That she will keep returning Always and evermore Into my arms, O Lord Into my arms, O Lord Into my arms, O Lord Into my arms

I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.

I’m the least fanciful guy around, but on nights when I wonder whether there was any point to my day, I think about this: the first thing we ever did, when we started turning into humans, was draw a line across the cave door and say: Wild stays out. What I do is what the first men did. They built walls to keep back the sea. They fought the wolves for the hearth fire.

I stared at the pictogram of a burger nestled between similar representations of shakes, sodas, and fries, on the front of my register. I wondered why humankind seemed so dead set on destroying all of its accomplishments. We draw on cave walls, spend thousands of years developing complex language systems, the printing press, computers, and what do we do with it? Create a cash register with the picture of a burger on it, just in case the cashier didn't finish the second grade. One step forward, two steps back-- like an evolutionary cha-cha. Working here just proved that the only thing separating me from a monkey was pants.

Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it

Eventually you ascend the stairs to the street. You think of Plato's pilgrims climbing out of the cave, from the shadow world of appearances toward things as they really are, and you wonder if it is possible to change in this life. Being with a philosopher makes you think.

She dabbed at the surface of the water with one paw, and the moon fluttered like silver wings before settling again as the water stilled. Letting out a faint mrrow of wonder, Half Moon dabbed again and again. However often she disturbed the surface, the moon was still there. “It doesn’t give up, does it?” Half Moon blinked at Jayfeather. “It’s always there, constant like the stones in this cave. Maybe we should be like the moon’s reflection, holding fast whatever happens?

I weave the papers through the branches, in a long loop. Up and down, my knees bending. My arms above my head, like the girls I saw once in a painting in a cave. There is a rhythm to this, a keeping of time. I wonder if I'm dancing.

On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish. Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.” “Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’” “I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me. I wasn’t sure where the words came from: “You didn’t fail me, Mal.” He wiped his damp hand on his thigh. “We both know better.” “We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.” “I’m talking to you right now.” “See? Is this so terrible?” “It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.” My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—” “I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.” He plunged ahead into the next cave. I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern. “Oncat scratches me all the time,” said Harshaw as he ambled up beside me. “Oh?” I asked hollowly. “Funny thing is, she likes to stay close.” “Are you being profound, Harshaw?” “Actually, I was wondering, if I ate enough of those fish, would I start to glow?” I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel. “Come on, Harshaw,” I called over my shoulder. Then the first explosion hit.

I was thinking", he answered absently, "about Euripides; how, when he was an old man, he went and lived in a cave by the sea, and it was thought queer at the time. It seems that houses had become insupportable to him. I wonder whether it was because he had observed women so closely all his life.

[T]he luminous and shocking beauty of the everyday is something I try to remain alert to, if only as an antidote to the chronic cynicism and disenchantment that seems to surround everything, these days. It tells me that, despite how debased or corrupt we are told humanity is and how degraded the world has become, it just keeps on being beautiful. It can’t help it.

She was beautiful. Not despite her so-called flaws but because of them—those scrapes and life experiences that made her body like no other woman’s. The beauty that wasn’t ephemeral or society-dictated but the real beauty that cut across generations, across all cultures, from the beginning of humankind. The beauty that was painted in Paleolithic caves and carved in ancient Venus statuettes, those wonderful figurines of all shapes and sizes, individualized and gorgeous precisely because of that individuality. What cavemen had known, modern men had forgotten, and sadly, modern women too.

Unlike television, reading does not swallow the senses or dictate thought. Reading stimulates the ecology of the imagination. Can you remember the wonder you felt when first reading The Jungle Book or Tom Sawyer or Huckleberry Finn? Kipling’s world within a world; Twain’s slow river, the feel of freedom and sand on the secret island, and in the depths of the cave?

This was how it always went, wasn't it? All those women who'd come before her, in caves and tents and covered wagons. It was a wonder how she'd never given much thought to the ancient, timeless fact. Motherhood was, by nature, a thing you did alone.

I personally think humans have got about as far as we can go. We're wrecking the planet. We're never short of good reasons to massacre each other. Wrong god. Wrong race. Wrong color. Wrong sex. I'm actually quite surprised a thoroughly pissed-off History hasn't waved a flaming sword and we're all back in caves in the snow, chewing on half-cooked mammoth. And even that's more than we deserve. No wonder we still can't get to Mars. I suspect the Universe is making damned sure we don't get the chance to contaminate other planets with our stupidity. It's keeping us on this one where the only thing we can damage is each other.

Occasionally I wonder why I can be so happy. The answer is that every day of my life I’ve worked only for myself and for the joy that comes from writing and creating. The image in my mirror is not optimistic, but the result of optimal behavior.

It is getting dark. In the low mists over the hills, an orange glow broods, as if the trees are on fire. Bats are flooding out from the hundreds of caves that perforate these mountainsides. I watch them plunge into the mists without any hesitation, trusting in the echoes and silences in which they fly. Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analyzing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?

Marie-Laure sits among them, wondering who will cave, who will tattle, who will be the bravest. Who will lie on her back and let her last breath curl up to the ceiling as a curse upon the invaders.

He was starting to think that consciousness wasn’t some lighthouse of self-knowing but merely a little cave where you made up stories about yourself, whatever it took to hide the shit and the slime, the utter mollusk you were in your deepest nature. He wondered what was down there, under the shit, what kind of bedrock he might strike. Take

She blacked out all her windows, scared she wasn't worth the light, spent far too long in darkness, for someone so afraid of night, and as she felt her world cave in, her fragile ribcage strain, she wondered if there's more to life, than just mind-numbing pain.

He always kept a handful of stars in his pockets and rays of sunshine in his smile, a hurricane in his eyes and whole galaxies in his mind. And now when I close my eyes, my mind roams and enters the cave where our memories still resided. There's so much I wish I could tell you, but most of all I wonder how you could do this to us. I'm yet again stuck in this darkness that seems to never end.

Daughter, daughter, shining bright Precious jewel within mine sight Oh, if I could soar with thee As you seek your destiny. To see with you the caves and skies Vistas grand beneath your eyes Taking wing to horizons new Let us wonder who waits for you. A dragon bright? A dragon dark? Victor of duels with battle mark? A dragon strong? A dragon keen? Singer of honors and triumphs seen? Red, Gold, Bronze, and Blue To your lord you shall be true, Copper, Silver, Black, and White, Who will win your mating flight? For in your hearts our future rests To see our line with hatchlings blessed And for those who threaten clutch of flame, To feel the wrath of dragon-dame.

Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.

Two women leave, claiming obligations involving grandchildren. Others tug at their blouses and rattle their chairs as though the temperature of the kitchen has gone up. Six remain. Marie-Laure sits among them, wondering who will cave, who will tattle, who will be the bravest. Who will lie on her back and let her last breath curl up to the ceiling as a curse upon the invaders.

See, boys?” Moundshroud’s face flickered with the fire. “The days of the Long Cold are done. Because of this one brave, new-thinking man, summer lives in the winter cave.” “But?” said Tom. “What’s that got to do with Halloween?” “Do? Why, blast my bones, everything. When you and your friends die every day, there’s no time to think of Death, is there? Only time to run. But when you stop running at long last—” He touched the walls. The apemen froze in mid-flight. “—now you have time to think of where you came from, where you’re going. And fire lights the way, boys. Fire and lightning. Morning stars to gaze at. Fire in your own cave to protect you. Only by night fires was the caveman, beastman, able at last to turn his thoughts on a spit and baste them with wonder. The sun died in the sky. Winter came on like a great white beast shaking its fur, burying him. Would spring ever come back to the world? Would the sun be reborn next year or stay murdered? Egyptians asked it. Cavemen asked it a million years before. Will the sun rise tomorrow morning?” “And that’s how Halloween began?” “With such long thoughts at night, boys. And always at the center of it, fire. The sun. The sun dying down the cold sky forever. How that must have scared early man, eh? That was the Big Death. If the sun went away forever, then what?

Welsh Incident 'But that was nothing to what things came out From the sea-caves of Criccieth yonder.' What were they? Mermaids? dragons? ghosts?' Nothing at all of any things like that.' What were they, then?' 'All sorts of queer things, Things never seen or heard or written about, Very strange, un-Welsh, utterly peculiar Things. Oh, solid enough they seemed to touch, Had anyone dared it. Marvellous creation, All various shapes and sizes, and no sizes, All new, each perfectly unlike his neighbour, Though all came moving slowly out together.' Describe just one of them.' 'I am unable.' What were their colours?' 'Mostly nameless colours, Colours you'd like to see; but one was puce Or perhaps more like crimson, but not purplish. Some had no colour.' 'Tell me, had they legs?' Not a leg or foot among them that I saw.' But did these things come out in any order?' What o'clock was it? What was the day of the week? Who else was present? How was the weather?' I was coming to that. It was half-past three On Easter Tuesday last. The sun was shining. The Harlech Silver Band played Marchog Jesu On thrity-seven shimmering instruments Collecting for Caernarvon's (Fever) Hospital Fund. The populations of Pwllheli, Criccieth, Portmadoc, Borth, Tremadoc, Penrhyndeudraeth, Were all assembled. Criccieth's mayor addressed them First in good Welsh and then in fluent English, Twisting his fingers in his chain of office, Welcoming the things. They came out on the sand, Not keeping time to the band, moving seaward Silently at a snail's pace. But at last The most odd, indescribable thing of all Which hardly one man there could see for wonder Did something recognizably a something.' Well, what?' 'It made a noise.' 'A frightening noise?' No, no.' 'A musical noise? A noise of scuffling?' No, but a very loud, respectable noise --- Like groaning to oneself on Sunday morning In Chapel, close before the second psalm.' What did the mayor do?' 'I was coming to that.

At Abraham's burial, his two most prominent sons, rivals since before they were born, estranged since childhood, scions of rival nations, come together for the first time since they were rent apart nearly three-quarters of a century earlier. The text reports their union nearly without comment. "His sons Isaac and Ishmael buried him in the cave of Machpelah, in the field of Ephron son of Zohar the Hittite, facing Mamre, in the field that Abraham had bought from the Hittites." But the meaning of this moment cannot be diminished. Abraham achieves in death what he could never achieve in life: a moment of reconciliation between his two sons, a peaceful, communal, side-by-side flicker of possibility in which they are not rivals, scions, warriors, adversaries, children, Jews, Christians, or Muslims. They are brothers. They are mourners. In a sense they are us, forever weeping for the loss of our common father, shuffling through our bitter memories, reclaiming our childlike expectations, laughing, sobbing, furious and full of dreams, wondering about our orphaned future, and demanding the answers we all crave to hear: What did you want from me, Father? What did you leave me with, Father? And what do I do now?

When The Empire Strikes Back first came out in 1980 and I saw Luke summon his lightsaber to his hand in the wampa cave, I remember thinking, “Whoa! Awesome!” And then, after I’d seen it maybe ten more times, I wondered, “Where’d he learn how to do that?” My nine-year-old self never suspected that one day I’d get the chance to provide the answer, and I’m grateful to Del Rey and Lucasfilm for making it happen.

Six remain. Marie-Laure sits among them, wondering who will cave, who will tattle, who will be the bravest. Who will lie on her back and let her last breath curl up to the ceiling as a curse upon the invaders.

Bats are flooding out from the hundreds of caves that perforate these mountainsides. I watch them plunge into the mists without any hesitation, trusting in the echoes and silences in which they fly. Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analyzing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?

What did Time smell like? Like dust and clocks and people. And if you wondered what Time sounded like it sounded like water running in a dark cave and voices crying and dirt dropping down upon hollow box-lids, and rain.

We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.

I'm afraid they're not very well-designed creatures, dragons." Vimes listened. "They would never have survived at all except that their home swamps were isolated and short of predators. Not that a dragon made good eating, anyway-once you'd taken away the leathery skin and the enormous flight muscles, what was left must have been like biting into a badly-run chemical factory. No wonder dragons were always ill. They relied on permanent stomach trouble for supplies of fuel. Most of their brain power was taken up with controlling the complexities of then-digestion, which could distill flame-producing fuels from the most unlikely ingredients. They could even rearrange their internal plumbing overnight to deal with difficult processes. They lived on a chemical knife-edge the whole time. One misplaced hiccup and they were geography. And when it came to choosing nesting sites, the females had all the common sense and mothering instinct of a brick." Vimes wondered why people had been so worried about dragons in the olden days. If there was one in a cave near you, all you had to do was wait until it self-ignited, blew itself up, or died of acute indigestion.

Objects and Objectives To contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind. A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well. From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.

There was a smell of Time in the air tonight. He smiled and turned the fancy in his mind. There was a thought. What did Time smell like? Like dust and clocks and people. And if you wondered what Time sounded like it sounded like water running in a dark cave and voices crying and dirt dropping down upon hollow box lids, and rain. And, going further, what did Time look like? Time looked like snow dropping silently into a black room or it looked like a silent film in an ancient theater, one hundred billion faces falling like those New Year balloons, down and down into nothing. That was how Time smelled and looked and sounded. And tonight—Tomás shoved a hand into the wind outside the truck—tonight you could almost touch Time.

And meanwhile there was the world of wonders within him. As a boy at the sea-side, Ralph, between tides, had once come on a cave—a secret inaccessible place with glaucous lights, mysterious murmurs, and a single shaft of communication with the sky. He

Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And

The door opened, and it was like an apparition materializing before me, some sort of heavenly messenger descended from above. I’d never been away from her for this long, and after all this time, part of me wondered if I was imagining this. Her hand went to her mouth, and she stared at me wide-eyed. I think she felt the same way-and she hadn’t even had warning of my visit. She’d just been told I was coming “soon.” No doubt I seemed like a phantom to her, too. And with that reunion… it was like I was emerging from a cave-one I’d been in for almost five weeks-into the bright light of day. When Dimitri had turned, I’d felt like I’d lost part of my soul. When I’d left Lissa, another piece had gone. Now, seeing her… I began to think maybe my soul might be able to heal. Maybe I could go on after all. I didn’t feel 100 percent whole yet, but her presence filled up that missing part of me. I felt more like myself than I had in ages. A world of questions and confusion hung in the silence between us. In spite of everything we’d been through with Avery, there was still a lot of unresolved business from when I had first left the school. For the first time since I’d set foot on the Academy’s grounds, I felt afraid. Afraid that Lissa would reject me or scream at me for what I’d done. Instead, she drew me into a giant hug. “I knew it,” she said. She was already choking on her sobs. “I knew you’d come back.

Campbell surmised “a magical, wonderful accord” growing between the hunter and the hunted, as if they were locked in a “mystical, timeless” cycle of death, burial, and resurrection. Their art—the paintings on cave walls—and oral literature gave form to the impulse we now call religion.

Answer me!” Then, suddenly, there it was again. A single word. Soft, barely audible, a mumbled prayer wafting up into the cave. “Longer.” Longer what? Dor wondered. He crouched on the floor, staring at the incandescent water, desperate, as man grows alone, for the sound of another soul.

The northern shore was gray, grim, and inhospitable, and Diana knew every inch of its secret landscape, its crags and caves, its tide pools teeming with limpets and anemones. It was a good place to be alone. The island seeks to please, her mother had told her. It was why Themyscira was forested by redwoods in some places and rubber trees in others; why you could spend an afternoon roaming the grasslands on a scoop-neck pony and the evening atop a camel, scaling a moonlit dragonback of sand dunes. They were all pieces of the lives the Amazons had led before they came to the island, little landscapes of the heart.

People say that humans are the superior species on this planet because we have minds that are conscious of their own existence, and therefore we have the capacity to create a culture, to create an art. I look at sheep, at peace on the moors, and wonder exactly how much of a delusion are our arrogant souls prepared to share?

Suppose that the people that they speak of now as 'superstitious' and 'half-savages' should turn out to be in the right, and very wise, while we are all wrong and great fools! It would be something like the man who lived in the Bright Palace. The Palace had a hundred and one doors. A hundred of them opened into gardens of delight, pleasure-houses, beautiful bowers, wonderful countries, fairy seas, caves of gold and hills of diamonds, into all the most splendid places. But one door led into a cesspool, and that was the only door that the man ever opened. It may be that his sons and his grandsons have been opening that one door ever since, till they have forgotten that there are any others, so if anyone dares to speak of the ways to the garden of delight or the hills of gold he is called a madman, or a very wicked person.

The woman laughed again. She was the loudest person in the cave. Eena wondered if perhaps she was talking to a female Ghengat. Curiosity got the best of her and she turned around to look, surprised to find neither a Ghengat nor a Harrowbethian woman, but a Mishmorat. A striking, cheetah-spotted Mishmorat with straight lengths of charcoal hair and the most alluring dark eyes in existence. This bronzed female was the same size as Eena but observably more muscular. She appeared to be a mix of cheetah, Arabian princess, and gladiator in tight-fitting pants. Eena paused, dropping the stone in her hands. “Kira?” she breathed. “Hmmm,” the woman grumbled. Her painted eyes scrunched with displeasure. The look was still stunning. “I see my reputation precedes me.” Eena gawked as if a legendary ghost had been resurrected. “You’re alive?

he’d wondered aloud if the Scottish-Japanese technophile wanted to be Batman. “You already have the lair, the finances and the right equipment,” he’d said. “Why do you ask? Do you have a fetish for rich men in masks?” Ken asked, smiling that angelic smile. “I don’t have fetishes,” Brady responded quickly. “But he isn’t my type. He’s got a cave full of baggage and relies on toys instead of natural talent. Give me Superman any day.

You, the woman; I, the man; this, the world: And each is the work of all. There is the muffled step in the snow; the stranger; The crippled wren; the nun; the dancer; the Jesus-wing Over the walkers in the village; and there are Many beautiful arms around us and the things we know. See how those stars tramp over the heavens on their sticks Of ancient light: with what simplicity that blue Takes eternity into the quiet cave of God, where Ceasar And Socrates, like primitive paintings on a wall, Look, with idiot eyes, on the world where we two are. You, the sought for; I, the seeker; this, the search: And each is the mission of all. For greatness is only the drayhorse that coaxes The built cart out; and where we go is reason. But genius is an enormous littleness, a trickling Of heart that covers alike the hare and the hunter. How smoothly, like the sleep of a flower, love, The grassy wind moves over night's tense meadow: See how the great wooden eyes of the forrest Stare upon the architecture of our innocence. You, the village; I, the stranger; this, the road: And each is the work of all. Then, not that man do more, or stop pity; but that he be Wider in living; that all his cities fly a clean flag... We have been alone too long, love; it is terribly late For the pierced feet on the water and we must not die now. Have you ever wondered why all the windows in heaven were broken? Have you seen the homeless in the open grave of God's hand? Do you want to aquaint the larks with the fatuous music of war? There is the muffled step in the snow; the stranger; The crippled wren; the nun; the dancer; the Jesus-wing Over the walkers in the village; and there are Many desperate arms about us and the things we know.

That mental strength under pressure is absolutely critical for the long, deep dives that Rick and John tackle. When you are hundreds of yards into a sump, you are so isolated from the basic needs of survival that you may as well be on the surface of the moon. It’s no wonder, then, that sump divers seem to possess the same qualities as astronauts: the ability to prepare thoroughly, solve problems quickly, and keep cool in an emergency.

After everything we have said it is worth considering whether, if we immediately demand a propositional explanation of the highest idea, we are proceeding in a truly Platonic manner. If we ask in this way we already deviate from the path of authentic questioning. But inquiry into the idea of the good generally proceeds along this false track. One straightaway wants to know what the good is, just like one wants to know the shortest route to the market place. The idea of the good cannot be interrogated in this uncomprehending way at all. It is thus no wonder if through this way of questioning we do not receive an answer, i.e. if our claim upon the intelligibility of this idea of the good, as something to be measured in terms of our ruling self-evidences, is from the very beginning decisively repulsed. Here we recognize – how often – that questioning also has its rank-order.

The sore throat had started after the night the first doll appeared. No wonder it hurt too much to eat or drink anything. Night after night, the dolls had been climbing into his mouth and down his throat as he slept, making their way through the narrow passageways of his body like explorers in a dark, damp cave. The realization nauseated him. He felt the urge to vomit, but there was nothing in his stomach to bring up. Nothing but acid and fear.

The watchful Mishmorat commented while waiting, contemplating Eena’s bare back. “Your people are so plain and pale.” “Oh?” Eena kinked her neck to look at Niki, zeroing in on her long spotted arms. Her bronze skin was arguably more striking—speckled in beautiful patterns. “I’m sorry,” the Mishmorat quickly apologized. “I didn’t mean to be rude. It’s just that I’ve never seen such bare skin before. There’s nothing to look at.” Eena quickly pulled the new t-shirt down over her back. She chuckled at Niki’s comment. “I’ll admit your people are very attractive. But I’m okay with my ‘plainness.’” She glanced over her pale legs before pulling on a clean pair of pants. “You’re kinda like a clear, cloudless sky,” Niki said, cocking her head wonderingly. “And you’re like a…..a sky dotted with shapely clouds.” “Only dark clouds.” “Storm clouds.” “Yeah,” Niki grinned devilishly, “That’s me—a sky full of storm clouds.

A kiss with Lenore is a scenario in which Iskate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess onthe doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

Over and over. I was tempting fate. What would happen, I wondered, if the wall came down? Would the roof cave in? Would the weight of it falling cause the floorboards to collapse? Would roof tiles and beams and stone come crashing through ceilings onto the beds and boxes as if there were an earthquake? And then what? Would it stop there? How far would it go? I rocked and rocked, taunting the wall, daring it to fall, but it didn’t. Even under duress, it is astonishing just how long a dead wall will stay standing

There weren't so very many good boxes on this beach," said Sniff. "But I've made a great discovery." "What was that?" asked Moomintroll, for a discovery (next to Mysterious Paths, Bathing, and Secrets) was what he liked most of all. Sniff paused and then said dramatically: "A cave!" "A real cave," asked Moomintroll, "with a hole to creep in through, and rocky walls, and a sandy floor?" "Everything!" answered Sniff proudly. "A real cave that I found myself." "That's splendid!" said Moomintroll. "Wonderful news. A cave is much better than a box.

Nor was it mean delight To watch crude Nature work in untaught minds; To note the laws and progress of belief; Though obstinate on this way, yet on that How willingly we travel, and how far! To have, for instance, brought upon the scene The champion, Jack the Giant-killer: Lo! He dons his coat of darkness; on the stage Walks, and achieves his wonders, from the eye Of living Mortal covert, "as the moon Hid in her vacant interlunar cave." Delusion bold! and how can it be wrought? The garb he wears is black as death, the word "Invisible" flames forth upon his chest.

Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.

It was the first time he had spoken. What Gift could Ayla give in return to the Mother that would be of equal value?” There was silence as everyone looked at Ayla. “I gave Her my baby,” she said, knowing in her heart that the child she had lost was one started by Jondalar, that it was her and Jondalar’s child. Will I ever have another baby that will be Jondalar’s, too? she wondered. “The Mother was honored deeply when that baby was started. It was a baby I wanted, wanted more than I can tell you. Even now, my arms ache with the emptiness of that loss. I may have another child someday, but I will never have that child.

us when you aren’t happy.” “But I must know what happens to the children,” the Medium said. “It’s my worst trouble, getting fond. If I didn’t get fond I could be happy all the time. Oh, well, ho hum, I manage to keep pretty jolly, and a little snooze will do wonders for me right now. Good-bye, everyb—” and her word got lost in the general b-b-bz-z of a snore. “Ccome,” Mrs Which ordered, and they followed her out of the darkness of the cave to the impersonal grayness of the Medium’s planet. “Nnoww, cchilldrenn, yyouu musstt nott bee frrightennedd att whatt iss ggoingg tto hhappenn,” Mrs Which warned. “Stay angry, little Meg,” Mrs Whatsit

Just beyond the opening the cave was higher, and as the boat floated into the dim interior they found themselves on quite an extensive branch of the sea. For a time neither of them spoke and only the soft lapping of the water against the sides of the boat was heard. A beautiful sight met the eyes of the two adventurers and held them dumb with wonder and delight. It was not dark in this vast cave, yet the light seemed to come from underneath the water, which all around them glowed with an exquisite sapphire color. Where the little waves crept up the sides of the rocks they shone like brilliant jewels, and every drop of spray seemed a gem fit to deck a queen.

As we gazed upon the uncanny sight presented to our vision, the thick lips opened, and several sounds issued from them, after which the thing relaxed in death. The guide clutched my coat sleeve and trembled so violently that the light shook fitfully, casting weird moving shadows on the walls. I made no motion, but stood rigidly still, my horrified eyes fixed upon the floor ahead. The fear left, and wonder, awe, compassion, and reverence succeeded in its place, for the sounds uttered by the stricken figure that lay stretched out on the limestone had told us the awesome truth. The creature I had killed, the strange beast of the unfathomed cave, was, or had at one time been a MAN!!!

A kiss with Lenore is a scenario in which I skate with buttered soles over the moist rink of lower lip, sheltered from weathers by the wet warm overhang of upper, finally to crawl between lip and gum and pull the lip to me like a child’s blanket and stare over it with beady, unfriendly eyes out at the world external to Lenore, of which I no longer wish to be part. That I must in the final analysis remain part of the world that is external to and other from Lenore Beadsman is to me a source of profound grief. That others may dwell deep, deep within the ones they love, drink from the soft cup at the creamy lake at the center of the Object of Passion, while I am fated forever only to intuit the presence of deep recesses while I poke my nose, as it were, merely into the foyer of the Great House of Love, agitate briefly, and make a small mess on the doormat, pisses me off to no small degree. But that Lenore finds such tiny frenzies, such conversations just inside the Screen Door of Union, to be not only pleasant and briefly diverting but somehow apparently right, fulfilling, significant, in some sense wonderful, quite simply and not at all surprisingly makes me feel the same way, enlarges my sense of it and me, sends me hurrying up the walk to that Screen Door in my best sportjacket and flower in lapel as excited as any schoolboy, time after time, brings me charging to the cave entrance in leopardskin shirt, avec club, bellowing for admittance and promising general kickings of ass if I am impeded in any way.

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

If you have ever come upon a grove that is thick with ancient trees rising far above their usual height and blocking the view of the sky with their cover of intertwining branches, the loftiness of the forest, the seclusion of the spot, and your wonder at the unbroken shade in the midst of open space will create in you a sense of the divine (numen). Or, if a cave made by the deep erosion of rocks supports a mountain with its arch, a place not made by hands but hollowed out by natural causes into spaciousness, then your mind will be aroused by a feeling of religious awe (religio). We venerate the sources of mighty rivers, we build an altar where a great stream suddenly bursts forth from a hidden source, we worship hot springs, and we deem lakes sacred because of their darkness or immeasurable depth. (Seneca the Younger, Letters 41.3)

Big elbows of Rock rising everywhere, sea caves within them, seas plollocking all around inside them crashing out foams, the boom and pound on the sand, the sand dipping quick (no Malibu Beach here) -- Yet you turn and see the pleasant woods winding upcreek like a picture in Vermont -- But you look up into the sky, bend way back, my God you're standing directly under the aerial bridge with its thin white line running from rock to rock and witless cars racing across it like dreams! From rock to rock! All the way down the raging coast! So that when later I heard people say "Oh Big Sur must be beautiful! " I gulp to wonder why it has the reputation of being beautiful above and beyond its fearfulness, its Blakean groaning roughrock Creation throes, those vistas when you drive the coast highway on a sunny day opening up the eye for miles of horrible washing sawing.

To be awed. To experience a communal sense of awe. I can feel it on stage and see it in people’s eyes. And I experience it too. It’s certainly something I have felt many, many times at other artists’ concerts. It’s about reaching an essential and shared state through music – sometimes for a moment, sometimes for an entire concert. We’ve all experienced that. Not just a physical release, although there is that, too, but to be held by an artist at the crucial moment of expression – to be awed, second by second, at the way a song or piece of music unfolds, to be held on the edge of tears by the drama of it all, and to be, as an audience member, an essential participant in the drama itself. That is a wonderful thing. […] So thank God, quite literally, for music, because it’s one of the last remaining places, beyond raw nature, that people can feel awed by something happening in real time, that feeling of reverence and wonder. […] These are sacred moments.

Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.

There were a few civilized details, like chairs that looked as though they had been purloined from more modern and elegant domiciles- a red velvet recliner, for instance, which would have been far more at home at Mr. Darling's club than in a cave. Wherever did that come from? Wendy wondered. But the rest of the furniture consisted primarily of things like barrels cut in half with moss for cushions, and the stumps of trees with hastily hammered-on backs. Enormous mushrooms made for tables. Some of the lanterns were fungus as well- softly glowing bluish-green "flowers" that spread in delicate clumps just below the ceiling. "John would just have a field day with those, I'm certain," Wendy said with a smile. One large barrel was placed under the end of a hollowed-out root to collect rainwater. There were shelves and nooks for the few possessions considered precious by the Lost Boys: piles of gold coins, interesting animal skeletons, shiny crystals, captivating burrs and seedpods. Also more strange detritus of the civilized world: a hinge, a pipe, a knob from a drawer, a spanner, and even a pocket watch.

When we arrived in this large room, Rockwell put a fluorescent marker down where we entered so we could find the way back out again. When Hurd failed to do that, her teacher corrected her. “In a cave,” she told Hurd, “always, always look back. Every few minutes, turn around. Nothing looks the same coming out as it did going in, so you have to memorize the backsides of every boulder, the shape of the hole you’ve just come through, see the reverse of every angle of slope.”2 Since my lamp is off, I think about how many hours I have spent in therapy instead, doing more or less the same thing: walking around the boulders of my childhood to see how they look from every angle, peering down into the holes where I spent months in the dark, wondering why the handholds I can see from the top were invisible from the bottom. The difference between the therapy and the cave is that the therapy wants me to look back so I can find another way out, not so I can return by the same way I came. Maybe that makes the cave more like a labyrinth. As long as you stay on the path, you cannot get lost—in time, maybe, but not in space. The path is circular. The way out is the way in. The path, like the cave, never changes. It is literally set in stone. Only the walker changes, not by looking back but by moving ahead, trusting the path to teach her what she needs to know.

Flames lit every surface in the caves and lava floes burned all around him, like some version of the Realm of Death he had heard tales of in his youth. There were flames leaping out of holes in the walls and floor like fiery stalagmites. Cyrus Davidon stood in the midst of it all, minding his steps very carefully, lest his black armor end up blacker still from an inadvertent scorching. The sweat rolled off his face as he surveyed the group around him. Over one hundred adventurers, all with common purpose. They had come to this place intending to slay a dragon. There was some nobility in that, Cyrus reflected, but it was diminished by the fact that the dragon was trapped in these depths and not a threat to anyone but those looking for it. Which meant that most of them were here for the dragon’s sizeable treasure hoard. “There’s nothing like fighting for your life with a small army of opportunists to watch your back, is there?” Cyrus murmured. “You’re not joking. It makes you wonder if there’s even one of this lot we can trust,” came the voice of Narstron a dwarf who had traveled with Cyrus for many seasons and had shared a great many adventures with him. “Trust is earned, not given. This group is so raw they’ll be dead before they even prove themselves,” came the voice on the other side of Narstron. Andren was an elf by nature and a healer by trade, a spell caster with the ability to bind wounds through magical means. “This lot has seen far too few seasons – and this is likely their last. Dragons aren’t to be trifled with.” He peered

Thomas Carlyle, following Plato, pictures a man, a deep pagan thinker, who had grown to maturity in some hidden cave and is brought out suddenly to see the sun rise. “What would his wonder be,” exclaims Carlyle, “his rapt astonishment at the sight we daily witness with indifference! With the free, open sense of a child, yet with the ripe faculty of a man, his whole heart would be kindled by that sight.... This green flowery rock-built earth, the trees, the mountains, rivers, many-sounding seas; that great deep sea of azure that swims overhead; the winds sweeping through it; the black cloud fashioning itself together, now pouring out fire, now hail and rain; what is it? Ay, what? At bottom we do not yet know; we can never know at all.”  How different are we who have grown used to it, who have become jaded with a satiety of wonder. “It is not by our superior insight that we escape the difficulty,” says Carlyle, “it is by our superior levity, our inattention, our want of insight. It is by not thinking that we cease to wonder at it.... We call that fire of the black thundercloud electricity, and lecture learnedly about it, and grind the like of it out of glass and silk: but what is it? Whence comes it? Whither goes it? Science has done much for us; but it is a poor science that would hide from us the great deep sacred infinitude of Nescience, whither we can never penetrate, on which all science swims as a mere superficial film. This world, after all our science and sciences, is still a miracle; wonderful, inscrutable, magical and more, to whosoever will think of it.”  These penetrating, almost prophetic,

It is the beginning of the year of our Lord 1963. I see a young Negro boy. He is sitting on a stoop in front of a vermin-infested apartment house in Harlem. The stench of garbage is in the halls. The drunks, the jobless, the junkies are shadow figures of his everyday world. The boy goes to a school attended mostly by Negro students with a scattering of Puerto Ricans. His father is one of the jobless. His mother is a sleep-in domestic, working for a family on Long Island. I see a young Negro girl. She is sitting on the stoop of a rickety wooden one-family house in Birmingham. Some visitors would call it a shack. It needs paint badly and the patched-up roof appears in danger of caving in. Half a dozen small children, in various stages of undress, are scampering about the house. The girl is forced to play the role of their mother. She can no longer attend the all-Negro school in her neighborhood because her mother died only recently after a car accident. Neighbors say if the ambulance hadn't come so late to take her to the all-Negro hospital the mother might still be alive. The girl's father is a porter in a downtown department store. He will always be a porter, for there are no promotions for the Negro in this store, where every counter serves him except the one that sells hot dogs and orange juice. This boy and this girl, separated by stretching miles, are wondering: Why does misery constantly haunt the Negro? In some distant past, had their forebears done some tragic injury to the nation, and was the curse of punishment upon the black race? Had they shirked in their duty as patriots, betrayed their country, denied their national birthright? Had they refused to defend their land against a foreign foe?

We call them shadow particles, Shadows. You know what nearly knocked me off my chair just now? When you mentioned the skulls in the museum. Because one of our team, you see, is a bit of an amateur archaeologist. And he discovered something one day that we couldn’t believe. But we couldn’t ignore it, because it fitted in with the craziest thing of all about these Shadows. You know what? They’re conscious. That’s right. Shadows are particles of consciousness. You ever heard anything so stupid? No wonder we can’t get our grant renewed.” She sipped her coffee. Lyra was drinking in every word like a thirsty flower. “Yes,” Dr. Malone went on, “they know we’re here. They answer back. And here goes the crazy part: you can’t see them unless you expect to. Unless you put your mind in a certain state. You have to be confident and relaxed at the same time. You have to be capable—Where’s that quotation…” She reached into the muddle of papers on her desk and found a scrap on which someone had written with a green pen. She read: ‘ “… Capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.’ You have to get into that state of mind. That’s from the poet Keats, by the way. I found it the other day. So you get yourself in the right state of mind, and then you look at the Cave—” “The cave?” said Lyra. “Oh, sorry. The computer. We call it the Cave. Shadows on the walls of the Cave, you see, from Plato. That’s our archaeologist again. He’s an all-around intellectual. But he’s gone off to Geneva for a job interview, and I don’t suppose for a moment he’ll be back…. Where was I? Oh, the Cave, that’s right. Once you’re linked up to it, if you think, the Shadows respond. There’s no doubt about it. The Shadows flock to your thinking like birds.…

A veritable pacifist when it comes to social guilds or luncheon clubs, I turn into something of a militant on the subject of the only true and living Church on the face of the earth. . . . Setting aside for a time the heavenly host we hope one day to enjoy, I still choose the church of Jesus Christ to fill my need to be needed--here and now, as well as there and then. When public problems or private heartaches come--as surely they do come--I will be most fortunate if in that hour I find myself in the company of Latter-day Saints. . . . When asked "What can I know?" a Latter-day Saint answers, "All that God knows." When asked "What ought I to do?" his disciples answer, "Follow the Master." When asked "What may I hope?" an entire dispensation declares, "Peace in this world, and eternal life in the world to come" (D&C 59:23), indeed ultimately for "all that [the] Father hath" (D&C 84:38). Depressions and identity crises have a hard time holding up under that response. . . . We cannot but wonder what frenzy the world would experience if a chapter of the Book of Mormon or a section of the Doctrine and Covenants or a conference address by President Spencer W. Kimball were to be discovered by some playful shepherd boy in an earthen jar near the Dead Sea caves of Qumran. The beneficiaries would probably build a special shrine in Jerusalem to house it, being very careful to regulate temperatures and restrict visitors. They would undoubtedly protect against earthquakes and war. Surely the edifice would be as beautiful as the contents would be valuable; its cost would be enormous, but its worth would be incalculable. Yet for the most part we have difficulty giving away copies of sacred scripture much more startling in their origin. Worse yet, some of us, knowing of the scriptures, have not even tried to share them, as if an angel were an every-day visitor and a prophet just another man in the street. We forget that our fathers lived for many centuries without priesthood power or prophetic leadership, and "dark ages" they were indeed.

Cultures are always built by the telling of stories. Within them are contained symbols and values that can be passed easily through the generations. Thousands of goddess tales are being unearthed and retold, and many new ones are being created. These tales are like threads with which we can weave our magic. In many stories the goddess is described in three phases—the Maiden, the Mother, and the Crone. This is a wonderful female trinity with infinite correspondences in life and nature. Cycles Three, Four, and Five will deal with each of these goddess-phases in turn. Some of the old goddess tales were twisted to suit the takeover of male powers, in order to win converts to their new gods. For example, Pandora (All-Gifts) was originally a Great Mother Goddess, whose box (womb, cauldron, cave, cup) was a reservoir of beauty and life-sustaining gifts. Patriarchal myth tells us that Her box contained all manner of destructive demons, which once unleashed upon the world, brought evil and suffering to all. Eve was also a Mother Goddess, whose tree was the Tree of Life. The serpent was her own sensual wisdom, and the apple was her sacred fruit. Athene, whom we are told was born fully grown out of the head of Zeus, dressed in armor and ready for war, was originally the daughter of the matriarchal goddess Metis. (Meter, method, measure, matter, mother…) Both mother and daughter were worshipped by the Amazons at Lake Triton, and were born parthenogenetically—without sperm. The examples of mythic misogyny are endless. Medusa is another; the patriarchs would have us believe that one look upon her face would turn the viewer to stone, because they did not wish us to know her true nature. One source reveals that the Medusae were a tribe of Amazon women; another that their snaky-haired masks were used over temple doorways to protect the Mysteries from irreverent intruders. Whenever we hear about a serpent in myth or fairy-tale, we can usually be sure that it hails back to an ancient Goddess and Her powers. The serpent, before the heyday of Freud and phallic symbols, meant transformation and kundalini energy.

There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower. That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her. One of the two-legs paused by the edge of the square in front of the black-shrike-thorn-cave, and she heard him shout a spell at her, his voice like the squeaking of a frightened mouse. Whatever the spell was, Eragon’s wards shielded her from it--at least she assumed they did, for she noticed no difference in how she felt or in the appearance of the world around her. The wolf-elf-in-Eragon’s-shape killed the magician for her. She could feel how Blödhgarm grasped hold of the spellcaster’s mind and wrestled the two-legs-round-ears’ thoughts into submission, whereupon Blödhgarm uttered a single word in the ancient-elf-magic-language, and the two-legs-round-ears fell to the ground, blood seeping from his open mouth. Then the wolf-elf tapped her on the shoulder and said, “Ready yourself, Brightscales. Here they come.” She saw Thorn rising above the edge of the rooftops, Eragon-half-brother-Murtagh a small, dark figure on his back. In the light of the morning sun, Thorn shone and sparkled almost as brilliantly as she herself did. Her scales were cleaner than his, though, as she had taken special care when grooming earlier. She could not imagine going into battle looking anything but her best. Her enemies should not only fear her, but admire her. She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder.

Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it. The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books. Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked. Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.

I once saw a striking contrast in the use made of material in Florence. I saw first in the Boboli gardens the two wonderful figures of the barbarians-you remember perhaps those antique stone statues. They are made of stone, consist of stone, represent the spirit of stone: you feel that stone has had the word! Then I went to the tombs of the Medici and saw what Michelangelo did to stone; there the stone has been brought to a super-life. It makes gestures which stone never would make; it is hysterical and exaggerated. The difference was amazing. Or go further to a man like Houdon and you see that the stone becomes absolutely acrobatic. There is the same difference between the Norman and Gothic styles. In the Gothic frame of mind stone behaves like a plant, not like a normal stone, while the Norman style is completely suggested by the stone. The stone speaks. Also an antique Egyptian temple is a most marvelous example of what stone can say; the Greek temple already plays tricks with stone, but the Egyptian temple is made of stone. It grows out of stone — the temple of Abu Simbel, for example, is amazing in that respect. Then in those cave temples in India one sees again the thing man brings into stone. He takes it into his hands and makes it jump, fills it with an uncanny sort of life which destroys the peculiar spirit of the stone. And in my opinion it is always to the detriment of art when matter has no say in the game of the artist. The quality of the matter is exceedingly important — it is all-important. For instance, I think it makes a tremendous difference whether one paints with chemical colors or with so-called natural colors. All that fuss medieval painters made about the preparation of their backgrounds or the making and mixing of their colors had a great advantage. No modern artist has ever brought out anything like the colors which those old masters produced. If one studies an old picture, one feels directly that the color speaks, the color has its own life, but with a modern artist it is most questionable whether the color has a life of its own. It is all made by man, made in Germany or anywhere else, and one feels it. So the projection into matter is not only a very important but an indispensable quality of art. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 948-949)

the military-industrial-scientific complex, because today’s wars are scientific productions. The world’s military forces initiate, fund and steer a large part of humanity’s scientific research and technological development. When World War One bogged down into interminable trench warfare, both sides called in the scientists to break the deadlock and save the nation. The men in white answered the call, and out of the laboratories rolled a constant stream of new wonder-weapons: combat aircraft, poison gas, tanks, submarines and ever more efficient machine guns, artillery pieces, rifles and bombs. 33. German V-2 rocket ready to launch. It didn’t defeat the Allies, but it kept the Germans hoping for a technological miracle until the very last days of the war. {© Ria Novosti/Science Photo Library.} Science played an even larger role in World War Two. By late 1944 Germany was losing the war and defeat was imminent. A year earlier, the Germans’ allies, the Italians, had toppled Mussolini and surrendered to the Allies. But Germany kept fighting on, even though the British, American and Soviet armies were closing in. One reason German soldiers and civilians thought not all was lost was that they believed German scientists were about to turn the tide with so-called miracle weapons such as the V-2 rocket and jet-powered aircraft. While the Germans were working on rockets and jets, the American Manhattan Project successfully developed atomic bombs. By the time the bomb was ready, in early August 1945, Germany had already surrendered, but Japan was fighting on. American forces were poised to invade its home islands. The Japanese vowed to resist the invasion and fight to the death, and there was every reason to believe that it was no idle threat. American generals told President Harry S. Truman that an invasion of Japan would cost the lives of a million American soldiers and would extend the war well into 1946. Truman decided to use the new bomb. Two weeks and two atom bombs later, Japan surrendered unconditionally and the war was over. But science is not just about offensive weapons. It plays a major role in our defences as well. Today many Americans believe that the solution to terrorism is technological rather than political. Just give millions more to the nanotechnology industry, they believe, and the United States could send bionic spy-flies into every Afghan cave, Yemenite redoubt and North African encampment. Once that’s done, Osama Bin Laden’s heirs will not be able to make a cup of coffee without a CIA spy-fly passing this vital information back to headquarters in Langley.

most of the other sciences deal with things that do not move, that are fixed. You can analyse the chair, the chair does not fly from you. But this science deals with the mind, which moves all the time; the moment you want to study it, it slips. Now the mind is in one mood, the next moment, perhaps, it is different, changing, changing all the time. In the midst of all this change it has to be studied, understood, grasped, and controlled. How much more difficult, then, is this science! It requires rigorous training. People ask me why I do not give them practical lessons. Why, it is no joke. I stand upon this platform talking to you and you go home and find no benefit; nor do I. Then you say, "It is all bosh." It is because you wanted to make a bosh of it. I know very little of this science, but the little that I gained I worked for thirty years of my life, and for six years I have been telling people the little that I know. It took me thirty years to learn it; thirty years of hard struggle. Sometimes I worked at it twenty hours during the twenty-four; sometimes I slept only one hour in the night; sometimes I worked whole nights; sometimes I lived in places where there was hardly a sound, hardly a breath; sometimes I had to live in caves. Think of that. And yet I know little or nothing; I have barely touched the hem of the garment of this science. But I can understand that it is true and vast and wonderful. Now, if there is any one amongst you who really wants to study this science, he will have to start with that sort of determination, the same as, nay even more than, that which he puts into any business of life. And what an amount of attention does business require, and what a rigorous taskmaster it is! Even if the father, the mother, the wife, or the child dies, business cannot stop! Even if the heart is breaking, we still have to go to our place of business, when every hour of work is a pang. That is business, and we think that it is just, that it is right. This science calls for more application than any business can ever require. Many men can succeed in business; very few in this. Because so much depends upon the particular constitution of the person studying it. As in business all may not make a fortune, but everyone can make something, so in the study of this science each one can get a glimpse which will convince him of its truth and of the fact that there have been men who realised it fully. This is the outline of the science. It stands upon its own feet and in its own light, and challenges comparison with any other science. There have been charlatans, there have been magicians, there have been cheats, and more here than in any other field. W

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

The schools turn wonder into drudgery and uniqueness into aberration. Acceptance by the dulled others becomes worth almost any surrender, and nothing is worth the price of solitude: to read, to ponder, to paint, to pray. In the new Plato’s cave, we have the electronic shadows to make the unreal true and to give us an ersatz peace — even though every ad ever produced is deliberately formulated to make us unhappy.

Cut the hair off. I mean all of it. Especially that ridiculous ponytail.” Neff started to protest. “Shut up. You have had your turn. Again, cut the entire head. Your hair is not worth saving and bald men can be sexy. Shave. I mean every day and put on cologne. Wear clothes from this decade. Get rid of the jewelry except for a ring, and wax that obnoxious hair from your back and neck. It peeks out from your clothes. It’s a wonder that you don’t walk on all fours.” “Hey!” “Women do not like overly hairy men. It reminds us too much of the cave era when we were chattel.

It's not a disability, it's life. We are complicated creatures with larger matters on our plate than tip calculation. I grew up watching TV with my mother while she diagnosed the characters as having hyperactivity or attention-deficit disorder. I rolled my eyes and wondered why there weren't any stupid kids anymore. Why did there have to be something to explain everyone? Were the cave people on Ritalin? I didn't think so.

have seen servants upon horses, and princes walking as servants upon the earth." Ecclesiastes 10:7 Upstarts frequently usurp the highest places, while the truly great pine in obscurity. This is a riddle in providence whose solution will one day gladden the hearts of the upright; but it is so common a fact, that none of us should murmur if it should fall to our own lot. When our Lord was upon earth, although he is the Prince of the kings of the earth, yet he walked the footpath of weariness and service as the Servant of servants: what wonder is it if his followers, who are princes of the blood, should also be looked down upon as inferior and contemptible persons? The world is upside down, and therefore, the first are last and the last first. See how the servile sons of Satan lord it in the earth! What a high horse they ride! How they lift up their horn on high! Haman is in the court, while Mordecai sits in the gate; David wanders on the mountains, while Saul reigns in state; Elijah is complaining in the cave while Jezebel is boasting in the palace; yet who would wish to take the places of the proud rebels? and who, on the other hand, might not envy the despised saints? When the wheel turns, those who are lowest rise, and the highest sink. Patience, then, believer, eternity will right the wrongs of time. Let us not fall into the error of letting our passions and carnal appetites ride in triumph, while our nobler powers walk in the dust. Grace must reign as a prince, and make the members of the body instruments of righteousness. The Holy Spirit loves order, and he therefore sets our powers and faculties in due rank and place, giving the highest room to those spiritual faculties which link us with the great King; let us not disturb the divine arrangement, but ask for grace that we may keep under our body and bring it into subjection. We were not new created to allow our passions to rule over us, but that we, as kings, may reign in Christ Jesus over the triple kingdom of spirit, soul, and body, to the glory of God the Father.

We lay contentedly together, occasionally kissing, my fingers twined in his hair. I loved the feel of it, its texture, its color, and I brushed it back along the nape of his neck. “You’re tickling me,” he said with a smile. “Are you trying to keep me awake?” “No.” I laughed, pushing up on my elbow to look down at him. “It’s just--” I stopped, staring at the birthmark on his neck, the mark of the Bleeding Moon, as it had been called in the legend, and my hand began to shake. “What is it, Alera?” he asked, alarmed. “Nothing. It’s just…” I struggled to form a cohesive thought, for in all my dreams of a life with him, of having children with him, this question had never before occurred to me. “Just what?” He sat up, placing a hand on his neck where I had been playing with his hair. “When we have a child, what will happen? I mean, the High Priestess told me, when she was our prisoner in the cave, that the powers of the Empress of Cokyri were supposed to pass to her firstborn daughter upon the child’s birth, but that they were split between her and her brother when she was born a twin. The possibility of the powers reuniting and passing into the High Priestess’s firstborn daughter gave us our negotiating leverage with the Overlord.” “Yes, but what does that have to do with anything?” “Well, you have powers, too. I’m wondering…” A shadow fell over his face. “You’re wondering if my powers are unique to me. Or might a child of ours inherit them.” “Yes, or if…” I took a deep breath. “Could they pass from your body and into the child upon birth, like the magic of the Empress of Cokyri?” From the expression on Narian’s face, it was plain this was the first time he had ever considered the question. “I don’t know, Alera. The source of my power derives from an ancient legend and the circumstances surrounding my birth.” He touched my face, then added, “Perhaps it’s time we took another look at the origin of the legend--and we should find out if anything else was ever written about the powers I was destined to have.” I sighed. “I wish London were here. He uncovered the scrolls that foretold your birth, hidden somewhere in Cokyri. He would know what else was written.” Narian nodded, but said nothing more, and I tried to imagine what he must be feeling. Were his powers a blessing or a curse? Would he want them to pass to a child of his? And if a child held them, what manner of life would he or she lead? Then I asked myself the same questions, and an overriding answer became startlingly clear. “It would be good to know, Narian. But it doesn’t matter. I want children with you, and I do not fear the powers you hold, nor would I fear them in the hands of our own child.” He nodded, then settled on his back. I snuggled against him, lost in thought. At some point, I would fall asleep; it did not appear that he intended to do the same.

Distorted, clawed hands hung the bag of precious herbs around the thick, muscular neck of the wolf, and then the animal took off in a dead run, racing the climbing sun as it burned away the thick cloud covering. Fur began to smoke, and blisters rose beneath the thick pelt. Thunder cracked unexpectedly. Thick black clouds, heavy with rain, blew across the sky, providing Mikhail with dense cover from the sun. The storm rolled in over the forest fast, with wild winds kicking up leaves and swaying branches. A bolt of lightning sizzled across the sky in a fiery whip of dancing light. The sky darkened to an ominous cauldron of boiling clouds. Mikhail bounded into the cave and raced along the narrow maze of passages toward the main chamber, shape-shifting as he ran. Gregori’s cool silver gaze slid over him as Mikhail relinquished the herbs. “It is a wonder you have been able to tie your shoes without me all of these centuries.” Mikhail sank down beside his brother, one hand over his burning eyes. “It is more of a wonder you have stayed alive with your ostentatious displays. Remind me to remove my impressionable brother from your disrespectful presence before your winning ways rub off on him.

I can read your thoughts. The amusement was soft and caressing, wrapping her up in strong arms. I was perfectly sane and sensible until I met you. Now look at me. I’m crawling around inside a mountain. Suddenly she stopped and held herself perfectly still. I’m hearing something. Tell me you are not taking me into a cave full of bats. Say it right now, Jacques, or I’m out of here. I am not taking you into cave filled with bats. Shea relaxed visibly. She was not squeamish about very many things, but bats were creatures that were on the earth to remain a safe distance away from her. Miles away. Bats were one of those things she could stare up at in the night sky and think how interesting and wonderful they were, as long as they stayed high above her and nowhere close. Her nose wrinkled. The sounds she was trying to ignore were getting louder. Her heart began to pound in alarm. The walls of the passageway were so narrow, she had no way to move fast. All at once she felt trapped, as if she was suffocating. I’m going back, Jacques. I’m not a cave person. She did her best to sound firm and matter-of-fact, not at all as if she were seconds from screaming her head off. She turned her head cautiously to keep from scraping her face on the jutting surfaces. His fingers circled her wrist like a vise. There must be no disturbance. If any creatures exit the cave or warn others of our existence here, we could be found. A piece of paper couldn’t fit in here, certainly not a person. No one is going to look for us here. A vampire would know the moment bats flew from the cave. Bats can’t fly out of here if there aren’t any in here, now, can they? She was sweetly reasonable.

You clean the inside of your phone?" Riq asked. "Are you kidding?" Dak said. 'She cleans the inside of her calculator." Sera felt her face flushing. "So? What about it?

Oh," Riq said with a sinking feeling. "That's right. Bears climb trees.

As one can hardly find any thing in a house where nothing keeps its place, but all is cast on a heap together; so it is in the heart where all things are in disorder, especially when darkness is added to this disorder: so that the hear t is like an obscure cave or dungeon, where there is but a little crevice of light, and a man must rather grope than see No wonder if men mistake in searching such a heat, sand so miscarry in judging of their estate (304).

It was Farid, the rug merchant who’d helped